#when you don't know what will happen in the episode

[linya333]

okay i see things like this a lot and I always want to ask the authors: are you asking questions?

A simple authors note at the end of the chapter saying things like (a few examples of possibilities):

Please comment if you liked this!

I would love to hear what your favorite part was

I am crazy about character a please talk to me about them

That new episode was thrilling tell me what you thought in the comments

My favorite color is blue what's yours?

I think character b loves thing c, what do you think they like?

Tell me what you think will happen next chapter!

Please don't tell me anything you don't like, and don't ask me to update - it will happen when it happens. Hearing what you like best might help inspire me though

I have unfortunately seen authors that actively hate on readers for making predictions on their work. I have seen other authors encouraging readers to beg for updates and then those commenter's get yelled at for doing that by others because it's generally considered rude and ungrateful in Fandom. But those readers didn't know - they were new and had seen creators want that. Unfortunately the differences can be incredibly jarring until someone might not want to comment at all because what does this author want? They might just stick to heart emojis - but wait this other author is saying if your comment is only emoji don't bother to comment just leave a kudos. What is a reader/ commenter to do?

A quick cut and paste ending authors note with a few variations can encourage the type of engagement you want. It won't help those with no spoons to engage but those who simple don't know what to say might be brave enough to speak up if they know what kind of engagement is appreciated.

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[olderthannetfic]

Ok. Dumb question incoming, but I'd much have a 'conversation' than try to read fanlore or watch video essays or something because I want to hear individual people's contributions.

Why Star Trek?

Don't get me wrong - I like the franchise! I'm not super duper familiar with it, but I do enjoy the bits and pieces that I do know. But I am wondering why that in particular is hailed as the grandmother of all fandoms? Obviously people were fannish before Trek, but I don't think anyone can deny the impact that OG Trekkies had on fic, zines, and eventually on the internet.

I know that it's always been popular and well-liked, but it's not as if there was NO SUCH THING as popular culture/fan culture before that (I mean, come on, the term "parasocial" predates the first Star Trek episode by 10 years!) . Was it just a perfect mix of timing + popularity + etc? Is there something in particular about ST that "hit different" than other series at the time? Or is the fandom really really just that mighty and it's almost "luck" in a way? I guess I'm wondering what particular dominoes cascaded in a line in order for Star Trek to have the impact on fandom that it does today.

or am I wrong? were there just-as-big fandoms before and I simply overhype Trekkie power in my head / happen to see more talk of that than I do of other fandoms? It could definitely be a social circle bias thing.

Ugh. Asking OTNF why Star Trek is so important to fandom history feels very much like asking a Russian History major why War & Peace is so important to literature - hence why I warned you that it'd be a dumb question! But I am just so damn curious what sort of crack was in early ST fandom that made it SO widespread and SO strong.

Like, I guess the TLDR is: what was particularly 'different' about Star Trek, either as a fandom or as a franchise or both, that made it Theeeeee OG fandom, rather than something, like, i dunno, LOTR or the earliest versions of Marvel/DC comics or General Hospital or something else like that?

--

I await the hordes of angry Man from U.N.C.L.E. fans eager to prove that they were first.

And, no, it wasn't that popular. Hence the aggressive Save Our Show campaign and explosion of fan culture when it ended after three seasons.

Part of the answer to your question is that there were like three things on TV at the time. What big fandoms? 'Parasocial' was about non-subculture people feeling warmly towards news anchors or hosts of variety shows or something, wasn't it?

LOTR got rediscovered in the 60s or 70s from what I hear, but science fiction and fantasy books were for fringe weirdoes. SFF was not mainstream for the most part. There are a bunch of History of Book SF Fandom things on Youtube, and you should consult them on the complex role of LOTR in that space. LOTR wasn't a mainstream thing until there were live action movies a billion years later.

The key about Star Trek is that it was a hit with the pre-existing book SF crowd. They were an organized subculture. Some of their favorite writers wrote episodes. Other shit on TV was for people who did not form subcultures in that way. Other shit for SF fans had an audience 1/10,00th the size.

MFU was insanely popular. Illya Kuryakin was the heartthrob of a certain era of girl and inspired many a Russian major. (Seriously, there are soooo many Russia-boos of a certain age who probably still have a poster of him somewhere.) The actor set a record for fanmail. The show may have more influence on fandom history than we think now, but it also didn't rerun the way Trek did, at least in some eras, and it didn't have sequel series in a franchise. I'm always finding 2015 movie fans shocked that there's a still extant and semi-active fandom—or even shocked that the movie is based on something.

Starsky & Hutch was also hugely important and is the moment slash fandom and "Media Fandom" really split from book SF fandom. As Trek fans moved on to buddy cops, they were into a completely mainstream show but in a non-mainstream way. Trek was an awkward bedfellow at SF cons, but S&H just didn't fit at all.

Of course, while Trek is the grandma of AO3 type fandom, don't forget that a shitton of modern fans who are doing "research" just look at the same few sources. Enterprising Women is great and all, but even other fans of the same stuff are like "Oh, that was just X's friends. Where's [thing] and [thing] and [thing]?" Ditto Textual Poachers and the other scant early sources that people think have academic weight.

While Trek would still be central, the picture of what was going on in the late 60s-early 80s would look a bit different if you just found a bunch of 70-something nerds and asked them than if you regurgitate other people's research, you know?

If you want an idea of what else was going on in SF fandom back in the day, check out Galactic Journey, where they roleplay that it's 55 years ago and review SF things "as they come out".

If you want to understand MFU, here's a vid of Illya:

--

What say you, readers?

What have acafandom and fandom history and meta left out?

[jinwoosbabyboo]

Is This a Tragedy?

You're an actor and you finally got your big role in a hit TV show. Unfortunately your character only made it to Season 2 before they killed you off. This is how I imagine the lads men react to watching that scene [Requested by: Anon]

𝚉𝚊𝚢𝚗𝚎

calm cool and collected on the outside; whole time he's really having an internal breakdown

grips your hand a little tighter in his as the scene progresses

“are you dying? is this a tragedy?”

is very aware that it’s just a show, but can’t stop his heart from pounding at the thought of losing you

rubs his eyes to keep himself from tearing up

stares at you after the episode ends “What?” “The thought of losing you has always terrified me; watching you perform that scene does not help” “it’s my job Zayne besides im right here”

finds himself staring at you more often just trying to commit every feature of yours to memory

never willingly watches that episode again

skips over that part every time or just turns the show off “You still can’t watch it?” “No”

praises you for the phenomenal performance although he claims it was a little too realistic

𝚁𝚊𝚏𝚊𝚢𝚎𝚕

is great at slipping in and out of character so he was the one helping you with your acting skills

sits up straight when he realizes what's happening “is this the scene you've been keeping secret?”

falls out immediately in your lap

bawling his eyes out goes as far to curl up in your lap

would be so proud of not only you, but himself as well for helping you perfect your craft

“Do I get credit as the acting coach?” “Yes would you like a reward?” “You know I do”

Although he’s proud of you he can’t bring himself to watch the episode again also doesn't continue watching the show in general "they killed off my favorite character how can I continue watching it now?"

keeps pushing you to work on crying on command so if you need to cry for your next roll it’s even better

acted out the scene with you at home for fun once and had a mental breakdown

𝚇𝚊𝚟𝚒𝚎𝚛

Fell asleep in the middle of the show and missed it

“just watch it when you get a chance” “no replay it”

immediately turns the show off in the middle of the scene

“im not watching this” “Xav…” “No”

drills you with questions about why you didn’t tell him you were dying in that episode

“I can’t watch that don’t make me watch it” "You're being a little dramatic don't you think?"

pouts, pouts, and pouts some more

won’t watch it no matter how much you beg

although he never finished watching the whole scene he holds your hand tighter now these days

asks for a warning next time so he can prepare himself …… to fast forward

𝚂𝚢𝚕𝚞𝚜

watches quietly giving away nothing

“You even shed a few tears for your own scene?” teases you for crying at your own death scene “it looks different after the editing okay!”

won't admit it, but one time was enough

“it made you sad didn’t it?” “Well I don’t take pleasure in watching you die onscreen sweetie” “im alive though” “Let's keep it that way”

weasels his way out of watching the scene again

his voice slightly wavers whenever you bring it up

avoids eye contact when you tease him about it

held you tighter at night for at least a month

Bonus: the twins bawled their eyes out and tackled you to the ground with a bone crushing hug

[chaos-in-deepspace]

LADS Zayne: A Few More Minutes | SFW

I'd like to apologize if this isn't my best work. I debated not posting this because when I initially tried writing it, I was at work and I was overstimulated, so I don't know if it makes perfect sense. I tried tho, I really did.

Pairings: Zayne x Reader Warnings: Angst with Comfort, Nightmares Disclaimer: This is an original fan work for “Love and Deepspace”. Do not repost on other platforms or plagiarize. All characters shown in this fic is 18+.

Blog Information | Masterlist

Zayne

It had confused you at first, his hesitance at the start of your relationship. Before you two even began dating, he had been on edge with the thought of you sleeping under the same roof as him. It wasn’t until you had come into his office that one day that you found out why.

The nightmares.

He had been sleeping in his office, probably exhausted from work. It was a fitful sleep, and by the time you got over to him, he was in a full blown panic. You had woken him up, let him hold onto you, let him breathe and calm down.

Zayne initially never wanted you to see that, never wanted you to have to wake up in the middle of the night to his whimpers as the nightmares plagued his dreams almost every night. That was until you had insisted on staying the night with him, telling him it was okay.

He had woken up, as per usual, tears staining his cheeks and his heart hammering in his chest. It was different this time, though. He could feel your hand running through his hair, the scent of your shampoo pressed against his nose, and your soft voice whispering that he was alright.

His arms had instinctively wrapped tighter around you, not daring to let you go. You were the only thing grounding him as he buried his face into the crook of your neck.

You had never seen Zayne truly cry, the time when you saw his episode in his office he had managed to hold back. This time, however, in the comfort of his own bed in the middle of the night, with you wrapped up around him, he couldn’t help it.

He didn’t make much noise, but you could feel the wetness of his tears as it ran down your neck. Your hand never stopped playing with his locks, doing your best to comfort him. However long he’d need, you’d be happy to stay there for him.

You weren’t even sure how long you two had laid there with him in your arms, but you do recall how his body had slumped as he managed to calm down enough to fall back asleep, never uttering a word about what happened. Your eyes had grown heavy after that, seeing him now peaceful in your arms.

Then you woke up to the sound of birds outside, your alarm ringing on the bedside table as you groaned. Zayne was still in the same position he had fallen asleep in, slowly rousing from his own sleep.

“Zayne…?” You murmured, checking the time. You were used to him being the first one awake to get ready for work, but in your sleep addled brain you recalled he had the day off.

Zayne groaned against you; despite what everyone seemed to think, Zayne wasn’t a robot. He didn’t like mornings, especially early ones. He knew the importance of making the most of his day though, and making it to work on time, so he’d wake up before the sun even came out normally. So seeing him groggy like this was a treat, the stubborn side of him winning out as he didn’t want to start the day.

“Zayne, come on.” You murmured, “I gotta get ready for work.” As much as you didn’t want to work, you understood it was a necessary evil to pay your bills.

“No,” the word slipped out of Zayne’s mouth before he could even register it, his arms wrapping tighter around you, “Stay here.”

You felt like your heart was melting as you brushed his bangs out of his face, catching a glimpse of tired hazel eyes staring at you, “Are you suggesting I play hooky today?” You teased; the ever responsible Zayne was trying to convince you to call out of work.

“I can write you a doctor’s note…” he murmured, his head nuzzling into you, “Just gimme a few more minutes.”

“Are you sure it’ll only be a few?” You asked, knowing he was falling back asleep already. His nightmares always tended to leave him more exhausted when he woke up.

“Mhn…” he couldn’t even bother with a response as he closed his eyes.

“Fine, I’ll text Captain Jenna and tell her I caught a cold.” You said leaning over to grab your phone, but his grip on you tightened again, “Zayne, I need to at least tell her something.”

“Just a few more minutes.” He tried again.

“You got five minutes before I roll over to text her, then I swear we can relax for the rest of the morning in bed.” You settled on, your arm going to curl around him.

In the end, it was more than a few minutes as you both drifted off to sleep.

[thatsolacegirl]

Adding some more points:

She has a doctorate now (that too in Astrophysics, the subject she knew nothing about when she started her internship).

Darcy Lewis is extremely loyal to her friends (and she'll stay, no matter what).

In Thor 1, she could've left Jane & Erik alone after that freak accident in the storm but didn't. Even after the Destroyer episode happened, she chose to follow Jane to London in Thor 2. She could've left her anytime. She went to the mental institution where Erik was locked and retrieved him. Again, she could've left him at his worst but she didn't. She realized his actions were consequences of being mind controlled via sceptre and chose to bail him out.

In Thor 4 (I dislike the film but I loved Jane and Darcy's interaction), she's literally present for Jane's chemo.

Do you know how difficult it is to see a friendship like this esp. between women? And that too in the MCU?

Also, in WandaVision, she stayed behind to retrieve all the files which Hayward was hiding. She was literally gobbled up (sorry for using this term; I didn't know the better term) by the Hex. She was cuffed to the vehicle (I hate that SWORD agent) and left alone. Yet in her next act, when freed from mind control, she helped Vision.

She is extremely petty (in a good way).

Have you ever seen anybody being as petty in the MCU as Darcy was when she slammed into Hayward? That was some MVP-level shit and she's a queen to do it. (She had also called him out several times on his sus behaviour.)

Also, all the times when she complained about not getting paid as an intern. Haven't we all been there and done that? Relatibility=100%.

She is extremely observant & resourceful (& knows her shit very well).

Let's not forget that in Thor 1, it was Darcy who pointed out that Thor was in the middle of the Bifrost-generated storm when Jane and Erik were busy pondering over ERB (34:05). She also pointed out that 'a primitive culture like the Vikings might have worshipped (Asgardians) as deities' (1:01:13). That became one of the main arguments (along with Jane's constant nudging) that helped thaw Erik Selvig's scepticism towards Thor *might* being an alien and not making up a story.

Also, in WandaVision, she was the one who actually found the breakthrough: the anomaly.

She also found that Hayward was hiding something.

She has a mean punch.

(Don't worry, she punched that man because he cuffed her on the humvee and ran leaving her to be engulfed by the expanding hex.)

You can also watch this video for more Darcy awesomeness.

“i can’t get over ditching jane and darcy and sif and basically all the great mcu ladies”

no offense but tell me five things about darcy that aren’t ripped from someone’s self-insert fic

[xaverie]

So. I love Evan Kelmp. And - imagine that I'm trying to choose my words carefully here.

I've been getting annoyed with him over the last three episodes. Because. I don't like how he tends to impose his beliefs. About what is correct and should happen. On the other characters. And our Black characters, specifically. Which. Was really put on clear display by his interaction with The Qohlye.

Evan seeks to be understood. But I don't think he has.. put in the required effort to reach that same level of understanding with his friends, or in general. Perhaps because they haven't said things in the exact way that he needs to hear them. But he behaves as though he does understand, even though I personally think. That there are things he's missing.

The treehouse conversation. Lots of people seem to get and relate to Evan's side of the convo, which is fantastic! But not as deep an understanding of Jammer's side. Evan decides that the correct thing is for Jammer to come out not hide his magical experiences. He jumps to a few conclusions about the reason - first that maybe Jammer was ashamed, then that he wasn't confident it would go well.

Instead of asking for clarification about what "They need me to be Whitney, you guys need me to be Jammer" means, he had made up his mind. Evan likes that Jammer is magic because that is the way in which Evan feels most connected to Jammer, thus everyone should admire Jammer for his magical abilities the way Evan does. And if Jammer hasn't allowed for that it's some kind of rebuke of Evan, of magic, and of Jammer's own self. Therefore the only correct thing is to merge these identities, but really just be the Jammer that Evan knows.

And I'm not saying Evan is wrong here. But in the same way he's missing the fact that Jammer did try to expose his magic in S2E1, but he couldn't prove it because magic is fucking broken. He's also missing how naturally we, as Black people, fall into code switching. Not just historically as a method of survival, but for practical reasons, privacy reasons, or just to keep our peace. To treat that unilaterally as the same thing as a kind of toxic compartmentalization, or hiding the true self (all of them are true selves), was. Kinda. Sad to me.

Not to take away from Jammer's triumphant success on Galamanis or the freedom represented by growing wings, because this is what he chose and I love that he made those choices. But it also represents potentially giving up fitting into his mundane life and dream career, something he had fought so so hard to keep thus far, and destroying 'Whitney'. This, more than anything before it, might be a fundamental shift in identity.

The same way it made me a little bit sad that Evan had assumed Jammer didn't mean "family" literally, when I immediately recognized that of course he did. There has never been a point in American history where part of being Black and being family hasn't meant - we may have to be apart, but as soon I'm ready (as soon as we're safe), I'm coming back for you, no matter what. It is THE very first promise, the foundational truth, or the only thread of hope that tied so many Black families together through all these generations.

So while everyone recognizes what a sweet moment it was, I also hope people feel the gravity and the history behind "I dream of making that space for you." And the weight of how many people must have said that before him. And what a profound act of love it's always been because sometimes that's all we have.

When Evan tells Sam, "I think you are the most powerful wizard," she instantly replies, "I hope not." Evan's response to this was essentially - who were are is true whether we want it to be or not. Which, to be fair, is both consistent with what he expressed to Jammer and with his own experience. What it leaves out is that our hopes are also who we are. And that maybe the same way he mistook her love toward him for general gregariousness, he is still misunderstanding her a little.

While he deferred to Sam on the matter of whether they should pursue the Qohlye or not, I think it was still Evan's (or Brennan's) idea that not only must all four of them be chosen, but that The Qohlye must be the best choice for Sam.

When the Qohlye says 'I think you're only here because you're convinced you need to be the same as your friends,' is he wrong? When he asks why she needs to be chosen by his magic specifically, she can't answer on her own. When Sam was given the choice between Power and Understanding she immediately chose understanding because of COURSE she did. (She instantly replies, "I hope not." I hope not. My heart breaks.)

And yet. Evan insists that she's given the power anyway. Because that's what fits neatly into what he already believes is correct and should happen. He believes in winning and rewards. He believes she deserves that power and that they need it. So even though I know he does this out of love, he doesn't even consider for a moment that he might be wrong.

Because Sam does get the power, she does thank him, and again not to diminish Sam's accomplishment - once again Evan gets what he wants and is proven right.

Except.

When The Qohlye doesn't give him the answers he wants in the exact form that he demands them. Evan decides that this is a crime for which The Qohlye deserves to die. The Qohlye, who helped return him to life. Who has a strong connection to his friends. (Who chose to be Black, which meant so much to Jammer that he cried.) Who asked each of his friends, in turn, if they thought The Qohlye meant what Evan thought he meant. Who demonstrated that he is not (and cannot be) obfuscating something that is apparently obvious to everyone else.

Evan refuses to accept that yes, The Qohlye can give him information, but cannot understand it for him. And Evan is not ready to Understand because Evan keeps choosing Power. Understanding takes work, even (or especially) when it doesn't come naturally to you. And answers will not always come in a clear and concise way. And this makes him so angry that he wants The Qohlye dead.

While Evan always presents his beliefs and demands as logical and rational, his reaction to The Qohlye's refusal to engage on his terms was simply entitled and immature.

[soft-pine]

1.18 something wicked

say your desk is covered with a pile of paperclips. something wicked is the magnet you drop in the middle and then they all stick to it; they're all connected.

it's all here. the parentification, the neglect, the way john treats dean which sam doesn't witness, the extreme likelihood that john was using his kids as bait, and the intentional, specific, glorious, lovely ways dean has specifically chosen not to be like his dad.

in the flashbacks, we see dean is in charge of feeding and looking after sam for (at least) three days in some random motel room with the shades drawn. he's not even supposed to go outside. he doesn't have a number for john, just the instruction that if john's not back by a certain time, he's supposed to call pastor jim.

we see john giving dean instructions and responsibility (and criticisms) which he's not giving to sam.

dean is at most 11 years old (ep takes place in 2006. dean says the case from when he was a kid was 16-17 years ago (1989/1990). john's journal places it in 1988; dean was 9)

crucially, even as an adult, dean barely talks to sam about what he remembers of the case when he was a kid. he lets go of little bits at a time and absolutely necessary to the case. but he does not want to process what happened. even when he's so torn up that he breaks down and explains what happened, he doesn't want to talk about it. in part, of course, because he's ashamed of failing to kill the shtriga. but also because dean keeps john's secrets (9.07). and even when he doesn't, sam is not who he tends to process with.

but it's deeply impactful to have an episode where we get to see how dean was treated as a child versus how he treats the kids he meets.

dean is so kind to children throughout season 1, from lucas in 1.03 to lily and charlie in 1.05 to michael here. there is something so great about the way he is both clear that the bad things aren't these kid's fault, while also understanding kids have agency and insight.

i know dean is torn up about using michael as bait for the shtriga but feels he doesn't have much of a choice in order to stop the thing. but the conversation he has with michael is so thorough it really gets me.

DEAN: This camera has night vision on it so we'll be able to see clear as day.... Are we good? SAM: A hair to the right... There, there. MICHAEL: What do I do? DEAN: Just stay under the covers. MICHAEL: And if it shows up? DEAN: We'll be right in the next room. We're gonna come in with guns. So, as soon as we do you roll off this bed and you crawl under it. MICHAEL: What if you shoot me? DEAN: We won't shoot you. We're good shots. We're not going to fire until you're clear ok? Have you heard a gunshot before? MICHAEL: Like in the movies? DEAN: It's gonna be a lot louder than in the movies. So I want you to stay under the bed, cover your ears, do not come out until we say so. You understand? DEAN: Michael, you sure you wanna do this? DEAN: You don't have to, it's ok, I won't be mad. MICHAEL: No I'm ok. Just don't shoot me. DEAN: We're not going to let anything happen to you. I promise.

what a specific contrast that is with

DEAN hesitates, terrified. As he does JOHN bursts through the front door, gun raised. JOHN: (Shouting) Get out of the way! DEAN ducks and JOHN shoots the shtriga multiple times with his hand gun.

something wicked is up there with monster at the end of the book for episode titles that'll make you crazy if you think about it too much.

some other thoughts are just, the first time i watched this scene i thought i was going to explode with love:

DEAN: Yeah well, first of all, I'm not going to open fire in a freakin' pediatrics ward.... Second, wouldn't have done any good, because the bastard's bullet proof unless he's chowing down on something. And third, I wasn't packing, which is probably a really good thing cause I probably would have just burned a clip in him on principle alone.

moral compass boy i would die for you a thousand times and get up and gladly do it again.

and nothing - i mean nothing - hits like dean's voice cracking over the "if it means anything sometimes i do too." like i could actually go insane.

also watching supernatural is how you fill up a computer disc with pictures of dean looking ever so beautiful. like. look at him!! ethereal!!

also also ilu microaggression michael. they should have brought you back in the finale, king.

[raayllum]

Trailer Breakdown time

Important notice: There will be spoilers from 7x01 mentioned as well from NYCC as well as screencaps that were previously released. Read ahead at your own risk!

So what a trailer am I right?

For this meta I'm gonna divide into sections in terms of episode order (largely 7x01, 7x02, and speculation to the mid season point) and then also talk about voice overs / clip placement from previous seasons when I think it's relevant. Let's go!

What we know

These shots of Callum and then Ezran and co. touching down in Katolis, as well as the vision Ezran has of his parents (which the fact he's seeing like that rather than how they actually were, sitting on the thrones side by side, is life ruining let me tell you) are all from 7x01, "Death Alive".

We know thanks to 7x01 that Runaan is arrested and everyone goes to the Banther Lodge to set up a temporary camp / plan their next moves, hence a makeshift council meeting (which Ezran having the throne brought with him... baby boy really isn't doing well). So it seems the following screencaps are all from 7x02.

We can also place this Callum and Rayla handhold at the Banther Lodge by the bridge outside.

They are probably (for whatever reason) conspiring/deciding to free Runaan and leave, leading to this scene with matching sky / colours - Soren and Rayla squaring off before Ezran arrives with more guards.

He might let them go or try to hold on, but they successfully flee / get away. I could also see Rayla and/or Runaan stepping in like "I'll stay behind, you go to the Silvergrove" (and if Rayla offers, that might melt Ezran enough to let them leave). Either way, I think Ezran's conversation with Aanya on the Banther Lodge bridge will either influence the choice(s) he makes here if it's before, or reference this crossroads if it comes after before we leave the Banther Lodge for the season.

We also know from 7x01 that Aaravos wants a Moon primal stone and to likely corrupt the Moon Nexus in order to invert life and death, destroy the Cosmic Order, and bring about eternal night. It seems likely Claudia and human Aaravos will achieve these aims by the mid-season point-ish. After 7x01 they have to go to the Puzzle House to get the map to the Garden of Innocence with unicorns, and they will likely require Terry's Pure Heart (my interview with Aaron Ehasz) to read the map to get them there. If 7x02 is "pure heart" that could be a nice parallel between Callum-Rayla and Terry-Claudia about a willingness (or lack of) to help and why.

From there, it's all speculation, so let's get into it.

What we can speculate

So first things first, we get Claudia and Human Aaravos at the Moon Nexus doing the Nexus inversion, presumably, and bringing people / creatures back from the dead. One looks rather like Ziard and brings up a staff, which Aaravos takes.

We also know this is earlier on in the season because Claudia's har is more white. During the spell, we also see Soren, Terry, Allen, and what seems to be Aanya holding a dead / unconcious Lujanne on the ground. It seems both Soren and Terry are running to stop her, though I don't know what Allen is doing (maybe holding back Ezran for some reason, if Ez is there).

Then we have more of the dead coming out, including a dragon that almost squashes Soren but does not have a rider, so it's not the same (assumedly) as before.

Later on, we see more creatures crawling out of the water at what seems to be the Nexus, since it's bordered by the same walls as the lake.

We also see Aanya and Ezran surrounded by the dead at the Valley of Graves (hi Sol Regem skeleton), but the moon doesn't look as... corrupted / taken as it does at the Nexus shot, so this could be happening in the early stages of the spell. Then Ezran could send Soren, who gets there too late, and who knows how fast Aaravos can travel on his own.

There seems to be some kind of confrontation between Ez, Aanya (hi exploding fire arrows), and Aaravos at the Valley of the Graves either way.

Since like I said the Moon isn't in the right spot, I'd wager the Ez-Aanya fight here is from 7x03 or 7x04, with the Moon Nexus inversion in 7x04 or 7x05. In the same timeframe, Rayla (and Runaan + Callum?) is going back to the Silvergrove and being put on trial.

The little tiny mushrooms here and in the section with her and one of the fallen assassins makes me think that rather than just standing around and talking, there could be an underwater dream-like portion to the trial as well. Something like "You touch the assassin and get blood on your hands (literally)" because they love their on-the-nose symbolism.

So I don't think the screenshots here are Rayla getting injured... Yet.

Now onto the harder to speculate sections, or what I like to call

What the Fuck is Going On

It seems, since Callum and Ezran learn that, "Aaravos is back. He wants to bring about eternal night. He's unleashed the spirits of the dead" (Callum) that the kids regroup and plan for what to do next. This could be 7x05 or 7x06. The trio (broyals / Rayla and Ezran) reconcile maybe from the Runaan fall out, with Ezran asserting that, "We have to be ready. We have to build our defences." (This could also be where Callum's line as a "the three of us have been through a lot together. We'll get through this, too" comes in as a parting goodbye before the group splits, as well as Callum's heroic rallying speech that is very reminiscent of 3x08: "There is a way out of this. With good people doing courageous things. Doing what's right!").

This "building our defences" could mean that the trio splits up to go get allies from prior seasons, like Rex Igneous (Ezran and co. shot) and Akiyu. They could also be fetching sun crystals for Aanya's arrows.

We see Callum defending an unconscious Akiyu (by the water) and Runaan (just under his tunic flare). His ice spell seemingly responds to Claudia's fire spell, and she has more white hair and is standing likewise near water. So it seems we'll get a Callum Claudia duel face off sometime in the mid to late season!

It also seems that Claudia's Laurelion dragon-scale necklace is just a dragon-scale, but gives her the super armour / fire power-up.

At some point we also meet up with the Sunfire elves, not just at their ruins / make-shift camp, but at the Sunforge palace itself, since Khessa's throne is in the background in these shots with Rayla. The purple background and Phyrrah also indicates that Soren and Corvus are in the same area.

Presumably, they've gathered all their allies (end of 7x08?) and are preparing for their final attempt to defeat Aaravos (and free Callum?). And Callum is going to get possessed, so when do we think it's happening?

Well, if the gang is travelling to get allies, Callum (and Rayla - and maybe Ezran or others?) have gone to get Zubeia perhaps from the mushroom mage. While there, shit goes down, and we get this shot of Callum (presumably from 7x06-7x07):

While the cube is angled the way it was in Callum's dark magic dreams, I don't think this is a dream. The background doesn't match up with previous, we've never seen this form of corrupted face for him with his eyes not black, and he has a white streak, which was never present when dreaming of himself as Aaravos' puppet last season.

I also don't think Callum is going to do dark magic to coin Aaravos (at least not for the initial corruption). Not only is it a little wonky pacing wise, it's a bit too clean, as it takes away the #1 threat Callum is scared of when it comes to doing dark magic. While he of course doesn't want to be corrupted at all, it was primarily the fact the corruption would make him Aaravos' puppet that scared him. It's also a bit too thematically contradictory for Aaravos to be successfully defeated in a 'bad way' rather than in a good way (teamwork, etc) nor does it work with the 6x03 set up for him and Rayla, but that's just me.

That all said, the fact that the trailer highlights his parallels to Viren and Claudia not just once, but twice (god bless that "however dangerous, however vile" and another "I would do anything for you") and through Kosmo's 6x06 voice over ("If you ever do dark magic again, the darkness and corruption will overwhelm you") makes it pretty clear that even if it hasn't happened here, it will happen in the season eventually. I don't think i have much to say on this plot beat / characterization that I haven't been saying for, well, the past 4 years, cause if you know, you know! (And I'll probably do a post just screaming about this + the cube later anyway.)

We also have some misc screencaps that could go about anywhere (Terry running, him + Aaravos and Claudia in the woods with the flying primal stone? Seeker or guider?) even if I do think they continually point towards Terry defecting this season.

Conclusion

If I missed any screencaps or you have any questions feel free to send them my way in my askbox! What do you think is going to happen and what are you most excited for this season?

[bigmouthlass]

So, thoughts.

For the most part I agree. One of the major strengths of this series is a clear portrayal of how dysfunction is never simple or straightforward, that the people who love you with every cell in their bodies can still de-prioritze you and hurt you.

I don't agree that the shift in the guys' attitudes in the final seasons was handwaving though. Not completely.

Memories are not fixed in the mind; they take on new tones as we age and our perspective deepens. I can grasp how Dean could say, "Dad was always there for us," and mean it, even though he knows, and Sam knows, and we know, that it is objectively not true. In the context of the events happening at that time -- Henry Winchester's just crash-landed into their lives, and 'at least Dad didn't just up and vanish on us, he always came back no matter what,' would be the thought in Dean's mind at the time. As time goes on and the boys get a better grasp of the war their father was really fighting, that they found it in themselves to let some of John's abuse go is realistic and in character to me. And that their brains retcon the reality of what they went through is also realistic and in character.

To a point.

Lebanon is one of my least favorite episodes in the series, because that episode is minimizing and ignoring some unpleasant truths. At the very least, John and Mary were owed a long and difficult conversation. Mary lying about being a Hunter and still putting herself at risk even after she got married and Dean was born. John keeping the boys within his orbit when they were way too young to properly defend themselves, conscripting Dean to be his co-parent, refusing support from other adults even though he and the boys desperately needed it. That's not the guys doing their best to deal with the complicated reality of who their father was-- that's John and Mary, as themselves, needing to reconcile who they thought each other was and who they really were.

True to their longstanding bad habit, the writers just kind of . . . chickened out of dealing with John and Mary reuniting. It makes the whole episode ring false, especially so considering how sure-handed the story was in dealing with John as a loving but inadequate parent.

You know I love to drag Kripke as much as the next person, but one thing his era did very well was consistently characterizing John Winchester as a terrible father and Sam and Dean's upbringing as abuse.

Seasons 1-5 were not wishy-washy about what kind of father John was. He left his kids alone all the time. He put the care of Sam on Dean's shoulders almost immediately. He used Sam as bait for a Shtriga and let Dean carry the guilt of it for nearly 20 years. He spent his sons' college fund on ammo.

He disowned Sam for wanting to go to college. He drank a lot and disappeared for days at a time. He withheld affection from Dean to the point Dean found his father expressing pride in him anomalous enough to pull a gun on him. He considered his revenge more important than his children's lives or well-being.

He had strained relationships with nearly everyone he knew. He snuck off to take his secret third son to baseball games, leaving his other two sons alone or maybe with a friend. He normalized violence for his sons completely. He is heavily implied to have beaten Dean, who shielded Sam from the same treatment.

He failed to show up when Dean called him, crying and afraid. He failed to show up when Sam called him to say Dean was dying. He ordered Sam and Dean around like soldiers, and Dean visibly shut down around him. He broke promises to his sons. He left them alone with loaded weapons.

All of that and more is established and reiterated throughout Kripke's era. Dean basically calls him a deadbeat dad at one point. Bobby calls him a coward in season 4. Dean calls him an obsessed bastard in season 3. His absence in season 1 (and for periods throughout Dean's childhood) is paralleled to Anna's loss of faith due to God's absence in season 4 and Castiel's fruitless search for God in season 5.

Mary is horrified at the way her children were raised. John himself drags Sam and Dean's upbringing and their father, not realizing he's talking about his own actions. We even find out eventually that Mary's death didn't start the problems, only made them worse. John and Mary were fighting and he left just after Sam was born, leaving Dean trying to comfort his mom at four years old.

He's written at every turn as a man who abdicated his responsibility as a father and abused and traumatized his sons. And to an astute viewer, Sam and Dean's complex feelings about their father, their attempts to justify their upbringing, never read as a refutation of that characterization. If anything, they serve to reinforce it.

Hell, their changing perceptions of that upbringing even mirror their character arcs somewhat: as Dean grows more and more tired and disillusioned with hunting, he grows less willing to justify John's behavior. Whereas Sam, as he grows more enmeshed in hunting and the supernatural, becomes more and more willing to minimize John's abuse and sympathize with him.

It's horrible and sad and beautifully done, like the people writing it really fucking understood how abuse affects people and how Sam and Dean's violent lives and relationships to masculinity are related to the way they grew up and the lessons they learned from their father.

Like we're not supposed to valorize John or romanticize him or believe he did his best; we're literally watching the wreckage he left in his wake unfold tragically in his sons' lives.

And the show keeps that energy through Gamble's era too. It's not until Carver and Dabb's eras that there's this weird back-and-forth retconning of John's character, like they wanted to write Sam and Dean moving past their trauma but this time, the writers didn't understand the material they were working with. Like they didn't know how to let Sam and Dean heal without handwaving the trauma itself.

[dykedvonte]

One of my mutuals opinions is the "bro code" thing, that Curly is one of those guys who wouldn't care about the victim because the perpetrator is his friend and I'm really banging my head on the wall like that other anon. I've only played through the game once but Curly's behaviour/reactions etc read completely different from the "bro code" thing and I have to wonder if my mutual and I even played the same game.. like the constant digs at him from Jimmy, his body language in his face reveal and so on like you mentioned in your post. While this game is a little different obviously, it kind of reminded of a point in Alice Madness Returns that makes it very clear that Alice's pain blinded her to the abuse of the other children and her failure to act earlier because of it. Curly is guilty of a similar inaction but it doesn't change the fact he was a victim of Jimmy too. I don't think I can look at it any other way because both of these games have really stuck with me.

I genuinely think it really is the idea that people want a simple easy to blame problem and the idea that the only relatable victims of abuse are those that "surpass" it or do a lot to help others. When it comes to victims, especially those that don't fit the typical demographics, who either accidently perpetuate it, enable it or aren't ideal in some way shape or form, people jump to ignore what they went through as it's easier than dealing with those conflicting sentiments.

The bro-code conversation in Mouthwashing stems from a concept I generally dislike that there had to be something about Curly that made him meet or keep being friends with someone like Jimmy. I think people genuinely underestimate how many like decent and good people just know an asshole or are friends with someone who is really bad outside of their view/established dynamics. The game makes it clear none of the inaction against Jimmy is because of a lack of care, it is a lack of understanding from the privaleged postions they have as men to not have to worry about what Anya does/went through and the type of extremes men like Jimmy will go through to cover it up. They are all too preoccupied in their own strifes.

Another thing I see being oversaturated the idea that you have to be a freak, misanthrope or have a disorder to do the thing Jimmy does. The game is an escalation, it's a spiral that I don't see people comment on that Jimmy was not likely having the mood swings and episodes of rage/frustration we were seeing in the game. This is after they all start experiencing the worst moments in their lives that he got THAT openly bad. Of course, this is just my interpretation but much like in real life, people that go to extremes like that usually live mundane lives. It's a pressure cooker affect to where the stress made them pop. It's self inflicted but still the case.

I really think people need to be more willing to acknowledge that not everything needs to be an extreme or in black and white or easy to understand. It doesn't need to be happy or have an answer or solution, especially in the cases where the abused sadly helps perpetuate what they experience. It's not he should've known better from experience or shouldn't he have known what could've happened because victims tend to not like to think in matters of the worst. Not to mention, especially in cases of abuse where it feels so personally directed that you don't expect to happen to someone else.

[raven-at-the-writing-desk]

I interpreted the "adaptation from the manga" thing to imply that they'll animate the 3 Yuus (like you said) but my partner proposed smth to me that raised my concerns... what if they only animate Yuuka? or like- default to a female Yuu? I could see that bc it would be probably easier for them to have only one protagonist.

don't get me wrong I like Yuuka and I know a lot of TWST fans are women but since the studio involved is apparently known for shojos I'm scared they'll make it seem like the story is romantic/the game is an otome... Which I mean- we do have SOME fanservice stuff but it's definitely not a romance story. That's why I'm scared 😭 if they do go that path... I much rather prefer the disconnection (?) of having 3 different Yuus than the possibility of this...

Also I'm just 🥲 I'm scared ppl will see that and say ahhh So Yuu has always been a woman!! Because as a trans guy, one thing that rlly made me feel valid in a way was seeing that in the game Yuu has no gender at all... I don't go by they/them but I'd much rather be referred as that than to be misgendered. It's a small thing but it's such an important detail for me (the fact that Yuu is gender neutral/can be whatever u want them to be) that it being erased in the anime would make me pretty sad... even more if ppl take the anime as "confirmation" of Yuu's gender, which it wouldn't be regardless if they end up giving us a girl OR guy Yuu- it would just be another Yuu interpretation different from the game.

But yeah, personal stuff aside, I'm more scared by the possibility of them making it seem like it's a romance story 😭 or ppl calling TWST an otome... which I mean... some people already have that misconception, even some fans...

[Referencing this post and this news!]

I definitely think they're probably leaning towards a new Yuu every season; otherwise, there would be a very uneven distribution of screen time for one Yuu over the others, and that leads into the problem of one Yuu being "more" canon than the rest. Yes, it will probably be easier logistically speaking to keep the same Yuu for the entire anime--but I also said the same thing when we only had the Episode of Heartslabyul manga, and look what happened with that. We ended up getting Yuuka and Yuuta following Yuuken, regardless of the logistical inconvenience of it all. I think if the anime intended to have a singular Yuu to follow for the main story, they would have chosen to adapt the light novel (which has Yuuya across multiple volumes) instead of the manga. The conscious decision to adapt the manga (with changing Yuus) says something to me. So really, I don't think we have to worry about one "kind" of Yuu dominating the anime. I took a look at the portfolios of the two studios collaborating for the Twst anime and didn't see a ton of shoujo myself. There was definitely a handful of them, but overall there was a spread of genres. I think Yumeta Company (one of the studios) has Tokyo Mew Mew New under its belt, which is probably one of its better-known works and maybe that's where the "they're known for doing shoujo" allegations are coming from? Don't quote me on that, though. I'm not someone who closely follows anime studios.

I would, however, like to point out that we shouldn't put all our stock into the studios behind the anime. Yes, they are obviously animating the project and thus have an influence on how the final product is. However, there are tons of other people involved (like the script writer) that will dictate how the anime looks and feels. (In fact, the script writer for the Twst anime, Kato Yoichi, is not known for writing shoujo.) I highly doubt all the staff involved at every possible level of production are conspiring to make Twst a genre it's not. (Related: I blame socialization for this, but it's a little sad that most of us by default think one woman + a bunch of men in a cast must be romantic.)

Now, to your main point. I understand the initial fear of people misunderstanding Twst as a dating sim/otome from how it is presented. Really, I do. I also understand the frustration that comes with people claiming Yuu's identity or gender or what have you is "confirmed". But to that, I ask you: so what? And I don't mean that in a "your feelings aren't valid" way (because your feelings are very valid!) I mean in like... Do these misconceptions others have truly impact your own enjoyment? Do the people believing in these falsehoods erase what you know is the truth? I would wager it doesn't. There has been and always will be those who see Twst or interpret Yuu as something they are not. Lots of us (myself included) thought Twst was an otome game when they first heard of its concept. People claimed Yuuken was the definitive Yuu when the first chapter of the manga dropped. That's fandom, especially the larger they get. If we fixate on those sore spots, it will ultimately make us unhappy because there will never be an end to misunderstandings. I would advise that you try and detach from those worries and just focus on having your own fun in the fandom rather than worrying about how others are consuming or reacting to Twst. Yes, we want Twst, a franchise we've seriously been invested in and love, to be seen a certain way--but I don't think that should come at the cost of your enjoyment. Fandom is meant to be fun, and we don't want to make ourselves miserable by stressing over the "what ifs", you know? Please focus on yourself!!

[lillypad-monopoly]

Wild Life Episode 5 Thoughts

(Except I'm insane about Martyn's ep)

LIFE SERIES TRIVIA is DIABOLICAL! The watchers literally being like "how well do you guys know your pain and suffering?" (also sorry only winners remember theory truthers)

The way Grian and Scar are such bitter ex-soulmates that Mumbo has to point it out is hilarious. (also them getting even and saying "Just like Third Life" hurt my heart)

Grian not remembering iconic moments from his own series is so funny. What do you mean he only knows Martyn beheaded Ren with an axe from fanart? Grian gaining possession of the Red Winter Axe was a whole plot point.

MUMBO FIRST OUT! IN SESSION 5! The canary curse is broken for real now guys but at what cost.

Grian standing on the ruins of the tower by himself going through the five stages of grief over Mumbo's death as the sun rises in the background is a gorgeous piece of fanart waiting to happen

Martyn you didn't need to start the episode by talking about how Ren is providing for you, you're asking for the shipping at this point 🤣

MARTYN YOU DO THE LORE OFC JIMMY AND TANGO WERE OUT FIRST. Also REN YOU WERE LITERALLY IN DOUBLE LIFE. RIP Ren/BigB we know where his true loyalties lie

THE TWO NICKLES MEME BREAKING CONTAINMENT I CAN'T

Ren inviting BigB to join the RenWood Mound alliance WITHOUT REMEMBERING DOUBLE LIFE is so insane I don't even know what to say.

OF COURSE SCAR REMEMBERS THE DESERT DUO FLOWERS I'M GOING TO BE SICK

Martyn and Ren saying they're going to be boat bros. This has been coming since last session but I NEED Joel and Etho to call them out on it

"We're boat boys," MARTYN INTHELITTLEWOOD WHEN I CATCH YOU-

Etho yelling for Bdubs to hit him so they could test if the wildcard affected damage and then Tango going "smack me harder~" in the background was diabolical. Suuuure you guys are all PG.

Etho sitting in a boat for Joel to jump over him feels like some boat boys relationship symbolism I'm not smart enough to explain

So Etho is currently living with team BET, but allied with the Four Gs, and in the family with Gem and Joel. Wildcard Etho is so back!

Of course Impulse immediately remembered the clock question.

Joel boasting about how he immediately knows all the questions is peak Joel form and I would expect nothing less. It is kind of warranted though because everybody else is waffling on the simple ones.

Joel is now two for two on unquestioningly trusting Etho only to have something bad happen to him and not even being mad about it what is wrong with this man 😭

Does Joel have the censor bleep on his keyboard or did he just straight up start swearing at Tango and know they would both have to censor it in post to get the effect that he was also making the noise?

Scott's gone from a creaking fanboy to a body horror situation and I'm living for it (also considering he's agreed to "go wild" this session--am I sensing a Scott corruption arc?)

Scott cutting directly from saying he and Jimmy were never married even though they called each other husbands to a scene WITH Jimmy was kind of an insane choice

Gaslight Gatekeep Girlboss Girldad has been confirmed by Scott as the actual reason for the 4Gs. I still think Gaslight Gatekeep Girlboss ImpulseSV is funnier but good to have an official ruling

Scott giving up his life for Pearl and them being good natured about it and calling it therapy! I love them so much!

Lizzie being the only person who's not exicted when a trivia bot spawns is so funny. Even the other players who weren't in all the seasons don't seem to be as miffed by them as she is.

Lizzie's flaming snail arising out of that hole while smiling is potentially the funniest thing I've seen all day. Why did it look like that 🤣

[bookwormbynight]

Fucking phenomenal idea please write it

I think a really good way to combat the whole "reality-breaking parents are alive" thing would be just having them both believe with their whole hearts that their current truest desire wouldn't be possible if those things hadn't happened. Aka Clark knows he never would have met Bruce (and Ma and Pa, and his job, and Lois, etc) if his parents hadn't chucked him off to Earth bc Krypton was dying, and Bruce would have never become Batman and met all his loved ones and done everything he's proud of if he hadn't seen his parents die right in front of him. (That is kind of touched on in the BTAS episode where the mad hatter sticks Bruce in a dreamscape where his parents are alive - he gets excited about seeing his parents and then he asks Alfred where Dick is and Alfred is like "who?" and it sends Bruce on a spiral of 'what the fuck what the fuucckkk' if I remember correctly.)

Clark didn't actually see his bio parents die though, so honestly it could be perfectly plausible that they just kind of show up like "hey we didn't actually die and we were trying to find you! :D". Bruce can't really get his parents back in a non-drastic way though. Tough break considering that's literally his main Trauma™ 😭

Ah fuck I don't think Jason could have lived either because Tim :( damn Bruce always gets the shortest fucking straws lmao

OH SHIT WHEN BRUCE WAKES UP ANY HEALING DONE WITH JASON IN THE DREAM WOULDNT HAVE BEEN REAL EITHER WOULD IT JESUS C H R I S T

(I mean also Clark could wake up and not-breakup aside his parents are dead again and he's gotta deal with that 😭)

I have so many fucking thoughts about this help help help

All of the little habits they would have formed with each other - they know each other's favorites, they have routines they automatically step into that they really Shouldn't Have, Bruce has never met Martha in his life but he knows her secret pie recipe because he had to recite it to Alfred, Bruce's kids don't treat Clark like another parent but Clark can't help but think of them as His Kids, I--

How long would it take them to realize. (Literal eons, they're both idiots.) How long would it take other people to realize.

Fic idea: A world where Clark and Bruce both get put under Black Mercy’s spell and see their alternate “ideal” dream realities. These realities are identical, though they don’t realize that — a world where they finally give into the pining and realize the other cares about them just as much.

They get married, raise kids, and build the League. Years pass in domestic bliss.

Cut to them waking up. Both are devastated that their marriage/lives weren’t real and resign themselves to a miserable world with a partner who doesn’t remember them.

They both think the other saw something else — Clark mumbles something about Lois and Bruce lies that he saw his parents alive again (they were in his dream, but that wasn’t the focus? hmm)

But. As they try moving on from the years-in-a-second bliss they shared, odd moments keep cropping up.

Bruce says something Clark only ever heard in the dream world. They know things about each other they shouldn’t. Clark slips up and reaches for Bruce’s body in a way that’s too achingly familiar. They’re both choked with denial and grief.

Cue the most aggravating dual pining ever.

[theocddiaries]

*On a GUN private jet* Abe: Hey, I found this little guy here. [shows a chessboard]: Any of you guys want to play to kill time? Shadow: Pass. Sonic: Sure thing. Abe: Nice. I might teach you a few things. [goes to set the pieces] Sonic: Oh, it's okay, I can play; Tails taught me. Shadow: Isn't that wonderful… [grabs Sonic's arm and pulls him close. Whispers]: Let him win. Sonic: What? Shadow: He's a grumpy loser. He mopes, he makes the face, he slams the door, then he said he didn't slam the door. It'll be better for everyone that he wins. Sonic: Shadow, please, stop being stuck on things that happened over fifty years ago. Shadow: Fifty years ago? I’m talking about how he acted last week because some agent’s kid beat him up at the Hungry Hippos game. Sonic: … Okay, I'll lose. [moments later, they've come back and are in GUN HQ] Abe: Thank you for your assistance, Sonic. Sonic: Always a pleasure to help. Abe: I'm glad you're not upset about our chess match from earlier. Nobody likes a sore loser. Sonic: So I've heard. Abe: I've got a kid's guide to chess back in my office. I can give it to you before you leave? Sonic: ...No, I'm good. Abe: You sure? You can color in the little players with your crayons. Rouge [comes in and walks to Shadow]: Hi. What's going on? Shadow: Towers and Sonic played chess. Rouge: And you told him to lose, right? Shadow: Yes, don't worry. Rouge: Good. Momma needs some extra cash this Christmas. Abe: Or you can give it to your fox friend. Maybe he can teach you better the second time. Sonic: … Are you calling my brother stupid? Rouge and Shadow: Damn. Sonic: You know what? Let's play a rematch. Rouge: Shadow. Abe: Okay. Game on. Now, I want you to go first. Now remember, try to open up the middle of the board. I'd have moved that guy two spaces. Rouge: Shadow, please, do something. Shadow: Don't worry, just because Tails taught him doesn't mean he can actually-- Sonic: Checkmate. Shadow: Or maybe he can and we're gonna have to go through one of those weeks.. Abe [blinks]: Huh? What? How'd you do that? Sonic: Want me to bring you the kid's guide so you understand it better? Shadow: Sonic. Sonic: Hey, you told me to let him win the first time, nothing about the other times. Abe [turns to Shadow and Rouge]: You did what? Why tell him to lose to me? Shadow: Because you're like a baby when you don't win. With the kicking and the eyebrows and the angry eating of the sunflower seeds. [Chittering] Abe: That's not true. Rouge: Oh, honey, it is. We're still picking up the shells from the horrendous episode of the Hungry Hungry Hippos. Abe: I don't mind losing to a chess genius. Sonic: Well, I wouldn't say genius. Shadow: True. That was an average move. He's not even as good as I am. Abe: You're not that good in chess. I beat you on our first mission together. Shadow: Did you really? Or did I let you win that one too? Abe: …You didn't let me win. Shadow: Hm. Why would I sacrifice my queen for your pawn, Abraham? Huh? Huh? Abe: I got it. Stop saying that… Rouge: Well, I guess we'll never know! Abe: Or we can find out right now. Rouge: No, it's-- Shadow: Are you sure you want to do this in front of people? Rouge: Shadow-- Abe: Sit down and let's settle this. Shadow: Gladly. Rouge [saddened]: I just wanted a pair of boots… [MOMENTS LATER] [through a phone call] Tails: Hey, Sonic, everything okay? Sonic: Yes, buddy, sorry for not calling. I arrived but I--uh--I kinda can't leave. Tails: Why not? What happened? You okay? Sonic: Yes, it's just-- Abe [in the background]: Stupid lab rat--Take this! Shadow: Damn it! Listen, I lose and I burn this whole facility with everyone inside! Sonic: It's just some déjà vu I'm feeling kind of icky about…

[sgiandubh]

Tonight

Good morning,

Despite what some say with great confidence (I suppose this is what happens when you don't give a flying fuck about OL, after all), Episode 9 will be available in Europe, on Netflix, at midnight. You know we'll be watching, Shipper Mom and I - that's something new, LOL:

This is when my #Jottings will also resume, no substantial spoilers included.

You are welcome.

[transingthoseformers]

https://www.tumblr.com/transingthoseformers/767860017152032768/httpswwwtumblrcomtransingthoseformers7677898?source=share

Optimus comes out of the groundbridge heavily pregnant and Bumblebee's following him because Ratchet is too nervous to let him go alone. They've just handled the time travel episode and are EXHAUSTED, but they've been saved by a Prime who is very obviously struggling to even stand properly.

Charlie asks Optimus if he's alright, and Optimus is just "No? I believe the human term is 'pregnant and ready to pop.'" And Blades (who is a medic) has to get him moved off to their quarters while Boulder explains how carriage works to Cody.

The baby pops out, and it's really tiny and wiggly and Optimus wants to die because it CLEARLY has red eyes. But all the Burnses are all swarming because it's so cute and very rare that a baby robot shows up, and Optimus just wants to hibernate for seven years. But then Optimus has to tell them that they have to take care of the sparkling because he doesn't want it around the fighting back where he's been living. The whole Burns' reactions, probably:

Charlie: It's adorable, of course we can make room here to take care of it. Just another member of the family. And I'll make sure it hears all about its... mom..?

Kade: I'm not watching it. No way. I refuse. I'm NOT a babysitter

Heatwave: You'll watch it if you have to, Kade. It's only fair that if we have to watch out for you, you can watch out for us

Chase: *actively having a mental breakdown because autobots don't have red eyes and that baby is CLEARLY a Decepticon baby*

Boulder and Graham: *eagerly showing off the baby area they built after realizing they'd have to watch the baby for at least a few days for Optimus to recover*

Blades: Oh I- I don't know how to raise a baby-

Dani: I always wanted at least ONE kid, how hard can it be

Cody: So I'm not the youngest anymore???

I adore how, out of everyone who's willing to roll with this because well it's happening, Chase is caught up on the decepticon baby part

WE KNOW WHAT HAPPENED, OPTIMUS

that is immensely funnier when you remember that, before the war, Megatronus had blue optics.

(...is he dealing with the reverse situation with a blue opticed sparkling over on the decepticon side of things?)