#whatever things are noble

[aspirant1598]

[claraoswalds]

The Giggle // The Legend of Ruby Sunday

[camellcat]

lose my mind every time the doctor takes rose's last name in fics. brilliant, amazing, splendid, absolutely perfect.

like, what do you MEAN she'd be the one to change her last name? he doesn't even HAVE a bloody name like us! plus, she's rose tyler. you think he's going to want that to be different? it's the doctor and rose tyler in the tardis (or I suppose whatever they do in pete's world, but that's still the doctor and rose tyler having their new adventure)!!

she's rose tyler and he is whatever-he-wants tyler. end of discussion. the whole pond diabolical should've been clue enough imo

[dailydegurechaff]

Today's Daily Degurechaff is... Regular Tanya is on vacation day 5 - Nobility AU

[touchlikethesun]

honestly while watching the untamed, i was thinking that the censorship didn't really bother me all that much, like sure they changed a few lines moved some things around, but they also added scenes so the trade-off really seemed worth it.

i am now realising that i felt that way just because for 80% of mdzs there wasn't that much to censor, playing with the wording was all they needed to do to meet the requirements. i have now reached that last 20% and the full weight of what the censorship robbed from us is starting to sink in.

what do you mean we don't see lan zhan cradling a delirious wei ying before fighting his own clan elders to defend him. idc if you multiplied the number of lashes he received by 10 it is so much less impactful when it's su she and jin guangyao who are the agitators also i don't understand what the timeline is supposed to be is this after wy is already dead?? how is he so composed??? i have so many issues with this and they would all be resolved if they kept the scene from the novels why couldn't that have been part of their "bromance" too???

[ndostairlyrium]

"He's the most intelligent creature I've ever met"

I've given my baby a baby. Again << I swear I'm a cat person

Quick research under the cut <3

[quietwingsinthesky]

of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:

rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)

i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.

donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.

[swordmaid]

think cannibalism should be a thing in menzoberranzan actually, or maybe it is and I haven’t known about it, but it should be a thing amongst the nobles where they eat rival lolth priestesses since they’re lolth’s fave sacrifices anyway. like if we’re all constantly vying for lolth’s approval, and you have these people who actually has her blessing (which is rare) why not….eat them….😳. like eating the priestess of a rival house would be a ritual after you’ve succeeded in bringing their house down as a way to consume lolth’s blessing, and its def an intimidation tactic and def one of the plenty weird shit nobles have done for the sake of playing their power games. maybe they eat males who are in power too if they’ve overstepped their position to remind them of their place in the hierarchy, or maybe matriarchs/nobles eat their favourite bed mate/partner so no one else can have them, kind of like actual spiders. anyway. if menzoberranzan is this immoral lethal and ruthless place cannibalism should def be a thing lol

[nefertittythegreat]

The thing about Sylvester is the things that make him a great person make him a terrible Aub.

[torgawl]

instead of just cross eyes and star eyes distinguishing dynasties in khaenri'ah, why do some khaenri'ahns cover one eye specifically? there’s many things that seem interconnected regarding the lore:

crimson moon turning around to look like an eye; irmin the one-eyed king; the unknown god’s cubes containing eyes in their design (same ones present in the cataclysm as well as the crimson moon), her glitching looking like arlecchino’s, and the four pointed star pattern that appeared when she showed up to the twins; forbidden knowledge and nibelung’s influence; fischl's auge der verurteilung aka eye of condemnation (crimson eye) and her skin's description "o holiest of sovereigns, high princess of immernachtreich (kingdom of evernight)!".

kaeya's note about the alberich saying "i saved this one memento from the fire 'father' made while he wasn’t paying attention. this was in violation of our principles. our clan's affairs should never be recorded" and "though we could not restore khaenri'ah to life, we of the alberich clan should lead lives as those who blaze like fire, rather than those who wallow in the embers [small piece of burning or glowing coal or wood in a dying fire]", father being in quotation marks and references to fire and ashes; the orphanage in khaenri'ah that wanted to house children from destroyed worlds and non-threats that leaked into the kingdom, in hopes of finding beings from beyond the sky who could transcend the gods; perinheri's first memory being transversing something like a chimney, filled with ash and being asked if he wasn't dead just for him to see the eye (crimson moon) and being told he was reborn; dust and the blood of of dragons (or dragon-like beings like durin and elynas) being connected to rhinedottir and the art of khemia; fire as rebirth and life but also, the balemoon blood specifically being connected to loss of memories and loss of memory being equivalent to death (not physical);  despite the orphanage never being able to find that transcendal person, it had many unusual individuals who became knights of the kingdom.

irmin as the first divine halberd (that once pierced the axis mundi [cosmic/world axis, world pillar, center of the world, world tree, etc.] and connected the nine worlds), the prinzessin der verurteilungas (fischl) as the last one; fischl and kaeya comparing themselves to one another and their parallels to irmin and odin; der ring des nibelungen, in which the dwarf (or nibelung) alberich creates a ring capable of controlling the world, using gold he stole from the rhinemaidens (or rheintöchter "rhine-daughters"). the conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, valhalla.

irminsul (irmin + sul) meaning great pillar and being a reference to the yggdrasil, the tree that supports the universe; the description of the item silver twig – collected in the center of the world - talking about a sage that hanged himself upside down in the irminsul tree to gain knowledge of the runes and the cosmos, then going into a secret kingdom down its roots [also a reference to hanged man in tarot that symbolizes wisdom, divination, sacrifice, prophecy, etc.]; odin who hung himself upside down from the sacred world tree, yggdrasil, for nine days and nights sacrificing his eye and throwing himself on his spear (gungir) as a ritual sacrifice in order to obtain secret wisdom; memories, fire and crimson moon hand in hand with the irminsul, king irmin and the concept of fate; the fake sky, the stars and being able to see fate but also fate being a means of the heavenly principles to control the world (neuvillette calling it puppet strings); khaenri'ah, a supposed godless nation but the crimson moon dynasty revering the moon (and hilichurls worshiping istaroth); the crimson moon having an eye on humanity and always being present associated with punishment and destruction (fall of gurabad, remuria and the catclysm).

crimson moon's semblance (arlecchino’s weapon) implying the crimson moon sought vengeance (“few survived the utter destruction of their kind, hiding in the shadows where the sun did not shine, longing for the crimson moon to decree their desire for vengeance be repaid”); the design of the weapon and arlecchino’s boss attacks resembling the double helix present in deathly statuette material dropped by abyss heralds, abyss lectors and shadowy husks, which has a single red eye. it apparently whispers "see, my child. all that lies under the throne of heaven shall be destroyed by upheaval. the eternal peace of the pitch-dark void shall embrace us all.” as you gaze at it.

the abyss order being founded by chlothar alberich and pierro being the first harbinger; the "sinner" – the crystal in chains from the chasm, protected by an abyss herald - not being a god but still worshipped by the abyss order. the voice stating to chlothar and the traveler’s twin that he "[knows their] fate well" and urged them to become a "transcendent one" saying he would "shed a tear at the end of time... as i gaze back upon your life". he also imbued chlothar with the power of the abyss, which alleviated his worsening conditions. the “sinner” refered to chlothar as “dear creature”; dainsleif, pierro and kaeya being examples of khaenriahns who hide their right eye; dainsleif being called “bough keeper”, bough is a branch of a tree, but also his constellation being a snake ring like ouroboros – representing the eternal renewal cycle of life, death and rebirth; the loom of fate being an operation of the abyss order first encountered during "a herald without adherents" quest.

“the threads of your fate lie in my hands” a quote by fischl connecting to the weaves of fate; fischl stating that if she does not obtain the divine halberd “...this world and everything in it is going to burn in hellfire” (legend of the shattered halberd vol. ii). some other excerpts of the book also include: “but unbeknownst to him, this was the greatest cursed sword of all, that had once burned the entire world to cinders: laevatain [in norse mythology, a weapon crafted by loki and the only capable of defeating the cockerel viðofnir, inhabiting the top of yggdrasil], the sword had extinguished after the world was burned, but... it burned bright once more. ‘the whole world... destroyed again...’ weiyang [fischl] fell unconscious as she spoke” (vol. iv), and, "the world is beyond repair. it shall be born anew from the ashes of the last” (vol. vi); dainsleif saying “none will escape the flames. see for yourself” but also neuvillette’s character story including “the puppet strings glossed as "divine rules" would one day be burned away by the fires of judgment” when talking about constellations; burning away the old world, project stuzha by the fatui and the image of dottore burning the irminsul; nahida saying fontaine's prophecy was engraved in the irminsul, implying the tree also contains the history of the future; sibylla, a prophetess who guarded the irminsul in an ancient city located in what later became the high seas (referred to as abyssal depths). she sacrificed her life for the sake of creating phobos, remus' grand symphony, but her lack of a will ultimately caused the project to fail, as her vague desire to "grant happiness to all in the world who are called humans" caused phobos to attempt to satisfy everyone's desires — including destructive and selfish ones — and set remuria towards the course of its self-destruction (possibly tying concepts of will and fate together); thinking of dottore's plan, it would make sense to burn the tree that holds memories with a fire able to erase them (arlecchino's balemoon powers) so that the world can be born anew breaking away from the shackles of fate.

there’s also the improvisation kaeya does during the play in his hangouts. "do you believe in fate? if fate decreed your life was to end in tragedy, what would you do?". he then throws a prop and we interact, choosing if we would face our fate bravely or challenge it and rise above it. kaeya then goes on saying "then so must it be! yes, so must it be! i shall discard this intaglio and rid myself of the shackles of fate", "fate means to send the machinations of war to every corner of the land to fan the flames of conflict till they ungulf the entire world… fate would see my sword tainted with the blood of innocents, that the bright banner of my homeland might fly in every nation known to mankind. but i shall not bow to the will of fate i am no pawn in heaven’s plan. i, qubad, will spend the rest of my days in a foreign land, 'till i breathe my last in a place far from home" and finishes the play with "but i must walk this path, or freedom dies by my hand. goodbye, my tribe and kin. farewell, sweet land of my birth". the prop we get from kaeya, the intaglio, symbolizes the noble origins of prince qubad in the play and the blood-red jewel (blood, red... funny, uh?) is said to be a crystallization of the question kaeya asked us about destiny. furthermore, an intaglio can be a type of engraved gem or metal signet ring.

[aurosoulart]

sometimes I get NFTbros trying to get me to sell my work as crypto bullshit and NOTHING shuts them up faster than me saying

‘oh actually literally all my AR art is published under public domain! no single person can own it because technically it’s owned by everyone :))’

they hate not being able to manufacture artificial scarcity

[brennacedria]

Dragon Age players, especially players who marry a Cousland to Alistair:

Do you think your Warden's status strengthens or weakens Alistair's claim to the throne? I ask because of how high Cousland's status would influence much of the Landsmeet. Many of the nobles might see it as a strong family supporting the royal family... but many others, I feel, would see it as a way to seize power from that Theirin lineage.

Oh, before I forget: We are not discussing any other characters potentially weakening/"stealing" the throne for their own family here. I do not want to see comments in the notes about similar arguments with other characters even though male Couslands could easily face a similar argument as female Couslands. This is about bastard princes only.

ANYWAY, I repeat my question, because thoughts and headcanons about this are something I really am curious about:

(If you haven't played Origins, please use the "non-Cousland player" options the same way someone who primarily plays another origin would.)

All reblogs are appreciated, especially with ideas and headcanons about Alistair and the Cousland Warden. Reblogs with commentary as tags or in the body of a post are both great in this situation, I think.

[fieldlands]

there are many reasons to remove bad game pokemon masters from your definition of "pokemon canon" but my personal breaking point was sygna suit cynthia's story, where gira "banished for its violence" Fucking tina is essentially likened to a well meaning doggy. Fuck that

[ninemelodies]

this is how i image the 14 & donna reunion going

[cultofmothman]

hey yk what?? as someone who isnt on booktok/tube but will occasionally brush past some stuff and likes hearing the drama. booktok/tube needs to get into LIBRARIES. u do not need to be buying every book u wanna read. u also do not need to be buying books if u dont even know if ull like them. u also do not need to buy books just bc other people like them.

not only is it yk. financially not viable for a lot of ppl but also libraries are fucking great and theyre dying out and i think it would b rlly cool if all the attention and community could start utilizing libraries

[theragamuffininitiative]

Thinking about how the road from despair to hope is maybe very like a huge dense dark forest where you live and someone somewhere (in a whispered conversation you felt like you weren't meant to hear but may have actually been the love of others shouting the announcement to you, to you specifically) told about a mountain vista that can be seen beyond the trees. It sounds so wonderful, yet so impossible to exist in the same world as the dark trees. But you want to be there. And the only way to be somewhere is to go.

So you pick yourself up and you start off through the forest and you're woefully unprepared and you only make it so far but you want to see that view and you think it will be really worth it and so you keep trying over and over again. And it's hard, so hard, because there are no paths this way but you keep going until finally at last, scratched and sweating, you break through the undergrowth and there it is. And it takes your breath away more than the journey did to behold such a sight and the breeze is cool and filled with calm and awe and you can breathe deeply again for the first time in a very long time and you think to yourself that if there are sights and wonders like this to be seen, then the dark and the pain are lessened not in their strength but in their hold, by the very existence of something better.

So then you keep going back. And the second time is just as hard as the first except that now you know. Now you have seen the view and tasted the alpine air and it's real and true and if you can get there again you can remember what it's like to feel the sunshine on your eyelids and hear the birds sing. You keep going back. The mountain view, the little place where the trees break away and fall behind, is beauty and joy and so you go back again and again and again. Sometimes there are storms and landslides and you have to twist and turn around trees and boulders and find your way again. But you keep going.

Then one day, a thousand and ten journeys to see the mountain later, you look down to see the picnic basket you brought with you, that has food and a book and some handiwork you want to spend time on while in view of the mountain bc you have the time and energy today to stay a while. And you look back behind you at that dense terrible forest and it's still dense and terrible but the path you made to the mountain is now wide and clear. You can follow it with ease. You know that when the next storm comes, the obstacles will still appear but you know the way now and you know the path to the mountain view is waiting just past that rain-swollen ravine.

And then that same rain make you wonder. If there might also be waterfalls. And meadows. And little creeks and ponds where there might be fish or places to swim. You wonder if you can reach the mountain itself.

There is no pathway in that direction, you think as you enjoy your lunch, your back to the direction you came from. There is no pathway yet.