#i just think that jason (as a character) deserves to not only have the time to actually grow but also

[a-menaceinpink]

in the secret good dc canon in my head (much like the secret good spn in my head) jason is able to reclaim his sense of identity and purpose through spending lots of time alone at his own grave. like there he is able to mourn who he was and who he could’ve been without all the further expectations that a memorial to robin holds and also i think it would (ideally) be a place apart from the bats so he can eventually sit there and be like “actually no it’s not fair that i’m remembered as the bad robin and hotheaded and angry when all i wanted to do was my homework and to be one of the Good Guy™️”. also he is in therapy.

[signedsfs]

I've got some great fuckin news

Once again got a bee in my bonnet to spend a night doing obscure fandom research to make a point, so. For all those people who keep making the annoying, "Tim keeps '''stealing'' other peoples' names" comments -- have a table.

Everyone with a check mark has used that codename at some point in DC's 80+ year continuity -- Elseworlds and alternate dimensions/timelines count, adaptations (movies, video games, cartoons, etc.) don't unless they've got comic book tie-ins, and neither do in-universe dream sequences/illusions/fantasies/other narrative elements that are objectively "not real" within the boundaries of the fiction.

A purple marker indicates an element that only applies in Elseworlds or alternate timelines. Yellow is for the originator of the legacy title. Star symbol is for borderline cases/extenuating circumstances/it's open to interpretation (with some further elaboration below).

The "other" column is just there to account for people who've held lesser or non-legacy titles, like Renegade, Wingman, Arkham Knight, Drake, Redbird, Talon, Deadman, Black Bat, Orphan and Catwoman.

Point being: the people who have actually gone through the most legacy titles in this family are Dick, Babs and Jason, tied with 5 each (again, not counting "other;" if we counted those separately Dick would've had by far the most). Tim is tied with Steph AND Helena Wayne, so unless you're whining about them "stealing other peoples' names" you're just wrong, and they're all only one higher than Damian, Carrie and Bruce.

This is a legacy family that passes their codenames up and down the inheritance line. It's what they do. It's not a legitimate criticism to level at one character and not the others. Please get over it.

EDIT: I realize after posting this that I missed some colors on the table, mostly with Babs' Elseworld only roles (Batwoman and Nightwing) but I'm too tired to go back and correct them; refer to the info below for more details.

---

Further elaboration on some of the lesser known/niche cases:

- Bruce uses the Robin ID in Superman & Batman: Generations

- In the second half of Thrillkiller ‘62, Babs cuts her hair and dons the Robin costume worn by her deceased partner Dick to get revenge on his killer; however the only name ever used for her in the series is Batgirl

- Cassandra was a member of the Robins orphan gang from Dark Knights of Steel.

- Duke was a member of the We Are Robins gang, as well as the aforementioned DKS orphan gang, and has appeared as Robin in a couple of Elseworlds, including I believe a White Knight spin-off.

- Cass was Batwoman in one of the versions of the Titans Tomorrow, as was Bette Kane, depending on changes to the timeline.

- Babs is Batwoman in the Batman ‘66 comics and in the 1980 story “The Secret Origin of Bruce (Superman) Wayne”

- Earth-3 Steph is Batwoman in Young Justice 2019.

- Helena Wayne is Batwoman in the possible future story Last Rites

- Tim is a member of the Batgirls vigilante/little league baseball team in the DC Bombshells universe, as is Cullen Row. Some call them the “Batboys” instead. I call those people cowards.

- Helena Bertinelli wore the costume that would later become Cass’s signature Batgirl look during No Man’s Land. However, she was more often referred to as “The Bat” and her Batgirl status is up to individual interpretation.

- Dick didn’t originate the Nightwing name, it started with Clark in the Silver Age.

- Steph has never been Nightwing. The panel where she appears in the costume is a Black Mercy illusion that happens only in her own mind. It’s a dream sequence.

- Barbara was Nightwing in the Smallville Season 11 comics.

- Terry was briefly Nightwing in volume 4 of Batman Beyond.

- Damian briefly became Nightwing after accidentally killing Dick in the Injustice series.

- Dick is Oracle in the “Eight Wonders of the World” version of Earth 2 (aka the Black Superman dimension)

[zenlesszonezero]

[couldeatthatgirlforlunch]

Hi!

I’d love a part two to your hit me hard and soft fanfic. Maybe Y/N continues to avoid them as a romantic relationship but begins to accept a platonic one liking eating with Dick or hanging out with Jason at school, etc… but the Batfam gets impatient and talks about why they are afraid (and maybe hunt down the ex which could gain their trust?)

Hit me Hard and Soft: Whispers in the Shadows

Synopsis: The relationship between the batfam gets broken after mistakes lead to accusations, and accusations lead to contingency plans.

Pairing: Yandere!Poly!Romantic!Batboys X Gn!Reader

Tw: Poly!Yandere; All characters aged up; Possible betrayal; Bad father Bruce, but is he actually the asshole here?; Arguments; Mentions of killing and torture; Possibly ooc batboys: English is my 2nd language.

Word count: 2k

Requested? Yes.

Extra notes: Not much action between Reader and the batboys here, but definitely something. Read the end to answer my question👀

General masterlist | Hit me Hard and Soft - Series masterlist

— You can't be serious.

The tension was at its highest point. Only a few times priorly did the conflict between all of them get this bad, and as always, they feared things couldn't go back to the way they were.

— I am being serious. That's how things work. — Bruce stated darkly and Dick narrowed his eyes. — We tried it the nice way, I trusted you to behave, but you couldn't do that. — Bruce raised his gloved hand and pointed at Damian. — First, Damian can't control himself. He spent a decade acting right. Justice, not vengeance. But now, he's using (Y/N) as an excuse to defile orders and act as an assassin again! — Damian hissed and clenched his fists, taking a step forward.

— If you really cared for them, you would understand, father! But as always, you put your so-called mission above everything, even us! Even them! — Bruce clenched his jaw and narrowed his eyes in his direction, then turned to Jason.

— And you! How many chances do I have to give you? Both of you! You don't change. You will never change. And until you do that, you will never deserve (Y/N)’s or mine trust. Or their love. — Jason's heart broke in two, but he didn't react on the outside. Just kept his hard, Red Hood’s exterior. As he always did every time he and Bruce had a falling out.

— Bruce… — Dick muttered, a mix of a warning to remind him of not going too far, and betrayal by what he was witnessing. Bruce didn't look phased. And the fact he was still wearing Batman's suit, minus the cowl, just made this whole situation more genuine. He was neither Bruce Wayne, the persona, nor Batman, the vigilant. He was just Bruce. Their boss and their father.

— You hunted down that man, tortured and killed him! And you… — He took his gaze away from Jason and glared at Damian again. — Knew about it, and didn't notify us!

— I did know about it. Todd, you should have told us before. I also wanted that scum’s blood in my hands-

— ENOUGH! THE BOTH OF YOU WILL STAY AWAY FROM (Y/N). FOREVER.

Tim raised an eyebrow.

— Sound’s convenient. — All head’s snapped in his direction.

— What do you mean, Tim? — Dick asked. All muscles on his body tense. Tim gazed at him for a moment, then at Damian and Jason, then at Bruce again, staring directly into his eyes. — I just think it's very convenient that Bruce's getting rid of two of them. While your reason checks with past conflicts we had, with your morals and mission. It's also good for you that you wouldn't have to share (Y/N)’s attention with so many people in the future. Right, Bruce?

Silence took hold of the room.

— What are you implying? — Bruce stomped forward until he was face to face with Tim, their nose’s almost touching, daring him to say more. Tim didn't back down.

— Yeah, Tim, what're you implying? — Jason raised an eyebrow behind his helmet and took a step forward. The others copied that action.

— I’ve been watching you, Bruce. Just like you've been watching us. I know you’ve been upgrading contingency plans, more specifically, our contingency plans. I think he's been trying to keep us busy. To rile us up to commit mistakes. While he hogs all of (Y/N)’s attention. He said Damian could be trusted again if he proved himself, that was a year ago, and he still didn't give Damian permission. I bet he knew Damian would get restless and get more violent with criminals. Until he had an excuse to kick him out. And Jason, he let you spend time with (Y/N) at university. But as soon as (Y/N) started calling you their best friend, hanging out with you outside of classes and even confiding in you about their trauma, proving that our plan to make them trust us was finally working, suddenly (Y/N)’s ex receives an offer to transfer to GCPD, while everyone here has a… Weakness, when it comes to losing people we love and avenging their suffering, it's a known fact some are more… Trigger-happy than others.

Dick shook his head.

— Tim, that's something serious you're accusing him of.

— Let him continue. — Bruce growled darkly.

— I don't have anything to accuse you of, Bruce. I just don't trust you. — He shrugged as if it wasn't a big deal.

— So you're ready to brush off what they did? — Bruce accused and Dick started to feel even more restless seeing that the distance between them didn't change, feeling the urge to get in the middle and defend his little brother.

— I didn't say anything. But I wouldn't be surprised if me or Dick were next. — That made Dick snap.

No, he can't.

He can’t keep me away from them.

After everything I did.

We're just so close now.

Just earlier today we were having lunch together.

He can't.

He can't do this to me.

Is that how Jay and Dami felt? Is that why they snapped and started killing people? Is that why Jason killed that guy? Just for the idea of losing them forever?

Is that why, even with how heartbreaking and horrible it sounds, any possibility of someone trying to take them away from them made Tim voice out his paranoia? Thoughts Dick had when everything was quiet, when he just brushed it off as intrusive thoughts?

It isn't… Logical… But it also is…

The only thing stopping him from believing Tim wholeheartedly is the lifelong trust he had on Bruce. But those are just feelings. And they all feel. Intensely. For you.

And as much as they tried to make it peaceful, everyone having a piece of you and being happy. They were having problems, and a traitor was always a possibility.

Either way, he couldn't take that chance.

That night, Wayne Manor slept almost completely empty. All of the sons were gone. And you would know it too.

It's been a week. They've been meeting at the apartment just beside yours. It was empty, until Damian bought it, and started living there after cutting ties with his father. He wasn't happy that the others were also using it as their nest, a place to meet and talk about strategies. And keep an eye on you.

Damian was slowly steering his tea, mind elsewhere, not really paying mind to the conversation. While it was important, his stomach was full of butterflies and his heart pounded hard every time he thought about earlier, something he couldn't stop doing. After a whole year of being almost completely away from you, finally spending time with you was like a dream. That just made his resentment towards his father grow worse, even if he didn't do that on purpose, it still felt like injustice.

He knew since he was born, his way of doing things was always better.

He just told you he didn't know that part of the town much, and you, sweet you, already acquainted with his brothers, invited him to show him around. A bad taste came to his mouth whenever he thought he was the least close to you, even if he knew everything there was to know about his beloved. He got left behind. He let himself be left behind.

Because he was weak. Because he was submissive. Because he trusted his father.

His mother did send him to his progenitor's home saying that he needed to learn from him.

— We could use the League.

All heads snapped to him.

— Huh?

— We are talking about contingency plans for our father. We could have the League of Assassins on our side. Infinite resources against one single man. (Y/N) would live in luxury. And they did tell us… — His heart warmed at the sensation of finally feeling included in your life. — … Multiple times that they despised the cold weather Gotham always seems to have. Eth Alth'eban is always hot.

— We are not joining those fuckers, and you shut down that idea before I start believing what that old man said about you and kick your ass into your grave, demon brat. — Damian kept stoic after Jason's response.

— We could use the League for something good for once. I could. As the Head of the Demon. — He retorted with confidence.

Dick shook his head in disbelief.

— Dami, I think that's too much. It would only prove what Bruce was trying to say. — Damian leaned forward, as if getting closer would make his point come across as more genuine.

— I could do it! Not as a dictator like my grandfather! But as something actually good! Not just for us, but for everyone! The whole world!

— Does that megalomaniac plan of yours have an actual strategy? — Damian rolled his eyes.

— Of course it has. Kill anyone who gets in the way of my rightful place at birth. — Damian tilted his head at Tim, who looked at him in disbelief.

— Even Ras? — Damian frowned. What a dumb question. Damian would do anything for you.

— Especially Ras. — A fist hit the table and the oldest got up with a scowl in his face.

— No one. Is going to kill. Anyone. And we are not going to use the League. — Damian got up too.

— What is stopping you? This is for (Y/N)! It is not just some fucking petty act to annoy father. He acted behind our backs and he will take my beloved from me! From us!

— We don't know that yet! — Even with Dick's exclamation, it was clear not even him was totally sure about Bruce's intentions.

— … Failing to prepare is preparing to fail. — Tim muttered. They all observed he had a distant look on his face, it was the look he had when he was planning something. After a few seconds, he looked up again and got up, facing Damian. — I'm with you. It’ll be nice to see Ras look when he realizes he lost to me one last time. And to have whole guardianship of my spleen he keeps on his bedside table again.

— What? — The other three sputtered.

— I won't kill anyone. But I will help you and be an ally. Even if that means losing the Titans and leaving behind everything I build here. All for (Y/N). — Tim spoke. Jason got up.

— Tim, you can't be serious too. — He received a glare in return.

— I am. You're invited to join us. Or to become our enemy.

Damian was staring at Tim, the brother he always had a strange relationship with, full of fights and sarcasm, but they always knew they could count on each other in the end. Because they were family.

Of course, it would be nicer to have you all to himself, but he also needed more allies, and brilliant minds like his own. It would also hurt to lose every person he loved while choosing you, even if he would always choose you in the end.

— … What if (Y/N) doesn't trust us after this? — Dick mumbled, trying to see both sides before making a decision.

— We’ll explain to them. About how we got rid of every single individual who wanted to isolate and steal them from us. How we want to care for them. Keep them safe. And how I- We, made the world a better place in the process. — Dick glared at him halfheartedly.

— We have a solid plan here, Dick. We Just have to form our strategies based on what we have. It will work!

Dick sighed and rubbed his face with his hands. He started walking around the apartment, contemplating, listening in on your apartment and Tim and Damian in the background, trying to convince Jason.

When even Jason seemed convinced, Dick knew what he had to do.

Everyone turned to him when he came back to the table again, in expectation.

He looked Damian in the eyes and put his hand on his little brother's shoulders. So grown. So different from what he was before meeting you. You brought the worst out of him. Out of all of them. And you didn't even know it. That was the worse part.

But Dick was always known for being a manipulator.

— Congratulations, you're the new Demon's Head.

Extra note: I'm curious to if you guys think Bruce was actually planning something and not just being regular canon Batman putting his morals above family👀

Like, comment and reblog 🥰

DC Taglist:

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[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.1)

oh boy oh boy am i excited for this one buckle up boys it’s gonna be a long one. analysis under the cut (WITH PICTURES!!)

i, like many others, have many thoughts and opinions about juni ba's the boy wonder that i'd like to express. i was having trouble formatting my rant, though, so i decided that it was easiest to just address some of the common complaints i've seen about the comic and jason's characterization and insert my ramblings throughout it. so far i've seen three main complaints:

the typical boiling down of jason's character to "the angry one"

his lack of strategy going into the fight with the demon is out-of-character

the neighbor's kid interaction

to start with the first one-- when introducing jason's character, in both the second and first issue, ba uses the descriptors "coarse", "bitter", "hardened", "brash" and, of course, "rageful".

so, yes-- i understand where people are having issues with this characterization. however, even if it's overplayed, it's still important to remember that jason is angry, and is driven, in part, by his anger at bruce and the joker. and, as ba highlights, he deserved to be! completely erasing jason's anger is just as bad as defining him with it.

i also don't think it's wholly accurate to say that ba is boiling jason down to just his anger. it might seem like that when only considering the dialogue and narration, but jason's behavior in the comic doesn't perfectly align with how the narrator describes him. while the narration describes him as "rageful" and could be an instance of generalization, jason's actions throughout the comic are more aligned with two other emotions/motivators: fear and despair. we never see jason get actually, properly angry; the closest we get is when he's seemingly annoyed by damian (which i believe could be performative) and when he becomes violent, accidentally hurting damian.

even in this instance, though, he is not driven to this violence by rage, but rather fear. so, while ba states in the narration that jason is driven by his anger, he contradicts himself by highlighting how jason's sadness and terror motivates his character. this could be interpreted as lousy writing on ba's part, but i'm not going to attribute the paradox to that inference. to me, it actually represents a critque of the "jason is the angry robin" generalization, because it calls to attention the discrepancies between how one is described versus reality, an issue that jason both faces in the comics (bruce using him as a cautionary tale when dying WASN'T HIS FAULT) and outside of the comics, as mentioned previously.

furthermore, this highlights the difference between what jason believes about bruce's perspective and bruce's actual perspective (according to damian). jason believes himself to be a "failure", but damian refutes this by describing his conversation with bruce concerning jason, a conversation that does not align with jason's belief. if you couldn't tell by now, perception versus reality is a BIG theme in this comic (and for jason's character in general!)

i was really fascinated by ba's take on jason, because it veered pretty far from a lot of contemporary comics, most of which do, unfortunately, play with the angry robin jason generalization. they've been doing a bit with his fear, too, which has either been pretty fun or the most awful thing ever (i'm looking at you zdarsky. gotham war was fucked up), but what makes ba's jason stand out to me is how he grapples with his grief.

this boy is so sad. ba's jason might actually be the saddest rendition of him i've seen in canon content. we've seen jason grapple a little bit with the despair rooted in his death and resurrection, mainly in lost days, where he cries 3 (?) times, fresh out of the pit and very traumatized.

even in this comic, though, he reacts to his grief with anger more prominently than sadness. that obviously doesn't mean the despair isn't there, though-- anger is just an easier outlet for it (which i could really get into the masculinity aspects of that, but then this would be wayyyyyy too long).

ba's jason, though? that motherfucker is so. sad.

christ he's depressing. AND THAT'S SUCH A FRESH PERSPECTIVE!!!!!!! THANK YOU JUNI BA!!!!!!

now i'm pretty sure some people would argue that this rendition in out of character because he's so sad. to me, though, he's still the same jason; he covers up his sadness with anger and pettiness, redirecting his own insecurities onto those around him to mask his true feelings.

ba quite literally illustrates this in the comic. whenever he is being his snide, normal self, he has his red hood mask on; but when he actually opens up to damian and expresses himself truthfully, the mask is off. ba is highlighting how the classic jason anger and bitterness is, in part, a performance and coping mechanism.

this post is already too long, so i'll go over the two other critques in a different post, which i will link below (eventually). if you guys have any thoughts you'd like to share or discuss, my dms and asks are completely open! if you made it this far, i hope you enjoyed my ranting. look out for another post soon! :))

part 2 / part 3

[meara-eldestofthemall]

Gee, thanks DC! You Just Turned Bruce Into An Irredeemable Ass.

So, at the end of Gotham War Bruce has officially lost everything. Alfred is still dead, Selina is "presumed dead" and Bruce is both financially and morally broke. Why, you may ask, is Bruce so much worse off this time? Let me count the ways.

He preformed a psychic lobotomy on Jason

The "it's for your own good" excuse only makes the mental rape undertaken by Jason's own father that much more heinous.

Just when you think Bruce can't sink any lower he does. When Dick recognizes that Bruce has lost it, he attempts to use a failsafe disconnect that Bruce himself built into the system. How does Nightwing get thanked for that? Well that brings us to number two on the list.

Batman attacks up his eldest son for doing what he's supposed to do when Batman has gone rouge.

Bruce beats him up because nothing proves you are in control of your sanity like hitting your children. While Dick is holding back, Bruce does no such thing. He hits Nightwing hard enough to send him flying. It could have gotten even worse if Tim hadn't shown up.

Tim arrives and attempts to talk some sense into Batman.

Tim tries to talk Bruce down. It doesn't go well. When Robin is trying to help, as he always does, Batman uses the attempt to reason with him to put the smack down on his son. Bruce could have killed Tim but apparently feels no remorse or guilt.

If there was any teeny tiny little doubt that Bruce will not win the Father of The Year award in 2023 it died a horrible screaming death when Batman abandons his children to potential arrest. Yes, he left a batarang for Dick and Tim but any glimer of possible hope associated with that action was instantly extinguished by Damian's reaction to Batman's callous betrayal.

Bruce abandons Damian.

Look at Dami; he's devastated. Since he came into Bruce's life, Damian has struggled with feelings that he can never earn his father's love and respect. Well, that negative self-image was reinforced in way that may never be repairable. Bruce just utterly destroyed a 13 year old child because of his inability to feel any kind of empathy.

And how does this all end? The best part is that Bruce takes all of his parental responsibilities and dumps them onto Dick.

Thank you Chip Zdarsky and Trini Howard. You've taken Batman from being an edgy anti-hero and made him into a callous monster. Part of me hopes that Bruce never comes back because he doesn't deserve his family.

The only positive aspect in this convoluted mess is that Damian and Tim will be far better off with Dick than with Bruce. Yes, Tim is mostly independent but he still needs guidance (particularly since Tim's first instinct is to try and save Bruce). Damian is essentially Dick's son emotionally anyway so this might help to sustain the positive character growth we've seen in him as of late.

The point of this rant is to wonder what on earth DC thinks they're doing. This story arc has been pure character destruction as far as Bruce is concerned. It's bad storytelling too; rushed, frenetic and massively disappointing.

Hasn't the popularity of Good Dad Bruce in Wayne Family Adventures proved that fans are tired of Bruce being a dark depressed and brooding edge lord? We all accept that Batman is a character with deeeeep issues who is in desperate need of therapy. I, however, draw the line at Bruce being an abusive a**hole.

In years to come when fans wonder when Batman jumped the shark, this is the plot line they'll point to.

[acid-ixx]

Ghost-Anon here!! 😋

Ooof the new chapter was good! I especially loved the part where Dick goes kinda nuts after Reader blocked him (as deserved :p ) more so I’m so excited for Yandere!Damian too xD

hii !! tysm for enjoying the first chapter ^^ i was afraid that i wrote dick's descent to madness too quick but then i realized that "oh yeah it's literally dick we are talking about, times where he is at his limits are times where he lets the emotions control him." dick really does love his family, as proved in the comic panels i have read, and I don't like how most other comics picture him as just this silly guy who never gets mad at anyone.

he had his immense bouts of anger and frustration, it would be worse if it was caused by you, directly or not. the thing is, he understands where you're coming from. one of the things about dick grayson is that everyone loves him but himself. he has flaws that take a lot to fix, and they simply worsen when it comes to you because he had caused the same mistake bruce has committed. he was the same guy who criticized his own father for his mistakes, angered by jason's death and killing the joker after tim's own 'jokerfication' and yet he had never once noticed your demons, he allowed the world to take you away and destroy you; a crime greater than anything he could imagine.

the worst thing was, he was the same brother who had led your hopes high and crashed it at the same time. dick is the man who was described to be giving empty promises to you. it's bad enough that bruce had never even known about your presence, had never once talked to you, but dick had every opportunity to grab because truly, you saw him as your favorite before anyone else. everyone praised dick and you wanted the same praise from the next thing closer than your father— and he failed because he never tried, he failed his cute, little baby bird.

he knows that he needs to make it up to you before it gets worse but he also doesn't know that it's already too late.

you don't see him as the dick grayson. you don't see him in any positive light anymore other than the sheepish grins he would give you right after he rejects your offers.

if he wasn't so damn stupid, then you would've been there with him, at the mansion flipping through movies, pranking each other, throwing flour at one another when you bake, decorating your next diary entry with him.

and he needs to experience all that because you're the only normalcy that life has to offer. he momentarily relishes in the fact that you think so highly of him, but he breaks at the same time because all your other diary entries began to paint them all as your demons.

dick would ward the monsters away from you, he promises.

and this time, he genuinely means it.

i am so excited for yan! damian too! i wrote his character to be terrible towards you (he doesn't know he's self-projecting lmao) but i had hinted in one paragraph of his relationship with the reader. you see, most of his feelings towards you may have stemmed from some sort of jealousy, or the feel the need for competition. he had already fought tim before, it's only right that you get to experience the same pain— and i'm not expanding on this because then it would spoil the future chapters hehe, but i'll be giving one small spoiler and say that damian would go through some sort of immense, internal breakdown at the thought of you.

[myeagleexpert]

Yan!Batfamily x Singer!YN (neglected)

Inspired by @@gotham-daydreams's fic, your work is wonderful and makes me think about many things…. One of the things I think about is if they found Reader from her music…. Reader here is heavily inspired by Naomi Jon, she is an independent singer from Germany, she regularly makes videos on youtube about makeup, shopping on websites, tiktok foods, things like that. She is a very fun person to watch and I highly recommend you watch it, all her videos are in English. (one detail is that she doesn’t talk much about her family, and lives with her friend Vincent and boyyy every time I read about Reader from Not [ ] fics I remember her. If you disagree, that’s okay, I still like the idea of ​​YN’s glow up <3) “Have you seen, come and read my diary Then you will see, that you don’t mean shit to me” – MANTRA- Naomi Jon

I imagine that while shopping at a store, Steph liked the store’s playlist and went to look for who was singing it.

Imagine her face when she finds out that the person she was listening to… was the YN everyone was looking for. She immediately discovers her YouTube channel, social media… and everyone immediately starts binge-watching and stalking all of her videos

Dick would be the type of person who would learn the choreography for your music videos, just to dance with you. He swears he can be the fun older brother you need, he can be in your videos too! And cook! I don't think he wears makeup, but he would watch all your makeup videos because he likes your reviews, and when you make a joke or mix up the language in the video he finds it so funny that he can't help but laugh. He wants to test out the latest skincare products with you and wants to travel together! You look so different now, with bold eyeliner and colorful hair, Dick wonders if you've always been like this and he was just blind because he didn't see it. Come on, he didn't know you had this fun and easygoing side, let's spend more time together, okay?

“This dress deserves… THE BUSINESS WALK!”

Jason sees how you've grown, and how much better you are away from Gotham. Like a flower that blooms only when it's in a clean and suitable environment, you've brilliantly transformed into who you are. But a part of him, the biggest part, thinks you'd be much safer around your family, where they can protect you. You sing and post so many videos on the internet, what if someone comes after you? Let your brother stay close, okay? And who is this friend who lives with you anyway? He is not trustworthy - no. It doesn't matter if you've known him since you were kids and have lived together for a long time. Another thing I bet he would do is join you on the days when you dye your hair in the craziest ways possible, he has some experience with dye, you know?

“C’mon FriendReader, this is the plan for this hair dyeing technique. Yes, all seven colors are here!”

For those who neglected Reader and pretended you didn't exist, he is your #01 Fan now. Tim definitely listens to ALL your music, and is 100% connected to your social networks. He watches and rewatches all your videos, they are so interactive and relaxed that he has the illusion that he is living it all with you. He's the type of person who eats while watching your videos, and watches them before bed, and when he's having a particularly stressful situation he'll lock himself in his room and watch one of your vlogs, because your voice has such a calming effect of normality that for him, it's like at any moment you'll open his door asking to try a 2-ingredient recipe you saw on TikTok.

“Timothyyy~ try this recipe I saw on tik tok!”

Damian is an interesting case… because he discovered that his precious blood brother has a side to him that he never saw. When he walked into your room and looked at all your memories, all your pictures of your achievements, all your music sketches he KNEW you were talented, but when he saw you in action in your videos and shows it was like a cartoon character came to life. YOU came to life! Definitely buy all your merch, and talk about you all the time to John. Do you still have two cats?? Enough, the kidnapping is you and them two.

“My next show will be…”

Bruce goes back and rereads your journal drafts and realizes how much your music has really changed, your focus now being only on your fans and not your family. Like everyone else in the family, he watches your videos daily and keeps thinking “I could give her a bigger box of surprises so she can record a video” “Did she think that dress was pretty? I could buy her a better one, shinier and pinker, just like she wanted.” When you post a video of the backstage of a show and all your lively preparations, he can’t help but feel guilty for the thousandth time that day. He should be by your side right now, a father should be behind the scenes giving you comfort and strength to go on the show. He should be in the front row cheering when you realized your dream of going on stage for the first time. The whole family should… You’re trying so hard, your dedication is palpable in your videos and shows. The little girl grew up and became a dreamy woman, but who do you run to when you need to cry? Let him be your comforting shoulder now, let him come into your life again.

“I made this song especially for you, my fans!”

When Alfred put that video of YN’s childhood on TV, where she performed in a school play, to remind everyone of her absence, he couldn’t be more proud of his work when weeks later he hears her voice coming from one of the boys’ rooms. It's you singing one of the songs, the batboy repeating it for the tenth time. Your voice has changed, from a childish and angelic voice to a woman's, your looks have gradually gained confidence and personality, but your “presence” in the mansion is ghostly. He feels so happy for you, you are externalizing to the world what he has always seen: that you are incredible. Alfred doesn't need to marathon your videos to feel closer to you, he already has affectionate memories, he already has albums from when you were a baby and tested recipes with him, he already has videos of you training to sing when you were little… But he still watches your videos because unfortunately, even with him you lost contact. He watches the videos like a grandfather watches his grandson's stories “Oh? Are you in Tokyo now? How wonderful, dear, remember the coat.” “Oh dear YN, I don't think this recipe will be good for you…” “Yn, be careful with the scams on these strange websites!”

“Guys, I know what you’re thinking… BUT maybe combining onion and chocolate CAN work.”

[fate-of-the-envious]

How is canon Annabeth abusive?

You want a list?

Alright!

1. She constantly hits Percy. Kicking him in the shins, elbowing him in the ribs, punching him in the gut. Not to mention the judo flip scene. Also, this is never said to be done playfully whatsoever. And it's done constantly in EVERY book.

2. She always belittles and calls him stupid. Like his plans never work. Ha, they work more than hers! Also, the parallels of her calling him Seaweed Brain, when Gabe called him Brain Boy! Like how would you feel if you have a nickname constantly degrading your worst insecurities?! All the damn time! Not to mention Thalia, who Percy was the first person who helped her after she stopped being a tree, after spending the school year with Annabeth started calling Percy Kelp Head and viewing him as dumb. Annabeth who ignored Percy all this year, and was overall just selfish and mean when they met again.

3. Annabeth is so possessive of Percy. Even before they are dating (which doesn't make it any better when they are), Annabeth doesn't let Percy be friends with Rachel. Trying to drive a wedge between the two. And Percy, literally only has Grover and Annabeth for friends. He is so alone, he needs more friends! Oh, and then with Jason she interrupts the two of them chatting and trying to get along. Also, just how she doesn't like that Percy seems to like Camp Jupiter, like he can't seem to have his own differing plans from her.

4. Tartarus. Everything about that was so bad. Like in Tartarus, whom Percy fell down to FOR HER, Annabeth brings up Rachel because in her thoughts, she needs to keep her boyfriend on his toes. Like bitch! Then, we get to how she thinks Percy is so manipulative when he talks his way to get Bob to kill his brother. Like that isn't Annabeth's number 1 tactic. She's so fucking judgemental!

And then the scene with Akhlys in Tartarus. Where yes, Percy is being scary torturing this goddess who tried to poison them to death. But she just tried to kill them! He's saving their lives! And then, Annabeth makes Percy promise her to never use those powers again, because "Somethings aren't meant to be controlled." Like do you know how useful poison-bending could be to save lives? What difference does this make from using a sword to kill monsters when all of them are trying to kill and/or eat Demigods! Not to mention, if someone is poisoned, Percy could help heal them!

Next, because of how horrible Annabeth made Percy feel for using these powers he attempts suicide. After he gets out and faces Polybotes, who controls poison, he doesn't even try to save himself and says to Jason that he deserves to die by poison for what he did! He tried to kill himself! And Annabeth never talks to Percy about this again, and instead talks to Piper who thinks Percy needs to be restrained like he's some kind of monster when he was saving them! Percy is literally the most selfless and kind person out there. And Annabeth treats him like crap! She doesn't deserve him!

5. Percy isn't allowed to have bad thoughts on Luke. Luke, who's tried to kill him repeatedly since he was twelve! And in general, this ship is so toxic and codependent right now, it's in no way healthy.

Anyways sorry for my rant, but yeah Annabeth is abusive, and it's just so concerning how people possibly in elementary school are being exposed to this being a healthy relationship, where girlfriends can hit their boyfriends, and can stop them making friends with others, because they belong to them like some sort of object.

Yeah, I just relate to Percy so much, and I don't want him to deal with another Gabe.

Edit: Okay, for anyone who likes Annabeth or Percabeth, I don't care - you do you. You can like and dislike all the characters and ships you want, just as I can. So, if you disagree with what is said, that's fine, but don't expect me to change my stance when I have already pointed out several concerning behaviors. So, like good humans, we'll just have to agree to disagree and move on with our days.

[oatlystrawberryicecream]

the way that some people talk about jason and batman and the joker is so jarring to me because it relies on some unspoken assumptions that i will never buy into

1. the assumption that taking a life inevitably always makes the person who did it worse. killing someone isn’t always this earth shattering thing that harms the person who does it and fundamentally changes their outlook on things. i guess if you have never met a veteran or someone who survived an armed robbery or any number of other things you might make that mistake, but like some of the people who fought in wwii came home and were normal members of the community and the times that their bullets hit the mark were not necessarily the parts of the war that kept them up at night. these assumptions that once you kill you are wicked and have to feel bad and do this whole show of repentance are insidious. if you are gonna look at all this through the lens of christian morality you should at least be aware that that is what you are doing but you cant have just one character be wicked and unclean because of his actions when the bible says that everyone is wicked and unclean by our nature and all sins are equal. a lot of people object to that view but if thats how you see it batman and jason and the joker are all sinners and are all as bad as each other so at least be consistant about how you apply that moral framework.

2. the assumption that being robin or being taken in and trained by bruce means full agreement with and acceptance of every part of bruce’s personal philosophy on justice and morality. jason was a homeless child and even if all this was explicitly laid out for him he could not have agreed since he needed bruce as a matter of survival. bruce’s ideology is extremely important to him and he can teach it to his children all he wants but they are not beholden to it above all else the way he thinks they should be. jason has to live according to his own beliefs regardless of how unacceptable bruce finds it and it is unfair and hypocritical of bruce to get bent out of shape about it.

3. the assumption that killing is always bad. maybe i have listened to too many episodes of behind the bastards but some people will do significant and appalling damage to others no matter what unless they are dead. those people can’t be allowed to keep causing harm. it isn’t glorious and there is no honor about it but it is right and just that they be stopped. there is no reason to strive for purity or ideological high ground when you can provide a measure of safety and justice to victims and prevent future harm instead.

4. the assumption that bruce didn’t have to answer to jason. parents have a duty to their children and it is my opinion that that duty does not end when the child dies. bruce adopted jason and made himself responsible and accountable for everything that happened to jason under his care. that responsibility was ignored over many instances. i am not going to detail the things that led to jason’s death here but it was not good or effective parenting. after jason’s death the disrespect starts pretty immediately with bruce compromising evidence of his murder in order to preserve his ability to continue as batman and continues with bruce getting rid of pretty much all traces of jason’s presence in his life. he is only spoken of as a mistake, a lost cause, or a cautionary tale and is assigned blame for his own death, a death that batman never bothered to fully investigate since he was buried next to the woman who led him into the trap. a new kid is endangered and the joker and batman both continue doing whatever they want as if jason’s life only matters for the way it affects them. bruce needs to answer for all of this, as his son jason has a right to expect more from his father. now the extent to which that extends can be debated but it is clear to me that jason deserved better from bruce.

conclusion: killing is accepted in society in certain circumstances, you may or may not agree with this but self defense laws and even things like jury nullification exist because people knew there should be some wiggle room since no one could have the full context of every situation that would ever arise. ending a life is not normal or ideal but it is not an unfathomably rare experience and it does not always weigh on the person who does it. bruce has never to my knowledge killed someone so he has no idea how he would actually respond but that still isn’t even what jason was asking him to do. all he had to do was be present and not move and he would have been the only parental figure who didn’t let jason down.

[eldritch-nightmare]

do the others know about you?

synopsis: you're just a human dating someone that's... well. you can certainly never introduce them to your friends or family. but do their friends/companions know about you?

a/n: is it a good idea to include every single creepypasta i can think of from the top of my head... no. will i do it anyway? yes, i will. anyways this right here is my pride and joy. i enjoyed writing it, and i'm proud of it, so i hope you guys enjoy it as well.

warnings: possessive behavior in a few, yandere behavior in a few, spoiler alert alex almost kills you but dw there's no character death here.

includes: jeff the killer, eyeless jack, jane the killer [richardson + arkensaw], laughing jack, slenderman, nina the killer, the bloody painter, the puppeteer, clockwork, jason the toymaker, hobo heart, nurse ann, zalgo, x-virus, homicidal liu, ticci toby, tim wright, brian thomas, jay merrick, alex kralie, and jessica locke.

jeff the killer would more than likely tell the others about you, though mostly just so everyone knows that you're off limits for killing. he also just has this thing where he needs people to know what belongs to him so they know not to touch it, and in his mind, you belong to him so. none are allowed to touch you.

eyeless jack isn't that open about his personal life to others. mostly because he can't remember any of it, but also because he's just a guarded person in general. at most, the only people who know about you will probably be jeff, ben, and maybe sully.

jane richardson doesn't really hide your existence, mostly because she doesn't have contact with the others, so it doesn't matter. everyone of importance knows that you're together, and the government knows as well, so.

jane arkensaw would prefer certain people didn't find out about you, though she may tell some of her close friends about you if she's certain that they will keep your existence a secret as well. then again, it's not like you'll ever come into contact with any of the others so long as she has any say about it.

laughing jack more than likely lets everyone know about you because he literally can't shut up about you. he loves you! people need to know that he is so sickeningly devoted to you! even the kids he terrorizes know about you!

slenderman doesn't have any say on whether or not people learn about you because they're gonna find out anyways. besides, it's better if they did know about you because then they would know that you are off limits for killing. anyone who dares to even try to harm you will understand the pure wrath slender can bring down upon them.

nina the killer wants everyone to know about you. she needs everyone to know that you two are together and that she loves you so very much. she tells everyone all about the dates you two have and the gifts you get each other. it's cute, though it can be annoying at times.

the bloody painter doesn't interact much with the others, so not many of them know. helen doesn't really care if anyone finds out that he's dating you, it doesn't really matter to him. though... he will have some words if any of them try making a move on you or hurting you. you're his muse, after all.

the puppeteer doesn't want anyone to know about you, not even his proxies. you're his. no one else deserves to even know that you exist, so why the hell would he tell anyone about you? at most, the only person who knows about you would be emra because he knows that she won't tell anyone if he orders it.

clockwork doesn't let people close to her, so only a small handful of people would even know about you. she likes that none of the others really knows about you, though a part of her thinks about telling them so they know not to make you a victim. not that you'll ever become a victim, of course. she'll protect you from anything, don't worry.

jason the toymaker wouldn't want anyone to know about you. honestly, his whole thing is making sure that you belong to no one but him. you don't need anyone other than him, so why would he tell anyone about you? the others will know that he has someone in his life already, someone he'd burn the world down for, but they'll never know it's you unless they visit his toy shop.

hobo heart would be delighted if the others knew you were his. you have his heart, so it's only natural for everyone to know that you love each other, right? that's how relationships work. he doesn't really speak much with the others, but when he is around then he'll let everyone know who has his heart.

nurse ann is hardly ever around the others for them to even know about you. the only three to know of your existence is liu, sully, and helen because those are the only people she's close with. they don't need to know about you, it's not like they'll ever hurt you. trust me, she won't let them even if they were to try.

zalgo is just as surprised as everyone else that he's like... together. with you. shocks him every day, to be honest. but yes, he wants everyone to know you're his. he doesn't see you as a weakness, though he knows how fragile humans are so he makes sure you're safe from any that may cause you harm. it also sends a... delightful chill to the core of his existence knowing that everyone knows you belong to him.

x-virus basically needs everyone to know that you're together. not because he's possessive in any way, but because he needs to use this as a way to keep you with him. a tactic to keep you from leaving, if you will. with you dating cody, you're safe from harm. if you ever leave him, then you're no longer under his protection. so... stay with him.

homicidal liu is... hesitant, to put it simply. he doesn't particularly mind if the others find out, but he most certainly won't go out of his way to tell anyone. he doesn't want you involved in the darker parts of his life because he's worried about your safety. there are a few that he simply doesn't trust to know about you. sully, on the other hand, would love for everyone to know about you. he doesn't tell anyone because he respects liu's wishes to keep your existence a secret. though, he can't lie, it does make his heart race knowing that he and liu are the only ones who know about you.

ticci toby neither hid your relationship from people nor did he let anyone know about it. he's a naturally reserved person, so it wasn't like he was super open about himself with the others. in the beginning, the only one to know about you would probably be slender, but that's just because it's like... toby's boss, essentially. of course, those who were paying attention could see the signs.

tim wright would definitely keep your existence secret for as long as possible. the only person who knew about you in the beginning was brian, if we're being honest, and after all hell breaks loose, he'd do everything he could to keep you from getting involved. god forbid if jay or alex found out about you. jay would've used you to find him, and alex would've tried killing you.

brian thomas was open about his relationship with you, so everyone knew who you were. you even offered moral support to everyone filming marble hornets. of course, brian disappeared one day... and then you lost contact with alex... and tim was trying to move on with his life, so you didn't really keep in touch with him either. then jay came around, and... well. that led to a certain hooded figure watching you from afar.

jay merrick was neither open nor reserved about his relationship with you. he probably mentioned you early on in a few tapes, and he maybe even introduced you to alex when they were still friends. you'd probably be mentioned in casual conversation with tim, but ultimately it was a situation where if someone knew, they knew. and if they don't, then they just don't.

alex kralie was more reserved about his relationship with you. his closest friends knew, such as jay and brian, but that was about it. of course, once the operator entered the scene and alex started cleaning up loose ends, your life was endangered. alex... he wanted to kill you. he had to kill you. you suppose it's a good thing jay managed to find you before alex could.

jessica locke is obviously very open about her relationship with you. no need to keep it a secret, y'know? you two are like... the couple, y'know? everyone knows you're dating; you guys don't hide it. why would you two keep it a secret? there's no reason to.

[grahambaham]

Controversial opinion, especially for any Jason Todd fans out there (I'm one of them), but I completely understand why the fans in, the 80' I think, voted to kill him off. Hear me out, okay?

Jason was at first a literal Dick Grayson copy, was legit given his backstory and personality with the name being the only change. And for a while that was all they knew about and, rightfully so, hated about him. Now I'm not sure whether he was given the whole Alley kid who tried to steal Batman's tire story before or after his death but either way, in those fans' minds, Jason Todd was just a boring replica of Dick Grayson and no one liked him. If I was alive and a fan back then, I honestly would have done the same thing.

WHICH IS WHY I HAVE SUCH A HUGE PROBLEM WITH THE WRITERS DOING TO JASON THE EXACT SAME THING THAT GOT HIM KILLED OFF BEFORE!!!

Jason immediately after getting brought back to life was a villain. He wasn't misguided, he wasn't an antihero, my man was a Villain with a capital V. He didn't protect workings girls or children from any drugs or anything, he just made one off hand comment to a guy not to sell to kids and that's it. One of his only interactions with any prostitutes is to mock her for her past and decisions that led to her becoming one. Bruce did not abuse him or attack him unfairly. Jason had not only tried to kill Joker or other horrible villains, he killed anyone whether they were rapists, or robbers, or petty fucking thieves and he didn't do it for justice or whatever the fuck but because he was angry and taking it out on everyone he could get his hands on. He stopped Batman from going after Nightwing after Bludhaven blew up with him in it. He blew up a school. He beat up Tim in his little Robin panties and was a fucking villain.

I love Jason. But I love him as the messed up asshole he is. Not as some misguided wittle antihero. Which is why I despise the fact that the fandom latched onto the completely inaccurate version of him, because the writers of DC had started writing him the way the fandom wanted and he is now irreversibly ruined. Aside from the already mentioned stuff, they made him into a copy of Dick Grayson (for the second fucking time) and Helena Bertinelli.

Helena is the one protecting women and children, the antihero that often uses violent force. She's the one with the reluctant sibling relationship with Tim. Jason was not Tim's Robin by the way, Dick was. Tim does not like Jason one fucking bit and spends most of their forced interactions roasting him so bad he has to buy burn salves. Also her personality was taken and given to Jason in some ways too, like her manner of speech and stuff, but I'm willing to let that slide as accidental.

From Dick Grayson, they mostly took his relationships, romantic and platonic. Jason slept with Barbara and Kori both, which aside from just being dumb as hell is also weird and creepy because Jason is six years younger than them at least and they knew him as a fourteen year old when they were at least twenty, and they would never date someone so much younger than them, they aren't fucking creeps. Then they took Starfire and Arsenal and made them forget their own lives to join Jason's little antihero team (neither of them are antiheroes what the fuck) and act like the sun shines out of Jason's ass and he's their leader or some shit when they would never follow him before that, especially Roy who has led so many other teams and does not deserve that shit. Some fans also ship him and Jason, which is both creepy and character assassination for Roy's entire character more than him being friends with Jason and in the Outlaws already is.

Also, Pit Madness is not a thing you fucking brainless losers. Stop trying to justify and erase the flaws that make him an interesting character. His anger has always been due to the trauma of being tortured and dying and the misguided feeling of betrayal he felt for Bruce. He was unwell and taking his problems out on others. So, repeat after me: PIT MADNESS IS NOT A REAL THING!!!

Thank you for reading <3

[asha-mage]

I think what gets me about Eleanor Shellstrop is that she goes from being tormented by being the only person who doesn't belong in 'The Good Place'- surrounded by people who draw out her insecurities and self hatred just by being better people then her- to being the only human who deserves The Good Place for the remainder of the series, and yet refuses to go since it means abandoning those same 'better people'- all because they have become her friends.

Cause the thing is, Eleanor passes her test in "The Burrito". She proves that she has overcome her selfish 'get mine and screw everyone else' attitude that brought both her and those around her so much misery on earth. Given a literal ticket to paradise and the guy she's in love with to share it with for all of time- she turns it all down because that means abandoning Tahani and Jason. And then when she realizes she's the only one who passed the test- she claims she also failed her test, proving that the sentiment she told Chidi was genuine. She was never going to go off to the Good Place if it meant leaving her friends to suffer.

For the remainder of the series, only the audience (and Eleanor herself when she gets her memories back), understands intrinsically that she is the best person in their group. That she earned a spot in the Good Place already- and that understanding underpins the rest of Eleanor's character arc: from falling back into her old patterns on earth as a response to the pressures of modern life, to getting on a plane to Australia, to learning that she is doomed to go to the Bad Place, to walking into Chidi's classroom while he's drowning in despair and chili and telling him not to give up. Eleanor is a flawed human being: full of anger and hurt and sharp edges, but she is also a fundamentally good person, as determined by the All Mighty Judge herself- and yet she is still going to be damned for eternity for no better reason then that she refused to abandon her friends. That as much as anything with the points, or accounting, or the outcome of any experiment- that proves the system is broken and unjust.

[luvrodite]

JASON X F!READER [12k]

synopsis. the end of the world comes and goes. you’re just trying to survive another day, but you don’t quite expect to become so attached to the green eyed boy who saves you. “i’m here,” he tells you, and a horrible part of you wonders, for how much longer?

warnings. zombie apocalypse in a no capes au, attempted sexual assault, body horror, gore, angst, character death, violence. (if you feel i'm missing any tags, please let me know) sfw but minors and ageless blogs please don't interact with my profile

note. for my sunnie @fic-over-cannon, who always lets me talk her ear off about my jason wips, and without whom i would never have listened to everywhere, everything by noah kahan properly and thought of this fic. you are such a sweetheart and deserve all the good things in the world. unfortunately all i can offer at this time is this fic. i love you, and i'm sorry

additional disclaimer that i am NOT american so i’m talking out of my ass and my expertise is like a six month stint in the midwest please ignore any inaccuracies i’m just a baby

read on ao3 | the playlist

The end of the world comes and goes. 

There is, as with all things, blood and the destruction promised. The end sweeps through the country, burnt buildings and shattered glass that crunches further under your feet. It leaves few survivors, cares not for wealth nor poverty, health nor sickness. All succumb to its touch, and the world you know slips away from your fingertips so violently you can no longer remember what it was like, in the beginning. 

The world ends, but then it doesn’t, really, it doesn’t burn when it should have. You are still here, somehow, aren’t you? (It’s only a matter of time before you aren’t. Only a matter of time before you, too, join the horde.)

You find each other in the wreckage, on the outskirts of the city you’d grown up in. The body in front of you twitches as it falls – only moments ago, inches from your throat – and green eyes assess you coldly, your own tracking his movements with your heart in your throat. Blood stains your hands, and they curl around your weapon when he lowers the barrel of his gun.

What are you even living for? All you know is gone and lost, stolen from you by a drooling maw and ever starving fingers. Blood tracks your every step, a haunting you will never be rid of. Until  your last breath, you will remember it.

You stay by his side, let him offer you a hand out of the rubble and sink your teeth into the tough skin of dried meat he pulls from his pack. It’s a kindness you refuse to leave unpaid. The days turn into weeks, and he doesn’t demand you leave. You aren’t sure when this thing became a partnership. Perhaps when he’d taught you how to wield your weapon better, clumsy movements turning precise, fear hardening a once soft heart.

I’m going to find my brothers. They’re out there somewhere. Over a small fire in an abandoned department store, he tells you this, green eyes flicking over his shoulder to meet yours.

How do you know they’re...

I just do.

Oh.

You coming? Or you got people to –

No. No, I’ll help you.

A nod, then, seals it.

The end of the world brings with it a disconcerting level of silence you find it difficult to grow accustomed to. Your skin crawls at the stillness of it all, the unmoving air of abandoned homes you use as shelter. A city once unrelenting, the echoes of what once was ring in your ears as you traverse through the city. No longer does the smoke catch in your lungs, and the nights are clearer than they ever were, stars shining on a city with no one to look up to them.

You travel out of the city, eventually. The bridges had been the first to go, in the beginning – an act of damnation perceived as absolution. Better to contain it within the island, you think bitterly, to damn the desperate millions who could not seek refuge. Still, you find a way through, travelling on foot through the tunnel they forgot to destroy – filled with stationary cars that prove just as difficult to navigate around as a destroyed bridge. You come out the other side by the skin of your teeth, and the both of you continue.

Do you know where we’re going?

A sharp look, as if questioning your loyalty. Last I heard, they were in Georgia. You getting cold feet?

No.

Then come on. We’re going to lose daylight.

It’s easier, the further you travel into the country. The quiet out here makes sense to you – it had been here long before the beginning of the end, before the beginning of all things. Gotham had never known peace, you think. It was not meant for that, ever moving, ever alive. Out here, there are less of them, too. Very quickly you learn that the end of the world did not kill with it all other vices.

Despite your rationing, despite ransacking what places you can for food, it dwindles down. Maryland, now, you think – you’d passed a sign a few hours back – he’s begun to slow down. His face is pale, but he stubbornly clamps his jaw when you try to get him to eat the last bits of your food. It’s in the middle of this argument, nearing tears and trying to keep quiet, when you’re found.

The trio makes their presence known by the deliberate snap of a branch, and you stiffen, hand flying to your hatchet as you whirl around. Jason moves closer to you, until your shoulders brush.

“You folks look like you could use a good meal.” The one at the front eyes you unabashedly as he says it, eyes trailing down your figure. A prickle of unease runs down your spine, and you shuffle closer to your partner.

“Couldn’t we all?”

He lets out a little laugh, and raises his hands. “You’re trembling, darlin’. Relax, it’s just an offer.” He looks over at your companion. “Your man over there looks like he’s about to fall over.”

It feels like a gut punch, despite his grumbled “I’m fine.” because you know he isn’t. In the end, you ignore the warning in your gut, and you find yourself making camp with them for Jason’s sake. The three men share looks amongst themselves when you shuffle closer to him, but you try your hardest not to pay them any mind, pressing bits of dried meat into trembling hands and watching him until he swallows every last bit. You don’t take a bite of your own soup until they do, relaxing only in the slightest when he seems to have gained back some of his strength.

“Where are y’all headed?” the second of them asks, and his expression rankles you less, so you answer.

“Further south,” you say carefully, looking between the three of them. “And you?”

The first grins at you in a way you think is meant to be charming. “Shit, sweetheart, I’ll go wherever you do.”

You stiffen and he lets out a laugh. “’M only joking, jeez. Going west – they’ve got communities over there.”

You can barely let out a non committal hum. Beside you, Jason’s head presses into your leg, and your gaze slides over to him. In sleep, he looks younger, more like what you think he might’ve looked like before all this. Black curls rest close to his forehead, hair cut close to the scalp courtesy of the scissors you’d found in a gas station a few days ago –

All of it?

All of it. Don’t need it getting caught on something and getting us killed.

Can’t you tie it back?

What, you attached to this look? Knotted hair does it for you?

No. It’s just –

...It’s just hair, kid. C’mon, I’m getting tired.

Fine.

– The group settles into silence after that, and though your lids weigh down, you take watch. The night is quiet for the most part. You’re kept company by the whispering trees and the occasional sound of an owl. Every so often, a branch will pop in the fire, the sound making your limbs stiffen reflexively. Your eyes scan the treeline each time, vigilant. You balance your hatchet across your knees, and wait.

Eventually, black bleeds into the cool blue of dawn and Jason stirs beside you.

“Morning. You didn’t sleep?” You dart a glance over to the three sleeping bodies a few feet away and he presses his lips together in understanding. “Should’ve woke me.”

You shrug, looking away to where daylight breaks through the thick of the trees. “You needed the rest.” And before he can argue back – you can already hear the retort, and you don’t? – you stand up, passing him your axe. There’s a small knife in your shoe, and you don’t intend to go too far, you figure it’ll be fine. “Gonna powder my nose.”

He snorts at the phrasing, and you offer him a tired smile. Relieved that he seems to be in better health today, you step away from the campsite. The breath of air you take is cool in your lungs, and you stretch your arms above your head as you step over rocks and fallen branches.

Relief muddies your senses, you think. You forget to be mindful, forget that this is not just another day, not just a camping trip of sorts. As you pull your jeans up, there’s a rustle nearby and you freeze, hands on the waistband of your pants tightening in unease when someone breaks through the foliage and it isn’t Jason.

“Oh,” he says, stopping short in front of you. There’s something like surprise in his voice but it feels short of convincing you that he hadn’t meant to find you, the artificial coating of his words doing little to hide the interest in his eyes. “Guess we both had the same idea, huh?”

You wrinkle your nose, taking a step to the side. “Yeah. It’s all yours.”

His hand clamps down on your arm as you go to walk past him and you stiffen. “Whoa, what’s the rush, little lady?”

You grit your teeth, glaring at him. “Can you let go?”

He balks at the look on your face, before his own hardens, lips tugging into a sneer. “You should be a lot nicer, you know. If it weren’t for me, you and your little friend would be dead by now. How about a thank you?”

You consider spitting in his face as you grind out, “Thank you.” Still, he does not let go. “Can I go now?”

He mulls it over, before shaking his head. “Nah. You don’t sound so thankful, let’s try that again.” At the look on your face, which suggests you’d rather die, he grins. It’s a mean thing, eyes glinting as he tugs you closer. Your heart picks up at the proximity, and by your side, your fingers curl into fists. “Or, you could just pay me back proper. How about you put that mouth to use?”

You stay still, frozen as he draws nearer. The stench of his breath makes your stomach turn and suddenly you’re in motion, raising a foot to stamp down on his with all the force you can muster. It takes him by surprise and he yells. You take the advantage to wrench your arm out of his grip, pushing him as he stumbles and booking it through the greenery.

He recovers quickly, if the crashing behind you is anything to go by, bellowing threats. Your arms sting as you push through the foliage instead of carefully stepping through as you had earlier, branches scratching and snapping as you barrel in the direction of the camp. The brush of fingers against your neck makes you scream, loud and high, and you force your legs to carry you faster.

The distance to the campsite isn’t far but every step seems to stretch and time slows with the threat of leaving you disjointed, forever stuck in this moment with hands reaching for you.

You burst into the clearing and bolt to where Jason is. He’s already on his feet and he meets you halfway, standing resolutely in place when you try to push him further away – we need to LEAVE, what are you doing? He steers you behind him when your pursuer breaks through, and you grip the back of his jacket. Still, he refuses to move, an arm stretching behind him to curl towards you protectively.

Your mind seems to black out then, because when you blink, Jason’s hands are hovering over you and there’s an awful amount of blood on them.

“You hurt? Did he touch you?”

Your gaze slides over his shoulder and your stomach begins to turn when you see what’s become of the man. Blood soaks into the earth in copious amounts, another carcass to join the millions. You tremble and he turns your face back to him. His palm is sticky, and the realisation of why brings tears to your eyes. You shudder, stepping closer to him.

“You’re fine,” Jason mutters, breathing hard. He repeats it when you begin to cry in earnest, clutching fistfuls of his shirt. “You’re fine. I got you. I won’t let anyone hurt you.”

You learn a few things that day. The first, that he’s not hesitant about taking lives if it means yours are safe. And second, that a horrible, terrible part of you doesn’t feel remorse that he did it.

In the wake of the murder, the fallen man’s companions had fled, unwilling to meet the same fate, and Jason had let them go. You keep to yourselves after that, travelling further south and avoiding the few survivors you do come across. Guilt festers in your stomach when you sneak glimpses of weary faces run haggard, but fear weighs out when you feel the phantom brush of hands on your arm and neck.

Neither of you speak about it beyond the set of the sun that day but it brings about a shift, however miniscule it may be. He’s less willing to let you stray far from his eyesight, now. Sometimes, even with your back turned, you can feel the weight of vigilant eyes on you. But it isn’t only Jason who’s affected by the changes. You linger closer to his side, now, never beyond arm’s reach, never more than a few paces away, unwilling to risk being parted once more.

The spill of blood only brings with it more carnage. It feels rather like a curse when, in the days that follow, only havoc trails after you. Blood in the spaces beneath your nails, blood that pools and darkens in linoleum and hardwood and concrete, blood in your mouth. It clings to you, a stain you’ll never be rid of, no matter how you scrub your skin. The frigid water sticks you like a thousand pins, pinking in the dying light of the day, and still you scrub.

The end of the world doesn’t harden you like you think it’s supposed to. You think maybe if you were idealistic, it would be a kindness, to retain your softness. But it has no place here, meant for a life long gone. For all the precautions you take, the weapons you wield and hide on your person, you still feel like vulnerable prey, the soft belly of your heart exposed. You flinch, you freeze, you–

“You’re going to hurt yourself.”

He says it quietly, standing at the mouth of the river, behind you. Red lingers in the corner of your vision – his flannel, darkened. You ignore him.

You’ve stripped down to your underclothes and waded in until the water reached the top of your thighs. Your name falls off his lips, and your own press together tightly. Your jaw aches with the weight of all you try to hold back, and it’s only when fingers curl around your elbow gently do you let it out.

The boy pulls you out of the river with all the care of coaxing a wild animal, uncaring of the water that bleeds through his pants. The skies overhead grow darker, the air steadily cooling around the both of you, and yet you remain in place, staring at the place where his hand meets your skin.

There is no trace of what happened, nothing to suggest anything had occurred. Old scars fleck the back of his hands, disappearing beneath the sleeve of his shirt, but his hands are clean. You stare at the lines of him, the bitten nails, the tendons that flex. Hands that had, only hours earlier, killed for you.

“You’re going to get sick if you stay like this,” he says finally, and you let out a breath.

“I can’t wear those,” you whisper and he tips his head.

“There are clothes inside. They’ll probably fit.”

“Okay.”

He tilts his head, and you fall into step with him. His hand drops until it circles your wrist, and you let him pull you forward. There is only silence as you walk through the wood, save for the snap of leaves and sticks beneath your feet, clumsily pushed into your boots. You can feel the water clinging to your underwear, and you can  feel the autumn air cutting you deep.

(You can hear the sound, still, of splitting flesh.)

You return to your camp for the night, stumbling up the rotting porch and entering the cabin. Unseeing eyes trail over the living room, browns and flaking paint quickly disappearing out of sight behind a wall as you’re pulled into the next room.

“Here.”

The Henley thrust into your hands is felted over. You look up and you’ve entered what looks like the main bedroom – perhaps the only one, you think.

Time stands still in here, the air stale and near everything left untouched. The bed remains made, dust lining the window, pale light filtering in through discoloured glass. Perhaps once, you might’ve felt the discomfort of standing in a place that was not yours. Once, your skin might have crawled at the clothing in your hands, the absence of their owner a clear signal of their fate. Now, it’s all you can do to tug the rest of your clothing off and pull it on. A pair of pants are passed to you next, a size too big and settling low on your hips.

Your wet tank top remains slung over the rail of the bed frame, and you watch the water drip out, pooling on the floor. There’s the rustle of clothes behind you, and you wait until he moves back into your line of vision to look up.

In the darkening room, the boy in front of you looks older than he is. The shadows beneath his eyes smudge deeper, the hollow of his cheeks carved. You wonder what you must look like to him, half crazed and yet entirely subdued. Your breaths mingle in the air between your mouths, and you feel, not for the first time, the years you’ve lost and those forced upon you in the last months.

“Good?”

It takes you a moment to register what he’s talking about. His eyes flick down to the clothes on your body, and you nod jerkily. He seems dissatisfied at your answer, turning to rifle through the closet. When he turns back around, it’s with a jacket in his hands that he pulls around your shoulders.

It’s thick, lined with fleece that settles comfortably against your sides. It’s a wonder it hasn’t been ruined and immediately you try to shrug it off. It would fit him better – but he refuses to let you, fingers tightening on the lapels and keeping it tight around you until you settle.

“Going to freeze otherwise,” he mutters.

“What about you?” you ask dully and he shrugs.

“I run warm.” But already, even in the dim light, you can see the pink in his face. The thick sweater he’s stolen out of the closet does little to combat the chill of the water, and you push past him to rummage blindly through it until your fingers come into contact with something soft. The coat you pull out is fraying at the sleeves, loose threads tickling the skin of your wrist, but you push it against his chest anyway. You don’t move until he pulls it on, letting out a breath you hadn’t realised you were holding.

“Better get some rest,” he tells you, tilting his chin in the direction of the bed and you nod, only to pause when he goes to turn. Your hand flies out so suddenly you have no time to feel ashamed, only fear at the thought of being left alone.

“Where are you going?”

He blinks. “I’ll take the couch. I’ll hear it if – if something tries to get in.”

“Stay here.” The words are out before you can rein them in, and you aren’t sure you want to, anyway. The bedroom is small, wide enough to fit a dresser, closet and a bed, but it looms outwards threateningly at the suggestion of only housing one occupant. As if on cue, a branch slams against the windowpane and you jerk, fingers tightening on his sleeve. He looks back and forth between the window and the door, and sighs.

When you go to bed an hour later, it’s after he pushes the couch against the front door and moves your things to the bedroom. The bags lay at the foot of his makeshift bed, spare bedding laid down on the floor beside the bed in a mess of blankets. It hardly looks comfortable, but he’s silent as he takes his place amongst them, lying flat on his back. You peer over the edge of the bed to confirm he’s still there. In the dark, it’s difficult to make out his features, but the sight of his body reassures you, the sounds of his breathing guiding you beneath the covers until you’re staring up into the blankness of the ceiling.

“You still awake?” It’s him who breaks the silence a while later, voice barely above a whisper.

“Yeah.”

“Can’t sleep?”

“Mm. You?”

“Yeah.” A beat, and then he says, “You know it’s not – it isn’t your fault, right?”

Your mind flashes back to the mauve blossoms you’d spotted on his stomach when he’d undressed – the only evidence of your morning.

“I almost got you killed,” you tell him, feeling dread burn in your gut. You see it once more, the horror etched in his features, the thud of a body against his, a drooling maw and rotted limbs outstretched. Your hatchet sinking into a softened skull. “You don’t need to coddle me.”

He lets out a breath. “I’m not.”

“You are. We got lucky.”

“You’re the reason I’m not -” he breaks off, letting out a shaky sigh. It’s the only thing that betrays his fear and your heart squeezes painfully in your chest. “I owe you.”

“You don’t.” Your voice comes out harsh, and you fist the sheets under your fingers, suddenly burning despite the chill in the room. “Don’t say that to me. If you’d died, it would’ve been on my hands. I nearly killed you. Don’t tell me that.”

Your voice rings in the air between you, harsh, before he exhales once more.

“If that’s what you want.” Weary, he settles back into the quiet.

Your eyes burn the longer the silence stretches on, and your throat is uncomfortably thick as you force out the words, “I can’t do it again.”

“I know,” he whispers.

“I’m selfish,” your voice wobbles, but you grit your teeth. Salt tracks a trail down the sides of your face, bleeding into the fabric under your head. “I just can’t. I can’t do it alone. Not again.”

“I’m here,” he tells you, and a horrible part of you wonders, for how much longer?

Outside, the world is still and you’ve never hated silence so much, never longed more for the shriek of a car alarm and drunken arguing. Gotham lies in ruin now, motionless and hundreds of miles behind you. It only seems to grow quieter the further you travel into the country, nought but grassland and the whispers of wind to be heard.

Your hand finds his in the space between you, and it’s only then that sleep finds you.

Autumn storms sweep through the county over the next few days when you leave the cabin, driving you to take up shelter in the loft of an empty barn. Water streams in through a gap in the boards with each burst of wind, whistling echoing in the caverned space. The two of you huddle in the corner, tucked close amongst bales of dried straw and a ratty, threadbare blanket you’d found hanging over one of the stalls. Grey clouds form overhead, thick and visible from the skylights above, and you watch through a window as the grass whips back and forth violently, the entire world awash.

Jason pores over the map you’d snagged, eyes squinting in the dim light to make out the lines. It’s torn in a few places, and an entire section of Eastern Gotham and the surrounding states has bled into an unintelligible mess of ink. He looks up when you shuffle away from the window back to his side.

“If we take this route, it should get us to Georgia quicker,” he tells you, pointing a finger along the line. “We’re gonna need to find a car, though. It’ll make it easier.”

“It’ll be noisy,” you murmur, pressing your cheek into your shoulder and he lets out a breath.

“Yeah. It’s that or we keep walking. We don’t have any other options.”

Water drips in through the ceiling, and you sigh. There’s a thread of steel woven tightly into his voice, desperation that reminds you just why you’re making this journey.

“What were – what are they like?” you ask quietly, pulling your legs close and resting your chin against them. His clothes rustle as he shifts against the wall.

“Annoying,” he tells you, but there’s affection in it, voice teetering on the cusp of grief-stricken. “Before, I couldn’t get a moment of peace without one of them interrupting it, showin’ up at my place and demanding to stay ‘cause they didn’t wanna go home.”

“You didn’t live with them?”

He shakes his head, and something in his eyes shutters, a story you’re not privy to hidden in their tourmaline depths. “Moved out. The two younger ones lived with my old man. My, uh, older brother, lived in Bludhaven, but you wouldn’t even know it, always hanging around mine or my old man’s.”

“I think that’s sweet,” you murmur, and he snorts.

“You would. You’d like him, probably.”

You tilt your head to hide your smile. “We’ll see, I guess.”

He sounds more plaintive than you think he means to when he says, “Yeah.”

Rain slams against the roof, the storm no closer to clearing, and he clears his throat.

“What about you?”

“Me?”

“What was it like, y’know, before?” He sounds hesitant, as if the question might hurt somehow. And you suppose it does, in a way, when you think of all that came before, of all that can never be. It will never be as it once was. You hum.

“I don’t know,” you tell him. “I was in college, and then I wasn’t. I thought it was gonna be like that forever, you know, finals and midterms and the break in it all when we went out, even though we had to be up the next morning.”

“You go out a lot?” he asks, curious and you shrug.

“I liked dancing,” you hum, and once more you can feel the heat of a packed room, the floaty feeling of a few drinks and the press of fingertips into your palms, sweet smiles and longing. You let out a laugh, bitter and mournful. “I always said I was too tired and then somehow ended up walking home at 2.”

 “Sounds like you had a good time, at least,” he says, and you catch a hint of envy in his voice.

“Did you not -?”

He lifts a shoulder, hunching forward. “Things got in the way of normal for a long time. By the time it started to settle, I got in a few years before..” He gestures vaguely around you. You nod,

“We’ll find your brothers soon,” you murmur, shoulder pressed against his. Your hand finds his atop the straw, and he doesn’t move away.

“Yeah,” he breathes out, tiredly. His temple knocks against yours gently and the two of you sit like that, with his head on your shoulder until the storm passes through.

You think that maybe fortune must be smiling down on you when you find a truck a few miles out from the farm and it lives long enough to carry you to the interstate, where Jason is able to siphon gas from the lineup of abandoned motor vehicles. There’s a moment when you think it might go south, your heart gripping painfully in your chest when a herd passes through just as he gets back into the truck and you have to press down into the footwell of your seat to keep from being spotted. Your fingernails leave dents in the back of Jason’s hand, stretched across the console in danger of being seen to hold onto him. He squeezes yours back intently, green eyes meeting yours from where he’s managed to fold himself beneath the wheel. A finger comes up to his mouth, and you incline your head in the barest of movements.

They pass through, eventually and you find yourself glad for the grime that muddies the windows, making it hard for already decaying eyes to catch sight of a pale arm reaching out to comfort you. You hate that he’s kind, a little. He waits until you’ve caught your breath, letting you hold his hand and press your forehead to the seat until the tremors die down before the two of you shift carefully back into your seats and pull away – mercifully, in the opposite direction of the herd.

You drive for a day and a half, switching every so often and pushing the truck into the cover of the trees when you decide to rest. Dawn comes once more, and the terrible dream continues to prove it is anything but a fiction. There is cruelty in the enduring stillness of the world around you, and you think your heart breaks for the thousandth time when, as you pass a faded billboard sign, you begin to recognise the buildings around you.

Your hand flies to the console, pushing you up from the passenger seat to take a better look out of the windows. Beside you, Jason makes a noise of concern.

“You okay?”

You blink, looking over your shoulder at him before you’re pulled back to the passing playground and a familiar set of swing tires.

“I know where we are,” you tell him, hating the way his eyes soften sympathetically before the words are even out of your mouth to explain. “I used to spend my summers here – look, there.”

He follows the line of your finger to a row of houses, and you have to press your lips together at the wave of nostalgia that washes over you.

You think about a different time, a neighbourhood washed in gold and the roughness of bark beneath your palms. The ghost of a seven year old girl in overalls stares at you as you drive past the corner store, and you remember skinned knees, bare feet on asphalt and the stickiness of ice cream dripping down your wrist. You think of the two boys that had lived three houses down, always arguing, always dragging you to the arcade with them and insisting you play the games with them. You think of barbecues and the smell of charred meat, running around under the spray of a hose and squealing when the older kids jumped into the community pool.

Madison is now broken fences and stains you don’t dare to look at too closely, abandoned tricycles and boarded windows. It’s eerie as you drive through the bones of the suburbs you’d spent your youth in. Not for the first time, grief takes your heart in its hands and squeezes.

You turn your face away from your companion when the tears start, trying to discreetly raise your hand to swipe them away. It’s unfair, that the months have done little to soften the edge of your hurt, that even in the fear you find moments to mourn. Time passes, and your scars remain as fresh as the day the city fell, wounds open for anyone to see.

Jason, though, you never catch his grief, hidden except when the light tilts just so, when he turns and you catch a glimpse of it, like a star winking before it’s gone. You envy it, that he’s able to carry himself – that he’s able to carry you, too.

Sometimes, you wonder if it wouldn’t be better if he’d left you, that first day.

Almost intuitively, his voice draws you from your thoughts, the murmur of your name on his lips as he brushes against your elbow. You blink, and water splashes against your cheeks.

“Pass me the map,” he says, tactful enough not to mention the drying tears on your face when you turn to him. He lifts his chin towards the bag at your feet. “Should be in the front pocket.”

“It’s not there,” you mumble, after rifling around and coming up with nothing. Rooting around the spare t-shirts you’d bundled after a stop at a small boutique – 3 walkers, easy enough to take out except for the one, split second when you’d fumbled with your axe – and the ripening pears you’d salvaged from the farm had brought up nothing, and Jason clicks his tongue when you tell him as much.

“It is,” he insists, taking his eyes off the road for a moment to flick in your direction. “I put it there this morning before we left.”

You frown at him, impatient as you begin to unpack the bag again. “I’m telling you, it isn’t here. Is it in the other one?”

He takes the empty rucksack from you, placing it in his lap and rummaging through it with one hand. You don’t wait for him to realise he’s wrong, twisting in your seat to reach for the other bag in the backseat. Your body blocks the gap above the centre console, and you squeal when Jason swerves a little, your hand flying to grip the headrest of his seat. His hand leaves the bag to snag onto the back of your shirt, the material twisting in his fingers. The metal bars are cool beneath your fingers, and strands of his hair tickle your palms.

“Watch it!” you tell him reproachfully, unzipping the bag as best as you can with one hand. The material proves hard but it eventually gives way, and you grin when  the glossy paper of the map comes into view. “Found it, I told you it wasn’t in there.”

“Yeah, whatever,” he grumbles, looking away when you settle back into your seat.

That evening, when you make camp, you park the truck and head further into the forest. 15 minutes of walking leads you to a lake, and you grin when you come to a stop near the water, turning excitedly to Jason.

He doesn’t return the enthusiasm, eyes tracking for movement on all sides, but you see the satisfaction in his face when he sets his pack down on the edges of the lake.

“You go wash up first,” he offers, nodding his head. You’re too pleased to argue. His face warms a little, and he turns away. “I’ll keep watch.”

The stones are smooth and rounded, here, and you bite back a swear at the chill when you step in after shucking most of your clothes. It occurs to you, when you wade in about knee deep, that maybe you ought to be a little more concerned about undressing in front of him, but when you glance over your shoulder, Jason’s face is directed firmly away from you. He remains alert, poised to act at any moment, and you let out a little breath, assured in the set of his shoulders.

The water is, mercifully, not too cold. You get used to it after a few seconds, scrubbing your skin as quickly as you can.

“Don’t take too long,” he reminds you, calling over his shoulder but keeping his voice fairly low. “Don’t need you getting sick.”

“I won’t,” you mutter, but you end up lingering a little longer than you ought to, soaking your worn muscles. When you get out the sun has begun its descent in the sky and you quickly pat yourself dry with a spare rag. You take advantage of the afternoon sun to warm yourself on a larger rock as you take up your post, now your turn to keep watch as your companion washes himself off.

“Shit.”

“What is it?” you tense immediately, turning your head in a panic only to find him clutching the sodden material of his shirt. He lifts his eyes to you, and shakes his head. You realise, delayed, that he hasn’t got a shirt on, standing only in his boxers, and you look away, feeling your face warm.

“Can you pass me -”

“Yeah, sorry, got it,” you mumble quickly, leaning for his bag. An undershirt and flannel are retrieved quickly and passed to him with your eyes decisively fixed on the treeline, passing the items behind you until you feel the brush of his fingertips as he takes them from you.

You try not to think about the water pooling in the divots in his skin, or the drops falling from his hair, ink black and curling.

“You sure this water’s safe?” he grumbles, after a while, climbing up onto the rock beside you. The sun is steadily setting, and you need to make camp, but you sit, watching the shadows stretch over the lakeside, orange glowing through the leaves. “I’m not gonna contract a flesh eating disease, or something, right?”

You huff, foot pressing out to kick gently at his ankle. “We swam here all the time, back then. Relax.”

He lets out a little laugh, and you look away when it turns something in your stomach over. It’s a pleasant sound, though one you’ve rarely heard – there isn’t much cause for joy, these days, after all. You turn the sound over in your mind, wondering if this is what it might’ve been like, to be friends in another world. You sneak a look at him through your lashes, and the feeling travels up to sit beneath your ribs, stretching soft like toffee, sticking to all it touches, too sweet a feeling for a world like this one. He leans back on his palms, face relaxed. You could almost pretend, here, that nothing exists beyond the treeline.

“I’m trusting you,” he says lightly, knocking your shoulders.

“I wouldn’t lie to you like that,” you say, and it comes out like a confession. His eyes meet yours, and all that you don’t say, all that you don’t even dare to think, too out of reach and impossible to grasp between your fingertips, lies between you. Jason nods.

“Yeah, I know.”

The cicadas have begun to sing, and he keeps his gaze on you a moment longer before he pushes himself up, holding out a hand.

“C’mon. Gotta make camp, unless you want to freeze tonight.”

You take his hand, pulling yourself to your feet. He squeezes it once, before your hands fall away.

The fire he builds that night is small, stones piled high to surround the flame and keep it from drawing any unwanted attention. You watch him squat, arranging the rocks from your place on a log, leaning closer to the pit and holding your hands out.

“Can I ask a question?”

He hums.

“How do you..” you furrow your brows. “Most people don’t know how to do all this stuff. Were you like, some doomsday nut, or?”

His eyebrows fly into his hairline, a surprised laugh falling from his lips as he turns to you.

“A doomsday nut?” he repeats, amused, and you nudge him with a foot, attempting to unbalance him. Frustratingly, he only grips your ankle to still it. “Come on, tell me.”

He presses his lips to stifle a smile, shaking his head. “My old man was the doomsday nut, not me.”

You incline your head forward. “Really?”

Jason snorts. He pokes at the fire a little, before sighing. “No. I mean, kind of. He was really disciplined about all that self defence shit and being self sufficient. We used to go camping, and he’d make a game of it, a survival exercise, or something. Mostly we were just goofing around, but I guess it was interesting, and I picked up a few things.”

He looks over at you, hesitating, before he elaborates. “He and I, uh, we fell out when I got older. We mended it after a bit, but it wasn’t the same, you know. It’s all gone to shit now, but if I have one thing to remember him by, this is a damn good one, I guess.”

His thumb strokes an arc across your ankle, before he lets it go, turning back to the fire.

“Did..” you trail off, unsure, and he shakes his head.

“Kicked the bucket a few years before all of this.” He stands up, only to deposit himself by your side. “Left a fucking mess behind him, but I’m glad. That it was then, before..”

“I’m sorry,” you murmur.

“It’s not your fault.”

You hum. “I know. I’m still sorry.”

You press closer, resting your cheek against his shoulder. His arm comes around you, after a beat of surprised silence in which you worry you’ve overstepped, and he leans against you. The flames flicker and burn, the cicadas sing and Jason does not move.

When you wake the next morning he’s lying on his side and both your hands rest in the space between you, fingers curled and knuckles pressed against each other.

It feels like the flicker of something new. Something is forged in the earth where your hands lie, weaving your palms together, an invisible thread that ties you. His eyes flutter open a few moments after yours, and in the early light of the morning, you know you aren’t the only one who recognises it.

But there is a bigger sky over your heads, one that presses the urgency of your journey, one that has no time to address the curling in your gut or the gentleness of his fingers as they brush dirt from your jaw.

Time, time, time. You return to the truck wishing for more of it, for more spaces in between.

The road is bumpier when you return to it, and you follow the map in silence, navigating carefully around the rare lone walker.

Georgia comes faster, then, and you feel the stirrings of fear as the distance to where you’re headed, noted on faded boards, grows smaller and smaller. Jason grows tenser, too, answers short and distracted. The possibility hangs heavy in the air – of what might await you. His fingers curl into fists, and he presses his knuckles to his mouth as you drive past the first sign –

Welcome to Georgia! The Peach State.

You don’t dare to speak when he tells you to pull over, climbing into the passenger seat wordlessly. He drives slowly, and your nails dig into the fabric of your jeans when the car slows down and he mutters to you,

“We’ll walk it from here. We know where the car is, if–” he stops short, and reaches over the console to grab his pack from the backseat. You nod, biting your cheek and he looks over at you in confirmation, pausing only when he catches your obvious apprehension.

He takes a breath, and extends a hand.

“You trust me?” he asks, and you nod.

“I do.”

“I’ll keep you safe,” he presses, intent, and you nod.

“I’ve got your back, too,” you whisper, and he leans forward to knock your forehead against his.

“Let’s go.”

There is a part of you that knows you will not return to the truck – that leaving will forever alter the course of your journey. Safety is not something you can guarantee, but intuitively, you know this: the moment you close the car door, you seal your fate. This knowledge is something you know, yet are blind to, unwilling to face it, unwilling to shirk your post at his back, unwilling to abandon him now. You are at a crossroads. He will not stay a moment longer from his brothers, and you – 

You  will not leave his side.

In the end, of course, you follow.

You are tethered, caught in his orbit and unwilling to let go – he is loath to let you, but you know he would. You’ve seen the hesitance in his eyes, the silent debate of whether he should have brought you into this, if you’d be better off without him. If you asked him to let you go, you think he would.

You follow him, eyes alert and shoulders tense. The path to the bunker is a difficult one, overturned branches and muddied with fallen leaves. Once, twice, a few times, you cut down the walkers that stray into your path. The sound of a splitting skull makes your stomach turn every time, and you bite your tongue hard enough to draw blood, in an effort to keep from screaming when you strike.

Each time, Jason pauses to inspect their rotted faces, and you wait in apprehensive silence. Stranger. Stranger. Stranger. With each that proves to keep the chance of his brothers being alive, his face grows harder, fingers twisting around his machete.

Dread creeps up on you as the sun begins its descent in the sky, and you draw upon the outer perimeter of the place he’d detailed to you in the car.

He told me – gave me the directions to a bunker. It’s pretty deep in the woods, but he said it was secure. They’ve got some sort of system in place, so it doesn’t go down easy.

You begin to see what sort of system exactly it is, wooden spikes boring up from the ground to act as a fence. Already, a few remain impaled, their gurgling making you flinch as you pass by. A pair of heavy metal doors act as the only entrance, and you watch Jason come to a stop in front of them, hands trembling by his side.

He takes a breath.

You grip your axe.

He bangs on the door.

There is a split second, right before the door opens and a gun presses to his head, where Jason looks over at you. The face that peers through is not, judging from the mistrust on the man’s face, his brother. A large scar runs down the side of his face, red hair dry and thinning. He’s much older than the both of you – and stockier. In a fight, you don’t know that the both of you could overpower him.

“I’m looking for Grayson,” Jason spits, unrepentant and unmoving in the face of the metal digging into his forehead. Your throat closes over and you find it difficult to breathe when a cloudy eye trails over his shoulder to fix on you. “She’s with me. And he’s expecting me.”

You anticipate the words before he delivers them. You see it in the way his face eases ever so slightly, as if he’s established you aren’t a threat, though his grip on the gun doesn’t waver. You see it in the pikes propped up beyond the fence, small boards attached with writing you can’t make out – you know it in the drop of your gut, though, the loss of balance as the world seems to swim before you. You know what those are, and you know the words before he says them.

“Grayson ain’t here, kid.”

Jason stiffens, and you taste blood. The walkers nearby gurgle louder, likely catching the scent of your bitten tongue, your grief palpable in the air.

“What the fuck do you mean,” Jason says lowly, and you want to reach for him, but you’re too aware of how anything could change in a split second. “He told me he was here – how the fuck do you think I found this place, huh?”

“Jason,” you whisper and the red haired man cuts you a sharp look.

“Grayson,” he bites out, clearly agitated. “Drake. Wayne. ‘S who you’re here for, ain’t it?”

Each name he drops makes the hair on the back of your neck raise, and you look at Jason – the eerie stillness on his face, not a muscle moving. He’s barely breathing.

“Only me left, man,” he breathes out, weary. Overhead, the trees blot out the sun, so thick it feels as though night has already fallen.

“Are they dead, is that what you’re saying?”

He looks at you then, at the devastation on your face, the grief of another life lost etched into your heart, and he sighs, opening his mouth to answer but before he can, he’s cut off.

“I don’t believe you,” Jason says defiantly, chancing a look over his shoulder at you and back to the man. “You’re lying – there’s something you’re not telling us, look at him.”

And you trust him with your life, he’s kept you safe thus far, so you do look. There’s a nervous twitch of his eye as he begins to protest, and you note the sweat beginning to bead at his hairline, despite the cool evening air.

“Is that true?” you ask, voice trembling. He pales and there’s a moment when you think he might just come clean but it comes too late. Jason, fed up, shoves him, dislodging the gun from his grip and spinning it around to face the other man. You gasp, but it’s already over in a matter of seconds, the tables turned before you can blink.

“Only you, you said,” he breathes out heavily, expression hardening. He lifts the gun to point over his shoulder. “You try anything and unlike you, I won’t hesitate. I’m here for Grayson and you’re going to fucking take me to him.”

Red grits his teeth. “Fine.” He mumbles something under his breath that you strain your ears to catch as you draw closer. “Don’t...warned you, though.”

The bunker is dark as he leads you down a large stretch, your flashlights pointing straight into the black to avoid tripping. You’re aware of your obvious disadvantage – though you might outnumber him, he knows this place far more intimately – and it makes you wary as you step through. When the hallway finally opens out, it’s into a wider, caverned space, and you descend a set of stairs into a small atrium of sorts. There is no sign of any other occupants – nothing scattered across the large tables joined together to meet in the middle, chairs left firmly pushed in.

Your gut curls as he leads you through the bunker, and you draw closer to Jason. His hand reaches out to brush against yours briefly, before withdrawing. Once more, you reach a set of stairs and begin the ascent. Another exit, you note.

Twilight outside slips through when he opens the door and with it, the scent of something immeasurably wrong. You go to clutch the hem of Jason’s shirt, panic spiking in your veins, but he’s just out of reach, already stepping through. Against your will, you are tugged forward, as if a marionette on strings. The smell reaches you before you’re even out the door, and you retch when your eyes fall on what he’s brought you to.

Red is breathing hard, glancing between the both of you, unaware of just how precariously his life hangs in the balance now.

Looking at what he’s brought you before, you can’t find any pity for him.

Jason makes a strangled noise, and your own face is warm, the slide of tears dripping into the earth beneath you. Once more, you find a spiked fence, once more you find bodies speared. All strangers to you. To Jason –

There are echoes of a handsome face in the rotted visage of a nearby undead. Milky eyes stare hungrily when he draws closer, clamoured breaths fogging in the air in front of him, anguished. Red remains forgotten, attention stolen by the groans of what had once been most loved. Jason’s knees give out before him, and he falls forward into the muck, prostrate in grief.

Flanking his sides, two younger bodies – both who receive the same reception. He doesn’t have to say a word. Grayson. Drake. Wayne. The youngest, no older than 16, bears the worst injuries compared to his counterparts. Grief rolls in through you, and overhead there is a distant rumble of thunder.

You turn, the contents of your empty stomach splattering into the mud at your feet.

The acidity makes your eyes water and when you stand, wiping your mouth, you look to Jason. A new feeling grows within you, the longer you stare at him, a burning in your gut that simmers at the look on his face – too late, too late. One, two, three, all gone, before he could reach them. Worse still, his failure stands before him, a taunt of all that he had done, all that had not been enough.

Red is blurry when you turn your gaze to him, but it doesn’t soften the loathing that floods your being. He stands a few feet away, fidgeting, unsure what to make of this.

“You kept them,” you breathe out and he furrows his brows.

“Huh?”

You tilt your head in the direction of the pikes. There’s a throbbing in your head, and you’re distinctly aware of your hands growing numb. “They were your companions – and you couldn’t even put them to rest. You just left them like this, and for what? To protect yourself?”

Confusion bleeds into irritation. He isn’t forgiving of your tone, contempt in your every syllable.

“Don’t you fucking look at me like that,” he growls. “You don’t get to judge me – I’m doing what I gotta do to make it out here. Everything’s gone to hell and you wanna judge me? No fucking way, lady.”

“Fuck that,” you shoot back, shaking your head. A suppressed sob threatens to rise when you step forward to the pike, and he grows alarmed.

“What do you think you’re doing?”

“Putting them to rest,” you snap, and he lurches forward. He doesn’t get very far, Jason rising from the ground in silence and slamming him in the jaw with the butt of his rifle. He stumbles back, swearing.

“Don’t fucking touch her,” he warns, voice hoarse. Red-rimmed eyes seek yours out and you nod reassuringly.

“I’m okay.” You turn to Red, eyeing him disdainfully. “You can either help me get them down or go back inside, but I’m not leaving them like this.”

He chooses the latter, after some moments of silence, retreating through the doors mumbling under his breath and leaving the two of you alone with his brothers. A light mist has begun to roll in, and it clings to your hair and lashes as you move towards Jason.

He folds into you when you reach him and you stagger to support his weight, a hand resting on the back of his head as he takes a shuddering breath. His face hides in your neck, hands gripping your jacket tightly. You let out a soft sob, clutching him.

“I’m sorry,” you murmur, lips pressed against his head. “I’m so sorry.”

“Fuck,” he gasps, struggling to draw a breath. “Should’ve...’f I’d just fucking stayed...”

“It isn’t your fault,” you plead, but it rings hollowly between you, a feeble consolation that even now does little to free you of your own guilt.

He weeps and the mist turns to a gentle pour, rainwater streaming over your heads and muddying the ground at your feet further. You hold him like that, trembling frames clinging to each other in your shared grief. A second passes, and then another, until you’re unsure how long you’ve remained there. Long enough to grow roots, certainly. It’s difficult to move when you smooth a hand over his rain slicked head, to urge him forward.

“Come on,” you murmur thickly. “We have to do right by them.”

His face seizes again painfully, and you fear he might collapse once more. His grief holds him whole as he moves forward, and you flank him as he steps forward.

The youngest goes first, an apology on his lips as he presses the barrel of the rifle against Damian’s forehead. The silencer keeps the shot from ringing out, and his snarling face falls slack in mere seconds, slumping forward. You hold the rifle as he’s lifted; cradled in Jason’s arms, how young he truly was weighs on you, and you turn your face into your shoulder to muffle a cry. Jason places him gently on the ground, and turns back to you. Tim is next, and laid next to Damian. Jason lingers by his side, a hand cradling his head, and you feel, not for the first time, like a stranger bearing witness to something sacred, like you’ve stumbled across something not meant for your eyes.

All that’s left of their family are the two eldest, now, and Jason stands before the being that had once been his older brother. Dick Grayson leans forward, drooling and he doesn’t flinch, despite the rotted fingernails stretching out only inches from his face. One step forward, and he too would join them. You wonder if he isn’t half considering it, staring up at him.

“I’m sorry. Dick, I’m sorry, you hear me?” His voice trembles as he hefts the rifle. “You stupid bastard. I told you I was coming. Why didn’t you wait for me?”

There’s a current of betrayal in his words, hurt and grieving. In the dark, it’s hard to make out the expression on his face, but you can hear the hitch in his breath, the strangled sob he tries to bite back at the groan his brother lets out.

“B’s gonna – he’s gonna kick your ass, you know.” He’s gasping the words out, trembling violently and you’re helpless to do anything about it, rooted to the spot. Would that you could carry his burden for him – but it’s his to bear. “You better – fucking give it back. Fuck. I’m sorry.”

The last of his line, an orphan again – you hear Jason shed bitter tears as he shifts his older brother, laying his body beside the others.

He rises, sniffing loudly. The rain has stilled, but the temperature is unforgiving on your dampened skin, you fear the two of you might fall sick if you stay out here any longer. Still, it feels wrong to leave them here.

“Go inside,” Jason instructs, his voice rough. “Gonna get sick, standing around like this.”

“I’m not leaving you,” you refuse. “I’ve got your back. Come on.”

You find a shovel amongst a pile of tools, just outside the door. Within the circle, unwilling to venture beyond the safety of the fence, you dig. The muck makes it difficult, and your arms strain as you sift through the earth. The two of you take turns, and by the time your plot is dug, you’re covered in filth.

Only one grave is dug – “Keep them together,” Jason mumbles tightly and you nod. In your arms, his youngest brother is light. You kneel, lowering him into the ground with a whispered apology of your own. It will never reach the ears it was meant for, but you repeat yourself, and then once more, when the third body is laid down. You make a vow of your own, too, to these three, whose brother might have reached them in time had you been a little faster – had he not been slowed down by you.

I’m sorry, you apologise, thrice over. I’m sorry. I’ll take care of him in your stead.

You climb up, standing beside Jason as the wind begins to howl, a wordless service to the fallen. Bitter, guilty and grieving, the two of you pack the earth over their bodies. Buried, you hope they’re at rest – and hope they’ll forgive you.

It’s only in the late hours of the night that the two of you return through the doors. Red startles awake where he’d been sitting in the atrium when you shuffle in, tracking in mud and grime with you. Bloodshot eyes scrutinise you before he tilts his head. “Shower’s through there. Should be a clean towel in there.”

You tip your head tiredly, and Jason nudges you in the direction of the bathroom. You’re dead on your feet, and more than once you stumble, muscles aching and mind foggy. The cold has begun to set in, and your fingers feel numb from the hours outside.

Jason locks the bathroom door after he steps in with you, scrubbing wearily at his face. He lifts his chin, a silent request for you to go first. You don’t have any time to protest before he drops to sit against the closed toilet lid, eyes closing firmly.

Stiffly, you peel off your mud-stained clothes, stepping into the small stream of water. The warmth takes you by surprise, and Jason lifts his head at the noise you make, finding your gaze in the thin cloud of steam that’s begun to amass in the air.

You okay?

You offer him a nod, and he lowers his head once more.

Neither of you speak, when you leave the bathroom later, about the sniffles you’d been unable to mask under the thin spray of water or the red that rims Jason’s eyes. The only other inhabitant of the bunker has long since retreated to one of the bunks and you curl up in a different room, listening to the tremulous breaths across the room. In the dark, Jason lies in the bunk closest to the door, a chair wedged against the door – just in case.

It’s difficult to sleep, despite the events of the last day. Exhaustion weighs your limbs down, and though you’d scrubbed down every inch of dirt, the grave clings to you still. Beneath closed eyelids you can still see the twist of their faces, of Jason’s when denial had made way for grief, stubborn disbelief swept away by a tidal wave when he’d met milky eyes.

Tears once more. You press your fingertips to your face, shucking the duvet higher up to muffle your breathing.

He hears it anyway. There’s a warmth at your back that you don’t startle at, only shuffling closer to the wall and making room as he slips under the covers with you. Perhaps it’s for your comfort, but you don’t doubt that he seeks it, if only partly, for himself, too. His forehead presses to the back of your head, and arm sliding beneath your neck. You clasp the hand that finds a home over your stomach, turning your head to press your mouth against the skin of his forearm.

Words conjure in your mind and fall short, a static-y mess of jumbled letters. There is nothing to offer him in place of the loss he’s suffered today. Your hands remain empty. Would that you could turn back time. All that could have been taunts you in the darkness beneath your lids.

When you turn to press your face into his neck, settling your weight firmly in his arms, it feels like both a plea and a measly tribute. What is a stranger in the place of three brothers?

When dawn breaks, you are deep beneath the earth. Sunlight does not reach through the walls of the bunker, and so you are disoriented when you wake. It is as dark as when you’d closed your eyes, but you’ve shifted in your sleep, and your bed is missing a body.

Panic seizes you first, and you sit up straight, ripping the covers off. You’re halfway out of bed when you trip over the rucksacks, and the fall startles you enough into realising you aren’t in danger. Much, anyway, you reason when you slink out of the room and find Red in the hallway. He raises a brow at you, and you press your lips tightly together, unwilling to interact with him any more than you have to.

“Your man’s down the end of the hall,” he tells you gruffly, jabbing a thumb over his shoulder. You hum indifferently, waiting for him to leave before you start in the direction of the room.

You’re led to another bedroom, larger, with more cots pushed into it. Jason stands in the centre of it, holding a shirt in his hands that you don’t recognise from the contents of his bag. He turns over his shoulder at the sound of your footsteps, relaxing when he realises it isn’t Red.

“Hi,” you whisper, lingering at the threshold. The air is still in the room, and you’re hesitant to disturb it. A twitch of his mouth is your answer, a tilt of his head that coaxes you closer.

There’s a scribble of initials on the tag, D.G scrawled over the care instructions. Your fingers curl into a fist at your side, and you turn away, ashamed. It’s hard not to bear this guilt. It lingers with you, clogging your throat at the sight of the few possessions that clutter the room. You don’t have to draw closer to know whose room this had been.

“We’re leaving. I’m not staying here,” Jason says finally, and you turn to look at him. He clutches the shirt in his hand, fingers curling in the blue fabric.

What else is there to say? You go where he does.

“Okay,” you tell him, and only when his shoulders loosen do you realise they’d been tense in the first place, as though he had expected resistance, fearing your denial. “Should I go get our things?”

He shakes his head. “Too late to go anywhere now. We slept through the day.”

How are you up, you wonder, staring at him. How can you continue, how can you move on? But you see it, in the lines of his face, the fragility of his facade. There’s a haunting in his eyes, emerald turned viridian, and his hands tremble in front of him. Barely kept together, there’s a silent plea.

Don’t press. Not now. Now is not the time to break. There will be time to mourn your loss later.

So you don’t ask. You don’t press. You lead him out of that room, away from the ghosts, away from the pencil shavings left undisturbed and a sketchbook that never got to be filled. Another day passes, the first in a world without his brothers. He sleeps in your bed again, and your fingers intertwine in the dark. He presses his cheek against your pillow, and you remain awake until his breathing evens out.

Dawn breaks and you leave with a handful of things shoved into your packs. You don’t tell Red, nor do you care to wake him when you leave.

“Where will we go?” you ask Jason, when you break out of the woods. His face seizes painfully at the reminder that there is nothing to reach now, nobody waiting on the other end to make it worth the pain.

“Anywhere, I guess,” he croaks. He glances over his shoulder doubtfully. “You still with me?”

“I made a promise, didn’t I?” It’s far from what you want to say. But you think he understands, and there’s a hint of gratitude in the crease of his eyes – the time is not now, but not never.

That selfish hope tides you over, tightens your grip on his hand as you step out into the wasteland.

For a long time, the two of you drift. Unmoored, adrift with nowhere to go, you struggle. Days bleed into night, dusk into dawn, rinse and repeat. If you could ever find such a thing, you come closest to finding respite in the thick of the woods. Winter draws closer, closer, and you make your camp where you can find it, hollowed husks of dead trees, cordoning off the area with noise makers before you fall into fitful sleep on a bed of dead, dry leaves.

It’s difficult, grappling with the loss. There are no more moments in between – every breath spent covering as much ground as you can before nightfall and taking turns keeping watch. The cold cuts you deep out here, a knife that whittles you down to the bone. Selfish, you long for the cabin, longing for the stillness, for once. Ever in motion, you don’t linger in one place for too long. The woods are thick and you don’t intend to see winter through here.

Jason curls himself even tighter around you now. His body canvasses yours, nose pressed firm into your neck when you sleep. In the early mornings you wake in a vice grip and it becomes impossible to disentangle yourself from him without resorting to waking him, too. Always with a start, thrust violently into consciousness, he opens his eyes, alert. He seeks you out, first, before scanning your surroundings. Only when he’s satisfied there isn’t an active threat does he loosen his grip on you, following to keep guard as you relieve yourself.

He remains closer to your side than ever now, but he couldn’t feel further away.

There is a lifelessness in his eyes that only sparks when you chance upon walkers. Bloodshed sparks his adrenaline, and he takes a long time to come down, breathing heavily and eyes alight with a fire you haven’t seen since then.

Blood, always blood. You track it through the country, soles red. It cakes in your hair and darkens your clothes. This time around, there is no cabin, no wardrobe to replace your clothes. The fleece in your jacket is matted now, Jason’s shredded his further. 

You still with me? Jason asks you one night, when the two of you have curled close to a small fire. Chest at your back, all you can see of him is the white of his fingers, scarred digits curled against your own.

Still here. (Still yours, you think.)

And that is the end of it. You don’t bother with reassurances, not when his palm presses over your heart – he feels it for himself, a vow intact. The cords threading you together are silken, unbowing. As he shadows you, so do you follow in his stead, treading the path after him unthinkingly.

It makes sense, that the end comes soon, once more. 

It’s been a long year, and you’re weary. Down to the bone, you feel it, the heaviness of being. Of continuing, fighting against the grain to survive another day. You’re living on borrowed time and now, more than ever, it becomes apparent to you that it’s begun to run out. Perhaps the clock had started on that first day of it all, when the bridges had fallen. Or had it been when you’d found each other in the destroyed remains of your home city? You think it had been when you’d closed in on Georgia.

Death catches up to you. It had always been in the periphery of your lives, drawing closer with every staggered step, every brush of rotting breath, every encounter that got too close. Now, it drifts in, unbidden.

Bodies litter the forest ground, muddied, rotting. The clearing looks out on a cloudy sky, thick grey hanging low, the promise of a storm.

You and Jason fall last, staggering into the centre of the clearing. The wounds are deep this time, too deep. Copper, and the scent of petrichor. A thick mist that rolls in, a sheath for your bodies, a funeral shroud for a ceremony you won’t see. Side by side, you stare at the sky.

“I’m...” Heavy, gasping breaths. You use the last of your strength to turn your head. Fading green eyes find yours. “I’m...sorry.”

Your own burn with tears, and you brush your fingers against his. “Not your fault.”

Bloody lips press against your own, bitter against your tongue. Hand in yours, Jason goes first. His movements slacken, and then, it is only you. Time, more time. If you’d only had more of it. In the next life, perhaps. Jason goes first and, as you had promised, you follow.

The end of the world comes and goes and then you, too, join the horde.

fin.

i started this during finals season when all i could think about was the horror and tragedy of loving someone doomed to die.

'Do you still believe myths can save you? Foolish creature. Let me be clear: every version of this story ends with you being slaughtered' << this exactly.

anyway this was inspired by everywhere, everything by noah kahan but also, sort of: bones and all, the walking dead, ethel cain and the midwestern gothic ? maybe i'm misusing that term but i mean specifically location wise. the eeriness of how quiet the world would be after its end, how disconcerting it would be when all you knew was Gotham, too, never resting, always in motion. the end comes and you're driven out from a city you longed to leave, but now all you want is to go home.

at so many points throughout writing this, i wanted to keep jason (and reader) alive, even though i knew he was going to die well before i even started writing this. i struggled a lot with sticking to that decision, but i feel like in a lot of my writing i give them happier endings and i wanted to try something newer for a change. i don't think i'm as well versed in this sort of genre, i mostly write light-hearted romance. but i also think there is something beautiful in tragic romances that i don't explore enough. so here is my attempt at this.

anyway. this only makes sense 2 me, probably. i still hope you enjoyed reading it though

[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.3)

go check out part 1 and part 2 if you'd like! this is a long one, sorry guys.

if you haven't already i'd recommend you check out pt. 1 & pt. 2 (linked above), but if you haven't checked them out i've been going over some of the main things people have been criticizing ba's characterization for: 1. the typical boiling down of jason's character to "the angry one" 2. his lack of strategy going into the fight with the demon is out-of-character 3. the neighbor's kid interaction

alright, so this last point is purely based off of one page of the entire comic: the one where the child of one of jason's neighbors is dragged inside his home when his mother see's jason coming.

first off, i love this page. it might be my favorite page in the entire issue. everything about it is great. just thought i needed to say that.

anyway, there's some people who are seeing this page and reading it as "jason protects kids! that's one of his big things! why are they scared of him?"

here's the thing, though: the kid isn't scared of jason, the mom is. the kid is literally playing dress up as the red hood-- he's not scared of jason, if anything he's trying to replicate him. little kids dress up as their heroes all the time; why is this kid any different? it doesn't really make sense for the kid to dress up of something he's scared of (not everyone is as weird bruce wayne), especially a real person that could be a real threat rather than a concept. i doubt you see many kids in gotham dressing up as the joker or something, because that's just asking for trouble.

the dress-up honestly seems like a ploy for attention to me. the kid clearly knows that red hood lives in his building (which is honestly so funny. take off the mask jason you're giving you're position away (actually this is a really good instance for analysis but i'm determined to not go on a tangent)). if the kid knows red hood lives in his building, what better way to get his attention that dressing up as him and playing pretend? if the kid was scared of him, he wouldn't want to draw that sort of attention to himself. if he had a sort of hero-worshippy thing going on like i suspect, then he would want to get jason's attention. to sum it up,

it's the mom who pulls him away when jason nears, because she either a) perceives him as a threat, b) doesn't want her kid to try and replicate him even more, or, the most likely option, both! the kid isn't scared of him, but the mother believes they should be.

once again, we come back to the whole perception vs. reality theme i talked about in part one! we've come full circle, everyone!

when looking at the neighborhood's perspective of the red hood, ba gives us a few contradictory examples. there's the kid and the mother, obviously, but there's also a slew of other citizens who interact with him at the beginning of the issue, both in fear and camaraderie.

the unhoused man and the people outside of his building clearly have a familiarity and are comfortable with him, while the shopkeeper is terrified and literally has a banned poster on his wall featuring jason (i am so curious what he did to deserve that, if he even did anything at all). from this, it appears that jason's reputation teeters between fearful and familiar-- a sentiment that also colors jason's relationship with his family.

furthermore, this concept underscores just how lonely jason is-- one of the only good relationships he had in his current life was his fucking landlord, for gods sake, and he's dead.

i think it's important to note that jason doesn't respond to the friendly greetings from the men-- he could attempt to build camaraderie, the roots are there, but he chooses not to. he could work to try and show the mother that her son is safe with him, but he chooses not to. why? jason is obviously lonely (as ba states in the panel below) and he caves pretty easily when damian asks him for help (both of them are so desperate for human interaction its tragic). so why does he distant himself from the community?

obviously it is in part due to the vigilante lifestyle, but it is also jason's perception of himself and how he believes others perceive him, especially in regards to his family (ba is literally hitting readers in the head with that theme baseball bat).

he doesn't see that the kid with the mask looks up to him, all he sees is the mother pulling him away. he sees the banned poster in the store. and, as ba narrates, "he was sure he'd been forgotten about" by his family. utrh is jason's twisted way of attempting to reach out and connect with bruce, and obviously that doesn't work-- so he chooses loneliness over rejection.

like in part one, though, damian refutes this idea by describing bruce's perspective, showing how what jason believes differs from actuality. bruce hasn't forgotten about him and doesn't hate him, as he suspected, but instead harbors guilt over the situation and desires to make it better, which jason must come to understand to be able to open the locked door and begin to move past his trauma.

so, that's what the little kid in the red hood outfit looks like to me. i actually have a lot more i'd like to say about the boy wonder, especially in regards to the whole "door to my past life" thing and what ba does with lighting and blocking in his artwork, so i may do a little post on that as well! i was gonna try and shove it into this one, but i've run out of room! i hope you guys liked my analysis, if you'd like to chat about the boy wonder or any other comics, my dms, asks, and reblogs are happily open! thanks for reading! :)) <3

pt. 1 / pt. 2

[yameoto]

yam love love love that analysis on cate you just posted and was curious what your thoughts are on queers (lesbians in specific obviously) reading her as a closeted lesbian going through comphet?

tbh i could talk about this for hours but would just like to say that she legitimately had queen maeve posters all over her childhood bedroom lol didn’t believe that soldier boy shit for a SECOND.

comphet reading of cate dunlap ft. mariecate

TLDR so u don’t have to read the whole thing; all of cate’s relationships with men are overall fake and do not revolve around love, rather the forging of an idealised identity formed around media (comphet Classic). cate’s only real raw genuine untainted relationship is with a woman. ft. mariecate

id love to my favourite hobby is looking at characters through a orangepinkwhite tinged lens. cate’s relationship with luke fits the comphet bill almost too well. firstly, cate being locked up her whole childhood means the formation of identity would be entirely based on media. a very heteronormative landscape of media, which aligns with traditional comphet. you could say her relationship with luke—literally golden boy—is comphet based, the ‘gold standard’ for a relationship cate’s drawn from all that she’s consumed in her childhood years. effectually, cate’s entire early life was robbed of her. and here, she achieves her perception’s ‘perfect’ idea of a life through luke, and forms her entire identity around him (hence her desperation to keep him). this is especially evident in the fact she changed her major to ‘hero management’ just to support luke’s career. to fully commit in shadowing him, for the rest of her life.

except, it’s fake. the entire relationship is fake. by the time of the show, cate has erased and changed and warped luke’s memory, his identity to the point where his mind breaks by the pilot. the fauxness and dysfunction of luke/cate’s relationship despite their image of unattainable perfection is probably her largest comphet indicator. maybe she loved him (not enough to remain faithful, however), but it reads as more of a subconscious love of what he represented, and something to anchor her identity to, which she’s never had a chance to form. as well as a means as to gain shetty’s affection and trust, no matter if she thought it was for his own good or not. her relationship with luke was poisoned, for a multitude of reasons.

(sidenote: cate/luke comphet reminds me of jiper comphet down to the false memories piper’s charmspeak and jason as the golden boy who literally explodes so like. there’s that’s free tidbit for anybody who is tapped the fuck in.)

cate has been so deprived of love she seeks it wherever she can find it. hence her stint with andre, which obviously ends in shambles because it’s foundations are already shaky, considering she’s cheating on luke with him, and andre is fucking his best friend’s girlfriend, but is also disingenuous, because cate’s compulsion powers arguably affect andre the secondmost to luke (though, by a wide margin). these are her two only romantic interests, and they suffer the worst consequences of it.

enter.. marie moreau. and cate’s relationship with marie is more genuine than any of her romantic relationships, which i think is the most telling thing. cate and marie serve as foils to each other: both in the manslaughter of their loved ones, the way shetty attempts to use them, and how can you NOT ship two reflections of each other?

in the finale, cate reaches out her hand, and andre can’t take it, because he doesn’t trust her. you can’t blame him. inversely, marie is the one always reaching out to cate, who is constantly defending cate’s intentions and her motivations to the others—when cate doesn’t deserve the benefit of doubt. partly, it’s because marie has known cate the least amount of time, making the betrayal sting the least. but also, cate’s relationship with marie is also the one least tainted by her compulsion powers; marie is the least affected by cate’s manipulations (to love her, to stay with her), and yet, despite marie not being compelled to do so; she still retains her faith in cate. that cate is good. that cate can be good, which is a fact not even cate believes in.

marie actively sees through cate’s compulsion, and later, nulls it. there’s a reason why marie is the one to discover cate’s betryal. there’s also a reason why marie is the one to blow cate’s arm off when saving jordan. in the same episode that cate reaches out and andre draws away, marie reaches out to cate, and cate draws away. that is a very direct comparison. it also speaks to cate’s larger unwillingness to accept love that is untainted, either fear she herself will ruin it, or because she doesn’t think she deserves it.

anyways, all this to say that yes, cate could totally be read as comphet. and mariecate is totally metal as they are, romantically involved or not.

[insidekatmind]

Meet my sister P.20-Jude Bellingham

plot: Federico Valverde wants to introduce his younger sister to Jude, his teammate. He hoped that something romantic would be born between them seeing that their characters were perfect together but things take a different turn

Jason stared at Jude with a challenging expression, almost provocative, as if testing his limits. Every movement of his face, every tight little smirk, seemed calculated to irritate Jude. And, in truth, it was working. You noticed Jude’s jaw clench tighter and the arm around your shoulders grow firmer, as though he wanted to assert his presence even more.

Federico, observing the scene, let out a slight sigh and stepped forward. “Listen, Jason, maybe it’s better if you leave. I don’t think this is the time or place for this show.” His tone was firm but not aggressive. Clearly, he was trying to keep things under control.

However, you could tell that Federico’s words weren’t having much effect. Jason stayed put, rooted to the spot, continuing to glare at Jude. The tension in the air was palpable, and you worried Jude might lose his temper. With a decisive gesture, you raised your hand and gently placed it on Jude’s neck, stroking it softly. Then you leaned into his ear and whispered, in a voice only he could hear:

“He’s not worth it, Jude. Let him go. He doesn’t even deserve your anger.”

Jude took a deep breath, trying to calm himself. Your touch and words seemed to work, though you could still see a flicker of irritation in his eyes. Slowly, his grip on your shoulders loosened slightly, and he looked at you with an expression that said: For you, only for you, I’ll let it go.

Federico, seizing the moment, stepped toward Jason again, this time more assertively. “You heard her, didn’t you? It’s better if you leave before things get messy.” His voice carried more authority now, and finally, Jason seemed to realize he had no allies here.

With one last look at you and a defiant glance at Jude, Jason turned on his heel and walked away, before he left he said something that was making Jude go and beat him up. "It doesn't end here darling, sooner or later I will find you alone and we will talk".

---

When Jason finally walked away, a heavy silence filled the room. You and Federico exchanged a glance, both of you focusing on Jude. The calm he displayed was just a facade; you knew him well enough to recognize the storm of anger he was holding back.

Federico scrutinized you, raising his eyebrows slightly in a questioning gesture. With a small nod, you signaled that it was best for him to leave you two alone. Federico nodded and, without a word, headed upstairs, leaving you alone with Jude.

You turned toward him and called out in a calm but firm voice:

"Jude?"

He didn’t turn around. He remained still, his shoulders stiff and his fists slightly clenched at his sides. You could see every muscle in his body was tense, as if he was battling with himself to keep his anger in check.

"Jude," you repeated, this time taking a step closer.

Still no response. The silence surrounding him was almost louder than any words he could have said. You stopped just a step behind him, hesitating for a moment before gently placing a hand on his back.

"Love, look at me," you whispered softly, trying to diffuse the tension in the air. But he didn’t turn. He didn’t move. Yet you could feel that your words were slowly starting to break through. You continued, your voice a mix of sweetness and firmness:

"I know you’re angry. And I understand. But he doesn’t matter. He has no power over us."

Jude closed his eyes for a moment, taking a deep breath as if trying to gather the strength to calm down. But he still didn’t speak, the silence that followed was still heavy with emotion.

You moved even closer to Jude, ignoring the tension radiating from his body. With infinite tenderness, you lifted your hand and gently caressed his cheek, feeling his muscles relax slightly under your touch.

Finally, his eyes met yours. Those eyes that usually sparkled with confidence were now filled with conflicting emotions: anger and worry, but also a desperate need for reassurance. He had the look of a wounded puppy, and you couldn’t help but feel your heart ache for him.

"Jude," you whispered softly, bringing your face closer to his. Before he could respond, you pressed your lips to his in a sweet, reassuring kiss. For a moment, he hesitated, then responded with sudden passion, deepening the kiss. His hands settled firmly on your hips, pulling you toward him with a force that revealed just how much he needed you in that moment.

Without even realizing it, you threw yourself entirely into his arms, letting yourself be enveloped by his protective embrace. His hands moved along your back as the kiss grew more intense. Jude pulled you even closer, almost as if he were afraid to let you go.

"You’re all that matters," he murmured against your lips when you finally pulled back to catch your breath, his gaze locked onto yours. "I won’t let anyone come near you or ruin what we have."

His words, full of determination and love, made you smile softly as you wrapped your arms around his neck. "And I won’t let anyone take you away from me," you replied firmly.

He pulled you even tighter, his heartbeat pounding against yours as you stayed there, embraced and connected, forgetting everything else around you.

You stayed embraced in Jude's arms, your body perfectly nestled against his protective embrace. His head rested on your shoulder, his warm breath brushing your neck with every deep inhalation. Gently, your fingers began to run through his soft, curly hair, caressing it with slow, circular movements.

"Mmhm," he murmured with his eyes closed, his face relaxed as if all the stress had melted away under your touch. "Don’t stop, please..." he added with a husky, drowsy voice, making you smile tenderly.

"I wasn’t planning to," you replied with a small, amused smile, continuing to scratch his head. With each caress, he seemed to melt more into you, his body surrendering to yours as if you were his only safe haven.

Occasionally, you couldn’t resist and leaned in to give him a sweet kiss on the cheek. He shifted slightly, the corners of his lips lifting into a small, pleased smile. "Are you trying to make me fall asleep?" he murmured with a low, deep laugh, still with his eyes closed.

"Maybe," you answered in a soft, playful tone, placing another kiss on his cheek, this time a little longer, a little more affectionate. "You’re cuter when you sleep. You don’t think too much about everything else."

His arms tightened around you, as if he didn’t want to let you go. "Maybe I don’t think too much because you’re here," he whispered against your skin, making your heart race in your chest. His words made you smile like a lovesick teenager, the warmth of his affection enveloping you completely.

"Then I’ll always stay here," you responded, continuing to run your fingers through his hair and leaving him another kiss, this time closer to the corner of his lips.

"Always," he replied firmly, slowly opening his eyes to look at you with that deep, loving gaze that made you feel like you were the only person in the world. "If you leave, I’ll come get you wherever you are."

Your smile grew bigger, and you felt your heart swell with sweetness. "I’m not going anywhere, Jude," you promised, meeting his gaze confidently. "I’m yours, remember?"

"I remember perfectly," he responded before tilting his face and stealing a kiss from you, slow and sweet but with that touch of passion only he knew how to add. "And I'll never stop reminding you."

[zenlesszonezero]