#whats wrong with her?

[ilovemesomevincentprice]

Vincent Price and Gene Tierney

Leave Her To Heaven (1945) dir. John M. Stahl

[poorly-drawn-mdzs]

Expertise can't help you here.

[ink-the-artist]

Love the contrast between the Americans’ “Apollo” and the Soviets’ “Sputnik.” You got the Americans naming their rocket after a Greek god trying to communicate the grandness and importance of this rocket. And you got the Soviets naming their rocket “fellow traveler.” Like a friend you go on an  adventure with together. This rocket is our little friend lol 

[aerial-ace]

sick and tired of seeing these ace trainers brag about their super smart badass level 100 shiny mons.

This is Sol. She is a fucking idiot. She regularly forgets that she is a flying type and sits at the bottom of cabinets n such crying cause she doesn't know how to get up. I would die for her.

[bklily]

I hope in season 6 Marinette commits even more crimes. I hope she steals a cellphone in every episode. I hope she breaks into every house in Paris. I love when Marinette is an illegal perpetrator. God forbid women have hobbies. Is it a sin to let girls have fun?? I didn't think so. Your honor my client can do whatever she wants because I said so. Her boyfriend loves her for it he can bail her out of silly crime jail it's fine.

[foxdoodles]

*waits for alecto the ninth faster*

[akanemnon]

I don't like this place. It's turning everyone edgy and sad.

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[clownowo]

been replaying the Portal series I think this is where its heading

[morganbritton132]

Continuing on a bit from this post:

Tim, complaining about Bruce grounding him again: It doesn’t even make sense! It’s like everything I do is a problem now but I’m not doing anything different!

Kon, who thinks a grounding is when you get sent outside to do yard work: Have you tried digging a hole? Like a lot of holes.

Bart, whose punishments are typically doing chores without powers: Or raking leaves?

Cassie, who knows exactly why Tim keeps getting in trouble: … Does Bruce know you’re at Titan Tower?

Tim: No, why?

Cassie: No reason.

***Later that day***

Jason: Why is Tim digging a grave in the front yard?

Dick: He got grounded again.

Jason: So… is it for him or Bruce?

Dick: Not sure yet.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[lotus-pear]

lore accurate teen soukoku. the worsties ever

[quibbs]

i love whatever is so wrong with her

[phatcatphergus]

Imagine being tricked into legally marrying your best friend and then be legally stuck in matrimony bc he won’t sign the divorce papers and instead writes an entire wattpad fanfic about how you won’t kiss with tongue

[demaparbat-hp]

Oh, Aang, you're really in it now...

This is Zu—I mean, Jian Li and Katara's second meeting in the Kyoshi Warriors AU. The first proper one, anyway.

Once they get through a minor difference of opinion or two (“I can carry my own basket!” “Never said you—” “I'm not weak!” “I didn't—” “Just because I'm a girl doesn't mean—” “Would you listen for once, woman?!” ) they'll become nearly inseparable.

For now Jian Li will carry Katara's basket all the way to the Kyoshi Warriors' dojo and, once there, they'll mercilessly tease Sokka when they see him in uniform.

[zhukzucraft]

@wizard-of-docs asked for Skizz giving Joe a tour of Gem's base at night, and hate as i might doing backgrounds, i just had to try. Thanks for commissioning!

just the guys

[valtsv]

the older and weirder i get the more i'm beginning to realize that i was actually a very cool kid who had no shame or fear until i was taught that i'd be punished for it and everything since then has been a slow uphill battle to get that part of myself back