#when their eyes were like.

[intotheelliwoods]

every update I SWEAR the leos' eyes get bigger-

[xxplastic-cubexx]

obligatory beach divorce doodling

bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut

[anotherpapercut]

genuinely it will never stop baffling me how people will wear twilight shirts and talk about team Edward vs team Jacob and then the same people will be like "I'm not basing my personality off of a piece of media (harry potter) made by a transphobe 😌" like good that's great! so you can excuse racism but you draw the line at transphobia? good to know

[hinamie]

spiraling

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[thatwavephenomenon]

me: i sure hope the crows are not gonna be solely depicted in veilguard as a brave force who 'fight for all' when they are at their core a criminal organization who is known to buy children to indoctrinate them and turn them into assassins, by putting them in overcrowded warehouses and making them fight for scrapes in order not to starve, to later torture those who reach adulthood to finish their initiations and kill them anyways if they dare to try getting out

bioware: i cooka da pizza

[basslinegrave]

pin-up

b&w originals

[gascreates]

a new star

[itty-bitty-sunshine]

At what point do you start seeing one in the other?

At what point do you start looking at the devil like a friend?

[tapakah0]

[rottengurlz]

she’s like if the virgin mary smoked a pack of pall malls every day 🚬

[rainybasementthing]

Danny is rotting

Not that he notices. His body absorbs ectoplasm from the portal, with the ectoplasm preserving it. Each time he leaves his body, it absorbs more. No one, not even Danny has realized.

His parents find out after they see him leave his body behind to fight a ghost and promptly dips, flying off in panic with his body. He heads to one place with... definitely smaller amounts of ectoplasm, but enough to possibly survive.

Gotham.

Danny, in a rush, didn't have time to pick up the backpack meant for this scenario. He (thankfully) had some ectoplasm in his thermos, but it's not nearly enough long-term.

After running out of ectoplasm for a few days, Danny starts to feel off.

Danny's skin feels tight. His body is a lot stiffer than he recalls, and he can't seem to get rid of this awful smell on him. His face and hands are slowly discoloring, fuck, what the hell is going on?

His emotions and core are going haywire from the disapproval of his parents, perceiving anyone as a threat.

He temporarily haunts an alleyway, refusing and growling at anyone who enters his haunt. His eyes flash with that sickening green color. He can't afford to get hurt with the limited ectoplasm he has.

.

Unfortunately for Danny, it was the alleyway where the Waynes were murdered.

And the Bats are protective of it too.

[lochlot]

damn werewolves and their liberal agenda

[starry-bi-sky]

DPXDC CFAU Headcanon: Ghostspeak Edition

Ghosts in the Infinite Realms who saw Jason and Danny together called them "luzdra", a term in ghost speak that directly translates into the words "shared soul". It's literal definition is; "two ghosts with a bond so deep that it was as if they had split their souls in half and given one to the other", but in general it just means two ghosts with a profound, indescribable bond.

Luzdrus is the singular form of the word, and refers to only one ghost in the bond. While "luzdra" is plural and either refers to both of them together, or the relationship as a whole. It depends on the context of the conversation and who they're saying it to.

There is no romantic, platonic, or familial connotation behind the word. It just means "someone who shares a deep bond with someone" and can be between anyone.

It also does not mean soulmate, and if you say that you'll be corrected. Soulmates implies that their bond was destined by the universe, luzdra are two people who developed and built that bond themselves. It's a relationship forged between two (or more) people.

Some of Danny's rogues -- like Kitty and Johnny, who might've seen the two together and are possibly luzdra themselves -- still call him 'luzdrus' even after Jason's disappearance from the Zone. Danny doesn't know how to feel about it.

[iamhereinthebg]

I can now die in peace

[puppyeared]

(guy who has never played cotl) haha au time