#where does jon even live

[thewizardofschnoz]

Jon gets breakfast

[navree]

people doing this whole "look at how rhaenys acted with corlys's bastard son vs how catelyn acted with jon snow" to demonize one or the other is weird because, like, maybe it's just me, but i think that catelyn and rhaenys had different reactions because they're different people in different situations.

[untimelyambition]

i am begging on my hands and knees for jon matteson and bryce charles to sing a song together. since i first watched npmd, every single day without fail i have thought about their harmonies together in hatchet town (“if he gets me next i could be three” and “fits the bill, he fits the bill”) literally the sickest harmonies in the entire show, i turn into a little gremlin every time i hear them. their voices sound SO good together it actually makes me a little ill. my favourite song my favourite line my favourite harmonies, their voices blend perfectly and i am so desperate to hear them sing a duet to hear them singing together again pls pls please pls pls pls. pls.

[grimdarling69]

Another deaged Ellie and Dan, but Danny was reincarnated as Damian Wayne

Danny Damian because he was Damian now, wasn't he? He remembers now the Fentons, the GIW, Sam and Tucker, jazz. He wonders if they could have also followed him here. A part of him longs to see his fraid again, but are they his fraid still? He was a new person. Son of The Bat and Heir to the Demon Head. Something Dami he remembers reminding people of. If only Sam could see him now, he knows she'd love that. "Who's edgy now?" He can picture her saying. He can almost see Tucker laughing so hard he'd fall out of his seat.

Crack

The sharp sound of the thunder brings him to the present. He looked over at his clock, 3:00 A.M. The witching hour he can hear Ellie tell him with a mischievous smile on one of their flights around Amity Park. She loved to drag him and Dan sometimes Vlad if he was feeling friendly. Dan, his future evil self tormented by the deaths of all his family and friends, so hurt he got Vlad to rip his human half out so he didn't have to feel the pain. Ellie, his clone, created by Vlad to be the perfect son, too bad she was a daughter. Looking down at his stomach where their cores are now incubating, he couldn't help but wonder if Vlad had anything to do with this.

He shook his head as if that would rid himself of that thought. Vlad was a real fruitloop,but he would never purposefully endanger Dan or Ellie. Vlad, in his twisted and weird ways, did love them in his own ways like kidnapping and keeping him hostage to save Ellie. He had forgiven vlad for the desperate attempt to save his daughter, but incubating Ellie and Dan's cores would make him their father now, too. Ew, coparenting with Vlad does not sound like a fun time. He glanced down and lifted his shirt hesitantly. If he focused on his stomach, he could see a faint blue and red glow emanating from his stomach. Red, Vlads' color, he thought distantly. Hopefully, it didn't mean much. As if signaling him, the envelope they had carried with them to him fell off the bed carried to the floor by the slight breeze.

Lighting lumineating the bedroom, making the crisp white color shine for just a second. He tentatively reached down to grab it. He was being a baby. He was a trained assassin from birth, and his fear trained beaten out of him a long time ago. Some part of him whispered his father and Richard's teachings of being brave but not without fear.

He paused. Father would want to know everything. His past life, Ellie and Dan, the ghosts, being a halfa. He wouldn't understand, Richard would try to, but not even he could never really understand. He couldn't subject his babies to that. He couldn't live with the threat to being ripped apart molecule by molecule. His father's lack of emotional intelligence certainly would not help young halfas. He was fourteen again the age he was killed in his first life. The age he started facing ghosts from another dimension.

He started younger in this life. Killing younger, he learned to fight his whole life. Jazz would hate that. Jazz... he wondered if she was alright if she survived the attack... no, there's no time to think of that right now. He ripped open the envelope( like a band-aid, Richard would remind him), and he noticed Vlad's familiar fancy fruitloop writing immediately(he had fancy fruitloop writing now, instead of the chicken scratch Jazz chided him over). So he was right about one thing this had vlad all over it.

Dear Daniel,

Though I understand you might not be Daniel when this letter finds you. I have been reincarnated into another life as I believe you have as well. My new name is Alexander Luther. I own a corporation called Lexcorp. I unfortunately can not change the name according to my board. The idiot lot of them.

He snickered at that. His smile dropped immediately. Vlad was Lex Luthor, the archnemesis of Superman. Jon would most certainly not like this. He forced himself to read on before he spiraled further.

I regained my memories after an experiment went wrong. I know how original. My new incarnation was able to open a small portal that grew in size, and eventually, somehow Danielle and Dan fell through. The portal then exploded, and I regained my memories. Unfortunately, it destabilized their clone bodies. I couldn't grow working bodies in time, and eventually, I had to hope they could find you. I hoped somehow that the yeti doctor would have imparted some of his strange knowledge onto you that might save them.

Vlad, no Lex still wrong. Vlad was somewhat right about that. During one of his all things ghostly lessons from Frostbite, he told him of how in the old ages ghosts often incubated their ghostlings. A protective measure back when magic and spirits were more prevalent. He didn't really understand it back then, and he doesn't understand it much now, either. Apart from the fact he was doing it, he supposed. What if he did something wrong and he lost them? He doesn't think he could live out his half-life if he lost them again. He needed to get to Vlad, and quickly too so they could start building a new portal to the infinite realms.

If this letter finds you. Come find me immediately at these coordinates. I've gone deep underground to escape my new archnimesis's suoer senses. I've m started research on a new portal, but I'll need your endeneering skills. This world is severely lacking in ectoplasmic science and engineering. I am once again forced to start from scratch on my own. Once we get the portal open, you'll need to go straight to The Far Frozen.

It's as if he's reading my mind, I think jokingly.

P.s. One of my experiments may or not have regiven then my new DNA in an attempt to restabilize them.

Only Vlad.

Well, it looks like they actually were going to be coparenting after all. This was going to go great.

I sigh and lean my head back down on my pillow. He committed the cords to memory before lighting the letter on fire with the lighter he kept in his bedside drawer. Point to assassin training. Jason would be proud. He supposed he could stay for a month or so before leaving, which would give him enough time to get away or think of some kind of mission to give himself. He shoots up. Todd had died and came back. He was a revenant. He couldn't stick around if he were to visit he'd know something was wrong immediately even if he didn't understand it.

He sprung out of bed quickly, but quietly, his foot steps perfectly silent despite his rushed mood of packing a bag. He packed a few pairs of clothes and lots of hidden weapons, some snacks he kept hidden for that should keep him fed on his journey but leaving any sentimental things behind. He glanced longingly at his sketch pad, but Vlad was most likely under the water judging by the coordinates he was given. Who knows if it would survive.

He checked the pack, making sure he got all he needed. He promptly checked it again. Twice. After deeming it sufficient, he willed himself to open the door. He mentally cataloged everyone in the manor. Pennyworth was most likely still in Father's room, making sure he actually listened to his insructions. Richard and Todd in Bludhaven and Crime Alley, respectfully. Cain and Brown in Hong Kong. Thomas was sleeping after his dayshift.

Everyone accounted for except Drake. He was most likely using Pennyworth's attention on Father to work cases. He just had to take the risk. For his ghostlings, for himself, Vlad. He crept down the hallways. He was opening the grandfather clock in record time. He went slower this time. He would use his powers, but his father had supernatural wards of all kinds in the cave. Who knows what they did. He was also admittedly trying to save his little energy for his voyage on the open sea. Light snoring hit his ears as he peered around the corner.

Thank ancients.

Drake was sleeping at the batcomputer, still in his Red Robin suit sans mask surrounded by his poor choices. Empty coffee cups and files spread around. He would still need to be quiet, Drake was a light sleeper, as was everyone else in his family. He grabbed the keys to his bike quickly, sneaking by. If he wasn't ditching his bike at Gotham Bridge, he would have disabled his trackers. He checked the gas and made sure he could make it. That's when he made his first mistake.

Putting the gas jug back down, he accidently hit another of one of his siblings' tools to the floor. He tried catching it without success, but it fell anyway, the loud clang echoing. Mistake number two.

Shit.

"Huh? What's happening?" Drake arose sleepily rubbing his eyes.

He froze. Mistake number three.

"Damian? What are you doing down here?" His eyes landed on him, and he spoke confusedly with his voice heavy with sleep or lack thereof.

He panics. He's blaming the pregnancy hormones on this.

He runs.

"Damian!" Drake responded to his dead sprint with his own. "Stop!"

He reaches his bike, and he turns the keys and prays. Luckily, it comes to life. He fumbles with his helmet it would hide his tears he needed it. who knows if he'll ever get to see them again. He shoots off down the tunnel. Flicking the cave door open remotely.

Another bike rears to life behind him. "Damian wants going on?" Drakes voice echoes in his ears. He can almost taste the concern in it amplified by the helmet. He ignores it and accelerates. He ignores the returned acceleration behind him.

----------------

Tim has no clue what made Damian panic enough to run away. He quickly ran to his own bike while swearing. Damian is already gaining distance on him. After another attempt at getting Damian to calm down and talk, he calls the only person Damian would actually listen to.

He hopes Dick will forgive him for waking him at five o'clock in the morning on his day off.

[wonderjanga]

Totally Me

When Billy first joined the league, he made sure to not tell anyone about his identity. This went on for nearly five years until he eventually started feeling bad for the others. They always look so sad. Not that blames them. He knows their names, where they live, their jobs, he knows almost everything about them, yet they know nothing about Marvel. So, Billy decided to tell them some things about himself, only it’s not himself. He told them about his dad, or at least what he remembers. He can’t exactly tell them he’s a twelve year old radio show host who lives in an apartment with his sister and his friend. Can he?

Supes: *talking about Jon*

Hermes: “Alright, Batson. You can do this!” *hyping him up like a sports coach*

Marvel: “He sounds awesome. The way you talk about him reminds me of Billy.”

Supes: “Billy? Who’s that?”

Marvel: *smiles* “My son.”

Supes: *jaw drops*

Clark was so happy his friend finally opened up with something about his personal life. He was smiling the entire day. This information eventually got around to the others so they tried to see if they could find out more too.

GA: “So, Cap, are you finally gonna come one of my mixers?” (ref to a fanfic I can’t remember the name of) *bros digging for information to see if cap is in a relationship*

Achilles: “Come on, Billy, let’s go! You can do this!”

Marvel: “No, I have a wife.”

GA: “A wife? What do you mean you have a wife? I expected a girlfriend not a wife?”

Marvel: *slightly nervous because he thinks Green Arrow might not believe him* “Yeah, well, I have a wife, okay?”

GA: “How long have you guys been married?”

Marvel: “Uh…” *doesn’t even know* “Like since 19-”

GA: “19??”

Marvel: “Yeah, 1920 or 30 something.” *is pretty sure that’s correct*

GA: “You’ve been married to your wife for almost 100 years…?”

Marvel: “Uh… yeah. Now that I think about it, yeah.”

By the way, anything Billy tells these guys, goes straight into the rumor mill. Once he divulges a little piece of information it’ll take like an hour, and then everyone knows.

Bruce even got in on the action by grabbing a form and walking up to Marvel:

Batman: “Captain, on your registration papers you left your occupation blank. Could you fill it out?”

Marvel: “Ah, sure!” *fills it out*

Batman: “Thank you.” *walks away and rounds a corner, only to be met with Clark*

Supes: “So, what’s his job?” *is hoping that Marvel is a reporter because he and Marvel have yapped about reporting multiple times*

Batman: *looks at the form* “He’s an archaeologist.”

Supes: “Archaeologist?” *sounds a little dumbfounded* “Huh. That seems so Marvel-like, yet so un-Marvel-like at the same time.”

Also, Billy does actually like archaeology. It’s one of bro’s special interests. In fact, to see if Marvel was telling the truth, Bruce asked a little bit about archaeology and was met with an hour long rant about how amazing it was.

[gffa]

Really fascinated by this detail--a pretty big deal is made out of the pirates at the space port being like, "Where did you get real Old Republic credits??" and wanting to steal them from the kids, but that doesn't look like the pre-Empire symbol of the prequels' Republic, and I'm hesitant to say it might be a High Republic symbol, because that is more of a peacock-style crest (assuming there's not a separate one for the Republic at that time), but I'm wondering if it's not Old Republic Old Republic. Like a thousand+ years ago Old Republic. It's pretty safe to say that At Attin has been "lost" to the greater galaxy, the legends about it at the spaceport, the illegality of space ships on the planet, knowledge of the Jedi hasn't been repressed, the deliberate feel of the planet being in another place and time, the "barrier" that hides the planet, etc. but how far back was it "lost", is the real question. The supervisor does refer to them being part of the "Great Work", so maybe it is a High Republic tie-in, to Lina Soh's Great Works, the phrasing seems pretty deliberate! But it would be interesting to consider if it's even further back than that, if this is a gentle set-up of Star Wars wanting to go further back in the timeline (the origins of the Jedi movie that's coming out in a couple of years, the teasing of redoing KOTOR, etc.) because I think that might be where Disney is setting their direction next. The post-Empire era did a lot for them with their live action shows and even this show is set in the post-Empire era (Jon Watts confirmed this), but they did a similar thing with the prequels-era books, putting in little hints and details about The High Republic before it launched. Possibly we're seeing something being set-up for diving into the Old Republic in the future. (It's probably the High Republic. But I'm holding out hope, because I think the Old Republic would be a fun era to explore!)

[acid-ixx]

Planned Fanfics !

ft. platonic/ yandere batfam, superfam, villains, au's & many more!

— Disclaimer! This contains massive spoilers and all my plans for future works that I'll soon publish. This is posted because I wish to update my readers upon the contents of what I'm working to write and for them to leave inputs and whatnot. Sorry for the delays and all, life is hectic and as much as I love writing, I also have a life outside of this site sadly. By the way, this is not even half of my drafts and if anyone is interested in the things written beneath here, then please do tell!

To Be His Child is All I want (A&A, Chapter 5): Confronting Jason, one of your brothers who played a role in neglecting you, and being partly the reason why you ventured out the manor to seek love, away from the unhealthy environment, was no easy task. Back and forths with him, and reasoning why you don't wish to return back 'home' only poured fire into the flames of your already aching heart, as you scream about only wishing to be loved by even a fraction of the compassion Bruce feels for all his other children was all you needed to feel happy in life. It was enough to leave Jason breathless, muddled with emotions he couldn't quite grasp.

As you drown in a seamless fit of arguing and sobbing into the arms of your brother, the manor holds a meeting regarding your sudden disappearance. Bruce is promptly disappointed at Jason's absence; the others are just as intrigued with Dick and Damian's urgency to find you. Yet all are unbeknownst to your plans of escape, and most especially to a certain Kryptonian's scheme to have you in his arms all for himself.

Family Dinner (A&A): Silly, old you can't seem to stomach the fact that they're all looking at you now at the elongated table when months ago you were a mere ghost in their eyes whilst they chatter happily amongst each other. Unfamiliar with how communicating with a family who estranged you works; you end up having a panic attack in the middle of dinner when Damian attempted to hug you.

To Love and To Cherish (Random): Bruce Wayne loves his spouse and everything about them. They're everything desirable in his eyes and he couldn't help the urges that keeps him running back to you every time he patrols to ensure not only the safety of Gotham, but for the sake of his growing plans to fully integrate you as a full-time house spouse. The problem Bruce faces, though, is that he's not actually married to you, yet, and you're unaware of his prying eyes on your form as you live alone in your shabby apartment.

Flowers on My Grave (A&A, Hanahaki AU): Flowers don't only bloom inside your lungs when you're rejected by someone you love romantically, they can also manifest through platonic love unrequited. Vomiting a bouquet of yellow carnations and an arraw of purple and blue hyacinths, you set to sever the bond of love you once felt for them once and for all.

Cold House, Lone Spouse (Loving Family, Unpalatable Desire): You come home from Clark's farm to sleep in your own room to make sure nobody suspects a thing; expecting to power through the pain of loneliness in your room. But you end up waking up to Bruce's body pressed against your back and his arms caging you, unrelenting in its pursuit to make sure you never seek out another man's hold again.

Once Your Son, Always Your Son (Loving Family, Unpalatable Desire): Your routine with your beloved son, Jon, leaves nothing else to be desired as you set about your usual nightly schedule of helping him clean up, fix his bed, and read him bedtime stories— something you've grown accustomed to love naturally as being a parent does. But when Damian comes to visit you once Jon falls asleep, he enviously demands you do the same to him and to return to the manor where a better family is waiting for you.

The Confrontation (Loving Family Unpalatable Desire): Clark's night with you always ends up with him hovering above your body, kissing all the exposed parts of your skin, and worshipping your body which lays upon his bed every night. It's the perfect fantasy, yet it's promptly shattered when he sees the familiar silhouette of his comrade, clad in all black, demanding that Clark returns his spouse back in his arms; as if he's not the very same man who left you all alone that night at the gala, available for taking.

A Father's Strange Case of Gift Giving (A&A): To make it up to you, Bruce tries to spoil you rotten with a bottomless allowance and unrestricted access to all his credit cards. Even a mansion built on your name is built as one of the family's vacation houses. One unsettling fact, though, is Bruce's proficiency of capturing every detail of all things you prefer in such a short span of time after kidnapping you. (i.e. You're unaware of the cameras planted in every corner of your room trying to capture the things that makes you smile).

Mind Games and Mind Control (Brutus): What if it were The Riddler and Scarecrow who saved you from nearly dying? With your emotional reception, and both their wits, you end up stirring more trouble for Gotham's vigilantes. But during times where you've nothing to do but watch as both villains enact upon their master plans, itching to satisfy the ache of bloodlust coursing through your veins, you start to notice the abrupt bouts of energy they exert upon tormenting whoever stares at you (sitting comfortably on a cushioned couch, treated like royalty no less) or talks behind your back— crazed for your words of approval and praise as if it's not them who are capable enough of controlling you instead.

The Powered, and the Powerless (Random, Romantic Batfam): During the night, they are your city's saviors, the light that shines bright on darkness, the hope that never wavers through moments of fear. Daytime, meanwhile, they're portrayed as a rich, socialite family who donate millions on charity and everything that promotes good costs. Power comes to them naturally, and praise is served to most of them in a silver platter for all their hard work. You can even say their status is akin to that of Gods, except you don't think of them the same way others do; choosing to utilize your immense knowledge of internet safety to publish articles and conspiracies pertaining to each member of the Wayne family through anonymous forums. Yet all this results in their interest in your secret identity.

Fate Unwanted (Random, Soulmate AU): You're a simple person living on the outskirts of an unnamed town on the boundaries of Gotham. Curious on why your parents are protective of you, forcing you to live with countless of strick rules written boldly on paper and plastered on the front of your refrigerator, and why you just can't seem to produce or perceive any soulmate bond; you set out on a mission to find the mysteries of your unmarked soul. Little did you know that the strangers you stumble upon who chose to assist you on your journey, all from every city and every known state, have found their soulmate that they're unwilling to share.

[hairmetal666]

Steve has a problem. Not a big problem--not an Upside Down-sized problem--but still. A problem. In the form of Eddie Munson. And not the person Eddie Munson, who is second only to Robin in the hierarchy of Steve's heart, but his feelings in regard to one Eddie Munson. Namely, his enormous, devastating, gay crush on the guy.

And he knows, okay, he knows Eddie is gay, but that doesn't mean he wants Steve. Eddie is probably into other metalheads or dnd nerds. What could Steve, with his sports and his polo shirts, possibly have to offer?

He's coping, though. Or, at least, he thought he was until the Family Video phone rings and Jonathan invites them to the New Year's Eve party he and Argyle are throwing at their new apartment.

"We have to make a no-date pact." He tells Robin as soon as the phone is back in the cradle.

"Or you could just ask Eddie."

"You could just ask Nancy." He raises an eyebrow.

She lets out a slow breath. "Yeah, okay. No-date pact. I'm down."

It's just as easy to get Nancy and Eddie on board. Nancy just laughs and says "yeah, like I'd bring a date to the party my ex-boyfriend is hosting with his new boyfriend. How you do you even start to explain that dynamic?"

And Eddie snorts right in Steve's face (it's not cute, it's not), says, "Right, cause my dating pool in Hawkins, Indiana is just ripe with guys who want to ring in the New Year with me."

Steve wants to say that he would be that guy, happily, giddily, but he can't risk blowing up his second most important friendship like that, not when Eddie's never given a fraction of a hint that he wants Steve too.

But that's his problem solved, right? The four of them aren't bringing dates. Easy-peasy.

Unfortunately, Steve's life hasn't ever worked out like that, and the party turns out to not be only their little end of the world crew and a handful of people Jon knows from his grocery store job, but an actual motherfucking party.

It takes almost ten minutes for him and Robin to navigate through the sea of strangers to find Jon and Argyle handing out solo cups in the kitchen.

"Who are all these people?" He shouts over the pounding music, nothing like Steve's ever heard.

"Argyle got a job at the record store down the street," Jon yells.

"Co-workers." Argyle nods. "And a few of their friends."

"A few, right."

"The more the merrier. Right, my dude?"

"Sure." Steve takes a cup. "You seen Eddie around?"

"Living room, last time I looked." Jonathan answers.

"See you around?" Robin asks.

"At least meet up for the ball drop," Argyle answers.

They push their way into the cramped living room, and Steve searches for that familiar cloud of hair, the ripped black jeans. It takes a minute just for the sheer amount of bodies pressed into the small space, and when he sees him Eddie's--

He's standing against a wall, next to the stereo (of course), but there's someone with him. Someone who is tall and leanly muscled in a way that Steve isn't. Someone with long hair pushed back from his forehead. Someone with facial piercings in places Steve didn't even know you could pierce and tattoos and a chain hanging from his worn blue jeans and a bandana in his back pocket, just like Eddie.

And Eddie he's--he's gazing up at this dude with clear stars in his brown doe eyes, body angling towards the other man like he can't help but push more into his orbit.

Steve turns hard, Robin colliding with his side. "Steve, what the--oh."

"I hate New Year's Eve," Steve sighs, trying to ignore the sick feeling in his stomach. It's always been the kind of holiday that is high on expectation and low on follow-through.

"C'mon, I think I spotted Nance over by the bedroom."

He lets Robin guide him across the room, steadfastly not looking back at where Eddie is very obviously finding himself a date. It's okay, Steve reasons. It's okay because that was obviously the kind of guy Eddie would be into it. He knew he had, like, no chance. He shouldn't be disappointed. He shouldn't.

The evening slips away in the shove of people, in the solo cup that manages to always be full in his hand, and he tries as hard as he can to ignore the way Robin and Nancy start sharing the same space.

So much for the no-date pact. He would laugh if a sort of deep loneliness wasn't seeping into his bones.

There's a girl, though, across the room. She's in a short dress and glances at Steve from under hooded eyelids. He could make a move; could have someone to kiss at midnight; have someone just for the night. But then--his heart makes a pathetic patter--Eddie.

Eddie who is practically in that stranger's lap.

He goes out for a cigarette.

When he comes back inside, it's five minutes til midnight and Nancy and Robin are dancing slow and sweet to a song that is neither.

He's happy for them, almost incandescent with it, but the loneliness sinks deeper, reaches marrow, especially after he fails to find Eddie in the crowd.

Steve thinks it might be time to give the whole failed endeavor up for good, but Jonathan and Argyle, both in tiny 1987 novelty top hats, appear at his side.

"Stevie-boy!" Argyle bellows. He lifts Steve at the waist, twirling him, and Steve laughs despite himself.

"Keeping busy?" He asks.

Jonathan pounds him on the back, just a little too hard.

A guest yells from deep in the apartment, "one minute to midnight!" and the music turns off, the TV tuned to Dick Clark and turned up.

Nancy and Robin find their way over, Robin mouthing "sorry," on her way. He pulls her into a side-hug; he'll never begrudge her any happiness, even on his worst day.

From across the room, there's a crash, a short yelp, and then a familiar head of fuzzy brown curls makes its way to them.

"Sorry, sorry." Eddie apologizes as he shoves through the other guests.

"Hi, guys!" He beams at them, cheeks flushed. Steve looks away so he doesn't have to think about how beautiful Eddie is; about how he's not the one who made him blush so pretty.

The countdown on the screen reaches 30 seconds, and the party goers start chanting.

"What happened to--?" Steve can't help but asking.

"Psh, that dude? He's a punk. Plus, I couldn't imagine ringing in 1987 without you guys by my side."

Steve blushes and rolls his eyes. "Sap." He knocks his hip into Eddie's.

"You love it," Eddie wraps him in a loose hold.

The count is down to 10, the ball almost dropped, Jonathan and Argyle and Nancy and Robin making soft eyes at each other.

"What's going on in that head of yours, sweetheart?" Eddie knocks his head gently against Steve's.

"It's nothing."

"You're pouting." Eddie mimics him with a poked out lip.

The count is down to 5.

"Fuck, I just--I wanted to have someone to kiss at midnight, you know?"

The ball drops, the year changes over, the room cheers. His coupled up friends cling to each other in soft, joyous kisses.

Eddie's eyes flick to their friends, to the guests, all kissing and embracing and celebrating, then back to Steve.

With two careful fingers, Eddie lifts Steve's chin, makes it so he can't look away.

"Fuck it," Eddie says. He leans forward, kisses Steve with soft authority.

And Steve just--he just fucking--crumbles into it. He makes a soft noise, curls his fists into Eddie's t-shirt.

Eddie's hands work their way into his hair, pulling him closer. Steve goes eagerly, crushes their bodies together.

They kiss and they kiss, and it's already so far from a friendly New Year's kiss, but then Eddie's tongue swipes into Steve's mouth, and the kiss breaks.

"Um," Eddie says.

Steve can't respond because all his focus is on not giving into the weakness in his knees and collapsing to the floor.

"I've wanted you to do that all night," Steve says.

"Oh." Eddie's face blossoms into a slow smile. "Me too. A lot longer than that, actually."

It's Steve's turn to smile, and he does, so hard it hurts his cheeks. "Me too."

Eddie presses their foreheads together. "Happy New Year, Stevie."

Someone starts singing Auld Lang Syne loudly and off-key, but they're quickly drowned out by a chorus of accompanying voices.

"Happy New Year, Ed."

Steve pulls him in for another kiss. 1987 is already shaping up to be the best year of his life.

[confessedlyfannish]

DP x DC Writing Prompt #9

"Are you sure about this?" J'onn asks, reading the discontent amongst the Kents. Clark and Lois each have a hand on their teenage son's shoulders, who several weeks prior was aged ten years old.

"We're sure," Clark says. He is not, nor is his wife. But his son is, who lays his hand on his mother's and squeezes. It is that surety that J'onn honors as he delves into the young (but not as young as he should be) man's mind.

The memories are hard to find but not gone, hidden behind what Jon can only see manifested as a glowing green wall. When he raises a tentative hand, the shield sparks green, but does no harm. Pushing through is like wading through the consistency of jello, which he finds an overall unpleasant experience. But he is unharmed as he passes through.

Before J'onn can sort through the memories he is all but sucked into the one at the forefront, where a Jon most similar in visage to the one recently returned perches on the edge of a building. Beside him lies a burger, partially unwrapped though uneaten, and a small soda.

As the memory builds out a sun sets on a small suburban town, and a muscled thigh knocks into Jon's, an older man with a shock of white hair and eyes the same light and color as the shield formed around these memories appearing. He's tall even sitting, likely about as tall as Superman, and looks to be in his thirties. A full body suit comprised of black and silver accents stretches across broad shoulders, a stylized D on his chest. He knocks his thigh into Jon's again.

"You said I couldn't go back," Jon says quietly.

"I lied," the man says lightly.

"You're lying now," Jon says, glaring at him. "I can hear your heart."

"Nice try, kiddo, I don't have a heart in this form," the man says, reaching a hand out, presumably to ruffle his hair. Jon dodges.

"I know you're lying. You would've told me. You would've helped me get home."

"Jon--"

"You're protecting Clockwork, aren't you?" Jon demands, eyes beginning to burn red. "That old coot decided it wasn't enough to play with you, he had to play with me too."

The man slaps a hand over Jon's eyes. "Breathe, like we practiced," he instructs firmly. Steam rises from where his palm meets Jon's eyes, but if it hurts he shows no indication. "In, 2, 3. Out, 2, 3."

Jon whimpers but heaves a breath, and the burst of red light dies down from between the man's fingers. His hand moves down to Jon's shoulder.

"I can't pretend to understand Clockwork's decisions," the man says, as tears begin to pool in Jon's eyes. "Frankly, I don't want to. I suspect they are hard decisions to make, sometimes."

"I don't get why you defend him," Jon says. "Dumbledore acting bastard."

"Language," the man says, lightly bopping him on the head. J'onn notes the boy actually winces, as if the blow hurts.

"I am upset with him, I hope you know that," the man continues. "But at the end of the day I'm also grateful. Because I got to meet you." He hooks an arm around Jon's shoulders, pulling him in. "And now you'll get to see your family again. And Sally, Arnold, and Damian!"

Jon sniffles, rubbing roughly at his face. He leans into the man's bicep. A trusted adult figure, then. One he's described his life to. A life, J'onn is sad to note, he appears to have lived for the past six years, as opposed to a sudden shift in appearance. Jon's next question all but confirm it: "Can I really go back? It's been so long. They'll be all grown up."

"Hey, of course you can," the man says, rubbing his shoulder. "I'm sure they've missed you so much. They'll be so happy to see you again."

Jon starts to smile. "I'm going home."

"You're going home!" The man laughs, shaking him.

"I can finally eat some decent barbecue again!"

"Hey!" the man protests, "The smoker blew up one time!"

Jon continues, beginning to get excited. "And Ma will make her jalapeño cornbread! I never could get it right, I can't wait for you to try it!"

J'onn notes the older man's smile fading, eyes growing sad.

"And Damian will definitely want to spar and oh, oh! With you on our side we can totally prank Batman! I bet Alfred will even help! And Mom gives the best hugs, Pops comes really close but Mom will be really excited to meet you, everyone will."

"Jon," The man says.

"I knew you'd be worried about it, but they'll want to meet you," Jon says, clocking his expression. "They'll be grateful. You, you helped me. You kept me safe and taught me how to be Superman. They'll love you, I promise."

"Jon, I can't go with you," the man says gently.

"I'm not saying you stay, but you can visit! I'm sure the Justice League can figure out a way to maintain a portal, they're super used to all that multiverse stuff. Once they have the coordinates, you can stop by whenever!"

"I can't go through the portal, Jon," the man says. "To other worlds, I'm a god. And gods can't interfere. The only reason I can continue to live here is because this is the world of my origin."

Jon gapes at him. "But--but,"

"You're going to see your Mom and Dad again," the man says. "And your brother, and grandparents."

"I can come here, then," Jon says desperately, pushing his way out of the man's arms. The man is already shaking his head. "I can!"

"You can't."

"Why, because Clockwork says so? He's a liar!"

"Because multiverse travel is never a good idea. If you got trapped here again--"

"I wouldn't,"

"You belong with your family,"

"You're my family!" Jon cries. The man freezes. "You, and Sam, and Jazz, and Tucker and Val and Ellie and Pops and Mads, you're all my family! I can't just leave you, I won't!"

"Oh kiddo," The man says, eyes wet. "I love you too. We all do."

"So I'll stay," Jon says decisively. "For all we know my world is a wasteland. Gramps wasn't exactly right in the head when I left. It's better to stay here."

J'onn notes a green vine unwinding from a nearby trellis. It slides down the eave towards the pair.

"You don't mean that," the man is saying.

"I'm sixteen. I can make my own decisions. I'm staying."

The man cups Jon's face. "Your parents did not have a choice in losing you. I'm willing to bet they're devastated. Because I'd be devastated, losing a kid as great as you."

"Maybe they're not even there," Jon says, but the words are half-hearted, and it clearly hurts him to say them.

"I know I seem like a pushover, but if I thought Clockwork was sending you back to anything less than your loving family, I'd destroy him first. And he knows that. They're going to be there, I promise."

"I don't want to go," Jon says. Behind him, the vine rises from the eave of its own will, poised like a cobra enchanted by a snark charmer.

"I know," the man says, eyes drifting to the vine. "I'm so sorry, Jon."

"For what?" Jon asks, as the vine attaches itself to the nape of his neck. His eyes roll back as he collapses into the man's arms. The man hugs him tighter than is strictly necessary.

J'onn expects the memory to now end, alongside Jon's consciousness. To his curiosity, it does not.

"For what it's worth," a young woman spits bitterly, vines supporting her weight as she slips over the side of the roof. "I still think this is horrible." Her eyes are red and miserable.

"Seriously, team punching Dumbledore in the face," A young black man says, appearing in the air supported by a woman almost identical in appearance to the man holding Jon, down to the suit colors. They land on the rooftop.

"Are you sure about this," the dark haired woman with powers over plants asks. "Because to be honest, Danny, I'm five seconds away from punching you in the face."

"Jazz won't speak to you for months," the girl, likely his sister, points out.

"Make it a year," the man says, crossing his arms.

The man, Danny, ignores them all. He cards a hand through Jon's hair. "He'll retain the experience, but not the memories?"

"Yes, he'll be a perfect little superhero, just as you taught him," the woman says, vines twisting agitatedly around her, wrapping around her thigh, wrists and neck almost punishingly.

"Sam," the man says. "He needs to go home. All of you know that."

"He doesn't have to forget us to do so!" the sister bursts, eyes flashing green.

"Remembering would be a torment," Danny says. "He'll know he was loved. That's enough."

"Danny," the plant woman says, sitting beside them both. She puts a gentle hand on his, both on Jon's back. "This is just a different torment."

"And if someone finds out?" Danny asks. He has been patient amidst their scorn, but now a tiny edge ekes into his voice. "A god's child, unprotected? Threatened? He would never stop looking for a way back, and being vocal about it could get him killed."

The others are silent.

"He'll be home. He'll be happy," Danny says. More powerful than a prayer. A directive. He raises his head past the child slumbering in his lap, past them all, face hardening, and says to J'onn: "And you will say nothing."

J'onn takes a step back, fear so thick he could choke on it flooding his very being. Thismanwillkillhim, thismanwillkillhim.

This man will reach through dimensions and kill him.

"Now, get the fuck out of my kid's head," Danny snarls. J'onn is pushed back with enough force he enters his own mind in a vicious whirl that leaves him physically on the floor, gasping.

"I'm sorry," he says as Superman rushes to lift him, and he's not sure who he's apologizing to. Green eyes will pierce his dreams. Vines will crush his throat in his nightmares, screaming silence, silence.

You will say nothing.

"I'm sorry," J'onn says, politely pushing Clark's hands away as he rises. He's already beginning to calm, because he understands. Those are consequences he will not face. He will do as directed. He looks at Jon Kent, bewildered but unharmed, clutching his mother's hand.

J'onn reaches down and dusts at his pants. "I'm sorry," he says evenly, ready to spin his tale. Perhaps the Kents will continue to seek their answers. Perhaps not. He will stay out of it either way. He has been warned.

You were loved by gods. And to keep you safe, they would quiet us all.

Part Two

[corkinavoid]

DPxDC Fae!Danny But Make It Fantasy

I've already made a whole Changeling AU with fae!Danny, but guess what, I have decided not to achieve any level of chill with fae ideas.

We all know Danny is Ghost Kind. Now, what if he is a Fae Prince? A Prince of Winter, to be exact. Imagine all the ice castles (Elsa, I'm looking at you), the snowy lands, northern lights in his crown, a cape made of tiny ornate snowflakes. Crystalline ice swords, skin so white he doesn't even look alive, eyes clear and blue like a frozen lake. Formal gowns, ballrooms, duels and carriages pulled by horses made of snowstorms.

He used to be a changeling, put in place of Dan. Grew up in a village with his parents being witch hunters, or maybe just hunters in general. Meanwhile Dan, a human child whose place he took, grew up in a fae realm, surrounded by magic creatures and miracles.

But Danny couldn't hide he was a fae his whole life. He used to look human when he was a baby, but as the time went by, he started to look more and more fae-like. Jazz was the first to notice it, of course, but this was Danny, a child she practically raised, so she dealt with it. Their parents, though, did not.

Sam and Tucker are in the know, for sure. Sam used this opportunity to learn witchcraft - who is better to learn from than an actual fae? Tucker is a blacksmith, as is his family. The first thing he asked Danny when he discovered he is a fae, was "how in the seven kingdoms are you a fae, and you decided a blacksmith is your best friend?" because, honestly, not even Fentons have so much iron around them as Tucker does.

Now, you may be thinking of where the DC part comes in here.

Well, the Waynes are actually the royal family. Bruce is the King of Gotham, and his children are princes, princesses, and heirs. They are also protecting the country not only by the word of the law, but also from the other, more shady side. I think they should go by Shadows, not Bats, though, since I doubt a name like 'Batman' would fly in the fantasy world.

Constantine is a mage, the strongest one alive, and yet he couldn't care less for his uniqueness if he tried for a week. Diana is the Queen of Themyskira, of course. I think Krypton should be its own country or a continent, ruled by the family of El. Although Jon is the first heir to a throne, due to Kon being, well, a bastard in terms of medieval customs.

After Danny's race is found out by his parents, he leaves for the fae realm, and he offers his friends and his sister to join him. Tucker refuses, Sam and Jazz take him up on that, but Sam leaves shortly after - she mostly used it to get away from her overbearing parents. She is now a witch who lives in the woods all alone, and no one can find her. She keeps contact with Danny, though. Jazz is traveling both the fae and the human realms, just having fun with it.

Jason is part-fae. After he died, a cult has abducted his body - the cult leader being Ra's, of course - and used it for an experiment. They used some fae magic to bring him back, or, maybe, they have tried to merge a fae and a human, creating a chimera. This was the first option of Ra's trying to get closer to Bruce in order to take power. It was not a very successful option since both Jason and whatever was left of the fae inside him decided not to obey the madman.

Damian was... slightly more successful. He was not merged with anything, but his development was magically enhanced.

And now, while Danny is back in the fae realm and he is a crowned Prince of Winter, Clockwork has a problem. He knows humans are afraid of fae, but this is not a very productive way to go. And there is a timeline somewhere there that can fix it.

Of course, Danny is right in the middle of that timeline. Now, Clockwork just needs to find a way to help Danny make an alliance with humans.

[somuchbetterthanthat]

The thing that appeals to me about Elias as a villain is that, if you're not on the way of his ambitions, you're fine. Sure, maybe he'll get a bit of a kick out of reminding you of that one time you embarassed yourself in front of a crowd, or something, or call you out on a white lie that nobody had ever noticed amidst a meeting just to catch you off guard, but otherwise? You're good! He'll be a bland, boring boss, seemingly not very keen to get involved in a mess even if he really should, and that's it.

The thing that appeals even MORE about Elias is that, IF you are linked in any way to his own ambitions, he might grow fond of you. Or, rather, the fact he might have to use you or hurt you, OR that you might hurt him does not change the potential for affection he might hold for you. He's a SENTIMENTAL man who, at the end of the day, is still incredibly selfish. He can both recognized he lived side by side with Gertrude for fifty years, and kill her in cold blood a moment later. He can end the world having used Peter, Martin and of course, Jon in a way that was incredibly personal and horrible AND actively wish/reassure that they might/will love it in this new world he's forcing upon them.

The definite thing that sells me on Jonelias, of course, is that for a villain that's so used to being passive, AND is known to be sentimental, there's no way in hell he doesn't love Jon by the end of the podcast. He's in too deep, investing years into ensuring and witnessing Jon's path to forced godhood. Besides which, by the end of it all, Jon could surpass all those he had loved before, by the mere fact he'll be Elias's perfect mirror and equal!!!

they share a DOMAIN. That's fucking love in the apocalypse, I'm pretty certain. Elias had carefully took the thread the web was offering him and was the one who wrapped them around his own wrist and then Jon's throat hand.

Anyway, I love him, and I love him being utterly enamoured with Jon, and I love him only losing Jon in canon because he waited too long, because he was being careful and patient and too passive again along the way waiting for their big happy ending together.

(and i love literally every and any story where Jon still loves him anyway, martin or not, apocalypse or not, etc.)

[potato-lord-but-not]

ok humor me here- chnt au where mostly everything is the same except it takes place in the magnus archives universe ?? and yk I’m open to community speculation and yall adding on to this because I need more opinions !!!! unhinged ramblings under read more :^)

ok ok so camp here & there is a site that’s run by The Spiral, everything outside of that is practically normal, but the camp makes everyone believe that the events that go on here are actually not that weird. It could also be a place where the bridge between the fear entities and earth is thin, so that’s why there’s a lot of activity from several different entities.

At least once a counselor mentioned “why do we keep working here every year?” And Soren was never actually fired, which just adds fuel to the fire tbh.

Most of the counselors there are just marked by the spiral, but others are marked by different entities. Some might not be full on avatars yet, but still posses supernatural qualities (like Oliver Banks until his death). Rowan is an Eye avatar, and although it’s made a point that the eye can’t really see the future, that just makes Rowan’s situation that much more worrying. Soren, ofc, is an avatar of The End. Self explanatory. Jedidiah mighhhttt be Web aligned, or even The Lonely (now that I think about it he most definitely is the lonely in someway) but I’m not entirely sure what to do with him yet. Adam is a Flesh avatar, and maybe one of the only ones who actually knows he’s an avatar (besides maybe Soren and Lucille). Elijah seems like an End avatar, with him being overly obsessed with making sure Sydney stays asleep for the greater good of humanity. His trying to sacrifice Sydney was an attempted End ritual, and would’ve most likely failed w/o intervention bc Sydney hasn’t been marked by all the fears yet.

Sydney is this au’s Jon, he’s being led into the position of the antichrist by Lucille, who is The spiral avatar. So far Sydney has been marked by the spiral (working at chnt), the end (Soren, the gravediggress, and the mold), the hunt (… the hunt), the flesh (Adam), the corruption (the hive incident), the eye (the bonfire, Rowan), the lonely or the web depending of which Jed aligns with more, andddd I’m sure others that are slipping my mind rn.

Jed (more than likely on accident) cemented Sydney as an Avatar after he killed and reanimated him, and Sydney is able to stay fit at the camp bc he feeds off the unhinged Spiral energy it creates. I also think Sydney was marked by The End at an early age, and that’s why he was chosen to be the sacrifice by Elijah (even if he doesn’t realize it) and why he’s very into death and decay.

The Magnus Institute DOES exist in this au, and they (Jon n the gang) find out about this camp due to a tired looking young man who convinced his slightly unhinged boyfriend to make a statement with him about the strange place they work at over the summer (ps Juniper is Very spiral aligned, more so than the rest of them, thinks that the camp is actually pretty normal and doesn’t know what Rowan is going on about, and seems to live in a place that Jon later finds out doesn’t exist at all)

ummmm I think that’s it for now, let me know if you have anything to add or silly thoughts about it ??

[fuckyeahgoodomens]

The Chic Magazine interview with the Good Omens cast and crew by Keeley Ryan, August 2023 :)

'It was wonderful to get the Good Omens family back together'

There were plenty of miracles, mysteries and mayhem when Good Omens returned to the small screen for a second season.

The PrimeVideo series, which was originally based on Terry Pratchett and Neil Gaiman's best-selling novel, is heading beyond the source material this season.

The six-part series highlights the ineffable friendship between Aziraphale, a fussy angel and rare-book dealer, and the fast-living demon Crowley.

And while the duo put a stop to the apocalypse last time, there are the sparks of a new mystery that will take viewers from before The Beginning, to biblical times to grave robbing in Victorian Edinburgh; the Blitz of 1940s England to the modern day.

The cast includes David Tennant and Michael Sheen as Crowley and Aziraphale, Jon Hamm, Maggie Service, Nina Sosanya, Miranda Richardson, Shelley Conn, and Derek Jacobi also star in the series.

And Michael Sheen told how the Good Omens "world has grown" with season two - and opened up about his first day back at Aziraphale's bookshop.

In an interview conducted before the SAG strike, he said, "It was lovely to be back in the bookshop after having seen it burnt down the ground.

"Clearly I had managed to save a few books! Actually, it was extraordinary - your brain does a double take - my desk, the cash machine, the record player - everything is all so familiar even though it is a totally different location.

But we have expanded - there is much more of the world of Soho here including Aziraphale's favourite the magic shop and my favourite the pub - our world has grown."

The actor also praised Neil Gaiman's writing, noting how there's "something about the way Neil sees the mundane that is extraordinary."

He said, "His writing has such a breadth of reference and yet is so accessible and entertaining even when taking on big epic or philosophical issues.

There's something about the way Neil sees the mundane that is extraordinary. When things filter through his imagination they emerge in an entirely unique way and yet it feels like it's always been there.

Add in the sprinkling of the imagination of Terry Pratchett and cocktail has been created - utterly familiar."

Producer Sarah-Kate Fenelon told Chic how the second season of Good Omens is "building on the universe" - and how they had been "sowing the seeds of a second season without anybody knowing" last season. "

She said, "I work with Neil Gaiman and know in part that Gabriel, who is played by Jon Hamm, his character is not in the book of Good Omens - but it was included in the first season. We were sowing the seed of a second season without anybody knowing.

"That character was written by Neil and Terry as a potential second book. They never got to write it, but now we're able to tell Gabriel's story. It's kind of a lovely evolution, where we're just expanding the universe.

"A lot of locations on the set are locations from season one. We've also been able to explore new shops, like we've got the record shop and we've got The Dirty Donkey pub, which we go into - it was in season one, but we never got to go into it.

"Season two is just building on the universe."

The Wicklow native added that it was "wonderful to get the Good Omens family back together" for a second season.

She said, "We were lucky that a lot of our crew and creative talent were able to come back for a second season. But also, we had our cast return. Miranda Richardson plays a totally different character this season and we have a new Beelzebub.

"And then obviously, we've got Maggie and Nina playing themselves, Maggie and Nina, as written by Neil. It was wonderful to get the Good Omens family back together again."

Noel Corbally, who works as an associate producer on the series, recalled how they marked a special anniversary of the first season's release while prepping for season two.

The Irishman said, "We went for dinner that night to relive the celebration, happy to be back again.

"Even now, it's been more than a year since we wrapped and to be able to come back into the studio that's just been frozen in time with everything wrapped up — we had a week to turn it back to life, have it be a live street again.

"It's been a week. But it's been amazing. We had our original lighting team come back, our original art department — and they've just done a fantastic job."

And while there are plenty of easter eggs for fans to spot throughout the six episodes, the pair shared their favourites.

Noel shared, "I think that my favourite easter egg is actually in the record shop. It's a song that we play in the background. It's so subtle, but it's from the musical Happy As A Sandbag.

"Maggie's character Maggie runs the record shop, which was owned by her grandfather in the story. But the musical, Happy As A Sandbag, Maggie Service the actress - her mother and father met on the musical and fell in love. Having that was an homage to them for bringing us Maggie."

Sarah-Kate said, "I quite like the easter eggs in the title sequence. If you look really closely, there is a Gabriel or Jim in every shot, which people tend not to notice. It's like Where's Wally?"

Rob Wilkins, who manages Terry Pratchett's estate and serves as narrative EP, told how he was "elated" for the second season to be out — and about moving beyond the book's source material.

He explained, "There were lots of nerves, because there is no source material. There's no book. I went through the whole of season one with the mantra that we've got a beginning, a middle and an end.

"And at the end of season one, which was the only season at the time, I felt very relaxed - we're all grounded through Terry and Neil's words, and that's fine. We know where we're going, we've got the novel to refer to.

"And so with season two, of course there's going to be nerves — there's no source material.

"But Neil is 50% of the creative team that brought you Good Omens, so in him we trust. And we genuinely do, from the bottom of my heart - of course we do.

"There's excitement about what Neil is going to bring from the page and from the page to the screen, but trepidation as well — I'm a fan as much as anybody else, I want to know where the stories are going."

Rob added that some of his own favourite easter eggs within the second season include a nod to Terry in The Dirty Donkey pub - as well as a special sight in the bookshop.

He said, "I love the fact that in the bookshop, Teny's hat and scarf are just hanging there. Terry, as a huge patron of bookshops around the world, he just left his hat and scarf in there and moved on one day and left them behind.

"That's a lovely one for me, as well - it means more to me, I think, than anything else."

Rob opened up about the success of the first season - and why it was something that he didn't necessarily expect.

He continued, "There's the Terry Pratchett fandom, there's the Neil Gaiman fandom and push them together and there's a big crossover. But what we created with season one, we created Good Omens fandom from the show.

"People came to Neil's work and Terry's work through the show. It created something entirely individual of its own making, and that freaked me out because I didn't see that one coming.

"I didn't see that as a thing. I thought the fans would be rooted in Terry or Neil. I didn't realise that the ineffable husbands in all of that - I love David and Michael, but I didn't realise the love people would have for them as our demon and our angel.

"I shouldn't be surprised. It's just my admiration for them as actors and for what they do, and for people getting it I think that that's the thing that's meant a lot to me, that people have understood what we tried to do."

Costume designer Kate Carin told how having the opportunity to join Good Omens' second season was a "gift" - and opened up about why it was impossible to pick a favourite scene.

She explained, "When you see the whole show - you think, when you're watching episode one, you're like, 'oh my god, that's the best'. But then you watch something in episode two and it's like, 'that's awesome!'

"I would say that I'm a disciple of the show now. I didn't know the book when I was approached about the job. I'd obviously heard of it, and I'd seen season one — as a punter, I watched it.

"To get the opportunity to come and work on season two, it's a gift for a costume designer.

"You do fantasy, you do period, you do contemporary and all of the wavy lines in- between - you're given a lot of rope to play with."

The character of Shax, played by Miranda Richardson, was a "really fun character to design for" - as Kate told how plenty of ideas jumped to mind after reading the description.

She said, "When Neil writes on the page that you have a 50s inspired female demon, that gives you a lot of scope to play with. "

And when I started drawing her, I actually had to stop myself because I kept coming up with ideas."

And with the series jampacked with magical moments and settings, set decorator Bronwyn Franklin told how there was one particular shop that has a "certain magic'!

She said, "I actually think the magic shop is my favourite shop. The bookshop used to be, but now that l've done it twice - it's still beautiful. It is Aziraphale's home. It feels more magical because Aziraphale lives there, and there's the whole angelic side.

"But this one, it really has a certain magic. From a set decorator's point of view, it's a joy. Will Godstone, he gets to sit there and he's got his little cash register and if he's got no customers, he can sit there and have a little cup of tea.

"You just have to feel that person, live that person and think that it's yours. I always come into a space like this and think, 'how would I like to be?' Because if it makes me happy, it'll make the cast member happy, it'll make the viewers happy."

Michael Ralph, who is the series' production designer, told how while it's impossible to pick a favourite set, the bookshop is "one that will resonate most'.'

Aziraphale's bookshop contains more than 7,000 real books and Michael noted that it was important for the setting to feel real, not just for the audiences at home but for the cast and crew.

He said, "There's not a fake book in here. Couldn't do that. In a way, if you look at any bookshelf - I spent almost a day just moving books around, to make the bookshelves look like they're real. They could be flat dressed, and then they're not real. But this is real, when they're just moved around a little bit; or people have pulled them out and put them in incorrectly.. .that's what's real about a bookshop."

[azzifudd]

we just sort of get each other

paige bueckers x azzi fudd

summary: insp by an article an anon sent me that said paige was with azzi the whole day before her senior prom

rated: teen

1.3k words

disclaimer: many made up events obviously

Paige sits on the couch, leg propped up on a pillow, hands fidgeting with her phone. She opens Tiktok for a moment, but closes it after a few quick swipes, jiggling her healthy leg as she waits for Azzi to emerge from her bedroom.

She had been in there about an hour earlier, watching as the makeup artist worked on Azzi’s face. In her opinion, Azzi didn’t even need all that, but she had been clearly enjoying the full day of pampering. 

But when the makeup artist had complained for the third time that Azzi would not stop laughing at Paige’s antics, Katie had sent Paige out and shut the door behind her. 

Jose and Jon are playing Mario Kart, pushing at each other as their characters race around the track. 

“You wanna play, Paige?” Jose holds out one of the spare controllers to her.

“Nah, man, I’m good.” She stands up, grabbing her crutches and limping into the kitchen to grab a drink. She’s walking back into the living room when Azzi’s door finally opens. 

Paige turns eagerly at the sound of heels on the wooden floor and drops her bottle of Gatorade at the sight that greets her. 

The bottle thunks heavily against the floor. 

Azzi smiles shyly at her, one dimple peeking out. 

“How do I look?” 

Azzi looks…

Paige has no words. Paige has a million words. She can’t seem to pick her jaw up from where it has hit the floor. 

Paige is nearly breathless as she runs her eyes up and down Azzi’s body. 

She’s wearing a floor length dress, a silver shimmery thing with pink and blue tones throughout it that bares the skin of her chest and arms. A slit runs up one leg, exposing what appears to be miles of tan skin and toned muscle. 

Paige clears her throat, hoping she isn’t blushing as hard as it seems as her cheeks heat up. 

“You look..” She hesitates, unsure if anything she says can even measure up to the emotions that swell in her chest as she looks at Azzi. 

She’s saved from speaking as Azzi’s parents round the corner. Tim has his phone in outstretched hand as he approaches.

“Baby, you look amazing!” He snaps a few photos as Azzi poses. 

Paige stands back and watches as Azzi’s parents direct her in an impromptu photoshoot. Soon her little brothers are roped in to take photos with her, and before she knows it, Tim is gesturing for Paige to stand beside Azzi. 

“Aw, no I don’t want my crummy outfit to make her look bad.” She’s in a wrinkled AZ35 t-shirt and a pair of Nike pants, boot heavy around her ankle. At least she brushed her hair earlier instead of just throwing it into a messy ponytail. 

“Paige, please?” Azzi holds out a hand. 

Paige is at her left side before she even realizes it, hand wrapping around her waist as Azzi leans into her. 

Soon, Azzi has to leave to go take photos with her date James at the National Mall. The family all load into the car, but Paige stays behind because it’s a little too much walking for her ankle. 

But before Azzi can head out, Paige grabs her hand, holding her back until they’re alone in the house. Paige leans her crutches against the wall, and grasps Azzi by the hips, pulling her until their foreheads touch. 

“I wish I was the one taking you.” Paige says, her voice a whisper against Azzi’s lips. For a moment, Paige wishes things were different, that she was just a normal girl who got to take the girl she liked to prom. 

But if she was just a normal girl, she never would have met Azzi, and that’s not a world that Paige can bear to imagine.

“You look beautiful.” 

Azzi’s responding kiss feels like a ‘thank you’ and an ‘I’m sorry' all at once. They are interrupted by a loud honk from outside and Jon’s voice yelling for Azzi to hurry up. Paige’s lips are sticky with gloss. 

“Have the best night,” Paige says, and then Azzi’s out the door. 

***

Azzi has a good night. She does. She spends the night dancing and talking with friends and just having a normal high school experience, something that has become more and more rare as her high school career has developed. The pandemic had ruined so much of what she had hoped would be a perfect senior year, so she is grateful that prom at least has gone off without a hitch.

But as the night wears on, she can’t help but think of what was missing. James is handsome and charming; a dream prom date for so many girls. But he isn’t who Azzi wants. She wants the annoying, sweet, beautiful girl who is waiting for her at home. 

Surprisingly, none of her friends question her when she tells them she will be heading straight home after the dance, rather than hitting up the after party that nearly everyone else is going to. 

When she gets home, she finds her family finishing up a movie in the living room. Strangely, Paige is nowhere to be found. 

“Did you have a good night, honey?” 

“Yeah, it was a lot of fun.” She doesn’t elaborate. “Where’s Paige? Did she go back to her dad’s?” 

Her mom looks unsurprised at her question, smiling as she tilts her head toward their basement door. “She’s downstairs, waiting for you. Don’t change out of your dress yet.”

Azzi is a bit confused, but she heads downstairs anyway. She takes her time going down the stairs in her heels, watching her feet, and as she hits the last step, she realizes there is soft music playing. She looks up and finds the room lit only by what seems like dozens of candles interspersed throughout the room.

All the furniture has been pushed to the edges of the room, and standing at the center of the room is Paige. She is wearing a button up that looks just a bit too tight around her shoulders and a pair of black pants. A baby blue tie is loose around her neck, and Azzi knows when she gets close enough that she’ll be able to see how it brings out the color in Paige’s eyes. 

“I know it’s not the same as if we’d gotten to go together, but I got us these. 

When she gets within arms reach, Azzi notices that Paige is holding a plastic box. She pops it open to reveal a beautiful corsage, pink and vibrant with a matching boutonniere. 

Azzi can’t stop herself from reaching out to hold Paige’s face in her hands and kissing her. Paige smiles against her lips.

“You like it?” She asks, laughing when Azzi nods and kisses her again.

With gentle hands, Paige slides the flower onto Azzi’s wrist and she stands still as Azzi returns the favor, pinning hers to her chest with shaky fingers. 

“Can I have this dance?” Paige loops her arms around Azzi’s waist, pulling her even closer.

“Will your ankle be okay?” Azzi asks, bringing her arms up around Paige’s shoulders. 

“Yeah,” Paige shrugs. “I asked during PT this morning, and they said swaying was okay.” 

“Then let’s sway.” Azzi giggles, pressing their foreheads together as they move gently to the music. 

“Did you have fun tonight?” 

“Mmhm.” Azzi nods. “I missed you though. I always miss you.” 

“Just a few more months and we’ll be together all the time.” 

“You won’t get tired of me?” Azzi scratches at the back of Paige’s neck, smiling as Paige’s eyes flutter and she leans into the touch. 

“Never.” Paige makes sure to look Azzi right in the eyes, her own piercing and honest. 

Azzi twists a hand into Paige’s tie, pulls her in, and kisses her and kisses her. 

[frankenstein-ate-my-left-shoe]

Pool Day | for @steddiemicrofic's April prompt

pairing: steddie (duh) | word count: 1,987 | rated: T | on AO3

“Thanks for having us, Steve Dear,” Mrs. Henderson greets, stepping through the front door after Dustin barrels in and handing him a huge covered bowl of potato salad.

Steve grins at her, taking the dish, “It’s no trouble at all Ms. H; thanks for bringing this, you know it’s my favorite.”

“Of course, hon!”

“Claudia!” Joyce calls from the living room, “Come help me settle this.”

“There’s nothing to settle!” Hop argues in return.

Steve snorts out a laugh, “Good luck, Ms. H.”

Claudia sighs, shakes her head, and heads into the fray.

Steve goes the opposite way, dropping the bowl off in the fridge with the other lunch cookout ingredients Wayne and Hopper will be starting in on in only a couple hours now, grabs a bottle of water for Robin, and follows Dustin’s route back outside to the patio.

It’s a clear, warm, sunny day in the late summer of ‘86. The whole ‘other dimension survivors’ party is in attendance at Steve’s place for the day; Hop, Joyce, Karen, Claudia now, and even Wayne are staying inside in the A/C, the kids are in the pool, and all but the one of the ‘older kids’ are lounging around on the Harringtons’ sun chairs.

Argyle in particular is soaking up the UV rays.

Jon is burning to a crisp under his and Nancy’s umbrella.

It’s Eddie, however, that’s been in the pool practically all morning, and is currently hyping himself up to do… something.. off Steve’s creaky, probably dry-rotted, diving board.

He does look good up there; drenched head to toe with his hair pushed back from his face like that. If he wasn’t covered in pool water, Steve would want to lick him.

…okay, he probably still would.

Robin elbows him as if she can read the thoughts straight from his brain.

”Shut up.” he grumbles out the corner of his mouth, sitting on his previously vacated chair beside her and passing over the water.

She just snorts at him in return, taking the bottle from him and going back to her book..

”Eddie, dude, it can’t be done.” Mike groans, “If I can’t do it, you can’t do it.”

”He’s got an 82 percent chance of landing flat on his stomach.” Erica states.

“It’s gotta be higher than that.” Max says, “I’d give it 93 percent.”

“Never.. tell me the odds.” Eddie declares from atop his perch. The board creaks when he shifts his weight.

His eyes keep darting from the end of the diving board to the clear, blue water beyond it, and back again.

Steve calls across the backyard, “What’s it he’s trying to do?”

“He says he can do two whole flips before he hits the water.” El says, piping up from where she is laying on a towel on the far side of the patio next to Max.

Steve grimaces, “Does he now?”

”…He’s gonna die.” Dustin says. “Again.”

Lucas is the one to go to bat for their DM, ”Give him a chance, dude, he says he’s done this before.”

“See, you say that, but we all know how uncoordinated he is. Can you bellyflop to death? ‘Cause that’s how he’s ‘bout to go.”

“Don’t fuck this up, Eds, I’m not CPR certified anymore.” Steve calls from his spot beside Robin who leans in immediately to whisper, “What are you doing? If he dies you can give him mouth-to-mouth!”

Steve blinks once at her, turning back to Eddie who’s still hyping himself up for his promised double-flip. “Never mind, I remembered it!”

Eddie breaks from his focus on the board in front of him to give Steve an exasperated, questioning look. Steve winks in return, making the sunburn on Eddie’s skin burn brighter.

He’ll get the hint(s, there’s been multiple) eventually… hopefully.

The advice starts coming from all sides; “C’mon, man just do it already!”

“Yeah, Are ya gonna go or what?”

“Let him work up to it!”

“You work up to it.”

“That’s it, you’re going down, Wheeler.”

“You’re never gonna go are you?” Max yells, ignoring the scuffle starting up between Will and Mike

“Do a run-up!” Dustin suggests, and Steve stops that one in its tracks.

“No! No running around the pool!”,

Nancy chimes in, not looking up from her magazine. “Just don’t die, Eddie.”

”And what, desert all you losers? What’d you even do without me?”

“He’s got a point,” Erica concedes, deadpan, “Who would we watch hurt themselves if you weren’t around.”

“Alright, alright, alright, shut up, I’m going.” Eddie says, waving his arms around, “In three…two…one!”

And he does. He goes for it, bounding off the end of the board, completing exactly one and a half turns, and landing stomach-first onto the surface of the water.

Sympathetic hisses of pain and grimacing ‘Oohs’ erupt around the pool as Eddie sinks into the water.

To his credit though, he manages to stand on his own soon afterwards.

Steve calls out to him, “You okay, Eds?”

“I think I’m gonna need that mouth-to-mouth, big guy.” Eddie groans, then flops face-first back into the water dramatically, much to the amusement of the gathered peanut gallery.

“What a doofus, why do I have a crush on him again?” Steve asks Robin in a low voice as he stands from his chair.

Robin sets her book down on her lap, counting out on her fingers without looking up at him: “Big hair, big eyes, big smile, bigger heart.”

“Ah, yep, that’ll do it.” he nods, then drops down off the edge of the pool into the water. “Alright, dumbass, that’s enough pool for you.”

He wades over to Eddie, still floating face-down on the surface of the water, and scoops him up in a bridal carry.

“Blegh…” He feigns death, letting his tongue loll out the side of his mouth. The backs of Eddie’s arms and the very ends of his hair trail along the rippling surface of the water when he lets his head and arms flop backward, bonelessly out of Steve’s hold.

Steve rolls his eyes and drops his arms just enough to submerge him again. His yelp of surprise is muffled when he goes under, much to the delight of the rest of the party.

But Steve gets his arms under him again quickly; Eddie scrambles for a hold around his neck while continuing to splutter, spitting out a mouthful of pool water and pushing the hair off his face to reveal his now-red face.

Steve smirks cheekily down at Eddie’s murderous glare, wrapping his arms tighter around the other man. He walks through the shallows back to the pool steps with Eddie still in his arms (“You bringing me to a chair, Stevie?”), climbs up the first one, then stops.

He looks down at a now confused Eddie (“What? What’s wrong?” he asks, looking around for something what it was that made Steve stop.), smirks mischievously, then, before he can parse out what’s about to happen, Steve twists around and tosses Eddie back into the water.

His flailing limbs just barely miss Mike’s head (Oops, sorry Mike,), the resulting splash hitting at least four of the five gremlins still in the water.

Grinning widely at the others’ laughs, Steve hurries up the stairs and around to the side of the pool closest to where Eddie fell, looking down at him over the edge as he re-emerges from the water, spluttering and coughing, and flips his bangs haphazardly up off his forehead.

“What happened, Eds? One minute you were safe in my arms, and the next, you were back in the water! It’s the strangest thing.” Steve can’t hold back his grin any more than he could his sarcasm, reveling in the murderous glare Eddie is giving him.

Eddie continues to glare, the other kids snickering off to start what sounded like a game of chicken.

“What’s wrong, Teddy, d’ya not like being thrown aroun–” Steve’s awareness of his surroundings kick in a fraction too late; the kids parting out of the way, the smirk that appears on Eddie’s lips a moment before disaster, the somehow still-cold hands that splay and push against the warm skin of his back, sending him toppling over the edge and into the water himself.

Resurfacing to resounding, howling laughter from all sides, Steve similarly flips his hair back and glares at his new nemesis, Robin, standing above him all smug.

“I… hate you.” he tells her, with no real heat behind it.

“Love you too dingus,” she waves and turns back to her chair.

“So whattya say pot, gonna join this kettle in solidarity against the hoard?”

As if he could ever say no to those eyes.

“Sure Eds, hop up.”

And of course, Eddie makes a big deal about it, “What?! Who says I can’t carry you on my shoulders, big boy?”

Steve shrugs, “Okay, squat down and I’ll climb up.”

To his credit, he actually does, letting Steve get situated (and panic silently about where Eddie's head is… 'Ridiculous.' he tells himself.) and standing up, his arms locked around Steve’s shins.

Steve holds his arms out to help keep his balance on Eddie’s shoulders, “Holy shit man, I didn’t think you had it in you!”

Eddie grits out a low “I don’t..” then pitches backwards, sending them both under the water.

Opening his eyes to the burning chlorine, Steve watches the blurry shapes of Eddie’s legs get their bearings on the pool floor once again.

As soon as his feet are settled on the floor, Steve swims forward and around Eddie’s now-kicking legs, the gangly appendages trying futilely to keep him away.

He’s almost out of breath so he clamps a hand on one of Eddie’s knees, using it as an anchor to get behind him and puts his head between the other man’s legs, sitting the backs of Eddie’s thighs squarely down on his shoulders.

He stands, his hair plastered flat to his forehead by the water, and by Eddie’s hands where they hold onto him for dear life.

“Oh shit, sorry,” Eddie says when Steve attempts to shake the hairs off his face, pushing the offending hairs out of his eyes and back up onto the top of head.

Steve tilts his head back as far as he can, looking up at the man on his shoulders.

Eddie’s head blocks out the sun, and it gives him a halo made of sunlight. “Thanks sweetheart.” Steve says, only to Eddie, then faces down the rest of the shitheads. “Alright shitheads, who’s up first?”

Steve and Eddie play against each of the others, some pairs taking longer, some only taking a single shove to get Eddie to topple down into the water.

And each time Steve scoops him back up, Eddie pushes the hairs off his face, scooches his bony butt around to get situated (seriously, how does he sit for any length of time on that thing?!), and gives Steve’s cheek a pat of encouragement before they face off against another round of kids.

Jon and Argyle go up against them once, and it’s the longest round of the afternoon.

Eventually though, about halfway through their chicken tournament, the ‘real’ adults file outside to the Harringtons’ patio table and start up the grill.

By time Jon finally dislodges Eddie from Steve’s shoulders, it’s time to eat.

Eddie’s the last one out of the water, and Steve savors every moment it takes him to trudge up the pool steps, winded, probably aching, but smiling wide, as gorgeous as ever.

“C’mon Stevie,” he huffs, “Let’s get some grub. I’m starving after beating all these twerps.”

“They kicked our asses, Eds.”

“Yeah, but it was fun though, right?” Eddie grins, walking ahead of him to grab, still soaking wet, a handful of (now also soaking wet) hamburger bun.

Steve smiles to himself, watching Dustin and Lucas gang up on him for adding chlorine to their food. “Yeah it was.”

i had to do the fake one too!!

[magnuspanoptes]

readings of the podcast which try to frame jon as having been tragically manipulated and forced through every decision by elias are of no interest to me. because it's not true, is it. when elias tells him in mag 92 "you always chose to see," he's being cruel, yes. victim blaming him, even. but to completely disregard it as an attempt at manipulation would be a mistake. much of the podcast is about exploiting people's trauma. as i've said before, jon's role as head archivist, back when it was still presented as a mundane office job to the audiences, and he hadn't developed any beholding powers yet, involved filing away statement givers' trauma without offering help of any kind. the institute subsists on this form of exploitation, in a literal sense obviously, because it's a temple to the eye. but even if you take that reveal away, it's also true in simply an administrative sense in season one. and jon used to ruthlessly dismiss every single statement giver with as much apathy as he could muster (while knowing that if a statement doesn't record digitally, then it's the truth), and note that faking skepticism was a form of coping mechanism for him, it was the choice between making statement givers feel small or making himself feel vulnerable—and is this not simply the bureaucratic version of what he does later as a supernatural avatar of the beholding, vampirically feeding on people's terror to stay alive or risk being consumed by the eye?

(Season 3) MAG 117 - "Testament" // (Season 4) MAG 142 - "Scrutiny"

of course, i'm not saying he bought it on himself, that he deserved to be put in an impossible situation later for being an arse in season one. jon too, has had his trauma exploited in the form of a guest for mr spider, an experience which eventually led him to the magnus institute where he would help fulfill the web's designs. so, in the grand scheme of things everyone was puppeteered by forces beyond their control, but would you excuse jonah for eveything he's ever done because of it? then why must jon be rendered completely non-agentic? yes, elias manipulated him, but he has never had to straight up coerce jon into anything. jon's just always done what's been expected of him. because they're alike. their shared desire for knowledge originates from fear. jon always chose to see because something had hurt him once and he needed answers, and we can assume jonah chose the beholding because it was the only entity which would expose him to information on all the other fears. knowledge is a means of survival for both of them, an inclination which later manifests literally as they become avatars who must subsist on terror. it all really comes down to letting yourself be exploited or exploiting someone else to escape that fate (you don't escape, not really, nobody does in the podcast), and jon did choose (with as much agency he could've possibly had in a story like this). the difference between them being that elias feels no remorse for his choice, but jon's character is defined by the enormous guilt he feels about the things he has done and what he must do to continue living, until he doesn't.