#whats with all the mirrors man

[batsnipp]

in love with fabians narcissus arc

[medicalunprofessional]

never change, man !

[sforzesco]

DO NOT BE AFRAID

this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.

I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!

idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.

Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika

and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.

The Excidium Troie + Ovid's Heroides:

Excidium Troie, trans. Muhammad Syarif Fadhlurrahman

Ovid, Heroides 16 (trans. Harold Isbell)

a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.

The Divine Twins in Early Greek Poetry, Corolla Torontonensis

Iliad 24 and the Judgement of Paris, C.J. Mackie

Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek

Ennian Influence in "Heroides" 16 and 17, Howard Jacobson

Paris/Alexandros in the "Iliad", I. J. F. de Jong

[speakofcompersion]

TAEMIN - 'Eternal' Track List ♥︎

[passports-pls]

Guys you’ll never guess what I started playing

[carnation-damnation]

sometimes all you need is a hug from your big sister

[triglycercule]

instead of nightmare approaching horror to recruit him for the gang i think it would be cooler if he talked to undyne about it. because she would not hesitate TWICE to ship horror off to fuck knows where in the multiverse

like booo booo boring horror would never cooperate and agree to join nightmare without him doing some extra work that he cant be bothered 2 do bc its doesn't benefit him enough 4 the effort put in. AND THAT METHOD DOESN'T EVEN GIVE HIM MORE NEGATIVITY!!!!! nonono the king deserves a show :3 so he goes to undyne who's the craziest of everyone in horrortale and yk yk does some stupid mind manipulation. maybe in exchange for horror he makes up some bullshit lie about how he could save alphys (is she even alive atp) or the rest of the underground and provide them food (like the same deal that nightmare WOULD offer horror) and undynes like 70x more fucked up than horror so of course she's accept in a heartbeat. shes the queen!!!! shes supposed to provide for her subjects (even tho shes kinda. erm. making them all suffer)!!!! and all it would take was a sacrifice of the guy she lowkey doesn't like??? undyne has more reason to accept a deal like that from nm than horror ever would. and it wouldnt be the first time she sacrificed horror anyways lol

idk she sends royal guards out to snatch up horror in the middle of the day (nightmare told her to make it dramatic and tense :3) (all of snowdin would probably follow in concern because OMG WHERE IS SANS GOING????) and then yeah. just like that horrors gone! nightmare probably didn't even give him a chance to say bye to paps. undyne never ends up getting the food nightmare promised because hes a bitchass like that (and papyrus probably ends up taking up the full leader role of food provider for snowdin (if undyne even lets snowdin stay out of her control) good luck for him!)

if horror had a nickel for everytime he got forced to be a sacrifice he'd have 2 nickels. which is actually 2 too much in his eye HES PISSED!!!!!! rightfully so become man ☹️ taken away from his world without even a choice or a reason (to his knowledge) or anything to benefit him??? and now hes STUCK in this disney movie castle with two freaks who look like him (what the FUCK) and then the most annoying THING he's ever had the misfortune of getting kidnapped by. he is in misery. it sucks. he IS infact bitter. if he ever came back to horrortale (which he literally would never get to without dying or losing his stolen eye) he would 500% commit anarchy and finally get rid of undynes annoying ass ‼️‼️

[cyancherub]

seeing myself in the mirror and im like . whos that babe? that smokeshow? and then 2 minutes later seein gmyself in a photo someone took of me and its just some cryptid. some bridge troll captured on film

[batsplat]

following on from this. not to always bring marc into everything (sorry marc) but if assen 2015 had happened against jorge, valentino would have very likely pulled something similar again imo. rather than what he actually did, which is approach marc almost immediately for a nice normal friendly handshake and backing off during the podium celebrations. should be noted that during laguna seca '08, valentino was very much committed to yapping at casey on the podium with the world's biggest smuggest grin on his face

partly that disparity is because jorge not marc was the direct title rival, partly it's because valentino was treating marc with kid gloves right until the second that he wasn't, which marc was seemingly entirely oblivious to. if anyone other than marc had said what he said in that presser, had then continued on with similar rhetoric during sachsenring, valentino would quite likely have gone nuclear. he's done it over less than that. his fondness for marc made him continue to exhibit uncharacteristic restraint... except that fondness unfortunately is what left valentino feeling so very betrayed when (to his eyes) marc could not leave well enough alone

[saffitaffi]

So I just read all 914 pages of Fool’s Fate in one day. I don’t think I’ve ever read that much in one day ever. These books are so good holy snickerdoodles I love the politics and the amazing worldbuilding (robin writes matriarchies and different societal structures SO GOOD) and the realistic characters and Fitz’s unreliable narration and also the gay ass ‘friendship’ between him and the fool (fitz ‘no homo but also my bond with you is deeper than my love for anyone else including my other half bonded wolf and my wife and also sex’ farseer)

So uh. Yeah. Excuse me while I go cry in the corner. Again.

[mrs-gauche]

You know, while we have no idea what the story of The Missing comic is actually gonna be yet, what we can gather from just reading the blurbs, Varric having to search half of northern Thedas to no avail just because Solas keeps popping up all over the flippin map like a never ending cat-and-mouse game, I think this sums up the plot pretty well

[jessamine-rose]

*lovingly tackles Aine*

Read my Yandere! Pierro longfics first ♪( ´▽｀)

Last week, my beloved mutual @ainescribe surprised me with Savior! Darling fan art and AHAI9232@2-!/! CRYING SCREAMING I WANT TO LOOK AT THIS ART AND WORSHIP YOUR VERSION OF SAVIOR THANK YOU SO MUCH FOR BLESSING ME WITH YOUR ART—

*clears throat* Anyway, now that I finally have the time to properly sit down and comment on the fan art, I’ll do just that. Feedback will be in the tags and it will be unhinged. Once again, thank you so much to Aine for drawing this <3

[wlwaerith]

i’m aware i’m 100% alone in this, but i genuinely adore ascended astarion (especially when romanced) because of how—frankly—horrific it is. it’s simultaneously so cathartic in its brutality but so unsatisfying personally while managing to be narratively satisfying (just as his other outcome is, of course).

[crimson-roots]

s. something wicked this way rides

[more versions under cut!]

been strugglin' with art block, so have a little pearl sketch!

[doodles-in-sand]

i realised i never did post anything for triage 1 mil....well, heres thumbnail redraw!

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)