#when i literally HAD THAT MONEY.

[thedreadvampy]

everything around this housing shit basically boils down to: what I said would be fine 2+ years ago isn't necessarily what's fine now

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[s0fter-sin]

trans!soap taking his baby and running away from his rich abusive husband

(cw angst, financial abuse, single threat of child abuse, single mention of transphobia)

he's owned soap for years, since he was a teenager; paid for his medication and all his surgeries and tied them so deeply, soap’s lost hope of ever getting away. he gets even worse when soap falls pregnant. he was always controlling; blowing up at him if he spent too long out of the house or did something without telling him. but he becomes utterly possessive during the pregnancy

soap knows it has nothing to do with his safety or the baby's

he knows he sees his baby as an investment; another being he can control and hold over him

he gets worse and worse but there’s nothing soap can do. there's been nothing he can do for a long time. then a few months after the baby is born, soap doesn’t watch his tone closely enough and his husband threatens to drop his baby in punishment for it

soap doesn't think. he doesn't plan

he takes his baby and runs

he sneaks out of the servant's quarters of the sterile mansion he's been forced to live in for almost a decade and walks down the street without a backwards glance; his baby the only thing in his arms. he knows all of his husband's cars have trackers, all of them in his name since he never lets soap drive or go anywhere by himself, so he walks far enough to be out of view of the mansion's cameras and steals one. it doesn't have a car seat and all he can do is clutch his baby to his chest as he drives

he doesn't know where he's going beyond away

he doesn't know what he's going to do; he doesn't have any money, no supplies for his baby, he doesn't even have water for himself so he can reliably breastfeed him. he's terrified his husband will find them; he’s always felt omniscient, always everywhere and seeing everything he did. if he didn’t have eyes somewhere, he paid someone who did and they always dutifully reported back to him

soap just keeps his eyes forward. just keeps driving and driving, lost to the road and numb until the low gas light pops up on the dash and it all hits him at once

he turns into a gas station he can't pay for, in a car he stole, and parks behind it and his baby immediately starts getting fussy

he can't even call him by his name sometimes; too afraid to get attached, too afraid to lose him. as if he doesn’t love him more than life itself

even throughout his pregnancy, as happy as he was to finally have a baby, he didn't know if he could carry to term and that fear just let his husband dig his claws in even deeper; paying for extra scans he could never hope to pay for, favours on top of favours so he would aways owe him and isn’t he such a loving husband? taking soap in when his parents kicked him out for being trans, looking after him for all these years? you can’t even take care of yourself john, you’d still be a woman without me, john, what is this tantrum about john-

soap tugs his shirt up to let his baby feed, drops his head back and cries

he can't stop it; wails loud and uncontrolled, chest heaving with his sobs enough that it sways his baby, occasionally breaking his latch and he can't even do this right-

he can't save him

a light knock sounds on the window and soap flinches, curling over his baby to protect him from his huband's cruel hands

but it's not his husband outside the window

soap blinks tears from his eyes and looks at the large stranger standing beside the car. a neck gaiter covers his mouth and it should be off-putting… but something about him stops the feeling in its tracks. the stranger takes a half-step back and lifts a chilled and sealed water bottle, pressing it towards the window

soap quickly swipes his face clean and rolls down the window. "sorry 'bout that," he apologises with a choked laugh, the careful front he’s built over the years cracked and bleeding

the stranger gives a dismissive but somehow not diminishing shrug. "long day?" he asks

"could say that," he gives a shrug of his own and pats his baby's back as he makes a disgruntled noise, unconsciously swaying him

he politely keeps his gaze up on his face. "looks like you could use a break."

soap's breath hitches, anxiously darting his tongue out over his bottom lip. "could say that," he repeats uselessly and takes the water with a quiet “thanks,”; his throat dry and screaming for it after crying so hard

the stranger hums, watching him down the bottle and soap doesn’t notice his eyes drifting to the backseat and footwell of the passenger side. doesn’t notice the slight tension in his fists at what he sees. "how long you been runnin', lad?"

soap freezes, the water settling in his stomach like a stone. he swallows thickly and the bottle falls from his lips

"not long enough."

the stranger just nods, looking idly back down the highway

"you know, this place is connected to a garage,” he starts, nodding back to a building attached to the station without taking his eyes off the road. “lotta people drift through 'ere on road trips; too many to keep track.”

soap frowns slightly, shifting his hold on his baby

“funny thing is, plenty of 'em just abandon their car when they break down. like yours,” he adds and finally turns back to him with a pointed look. “got a whole junkyard of 'em. just rustin' away. be pretty easy to convince me to trade ya one."

soap’s mouth parts in a gasp as he realises just what the stranger’s saying. "how easy?" he whispers

he shrugs and even with his face hidden beneath the gaiter, he doesn’t feel afraid. "i'd say this car'd be a good deal. would blend right in with the rest of ‘em; no one’d ever notice it. what say i take it off your hands?"

soap's breath shudders out of him, his whole body going limp with relief. his baby's eyes fall shut with a satisfied hum and for the first time he can remember, he feels the gentle touch of hope

"i think we can work something out."

🧼💀

ghost owns the service station soap pulled into. he wanted something quiet and isolated after he retired and you can’t get much quieter than a backwoods servo surrounded by forest. he hasn’t had anyone pull in in days so he’s quick to notice soap’s car. he’s also quick to notice soap's subsequent breakdown in one of the cameras. the sight of him crying, desperately clutching a baby like they’re all he has left in the world, is so familiar he felt sick with it

he knows someone running when he sees it

if he didn't check on him, if this lad disappeared one day and the baby along with him, he'd never forgive himself. the lad doesn't even have a baby bag or car seat with him, and the personalised sticker on the back window of a lady and a dog is a dead giveaway that the car is stolen

but the lad is terrified. and when he startled him, he didn't turn. didn’t lift his arms to protect himself. no

he covered his baby

like he was afraid he'd be hurt

that's enough for ghost

🧼💀

i'd wanna set this in the 80's or 90's, just to make it even harder for soap to get away from his husband. he's a trans man with a newborn; he has no one to run to and no resources to help him. his husband's bought and paid for everything for him since he was 17; a few whirlwind weeks of unbelievable dates and extravagant gifts and he was living in his mansion, getting married the day after his 18th birthday. he thought it was love. thought he was being looked after and cared for the way he’s always wanted

he was in pain and alone and naive enough to believe the first person who came along and promised to make it better. nothing's in his name, not his insurance or his meds, he doesn’t have a bank account or savings; other than a birth certificate, nothing even ties him to his baby. his husband could take his world away from him with a snap of his fingers and he made sure soap always knew it

he never had a chance of getting away

but ghost is ex-military

he doesn’t know the lad’s story, doesn’t know the details of what he’s running from. he doesn’t need to know

he decided he was helping him the second he pulled into his service station

[ryllen]

something i promised on my kofi 6 months ago... 🫠

[iizuumi]

Side effects of wearing your Kaiju suit too often ,,,, Part 2

[antianakin]

Happy fix-it AU where Padme leaves Anakin anyway because she realizes how bad he is for her, and she ends up retiring because she REALLY doesn't want to be a Senator anymore (it was also maybe encouraged by her Queen after her secret marriage to a Jedi was discovered) and she goes back to Naboo to be with her family. She's left behind her responsibilities but she doesn't know what to do now, she's just... adrift, sort-of in limbo and mourning her relationship with Anakin. She has to keep convincing herself not to go back to him because she KNOWS she doesn't want that anymore, she KNOWS she doesn't want to be the person she was with him again, but the thrill of the secret marriage to someone who was so passionate about being with her is also sort-of like a drug.

Her parents both offer to let her come help them in their respective jobs, but she doesn't really have the energy for that right now. She DOES like helping Sola with her nieces because their energy and innocence seems to be a balm for her heart. One day, Sola asks if Padme can take the kids to a local festival in Theed one day while she and her husband go do something else, and Padme agrees. The girls are old enough and Theed is safe enough that they can wander off on their own away from Padme as long as they know not to go TOO far and come back to her after a little while. As she peruses the different artwork on her own, one artist's work stands to her more than anyone else's, it just hits at the core of her and she's not even sure why. She stands in front of a painting of a bird in flight for what seems like hours, though it can't be more than a minute or two, before the artist himself comes over to speak to her.

He addresses her as Senator Amidala, and she quickly tells him that she's not a Senator anymore and she doesn't really want to go by the name Amidala either, she prefers just Padme these days. He agrees, and something about him, maybe his eyes, seems familiar but she can't quite put her finger on it. They talk about his art for a while and everything he says about his inspiration feels like it's speaking directly to her. Eventually, Pooja and Ryoo come up to her and start pulling at her hands, demanding that she come see something with them. Before she leaves, she finally realizes she didn't even know his name and asks him.

It's Palo. The first boy she'd ever loved. The last time she'd seen him she'd been twelve in the Legislative Youth Program. She knew he'd left politics to become an artist instead, but she'd never actually seen any of his art before or ever tried to get back in contact with him. Now she wishes she had. Pooja and Ryoo are still pulling her away so she doesn't have time to really get over her shock at this revelation before she has to leave him behind and someone else comes up to ask him a question in her place.

He shows up at her parents' door the next day with the painting of the bird she'd so adored, and offers it to her as a gift. He refuses to accept any payment for it no matter how much she insists, but asks if she'd be willing to take a walk with him instead. She agrees. They end up spending the whole day together, just talking. For the first time, Padme doesn't feel like she's drowning in her own feelings or floating with no direction. She feels a lot like she's finally come home.

[sergle]

yall are about to piss me off by not having any PASSING basic knowledge of the way the u.s. military manipulates its recruits into joining by typing up one of your uninformed, unresearched, unempathetic, individualistic, unbelievably annoying posts about how 100% of the people in the military ended up there because they just Love America So Damn Much! they're extremely mature and informed at time of recruitment, they can totally leave anytime they want, they totally had tons of other avenues in life they could've taken, there was no rush at all to get income as fast as possible, and everyone in the military also totally is part of the combat divisions and personally enjoys being IN the military very much, big believers of violence. everyone in the military is shooting guns all day, that's how that works. they LOVE BLOODSHED. also I love the "amewicans haha" twang to this type of shit because you're actually TOTALLY stealing our Thing, which is turning systemic issues into Individual Issues. Instead of talking about the powers that be, it's so Personal Choice up in here. It's, "well you shouldn't have done it then. I totally wouldn't because I know better." you don't wanna talk about the military industrial complex as a whole, and you don't want to talk about recruiters, you just want to pin the blame on Specific Individual People one-by-one, as if they're responsible for the system that they're being ground up in. someone was in the military? bad person, no matter what. it's easier to believe that, I guess, than to acknowledge that Normal People (with high school educations) are manipulated and incentivized into joining a system that is Bad. at like age 18. but yeah no that 18 year old should have just been smarter lol haha anyway here are some screenshots for no particular reason

side note this reply of someone going "umm just get loans and go into a high paying field it's easy XD" as a direct response to someone trying to explain how most americans joining the military are being funneled in that direction out of a need for money.

and another person who Decided that americans join the military just CLENCHING their teeth thinking of other people, and not thinking completely selfishly about their own selves and their own income/housing/healthcare.

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[moonscaper]

Just got back from the epithet erased book signing in Dallas! I had a lovely time and am super grateful to @jelloapocalypse for just giving me the Sylvie poster after I mentioned that I came all the way from Norway

[remyfire]

I work with somebody about once a week who is so fascinating to me, especially when they are at our first desk. When someone walks in, they do not so much as smile or look at them, much less greet them. When someone leaves, they don't do anything either. If someone says, "Thank you," they say, "Sure," and if someone says, "Have a good one," they say, "Sure."

Listen. I don't know if it's because I was born and raised in the South for over three decades or because I was the front-facing customer-service-driven person at my previous jobs for a grand total of eight years. But I wince and get a little flappy anxious every time. What do you mean, you're not greeting people warmly so they're smiling as soon as they come through the door? What do you mean, you don't thank them for coming, wish them a good day, and bid them farewell? What do you mean, you just don't interact with the public unless forced, even in our front-facing job?

I think the amiable Southern politeness is just too engrained in me. There is no getting rid of it. And I'm kind of hoping that eventually I can work my way up to having more shifts at our first desk instead of our second because it's a lot weirder to gently greet someone from a distance when the employee closest to them is not paying them a single bit of mind.

[alongtidesoflight]

i swear my stepdad is so illogical AND stubborn it hurts

[independent-fics]

The Leverage OT3 in Every Episode

Leverage: 01x02 The Homecoming Job

[lotus-pear]

i wish all people who use others' art as a means for financial profit a very fucking kill yourself. i mean it.

[iliothermia]

Packages are a bit late to go out because someone stole my debit card a few days ago and things that ran out require a card 😭 that's why there's no shop update today too. The person is still shamelessly trying to use it on everything they can but thankfully I got my money back and it's cancelled. They also stole my brand new arcade card, the only thing I really allow myself to enjoy without worrying.. I hope they win nothing

I'm expecting things to go out normally by next week!! But I'm working on packing what I can so they'll go out immediately after that.

[aroacewxs]

hey everyone do you ever think about how much of rui's love for nene is stored inside nenerobo

[apricote]

ok so an unpopular opinion but bella and mortimer are actually so in love with each other