#when you ask him something and he goes “...”

[noodles-and-tea]

For the twins in time AU, I genuinely wonder what kind of people the young twins grow up into because of Stan’s/Ford’s influence. Especially if it takes years for the portal to get fixed.

(Sorry if it seems like I already sent this question, I don’t know if it got sent the first time I asked)

I haven’t fully fleshed out how Ford grows up in the past but I do have thoughts on Stan presently

[s0fter-sin]

thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage

you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out

"i'm calling shepherd"

his first instinct when confronted with betrayal is to play it by the books: to go up the chain. that goes against everything we've seen him do. he bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns

he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer. there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends

nothing's happened yet

it doesn't have to go this way

but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy

he doesn't hesitate

it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from

only when ghost orders him to run and he has to cover his retreat

and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for

"be careful who you trust, sergeant; people you know can hurt you the most"

he's learned the price of trust

just like ghost did

but unlike ghost, he has someone to guide him through the aftermath

"good advice, It"

[varilien]

you know me, in the way that matters most.

[vigilskeep]

SORRY this is MORE dialogue from lucanis’ recruitment quest i just need people to be going through this with me

[sunbloomdew]

he's not fooling anyone

the og meme

[youngpettyqueen]

I know the decision to have Julian's parents have him augmented was made on the fly but imo its pretty obvious from early on that Julian has Family Issues because he avoids talking about his family like the plague and I think they should've incorporated this into the Julian and Sisko dynamic right from early on because I think it would've made for some really compelling stories and moments and could've set up a REALLY interesting Julian and Jake dynamic which they kinda started to do but never fully went for

[woahjo]

BOKUTO IS SO SCARRYYYY WHAT THE FUCKKKKKKKKK

yes, you want him, but he wants you more and he’s convinced himself that you already belong to him. the way he gets jealous when you’re not even dating him yet…. the glint he gets in his eye when his certainty of your infatuation with him is in doubt. CHILLS.

[popsigills]

Hades x Sekiro

[buttercupart]

timeskip Molly concepts - probably when she's around 16-17 ish, maybe even early college? ( I'm not a big fan of the "ooh the bubbly character gets older and is now SUPER SAD" trope so this is more like... Molly is still Molly, she just gets older and faces more hardships/life stressors that come with age, and struggles to maintain the same high level of positivity/resiliency she used to have )

[theloveinc]

It's a little bit further into your relationship with art student!Bakugo and you've been working together now for the good portion of two semesters...

Except for whatever reason, your professor assigns him a different model for the upcoming final, and when you go to look for him after class (since at the announcement, he stormed out of the room in frustration, slamming back his desk and knocking over the overflowing recycling bin by the door), you find him weeping in frustration in the janitor's closet next door adhfnlkjadshfk

[thatneoncrisis]

the expendable child character is a narrative parallel to jinx reconciling her relationship with her sister and younger self. like i get not liking expendable child character but she does have an obvious narrative purpose outside of just being cutesy for sillies and then dying for sads. also she had like a cute hair dye montage and stuff man shit was tragic :( maybe im a braindead enjoyer of media trope slop but have you considered that shit was tragic

spoilersssss under da cut

hey have you considered that throwing a character in a show who barely has any personality or any inner world just for them to die because you KNOW theyre a cute kid that people will get attached to is uuuuuh cheap? like i fully understand why she exists, i get the parallels the show isnt subtle, they LITERALLY dye her hair blue and braid it, and she spends half her screen time being the symbol zaun wants jinx to be. how the fuck am i supposed to register her death as tragic when the writing was on the wall the moment she stepped on screen. how am i supposed to get attached to what is essentially a teddy bear filled with C4.

i dont like her bc the show knows how to write kids- violet, powder and mylo bounced off each other and the adults in their lives in such a natural way (excluding the other boy and ekko bc frankly they dont get enough screen time for me to judge them and the first guy was clearly doing double duty as comedic relief/oh wow another dead kid). i do not like child death as blatant manipulation, i do not like pretending that kid was a real and interesting character whos death i should be invested in, i do not like acting like recognizing what a show is doing is the same as them executing it well in any way. i understand CONCEPTUALLY why jinx likes her, omg the baby is just like me fr, they spell it out by having her look at the camera and go wow you remind me of powder who is who i used to be but then bad shit happened but youre cool, but thats not the same as like. building a bond with them, a rapport, shes just kind of this amusing Thing jinx has around and doesnt really care about outside of "kids dying is bad"

finally, do not do that fucking thing where youre like "oh well maybe i just like shitty poopoo tropes but i thought it was pretty good 🥺" how the fuck am i supposed to respond to that. im not like, upset at arcane for fun i like it when stories are told well and get frustrated when the pieces are there and just never connected. i feel like this show has reached a breaking point with how many people it can take from her without it meaning anything after a certain point. half the time its not even her fault it just kind of happens to her in some greek tragedy twist of fate, shes not allowed to have good things and instead of it being like, a conversation about children of war and how unfair shit is dropped on their heads constantly, jinxs motivations and energy is only tangentially related to zauns sovereignty movement.

theyre so like. fixated on her having this overly unserious attitude about everything around her, and i get its a coping thing to distance herself but it RARELY lets up during pivotal moments. its like a story is happening to her rather than her actively contributing- the people would have been taken to stillwater whether she was at the rally or not- sevika would have figured out a way inside that building with or without jinx, they did not escape stillwater thanks to her ingenuity, but because that guy summoned a big ass zombie werewolf who happened to also be her father. the ONLY reason she goes to that building is bc thats where the baby is, i dont think isha as a symbol of the inner child, was inspiring jinx to be a good person, shes just like, a creature of convenience. i guess while im here i can let you guys out or whatever. and what does it mean when that inner child, the living embodiment of whatever goodness and innocence may still exist in jinxs heart, is ripped away from her in a violent explosion exactly the same way as last time? she did the opposite of what vi did last time and the outcome was identical. is history repeating itself, will jinx change? is there any change that can happen that will negate the absolutely comical amount of bad shit that happens to her? this show does not in any way give me the confidence to believe that will happen

basically i think jinxs development thus far is repetitive and gives very little consideration to her as a character rather than an archetype, and isha suffers greatly for it. why show a relationship when you can simply imply it? why make the child any harder for jinx and the audience to project on? why does she need a history, or goals or any interests that arent a giant blue flag that shes powder 2

[qoldenskies]

Thinking the awful thought of how much worse the curse could have potentially gotten if April and Splinter had been affected somehow.....or even just. If Donnie had decided to stay at April's for a while out of the belief that maybe if he was out of the lair things would calm down. Like, would they have eventually gone looking for him because the "dying" part of the curse wasn't fulfilled yet? Would they have eventually been willing to put APRIL in harm's way because the curse made them think she was trying to protect him or something? Like the fact that this could have easily been made EVEN WORSE by just a few small things is what's gonna keep me up at night OP (pos) (Also I'm so so curious to know what the trigger to the curse starting even was, if it was a spell that was cast or something that was a small detail in the fic that nobody's picked up on yet, and if Raph Leo and Mikey even noticed anything was off or not until it was far too late. I am connecting dots that haven't even been fully connected)

dude dude dude i think about it a lot. how if donnie had stayed with april, it would have been worse (and there's a very good chance they could've lost april in the line of fire, too, if he was safe with her for a long while. the curse doesn't change their feelings on each other, it'd just have to get bad to a point where they would GENUINELY put their murderous hatred for someone above her life). how if he'd actually gotten out instead of running for his dad, it would have been worse. the curse would get worse and worse and worse until he died, and the longer it was held off, the more aggressive the treatment. the exact situation he was in saved his fucking life. raph putting his hands around his throat saved his life. that was the best possible outcome short of him being consciously aware of there BEING a curse, and he was too far gone for that to happen.

its sososososo tragic. like they're more grateful than ANYTHING with april doing what she could while they couldn't, even if she was stumbling in the dark, but that had the potential to have been dangerous and i dont even think they'll ever realize that.

[natelia-aldelliz]

Ghost gifts a single tiny ear loop to Soap one day. Says he noticed Soap had pierced ears. That rings keep from handling a gun or a knife properly. He doesn't make eye contact, tries to hide his face, even as he's already wearing his balaclava.

Soap blinks. Ghost has already given him gifts and only behaved that way for the very first one. He doesn't understand. The earring is very simple, but seems to be made of expensive material and not only covered with a thin leaf of gold.

"Didnae it come with another one?" he says, jokingly.

But Ghost flushes, turns his head, and lifts his mask, only enough for Soap to see the glinting of the other earring on his ear. Suddenly he understands that it's not simply a gift. Ghost favoured practicality, but he wanted to give him a ring.

He grabs his hand as it falls back down.

"Simon, what is this?" he asks softly, not daring to be hopeful just yet.

With his other hand, he reaches out to gently turn Simon's head back towards him. His cheeks and his nose are flushed, it makes the warmth of his dark eyes, generally hidden behind a sneer or a bored expression, undeniable.

He looks nervous. Johnny's heart is beating faster. Could it really be...?

"I know", Simon starts then pauses, uncertain. "I know I'm probably not what you thought you'd have, when you were younger" Soap wants to interrupt, to scoff, to protest that Simon is way better than anyone he could have hoped for, but doesn't. He never wants to cut off his love when he's barely starting to open up.

"I know that I'm not easy to be with some days, that I'm not friendly and easy going like you, like someone you'd deserved to be with." he continues, unconsciously pushing his face more into Soap's hand. "But... I love you, more than I thought I could, and I'd like... I'd like to be with you, for as long as you'd have me..."

Johnny's heart is soaring. He has no idea how to react. He'd have to get all the giddiness out first, and the moment doesn't seem appropriate for jumping around and squealing.

"Officially," Simon continues, voice quieter, out of breath. "If you want to."

A gigantic grin splits Johnny's face. All of his limbs are buzzing, he needs to stand up, to run, to explode something. But he's terrified to spook Simon so instead he just squeezes the hand he's holding rhythmically and moves his feet back and forth.

"Baby, are ye asking me tae marry ye?" Johnny says. He's pretty sure his voice is wobbly, but can't really hear it himself as the blood in his ears is louder than the rest.

Simon's eyes do something, what is visible of his face looks like he has an expression on but Johnny can't analyze it now, doesn't dare to see the hope in his eyes, the pleading in his brows.

"I... Yes, I guess I am," the love of his life says finally. "If you want to. You don't have to."

Soap can't keep himself in check any longer. He's making a high pitched noise, jumping up and down where he's seating on the bed, and throws himself at Simon.

"Of course ah fooking want tae!!!"

Simon lets out an excited giggle, swept in Johnny's mood, and tightens his arms around his lover. No, his fiancé.

This is the best day of his life. He just has to deal with this mission tomorrow, and then they can start to plan everything.

[cakemoney]

the way it happened is truly everyone's worst fear, and the episode puts a spotlight on what those fears are. k trying to fix something and fucking it up massively. when she airdrops all her stuff, it didn't feel like "k's still thinking about her network etc", it felt like defeat, giving up the work she was doing as itsy for someone else, cause she's lost all confidence in her ability to fix what she was trying to fix. sam tries to help with magic, and her wand doesn't work, and she's confronted with how helpless she is without it. she hosts a show with magic in the name but when she needs it, when she calls for it, it doesn't come, and without it all she is (all she fears that she is) is just being shiny on the outside with nothing on the inside. jammer having less than a minute to feel grief and fear before he just locks in on what he needs to do, where they need to go, because jammer feels responsible for everyone he cares about so he feels responsible for this, he can't face evan's shadow because he can't fail evan again because he's already failed to be there before. and then evan! having to be rescued, being inconvenient and throwing off their mission, and then coming back with no clothes, is the worst! he's so sad about how his presence is making his friends' lives worse because k and jammer can't even look at him, he tried to help sam in whatever way he can and it just upset her, and then he socially trapped sam into assuring him she cares about him. he has to ask a magic goat a question and he doesn't know how and even though the goat ends up giving him the theoretical right answer, now it's disappointed in him because he used a cop out! very bad no good day for evan. man.

[moeblob]

Ladd: but why would you kill me when I'm willing to kill for you?? Lass: omg you can't just say you'd kill someone, Ladd. that's murder and it's frowned upon.

(and then Ladd does kill for her but it's fine and part of the job)

[raycatz]

I'm not including a situation where someone might be injured because in that case I'm thinking the bed goes to them by default or they are nominated for it. anyone who wants to be chatty goes to join the living room floor gang.

What are your thoughts and headcanons? Do you have thoughts on how the boys tend to approach assigning beds in inns? Who do the chain choose to sleep near when camping and why? What are their dynamics like when settling down for the night and getting ready for the day?

In "Mirror Vs Open Closet Door: Fight!" by Gintrinsic (here) Four refers to the chain's decision on how to split up between inn rooms as the "Link-per-room ratio" which I find very funny. He, Sky, and Time also talk about their thought process behind why they do or don't want to sleep in a room with some of the others which I find fun and interesting.

So! If you have thoughts and want to share them! *gestures to the post!*