#which has been making socializing and everything else really tricky

[if-loki-was-a-fox]

I love being on Tumblr and having mutuals — this year has been so much experiencing community and friendship in ways I haven't in a long time, if ever, and even if I still have frustrating mental health struggles that can get in the way of that and other stuff it's still easily been a highlight of this year and I'm so glad I got to have all of this and all of you and I'm very hopeful about seeing it continue into the next year

[vaultdwellerbarbie]

mary's song (oh my my my)

boone x f!reader (5.5k wc)

summary quite literally everyone who has ever interacted with yourself and boone knows that you're in love with each other, it's really just the two of you who can't seem to recognize it

content warnings tornadoes, a few crude jokes

hi everyone i'm back!!! just moved, but managed to see twisters again during it. i've been in a (useless) quest to find a twisters poster, too. this is named after the taylor swift song because... obviously, i'm sure you've heard the song. divider credit to saradika :-) also did anyone else get bombared on tiktok and instagram by anthony ramos shooting a video up his nose yesterday???? someone needs to tell him how to hold his phone

It had only been about a year ago that you first met Tyler Owens and, after a long conversation, had been invited to accompany the small team he had been putting together to chase tornadoes. Despite it not having been that long ago, a lot had happened in the time between your first meeting and now.

For starters, you had never really been big on using social media publicly before all of this. That wasn’t to say that you were terrified of it, or that you even had many qualms with your newly found position of having people know your name—really, most people were interested in Tyler, so it wasn’t like you were being hounded just because the channel had so many followers online. Even Tyler wasn’t being necessarily hounded, though he was a bit more famous than the rest of you.

The main part of your attention came from the second thing that had massively changed since you started working with the team: everyone seemed to be under the impression that you were in love with your best friend and that the feelings were reciprocated. 

To be clear, you were in love with Boone. But you didn’t think people needed to know that; you denied it every time someone asked you. 

When you joined the Wrangler team, it was an adjustment for everyone to have a new member of the team taking part in everything. That wasn’t to say that people ignored you, or that they didn’t like having you around; it was more like muscle memory. They had to balance making sure you felt included without accidentally making you feel suffocated, especially since you were still navigating being a chaser, which is tricky on its own, and being a ‘social media influencer’, in a sense. 

While that was happening, Boone took it upon himself to make sure that you were included and comfortable. He was nice, he was funny, he had a lot of energy, and you liked being around him. He made you laugh when you were scared, he made you eat when you got so lost in the work that you forgot, and he kept you up with long conversations even when you were exhausted and you would have told anyone else that you needed to go to bed. You often looked forward to your half-awake conversations at tailgates with him once everyone else had fallen asleep, even though you knew that you were going to regret it in the morning. 

Even then, you could never fully regret it. Boone went out of his way to bring you coffee or energy drinks depending on how tired you were; it didn’t take him long for you to figure out your tastes. 

That’s not to say that he was the only one who was incredibly generous with you - everyone was very welcoming, and you appreciated all of them; it was just a little bit different with Boone. At first, you figured it was just because your personalities meshed well together—and that was definitely a factor—but after a while, you started to recognize that it was a little more than that. As much as you tried to deny it to yourself, at the point that your stomach was fluttering every time he touched you, you knew that you couldn’t deny the reason why it was different with Boone. 

Well, you couldn’t deny it to yourself, at least. Everyone else you could deny it away to, even though you weren’t sure you were the most convincing liar. 

The fans picked up on it rather quickly, probably because with every seating and vehicle arrangement that they saw, you were almost always together. Maybe it was the way that you laughed at his jokes or the way that he had initially encouraged you when you weren’t sure what to say in front of the cameras. It could have been the fact that, as you got closer, you were a lot more touchy. Sometimes, you could act like you shared a brain cell, and sometimes that came along with you hugging on camera or sitting shoulder to shoulder, looking like you’re creating some sort of plan in the corner of the vehicle when in reality you’re... actually, often creating a plan. 

The rest of the team picked up on it just as fast, though they didn’t go to the extremes that the fans did—it wasn’t like you woke up to a message from a family member sending a ‘ship edit’ that your friends had made of you and Boone; that was all the fanbase.

No, the rest of the team were somewhat subtle about it at first. But when it got to the point that he would stand behind you, rest his head on your shoulder, and let you do the same to him whenever you felt like it—any restraint that they had was out of the window. At that point, Tyler was almost frustrated by the fact that you both continually denied that anything was happening between you when it was so abundantly clear to everyone else that the things that you both labeled as platonic were anything but that.

Still, even in private, you would never admit to anyone that you had any sort of non-platonic feelings for Boone, and he would deny, deny, deny every time someone asked him. 

Sometimes it was fans when you were selling merchandise; other times it was the people you were helping in the towns who noted how comfortable you were with each other. Outside of that, it was your friends pulling you aside and trying their hardest to get the two of you to finally admit that something was going on between you. No matter who it was, you both always had the same answer—you're insane, I’m not in love. Have you never had a close friend before? 

Out of everyone, Tyler was the most frustrated with it because he was close friends with Boone, and he knew that it would make him even happier if he could just admit that he has feelings for you. Still, nothing he did or said really helped, even though that never stopped him from continuing to try to get one of you to break. 

The most egregious example is the fact that Kate was convinced that the two of you were together when she first met you and had to be informed that wasn’t the case. She had, earnestly, been discussing what it was like to be in a relationship in public like that with yourself and Tyler when he had to politely inform her that you, in fact, were not in a relationship with Boone. Now, he ended it there with you in the conversation, but the moment he could talk to Kate alone they were both complaining about it—it made no sense to them that you and Boone weren’t in a relationship with the way that you acted toward each other. 

Despite that, you both continued what you were doing beforehand. There was, however, a palpable shift in the dynamic of your relationship after you met Kate—after the incident in the theater. 

Though you both survived it, you never shook the feeling that came with gripping onto flimsy, rusty theater seats for dear life and not knowing if the other person was going to make it out alive. During it, you wished that you had told him how you felt because you were worried that you would never get the chance again, but even after you both made it out alive, you said nothing—Boone said nothing. The idea of ruining your friendship if he didn’t feel the same way or vice versa just felt like too much of a risk, so you chose to keep it to yourself. 

Still, you managed to be even closer after that. You sat closer, touched each other more, and often refused to go on a chase without the other person by your side—that had more to do with the remaining fear of something going wrong again, but you also knew that it had something to do with the fact that both of you had something that you needed to get off of your chests and had decided to keep to yourselves for one reason or another. It got to a point where everyone seemed genuinely frustrated by your lack of communication on the matter, but you were both convinced that it was the only thing that you could do. 

Another chase had gone well, and you were sitting with your friends in the parking lot of some motel—admittedly, one of the nicer ones that you had stayed at—but you were pretty sure it was because it was recently rebuilt after being ravaged by a tornado. There were a few people you had met along the way—fans of the channel who were studying tornadoes and other natural disasters—who were having a conversation predominantly with Tyler and Kate. 

Feeling a nudge on your shoulder, you turned to face Boone, who was offering you a cold bottle of water. 

“Thanks.”

It was an unconscious choice when you decided to move a bit closer to Boone once he was seated, but one that caught the eyes of the people around you regardless. 

“My daughter is a big fan of both of you.” One of the older women commented, and a smile covered your lips as you turned to look at her. “But she seems to think you’re both…”

“She must be one of the editors.” 

“Writer, actually.”

“Ah.” 

Both of you knew about the edits and the fan fiction. That’s not to say that there were a lot of them, they were just a lot more popular than any other pairing in the fanbase. Many people who subscribed to the channel were people who were generally interested in nothing but the weather, but what caught the attention of the young eye? Admittedly, Tyler and not any of you. But what kept them coming back wasn’t just them enjoying looking at Tyler but rather the relationships between the crew.

For the same tried and true reason that people listen to podcasts, and before that radio shows, to get through their daily grind, they enjoy the relationships and conversations between the Wranglers. But younger people get heavily into shipping, and since the two of you tend to finish each other’s sentences, it’s often the two of you that get the most edits and fanfictions written about you—the most people in the comment sections who are convinced that something is happening that’s more than what they already knew. 

“But you’re not together, are you?”

“Not as far as we know. Are we, Boone?” You turned to look at him, but he only gave her the same smile he always gave the people who inquired about the nature of your relationship.

“I don’t think so.”

"Yeah, but everyone else does,” Tyler interjected, to which you could both agree. Though he said it in the sense that he—and everyone else on the crew—was under the impression that you were wrongly convinced that you weren’t in a relationship and that you were just blind to the reality of it, you agreed because you knew that everyone else believed that you were in a relationship with each other even if you continually denied it. 

“Even Kate does, and she just got here.” Dani was the next to speak up, but you just took a sip of your water and tried to ignore it. As much as you love everyone on the team, sometimes it could be difficult with them being convinced of your relationship with Boone being something that it wasn’t. To be clear, you loved him; you wanted it to be more than what it was, but it took a lot out of you to make peace with just being friends with him, and it could sometimes be draining to be constantly reminded of that. 

“She’s always talking about one specific chase, where she wore his glasses or something?”

You knew what she was talking about; you remembered that day vividly. 

While you, typically, came prepared for anything, your sunglasses had been destroyed in a chase because you had gotten a little bit overzealous and lost them out of the window. Since there was an outbreak at the time, you were so exhausted at the end of that day that you just kind of forgot that you were planning on getting new sunglasses. Despite the incoming storm, it was sunny that day. You complained to Tyler and Boone about how you hated not having your glasses during chases, and Boone took it upon himself to reach back from the front seat and politely put his sunglasses on your face. To top it all off, he made sure to give you a gentle pat on the cheek before turning back around. Certainly, your face had grown impossibly warm during that moment, and you weren’t sure how he could have missed that when he touched it. 

A lot of fans latched onto that because it seemed like a clear piece of evidence that something was going on between you and Boone. While you saw it as nothing more than him being silly—and a good friend—everyone who was already prone to thinking that something was going on between the two of you only had their thoughts amplified.

After a few moments, questions about your relationship were dropped, and whatever conversation had been happening across from you before just proceeded. But you couldn’t deny that there had been a shift since everything happened—since you first met Kate, since you almost lost each other, and a sopping wet Boone pulled you so tightly against him that you were pretty sure you were just a little bit more pressure away from being suffocated—but you knew that you had him in just as aggressive of a hold, and for good reason. You didn’t want to die, and that was enough to instill fear within you, but you also didn’t want Boone to die. You were terrified to lose him, and the mere fact that he didn’t know you loved him in any way other than him being your best friend was beyond you. But you also knew that you hated the idea of him not being in your life. What if he didn’t reciprocate your feelings? You didn’t want to risk losing him. 

The rest of the night went just about how nights like these typically went. You had a good time with everyone but gave Boone most of your attention. He was the one next to you, the one who let you rest your head on his shoulder when you got tired, the one who walked you to your room (that was right next to his) and reminded you that he would be up bright and early just to make sure that you were up bright and early. 

While you were up early, you were unhappy about it. The entire night you were tossing and turning, considering whether you should just listen to what everyone around you keeps saying about Boone and just follow what your heart requires of you. But the logical part of your brain refuses to allow you to make any rash decisions in the middle of the night. Not the night before a tornado that predictions are saying is going to be at least someone impressive.

Predictions can always be wrong, you know that. Just because the numbers are good doesn’t necessarily mean that you’re in for a big show. But, you’re still all prepared for something big to happen—even if you end up with a little tornado or nothing at all, the fans are still going to enjoy it, and you’ll have the added benefit of knowing that at least one town or city isn’t going to have to pay a fortune in repairs. While one little street sign might not make much of a difference, even one house being hit is something that everyone takes harshly on the team. A lot of thoughts kept you up at night, but you ultimately were able to fall asleep.

Waking up the next morning, getting everything ready, and opening the door to find Boone waiting at the top of the stairs with a coffee is typically how you end up getting out of bed every morning—today has been no different thus far. You’re not expecting today to be much different than any other day to begin with, so you’re not looking for much when you walk outside of the motel room.

“You know if today is an experiment day?” You asked, taking a sip of your coffee. Your arm was almost touching Boone’s as you walked beside him, but your friends were used to that at this point. If they even noticed anymore, they didn’t make the effort to say something about it. There was no point; it was like speaking to two brick walls when anyone tried to confront either of you about the nature of your relationship in any capacity. 

“Think so; you gotta ask Kate.”  Since the damage was, preliminarily, expected to be a bit higher of a risk than the smaller storms that you had been dealing with lately, it was most likely that it was an experiment day. While you knew that Kate’s formulations worked, you also knew that it wasn’t a miracle to end all tornadoes. She needed to continue working on them and making sure that they could be as useful toward preventing destruction as humanly possible.

Still, as you waited by the trucks, the early morning sun shining on Boone as you walked beside him, you couldn’t help but think about him in ways that you were certain a friend doesn’t typically think about her other friend. You knew that the way you looked at him was different, and you knew that you probably should have been more subtle about it. If he had noticed the way that you looked at him, he hadn’t said anything. 

“Sorry, we didn’t have time to eat.” He finally said, leaning against the truck. “I did bring this though.”

Your lips broke into a smile as you watched him pull a chocolate bar out from his pockets, but you only shook your head. “I don’t want to eat pocket chocolate, Boone.”

“Why do you always gotta call it that? Just ‘cause it’s in my pocket-”

“It’s hot out here! You can’t tell me that thing isn't melting—at least a little.” 

Boone opened up the candy bar, and you both looked at it. It wasn’t quite gooey yet, but it was definitely melting. “So what if she’s meltin’? Still candy. You like hot chocolate, don’t you?”

“Not the same.”

“It’s totally the same.”

“It’s not remotely the same!”

“We’ve gotta head out, kids. You’re with me.” Tyler interrupted you both, walking past you to get into his red truck. Realistically, you were pretty sure this was where you were going to be today anyway, but you also knew that you were going to both be in the back. 

Before Kate, you would often be in the back alone with Tyler and Boone in the front. When Ben came along for a little while, you would sit in the back with him if you were in the red truck, with Boone or Lily sometimes in the back with you. But, with Kate here, if you were in the truck with Tyler, you were almost always with Boone. If you were both there, you were in the back seat with him with Kate and Tyler in the front. Since today you were going to be running an experiment, Kate was going to be the one in the front seat since it was, after all, her formula and her experiment to begin with.

Once you were inside the truck, you sat as close to the middle as you could, and Boone always did the same. He liked to still feel more like he was in the front, and you liked to sit close to him.

"Sure, you don’t want any? It’s the good stuff.” His fingers were coated in chocolate at this point, and though you should have found it sloppy in some way, you found it endearing. He was always so genuine, and he was always incredibly excited to be doing what he was doing. You’d never met anyone who put as much energy and passion into everything that they do quite as Boone does, but maybe that’s just a part of why you’re so drawn to him. 

“If this goes well, we’ll be back in time for lunch.”

“But-”

“I appreciate it, you know I do.” You gave him a comforting pat on the head that he quickly swatted away; meanwhile, Kate and Tyler hopped in the front of the truck. The cameras were on regularly quickly, and whatever interpersonal conversations you were having quickly morphed into what they were on camera. Though sometimes you were certain that Boone was just a little more flirtatious on camera than he was off camera because you both knew that exaggerating your personalities helped with sales—and your relationship itself, whatever it was, helped with sales more than you cared to admit. 

Once you got to the sight, you always took a lot of joy in two things: one, seeing the storm itself since that was how you got into this line of work to begin with. But the second thing—the thing that most people picked up on when they watched you—was the way that you watched Boone. He was always a pretty happy person, but it was like his entire demeanor shifted when he saw a storm in person. No matter how many times he had been on a chase, he was always lost in the sight of it and the feeling of being there. He never once lost that sense of wonder or that look in his eyes, and it always made you happy when you got to be there with him and to sit it happening up close and personal. It just so happened that other people tended to notice that you spent a lot of chases just looking at Boone. 

As Tyler drove the truck into the tornado, you made sure to join in with Boone in amping up the viewers. At some point, you were pretty sure a good old-fashioned ‘yee-haw’ came out of his mouth, which you were more than happy to repeat as you waited for Kate to press the buttons that would release her barrels into the atmosphere. 

While Kate released the barrels, the sounds of your friends' voices explaining what they were seeing on the radar barely came through over the sounds of your voices and the tornado. It came in just enough for you all to hear that the height was dropping. Once the truck wasn’t being moved very much, the four of you stepped out of the truck. It was a bit windy, but it was greatly dying down. Whatever strength that tornado was going to be—and from the looks of it, you were certain it would be relatively strong—it was now a thing of the past. 

Boone always liked to celebrate at the end; you knew that. Sometimes that would be giving Kate a high-five for being the one to initially formulate something so powerful. Other times, it could be him doing a backflip, shaking Tyler, or the one time that he tried to dance with you much to your confusion. But each time, it tended to be something different. And no amount of these such instances could have prepared you for his initial reaction today.

It took you a moment to adjust to the feeling of his hands on your face, but barely any time to register that he had planted a chaste yet somehow sloppy kiss against your lips. Truthfully, you were pretty sure that Boone didn’t even recognize what he did until after he had done it, and you were both just left there, staring at each other with his hands still planted on your cheeks. But that lasted for probably about seven seconds, and he was gone to the camera just a moment later. You were positive that Tyler had recorded that, but you were honestly too shocked to even process whatever conversation he was having with Boone. 

“I thought you two were just friends.” Kate teased, approaching you as you placed the tips of your fingers against your lips.

“Me too.” 

Riding back to the motel, you were lost in conversation with the people in the front of the truck. You were going to need to be on the road again the next morning; Kate had gotten work about there being something big on the horizon across state lines. None of you were overly fond of going as far as she was proposing in such a short amount of time, but you were still going to have enough time to sleep at the very least. Joining in on a tailgate probably wasn’t in the cards for any of you unless you were willing to entirely forgo sleep just to do something that you had done the night prior with probably all of the same people, but you were still going to have time to have a meal before packing yourselves back into the car.

When that conversation ended, you knew you were close to the motel, but you also knew that you were left in silence. The moment you were, you were allowed to truly ponder your thoughts about your relationship with Boone. Even though it was a tame kiss, one that you could even consider friendly, you knew that it was something different. Because it was him, because he looked at you the way that he did afterward, because you were in love with him, because of the way that he had been looking at you since a lull in the conversation left you both to your own devices. 

He had kissed you, and you knew that he didn’t have platonic reasons for it. 

“Why do I have a feeling we’re going to need to pay for one less room tonight?” Tyler questioned, his eyes on the back, while Kate nudged and scolded him for making you both look away from each other like you had seen something that you weren’t supposed to have seen. Kate said something about “Look what you did” while you took note of the large crowd of people that were gathered right where you were about to pull into.

The moment you got out of the truck, you were all bombarded. Tyler was often the one who received the most attention, and it was no different today. But you noted the flock of people who came up to yourself and Boone, the way that everyone in your friend group seemed to have the same either excited or surprised look in their eyes when they looked at the two of you. Eventually, though, enough was enough in your mind.

Boone’s eyes were locked on your face in a way that was different from anything else that you had experienced before today, and you were certain that you were looking at him in the very same way. At some point, you just had to give in to your instincts.

Turning around, you grabbed onto his cheeks just like he had done to you and pulled him into a kiss. Boone immediately responded, an arm wrapping around your waist, as he immediately made the kiss a lot deeper than it had been earlier in the day. The feeling of his facial hair tickling your skin made you smile against his mouth, and your smile made him smile. The sound of the people around you taking pictures, talking amongst each other, selling merchandise, and chattering about your new relationship with Boone did nothing to deter you. You’d been waiting what felt like ages for exactly this, and you finally had it. 

Pulling away, you sighed as you rested your forehead against his. It felt like the world was a lot lighter now that you weren’t carrying the weight of wanting to feel his lips against yours on your back. But there was one more large weight that was really keeping you down, and you knew at this point that there was no sense in it any longer.

Those three words slipped out of your lips after a moment, and the giddy expression on his face translated into his voice as he told you the same thing. So you kissed him again, and again, and probably one more time for good measure before Tyler decided that you’d both probably had enough and were making the people around you—the people who were financing everything that you were able to do together—at least a little bit uncomfortable. 

But it didn’t matter to you if you needed to wait until later to kiss him as much as you wanted, because you had done it. You’d kissed him, you’d told him that you loved him, and you now knew that he felt the same way. Maybe it was odd to have been that close and been seemingly unable to communicate your feelings with each other, but it didn’t matter anymore. Even if you had some time to make up for, you were truly just relieved that you no longer needed to hide your feelings—that the edits and stories would now reflect reality, rather than just reflecting what you secretly hoped that your reality would become. 

Tyler’s theory had ended up being correct; they did end up needing one less bedroom since the two of you had decided to stick together for the night. But whether or not they made jokes or assumptions didn’t matter, because what mattered the most to you was right there in front of you. Plus, some little part of you had always loved that they all knew how much you loved him; maybe that was what made him feel comfortable enough to kiss you, and maybe that was what would make it an easy transition from being accused of being together to actually being together. But you weren’t sure yet, and you were beyond excited to find out. 

In the following weeks, it had proven incredibly easy to get used to the idea of being on camera in a relationship—some parts of it felt predominantly the same, but you also couldn’t deny that the slightly possessive side of your brain was just happy that people knew that you were with Boone and that nobody could—or would—try to make some sort of move to take that away from you. 

Your friends were supportive, albeit frustrated that they had to watch you both beat around the bush and pine for so long. The fans were supportive as well, and both of you ended up actually watching some of the compilations that people had made of your ‘best moments’ together. Though you finally deciding to actually go forward with the relationship did put all of the fans frustrated with your lack of progress back where they started to begin with, mainly watching the videos and the streams for Tyler. 

So, it allowed for a bit of calm. Even though nothing about your job was calm, and it was rare that Boone was ever calm, there was a sense of tranquility in being able to sit beside him during a chase with your hand in his, or to kiss him when something went right or wrong, or just whenever you felt like it.

As the day was winding down, about three months out from actually making your feelings toward each other known, you joined your friends outside at the dinner table at Kate’s mom’s farm. You had helped Kate and her mom cook dinner, while Dani had handled making the tea and Tyler had volunteered to set the table. Kate had opened up about this being a bit of a tradition with her and her friends before things went wrong, so you knew that it was important that you all pitched in so she wouldn’t be distracted by those thoughts of the past. 

As you set the food down, you moved to wrap your arms around your boyfriend as he snapped out of the conversation that he was in, his head tilting up from his seat as a smile covered his face. 

“Hey there, darlin’. Miss me?”

“‘Course.” You responded, pressing a kiss to his cheek and sitting down beside him. Throughout the meal, he kept an arm slung over your waist, letting you play with his fingers and rest your head on his shoulder. While you had always been affectionate with each other, it had always been restricted to anything that could be remotely interpreted as platonic. But, no longer having to do that, you finally allowed yourself to find true peacefulness in the chaos of your lives.

[physalian]

Character Types: The Coward

Specifically, the cowardly protagonist, because this character is so tricky to make compelling and not insufferable.

Cowards, much like schemers, tend to be the antithesis of a brave, selfless hero. They look out for themselves first, and if anyone else benefits, it’s a happy accident. Unlike schemers, they’re missing an inflated ego. They lack the drive and confidence to connive and claw for power.

Which tends to make cowards extremely unlikable, because not only are they unheroic, they’re useless. Plenty of characters get called cowards when they’re not, they’re just being sensible, and plenty more wear that badge proudly.

So how do you make one that isn’t a burden on the story and endlessly frustrating to the audience?

Well, I wrote one, and so far haven’t had any complaints.

Elias is my protagonist in Eternal Night, and he is a coward, and he knows it. He’s quiet, a bit of a cynic, a proud introvert, and a nerd. He also lives in a hyper-survivalist society that doesn’t waste any time on superfluous things like mourning their dead or facing their emotions because if they did they’d all steep into a depression rot and never escape.

The survival rate of hunting parties outside their cave is pretty low and Elias already lost his only brother to an accident, and has absolutely no desire to leave the cave. He’s got a perfect job as the Keeper—bookkeeping, inventory, and historical record.

He has a valid reason to be selfish: Being brave just gets you killed.

Elias is not a “chosen one”. He’s just extremely unlucky and cannot catch a break, dragged around by different vampires and clashing covens, none of whom really like him all that much, but for plot reasons he’s important to their plans.

The only character who cares about him is a Fixer and my Fixer absolutely suffers for sticking his neck out for Elias.

There is no “the power was inside you all along” moment, no “you’re the one true king to unite all the vampire covens” moment. Elias’s whole plot journey is to do whatever it takes to survive to the next morning and maybe also woo a boyfriend cause eyyyyy.

His whole story journey, which is different than the plot, is learning how fucked his clan’s survivalist nature made him. He’s missing so many social skills, so many milestones in life, so many experiences that are just a given to everyone he meets.

To somebody who’s never seen the stars or even clouds before, dumping him into a castle of 200 strangers and asking him to make friends is a tall order. Dumping him into a den of what he’s been raised to think of as monsters and stockholm-syndromed blood slaves and asking him to make friends is damn near impossible.

Elias is self-serving, and self-sabotaging in nearly every way. He’s wrong, about most everything he says, and doesn’t get away with it.

Elias’s refusal to make nice and let old grudges fade makes him extremely disliked by everyone in his new home, except for one person. So when the time comes for Drama and Plot, they do not give a single shit about protecting him, because he didn’t give a shit about protecting them.

“I just want to be normal” heroes are annoying, unless the task they’re chosen for is hell. Everybody wants to be a wizard at Hogwarts. But nobody’s signing up to volunteer for the Hunger Games.

Elias’s “fuck this I want to go home” selfishness does have merit. He doesn’t want to be food. But everywhere he turns, characters are proving him wrong about how it’s not “just being food,” how their society benefits everyone in the harsh environment they live in, how they’re doing the best they can with what they have and it’s not perfect but it’s better than the alternative.

He fights it at every turn. It’s not just “wah I hate vampires because they’re icky” it’s “I’ve been raised to hate vampires, and you ripped me from my home and everything I ever knew and they might all be dead now. If I start sleeping with the enemy and forgive and forget, then who am I?”

Elias might be a coward, but he’s not lazy, and he’s not stupid. He doesn’t throw a tantrum and refuse to accept the alternatives to being food. He works hard for his place (once he gets over his weaponized incompetence), works hard to try and save himself by learning more about his world and geography and all his possible escape routes, and when his survivalist upbringing of “do or die” comes in, Elias doesn’t freeze when he’s cornered, he comes alive.

So he’s still very much a “coward” in that he primarily only wants to save himself (and the one other character he cares about), but he’s not a couch potato, not a damsel in distress who can’t lift a finger to break the locks on his own cage, and the plans he does come up with to stay alive actually work.

I don’t expect Elias to be anyone’s favorite character, he wasn’t designed that way. He’s a walking tragedy constantly in the wrong place at the wrong time and gets caught in the middle of a fight he never asked for over and over again.

—

I also don’t see a ton of protagonists like him, so if you’re going to write one, or even a cowardly side character who audiences aren’t supposed to hate, I’ll synthesize the above points here:

Give them a valid reason for why they’re selfish, some reason that might have anyone else in their situation probably making the same choices

Make it clear that they are wrong, and that their own cowardice is their largest hurdle, and that either the plot or other characters don’t let them get away with it

Give them positive traits to balance out the cowardice. Maybe they’re kind, or they’re funny or they’re clever, but audiences do need something to root for

Give them agency. They can’t sit around like a bump on a log being a burden to the plot and the other characters. Even if they’re only in it to save themselves, they still have to work to accomplish that

Bonus option: Give them somebody else to shed their cowardice for, especially if they pick the absolute worst moment possible to suddenly become a hero

—

If you’re interested in Elias’s story, the first book in the planned trilogy is out now: Eternal Night of the Northern Sky

[five-rivers]

First. Previous.

Okay.  Well.  Taking everything into consideration… and emphasizing safety… Going out was risky as either Fenton or Phantom.  Waiting was… safe.  It was safe, but if he had to do it without something to do other than college courses of dubious utility, he'd go nuts.

Besides, it was like a security exercise.  If he could do it, someone else could do it.  Better to be prepared!  Honestly, locking him out was a safety hazard, too.  What if there was an emergency and he needed to go to the Zone (not unlike now)?

And… just because he found a workaround didn't mean he had to use it.  He could find it, then stop.  Report it to his parents.  It'd- it'd be useful.  

A constriction in his chest he hadn't even been aware of loosened.  His shoulders slumped.

It'd still be useful even if he did go through with it.  He'd be exploring.  Collecting new information.  Learning. 

He pushed away from the lab door and, feeling slightly rebellious, flew up into his bedroom.  He kicked off his shoes and scrunched his toes into the carpet, trying to draw comfort from the sensation of home he'd painstakingly worked into his not-quite-a-lair.  Then, he went to his computer and started to pull up all the information he had on the DNA scanner, the lock, and the portal doors.  

If he was going to do this, even on a theoretical basis, he needed to have a plan of action.  He needed to have things to research, to test, he needed to…

… he needed to call Tucker.  

"Hey, man," said Tucker, and Danny resisted the urge to ask him if his voice had gotten deeper again, because even if it seemed that way it probably hadn't and Danny didn't want to make this weird again.  "How did your talk with your parents go?"

"Bad."

"Ah," said Tucker.  "Did you tell them how you feel?"

"I tried," said Danny, flopping dramatically on his bed.  "They're not listening."

"Maybe you should get Jazz to talk to them, after all."

"No," said Danny.  "I don't want to--She has her own things to worry about, and Mom and Dad and I… we need to figure out how to work out our problems.  I was actually wondering, would you help me hack the DNA lock on the portal?  They disabled my privileges." 

There was a long moment of silence, and Danny bit his lip, worried.  

"Danny, dude, do you really think that's 'working out your problems?'  Don't you think that's a bit, I don't know, extreme?"

“I don’t know.  I just need to do something, and they won’t let me do anything.  I feel like I’m stuck and I hate it.  I’d just– I’d just feel a lot better knowing that I could go, if I needed to.  Could you help me get through it?  Please?”

“Okay, okay.  I'll help.  Just let me think about it for a minute."  

Danny bit his lip.  "Okay."

Tucker was silent for a long moment, but just when Danny started to think that maybe he’d pushed too hard, he said, “Just to be clear, you want this to be, like, some way you could get through at any time?  Not something where you just have to get through once at some point?”

“I mean, yeah.  Because, because,” Danny hurried to say, “I’m not necessarily going through without their permission, I just want to be able to go.”

“Uh huh,” said Tucker.  “Well, if you just wanted to go through once, and have it be one and done, I’d say keep an eye on them and wait for them to open the portal, but I guess we’ll have to be more tricky.”

“That’s not hacking.”

“Yeah, but some of the best hacking isn’t hacking at all, it’s social engineering.  When possible, you go around security, not through.”

“Oh,” said Danny.  “I hadn’t thought of it that way.”  It wasn’t too different from some of the things he did when fighting, after all, or when avoiding fights.  

“And you’re better at the mechanical end of things to begin with.  Less stuff to go wrong.”

“Uh huh,” said Danny.  “But I don’t think there’s much mechanical I can do beyond taking apart the lock.  Which I can do, I guess.  It’ll just take a long time and be really noticeable.  Or the door itself.”

“Yeah, how about we table that for now.  Do they have any of their probes still out?  Or anything else that’s kind of on both ends?  I know you can’t do that tech possession digital travel thing in, like, public anymore, because of the Guys in White monitor, but can you do it on your parents’ stuff?”

Danny considered that for a moment, then shook his head.  “They ghost proofed a lot of it since last time Technus went by.  I don’t think it occurred to any of us to make an exception for me.  If they even could do something like that.”  He paused.  “There is the thermos plug.  I still have access to that.  But it doesn’t open unless you put the thermos in and stand clear.”

“Can’t you make duplicates?”

Danny sat up.  “Huh?”

“Can’t you just, you know, duplicate yourself, suck one of yourselves - man, that sounds bad, somehow - into the thermos, and then have the other one of you flush the thermos?”

“That’s…” Danny paused for dramatic effect, “genius!”

“Thanks,” said Tucker, dryly.  “Glad to know I still have it.”

“Of course!  Like you could lose it.”

“Trust me, I can definitely lose it,” said Tucker.  “Hey, if you do try this, maybe write a note for your parents first?  Because you can’t get back through this way.”

“Oh, yeah,” said Danny.  “That is a problem.  But I think it should be fine…”  This wasn’t like the old days, after all.  His parents would notice if he was gone for any significant length of time.  Which was good!  Just… not convenient for slipping away.

“Don’t do anything too crazy, alright?  Wait for Sam and I to come back for summer break.”

Danny smiled and nodded, even though he knew Tucker couldn’t see him.  “I know!  I’m looking forward to it!”

.

For obvious reasons, Danny couldn’t try out the workaround while his parents were still in the lab.  He had to wait until after they came up for a stilted family dinner, and then even longer for them to go to bed.  

But when they did…

He went down to the lab, thermos in hand, and stood in front of the portal.  He rolled the thermos nervously between his hands, staring up at the portal.  If he did this, his parents would be mad, but…  

His eyes slid over to the comm equipment they used during his excursions.  If he got them good data, maybe they wouldn’t be as mad?

On the other hand, then they’d be able to find him.  

He bit his lip.  He could still back out, too.  Make what he’d told himself and Tucker more true.  Go to bed. 

[we-are-inevitable]

Trans masc Davey?

TRANSMASC DAVEY. YES

having a SUPER close bond with Sarah, his twin sister; she was the first person he came out to, and she was so SO supportive. helping him figure out measurements for a binder- bc sarah definitely sews her own clothes and has everything they need for measurements- and figures out how to order it discreetly. not that he’s worried about telling his parents, but that’s a Big Step and he isn’t sure he’s ready for it.

he’s already kind of “tomboy-ish”- i like to think davey is pretty sporty despite the everything about him, and basketball is his #1. sarah takes him thrift shopping and they get him a few masculine basics that he can dress up or down or “feminine” depending on the case, and once the binder gets there, the gender euphoria he feels in a t-shirt and men’s jeans just cements the newfound identity.

coming out to his parents is very emotional but they’re extremely supportive!! they may not fully understand but they try, and they start using his pronouns immediately. esther taking him to a friend who does hair and they do the Big Chop and david doesn’t stop smiling the entire way home.

coming out to everyone else is still kind of a hassle though. most of his friends are some flavor of queer but it’s still Daunting, and the first non-family member he tells is jack, his best friend and crush of ~3 years. i imagine davey to be 15 or 16 when he comes out too. jack being immediately supportive and nonchalant about it !!

he probably doesn’t verbally tell that many other people, just updates his pronouns on instagram and other various social media accounts

davey getting top surgery during the summer between senior year of high school and freshman year of college; he saves half of the money over two or three years of working while in school and his parents know how important it is to him so they save up the other half and help him find a good doctor as an early graduation present. it’s scary and perfect and he’s so fucking happy

at this point he’s been on T for a few years

moving onto some little hcs instead of a made up background:

sarah making him clothes !! she loves any and all things fashion and making a new cool wardrobe for her new cool brother is everything to her

he still plays sports, which can be a bit tricky, but basketball is like one of his fave things and his school is pretty great so they basically let him decide which team he feels more comfortable on

i feel like race is always trans to me so davey and race being trans besties. they aren’t super close but they Understand and they listen to each other vent or rant whenever they need

davey cycling between a few names before landing on david, and he decides on it bc his mother gifts him with a star of david necklace for his birthday and he just kind of says. ah yea this. this fits well

he just has a really good support system and everyone is pretty great. ofc there are some rough patches but for the most part his coming out/how he lives his life is incredible

i wanted to go a more angsty route with this but us trans people deserve happy stories. love you guys v v much <33

[tomodachipersonalitycentral]

Got some more characters for ya!

Lackadaisy

Rocky Rockaby

Freckle

Tylvinian Tales

Luka Mikaelson

Olivia Bo

Kaleb Killian

Child's Play

Chucky

Tiffany

Andy

Sorry if this is a lot but I love these a lot and really wanna know what you think of these folks ^-^

Ooo thank you, I've been really wanting to do Rocky to be honest, and these are fun ones. Let's get to it!

Rocky and Freckle

Rocky is a surprisingly tricky one. You think it'd be easy, but there's an argument for why Rocky could fit in almost every category. Let me show you what I mean.

Outgoing: Comfortable in almost any situation, and makes new connections easily.

Well, I wouldn't say he makes new connections easily as most people find him odd, but he is comfortable in pretty much every situation. I mean, the comic starts with him remaining ever the wise crack despite being nailed to a literal railroad.

Easygoing: Does things at his/her/their own pace in a genuinely honest and kind manner.

Rocky does go to the beat of his own drum, and he is honest with what he does. Kind? Arguably not always in retrospect, but in his own head it's clear he thinks he's helping (like his situation with Freckle).

Confident: Tackles any challenge head-on, and has great faith in his/her/their own abilities.

This is the only one that doesn't really fit Rocky. He constantly doubts his own abilities and he doesn't always tackle things head on (even if he'd like to).

Independent: Comfortable doing his/her/their own thing and thinking outside the box.

Rocky is more independent than he looks and absolutely is an out the box thinker, which usually ends up isolating him.

However, I think personalities from Easygoing and Independent have the most potential for fitting Rocky the best, so I'll tackle potential personalities from both of them.

Optimist: Positive, enthusiastic, and always beaming. He/she/they smiles not only for himself/herself/themselves but to make sure everyone else has a good time too.

Rocky certainly puts on the performance of the optimist, but, he often shows he doesn't truly feel that way and is a lot darker than that, so I think it's fair to say this one does not match.

Dreamer: Idealistic and romantic. Often has his/her/their head in the clouds...but also comes up with a lot of great ideas as a result.

Rocky certainly is idealistic and romantic, and he certainly comes up with great ideas as a result. But he also is a bit more grounded than constantly having his head in the clouds, working towards his dreams instead of just dreaming, so no.

Artist: Imaginative and inspired. Happiest when creating something. Able to find beauty in everyone and everything around him/her/them.

Rocky loves creating, but I wouldn't say he sees the beauty in everyone and everything, if anything he is quite negatively poetic when he dislikes someone.

Free Spirit: Unique, carefree, and creative. Laid back and does things his/her/their own way. Self-reliant and always thinking way outside the box.

Rocky is the prime example of what it means to be a Free Spirit. He doesn't care about literal or social laws, and he lives his life the way he sees fit even when other's don't understand. He often relies on himself, or sometimes his ability to convince others which still ultimately comes from attempting to make things work with his skillset, and thinks so outside the box it's kind of terrifying.

Therefore, I think Independent Free Spirit suits Rocky the best.

Freckle, in comparison, is a lot easier. He's pretty much the definition of an Easygoing Buddy:

Does things at his/her/their own pace in a genuinely honest and kind manner. Trustworthy and considerate. Puts his/her/their friends first, and works hard to make sure everyone gets along with each other.

Freckle is constantly trying to manage conflict between Rocky/Ivy and others, he goes along with Rocky's plans because Rocky asked for his help, and he does everything in his power to protect both of them. He might have a wild side but, deep down, Freckle does want to be honest and kind in everything he does, and that comes from his drive to help others.

Luka and Olivia

I'd say Luka is the same type as Freckle (Easygoing Buddy), though for different reasons:

Does things at his/her/their own pace in a genuinely honest and kind manner. Trustworthy and considerate. Puts his/her/their friends first, and works hard to make sure everyone gets along with each other.

Luka has a good heart and, therefore, he wants to spread love to the people he interacts with, and especially the children he helps take care of. He is literally their mediator, which is 100% Buddy material, I can not see any other personality for him.

Olivia is a lot harder, since I don't know that much about her. Based off what I do know, Easygoing Softie:

Does things at his/her/their own pace in a genuinely honest and kind manner. Sensitive, emotional, and very in tune with the feelings of those around him/her/them. Highly empathetic, and also quite sentimental.

Kaleb Killian

So, remember when I said the language for Go-Getter sounded too harsh for Davina? Yeah well, we're getting back to that now. So, Confident Go-Getter:

Tackles any challenge head-on, and has great faith in his/her/their own abilities. A determined self-starter. Cuts his/her/their own path in life, and doesn't let anything stand in his/her/their way. Quick at turning plans into action.

The difficulty with villains is Tomodachi Life doesn't really have a personality for "sneaky people that do sneaky things" so the idea Kaleb faces his issues directly head on isn't fully the case when he's such a manipulator. But the rest, faith in his abilities and the personality itself rings true.

Kaleb isn't afraid to cut his own path, doing whatever is necessary to get the results he wants or needs. I doubt he hesitates to put his plans into action either.

Therefore he is a Confident Go-Getter.

Chucky and Tiffany

Chucky is really difficult because, similar to Kaleb there isn't really any personality perfectly befitting of "evil stabby person".

If I had to classify him as anything, it'd be between Outgoing Leader and Confident Go-Getter, and Confident Go-Getter also wins for Chucky:

Tackles any challenge head-on, and has great faith in his/her/their own abilities. A determined self-starter. Cuts his/her/their own path in life, and doesn't let anything stand in his/her/their way. Quick at turning plans into action.

Chucky would have literally murdered a child to get a body again if he'd had his way, enough said.

It might sound strange, but I'd classify Tiffany as an Easygoing Dreamer in the worst of ways:

Does things at his/her/their own pace in a genuinely honest and kind manner. Idealistic and romantic. Often has his/her/their head in the clouds...but also comes up with a lot of great ideas as a result.

So many of the things she does because she's a romantic, and she's typically nicer than Chucky because of this. Replace great ideas with terrifying ones though.

Andy

This one is also tricky because I'm mostly familiar with Andy as a child, and adult Andy kind of confuses me. But I think it's safe to say Confident Adventurer fits quite well:

Tackles any challenge head-on, and has great faith in her/his/their own abilities. Risk taking and ambitious. Full of energy, and does almost everything on a whim. Once started, nobody can stop her!

He rarely cowers in fear of anything, in the second movie he even tried to kill Chucky himself. If Chucky is around to be killed, he'll go for it.

[vsnotresponding]

1 for Ely! And anyone else you wanna talk about!

Also 14 I know you have aroace characters, but tell me more about how they perceive their aroaceness since it’s such a wide spectrum. Any character of your choosing for this one :)

questions from this pride ask game

hi lyn!!

1. What's your oc's gender identity? What's their relationship to their gender?

Ely uses they/them pronouns, but doesn't mind being addressed by male terms (they are called Death prince, for example) (in a modern au they'd use the non binary label). Their relationship with their gender is very tricky, and is part of the plot.

Since forever they've known they aren't a girl, or a boy, and were most content when addressed with gender-neutral terms like kid or child. being perceived as female made them extremely uncomfortable, which made them avoid contact with everyone if they could. in their head, they were always just Ely (i've made a note to only address them as such until they get to the point where they master Sorrow and truly become a *them*).

thing is, after they die, they both resent and try to forget the person they were. they hate that teen. they killed her. she can't be mourned because she was never there. but that's just not true (it's also the reason there's a plot lol). she might not be them, but she's a part of who they are.

everything's very gender with them, and mostly based on my own gender fuckery :]

14. Do you have ocs on the aro or ace spectrum?

oh boi do I:

ngl, i have a feeling all my pov and mc characters will have touches of the spectrum as i write them, , because i'm aroace and i *struggle* with writing these things.

there's tho, the Canon Ace/Aro ocs my beloveds

I Will Go In Depth About All Of Them. Because I Can

Púlsar:

Karma: demiace. very bad with touching other people in any way unless he really really trusts them (there's a bit of his autism in here too). struggles with aesthetic attraction (he really doesn't notice poor man). would like to be cuddled tho. is also very clueless about his identity. he knows he hasn't liked anyone like, ever, and it takes him literal years to realize he likes ira. so. again, poor man. i love him

Níniam: very ace. again, doesn't think much about these things so he's not very aware either (talking about an older Níniam btw)

Hamza: greyace, has only been attracted to The One Dude ever. again, very chill with it.

Bean: ace, but with a powerful aesthetic attraction. women pretty. (again talking about older Bean)

Ira: ace. is able to recognize when someone is aesthetically pretty but it doesn't do much for her. she's a very touchy person, but i don't think she'd be sex favorable. leaning towards neutral-negative, ngl.

she has a complicated relationship with love. she either hates you, dislikes you (most people), tolerates you, tolerates you but will call you friend because social conventions, or loves you. that's the only distinction she makes. she's aware she loves people in different ways, but they are unique for every person she does, so there's not like, a clear difference she can explain. i don't use the aro label for her, and i don't think she would either.

UP:

Hannah: aroace. incidentally, her colors are purple and green. yeah, she finds the people that approach her annoying and has no interest in romantic or sexual relationships. they are at peace with it, ngl. also she has enough with the messes lyric gets into and with patting akira on the back when lyric keeps not realizing his best friend is in love with him (she's very tired of the allos).

CV:

Médiel: aro. as a teen she realized she was never going to fall in love, and her immediate reaction was that it was another gadget in her arsenal to infiltrate la Corte. fake dating but the other party doesn't know it's fake. as for her sexuality, i'd say if you are hot she'd fuck you.

TFB:

Arion: aroace. also 7 years old in canon. but yeah, as a grown up he'd be that. he's also very autistic (i think his sexual identity is very tied to that, unlike with karma where i think it isn't as much).

Chimera: aro. no idea what his sexuality is ngl. he's just vibing, man, bringing his little brother into adventures with folk people in the forest.

[mariacallous]

Trans women banned from high-level women’s chess events

As anyone who has ever played the game knows, chess pieces are deceptively heavy. Enormous hand strength and lung capacity are required to move even a tiny pawn across a board. Shifting a rook or a queen? That can exhaust a delicate lady’s fingers for weeks on end. And don’t get me started on the spatial intelligence and mental acuity required for chess. Even thinking about the game makes my poor little woman brain hurt.

Obviously, this is all nonsense. And yet men have long been keen to push the idea that they’re somehow innately better at chess than women. “[Women] are terrible chess players,” Bobby Fischer proclaimed in 1963. “I guess they’re just not so smart … I don’t think they should mess into intellectual affairs, they should keep strictly to the home.”

As recently as 2015 Nigel Short, then vice-president of the world chess federation Fide, claimed that “men are hardwired to be better chess players than women”, adding: “You have to gracefully accept that.” The English grandmaster went on to explain it was clear men and women’s brains are different because he helps his wife get the car out of the garage and she has more emotional intelligence than him.

Fide still seems to believe that cis women are born lacking some sort of chess gene. How else does one explain their recent decision that transgender women cannot compete in its official events for females until a review of the situation – which may take up to two years – is made by its officials. Certainly, Fide hasn’t made it clear what sort of innate advantage they think trans women may have.

There have, of course, already been several defenses of Fide’s decision. But rather than being based on any firm evidence, they seem to be constructed out of sexist assumption and shaky science. Debbie Hayton, a trans woman who writes frequently for conservative outlets, wrote in UnHerd: “It’s possible that evolution has left men with an innate advantage in chess.” Hayton backed that up with a quote from a (female) Harvard biologist about males having a large advantage over females in spatial ability. But that’s not entirely true. While you can certainly cherrypick lots of studies that show men’s spatial abilities are superior, there are also lots of recent studies that refute this. A 2020 study in Nature Scientific Reports, for example, found no difference between male and female spatial abilities. Any differences previously found, a lot of research suggests, may be down to testing methodologies.

It is true, of course, that men dominate the upper echelons of chess. But why do you think that is? Do you really think it’s because men are brainier? Do you really think it’s because men and women’s brains are hardwired differently? Or do you think it’s because structural sexism stops a lot of young girls from getting into chess? Sexist assumptions seep into us from a very young age: a disturbing 2017 study found that girls as young as six believe that brilliance is a male trait. This social conditioning affects everything from career choices to hobbies.

Forget trans women for a moment, should there be separate women and men’s categories at all in chess? That’s a little tricky. Because far fewer women go into chess than men there’s certainly a strong case for keeping some separate men and women’s categories for the moment. But the idea that you wouldn’t ever see women win if the categories were mixed-sex is misguided. Nigel Short has certainly been beaten by a woman: Judit Polgar, who was ranked as high as No 8 in the world, has a winning record against him.

Perhaps men like Short are so keen on a separation of the sexes because they’re worried about their own performance. Look at air rifle shooting, for example, a sport where men and women are evenly matched. “Shooting wasn’t always split by gender,” air rifle coach Heinz Reinkemeier told ESPN in a 2021 article. “In the 1976 Olympics, the American Margaret Murdock won a silver medal in the free shooting event … after that the men decided to split shooting up into men and women because they didn’t like to be overtaken by the girls.”

Again, I think the question of whether men and women should play in separate categories in high-level chess is tricky. However, I can’t see any case for stopping trans women from competing in the women’s category. Ultimately women’s chess isn’t helped by gatekeeping definitions of women. It’s not helped by excluding trans women; it’s helped by encouraging more women to get into chess and dismantling gender stereotypes. If your argument for excluding trans women is that women have inferior brains than men then you are no feminist, you are a pawn of the patriarchy.

Trump-appointed judge said he supports banning abortion pills because people like looking at babies

Fifth circuit judge James Ho argued: “It’s well established that, if a plaintiff has ‘concrete plans’ to visit an animal’s habitat and view that animal, that plaintiff suffers aesthetic injury when an agency has approved a project that threatens the animal … Doctors delight in working with their unborn patients – and experience an aesthetic injury when they are aborted.” Yes, you read that right, a judge just compared women’s bodies to wildlife habitats. If you are wondering what on earth is going on with the fight over abortion pills in the US, the Guardian has a good explainer here.

A quick reminder: LinkedIn is not a dating app

Up to 91% of US women who use the professional networking site regularly have received romantic messages from other users, according to a recent survey.

Texas jury orders man to pay ex-girlfriend $1.2bn in image-based sexual abuse case

The woman, who went by “DL” in court documents, is obviously unlikely to recover anywhere near that amount – getting her harasser to pay anything at all isn’t straightforward and may require another lawsuit – but the verdict sends a strong message. “While a judgment in this case is unlikely to be recovered, the compensatory verdict gives DL back her good name,” the woman’s attorney said in a statement. Will the harasser, who shared intimate pictures of DL with multiple people, uploaded them on to porn sites and relentlessly taunted DL about the imagery, face any real consequences? Not anytime soon. According to the Washington Post, DL chose to got to civil court “after making multiple attempts to report her ex-boyfriend’s harassment to law enforcement without receiving assistance”.

India’s supreme court issues handbook urging judges to be less misogynistic

The handbook advises judges to avoid words like seductress, spinster and harlot when talking about women. It also counsels judges not to ask alleged rapists if they will marry their victim: “Marriage is not a remedy to the violence of rape.”

[mmesutozill]

Hiiiii. I hope you would still continue your personality traits gifset 😔 what do you think about potentially see more kinn and porsche and the possibility of a s2?

hellooo and thank youu. ugh i have been the worst and haven’t really gone back to ps since i had a phase of making kp gifsets and my kinn personality traits gifset is halfway done and….remains that way. but thank you and i hope i’ll get motivation to finish it soon as well! 😌

with kp s2…boy…i have spoken to a couple of friends about it…and long answer short i honestly don’t know and if it happens it’s not gonna be any time soon and definitely not this year. <pls be warned about the incoming word vomit>

i know a lot of people esp on twitter are hella depressed after the final concerts over the weekend with it seeming like a goodbye to the characters and this chapter in their lives and also cause boc seemed to have maintained from the end of s1 that s2 was intended (with how they ended s1 and what was said unofficially by some cast members and pond). and we have never got any official confirmation whether it is happening or not. so i get that that’s kinda confusing cause i know i did strongly believe s2 was coming but to be really honest idk about that now.

i think it’s primarily got to do with rights issue (with the original novel writers leaving daemi house and us not knowing what rights boc has over the story and characters). I don’t think boc will (and should) adapt a s2 unless they’re able to take liberties with the storytelling just cause the source material is truly a hot mess. but with the original writers gone i don’t know what kinda tricky situation boc would have to deal with with respect to that. and also throw in the whole build scandal and i don’t think they wanna touch on kp again with the scandal so recent and social media would turn into a war zone with whatever they choose to do with pete whether it’s to recast or write him off. so they may wanna stay away from kp and by extension the scandal or anything build related until things calm down. and to a lesser extent I think crew availability and possibly funding could be possible reasons. i did initially feel like the 2023 projects were also green lit first to give visibility to the main pairings of kp and keep interest while a s2 is being written. and also the profits from the shows to help fund s2 without them having to rely on mile money.

i wish we had more clarity on what’s going on and where they stand with it. it does seem like they don’t wanna commit and say it’s not gonna happen but at the same time they also don’t wanna commit and confirm it is. so it’s hard to straddle in the middle and sort of string fans along. personally, I think when and if s2 drops, i’ll rejoice at that and tune in to watch. but i don’t think we should have too much hope on it but just focus on what projects the actors are gonna be focusing on next. just cause there is a possibility it may never happen. which sucks. but it is what it is and im sure it’s as hard to swallow for boc as it is for us. ideally, i would have hoped for them to definitively wrap if it’s really done and have a grand send off to the characters and maybe even a special ep as a love letter to the characters. but i do think leading up this weekend some people suspected it was over and this was it, and some people still had hope. i am just gonna look forward to the trailers of their upcoming projects and i will very likely check out the mileapo movie in theatres when it drops. but as for everything else, we just gotta wait and see im afraid 💕

[peacehopeandrats]

😏 🐶 🏳️‍🌈 🌙

😏 Discord:

Yeah. I'm on discord. peacehopeandrats

Just like everything else that is social, I'm there off and on though. If you are asking to chat, I'm happy to do it, but my schedule just doesn't allow for a lot of down time. I'm not on many servers. There's the Rumbelle stuff, of course.. and some for a couple board games I love which also have online versions. My private minecraft server also has a discord, as do some f the podcasts I listen to/support.

🐶 Dogs or cats:

This is a tricky one for a pet sitter because I shouldn't be taking favorites, but I have always been a dog person. I like cats, I have one, but he is more useful to me than pet-like and I'm okay with that. He has a job, which is to exist around my house and smell like a cat so the wild mice don't come in from the woods that surround our property. The fact that he plays with and kills wood roaches is extremely helpful too. My dogs are more like my family in my heart. They don't have jobs, they just live here and get noisy when strangers show up on the property to make them think twice about breaking in. Okay, I guess that's a job.

I am trying to teach the cat to walk on a leash (he wants to walk with the dogs, but is afraid of cars and the road) but he doesn't quite care for it even though he throws a fit when he is left behind and the dogs go for their walks. He thinks he is a dog. He even growls at the delivery trucks.

🏳️‍🌈 A member of the LGBTQIA+ community:

Sure. I'm married to a woman, but do find some men attractive and have slept with one or two in my lifetime. The easiest way to explain the issues I have with men is to say that one repeatedly molested me when I was 12 and since then being with anyone (even women) can be tricky. I can get triggered at random times and feel trapped, then panic. I have had people tell me that I might be more on the Ace spectrum since my interests are naturally more localized to a specific person, but I don't believe that to be true. Molestation at a young age like that really fucks up your desires and even after years of therapy this shit isn't going away. Being necessarily picky about who I trust to put their hands on me doesn't make me Ace, it makes me a survivor. I still have the same drives and attractions for both women and men, I just have to be careful about them. BuT, for most of my life I didn't feel worthy of the Bisexual title because of this. Now, the longer I live and the more the world accepts things like trauma, I feel less like I am insulting Bisexuals by claiming to be one when I could only sleep with a very specific type of man. So B is the letter up there that fits me best.

🌙 Length of time I've been here:

Sorry to say that I haven't got a clue. I do know I have passed an anniversary because I joined just as the TEAs were starting. I'm horrible at remembering years. Don't even remember my own age most times. Just a matter of those numbers not being important to me like they are to most people.

Thanks for these. I love an excuse to chat.

[corvidexoskeleton]

I've been thinking about this comment for a bit now, and while I do agree with the point you're trying to make - that hatred against men because they're men is just as bad and bigoted as hate that terfs spout - I do think it's important that I correct some things about your comment:

You people will get mad at terfs for treating trans women like you treat men

Terf ideology as a whole is defined by hatred of men. The entire point of terf ideology is that they hate men and want to live in a society free of men, patriarchy, and everything that has to do with either. This fullthroated hatred of men is how you end up with people like sheila jeffreys and andrea dworkin, who are so vitriolically resentful of men that they develop a narrow-minded and rigid, black and white view of sexuality and gender

It's not that they're bigots, but they their bigotry targets groups that are popular.

Which is why I believe this comment in particular is missing the mark. Terfs are bigots. They're not just attacking trans women because they're a popular target. The reason that terfs have made trans women - and in fact trans people broadly - their primary target at the moment is because to them, trans women represent the epitome of everything they stand against: men, who are so intent on violating, invading, and defiling what they believe is sacrosanct. This is wrong, of course, but the hatred that terfs feel for trans women is, at its roots, an extension of their overarching hatred of men

Men, especially white men, objectively have more social power than women in most of the world, but that doesn't mean that it's impossible to be bigoted against them. You can be bigoted against any group of people, regardless of how much privilege they have in society. Whether or not that bigotry actually affects them is therefore determined by what kind of privilege they have, and whether or not other people like them enough to rush to their defense

This is why bigotry against men often doesn't really affect cisgender, heterosexual, white, and otherwise able-bodied men of higher class as much as it would affect, say, a cis gay black man of the same class, or a cishet disabled hispanic man struggling to stay above the poverty line. "Privilege" is a very nebulous and conditional thing that comes with its own host of caveats and exceptions

But to terfs, none of this matters. They believe that all men, regardless of race, sexuality, class, or anything else that might make them less privileged in a patriarchal society, are the same. There's no room for nuance because they believe that all men ever are born inherently evil. Their refusal to accept that they might be wrong about literally anything eventually leads to them doubling and tripling down, until you end up with our current political climate where they climb so far up their own assholes that even cis women are accused of being "biological males" for not fitting a specific archetype of what they think a woman should be. Nevermind how they treat trans men, who they view as confused, helpless girls that have been manipulated and groomed into mutilating themselves so they can be part of the "oppressor class". Nevermind the fact that their idea of what is or isn't "male" or "female" changes to fit their agenda

This post is making fun of people who supposedly hide their bigotry behind side blogs, but the scarier people are those who are openly bigoted because they've normalized said bigotry. They've put a progressive spin on it so there is no shame in their hate.

This bit is tricky, because I do agree with the overall message of this statement on its own - that many people these days think of themselves as progressive, even though they unconsciously hold bigoted opinions that they refuse to examine and confront. However, when combined with the rest of your comment, it makes you sound like the type of person who would rather eschew progressivism for being too intersectional

I'm honestly confused as to why you even commented on this post in the first place, since my original post wasn't even about bigotry against men in particular. Maybe because I included "middle aged white dudes with american flags as their header or avatar" as one of the groups? I have no idea. Absolutely fucking unhinged response, though, I have to say

Going thru the notes of a post made by terfs to block everyone is fun sometimes because 25% of the people there will be right wing catholic conservatives, 25% middle aged white dudes with american flags as their header or avatar, 25% terfs with some softcore pink sapphic aesthetic, and 25% terfs with "this is a sideblog, dm me for my main" in the bio because normal people don't want to follow them if they're a bigot on main

[lokiondisneyplus]

Warning: This post contains spoilers for Loki episode 5.

The penultimate episode of Loki introduced several new variations on its titular mischief-maker — including Jack Veal's Kid Loki, Deobia Oparei's Boastful Loki, and Tom Hiddleston's ill-fated President Loki. But of all these new faces, perhaps the most memorable was Richard E. Grant's aptly-named Classic Loki — an older, world-weary version of the Asgardian god we know and love.

Decked out in the familiar green-and-yellow suit from the comics, Grant's Loki is older and perhaps a bit wiser than his younger counterparts. Years of isolation have left him disillusioned and lonely, missing his brother Thor, but that spark of mischief is still buried deep underneath — and he ultimately sacrifices himself to help Loki (Hiddleston) and Sylvie (Sophia Di Martino) escape the Void.

It's a delightful showcase for the 64-year-old Grant, who says he's thrilled to be able to carve out his own chaotic corner of the Marvel Cinematic Universe. Ahead of the series finale this week, EW caught up with Grant to break down his big sacrifice — as well as his newfound friendship with Owen Wilson and his pitch for a Loki spin-off series.

ENTERTAINMENT WEEKLY: To start, I have to ask about your costar: How was working with Alligator Loki?

RICHARD E. GRANT: Alligator Loki was fantastic because in reality, he was three stuffed sofa cushions that had been sewn roughly together to react to. [Laughs] The fact that I was the only person that could understand what he was saying was just fantastic. I think it's the perfect segue into having Classic Old Loki and Alligator Loki as a sub-series to go to next.

So it's safe to say that you would be willing to reprise this character down the line?

If I had a muscle suit, most certainly. I was denied that. I saw the costume design, and I was very familiar with Jack Kirby's original illustrations from the '60s, so I thought, "Ah, this guy's got muscles!" As I had been born without any, I was finally going to get in a muscle suit. I got to Atlanta [to begin filming], and they said, "There's no muscle suit! You're just wearing this!" I said, "But I look like Kermit the Frog!" They said, "Nope, you're not having a muscle suit." So I was very, very upset about that. [Laughs] Short-changed!

I was going to ask about your first impression when you first put on the costume!

That's what I asked: Where are the muscles? Where are the Stallone/Schwarzeneggers here? Because they're missing! This is what people will expect! This was in the costume drawing, and they're not here, and I don't have them! I was very upset.

When they first asked you to join the show, what was that initial pitch like?

I had known Tom Hiddleston socially for some years, and we'd always joked that we could feasibly play father and son because of our vague physical similarities and hairlines, certainly. So when I got this offer at the beginning of last year, before COVID, I thought, "Alright, this is that moment that I had hoped would come at some point." I thought I would play his father, but I'm playing a variant of him. So that's how that came about. I was thrilled.

Tom has been playing his version of Loki for a decade now. Did you get any guidance from him, or have any conversations with him that you found particularly helpful?

He is a walking Loki-pedia, so he was very, very informative about the whole etymology and the history of the Norse gods and Loki. He's also brilliant at imitating people. He goes on chat shows and imitates famous actors absolutely to the letter. I don't have that talent. So when I read the script of episode 5 that I was offered, I saw that [this older version of Loki] described himself in his backstory of being the god of outcasts — rather than the god of mischief, which is so absolutely embedded in Tom's interpretation of the role. So I thought, well, [if he's] the god of outcasts and is somebody who's been isolated for years and living on these planets and is willing to betray himself by going back and being arrested by the TVA and making the ultimate sacrifice, offering himself up to Asgard, I thought, well, this is somebody who is more in the twilight zone of his life, as am I. As opposed to a young man, who's full of mischief still.

So, I thought that was a way into interpreting this character, rather than trying to do — and something I couldn't possibly succeed at doing — a pale imitation of Tom Hiddleston.

I'd imagine that would be tricky, but it would also be a fun challenge: You're basically sharing scenes with all these different versions of the same character.

Exactly right. And I love the fact that he was the one person who could communicate with the alligator. I love that.

So would you now consider yourself fluent in alligator?

Indeed. I am the Doctor Dolittle of the Marvel universe when it comes to speaking to alligators. I speak alligator fluently. Put that in the contract of when I'm doing a series as Classic Old Loki, with muscles and the alligator. It'll have subtitles, so the audience can hear what the alligator is saying, and everyone else is saying, "What is he saying? What is he talking about?" That'll be the way.

I also wanted to ask about your big finale, where we see your Loki conjure Asgard. What do you remember most about filming that final moment?

Huge wind machines, blue screen in every direction, and following a camera on a crane that was maneuvering around the ceiling of the studio, and then swooping down. I was having to shout at it, and then finally laugh in the face of my own immolation. So it was a great thing to do, with these huge air turbine wind machines that were blowing four tons of air at me from every direction. It was exhilarating.

Did you have any practical elements around you at all, or did you have to imagine and conjure it all yourself?

Most of it you had to imagine. The actual landscape that you walked on was real grass and this sort of rocky landscape, but all the other elements — all the ships and all that stuff — was put in afterwards. We didn't see any of that.

The Loki palace that looked like a sort of bowling alley, that was all for real. Everything that you see in that scene was actually built and practical.

Was it chaotic to film in the bowling alley with all those different versions of Loki, bickering and bantering?

Because there was so much action involved, it was paint-dryingly slow, because action takes much longer to do than five pages of dialogue. I prefer talking, as I'm not exactly an action man, as you can see. [Laughs]

Was there anything about joining the Marvel universe that you weren't expecting or that really surprised you?

I didn't expect to find true love with Owen Wilson. We're having a surrogate baby together in October.

Oh, congratulations!

He was just so hilarious to work with. He's just one of the greatest characters I've ever met. He is so open and curious and amenable, with this sort of dry sense of humor. There seemed to be no divide between Owen Wilson acting his part and then just being Owen Wilson. I don't know if he was scamming me, but he was an absolute delight. I loved him.

Was there a particularly memorable day on set with him?

Yes, when we conceived our twins. [Laughs] No, my daughter encouraged me to post this thing on Twitter and Instagram, where he said, "Richard, I'm going to give you some acting advice. Put your camera on." I said, "Yes, okay!" I owe him for that because it got like 640,000 views already in a few days, which on my Instagram feed is off the chart. It's nothing for Beyoncé, but for mine, I'm pretty gobsmacked.

[zen-garden-gnome]

Long post about whiteness

I’m seeing a lot of false-start questions based on a narrow understanding of whiteness. Whiteness (and recovery from whiteness) can be tricky to unpack because it has a lot of layers that have been added over the years. So you’ll run into a layer and may be tempted to stop there, but it goes deeper.

1) Racial identity was a vague belief before it was officially named, but it’s not as old as many think it is. Prior to European Expansionism, travelers and merchants and militaries alike have generally referred to people based on their place of origin or their language. The idea of vaguely lumping hundreds of ethnicities together based on a handful of physical attributes started to kick up when Portugal began capturing and enslaving huge numbers of sub-Saharan Africans in the mid-1400s. As slave traders and “explorers” brought shiploads of captured, multi-ethnic Africans to Portuguese auction blocks to be traded all over Europe, what set these enslaved people apart from anyone else there (including other enslaved people) was a) the fact that they were to some degree darker than the Portuguese despite displaying a wide range of skin tones, b) were from Africa at the time, and c) were enslaved. When Christian militant and royal biographer Gomes de Zurara was hired in 1453 to write about the life and “accomplishments” of Portugal’s most famous slave trader, Infante Henrique aka Prince Henry the Navigator, he officiated, in writing, the idea that all these newly enslaved people were their own class of people with no differentiation between them. Here, race is a burgeoning social narrative invented to praise European slave traders, and this racial concept is defined in relation to slavery, African origins, and skin tone. Racial concepts appeared in tandem with racist concepts, because races began to be envisioned in order to excuse the abuse of others. The ideas of whiteness and blackness were birthed simultaneously, specifically around slavery, and they became deeply entrenched beliefs before they were ever officially named.

2. “Negro” became the first major racial term before “white” was widely used, binding the development of racial concepts even more securely with the practice of European slavery. In fact, race and racism became encoded in colonial-American law in 1640, when African servant John Punch ran away from his European buyers along with two European servants. He was eventually recaptured, as were his Dutch and Scottish companions. However, the colonial judicial system sentenced Punch to a lifetime of slavery, while the two Europeans had an extra year added to their initial servitude. This marks the first record of a Euro/American legal precedence for lifetime sentencing of enslavement based openly on race. John Punch’s African lineage and the other servants’ European lineage were the differences between their sentencing. Here, European origin was what freed a person from being of the “negro race” and therefore severely reduced one’s likelihood to enslavement. It was also the requirement for incoming settlers who wanted to be able to buy land. Only white people were allowed to develop inter-generational wealth, at a time when this continent was being carved up by land speculators for massive profits.

3. The concept of whiteness was officially named by Carl Linnaeus in order to rank Europeans as superior among other conceptual categories of people. It involved grouping hundreds of ethnic groups together to form white, yellow, red, and black races in he text “System Naturale" (1735). While primarily an introduction to our current taxonomy system, it included these racial categories. It was highly regarded by Europeans eager to cast themselves as superior because it a) created a popular “scientific” framework for excusing the most obscene (and profitable) crimes against humanity, b) officially outlined/invented the white race and identified it with everything good and the black race as everything bad, and then c) clearly defined Europeans as the basis of whiteness, “Homo sapiens europaeus.” Here, whiteness is coined to describe European ancestry, particularly in relation to “grotesque” non-whites.

4. An individual’s personal ideas of whiteness fluctuates with time and circumstances. As governments, social institutions, literature, etc all work to redefine history and clean up their image, people have different/less information to work with, but the effects are the same. The popular spoken definition of whiteness is often simply a reference to a relatively pale skin tone caused by European ancestry. Obviously there are pale people in other places around the world who aren’t European and weren’t related to the slavery of European Expansionism, so pale skin isn’t enough. The relation to Europe’s capitalistic global expansion is key. But what about European countries who didn’t go expanding this way, or whose involvement is harder to pinpoint? After all, most of the trading of enslaved indigenous peoples from Africa and North & South America were carried out by the Portuguese, Genoese, Dutch, French, British, Spanish, and Americans. Well, the rapid enrichment and development of the rest of Europe for centuries to come was specifically made possible by all the labor, resources, and capital brought in by this period of the European slave trade. European ancestry links every white person to privileges and developments born on the backs of black and indigenous enslaved peoples. Furthermore, simply being white makes one safer from these kinds of exploits, and today it also makes one safer from the effects of generations of racial prejudices and resource extraction on the global scene. Which brings me to...

5. Whiteness tends to involve one’s relative freedom. Freedom of movement, both physical and social, without immediate threat of policing. Freedom to explore one’s ancestral history without being blocked by 500 years of forced removal, renaming, forced childbirth, etc. Freedom to exist without having to actually know or respond to one’s racial identity. This one’s really important. Whiteness involves not having to think about being white, usually in relation to living in a country/region whose laws and norms are defined and enforced almost exclusively by other white people. Since whiteness and blackness arose mutually around the European slave trade, blackness is inherently tied to a lack of rights/freedoms and whiteness is inherently tied to an abundance of them. That doesn’t mean that every white person experiences these equally, and there will always be exceptions to the rule. But the exceptions don’t make the rule, and after centuries of globalized white supremacy, whiteness has become a subconscious signifier of power for people all over the place.

The big take-away is this: whiteness is inherently toxic. There is nothing positive to defend in whiteness. It was born out of ugliness and it is ugly to its core. That’s why it feels so bad. It’s why “white pride” is always ugly. However, the solution is not to disconnect from our ancestry. All that does is leave us trapped here, in an ugly set of circumstances, with no concept of who we are except what we’re living in, now. The real work to be done is to connect with our ancestry before whiteness, with the ancestors who related to the land as a living entity, before the land was limited in social memory to a source of private capital, servitude, and empire-building. This land, this Earth, is the backdrop against which all our relativity is measured. From this place of relative security, understanding, and development of the spirit, we can withstand the reality of our more recent ancestors, and finally heal from the last 1000 to 2000 years of trauma.

I know I’ve said this before, but now that I have this huge post, I’ll repeat it: Dr. Daniel Foor’s Ancestral Medicine is a really helpful book and/or course for this whole process. It’s not the end-all be-all resource, but it’s a great start! I’m also always down to talk about this stuff. Hit me up. I need to be able to talk about it, too.

(I should add, while blackness was created by white people and therefore was born out of the racism of whiteness, blackness was forced on people, while whiteness was claimed by the takers. It’s no white person’s place to have an opinion about "black identity.” White people started race, so white people are responsible for deconstructing our own race--no one else’s. We cannot be “post-racial” while everyone else is still living the violent reality of racism.)

[spade-riddles]

Submission: Adjusting expectations

Okay, guys. Wading in here where it’s possible no-one wants me, but … here goes. 

We - Kaylors - are in a hard place right now. People feel hurt, they feel hopeless. They feel like they were led on by the likes of Spade. I’m not here to invalidate any of the feelings that come from seeing Karlie and Taylor play out this charade.  

But I think we (collectively, as a fandom) need to take a breath and ask if any of this is really as bad or unfixable as we think it is. Because, for me, the recent stunting is hard to stomach but not truly surprising. On some level this is how I expected Karlie and Taylor to handle both the birth of the baby and the launch of the rerecorded albums. As much I wanted to believe in the idea of spring breaking loose and bringing with it a fervent revolution … I could see the pieces still in play on the board and I doubted it was coming. 

I think the problem is that there was a split between the optimist and pragmatist sides of the fandom, over the last year or so. To be clear - I’m not judging the optimist side of the fandom. Not at all. Taylor has pulled wildcard moves before, and emotions run so high in all this, especially with a baby involved now, that I don’t blame people for wanting to believe the best. But it reached a stage where some of the things people were trying to talk themselves into were just wildly unrealistic. And when that happens, of course you’re going to get hurt. It’s inevitable. 

But let’s really look at this for a second. We should have known that neither Karlie nor Taylor was going to be shaving her beard in March. Ditching Jerk right after or just before the birth would have been too soon for Karlie. It’s not unusual for a celeb marriage to fizzle out within a year of the birth, but before the baby even arrives? That would be weird, and would draw attention just when it seems Kaylor don’t want it. They just had a baby. That’s an adjustment in itself, and Karlie is suffering enough social media hate on top of that. I wouldn’t blame her for just wanting to take a break and lie low during this difficult time. And unfortunately, for Karlie, that means maintaining the status quo of the situation she put herself in with Jerk. She may be doing the bare minimum to maintain it, but if she wants to avoid attention, she has to make it seem like everything between her and her “husband” is normal. And that she’s trying to make it work, which I believe will be important later. Good people try to make it work, even in bad relationships. 

Toe wasn’t going anywhere either. Taylor had relied on him so heavily during the promotion of Folklore, with the William Bowery narrative, that she was almost backed into a corner. She had to give some allusion to his air quotes “creative input” and their so-called happy relationship, or her failure to do so would have become the story and overshadowed her night. The headlines would have either been break-up speculation or complaints that she didn’t give him his due. We think the cutesy coverage after she named him in her acceptance speech was bad, but negative headlines have a far longer shelf life and can take on a life of their own. They would have been worse. Whatever we might think of Taylor’s actions, Folklore is one of her best albums and she deserved to have her night. 

So, on to the announcement of the birth. This is a tricky one, and again, I completely understand why people reacted so badly against it. It was everything we as a fandom said we didn’t want. It was Jerk using the baby for personal good PR. But I have to be honest here. I always thought we were kidding ourselves believing he would NEVER be seen with the baby or implied to be the father. I do believe Karlie is doing her damnedest to minimize the digital footprint of his involvement and keep her actual baby out of it. But he was always going to get to bask in the glow of playing daddy for a while. It’s the trade off Kaylor made when they used him to shore up their closet. 

This is also why I increasingly suspect the timing of the announcement got the green light from Kaylor too. If Jerk was always going to be assumed to be the father of Karlie’s baby, then there was always going to have to be a birth announcement that incorporated him somehow - unless the girls were ready to answer awkward questions, and it doesn’t seem like we’re there yet. So the best way to minimize the damage is to have his moment of glory overshadowed by a bigger win for Taylor. It worked pretty well actually. Even on Kaylor blogs the stunt was mostly buried by Taylor content.

I know a lot of fans feel gaslit by all the hints, but I do think there’s a possibility Taylor really didn’t grasp how hurt Kaylors would be. From her perspective, she “fed” fans three times over that night. She gave us a beautiful performance, a gorgeous red carpet moment, and a win to celebrate. I think it’s possible she really didn’t realize the double whammy of stunting that night would make it all feel worthless for many.

Taylor is in an awkward position. As a consequence of Kaylor retreating into the closet, the support base for them has shrunk. (When I use the words “Kaylor fandom”, I refer to this support base.) I would say Kaylor fandom consists of two parts. There is a silent portion, who observe events and comment anonymously, but don’t say anything “on main”. And then there are the small corps of true believers, who think Karlie and Taylor are still together and the baby is theirs. This latter group do most of the actual talking about Kaylor, but they tend to be pretty battle-hardened. They’ve been around for years, they never believe any of the stunts and their capacity to be hurt by them is, as a result, pretty limited. These Kaylors criticize sometimes, but they tend to fall back in line eventually and mostly adopt a “let’s wait and see how this all shakes out” approach. The problem is that I would say these “chilled” Kaylors are the minority. For their own sanity they curate their blog experience and often don’t post the more negative anons they get. Which is fine, but if you were looking at it from the outside, I could see how it might create an impression that the fandom as a whole can roll with the punches. And for a lot of the silent majority, that’s not the case. 

But again, I can see how Taylor might not necessarily know that. She went quiet after the Grammys, when I might have expected more celebratory posts from her. If I had to guess, I’d say she didn’t expect the backlash. I’m especially noticing a backlash against her for allowing Karlie to take so many hits while her own reputation has never been better. And I can’t defend her on that one, except to say I hope she has a plan. But I understand where people are coming from when they say the songs aren’t enough and actions speak louder than words. It’s tough to watch. 

Still, we’re in a position we should realistically have been able to see coming. We should have known Jerk wasn’t going to be out of the picture immediately after the birth. This is one of those things nobody likes, but maybe we all just have to be patient on. I don’t see Karlie busting out of the closet to admit her marriage was a fake, or testifying to the FBI. I think she’ll just let her marriage quietly fall apart, as many real marriages did during the pandemic. And for that to work, she needs to make it look like didn’t throw away a family unit lightly. Hence the “I tried” post, the social media break, and the suggestions of spending time with Jerk’s family. All of this can be spun later into a narrative of Karlie having tried to make it work, only to never really be accepted. The hate online affected her mental health and she gradually realized how unhappy she’d become and decided she needed to break free and find her old self again for her baby’s sake. This is the most likely narrative for Karlie’s freedom and it’s one that could work - but it’s going to take time to unfold. Personally, I’m giving it a year. If we don’t see a separation by then, and definitive moves to a reunited Kaylor, I’ll be bowing out. I’ll still know what I believe the truth to be, but I won’t see the need to devote my energy to defending it. ,

Meanwhile, the masters rerecords are about to be released, and Taylor has invested a lot in their success. Because of this, I can’t envision her coming out until at least the big three (Fearless, 1989, and Red) have dropped. She might drop hints, but I don’t expect anything earth-shattering. Even the order of the album releases seems to confirm this. She’s breaking out the big guns first. 

I’ve seen people speculate that because Rep can’t be rerecorded until 2022, Taylor will hold off on any coming out until then. And I’m not so sure of that. Yes, people listening to the album for clues would give Scott and Scooter money, but if we’re being honest, a fair amount of people are probably listening to those albums already, regardless of the drama. Those sleazeballs are profiting from Rep, full stop. But if Taylor profits more, from her bigger albums, she still wins. And she can still put out a Taylor’s version of Rep with vault tracks and collabs, to seduce people away from the Big Machine version in early 2022. Honestly, I think there’s a good chance Taylor would consider this is a worthwhile trade-off anyway, if it meant she got to live a more open life with Karlie - and most crucially, begin to repair Karlie’s reputation. As children get older and the world begins to leave the pandemic behind, it becomes harder to live behind closed doors. I guess we’ll find out how Taylor finds the reality of such a life, and what she considers worth sacrificing to step away from it. 

All this to say: I can’t predict the future more than anyone else, but I don’t think the situation we’re in now is irreparable, and if we’re being really objective, I don’t think it’s even surprising. I do think Taylor should give us something, if she wants to keep us around. No-one can live on a complete absence of hope, and as I’ve stated, letting the fandom dwindle to this extent has its own dangers. But I think we also need to keep our time frames realistic, even if it means rejecting lifelines like the Spade riddles. We shouldn’t expect Karlie to be free of Jerk for around a year, and we shouldn’t expect Taylor to do anything much beyond general music promo until at least the big three have dropped. Sucks to say it, I know. But at least this way we won’t be disappointed, and if Kaylor do pull a wild card and move towards freedom, we can be pleasantly surprised. 

Just my two cents. 

___________________

Well written and fair arguments on our reactions and expectations. I had typed up more, but I will let others post their comments before I chime in.

[shihalyfie]

The different aspects of Miyako’s personality and character arc

Miyako is a character where there’s just a lot going on with her in general, and asking different people to summarize Miyako in one phrase could feasibly get you some very different answers -- “the computer nerd girl”, or “the one who keeps talking about boys”, or “the one who panics all of the time”, or whatnot. Given that there’s so much to unpack at once even from her base profile, ironing out the full extent of her character arc can get a bit tricky, and there’s a lot going on with it. So, given that: Who is Miyako, anyway?

Miyako’s background and personality

Miyako is a character that I think is best understood by understanding what kind of person she is, and the personality and mentality she goes into the story of 02 with.

An interesting background story behind Miyako’s creation is that she’s based off a real person -- more accurately, a certain assistant producer on the series (whose identity has remained undisclosed, presumably for privacy reasons) was used as a reference for her behavior and actions. Although Adventure and 02 have a philosophy of portraying realistic human behavior in general, this level of specificity is a unique designation to have, and series director Kakudou Hiroyuki has referred to this a few times over the years -- it seems she’s the only of the Tokyo Chosen Children to have such a concrete single-person reference, and it’s also the reason her blood type of AB and star sign Gemini were given in 02 episode 25 (the other kids don’t have mentioned birthdays or blood types to prevent personality restrictions via horoscoping, but a real person having Miyako’s personality, star sign, and blood type wouldn’t make that as much of an issue). Even Volcano Ota himself confirmed Miyako’s resemblance to her upon hearing it after the fact! Indeed, a lot of 02 fans (especially adults) have admitted that Miyako’s probably one of the most relatable people in the cast, namely because her gushing about things she likes and panicking at things that overwhelm her is...well, a bit too uncomfortably on-point at times.

(And especially since so much about Miyako’s character has to do with how happy she makes everyone around her, it’s not too hard to imagine that the staff was so fond of her real-life inspiration that they wanted to pay tribute to her in such a way...)

Still, Miyako is a fictional character, one with her own backstory and interactions in 02′s story, and said backstory is such: she comes from a family that runs a convenience store in Odaiba, and is the youngest of a family of four siblings. Running a convenience store on a small island means that Miyako has probably seen a lot of the island’s residents, and her family also has various levels of connections to the other kids’ families (her older sisters Momoe and Chizuru are friends of Daisuke’s sister Jun, and Chizuru is Yamato’s classmate). Moreover, she’s befriended her nine-year-old neighbor (one who otherwise has trouble socializing with his peers) to the point of regularly going over to do computer repairs for his family. She’s also worked in the computer club under Koushirou, and even before the series has started, she looks up to him and adores him in a way not entirely unlike how Daisuke looks up to Taichi -- and although it’s unclear whether or not she started after the beginning of 02, 02 episode 29 reveals that she helps Yamato with his band.

The pattern here is that Miyako is extremely sociable, and one who actively pokes her nose into nearly everything so she can help out. This makes her a very different sort of Mom Friend from Sora -- both of them are Crest of Love holders for good reason, but in Sora’s case, she was compulsively going out of her way to help other people to the point of exhaustion, and her character arc was about trying to find a way to detach herself from obligations and do something for herself. Miyako is the complete opposite -- she’s the kind of extrovert who actively enjoys poking her head into other people’s business, picking up a bunch of peripheral hobbies so she can do something useful for everyone and go I’M HELPING!! If you actually look closely at those hobbies of “computer programming and hacking”, “hardware tinkering”, and “sound engineering”, other than vaguely being related to computers, they are completely different skillsets, and every single one of them is one Miyako’s depicted employing in order to help someone else out. (Koushirou is never really depicted as having super amazingly high technical skill and most of his unique talent comes from being a thorough analyst, but in contrast, while Miyako is established as being good at even hacking in Diablomon Strikes Back, she doesn’t really seem to have a huge propensity for deep analytical thought.) It’s hard to tell if she has any personal preference for any of them as much as she basically turned herself into a jack-of-all-trades so she could do whatever job was necessary for someone else.

If we’re to believe the official 02 site, Miyako’s been a bit pampered by her family -- as the youngest of four siblings, she’s the “baby of the family”, who hasn’t had to live with a ton of responsibility for others. This means that, much like Mimi, she seems to have been raised surrounded by a ton of affection, which is why she herself is such an openly affectionate person who’s open-minded towards trying all sorts of things, and why she’s used to wanting to help others by actively throwing herself into situations -- but it also means that, being the youngest of a family who is now in the situation of being the oldest in a new group, she ends up in Jou’s situation of suddenly being faced with the pressure of the concept of proper responsibility for others.

As far as Miyako’s general personality goes, she is constantly overflowing with affection and cheer and a desire to dote on everyone -- but the flip side is that she’s also aggressive. She has zero sense of restraint. (If you ever get around to listening to the Japanese version of 02, Natsuki Rio’s performance is energetic and over-the-top in almost every way imaginable to the point that you get the impression of Miyako as someone who doesn’t easily run out of batteries -- at least, until things start getting really serious.) When she loves something, she’ll gush about it as if there were hearts floating around her (and, depending on the level of closeness, even jump in and physically hug them), and she has no qualms against physically manhandling if she feels she needs to, and if she dislikes something, she will make it very clear (including yelling very loudly about it). You could argue that she’s actually closer to the archetype of the brash shounen protagonist than Daisuke himself is!

In fact, Miyako and Daisuke have very similar temperaments -- pure-hearted, but also rough around the edges -- but can be distinguished by the fact that while Daisuke is actually deferential and somewhat lacking in assertion, Miyako is actually aggressive, and while Daisuke’s “honesty about his feelings” is mainly because he’s too simple-minded to be any good at hiding anything, Miyako’s honesty is because she has no brain-to-mouth filter, and everything she’s thinking comes out of her mouth before she can control it -- in other words, Miyako has a huge case of foot-in-mouth syndrome. She doesn’t want to be insensitive, but it keeps coming out of her mouth before she can control it -- and even worse, her emotions are prone to taking control of her, and she is very prone to getting overwhelmed and collapsing into a massive panic.

If you think about the two archetypes of “girl who takes care of everyone” and “aggressive action girl”, Miyako has a tendency towards both at once, and moreover there’s an extra nail in it -- most “action girls” in the latter category would be portrayed as badass, put-together characters with a cool personality, but Miyako is a mess. She’s prone to panicking, all over the place, and her tendency to get in-your-face is not exactly in the most dignified manner. And as a result, a huge part of her character arc (as we will be going more into detail about below) is that she’s aware of this and doesn’t like this about herself -- because she doesn’t want to be insensitive or rude, and in fact she wants to be someone who can better help and take care of others, but, in her mind, her own personality keeps getting in the way.

Miyako in 02

After fully becoming a Chosen Child in 02 episode 2, it only takes one more episode for Miyako to bring food for everyone, as if to say “Right! I’m going to be working with everyone now! All of you are now my new best friends!” (”Bringing food for people” is one of Miyako’s many ways of showing love, given that she returns from Kyoto in 02 episode 34 and immediately hands off souvenir yatsuhashi to Koushirou.) And with that, Miyako settles into the archetype of the group’s “mood maker” -- someone whose role is to keep everyone in emotionally high spirits by influencing everyone with cheer and energy. 02 episode 5 features the debut of her famous “Digital Gate, open! Chosen Children, let’s roll!” catchphrase -- this and her other famous “Bingo!” catchphrase establish her as the only of the Tokyo Chosen Children to have a catchphrase (at least, in the Japanese version). Because catchphrases are fun.

As much as everyone (especially Daisuke) is a bit blindsided by her behavior at first, they eventually come to embrace the positive effect she has on all of them -- Daisuke very genuinely asks her for “the usual cheer” in 02 episode 10, and, all the way in 02 episode 22, this is such an agreed-on and established role that they’ll still wait on her to do the honors even when they’re in a hurry. So in other words, it didn’t take long for Miyako to go out of her way to shower everyone with cheer, and it didn’t take long for everyone to answer to that cheer and appreciate her for it.

The flip side of this, however, is that Miyako doesn’t start off being very emotionally equipped to handle this -- right off the bat in 02 episode 2, she says that she’s not inclined for fighting, and in 02 episode 4, she refers to it as being “like an adventure game”. That is to say, she’s not at the point where she’s able to handle the full gravity of what she’s just involved herself with (Daisuke reminds her that she’d panicked earlier, but she just blows it off). She’s handling it so cheerfully now because the series is still in its early stages, when she can enter and exit the Digital World at will, and she’s capable of treating it like this.

So when the stakes do get higher, she’s the first one to take the stress hard. As mentioned before, she’s the youngest in her family, now recast as the oldest in this group -- but unlike Jou, who consciously knew this fact and took stress onto himself because of the responsibility this entailed, Miyako seems to repeatedly forget that she’s the oldest in this group, and the events of 02 episodes 9-10 (when Agumon is kidnapped) cause her to break down from stress and have to take a time-out. (Which everyone allows her to do, because this is not a series where people are pressured to fight if they’re not emotionally ready for it.) Miyako comes to terms with the fact that the stakes are going to keep escalating, and she can’t just gloss over everything with cheer -- and she does manage to pull herself enough to bring Yamato into the fray at the end of the episode, but this continues to be a recurring theme for the rest of her character arc.

While we’re discussing these early parts of the series, one thing I want to briefly address is the part where Miyako infamously calls a lot of people hot. (Although, not as many as the fanbase would love to make you think; it’s only four people in total.) This tends to get her pinned as some kind of flirt whose head is only filled with being hot for people, but while she’s certainly a bit on the shallow end at this point of the series -- dealing with that being what this character arc is about, after all -- this trait of hers tends to get exaggerated by a lot of people in the audience as if she’s completely lacking in common sense. Miyako’s ridiculous (and we love her for it), but she does have some degree of grip on herself! Context is important here -- she might show a crush on someone, but at no point in the series itself does Miyako show any indication of seriously thinking of full-on dating.

For Miyako, who’s accustomed to just blurting out the first thing that comes to mind, commenting on someone being hot is like commenting on the weather -- she means it as a compliment, but there’s no evidence she thinks she has a chance with any of them, let alone wanting to try dating. This is especially when you take into account her self-esteem issues that we learn about later in the series, and also...well, the fact she’s only twelve. (Remember: even Daisuke’s thing for Hikari comes out as a lot of unfocused affection, and it’s unlikely he’s seriously considered the concept of following that up with a serious relationship -- any serious prospects of romance or dating are not going to be on the table for these kids for a while.) Miyako has also been accused by some of being abysmally shallow for still complimenting Ken’s looks in 02 episode 9 (after it’s already apparent he’s the Kaiser), but although she certainly is a bit shallow at this point of the series, she’s not that lacking in common sense; Iori got in on it too in this scene, and both of them were doing it to tease Daisuke more than they seriously wanted to compliment the Kaiser all that much. So in essence, it’s just “Miyako has eyes” -- she still completely agrees he’s their enemy and she’s not going to judge him any better for his looks, but she also doesn’t see this as a reason to lie about the fact she thinks he’s visually good-looking, especially if it’s to tease Daisuke about it.

In any case, 02 episode 14 digs a lot more into Miyako’s stance on herself regarding others -- in 02 episode 6, Miyako met Mimi for the first time, and latched onto her for their similar dispositions and her looking up to Mimi for being beautiful, amazing, and cool (and she should, because she’s right). 02 episode 14 adds another layer to this, however, when Miyako spends the duration negatively comparing herself to Mimi. At first it starts off as simply just shallow jealousy for Michael giving Mimi more attention, but as the situation with Digitamamon escalates, Miyako spends a prolonged period of time trying to figure out Mimi’s behavior of pure-heartedly choosing to trust Digitamamon despite everything, against Miyako’s insistence that Digitamamon’s behavior proves that he was untrustworthy the whole time.

Mimi and Miyako’s stances are both on extremes here -- Mimi’s pacifistic tendencies are causing her to let her get beaten up by Digitamamon despite the fact that “appealing to people’s hearts” has never really been demonstrated as a good way to get Evil Rings off (to be fair, this is probably the first time they’ve made an attempt at this with a Digimon that can still talk coherently with it on), but Miyako’s acting as if this retroactively proves him to be untrustworthy even though she knows that the Evil Rings are tantamount to brainwashing. Nevertheless, Miyako acknowledges that her own stance was borne out of her being shallow and judgmental, especially since the discussion between Mimi and Digitamamon brings out a question about the meaning of the “true self”.

Miyako, at this point, is confronting everything that’s bad about herself -- that she’s shallow and not as much of a “good person” as Mimi is. But the Crest of Purity -- once meaning “lack of malice” back when it applied to Mimi in Adventure -- now has a secondary meaning of “not lying to oneself” (the dub translation of “Sincerity” is not actually that off in this sense), and it also means that Miyako is not going to get anywhere pretending or forcing herself to be someone she’s not. The secondary Digimental arc has a recurring theme of understanding that there are still things you need to learn and improve on in order to do better, and this is Miyako’s version of it -- she will have to acknowledge all of the bad parts of herself before she can get anywhere and become a kind person like Mimi is -- and, indeed, becoming less shallow and judgmental and not jumping to conclusions, and learning to reach out to more substantial cores of the problem, ends up becoming a major part of her character arc in the latter half of the series.

This episode also implies one more thing, even if she doesn’t realize it yet at this moment: the path to her becoming a less shallow and more considerate person is not going to involve trying to force herself to be like Mimi, but rather in a way that’s closer to her “true self”.

Miyako’s first major turning point is in 02 episode 18, an episode that’s said to have such a profound impact on her that even Natsuki Rio testified to having to alter her Miyako performance thereafter.

Back in 02 episode 10, Miyako first started to realize that this whole experience of fighting as a Chosen Child was a lot more stressful than it seemed at first, and reacted badly to it. Here, the ante gets upped even more -- the kids decide to make use of their summer break and organize a Digital World stakeout, and, eventually, Hikari accidentally becomes indirectly responsible for tipping Miyako over the deep end by making an implication that they need more “determination” to the point of refusing to leave until they’ve beaten the Kaiser. (Remember that Hikari can be terrifyingly assertive as long as it’s not something to do with herself.) For Miyako, who’s never had the same experience of being in the Digital World for a prolonged period of time the same way the Adventure group has, this is terrifying, and she tries to “get herself together” over the night -- only to completely overshoot it and go into the complete other extreme. As much as this ends up being one of Miyako’s peak hilarity moments, it’s most certainly representative of her being under a huge amount of pressure and stress, and it’s effectively her “peak worst” moment -- which results in Hawkmon ending up having to cover for her, and getting injured in the process, and Miyako immediately realizing how badly she’d messed up.

Miyako is thus forced to face a major consequence of her behavior: if she doesn’t manage to figure out a way to get herself under control, other people will be hurt, and as someone who wants to do her best for other people, that’s one of the worst possible outcomes for her. 

In addition, it’s also important to point out Hikari’s role in this. The Jogress arcs have yet to set in, but the series still gives you a little preview of what’s to come eventually, such as the insight we get about Daisuke and Ken’s initial attitudes towards each other in 02 episode 8, and Iori later personally witnessing (and being very disturbed by) Takeru losing his composure in 02 episode 19. In this case, we see a bit of what Miyako and Hikari’s opposing personalities can offer for each other (especially since the later 02 episode 31 more heavily involves Miyako returning the favor in the other direction) -- Hikari correctly identifies exactly what it was that set Miyako off, takes responsibility for it, and even decides to make sure Miyako and Hawkmon get proper alone time so that they can figure things out. In general, everyone in the 02 team is understanding of Miyako’s antics and doesn’t hold any of it against her because she’s doing her best, but right now, Hikari may be the only person in this group who can actually proactively do something about it, because Daisuke’s not assertive enough to step in, Takeru has a tendency to dodge things whenever they get awkward, and Iori’s holding himself back too much for the sake of manners (especially in the presence of Miyako, who’s the oldest one in this group). But while Hikari does have an emotional repression problem, she’s perfectly capable of holding herself together and putting her foot down when it comes to other people, and because of this, she’s the one who’s able to understand what exactly is going on with Miyako, and how to adjust the situation around her to make things easier for her.

Miyako and Hawkmon have a proper heart-to-heart, and we see more of Miyako’s self-hating tendencies going on here -- she refers exactly to her problems with impulse control, and even labels herself a “bad partner” as a result. But Hawkmon reassures her that she’s fine the way she is, and it ties into how a larger theme of her character arc will involve her learning to find better ways to channel the qualities she already has, rather than trying to force herself to be someone she’s not.

Once the Kaiser is defeated, the second half of the series is where we start to see Miyako’s growth start to really kick in. In 02 episode 24, there’s a short blink-and-you’ll-miss-it scene where Miyako suddenly takes Daisuke and puts him in charge of taking care of the Punimon. Why is this important? Because two episodes prior, Daisuke had been running around in circles like an idiot due to having been third wheeled by Takeru and Hikari, and the moment Daisuke started exhibiting similar signs this time, Miyako personally stepped in and gave him a job to do -- and her actions of keeping an eye on them and her conversation with Takeru and Hikari indicate that she did it exactly because she figured that he would like it. Or, in other words, Miyako correctly identified Daisuke’s need for validation and purpose, and became the first person to proactively do something to address it -- Hikari and Takeru had generally been dodging it awkwardly for the duration of the series, which had only really been making it worse, and, in the absence of another crisis to take care of or someone like Ken to fill the void in Daisuke’s life, Miyako was able to properly figure out exactly what he needed at the moment as a stopgap, and thus is starting to settle into her proper role of understanding what others need in terms of emotional support and actively working to address it.

Since the second half of 02 is dedicated to Ken slowly establishing his place in the group, 02 episode 25 is dedicated to Miyako tussling with her conflicted feelings on the situation -- she’s just as open-minded and pure-hearted as Daisuke is, but the one thing that’s bothering her is that she’s a little more doubtful than he is in regards to whether Ken’s heart is really in the right place with all of this. She says, outright, that she believes he’s learned his lesson -- in a way far more firm than Takeru, Hikari, and Iori are about it -- but that one thing about him having potentially killed Thunderballmon in cold blood doesn’t fit the optimistic image she’d like to have of him.

Daisuke is more practical-minded than she is and is more willing to accept that there might have been a good reason -- especially since he himself starts to consider in this very episode that killing an enemy may be necessary if it’s the only way to prevent more victims -- but Miyako is more emotionally oriented and just can’t accept the idea of doing this at all. Both the internal debate over accepting Ken and the internal debate over having to potentially do a kill tear her apart over the course of this episode, and Miyako finds herself constantly waffling back and forth between the two positions. It’s not just her expressing minor doubt; she actually agonizes over this for the duration of the night and the next day, to the point she even considers asking him about it (and eventually can’t bring herself to).

It’s also made a prominent point that Miyako’s prior attraction to Ken in 02 episode 8 was not the reason she wanted to be optimistic about him -- remember, back in 02 episode 14, she completely admitted that she judges people by appearances, but at this point she’s well past that! Miyako takes this entire issue of whether Ken should be considered a friend very seriously, and that’s why it torments her so much over the course of the episode.

Eventually, all is resolved (at least, for the time being) when it turns out that Ken has been dealing with non-sentient Dark Tower Digimon, and Miyako takes this as sufficient evidence that Ken has changed -- the morality debate about killing comes back in full force in 02 episode 43, and Ken himself ends up just as shaken about it, so the important part is that she understands that he’s trustworthy and wants to put faith in him. Attention is also given to Miyako deciding she’ll now call him by given name (”Ken-kun”) from now on -- even Daisuke himself won’t start calling him “Ken” regularly until 02 episode 39, but Miyako starts slowly inserting given-name basis for Ken into her vocabulary from this point on until she finally commits to it fully in 02 episode 30. This is a proactive and conscious act on Miyako’s part that she actively wants to get to know him better and consider him a close friend, and it’s because of this that she ends up one of the only people who never gets habituated into surname basis with him by the time everyone’s come to properly befriend him.

So, at this point: Within only one episode (and, in-universe, one day), Daisuke and Miyako landed on the same page with their ideological stance towards Ken. They’re both open-minded and forward-thinking, and have an interest in becoming his friend (the next person to show active and open goodwill towards him, Hikari, won’t do so for another 9 episodes). However, despite their surface temperaments being somewhat similar, they have some differences in their priorities and way of approaching things, and it means that each of them ends up reaching out to Ken in ways that the other isn’t as good at. Daisuke, being the very practical and simple-minded sort who doesn’t overthink things or get caught in arbitrary philosophy, is the one who most proactively reaches out to Ken and most famously connects with him the most due to Ken very badly needing guidance in how to move on forward and stop getting fixated on his past. Miyako, on the other hand, being very much the type to consciously think about things (to the point of sometimes thinking about too many things at once) and focus on “how do I most show my support for someone right now?”, puts her priorities on checking on Ken’s current emotional state and actively attempting to glean his feelings and position. 02 being a series about relationships and what people can provide for each other, this ends up reflecting on their roles in the group as a whole -- Daisuke becomes the person who can pull everyone forward in determining the best thing to do, whereas Miyako fills in the parts his rough-around-the-edges demeanor doesn’t quite cover in terms of supporting everyone emotionally and keeping them together.

And thus, Miyako resolves to “wait” until the day Ken will join them -- that is to say, she takes the stance that Ken deserves proper space and to come on his own terms. It’s an interesting inversion of the usual roles you’d expect from Daisuke and Miyako at this point -- and, again, since 02 is about relationships, “each character’s approach towards the new kid and how it impacts them” reflects a lot about their own characters. For Daisuke and Miyako, who were open-minded towards Ken early in the game, you can already see the impact on them -- the necessity of reaching out to Ken causes the normally deferential Daisuke to become more proactive and put his foot down, whereas the normally uncontrollably in-your-face Miyako comes to understand when something needs to be handled delicately and starts getting a better grasp on the concept of restraint.

Which means that Miyako’s actions regarding Ken in the following episodes are significantly more passive than Daisuke’s are, but it’s clear that she’s still supportive. Moreover, it’s also important to establish that she and Daisuke aren’t fighting about this or anything -- Miyako does want Ken to come around eventually, so she doesn’t stop the more proactive Daisuke from reaching out to Ken in an important way, but she instead exerts her position in ways such as joining in with the others reminding him that Ken might have gotten a bit emotionally overwhelmed by the Jogress (and thus that it’s understandable that he might need some time to parse this before pushing the issue further). The way Miyako words this statement so casually can easily be a distraction from the fact that she is completely correct -- as we see later, Ken did emotionally freak out the moment the incident was resolved and had to go home to think about this. Scatterbrained as Miyako may seem, as the series proceeds, it turns out that she has a natural propensity for empathy that means she’s capable of making perfectly correct readings of the situation, even without her thinking that hard about it.

Not that she’s correct all of the time, though. 02 episode 30 has her attempt to get Ken and Iori to hopefully be a little less tense around each other end in complete disaster (although to be fair to her, it’s not like she and Daisuke were particularly forceful about it, it’s just that their plan was so poorly set up that it was too easy to read the motive behind, and it’s ultimately thrown off because -- as Daisuke correctly points out -- the two are being really childish about it.) But in response, Miyako takes direct action and responsibility to fix the situation when Ken continues to refuse to help despite how badly the situation is escalating, and when she finally reaches him, she gets frustrated at the fact he’s being so stubborn, smacks him, and personally drags him back over. Miyako cared a lot about this, she had wanted Ken and Iori to get along for no reason of personal benefit to herself but more because she cared that much about the group’s dynamic and friendship, and she’d held herself back so much because she was worried about him, but here he’s taking all of that and still giving them all the cold shoulder when everyone is in grave danger, and all of that frustration causes her to break down at once.

And note Ken’s reaction -- he’d been holding off on the grounds that he was being a burden on everyone’s friendship, but he sees Miyako distraught and upset and calling him an idiot (i.e. his whole pretense of not hurting others has clearly not worked here), and his “idiot...?” comes out flustered and off-guard, and he shows no resentment towards her thereafter and comes quietly with no protest, even holding a hand to the place she’d smacked him as if mulling in agreement that he deserved that. So, again: Even when Miyako is coming to all of these conclusions in a haphazard manner, it doesn’t change the fact that her readings of these situations are often completely correct.

02 episode 31 is another landmark episode in which we get a lot of insight into Miyako’s current feelings regarding herself in comparison to others, and what she’s trying to achieve at this point in the series. Daisuke makes an offhand remark at the beginning of the episode about Hikari being more “kind” than Miyako (”kind” having a double meaning of “gentle” in Japanese, so Daisuke’s mainly referring to Miyako being such a rough and belligerent person). The way Miyako takes this statement indicates that Daisuke had accidentally just hit a very deep-seated complex within her -- Miyako had never liked the fact she was aggressive and belligerent and in-your-face (remember, back in 02 episode 14, she was constantly negatively comparing herself to Mimi for not being as good of a person as her, and now this has extended to Hikari, who “keeps so much inside”.). As the crisis in the episode escalates, Miyako continues to fall victim to her foot-in-mouth syndrome, saying things and instantly regretting it, because she sees herself as making the situation worse -- and especially when it comes to a situation also involving Ken, whom she’s actively trying to reach out to right now. Her frustration at the fact she can’t see what Ken and Hikari see is because, unable to understand what they’re talking about or what their feelings are, she’s basically a sitting duck who can’t do anything while things are getting worse for them.

Which ultimately results in Miyako completely losing her marbles and Hikari having to smack her out of it -- again, recall that in 02 episode 18, it was shown that Hikari is one of the few people who has enough assertiveness to be able to rein in Miyako’s behavior, and even outright admits that Miyako is a bit of a handful. Miyako, as it seems, had been carrying a complex that Hikari had been thinking of her badly for all of this -- but Hikari then proceeds to reveal the flip side of all of this: she’s also conversely jealous of Miyako for being able to express herself so clearly and easily, because she herself is the type who compulsively represses her own feelings about herself, which is why nobody had been able to properly reach out to her for the duration of Adventure and 02.

For someone who had spent so much time considering herself a “bad person” and a “worse person” in comparison to people like Mimi and Hikari, that someone considers her qualities outright enviable is a huge deal -- it’s not that Miyako’s an objectively worse person than all of the other people who aren’t as rough or in-your-face, but rather, that those qualities can bring out positive things in their own way. And, immediately after that, we see one of those things -- she makes Hikari laugh, thanks to her antics. Of course, it involves Miyako being a bit all over the place and making a lot of mistakes, but even she admits “I guess it is funny.”

And there’s another thing to this, too: Miyako continues to end up with foot-in-mouth as she casually refers to things like the Evil Ring and Ken being the Kaiser with zero fanfare, before realizing seconds after that she probably shouldn’t be doing that in front of him, but, once again, even without her realizing, her evaluation is not incorrect -- although the fact he’s extremely out of it doesn’t make that clear quite yet in this episode, Ken is not the kind of person who’s touchy about acknowledging that he was the Kaiser, and, by his own statement in 02 episode 23, his stance is that he wants to “accept everything about it”, take responsibility, and move on. So here we are with Miyako, who just casually tossed that statement out like it was no big deal, has accepted his past with no lingering grudge against him, and even made a casual evaluation about him presumably having the same resilience he had as the Kaiser, which, again, is completely accurate. All of this is exactly the kind of attitude that Ken needs to be surrounded by right now, and Miyako had just touched on this without even thinking that hard about it, and also is still making it clear she doesn’t want him to feel bad about it...

And so, the episode’s climax has Miyako finally attaining the solution to the question of reaching out to Hikari, the one that nobody had been able to successfully accomplish throughout Hikari’s childhood of never expressing herself properly and the majority of Adventure and 02: to get Hikari to stop being so passive and accepting her inevitable fate because she doesn’t want to burden others, someone as aggressive as her will need to reach her and yank her out, and hit all of the exact points about understanding that someone will be there for her and that she should not accept this defeatist mentality. Hikari is unusually, unhealthily passive, and Miyako, being outwardly aggressive and someone who never hesitates to be blunt about things, is the best person to yank her out of this; it was never a sign of her being a “bad person”, just something she needed to channel in the right direction.

At the end of the episode, we’re also reminded once again that this is a series about relationships, so this kind of growth is important to everyone’s relationships with others as well -- thanks to Miyako’s efforts, Hikari is finally able to speak honestly with Takeru in contrast to her way of leaving off in silence with him at the end of 02 episode 13, and Miyako herself is happy that she’s finally gotten to have a better understanding of both Hikari, whom she herself had been unsure about the position of earlier, and Ken, whom she’d been worried she hadn’t been reaching out to in the right way.

While Ken was out of it during said episode and unable to coherently respond, we do get confirmation that he himself has hopped on the train of respecting Miyako’s intent well enough that he doesn’t hold anything over her -- during 02 episode 33, a mere three episodes after she’d personally slapped him in the face and two episodes after he’d practically seen her at her emotional worst, he still takes it upon himself to personally deliver Poromon to Kyoto and trust her to handle the rest. This isn’t that particularly interesting by itself, but moreso in terms of the context this is in -- this is a point where Ken’s still at awkward arm’s length with a lot of the team (including even Daisuke, in some ways), and he’s seen Miyako do all of the above messy things only not too long ago, but he still is comfortable enough around her and trusting enough in her abilities that he’s okay with casually approaching her and saying “you got this.” So it’s working, all things considered!

We also learn that Miyako had trusted Koushirou with Poromon during her trip to Kyoto, which says a lot about the fact she trusts her senior that much -- and, on a meta level, seems there specifically to facilitate the existence of the above scene (it would have been very easy to save time by just having Poromon accompany Miyako from the get-go and ending Ken’s involvement in the episode at his conversation with Koushirou...).

The following episodes also meanwhile establish that Miyako’s relationship with Hikari has been improving a lot -- with Miyako now actually understanding what Hikari needs, she’s much more proactive in reaching out to Hikari, and it’s even said directly by Iori in 02 episode 36 that their relationship seems to have gotten much better now. And, once again, Miyako’s antics are depicted as making people laugh -- note her and Hawkmon’s over-the-top advertisement performance doing so for everyone in the vicinity.

Which is also reinforced, again, in 02 episode 38, when this even spreads to Ken himself, in a moment that’s said to be particularly unusual and portrayed as one of the first times Ken has been able to be truly carefree in a long time. Again, the point here is: Miyako’s “all-over-the-place” nature brings joy to other people, and that “she makes people laugh” is continually reinforced as a symbol of this over the course of the second half of the series.

Beyond that, the visit to Ken’s house kicks off with Miyako noticing the picture of Osamu and asking about it, to the point she’s shown leaning over and staring at it for quite a while -- Koushirou had allegedly informed her about it earlier, and a whole point is made that she’s the one very prominently wanting to understand more about Ken and his background.

Also, Miyako reminds us all that she still does think Ken is attractive, but it’s a huge contrast to her behavior from back in 02 episode 8, when she knew nothing about him except that he was some celebrity genius boy -- she got completely worked up about it, moped about it for a whole day, and even dragged the fixation into the next day when she started aggressively confronting Daisuke about it, but we’re here 30 episodes later with Miyako actually considering him an important friend that she respects the feelings of, and she simply casually tosses out the statement of him being cute in her usual “like it’s commenting on the weather” manner, with no extra weirdness about it.

We close up some of the threads of Miyako's character arcs when Miyako herself is forced to confront the possibility of fighting an enemy to the kill in 02 episode 44, and Silphymon is eventually forced to kill LadyDevimon to save Miyako's life. Miyako’s emotional reaction is given the most attention here, since she herself had fixated so much on the horror of potentially killing Golemon back in 02 episode 25 -- in fact, everything Miyako does in this episode is about her emotional empathy and empathy for others, in that she rails on LadyDevimon for being a “coward” who hurts other people. Eventually, it’s once again the assertive Hikari who’s able to get her back on her feet by putting it in a way she can understand -- they were not doing it out of a callous and cruel intent to kill, but to save the exact victims that Miyako herself wanted to prevent.

And, even to the very end of the series, Miyako continues to channel her proactivity into emotional awareness first and foremost -- 02 episode 46 has her take the lead in the Dark Seed roundtable, and it’s implied that she’s doing this mainly because she knows this is a very personal issue for Ken to have to witness. In contrast to the way she frantically started spitting out potentially insensitive things in front of Ken in 02 episode 31, here, she outright says that she doesn’t want to make him feel bad about this (and, fortunately, he understands perfectly well that she’s trying). Even all the way to the very end in 02 episode 50, she’s the one who first brings up the question of the issue, because of how emotionally invested she got into this and her high level of awareness as to how deeply this impacted Ken.

In 02 episode 49, BelialVamdemon presents everyone in the team with a potential deep-seated desire that none of them want to admit, and in the case of Miyako’s, it ends up being a rather tame thing in comparison to Iori and Takeru’s more severe family issues, Hikari’s desire for WORLD PEACE!!, and Ken’s complicated feelings about punishment and forgiveness. In Miyako’s dream world, she’s just eating cake, and it says a lot about the fact that were it not for the fact that she overthinks things and often gets easily stressed, she’s fundamentally fairly free of deep-seated issues in a way not entirely dissimilar to Daisuke’s simple and pure-hearted way of life.

The thing that causes Miyako’s issue is often misinterpreted to be about her selfishly wanting everything to herself, or the idea she’s fighting for attention with her siblings, but Hawkmon actually says what the real problem is in direct words: her crowded family is “noisy”. Or in other words -- Miyako, being the overly empathetic type and someone who easily succumbs to stress, is just really overwhelmed and stressed because of everything around her.

An interesting thing about Miyako’s “illusion” is that it’s the only one that in itself starts making its victim feel lonely and sad even before it’s taken away or dispelled -- Takeru and Iori had to have their happy images pulled away from them, Hikari had to have Tailmon clarify that everything is fake, and Ken had to have Wormmon personally chase the image of his brother away. But in the case of Miyako, all Hawkmon has to do is ask if she’s happy right now, and she’s quick to admit that she’s not. It’s just that everything was stressful and overwhelming and there was so much to deal with all of the time, and for once she wanted to be able to enjoy a little peace, but she loves her family and she loves everyone around her and she doesn’t want to be alone, and she’d rather have them back even if it’s stressful. Miyako’s love for others is so strong that even an illusion supposedly made to cater to her won’t make her happy if everyone’s gone.

Miyako also takes the moment to realize that for all Hawkmon’s been going out of his way to be steadfast and loyal to her, she hasn’t been doing enough to understand her own partner in turn, and there’s still a lot more she can do in terms of thinking of others.

Miyako after 02

As per Spring 2003, once Miyako graduates elementary school and moves to middle school, she continues trying to be helpful to her juniors -- she joins the computer club and once again ends up under Koushirou, and now outright makes music for Yamato’s band (some creative differences aside). It’s also interesting to note her attitude towards her other friends when she tries to recruit them into her music unit -- she snarks at everyone right up until she gets to Ken, who declines politely, and in exchange, she just can't bring herself to be mean to him and simply apologizes for asking too much. It’s ambiguous whether this is because she’s still trying to have a heightened level of consideration around him (this is still only four months after 02′s finish, after all), but it seems she’s still concerned about the idea of handling him overly roughly, and is able to exercise a proper level of restraint about him.

Which brings us all the way to Kizuna, a whole eight years later where we have to fill in a lot of blanks about what’s been happening in the meantime, but the official website establishes that she’s now pursuing a degree in computer programming at an engineering university, and is now on study abroad in Spain (implied to be Barcelona, given details in both the movie itself and the drama CD). Pretty ambitious stuff!...or at least that’s the first impression one would get, until it turns out that she’s getting her flighty personality enabled by the local culture. As we learn in the drama CD, she’s absolutely taking the time to milk this entire situation so she can play around -- and, in accordance with how she was established to be an important factor in bringing Hikari out of her shell, it’s rubbing off on Hikari, too.

In addition, Miyako is still working under Koushirou despite their educational careers having completely diverged, this time as his assistant in terms of managing the Chosen Child community. Interestingly, her specific job seems to be consultation, and people come to her for “advice and stuff” -- meaning that it’s very likely that a lot of new Chosen Children who are having a hard time adjusting to life with a partner are coming to her for practical and emotional advice, and she’s still continuing to channel her ability to be emotionally aware and supportive of others.

That is to say, until she gets a mysterious request from a certain Menoa Bellucci. We learn later that Menoa’s motive was to obtain the list of international Chosen Children, meaning that she most definitely was not approaching Miyako for emotional help, and with that, Miyako decides that she doesn’t want to do this and dumps it on her seniors...

...but then picks it back up with zero hesitation the moment her friends present her that exact same job, and not only is it just “zero hesitation”, Ken even comments on how “fast” she arrived to do so! (This was also before Iori came up with the plan to infiltrate Menoa’s office; there wasn’t any indication Miyako’s computer abilities would be particularly necessary at the time.) On top of that, the drama CD gives us full context as to why she was so willing to dump this on her seniors in the first place -- she had wanted to see her friends so badly that she practically invented D-3 gate exploitation so she could hang out with her friends despite technically being in another country, and even wanted to invite them to come visit her, and eventually they’d all made an organized plan to meet up in New York. In other words, her loyalty to her friends is still stronger than anything else -- remember, she’s the kind of person who was picking up tons of jobs specifically so she could help her friends in the first place.

On that note, Ken’s ability to be casual with everyone besides Daisuke has noticeably improved, and that’s especially prominent with Miyako, whom he proactively converses with in a way that wouldn’t have happened back in 02, and, likewise, in contrast to the sense of distance she’d still been maintaining with him back during the final arc of 02 and Spring 2003, she has no qualms about handling him as casually as she would anyone else.

Which eventually leads us to...

This is a recurring theme on this blog, but every so often I have to draw the distinction between creative concepts “in meta” (i.e. the way the audience will read it, in relation to franchise standards and other real-life factors) and said concepts “in-universe” (i.e. with audience factors completely removed, whether there’s a presumable logical reason for these events happening in-universe, and whether this is reasonable behavior to expect out of the characters). This blog is largely dedicated to the latter, but the reason why I have to keep drawing this distinction in the first place is that I get the impression that the staff behind Adventure and 02 really did not pay much mind to the former part as part of their dedication to the latter. And, I mean, part of the reason I respect the writing of Adventure and 02 so much is how uncompromising they were in terms of not really pandering to what a fanbase might expect, which allowed the story to retain a lot of creative integrity that it wouldn’t have otherwise.

But every so often you get something like this that makes me want to just bang my head on the table and scream, I swear, I get what you guys were going for, but I am begging you, please think a little harder about how people are going to read this!! In general, I do think there’s something that’s not very good about disregarding your audience completely, because if you’re trying to say important things and those things are going directly over your audience’s heads (this is a kids’ show, for goodness’s sake), you can’t call that good communication, and it’s not like you can blame the audience for getting blindsided or being upset, and this is before we get into what they just dropped on the global audience that was presumably full of young girls interested in STEM fields who were hoping to see them go all the way with that, or the feelings of those who are bothered that one character has to be singled out to be defined solely by her relationship to others, and I mean -- to be fair, with a character like Miyako and the tons of things going on with her, there was probably no outcome they could come up with that wouldn’t be reinforcing some negative stereotype (believe it or not, there are people who have conversely mentioned identifying deeply with Miyako’s personal story and the meaning of this ending to them, and have also expressed discomfort about some of the comments the fanbase has made over the years), but at the same time, holy hell, they really went for the one that immediately looks the worst on its face...

...That aside, I will reiterate that this is a blog and analysis meant for that latter category of “analyzing things in-universe”, and making good-faith assumptions that there was a reason for everything (and, I’ll be quite honest, reading everything the staff has said about the characters, including Miyako, there is no indication that they didn’t treat every single one of them with love and zero intention to curse any of them into a horrible fate). We can debate whether this was a good or bad choice in the context of real life, or how much they really should have thought this through more or considered alternative ways to do this, in another place and time (it’s been done by many other people, myself included, in the last 20 years, and it will most certainly continue after this, and probably should continue). It’s not like I’m necessarily giving my blessing to every single creative decision in Adventure or 02 in running this blog, it’s more of the attitude of “now that this decision was in the series, can we figure out what that was intended to mean?”, and that’s going to apply to this one too. And so, we’ll proceed with the analysis.

In any case, here’s the first thing to start with, which may surprise some people to learn: at no point in the epilogue is the word “housewife” ever used to refer to Miyako. The only words that Takeru uses to describe her are: that she is married to Ken and is a mother of three. Not only that, post-02 materials that have referred to the epilogue and Miyako’s part in it have also avoided using that word -- the Character Complete File and the Animation Chronicle only reiterate the same points of “married to Ken” and “mother of three children”, and practically go out of their way to avoid insinuating that being a stay-at-home housewife is the main focus of her life right now. It would have been so easy to say it outright if they’d wanted to, but they didn’t, and they consistently don’t, to the point the omission is almost suspicious. And, indeed, if you want to believe the Character Complete File, Miyako is not a full-time housewife and is simply not working at the time of the epilogue due to maternity leave because the third child had recently been born. So it’s completely within the realm of possibility that she’s still working! In that case, why is something that could easily be a big deal left ambiguous like this?

If you look at the way the epilogue presents its information, there’s a certain pattern: what information is emphasized and what information is given little attention or omitted has very little to do with “how curious the audience would be about it”, but rather “how relevant it is”; just because a certain piece of information is omitted doesn’t mean it necessarily isn’t true. For example, Sora; she’s married to Yamato, but despite how much the audience would probably consider that as vital information, it’s left for you to infer from the visuals and an oblique comment that Sora’s daughter is a “dependable older sister”, and even the question of whether Sora did succeed her mother in flower arrangement is left up in the air despite that also probably being a question the audience is curious about (and in fact, a few flower branches are clearly visible in the front, implying very heavily that, whatever happened, she’s at least still maintaining her roots with her family instead of violently cutting it all off). But we do learn about the fact that she went into fashion design, which is something that’s not an expectation that was placed by her family but rather something she presumably decided on herself. Hence, presumably why that’s the part emphasized, and moreso than her marriage to Yamato -- said marriage is of course an important part of her life, but it’s not as prominent as the fact that she has her own independent career, especially since her entire character arc was about doing things that she wanted for herself instead of doing things for others. That is to say, compared to their own individual ambitions, Sora and Yamato’s love life is “an important part, but not the important part.” This is especially when you add the context that Takeru is delivering abridged single-sentence “catch-up” descriptions of his friends on their behalf (possibly to the world, if this is part of his novel), and so, it begs the question: what would each of these characters want to be most remembered for accomplishing?

(And if you think I’m being tinfoil hat about this, remember that a constant theme with this blog I’m running is that “being annoyingly subtle and relying on ridiculously oblique messaging” like this permeates the entirety of 02 in general, and it’s definitely not the only time they’ve used this kind of technique to communicate details that are too consistent and on-the-nose to be passed off as coincidence. As far as assuming that this series follows rational storytelling logic goes, we are far past that point, and in ways that extend far beyond this epilogue.)

So we look back at Miyako, and the hobbies she’d indulged in and what purpose they were for, and her personality, and the fact that the main point of her character arc was about her complex that she would never be a good enough person who could properly emotionally reach out and take care of others -- in some ways, her arc was the opposite of Sora’s, in that while Sora’s was about not being as beholden to others, Miyako’s was about how to become someone who can better support others -- and once we apply the above question, there lies the answer to why the priority and emphasis given to her future in the epilogue is “Miyako is the kind of person who prioritizes taking care of and supporting her loved ones more than anything else.”

This is especially because (in an epilogue with not very many lines, so every bit of information becomes vital) the lines we see Miyako and her family exchange are representative of a lot of what that character arc was about. According to her son, Miyako is still her panicky and emotionally messy self, even when in the role of the matriarch of a large family who’s responsible for taking care of all of them. She did not ever become the ideal “gentle” and “mature” kind of person that she considered Mimi and Hikari to be and negatively compared herself to. However, her family responds by cheerfully laughing, which is -- most likely not coincidentally -- the same thing that was shown to be the positive flip side of Miyako’s over-the-top personality back in 02 episodes 31, 36, and 38, in that it brings joy and cheer to others.

If you do want to take the Character Complete File’s statement at face value, the fact that she’s on self-imposed maternity leave means that it’s very likely she wasn’t on a salaried job and was instead freelancing, or at least was involved with something that didn’t require constant commitment. Considering the fact she’s consistently portrayed as an impatient sort who gets bored easily, she probably would prefer something more flexible like freelancing or at least not being tied to a single thing; even looking back at her completely disparate hobbies back when she was a kid, when she was basically jack-of-all-trades-ing to fit whatever people needed her for, she never really came off as someone who could commit very easily to a single form of work, but what she did have commitment to was other people, especially her friends and family. If you (or, perhaps, Takeru) were to ask her during the time of the epilogue “what are you up to right now?”, it’s not really that hard to believe that gushing about her lovely family would come before everything else; not to say that everyone else here (especially her own husband) isn’t presumably devoted to their own families, but Miyako’s the type to have that much higher sense of pride in what she does for those she cares about than she would have particular attachment to any kind of work. Look at her behavior during Kizuna; she’s pursuing a degree in computer programming and thus is still aiming to be a busybody with a high level of skill, but when given a job by a stranger, she immediately dumps it off on her seniors so she can be with her friends, then happily accepts that same job again when the same friends present it back to her.

So, in other words, the conclusion is: the biggest priority and most important thing to Miyako in regards to her future is that she finally became someone who could properly support others around her, even in spite of her personality that would suggest otherwise.

In addition, the fact that she has three children might initially come off as a little in-your-face or overkill, but remember that Miyako came from a family with four siblings, and 02 episode 49 had her say outright that she does treasure that – or, in other words, being part of a big family surrounded by affection and love is something she considers to be a valuable part of her life (especially since the age gaps between the three children imply a reasonable likelihood of actual family planning, moreso than even Miyako’s own).

Incidentally, this is just a bit of a personal note, but one might notice that I’ve also never actually used the word “housewife” to refer to the epilogue’s depiction of Miyako in the course of writing for this blog, because of how little evidence we have that she is one – being on temporary maternity leave still being a very viable and, given the post-02 materials we now have, arguably heavily likely interpretation, it’s not like you’d necessarily call someone a housewife if their break from work is only temporary, even if they’re a freelancer. Given the above circumstances, perhaps something like “family matriarch” would be more accurate…

[kaz-with-hat]

Is it possible to loathe your Secondary because of someone else ? I’m beginning to wonder if I’m a Badger Secondary but I have a very poor opinion of this secondary due to my mother. She expects me to be a wallflower who constantly work and sacrifice and accommodate everybody. I have to constantly give and give and erase any want or need that doesn’t suit her.

From what I've seen this is absolutely a thing that can happen, and I'm really sorry to hear you're dealing with it :(

I suspect that as far as toxic Secondaries go, people are most likely to come into contact with (and definitely to be pressured into) Badger. Because it's really easy for Badger to get twisted into self-abnegation, and that's something that is really useful for abusive surroundings (or society, for that matter). Someone in your life who's annoyed by the fact that you have needs and wants and opinions isn't going to want to see you pull an exploded Lion or Bird or Snake... but Badger plays right into their hands.

Which, yeah, can make it tricky for actual Badger secondaries who are trying to separate that out from the toxic messaging they've received!

So, first the pep talk:

Badger Secondary can be healthy, it doesn't have to mean what your mother is trying to make of it (whether she's actually a Badger, or has an unhealthy model, or is just trying to make you have that unhealthy model). When my Badger is working OK, it's fun. I love it when a social situation just clicks because I'm with people I like and respect and we're just bouncing off each other and I'm reflecting their energy. I love it when I spend a day working away at some problem, knowing that the incremental progress I've made will help my teammates immediately and help people using what we make longer down the line. I love - this part is important - being able to come home after a day like that and relax and maybe get some knitting done while listening to a podcast while I warm up leftovers or play some games or so, secure in my warm glow of satisfaction from having been productive at work. Just because I'm a Badger doesn't mean I don't need downtime, doesn't mean taking care of myself isn't important! It doesn't mean I don't get to have wants, let alone needs, and work to see them met! The way I see it, I am the most important person to my life (certainly the one I spend the most time with!) and that means I should be treating myself at least as well as I would treat a good friend. This doesn't always work out but it's a good mantra to fall back on if I start expecting unreasonably much of myself or feeling like my desires should always be lowest priority: what would I say to my best friend if they were telling me this was how they felt? It may be useful for you to keep in mind if your mother's getting to you.

Now, the practical advice:

In order to separate your possible-Badger-sec from the toxic version your mother is trying to push onto you, I'd try to see if there are any spaces in your life where you can use your Secondary for yourself only. Hobbies could be a place to start. If you've learned to associate Badger Sec with sacrifice, with not having wants or needs, trying to use it for other people without pulling any of that in is going to be tricky. What if you try to use it for those wants or needs that you've been told you shouldn't have? That strikes me as a really good place to start breaking through that messaging and see if you can't reclaim some healthy Badger for yourself. Try working hard at something you enjoy solely because you enjoy it and not because you're trying to do something for someone else, and see how you feel about it after.

Good luck with everything, and I hope this helped! What your mother is doing to you really, really sucks, and I'm crossing my fingers over here that you manage to escape it without too much damage. :(