#which I know is a bit of inconsistency
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Iâm The Reason You Wonât Come Home
⢠gif by @maryjanewatscns
⢠title from Ethel Cainâs song âA House in Nebraska.â aka Joel and Ellieâs song.
Relationships: Joel & Ellie, Joel & Tommy, Tommy & Ellie
Word count: ~8.7k (I did not want it to go on this long)
Warnings: Minor depictions of torture and violence, some blood, death.
Authors note: This is straight sadness. Ever since I discovered tlou2 and his death, this has always been a thought. Itâs nearly a year and a half ongoing, so I just sort of spit a year and a halfâs worth of thoughts intoâŚwhatever the heck this is. I cried a lot writing this, but Iâm also a sensitive wimp, so that could be why.
Summary:
The second heâs gone, she starts to break. She just told Joel last night about wanting to try and forgive him. To try and get back on good terms. To try for what they want to be; what they deserve to be. And she almost just lost him. But now, she has the chance to get them back home and to start that journey of reconciliation.
Some extra notes:
If you ship them I might just fill your house with mosquitos on a hot summer day and lock you inside
I wrote this in a combination of game and show canon, so there are moments, callbacks, and descriptions from both
I donât think thereâs anything that classifies as a tlou2 spoiler, but if there is itâs pretty minor
This is more self-indulgent than anything else. If something seems out of character, I apologize. Like I said, incredibly self-indulgent
I love physical touch and that isâŚvery evident in this
Canon divergence from tlou2 in a few ways, obviously. One of them is there being no door at the bottom of the stairs as I genuinely forgot about it and I amâŚ.7.9k words in as I write this. so.
(A very big thank you to my beautiful friend @ellie-licious for beta reading and helping me figure out a specific part of this fic <3 and in general for being a great friend to me for many reasons. I love and cherish you very much brother and this is for you)
~~~~
Ellie wakes up on the floor, cheek pressed to the cold basement tile. She can see two blurry figures a few feet from her. One is limp, almost like a rag doll. The other is moving, struggling with the limp one. Sitting it up? She canât tell. Ellieâs ears are ringing and her vision is blurry; her nose and eyes throbbing as her throat feels like sandpaper.
Tommy is the struggling figure across the room, attempting to wake up an unconscious Joel. Tommyâs working on sitting him up against the glass. Joel has a heartbeat, heâs breathing. Heâs alive. But heâs hurt, bad. Tommyâs hands find Joelâs neck and then the sides of his face, tapping him and shouting to try and wake the older. Joelâs face is bloody. He has a slice over his left cheekbone, a gash across his jugular, a chip out of his ear, a broken nose, a cut on his right temple that stretches down to his jawline, fresh blood still coming from them. His hair had an even coating of blood through the strands.
âDammit, Joel, come on! I need you awake. Come the fuck on, Joel!â Tommy yelled, patting at his brotherâs neck for something. A cough, a groan, a twitch of his fingers or a pull at the corner of his mouth. But Joel gave nothing.
Ellie stirs slightly, groaning into the floor as her vision focuses more and her ears ring into her skull. She coughs some blood up, catching Tommyâs attention. He takes his hands back from Joelâs neck, placing steady hands to his shoulders to keep him in place against the glass before crossing the room to Ellieâs side. Tommy kneels on the ground beside her, placing a hand on the back of her shoulder as she comes to.
âHeyâŚâ He says, a hesitant smile on his face.
âTommy?â She asks, voice slurring as she speaks, eyes still trying to adjust to the man kneeling above her and figure across the room. Joel.
âYeah, sâme. You okay?â
Reality rushes back to her. Youâre gonna fucking die! Let him go. We didnât think anyone was gonna show up! The hell did you expect? You want what I want, right? His face. The people. Didnât she cut a guy? Wasnât Tommy unconscious? She was kicked in the ribs. Thereâs blood on the glass. His blood. He was groaning. He was-
Ellie started to roll on her side, her vision rolling with her. âJoelâŚ.he was-â
Tommy cuts her off. âHeâs okay for now. Can't get him to wake up though-â
âWhere-â is he. She places her palm to the tile, trying to push herself up off the floor, her ribs aching at the movement.
âNo, Ellie. You need to relax-â
âShut the fuck up, Tommy. I need to see him,â she bites, and Tommy knows arguing with her will go nowhere. Sheâs stubborn, just like her father.
She stands up, pushing past Tommyâs instruction for her to stay down. She holds onto his arms as she stands, steadying herself before walking alongside him. Tommy helps her take baby steps across the room, walking through pools of dried blood. His dried blood.
Joelâs back is straight against the wall, head hung slightly to the right. His legs are extended in front of him, both of his hands in his lap. Tommy lowers Ellie on Joelâs left side, Ellie kneeling down beside him, taking his left hand in hers. She interlocks her fingers with his, something thatâs felt so lost between them the past four years.
She held his hand a number of times during that Winter. After she went back to him in that basement and they held onto each other, it was easier. And after David, it was almost frequent. When theyâd be walking and a twig snapped, she reached for him. When they spotted a rabbit or a deer, she reached for him. Nights around the fire when the images and the words and the actions played on repeat, she sought out his hand. Sheâd scooch across the snowy ground to his side, sliding her hand in his without a second thought. Heâd give her a tight squeeze immediately before letting his hand relax in her grip. She fell asleep like that one night, waking up to her hand still in his while his rifle rested across his lap.
But his rifle was resting against his pack before she fell asleep, at least six feet from where they sat. He had gotten up that night, releasing her hand to get his rifle to keep watch. But instead of staying up and watching over her, he settled back beside her, taking her hand in his again. She didnât mention it that morning, and neither did he.
âCan-can you find a rag or something for me. And some water, too. He should have some in his pack.â Her hands moved to his jaw, turning his head side-to-side to check his cuts.
Any emotion in her voice is held off completely with Tommy in the room. He canât see her like how she wants to be right now. She was almost killed. He was almost killed. And thereâs a lump in her throat right now that she canât have Tommy know about. She doesnât want him to see her like that. She canât break in front of him, not right now.
Tommy finds an old T-shirt and Joelâs water canteen in his pack and hands them to Ellie, her lightly soaking the shirt with some water as she starts cleaning the cut on his neck.
She pauses for a second, turning her head to the side, still avoiding Tommyâs gaze. âDina and Jesse are on their way. Can you go watch out for them, please?â
âYeah, âcourse.â
âTommyâŚâ she called, turning fully to see him. Her eyes were red already. âBe careful.â
He offered her a gentle smile before heading up the stairs, pulling the door closed behind him. He stops before it reaches the doorframe. âEllie? Let me know when he wakes, okay?â
âYup,â is all she manages as he leaves the door ajar behind him.
The second heâs gone, she starts to break. She just told Joel last night about wanting to try and forgive him. To try and get back on good terms. To try for what they want to be; what they deserve to be. And she almost just lost him. But now, she has the chance to get them back home and to start that journey of reconciliation.
But he needs her right now, her thoughts donât. She puts the rag down and grabs his left hand to hold it in hers, crying as she tries to wrap his one hand in both of hers, as tiny as they are.
âJoel?â she asks, her voice cracking as tears well in her eyes.
She hasnât felt this small in years; especially not since their estrangement. Her voice feels like it jumps an octave asking for him now. She feels small, vulnerable, open. They havenât been open since the night after they were home from her birthday trip. They watched Jurassic Park, but it wasnât the same after that. Now, it feels like sheâs reverted back to their old ways. Five years ago when they were on the road together, Ellie calling out for him so he could tell her what to do. The name sheâd yell when she was scared and needed him to guide her. How she shouted for him against the raging current when they jumped off that bridge and he held her against him, shielding her from the rock face. How she screamed for him to help her when Sam had turned and was clawing at her on that motel floor. His name that seemed to offer so much comfort, protection, and security back then now holds years of heartbreak, fear, guilt, and shame.
âItâs me,â she whispers, tears streaming down her face as she brings the conglomeration of their hands up to her face, resting her lips against the back of his left hand. His hands are cold against her lips as her tears fall, soaking his wrist in salty streams. âJoelâŚâ she pauses. What the fuck do I say? What does he deserve to hear? Will I even mean what I say? âYou have to get up. You need to get up, Joel. Please,â she sobs, rubbing her thumbs back and forth over his hand as she struggles to catch her breath.
A few minutes of her crying passes before she clears her throat. She gives his hand a few reassuring squeezes. âIâm gonna clean your face a bit, okay? Youâre still bleeding a lot and some of these cuts are bad.â
She squeezes his hand again before reaching for the rag again and dabbing more water on it. She gently uses her left hand to tilt his head up to work on the cut on his neck.
The water was ice cold and he unconsciously flinched when Ellie dabbed the t-shirt to his neck. She apologized every time, hoping he could hear her. She meant it. Even after the last two years of almost delighting in pushing him away and knowing he was hurt by how she was treating him, she regretted that now. She hated it now. Even if this was physical pain, her stomach still churned at the thought of knowing thoughts heâs probably had the past two years and how she hurt him mentally. Sheâs sincere over her apologies. She doesnât like seeing him hurt; and now, she hates to be the one causing him more pain and discomfort.
She finishes cleaning the blood off his face, even cleaning some that got on his teeth. She ran the rag through his hair, soaking sections of it and wringing the blood out. He lookedâŚbetter, but nowhere near good. None of the cuts should need stitches, she thinks, so thatâs good. She places the rag and water beside her again, double checking his face over for any spots she may have missed. She grabbed hold of his hand again, carefully running her fingers across the calluses that litter his knuckles.
Tommy appeared at the top of the stairs, voice laced with concern. She would tell him if something happened. âEllie? Anything?â
Ellie sighed, heavy and deep. Why isnât he waking up? She cleared her throat, attempting to keep the emotion out of her voice. âNoâŚnothing yet. Sorry,â
âSânot your fault, sweetheart. Just let me know when he wakes,â and Tommy was off to continue his watch for the other teenagers.
When. More like if, at this point.
And thatâs exactly when he did. A heavy grown from the older man as Ellie eyes immediately locked on to him again, scanning his face. His hand moved in hers as his eyes fluttered slightly. His thumb rubbed over her fingers as she smiled, holding her tears in case this wasnât quite it.
But his eyes opened and were trained on her immediately. She squeezed his hand tight again, offering him a small smile as tears dropped from her chin and fell to their hands. âHeyâŚâ she whispered, keeping her voice quiet for him.
âElâŚâ he tried, voice croaking at the attempt. She smiled at him. Heâs here. Heâs alive.
âYeah, itâs me,â she confirmed, squeezing his hand again.
Joel immediately started moving and adjusting his position on the floor, but Ellie was quick to lay a hand on his chest, tears still on her face. âNo, youâre staying here. YouâreâŚin bad shape, Joel,â she said, wiping the tears from her cheeks. She sniffled, grabbing at his hand again. âYou have to stay here til we can get you safely home.â
Joelâs left hand lifts from her grasp as he brings it up closer to her face, his eyebrows furrowing; uncertain that sheâs actually here. She finds it again with her right and holds tight to it, pressing it against her cheek and smiling. âYeah, itâs me. Youâre not hallucinating, I promise. Weâre not dead or in some afterlife.â
She was there, too. She was on that basement tile, face forcefully pressed into the ground. Forced to watch. Laid out right in front of him, every fear Joel ever dreaded resurfacing right then; mere feet from him. The fear of her dying again. He wasnât concerned over himself, it was all over her and what they were doing. They tackled her to the ground, kicked her in the ribs and kicked her head later, giving her a bloody, and possibly broken, nose.
He had every right to think she wasnât real. Everything told him they died. He had every right to believe he did die and, somehow, the darkness that he thought came after death was just a place that filled in the horrifying gaps. Those gaps being filled by Ellie being beaten and killed, all while he was unable to save her.
But now, hearing her voice and the reassurance in weâre not dead wasnât enough. He had to hold her. He had to feel her so he could know. His hand to her cheek, fingers through her hair, her tucked away against his chest, or her curled up against his side while his arm drapes across her. That was all for them and he needed it all now to know. To know that she was alive. That they were alive.
Joel frees a finger from her grasp and runs it back and forth over her cheek. Man did she miss contact. This used to be second- no, first nature for them, but itâs been so lost, even before their estrangement. But right now, it feels like it was never lost. âItâs me,â is all she can get out. A phrase from him that always brought her out of dissociation. Two words that grounded her; comforted her throughout Winter and settling into Jackson. Any uncertainty was always met with those two words. It became their thing.
She rests their hands back into his lap before reluctantly letting go. âIâll be right back,â she whispers, quickly shooting up and running to the top of the stairs, checking behind her every step, the fear that Joel would disappear if she let her eyes off him.
She cracked the basement door open and peaked her head through. âTommy?! Heâs awake,â she called, and Tommy rounded the corner from the front door. Ellie offered him a grateful smile as he struggled to catch his breath, both from running and the realization that Joel was alive.
Tommy rushed downstairs with her, meeting Joel at his side. Ellie stayed a few feet back, letting the brothers have a few minutes. Tommy cleared his throat, trying to conceal his emotion. âHey, big brother. She cleaned you up real good. How you feelinâ?â
âPain,â is all Joel could manage, though it came out clearer than either of them were expecting. âFucking sore. BeatenâŚI wasâŚ,â Joel tried, his throat aching with every word.
âI know, brother. I know. But youâre alright now. Jesse and Dina are cominâ and then weâll have enough people to get you safely home, alright? Youâre gonna be just fine, Joel,â he assured, placing a hand over Joelâs heart.
âYou wereâŚhitâŚâ
âNah, itâs nothinâ. Clinic at Jackson will get us both up ân runninâ again in no time.â Tommy paused. âJust rest for right now, alright? Once they get here, weâll get on our way home,â Tommy reassured, grabbing Joelâs hand briefly to offer a comforting squeeze. Ellie pressed a hand to his arm as he passed by, heading back upstairs to watch for Dina and Jesse.
Ellie kneeled back to Joelâs side, gathering his left hand in both of hers again. He brought his right over to them, placing it atop hers, rubbing his thumb in circles on the backs of her hands.
âYou heard your brother; you need to rest. Weâll get you up and back home once they get here. Iâll be here the whole time.â
âI canât rest.â
Ellie looks at him confused. âI know youâre in pain and that itâs probably hard to get real rest right now. You donât even have to sleep, you can just ârest your eyesâ,â she joked, freeing her left hand to use air quotes. âYou love resting your eyes.â
âNo, kiddo,â he said, struggling to form the right words.
The term of endearment strikes a chord in her. There was a small party at the Tipsy Bison one night and both of them showed up. It was a year into their estrangement and Ellie cursed herself every time she gave him the pleasure of even looking in his direction, let alone talking to him. Within an hour, Ellie was pissed. Some comment Seth made about her vocabulary. She cussed him out and rushed out the door, Joel right on her heels.
âKiddo-â his voice was gentle, never raised.
âDonât! Donât. What the fuck donât you get? I said Iâd come back here, but weâre done. You donât get to fucking talk to me, especially using names like that. Keep your fucking distance,â she yelled, some Jacksonfolk trickling out of the bar at the shouting as she stormed off towards their his house.
Joel was left in the street that evening, soft flurries of snow coating his hair and beard as he watched her storm down the Jackson streets. He could see their his house from there. He intently watched every step she took, her right hand coming up to her face every so often. She was crying.
He never called her âkiddoâ after that. Until now.
âI canât.â
âJoel, what the fuck are you talking about? Did I miss something?â
She did.
How the hell did she miss it?
The crook between his neck and shoulder; similar to Tess.
He had been bitten.
Her face drops immediately, her mouth slowly falling open as he pulled a fistful of his clothes to the side, showing it better. âIâmâŚnot waking up again.â
Ellieâs breath is rapid now, hitching with every inhale. Sheâs reached a point beyond hyperventilating. She is choking, coughing, suffocating. Her whole body burns as she pulls her hands away from his, struggling to even know where to put them because she canât think.
âJoelâŚâ she whispers, almost as a warning. Sheâs fallen back to sitting on her heels now, an uncomfortable and unsure space between them.
Joel took a deep breath in, preparing himself. âThey kicked and knocked you out. I didnât have any strengthâŚI couldnât fight them. They pulled me up to my feet and forced me to stand. The guys took turns punching me in the gutâŚone of them also giving me this cut from my temple to my jaw. They were laughing at this point, like they were playing a game. TheyâŚâ he paused, collecting his breath. He felt like he was running out. âThey kicked you a few more times, they wanted you awake to watch. When you didnât wake upâŚthree of the guys left, mumbling something about infected.â He paused again to catch his breath. Even recounting it was almost too much for him. The anger in his eyes was raging remembering how they kicked her. âFew minutes laterâŚthey were coming back down the stairs with a runner. They had tied a rope around its neck like it was a dog. They teased me with itâŚthreatened Tommy, too. I begged them not to. TheyâŚthey gave the runner some slack and I tried to turn away, but two of them were holding me up by the armsâŚI couldnât go anywhere. I turned my head andâŚâ He motioned to the bite. It was two sets of teeth marks. He was bit twice. âThey all laughed and pulled the leash back, shooting the runner in the face. The two guys let go of me and I fellâŚbroke my nose. Iâve been in and out since then. I donât know why or how I even woke up the first time.â
She waited, collecting what the hell he just told her. â...why isnât the runner still here?â
He sighed again, closing his eyes briefly. Even in his current state, heâs dreaming of stringing them up by their insides, letting them hang from the cross beams of the mansion. âThey knew you were immune. So, I guess in an attempt toâŚhurt you, they took away the evidence that I got bit. The blonde girl kneeled in front of meâŚsaid she wanted you to have hope Iâd be okay. That weâd be okay.â
âWhat the fuck,â is all she could manage.
Joel coughed and her eyes grew wide. âWait, itâs your neckâŚâ she breathed in with no satisfaction. âYouâŚyou donâtâŚâ
âHave a lot of time,â he continued, finishing her thought. âNo, baby, I donât.â
They stayed in silence for a while, unable to grasp what exactly reality was. This was never supposed to happen. Sheâs supposed to forgive him. Theyâre supposed to watch Curtis and Viper 2. Theyâre supposed to go back to Jackson and practice guitar together. She wants to learn to make those little wooden animals he loves spending so much time on, too, and she knows heâll teach her. Theyâre both still needed on patrol. Theyâre meant to have more meals together. Theyâre supposed to have a future.
âRehash whatever you need to. I wonât blame you. Do what you need to, kiddo.â
âYouâre about to fucking die and you want me to rehash my feelings? You want me to fucking kick and scream and hit you?!â
âIf you need to.â
âIâm about to lose you-â she cuts herself off, a choked sob at lose. She should never have to say that. She never dreamed sheâd ever have to say that.
Joel sighed, his eyes closing briefly. Why. Why like this?
She crawls towards him, burying herself against his chest. Donât fucking touch me. It rings in her ears. It taunts her. She swatted his hand away and told him weâre done. She left him stood at Saint Maryâs, the same hospital he saved her life at. The place where he told her âweâre not done; we have a future,â was now where he was being told that they were done.
But then they talked on the porch. They had hope. He had hope she was coming back. That she wanted to try for them. They wouldnât have to be done anymore.
And now they were done. For good. There was no coming back, not from this.
She pushes himself as close as she can against him, burying her face in his left shoulder as she clings to his coat and sobs. She sobs for their whole journey. Every moment together she wished she clung to him but didnât. The nights during Winter when she couldnât sleep unless she was right beside him. She cried for their nights in Jackson when she woke him up with her nightmares, crawling under the comforter with him. She cried for their quick goodbye hugs before heâd leave for patrol. She cried for when she would cling to his arm when they would meet other Jacksonfolk. She cried for the times he kissed her forehead or lightly rubbed her back when
She cried for their good days of practicing guitar, watching Jurassic Park, and living the life they never thought theyâd get. The days she woke up to him cooking breakfast and they had orange juice. How he always gave her the slightly bigger portion so sheâd eat more. The days when she helped him with little construction projects around Jackson. The days heâd visit her and Shimmer at the stables, always commending Ellie on how well she took care of him. Sometimes heâd help her out by brushing his mane. He needed the experience, she said.
She cried for their bad days of arguments, disputes, and going to bed angry. She always woke up to a note on her nightstand the mornings after. On patrol. Iâm sorry about yesterday. Iâd like to talk about it later if thatâs alright with you. Be safe today. Love, Joel. They always reconciled, one of them cracking a joke at the end to lighten the mood. It was a miracle they were ever able to reconcile, considering how terrible they could both be at talking about their feelings. But they always managed in their own little way.
She cried for their estrangement. How sheâd treated him the past two years; avoiding him at any cost. Glaring at him if he was in the immediate vicinity. Always finding an out if he approached her. She would go through Tommy to find out Joelâs schedule, all so she could work around it. She cried for how her smile faded even seeing him across town. The anger she harbored towards him those years, unable to see any hope or light at the end of the tunnel.
She cried for him. She cried for who he was. Who he is. All he ever did was protect her and ask her to be safe. His care for her was infinite and it nearly drove her insane. No one ever cared for her how he did. Every day, he did everything he could for her. Whether it be out on the road or in the security of Jackson, he never stopped caring. Never stopped protecting or loving. To show her a glimpse into Before; who he was Before.. To show her what having a family, a father, was like. He went above and beyond to give her the life she deserved, all because he wanted her to be happy. It was never about him.
She cried for the smiles she caught. The once-in-a-blue-moon toothy smiles where he truly laughed. His small chuckles or when heâd blow air out of his nose at some snarky remark she made. Sometimes heâd smile during their meals together. She thought it was weird at first when he told her âitâs not because of the food.â He was happy to just be with her. To have a sense of normalcy with this little girl. To escape from the horrors of infected outside the walls of Jackson and be able to sit at a wooden table and eat with proper plates and silverware for a full meal.
She cried over his gentleness. He was a violent man. He killed and tortured men for years and he was effective. But when it came to her, he was nothing but gentle. He always spoke softly, always held her as gently as his calloused, blood stained hands could manage. How any touch was feather-light and didnât feel like it could come from someone known for notorious violence like Joel. But she was the exception. Her delicate, fourteen-year-old self brought out a side of him that he always believed was buried two decades prior.
She cried for missing his contact. They got so comfortable after Winter. Holding hands, hugs on the harder days, and the general proximity. Theyâd sit beside each other by the fire, and Joel would wake up with her head alarmingly close to him, some mornings on his thigh or shin. It became more frequent when they moved into Jackson. She was glued to his side any time they left the house; other residents of Jackson thought it was sweet. But, ever since the estrangement and shoving him away, she didnât think theyâd ever be this close again.
And through their estrangement, he was patient. He waited for her those years. He was heartbroken over it and she knew, but he was still patient, not knowing if sheâd even come back or try to repair it. He stayed the whole time, still, patiently waiting. And if she never went back, heâd stay anyway, content with the time he had with her. He loved her too much to force it. She was alive, and thatâs all that mattered to him.
And she was about to lose that man in mere hours.
She was draped across his lap now, face pressed into his neck as his was pressed into her hair. She sobbed into him, soaking his coat and button-up. His arms were wrapped around her, left arm cradling her head into him as his right was on her back, rubbing and tracing gentle patterns and designs through her shirt. Sheâd never be held like this again.
âKiddo,â he spoke, breaking her concentration on the fabric of his shirt. âIâm startinâ to not feel too well.â
Ellie shut her eyes tight, tears spilling over immediately. âNo. No, no, no, no, no. No, fuck. How much fucking time do you have? I still need time,â she pleaded.
âTime for what?â
âTo justâŚjustâŚbe here. To be with you while youâre stillâŚâ
He gave her a look and she knew exactly what he meant. They didnât have that time. His eyes would close soon enough, and it wouldnât be Joel to open them again.
She wrapped her arms around his middle, sobbing into his chest once again. She was mumbling incoherences into his coat, wailing sobs coming out of her that didnât even sound human. This was reality. She hadnât felt it until now. She cried, she screamed bloody murder into his chest. He was dying. He was dead already.
He hugged her back as tight as he could manage. He was still injured, but injuries be damned if they ever stopped him from comforting or protecting her. She comes first.
âI need more time,â she weeped into his chest.
âI know, baby. But I donât want you to see me like that. I donât. Iâd rather be gone before I have the chance to hurt you.â He kissed her head quickly once but held a longer one the second time, his eyes closing at the sound of her sobs at the lost contact between them. âHeyâŚâ his mouth still in her hair, trying to keep himself from eating a mouthful of her auburn strands. âBabyâŚcan you call for Tommy? I want to see him.â
She gave his shirt a few more shuddering hiccups before pulling away, stepping to the bottom of the staircase. âDonât close your fucking eyes.â
She raced to the top of the stairs, skipping two or three at a time until she reached the door. It flew open, Ellie nearly collapsing to the floor as Tommy rushed to her side.
âWhoa, hey. The hell happened?â Tommy paused, his hand held inches above her shoulder. âDid he-â
âHe wants to talk to you,â she said, adjusting herself to sit on the floor she just collapsed on.
Tommy rushed down the stairs as Ellie stayed on the first floor of the mansion, her knees bent in front of her as her forearms draped over them, tears spilling down her face. She hugged her legs closer to herself, face burying in the space between her kneecaps. Joel was dying.
Tommy kneeled beside his older brother, seeing the bite immediately from Joelâs clothes still being pulled to the side. Tommyâs face went still, hands flexing into fists.
âHow-â
âThey tortured me with a runner. Bit me twice.â Joelâs breathing was shaky now. Emotion or the infection taking over, he wasnât sure. âIâm not feeling well, Tommy.â
Tommy couldnât respond. There was nothing to say. His big brother was dying. The last of his blood, his companion for life, his construction partner. Nothing prepares you for that, not even the world they live in.
âIâm sorry, brother.â
âDammit, Joel,â he whispers, turning away to wipe his face. âWhatâŚyou want me to get her out of here? Head back home like nothinâ happened? Let you run around as some fuckinâ infected and risk seeing you again in that state? Risk her seeing you that way?!â
âNoâŚno.â Joel pulled his revolver from his belt, holding it out to Tommy. âBefore sheâs back downstairs. Please, Tommy. She canât do something like this. Please, she canât. I canât have herâŚâ he hesitates, unable to finish that thought. âI donât want her seeing me as an infected, neither. I donât want you seeinâ that. Please, Tommy, you have to.â
Tommyâs response was immediate and sure. âI ainât fucking shooting you, Joel.â
âYouâve killed hundreds of people, Tommy.â
âThose are hunters, Joel! People we fucking stole from ages ago! People who were the object of our grief! Youâre my brother!â
âSo do me the mercy of shooting me in the head.â
Thereâs a silence. A hard, cold, unbelievable silence between them. Tommy paced back and forth in front of Joel, anxiously messing with his hands as he imagines how any of this would play out. Where do I shoot him? Forehead? Temple? Chin? Will Ellie hate me? Will Maria hate me? What if I canât take it like Joel couldnât? What if Ellie attempts because she canât take it?
âPlease, Tommy, donât let me turn. I donât want you to see that. I donât want her to see that. FuckingâŚTommy, please.â
Tommy faces him head on, his eyes red, expression clear. âDo it yourself,â he bites, turning towards the stairs. He pauses at the bottom, hand gripping the railing. Fuck, that was a bad call.
âI love you, baby brother.â
Tommyâs chin drops to his chest as he pulls himself up the stairs, the sleeves of his coat wiping profusely at his face. His head burns. He opens the door and Ellie is still there, hugging herself on the floor, knees brought to her chest as she weeps in front of him.
Tommy doesnât say a word, only grabs his rifle from the back of the couch and takes watch at the front door again. Ellie watches him, confused. Heâd say something, right? Right?
She fumbles getting up, throwing the door back open as she rushes back down to Joel.
The crown of his head is pressed against the glass behind him, eyes closed tight as tears pool down the sides of his face and into his ears, some falling and dripping off his jaw. She can see his shoulders and abdomen jump with each sob. He has never looked like this before.
He lifts his head from the glass, meeting her eyes as she kneels back beside him. He sought her hand this time, holding it tight. His eyes are red and there are wet streaks along his cheeks and jaw.
They sat there in silence, Ellie attentively playing with his fingers as he occasionally sniffed, trying to push those emotions far away from her to see. Joel cleared his throat and adjusted his back as best he could against the glass.
âListen-â he started, a gentle graze of his thumb over her hand.
âNo.â
âEllie-â
âJoel, stopâŚstopâŚâ
âYou donât even know-â
âI know exactly what you want to fucking say. No.â
He freed his hands from hers, picking the revolver up from the floor beside him. He picked both her hands up again, placing the gun tightly in her grip. âItâs fully loaded. No Russian roulette, nothing.â
âRussian roulette?â
He laughed wetly. âGet Tommy to explain it to you.â
âI want you to.â Heâd never get to explain anything to her after this.
He smiles briefly. Sheâs like a little kid asking to get her way, and heâd be damned if he didn't explain it.
âItâs aâŚdangerous game. You put one round in the chamber, spin it, place it against the body, and you fire at your own head. Your fate is up to chance.â He rubs his thumb over hers. âBut thereâs no chance with this.â
She gripped the revolver, staring at it. ââŚIs that why Tommy walked away? Did you ask him?â
He nodded. âHe told me to do it myself.â
Well, why can't you?
And itâs almost like Joel can sense the question from a mile away.
âIâm afraid Iâll flinch again.â His voice cracks on again. âWith the infection already startinâ to take root IâŚâ
âJoelâŚI canât fucking shoot you. I wonât.â
âI donât want you to see me like that. I donât want to feel whatever it is they feel. I donât know if Iâll know itâs you and wonât be able to control what Iâm doinâ. I donât want to give you another bite. I donât want to give you something else thatâll keep you up at night. When you think of me, I donât want that to be what you picture. I donât want to tear you apart.â
Joel succumbs to a coughing fit and nearly coughs up blood as he leans forward, Ellie pounding on his back. Joel heaves as his head hangs above his legs, Ellie rubbing his back gently. Itâs Riley all over again. Joel sits back up against the glass and exhales heavily as Ellie brings their hands back together. This is going fast.
Ellie hesitates, absentmindedly squeezing his hand tighter. âWhat if I forget what you look like? What if I shoot you through the face and thatâs all I see from now on? What if I canât remember your face? What if I try to draw you and all I see is a bullet hole between your eyes? What if I canât remember your nose or your mouth or your eyes or-â
She was rambling and furiously wiping the tears away from her cheeks now. Joel brought his hands to her face, cupping her cheeks. He rubbed his thumbs across her cheeks multiple times, wiping from her nose to her ear lobes, and spoke. âWhat color are my eyes?â
She stared at him for a minute, eyes threatening to spill over again. She looked down to the space between them, avoiding his gaze. âBrown.â
âHey.â He said firmer, forcing her to look at him. âWhat color are my eyes?â
She stared at him for a minute, keeping the contact. âBrown,â she said, still skeptical.
âEllie, babyâŚwhat color are my eyes?â
She swallowed the lump in her throat and exhaled. âBrown. YourâŚyour eyes are brown. Your eyes are brown,â she breathed, almost relieved to say that back to him. âYour eyes are brown and yourâŚyour nose has a little arch to it. You have the scar on your temple and the one on your nose, too.â She hesitated for a minute, lightly laughing to herself. âYou have these two little patches in your beard where you donât have any hair-â
âAlright,â he rolled his eyes, smiling back at her. He brought her head towards him, pressing a kiss to her hairline before pulling her away again.
âYour hair is a mix of black and white. Your ears sit close to your head and you have these two little creases between your eyes, too.â
He smiled at her again. This is what he wanted. After how she expressed the fear of forgetting what he looked like, this is what he wanted for her. What she needed. For her to know she could remember him. That if she drew him, if she remembered him, she remembered him, not something else.
She lightly smiled back. âThe corners of your eyes crinkle when you smile, too. Sometimes thereâll be three or four if you laugh hard.â
She noticed the small things in him. She had him perfectly pictured in her mind, down to the minute details of his eye crinkles. But she didnât do it just so she could remember his face; it was because she loved him. Because she loved them- those little, physical quirks heâd nearly forgotten about himself.
He smiled bigger, just for that.
Her smile faded fast, reality coming back to her. âYour eyes crinkle when you smileâŚâ she trailed off, looking down as she took his hands from her face and into her hers, placing them in their laps. She was never going to him smile again.
âCâmere,â he asked and she climbed back against him, contorting herself against his chest as her cheek pressed against his heart. Her right hand had a section of his flannel balled up into her fist, clinging to what she still had left of him. Her left was in her lap, fidgeting with his fingers.
They sat in silence for what felt like an eternity, Ellie attentively playing with his fingers to distract herself from their fate approaching at a rapid rate. She crossed them over each other, intertwined hers with his, balled his hands into fists, and held his every way she knew how.
The longer they sat, the more labored his breathing became. She could feel him fading; dying. He could, too. It was getting harder to breathe. Deeper inhales were needed for almost every other breath. He was lightheaded; dizzy. His head was dropping more, like his neck muscles were giving out. The infection was getting far. It was a network at this point, vines emerging from his shoulder into his neck and chest; it resembled tree roots. He was sweating and getting hot. This was going way too fast.
âBabygirlâŚâ
âNo,â she whimpered into his chest, holding that ball of his flannel tighter.. âNo, Joel. PleaseâŚstop.â
âEllie, weâre risking it. IâmâŚIâm going, kiddo. I can tell.â
She curled herself tighter into his lap, bending her knees and bringing them closer to her face as they fell against his chest. He pulled his hands from hers, wrapping them tighter around her. Sheâs always been so small, and right now was no exception. She fit into him so easily, completely encapsulated by his embrace.
Ellie was trembling with sobs; a mix of hiccups, hyperventilating, and a wailing that any clicker could hone in on from miles away. She felt like she was falling apart. His embrace is supposed to offer her support and stability, not make her feel like theyâre nowhere to be found. Security and protection, and yet she feels open, vulnerable, and exposed.
Her fist in his flannel moved to his arm, her left arm following as she held onto his forearms, trying to ground herself in his embrace and how she should feel against him.
Heâs practically dead. Maybe thatâs why; itâs barely him at this point. The infection is taking him from her. And that is as much of a reason she needs to go through with this. What feels terrible to her is a thousand times worse for him. Heâll be with Sarah. Heâll be free.
âBaby,â he started. He hadnât called her that in years before today. And she had already lost count of the amount of times heâd used it within the last few hours. Sheâs never gonna hear it again. âHey, look at me, please.â She pulled away and scooted off his lap slightly, her legs still draped across him. His hands found her cheeks, his hold noticeably weaker. He smiled at her.
This little girl. His little girl. He smiled at her; because of her. The little girl who attacked him (and Tess) when they first met. Who did nothing but cling to his side because he protected her. I need something smuggled out of the city. To you, sheâs cargo. But then there was Henry and Sam, nights together on the road, car rides, Jackson (a glimpse into their future), a life threatening injury, and her life on the line. And somehowâŚit became more than a job. She became more than just cargo. Somewhere along the way, the fortified walls built up around him were torn down by her. He protected, provided, and cared for her. He nurtured her. He reassured her. He held her tight and called her âbabygirl.â He saw more importance in holding her hand through a night sleep than he did in keeping watch over them.
Eventually, that cargo was hearing him sing and being taught guitar. That smuggler was stringing up lights around her makeshift home in their her garage. Somewhere along the way, two unrelated survivors of the world, brought together as a job, were walking hand-in-hand down the streets of their new home together.
At first, she seemed to just be a replacement for Sarah; her ghost following him everywhere. Those nightmares becoming more prevalent when Ellie entered the picture; a constant reminder of his failure to Sarah. But then Ellie wormed her way in with that terrible pun book, atrocious vocabulary for a fourteen-year-old, and non-stop questions which kept him awake (and annoyed) that did him in. She started to become her own person to him; an opportunity. A second chance at fatherhood. To feel and embrace the love that gave him the greatest twelve years of his life. To continue where he left off with it all. And motherfuckers be damned if anything was going to get in his way of loving his little girl again.
âI love you,â and fuck, he looked heartbroken and in love. This was the first and last time she'd ever hear him say it. Regretful.
She smiled back at him. It was always understood between them; they didnât have to say it. She wanted to say it before he left for patrol or before she wentâŚanywhere without him. But a quick hug, kiss on the head, and a âbe safe,â was his way of saying it every day. For her, it was always a tight hug paired with, âIf you die, Iâm gonna kill you,â or a similar endearment. They had their ways, and that was enough.
But right now, he needed her to know for sure.
Joel took in another shaky breath. He was falling. âI love youâŚso much, babygirl.â His hold was so soft as he rubbed his thumb over her cheek again.
His face was enough to tell her everything. They got really good at the whole âsilent communicationâ thing. A certain look in his eye or the way his eyebrows sat was all she needed. And now, his eyes were gentle. He looked like he did when he gave her the tape of the space launch three years ago. He looked like he did when he heard Linda Ronstadt on that tape after so many years. He looked like he did when sheâd treat him extra father-like to really sell it to other Jacksonfolk. His expression looked likeâŚthe same it always did when he looked at her.
Everything he ever did was for her. Trying to send her away with Tommy, shoving her away from him in that basement, massacring the fireflies, and every decision in between was made because he loved her, and that came before anything else. He didnât need to expand on any of it; she knew now.
Her anger was palpable during the estrangement. Her trust was broken, she was betrayed, disappointed, and angrier than she knew what to do with. She didnât hate him, though. She struggled for a long time, but it never turned to hatred. And the realization of that for her is as clear to her now as it may ever be, considering how easily she answers. Like they were never estranged.
âI love you, too,â she responds, the same expression on her face. I just heard him say his last words. He just heard my last words to him.
He pulls her head forward, pressing his forehead to hers. Her hands come up to his wrists, holding on to him. She slows her breathing to match his, earning one last sliver of comfort from him.
She pulls his hands away, placing them in the space between them as she leans to the side, picking the revolver back up. She fiddles with it in her hands, trembling as she grips the trigger. She pulls her legs off from how theyâve been draped across him and tucks them under her, sitting on her heels.
She loosely places the barrel of the revolver against his temple, Joel flinching at the familiar contact.
His right hand came up to her face, bringing her head down once more, kissing her hairline once and resting his lips there briefly. A second one, just for good measure. âI love you so damn much, babygirl,â he whispers, tears from his own cheeks hitting her forehead. He leans back, the crown of his head hitting the glass.
Ellie grabs at his hands in his lap, the two of them fighting for who can hold the other tighter. Both his hands come around her left as she pulls the hammer back. Tears drip off her chin into the mess of their hands in his lap.
He shuts his eyes tight as she exhales.
âIâm sorry. I love you-â
bang.
His body jumps against her, his hands immediately releasing her left as his head falls to the side.
âJoel?â She whispered, watching his face. She dropped the revolver, cupping his face upright. âHey, Joel. Look at me. Joel, fucking look at me! Fuck..dammit Joel, fucking look at me, asshole. Look at me!â Every other word was a sob. âFuckâŚyouâreâŚwhy did I do this. Why did I listen to you, why did IâŚâ she sobbed, pressing her forehead against his, gripping his neck tight. âPleaseâŚplease, donât do this. Come back, Joel. Please, please come back. PleaseâŚâ she pleaded, tears spilling down her chin into his empty hands. âJoelâŚcome on. We wereâŚI wasâŚI told Dina I was going to invite you over. Curtis and Viper 2âŚI found it. I was gonna ask youâŚfuckâŚfuckâŚI know you wouldâŚyou wouldâve said yesâŚâ Her throat was burning up. She brought her hands around the back of his neck, bringing his face into the crook of her shoulder as she rested her chin atop his head, her right hand combing through his hair gently. â...We were gonnaâŚwe were gonna be okay.â she choked. Were.
The basement door swung open and Tommy stormed down the stairs, his beretta in hand as his arm was extended out in front of him. He was coming back to do it. Tommy stopped a few feet behind Ellie, Joelâs head still tucked into her neck.
âEllieâŚâ
Ellie was sobbing into Joelâs hair, Tommy at a loss of what to do, if anything, for her. âHe was going fastâŚweâŚI had to.â
Tommyâs breath caught in his throat as he noticed the wound in his brotherâs temple, blood still pouring out. Ellie was drenched.
HIs voice was quiet, completely different to how he sounded barreling down the stairs seconds prior. âI was gonna get my shit togetherâŚI-I wouldâve done it, sweetheart.â
Ellie pushed past that. Canât go back now. âWe need toâŚwrap him up. Sheets, towels, somethingâŚâ
Tommy acknowledged silently, walking back upstairs without another word.
Ellie stayed there, kneeling on that cold basement tile with Joelâs face tucked into her neck. He was heavy now as dead weight. Joelâs hands were still open in his lap, pools of Ellieâs tears still present in the creases of his palms. âYou were alive three minutes ago and now we have to wrap up your fucking corpseâŚâ She pulled his face away from her neck, holding it in front of her. His eyes were half shut. She opened his left eyelid slightly, checking for life. She had to be sure. Sure enough, nothing. The eyes that held so much light, gentleness, and love were void ofâŚanything now. No crinkles in the corner of his eyes, and the brown of his irises even felt faded.
She stayed like that, studying his face. The second Tommy is back, Joel will be wrapped up, his face covered and his body wrapped up as heâs put six feet under, never to be unraveled again. She needed this now, to make sure she memorized everything, even through the tear-filled lens of her vision. Those patches in his beard, the arch of his nose, his temple and nose scars, the shape of his ears, the way the front of his hair curls on a good day, the brown of his eyes, and those crinkles she never once took for granted that sat so openly at the corners of his eyes.
Sheâd never see those crinkles again.
~~~~
Tags: @not-so-mundane-after-all @sentientmasstransit @memelovescaps @tloubraininfection @tlouobsessed @fieldsoftulips @bejeweledmp3 @swol-bear @cassianendor @bluestar22x @elliiewiilliiams @longl0ngtime @dilf-din @therebedragcns @joelxmiller @scootkiddo @astrasomnium @fallenstar07 @novemberrain-writes @hooptedoodley
#I am so unbelievably tired#my eyes are half shut fixing all this into tumblr#so i apologize if soemthing is wrong#I am sos sososo tired#I know in a lot of cases I used a mix of ending some words or phrases in s or es and some in d or ed#which I know is a bit of inconsistency#I canât remember the actual word#so i apologize#fell asleep fixing this up and then I woke up at almost 7am and finished it so.#hopefully it all makes sense#if it doesnât itâs bc I was fixing it up half asleep#the last of us#the last of us hbo#joel miller#ellie williams#tlou fic#the last of us fanfiction#the last of us fic#L writes
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oc req i got from a friend on cohost for these two hanging out! which eventually turned into me thinking "what if this is just saiph walking up to ramus unprompted on Guild Beach Day, but ramus fully forgot who he was since they last met" and that concept was funny enough to me that thats what the drawing became
but still, here's an edited (technically original) version under the cut bc i think eventually they start to talk for real anyway lol
#finn's ocs#finn's art#i also for a second thought it would be a little bit funny for ramus's reply to be ''what the fuck happened to your tits'' but#stylized top surgery scars get too much shit so i figured it would be low hanging fruit even if in isolation its funny#also wrt the scars ik some ppl scar darker while some scar paler im not just being inconsistent đ
i hope that comes across well#but yeah i think its better if they just hang out normally anyway. theyre just two dudes#even if ramus forgor and even if saiph would just walk up to random ppl on the beach and Start Talking#bc he acts like everyone in the world is his best friend. ask levy from the train station#which. is a character ive also only talked abt on cohost i think? whatever that desc tells you everything you need to know#i also have a polaris wip recommended from the same friend but i got carried away here#also theres a secondary joke of the crab getting closer. be careful.#and a third joke of the crab having the same accessories as cancer. his pet perhaps. as all crabs in the ocean are#also all of ramus's stuff is just his guildmates stuff bc theyre there too and they share#i feel like if any guild would just share all their shit its the hippies in the woods right#thats my commentary. this ended up becoming a bigger drawing than i intended bc i kept thinking abt stuff
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âSo, howâd this year go for you?â
A simple question leading to a variety of answers
#I wanted to draw interactions but didnât know what I wanted them to say so empty bubbles it is#shoutout to everyone else posting anniversary art late weâre all in this together#i am the op#jus sum doodly doos#pizza tower#I think I got the character sizes a bit wrong#this wasnât my original intention of what I wanted to draw for the anniversary but I was a day off on when it was so I had no time#and then I ended up being 5 days late anyway#fun fact all these images have their own titles in ibis which I donât normally do#if you see inconsistencies no you donât đŠˇ#can you tell which pic was my favourite to draw
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#rhyperior#me when i have a horn for a nose and i want to show it off to all of my friendsâ familyâ and associates#i also think that rhydon did not need an evolution! i kinda like rhydon as it is. and this one doesn't really fit in with the rest of its#evolutionary line at all. completely changes the color schemeâ gets fuckin. armor or whatever. orange bits. more horns#the more horns is coolâ i'll give 'em that. but the rest of it? hardly looks like it's part of the same evolutionary line#i know this is a very common criticism of mine but i like complaining about this. but maybe some folks like that inconsistency. so pokĂŠmon#don't start looking too samey. even part of the same evolutionary line. which i can respect
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idk guys but i think "black lady making a parody campaign of an overrated kid's book written by a transmisogynist where they mock the original book and its writer at every given venue and it barely feels like the original" is not nearly equatable to "white guy making a joke about an asian trans woman having a dick in her intro, immediately calling attention to it by laughing at his own joke, and not developing that poor trans woman as anything more than a mildly antagonistic force/love interest for another trans person"
#đ#transmisogny tw#a post about the tags of a post#mismag does at times feel a bit milquetoast at times with its criticisms of the books and its creator amounting to:#'look! this kid's book has narrative inconsistencies! funny! also jkr sux fuck terfs... ok back to stupid bri'ish wizards"#and i think aabria's statement on why she made burrow's end#about how just saying 'jkr sucks' doesn't mean anything if you don't actually move past it (hp) and address your own biases#felt far more mature than mismag's thesis statement of IT'S STUPID SO LET'S MAKE FUN OF IT which is reductive#and the new season of mismag doesn't look hp inspired at all so ngl for me it's fingers crossed#likewise i know this was years ago and brennan has grown but i do NOT blame trans women for being disgusted or horrified at that joke#because it isn't just poor taste. it's just flat out HA HA SHE HAS A DICK! as the joke#and they did the cis person thing of putting the Only Two Trans People in a relationship and worse yet#the guy is an actual pc and the woman is just a mean nag. how did he drop the ball on that and make t4t feel like cishet boomer humor#so if that sours d20/dropout/unsleeping city/brennan as a person for you i don't blame you
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Finally done with teen wolf rewatch. Phew
#took me like 3 months#thought I was gonna watch a few eisodes I like because I was feeling nostalgic one evening now I finished the whole thing lol#not the movie tho I don't vibe with it#one of a few things I noticed is that scott smiles fondly at stiles' remarks a lot :')#anyway thinking about how each character change along the way#lydia is like a completely different character from the first seasons#since I'm biased I love the dynamic change with scott and stiles#like they kinda swapped roles a bit but still remain themselves??#scott develops from an awkward teen only caring about living normal life when he has more people to protect and learning to become a leader#he's almost unrecognizable from the first ep too#for stiles. he has character development of course but I think he himself hasn't changed much#even if he said they're not kids running in the woods anymore#he's still the mischievous sarcastic lil guy we know showing up at scott's house. running around looking for trouble & helping people#he always has that dark & anxious side#it's us that know more and more about different sides of him as the story goes on#from the start it's just the two of them against the world. now they're holding hands with their friends facing the world#anyway this show did get a little weird and inconsistent which is not surprising consider how long it went#the scripts also revolve around actor/actress availability also#so many characters with interesting dynamic what wasn't given time to explore#free real estate for us fans
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Uhm, quick batch of rough doodles from today. Nothing too impressive here just trying to strengthen my muscle memory and ability to recreate his given expressions. First two where using an image reference since I feel like I always go off model whenever I try on my own (hence the two last ones being more stylized) :/
Also another photo close-up of this one in particular because OOOOOH SIR I love when people draw him with thick glossy eyeshadow I canât stop staring at his eyes like that help heâs just too damn gorgeous or something. Iâll try to give an update on how much I would allow myself to simp because with me being aroace I can never tell how to gauge these kinds of things with my fictional fixations << for now weâre chilling with some standard platonic admiration tho so itâs all good (âŚI think. A particular artwork would beg to disagree with me on that but shush we will get to it later lol. Innocent until proven guilty verdict)
#these are all so inconsistent I donât think I even have an artstyle anymore whoopsđ§#yeah I purposefully didnât include the full look of the chair one because-#I just donât like how it turned out honestly lol thereâs a few of those from today unfortunately#so thereâs just a random object in the center of it all jksjsksp#creative liberties where taken#âŚyou know it feels weird preparing to post stuff now#because beforehand it was a guarantee I could sweep a few things under the rug without any notice but NOW#Iâve got your guys eyes on my silly doodles even when they look bad :âD#which I do appreciate the support itâs just a tad bit of a wake up call having others take notice of my existence#so uh well uh hey guys hope youâre having a great day/night thanks for stopping bye#âŚwait Iâm just talking to myself again#doodles#sketches
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honestly I don't think I can be mad at weird inconsistencies in stories, not really, bc I've been working on this detailed outline for my fancomic idea for so long, on and off, and now that I'm working on it again I had to go searching through an inch-thick pile of handwritten notes and three different digital documents (timeline, character profiles, a different outline) to try and figure out what the hell I had planned for continuities, only to find that I was about to write stuff that would have contradicted my earlier worldbuilding
#I know I should be doing something a bit simpler given this is supposed to eventually be a comic but like#I have been blessed or cursed with the ability to come up with insanely complex stories and the inability to realize them quickly#who knows how long writing the script will take but in theory I should have no inconsistencies when I get to that stage so#(and I can always yeet the entire project over to a text-based story if comicing turns out to be a no-go for me--#like my detailed outline is basically a first draft text-based story that just needs serious polishing)#anyhow I'm SO CLOSE to finishing this detailed outline#it would be really cool if I could finish it by the end of the year but we'll see I might get distracted by my 40395834095 other projects#see if I was normal I'd have come up with a normal fanfiction w/ the worldbuilding preloaded but noooo#I wanted to create my own original idea for LoZ which meant doing 90% of the worldbuilding myself bc LoZ lore is inconsistent by default#anyhow I love writing! (<-- is suffering a little)#oracle of lore
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One thing I've noticed about SLBP is that the characters' ages seem to amount to "whatever the writers find most convenient at the time."
#masa's event story seemed to me to pitch his age high and kojirou's a bit low#i know people have estimated character ages before but the writing seems a bit vague and inconsistent#which i will admit has the minor advantage of letting you decide a few things for yourself when you're writing#slbp#samurai love ballad party
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Iâm not someone to complain about dubs cause I REALLY donât care what people watch unless itâs a really inaccurate dub but there is something so infuriating about a dub that has a solid voice cast and direction but then you compare the sub and quality wise there on a similar level but then you see how they change lines, pause and go âwhat the fuckâ
(I am talking about the casshern sins dub which- god damn it funanimation)
#meg text#casshern sins#Iâm not rewatching btw bc sins is the last thing i need to rewatch when I first saw it this year lol#but I was watching bits of ep 9 just to hear how Lyuze is pronounced cause I never knew how to say her name#but I did both versions and pronunciation being different aside THEY UNNECESSARILY CHANGED LINES#like- itâs not as bad as the arma dub-I grew to find that dub funny but lord the inconsistencies-but itâs still ???#they change the smallest shit of Ringo saying queen to prince when itâs referring to a girl??#also they took out Ringo calling Lyuze Oni-san which makes me sad cause they EASILY couldâve kept it as her saying âsisâ#they probably didnât do it cause they didnât want people tuning in to be confused but COME ON let Ringo see her as a older sister#I know this is definitely a case of theyâre just picking and choosing lines to tweak and not âthis can be translated multiple waysâ#how? Cause itâs fucking funanimationđ#I need to watch the dub in full to know the verdict but yeah just watch it sub unless you canât do subs#itâs a damn shame cause the voice cast is good I really like Lyuzes voice a lot but itâs not worth odd script changes
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Still haven't processed the book of bill tbh
#I am so sleepy so sorry for the tupos but like.#ere the journal pages real? despite the inconsistencies?#is it a manipulation by bill or just a product of the book being unfortunately written after journal 3. maybe a bit of both?#I literally don't know how to feel about how Bill and Ford's dynamic was portrayed... or what exactly to take as canon.#like he's an abuser. and in the material itself it's like cool we have a storyline about Ford getting out of an abusive relationship yay#but what does it mean for the fandom? and like. like. what was their dynamic like exactly???#I feel like Bill wanted Ford to be obsessed with him? idk I'm to tired to reason but yeah#also. what's gonna happen next? is the soos posession just a tease? where's the website leading?#and when it comes to bill IF he's not lying or mostly not lying then niw we know he has PTSD#and isn't like a purely flat character anymore which opens a ton more questions about his characterisation and mental illnesses etc.#AND I STILL DON'T KNOW HOW TO FEEL ABOUT THIS LIKE. IT MAKES SENSE? BUT I nEver expected ot to happen#idk I'm probably taking this too seriously it's just a fictional triangle. I'm going to sleep. but his behaviour is still wild
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nico is actually confirmed catholic in ton
âAnd, through it all, heâd struggled with his upbringing as a conservative Catholic Italian male from the 1930s and finally learned to accept himself as a young gay man.â (chp 10)
I will take your word on this because I do not feel like checking my copy of ToN and also I have no reason to disbelieve you. Also, i'll be completely honest i do my best every day to try to forget literally everything that happened in Tower of Nero because of how awful all of it was.
ironically immediately after I got this ask, I got another anon talking more about how the troglodytes (introduced in ToN) are racist. And I think that's beautiful.
#ask#Anonymous#other anon I will get to you in a bit feel free to poke me if i forget#but know that i saw your ask and seeing it come in IMMEDIATELY after this ask was extremely funny to me#but yeah i'll be real by ToN i just kind of stopped accepting anything it said as canon. like. objectively its canon. but yknow.#and Rick gets so messy and inconsistent with Nico's backstory by HoO.#i dont like that we get exposition about Nico's life from a random third party he's barely interacted with before#especially since it's inconsistent information with what we've been told about Nico leading up to this point#cause we have no reason to believe Maria raised Nico conservatively#in fact we have every reason to believe otherwise because again he's specifically from Venice#and Venice during the war actually had a decent amount of anti-fascist stuff going on#not to mention just what we've seen of Maria she's like. cussing out Zeus basically. as far as we know she will not tolerate injustice#which tracks with her having had TWO kids with the god of the underworld#okay actually i did end up looking this up cause i hadn't remembered Rick ever explicitly using âgayâ in the books to describe Nico but yea#anyways. ToN is out the window for me alongside the new book. mostly for the trogs but also things have just stopped making sense
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barkbarkbark Riichi Book I's writing is like screeching chalkboard to my game designer's, translator's, and writer's ears all at once
it's got great concepts buried in there but it's in like the most anti-comprehension packaging conceivable
#what the hell is wrong with you#folks like you are the BANE of game designers everywhere#and game PLAYERS for that matter#THIS is the best strategy reference the English speaking world's got?#baddabingbaddaboom ladies and gentlemen#im about to make bank writing the West's first riichi primer that actually meets the standards of the modern analogue game industry#(which to be honest is abysmal right now the industry's in an insane 'text free' fad right now where every word is replaced with a symbol)#alright then im gonna set the new standard then#imma bout to do for Riichi Mahjong what i did for Ryuutama TraversĂŠes đŤ¸đ¤#and for all the dudes at unpub who know how to design incredible games but dont know how to write instructions#alright sorry I'll calm down#but seriously i am gonna start throwing together an actually quality-controlled guide#cause every english resource ive found so far has been like this... inconsistent and full of holes and omissions in explanations#chiba talks about the game's strategic immaturity in the west... well it's got an even bigger gap of educational immaturity#anyways.... I'll toss a bit of effort that way#we'll see how far i take it#I'll either make a few loose articles or a fully fledged book. no in between#god i dont have the energy to make another book when i dont even know if TraversĂŠes is ever gonna see the light of day#100% complete full color layout and everything. publishing limbo is real and it's every bit as stupid and unnecessary as you think.#(my case is much simpler than most though cause im only working with two small publishers rather than a big corp)#but still. damn#anyways im so tempted to throw some of my rulebook magic at riichi while it's got my interest#not like i need to write a strategy tome the game just needs a professional quality introduction#don't make me do it i absolutely will do it#i did it for ryuutama when no one wanted to give a decent publication-quality localization for the supplements#and by garriot i will do it for riichi mahjong too if no one gives me a quality guide. i aint afraid of a global high strategy game#<- manic#(im not manic im just extremely restless having not been able to do any solid design work in a while and this book is getting me riled up)#cause it's like âi could write such a more coherent rulebook and HAVE written a more coherent rulebook. so why don't i do it again?â#the Disease is why. but maybe I'll give it a shot anyways if i get a second wind (i guess im otakaze right now harharharhar)
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on the off chance anyone on here followed me for my jonmartin fake dating au, currently standing tragically unfinished at 7 out of 8 chapters: i'm still working on the last chapter! i would love to have it up this year, but unfortunately i can't make any promises, because i've started a new medication and the side effects are wreaking havoc on my mind and body. haha isn't chronic illness fun. but rest assured the fic is the beating heart under my floorboards, and i WILL finish it one day
#i feel pretty bad about it because my update schedule has been really inconsistent for the whole fic :///#and now the final chapter is going to be even more epically delayed than the other ones#should've probably finished the whole thing properly before i started posting it but you live and learn i guess#my chronic illness really messed with my ability to write and i hate it#like the chapter is almost done. under normal circumstances it wouldn't take me long to finish it#but it's like my brain has forgotten how to make words happen. ugh.#i don't want to let people down by making them wait so long for an update#but i also don't want to let them down by giving them a mediocre chapter y'know#if all goes well the new meds might help with both the chronic fatigue *and* the depression which would be an absolute godsend#but ngl. the side effects are rough. and they can apparently last for up to six weeks#and i've only been taking the meds for about 2 1/2 weeks so i've still got a long road ahead of me#i also started my period yesterday which certainly doesn't help lmao#delete later maybe#just needed to vent for a lil bit. and as everyone knows there's no better place to discuss your private business than tumblr dot com
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Ralsei's Design
Something I find really interesting is how many people don't realize all the ways Ralsei looks different in ch2. Like apart from the hat there are some pretty significant details ppl don't really notice. Like even the official plushie gets it wrong!
For instance, in ch2 Ralsei isn't wearing a heart anymore, he's wearing a spade! The bottom of his cloak is also different, since n ch1 it's tattered and in ch2 it's repaired. There's also the scarf color change, but most people actually get that right.
This is likely because many of his battle sprites in ch2 are actually somewhat inconsistent about these details, because they are just edits of the ch1 sprites. All of the sprites made specifically for ch2 that aren't edits of the ch1 sprite have the details.
Either way, they're pretty fun details that do a good job of showing how Ralsei changed throughout the first chapter, having finally gotten friends and letting that shape him. Might also be why his fur is less messy in ch2.
#deltarune#ralsei#made this mostly bc i see so many people (even fangamer) miss out on these details which IMO is a shame bc its such a fun little bit of sto#rytelling. I dont rly blame them though bc the battle sprites r so inconsistent abt it#also I know i'm nowhere near the first person to notice this! like it's even mentioned on the wiki. I just find it interesting.#this also isnt a judgement towards ppl who never notice btw! i didn't notice for a hot minute either#also apologies to ppl in the ah fuck! discord u have seen me talk abt this 3 times now
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in the secret good dc canon in my head (much like the secret good spn in my head) jason is able to reclaim his sense of identity and purpose through spending lots of time alone at his own grave. like there he is able to mourn who he was and who he couldâve been without all the further expectations that a memorial to robin holds and also i think it would (ideally) be a place apart from the bats so he can eventually sit there and be like âactually no itâs not fair that iâm remembered as the bad robin and hotheaded and angry when all i wanted to do was my homework and to be one of the Good Guyâ˘ď¸â. also he is in therapy.
#i just think that jason (as a character) deserves to not only have the time to actually grow but also#to actually uncover a clear path forward (from a meta and in universe perspective)#most of dc doesnât seem to know what to do with him and heâs written super inconsistently across most comics#and i think thatâs a little bit of an injustice bc he Could have depth and allowing him to grow and heal only highlights the ways in which#bruce can NOT#plus like. at some point he needs to be something other than a foil to bruce#anyway đ
đť i am a little insane ab him#heâs just my special little guy#jason todd#red hood#jason baby boy
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