#what would you even call this ship???

[skateboardtotheheart]

there is just something about the difference between edwin's love interests and having the cat king's reaction to edwin in hell being "i'll be waiting when he gets back" vs charles "no version of this where i don't come get you" rowland convincing a powerful trans-dimensional being to open a door to hell just so he could get him back

i am insane

[moongothic]

Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.

At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little

You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)

Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right

So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?

Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)

Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)

Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass

Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)

My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?

Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO

So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.

Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.

Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))

But like, once they set sail to Alabasta...

Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.

But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.

But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)

Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.

The only question is, how would Robin take that?

Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good

So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.

Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.

And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.

What's she going to do?

EDIT: I wrote a sequel post, enjoy

[fl00mie]

honestamente, no sé

to prevent confusions i'm giving credits of every fankid in order (starting with the tall one)

layden (fresh x ink fankid) by @/sugary-alienn dot (cross x ink fankid) by @/yo-honne abstract (reaper x ink fankid) by CATA-824 on wattpad gradient (error x ink fankid) by @/askcomboclub paper jam (error x ink fankid) by @/7goodangel palette (dream x ink fankid) by @/angeutblogo blueprint (swap x ink fankid) by @/pepper-mint aiden (zack x ink fankid) by ariscastleart

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[cangrellesteponme]

i don't think wonderland is ready for those alices

[angy-grrr]

spoilers for chapter 429

idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.

This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.

He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost? He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.

but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.

the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship. In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.

That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.

Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.

Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…

Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?

[dykedvonte]

Curly had two days to act and Swansea had two months.

I think it’s just interesting that every defense of Swansea not immediately acting are the same ones that are argued against for Curly. “He didn’t want to alert Daisuke or makes things worse for Anya either Jimmy!” I mean people also assume that about Curly and the crew. “He has to think about his plan of action and a right moment!” Again so did Curly, power and authority aside, he still would have to think of what he had to do. “He makes sure he doesn’t have to be around Jimmy!” So did Curly and they only do this to an extent, both give Jimmy more than a few opening to keep harassing Anya.

This isn’t defense of Curly nor a damnation of Swansea. Their actions are very parallel to each others in tragic and sour ways when it comes to how they approached helping Anya. In the grand scheme of it all they both did the same thing: Nothing. No action either took stopped the inevitable outcome of her death nor Jimmy’s continued damage to themself.

The only real difference is Swansea didn’t like Jimmy which is pretty substantial, but also just as damning as Curly knowing how bad Jimmy could get to an extent. He had even less of a reason to wait, even more of a reason to act seeing as he was now worried for Anya AND Daisuke. He is not bound by the possible procedure as Captain and actively does not care about what happens next. So what does it matter if he acted in the moment? Why did he wait? I think he’s just as morally complex and grey as Curly and we hold him on a pedestal that still perpetuates things in rape culture the game critiques.

It’s not just enough to dislike and be abrasive to predators/abusers like Jimmy. It’s not enough to just put yourself between them and the other person. It’s not enough to hold tensions when you know someone is vulnerable. He and Curly do the exact same things but on different sides of the coin. I ask how is it better to not turn a blind eye but still not really do anything about what you are seeing? Not until it affects you atleast…

The game makes a big point to not put men doing the bare minimum or who wait to do more on pedestals and I’m actually surprised so many are missing that point.

[98chao]

truly i love all of you and i'm so grateful for all the support i get on my vanilla milkshake posts here because i've just seen the way people talk about vanilla milkshake and mysticao on twitter and its genuinely taken 50 years off my life. now i've been reminded as to why i should never join the crk fandom on twitter

[simplepotatofarmer]

Gotta love that even for c!dream dislikers, c!Dream is the only competent lover rival c!philza can get for c!techno

(No shade to anyone, just appreciative of the strength of rivalsduo's aura)

I MEAN

it just makes sense!!

anyway, now put all three of them together because c!techno deserves as many emotionally complicated green men as he wants and c!dream should get to kiss an old man. ¯\_(ツ)_/¯

[butwhatifidothis]

I guess the ultimate thing that kills CF for me - or at least nudges it away from me saying I definitively like it - is just how much Edelgard is clearly written with the player in mind before she's written with her character in mind.

Because on all of the other routes, there's a power to Edelgard's presence. Even on BE, there's a sense that for as lonely as Edelgard might be, she still ultimately will do whatever it takes for her to get what she wants. Be that be killing her citizens (or otherwise letting them be killed), endangering her friends, assisting in kidnapping people, allowing Byleth to support her only when they have the Sword of the Creator, covering for TWS - no bar is too low for her to limbo under if doing so means she's even a step closer to her goals.

She's manipulative! She's deceitful! She doesn't care for the lives of her people! Even her friends are forfeit if they try to stand in her way! And this happens no matter how close you, the player, get to her, in the case of BE - C+ ain't stoppin' Remire, and going to the coronation ain't stopping the Holy Tomb.

And in the war phase, she is dominating the field. She has the Kingdom completely on the ropes, down to a few houses standing against Imperial rule, and the Alliance is stuck in neutrality - she may not be able to do much to it, but neither can they do anything to her (to say nothing of the Alliance houses who stand with her). She's far from the underdog in this race, and she shows off how threatening she can be.

CF? Her route?

She scweams at scawy rats. She gets embawwassed when you find her dwawings. She's just so wonewy, and she's just so gwad that you chose her. She somehow fails to capture Rhea, or frame Dimitri for regicide, and so now has to deal with that on the Kingdom's side of the war. But that doesn't stop Elly Welly-kins fwom twying to find her pwecious teacher, because you're just so important to her. She cwies and hugs you when you meet her in the Goddess Tower!! Because she missed you so much!!

It's like... Dimitri and Claude certainly show different sides of themselves on their respective routes. It's the whole point! You grow closer to them and thus see how they treat those close to them, as opposed to being the Kinda Neat Teacher they see run along every now and then. But, like... Claude doesn't become a blushing maiden whenever Byleth speaks with him on VW. Dimitri doesn't scream at scary rats and get called cute for it on AM. They don't get Basic Bitch Gap Moe Traits slapped onto them that are only ever shown to the player and only on their routes. Unlike Edelgard.

Dimitri's endearing trait is that he's this big huge dude who can bench-press forests and arm-wrestle god who still wants to learn to sew and who teaches kids to protect themselves and who buys candies for his friends. Claude's endearing trait is that he's this mastermind planner who has contingency and lie and obfuscation as three separate legal government names who still wants everyone to be safe and happy and hold hands and be friends.

Edelgard is strong, confident, and willing to do some of the shittiest things known to man for her goals. Her endearing trait is that her screams are cute. She's shy about her drawings of the player character. She blushes over the player potentially joking about having sex with her per her JPN version of her C support; you know, the one about how Byleth walks in on Edelgard muttering in her sleep from a nightmare about her tortured family? Perfect time to joke about fucking her! Dimitri and Claude's endearments are, well, endearing; Edelgard's are all straight up embarrassing for her.

Hell, even the smaller stuff is affected! Claude's passion for poisons and mushrooms are things he has no qualms about having others know about, despite how weird they are. Dimitri laughing at shitty jokes brings him no personal discomfort or embarrassment, despite just how loudly he laughs at them. They have traits to them that can easily be uwu worthy, and they don't care! Of the lords, only Edelgard does! Because, it feels like, the only way for a strong, resolute female character to come off as approachable is if she's knocked down a few pegs for specifically and only you, the player.

And that sucks ass! I'm sorry, but when I'm playing Edelgard's route I don't want to deal with her hiding herself away in her room for a month IN THE MIDDLE OF HER FUCKING WAR because she's just so embawwassed! It is so fucking insensitive that Edelgard is literally the only lord of the three who can have her trauma openly belittled at any point in the story by Byleth, all to have some cheap cutesy uwu moment about her fear of rats (calling her screaming in fear cute and INSISTING that it's really cute which is just. Fucking ew man)! Why can we fucking mock Edelgard's manner of speech during the MASSACRE OF REMIRE?

This shit doesn't happen to Claude or Dimitri! And saying "oh just don't pick those options then" is bullshit because no equivalent options exist for the male lords! It's piss-boilingly annoying that the second you choose to see things from the strong confident villainous ambitious female lord's perspective you can reduce her down to this bumbling moeblob just for you (sometimes unavoidably!) like!! Dude!

[ancha-aus]

RealAgeAU Drabble - Starcrossed

Here we go! the next Drabble :D @spotaus

As the poll ended it gave me two options and I wanted to write a Cross POV. So. Starcrossed :D

First: here Prev: here Next: here

Timewise?

We are about... a Month and like three weeks in. So a month of Nightmare being alone. Three weeks of him being with the gang. about a small week after Killer soul-adopting Nightmare (with Dust adopting Nightmare in the first week as the madlad he is).

Okay? We good timeline wise? okay.

As always, unedited and unbeta'ed. This is not ever going to change unless i one day decide to make a full story of these drabbles and add extra stuff and change the chapters up.

Anyway!

*------------------------*

Cross rubs his face as he continues to walk "Dust."

Dust just hums to let him know he heard.

Cross shoots him a look "He has legs. he can walk." with he, Cross obviously means Nightmare.

Dust doesn't even look at Cross or look in anyway surprised by that sentence. Instead he just keeps walking as he holds Nightmare in his arms "I know."

Cross stares at him but Dust doesn't continue to speak.

He groans "So why isn't he walking?!"

Dust shrugs and instead bounces Nightmare up a bit to enable Dust to have a more secure and stable hold on Nightmare.

Nightmare for his part does not look bothered as he just relaxes against Dust as he looks back over Dust's shoulder and watches other people go about their day.

Cross rubs his face "honestly what is the deal with you and carrying him?"

Dust shoots him an amused look "I want to."

Cross throws his arms and hands out "That can't be the only reason!"

Dust shrugs "Don't need more reasons."

Cross glares at the ground as they continue walking. He looks up and points at a store "This one?"

Dust looks at it and shakes his skull.

Cross groans loudly "What is wrong wit this one?!"

Dust raises a brow "Wrong style."

Cross crosses, heh, his arms as he glances at Dust "You know. this whole clothes shopping thing would be a lot easier if you actually picked a store to enter."

Dust shrugs again "Not good enough." and he gently bonks his skull against Nightmare's.

Cross can't believe this is the same Dust that got his own clothes by walking into the frist store he saw and grabbing the first set of clothes he saw. before calling it a day. Dust's wardrobe was hardly ever actually his size.

Now? The first store was too low quality; then not the right colours; then wrong materials; then too bland; then too sexy, with this one Cross had agreed and questioned why they would need a shirt for a six year old with the words 'lady killer' on them; then to tight and restrictive; and now just 'not good enough'.

When Cross agreed to help Dust get Nightmare new clothes instead of breaking and entering a place wiht Killer he had hoped it would be the less stressful option.

Cross rubs his face "Wiht you being this picky he is never going to get clothes that fit him."

Dust shrugs again and seems fully unbothered. Which may just be because Nightmare primarily still wears his stuff.

Cross doesn't get it. well he kinda does. Babybones are cute nad he also notices the need to take care of him but. It is Nightmare! It is a matter of time before he is an adult again and then none of this will have mattered! Or maybe they will have and then what? How would he recover from this?!

It is best to remind himself that this may be Nightmare and he may be six but Nightmare will one day become that powerful and formidable monster again and so to keep treating him with the respect he deserves!

They walk silently through the twon for a moment and Cross can see that Nightmare is dozing in Dust's hold. completely content and trusting.

Cross shoots a look at Dust. "I just don't get it...."

Dust blinks nad looks over "What?"

Cross feels himself grow warm with embarrassment. He hadn't meant to say it out loud and he says as much.

Dust rolls his eye lights and waits with a raised brow.

Cross grumbles but tries to explain "How can you... treat him like a babybones that easily?"

Dust tilts his skull and glances down at Nightmare before looking back at Cross "Because he is one." the way Dust says it implies it is the obvious answer.

Cross groans as he tries to explain more "But he used to be big and an adult. Or at least look like one? How can you jsut... switch to seeing him as a babybones?"

Dust tilts his skull adn snorts "easy. people change. people you watched grow up or grow older, do you still treat them like kids even though they are adults. because you knew them as kids?"

Cross blinks nad speaks "This is different?"

Dust shakes his skull "I don't agree. it is the same concept. just slightly different. he used to be a child. magic gave him the body and brain of an adult. but his soul was sitll a child and once the magic was gone he is a child again. So you treat him as a child."

Cross frowns as looks to the side "What if he becomes on adult again?"

Dust starts to grin "I mean. that is usually how growing up works."

Cross knows he is blushing again and glares "You know what i meant."

Dust chuckles and shrugs "The same still implies. We will just be lucky we managed to skip the teenage years with him."

Cross wasn't sure what he expected as answer but maybe he should have seen something like this coming. Dust was after all all for this parentship thing they have going on right now... and Dust is a very smart and logical person. Of course he managed to find comparisons to normal day life and managed to accept it more easily. Hell Dust probably has even more examples ready to use if Cross asks for it.

It is still just... difficult to accept for him. Cross will need more time. Luckily none of them seem to mind him lagging behind in this case. Killer had also taken longer than Dust to accept the situation fully, but Killer managed to work it out.

Horror is much chiller about what is going on. He didn't seem surprised at Dust's reaction and even less at Killer joining the 'parent-camp' with Dust.

Maybe there is just something wrong with him... it wouldn't be the first time...

Cross sighs as they stop by the plaza and manage to just see the house that Horror and Killer should be robbing. "well, either way we are soon out of time and will have been unsuccessful" great. the one thing they had to do was get Nightmare a spare outfit. They didn't even need to try shoes and-

Dust freezes "fuck."

Cross turns "what is wrong?" as he says it he sees Dust eye the plaza around them, all while he ducks further and further behind the fountain as Nightmare shakes.

Dust looks around the plaza "Stars. All three." he glares "empty... can't make a break for it using the crowd as cover..."

and a teleport would be too loud and will clue them in on them being here. Fuck indeed.

Cross sneaks a look and sees the three skeletons talk and converse casually. the rattling from Nightmare is a sign of pure fear and Cross feels himself grow worried even as he texts Horror and Killer about their emergency.

How... how would they react to Nightmare being a child? Dream had already made it clear that he thought Nightmare was corrupted and none of his brother had remained. What would he do if he saw Nightmare?

Best case scenerio would be him kidnaping Nightmare and locking him away... Worst case just... dusting him. Make sure Nightmare never becomes the powerful being he can be.

Cross notices that they have been seen as Dream looks shocked while Blue waves and starts to shout "Hey! DUst and Cross!" Cross acts as if he didn't hear or noticed them.

Cross stares at Dust "What do we do-"

and Dust just, undoes his own hoody. he pulls it over his head and even ignores the red scarf that falls to the ground next to Nightmare- wait when did Dust put Nightmare down.

Dust puts the hoody on Nightmare with one smooth motion and pulls the hoody up, he next uses the strings to make it tight and tests to make sure it doesn't come off easily.

Dust stares at Nightmare as he quickly puts on the scarf again "You just keep your face and skull against my shoulder and neck okay? Don't glance, don't react. Just act shy or asleep. Nothing will get you." and Dust picks him up again. Nightmare, without a single word, pushes his face into the soft scarf and together with the large hoody there is nothing visible that could be used to indentify him.

Holy shit that is so smart-

"Hey you two! We didn't expect to see you just hanging- what... is that?!" Blue looks beyond excited as he stares at the tiny bundle that is Nightmare. Cross feels his anxiety and panic turn hotter into a raging fire. Dont. get. near. him.

Dust just shoots Blue a look and speaks in a quiet voice "sh. quiet."

Blue gives a sheepish look and speaks much softer "oh. I am sorry. The kiddo is tired?" Dust just nods.

Cross sees his change and nods as well "We were taking a quick break but were going to leave again." he can see Killer and Horror look through the window of the house they are robbing and sees them see their situation.

Blue looks sad but nods "Yeah. I get that-"

Ink interrupts him "How did you two get a child?!"

Dream looks suspicious but doesn't say anything.

Fuck, he can probably feel Nightmare's fear doesn't he? and he wouldn't know it is fear directed at the Stars... Oh no.

Dust raises a brow and doesn't even bother to answer as he starts to take a few steps back, away from the Stars. Cross cna see that Horror is climbing down the side of the house as Killer glares at the Stars.

Ink gasps "I knew it! You two kidnaped a child!" he holds out his hands "Hand the child back and we will find their parents!"

Dust growls as he steps further back.

Cross panics and answers without thinking "We didn't steal him! He is Dust's you idiots!"

dead. silence.

The three Stars look shocked at Cross and Cross can actually see both Horror and Killer also stare at him in shock.

Ink snorts "Really? and who is the other parent?"

Cross huffs "First off, you don't nessesarily need two parents to make a child, learn basic monster biology first before making claims. second, obviously it is" think think think think think just say something! "me." NO NOT THAT!

The silence of before is NOTHING compared to the silence now. Cross is actually sure he can hear a pin drop in one of the stores around them at the moment.

No one moves and it doesn't help that Cross can see both Dust and Nightmare shoot him incredulously glances.

Oh please someone shoot him because Horror even pauses his own climb to shoot him a raised eye brow while Killer is ACTUALLY wiggling his eye brows at him.

Just end him. Please his mind did not work with him. He had just been thinking so much about how everyone had been treating Ngihtmare and how he saw the situation.

Dream is the one who coughs and looks to the side awkwardly "oh. wow. euh... congrats? I didn't realise you two were... you know... an item." please please please please shut up. "and a babybones as well! Wow! That is... unbelieveable!"

Blue nods "Yeah! No one knew!"

Cross still can't find the words and is actually afraid of what he will say next. Dust however shrugs and has managed to pull his face back in his normal bored look "prefer privacy. it is no ones business." and he raises a brow at them.

Blue smiles brightly "of course! We won't tell others. stars knows everyone wants a quiet moment nowadays..."

Dream nods before quickly changing the subject "right! We were just curious what you two were doing out and-" he looks horrifed "Oh stars... you two are on a date! A fmaily date! and we crushed it and interrupted it and we are so sorry!"

Cross suddenly understands why Chara and Gaster would use the reset and overwrite power. please just let him change this moment to have been anything else. please.

Dust hums and shrugs. Not really answering any question.

Dream still looks embarrassed "anyway! we... euh... well... were wondering what you were doing. Now we know that that is great! euh... So... my brother just... doesn't mind this?"

Any embarrassement disappears. Hot rage in his body. Cross glares as his crosses his arms.

Dream sputters but continues "you know... be is so against positivity... and this... this is a beautiful and wonderful thing! Doesn't he...isn't he..." he smiles sheepish.

Cross glares "no. He doesn't. In matter of fact. He is very fine with the situation at hand. very willing to help in a way he can." Cross isn't even lying. While Nightmare doesn't like having been changed back he isn't diffficult anymore and more than happy to stick with Dust, and them all, now. Nightmare is also not fussy when out and about on missions and aside from being grumpy he is a perfect good babybones.

Dust nods "you should stop talking about people you know nothing about." he looks at Cross "lets go. he is tired."

Cross nods and sees Horror sign at Killer to get down as well. Killer shrugs and just lets himself fall from the third floor right into Horror's arms. The two disappear into some side street.

Cross nods and looks at Dust "you first." Cross will just walk behind Dust and make sure the Stars don't get any glimbs near the end.

Dust nods and turns easily as he walks away, Cross can see how Dust changes the hand mid turn and Nightmare sinks a little lower. Making it that his skull doesn't even peak over Dust's shoulder.

They walk away in silence and take many turns to get some distance. As soon as Cross is sure the Stars can't hear or see them he says so. Which causes Dust to nod before sprinting, Cross is quick to follow.

They reach the edge of town in record time and Cross glances back "okay. we are good. we are fine... we got out."

Dsut nods before looking at him very amused "we made a babybones?"

Cross feels himself grow warm for so many reasons as he sputters "I panicked! I am sorry I implied we were- that we did!" he hides his face.

Dust chuckles and pats his shoulder "It is fine."

Cross relaxes and smiles in thanks.

Dust raises a brow "Killer will never let you live this down."

Cross groans "just end me."

Dust hums "I don't know. I don't think killing the other parent of my child works in my favour." he grins so goddamnit amused.

Cross is never going to hear the end of this.

*-----------------*

First: here Prev: here Next: here

Cross was so close to soul-adopting Nightmare but then the Stars interrupted and Cross panicked.

Also, important. Noticed how Cross only apologised for implying he and Dust made the babybones together? But not that he is a parent? Cross is getting there. It will just take him a while.

[buddiebitch]

WHY are BT shippers so vehemently against actually analyzing the symbolism and choices made for this show?

i mean i saw multiple people saying we were overthinking the vertigo poster. they were saying that it was weird to assume that Buck would fill the pining best friend role that Midge did in the original movie??? (haven’t seen the movie, i just read a few synopses)

i’m sorry, so you agree that he put Ryan Guzman in the main character and Devin Kelley as the love interest because they’ll fill those roles in the storyline, but we’re overthinking when we point out what role he put Oliver Stark in?

or when i bring up the possible symbolism of Tommy always calling him Evan, the only response i get from BT stans is “well he would tell him if he didn’t like it” or “i think it’s because he was introduced that way and that’s why” or even “i think he probably likes that Tommy calls him Evan” (all real responses i saw) and it’s like, yeah that’s cool, those are great headcanons for you, but that actually isn’t what i was talking about. nothing wrong with having a headcanon, but it doesn’t explain anything about the show or answer any of my questions.

i mean in s4 he corrected his PARENTS and told them his name was Buck, and in s6 it was used to emphasize the strangeness of his coma dream, how everyone was calling him Evan, the whole show him being called Evan has almost always been used to emphasize that someone doesn’t know him very well, how are y’all convinced that it’ll mean something different this time? i get that some people think it’s supposed to be growth, that he’s cool with being called his first name, but if that’s the goal it definitely isn’t reading that way to me.

like i wish i could see things through the same lens as these people so it could make sense to me, i just don’t get how you can willfully ignore SO many hints just so you can ship what you want.

no hate to the ship or the shippers obviously, i’m just baffled by the lengths they’ll go to in order to convince themselves that plot device man is endgame for Buck.

[mr-bugs]

i had a vision from god

[stardoopy]

Crackship divorce

[girlwiththegreenhat]

hey when they wrote "knight behind bars" and they wrote kitt helping a couple get together and they gave him the line "Some day, it will be my turn" [to find love]. did they know what they were doing. did they know that in some 40 years some gay autistic robot-obsessed little freak on tumblr would not stop thinking about it for weeks and write literal dozens of paragraphs screaming about it on discord. did they know they were going to ruin Me, Specifically, with this concept that feels like the culmination of everything kitt has gone through through the show and such a fascinating thing to think about in regards to michael and kitt's relationship,

one of the themes of knight rider is kitt developing as a Person, developing a line between the Knight Industries Two-Thousand, and Kitt. discovering humanity, his own emotions, the joys of the seemingly and logically pointless, and often through the lens of his own driver, his partner, his friend, Michael - his primary guide through all these experiences, his reference for those human things he doesn't understand. and as much as he initially claims to not be capable of experiencing emotions, of understanding feelings, he learns to. he experiences a wide range of emotions through the show even while claiming he doesn't, he even learns fear and insecurity. perhaps it's only natural a robot would learn to love, or at the very least be terribly curious about it and wonder if such a thing could ever exist for Him

the majority of people are not exactly kind to kitt. they talk about him like he's not there, they talk about him like he's a machine, a novelty, some people are even scared of or disturbed by him when all he's trying to do is make polite conversation and company. he's always Othered - there's no other cars like him (at least not anymore), but there's no other person like him either, he doesn't truly belong among humans or vehicles. some of the technicians at FLAG don't even seem to fully respect him as a person, at least they don't based on my vague recollection of how they talk about him in Junkyard Dog. when Michael asks him after KARR is destroyed if it feels good to be one of a kind again, he doesn't say yes or no - he only says it's a "familiar feeling." it may be familiar, but it's surely also isolating, and i think that's something he'd realize as he slowly picks up this curiosity about love. where could he even find it when so few people see him as an equal person to begin with?

and then there's michael. oh my god, and then there's michael. no matter what flavor you choose to read it in, the whole show is about their relationship, they're a duo, a set Not to be separated, they're Partners. they work together, they worry about and look after each other (forever insane about when kitt was a melted shell, Michael stuck around the garage for hours, waiting for any news like a worried spouse, constantly checking on him every opportunity he got... encouraging him to recover, and even helping paint back on his protective coating... kitt always looks after michael, but for once, it's michael's turn to look after Him), in a way they were Made for each other - Kitt more literally, being programmed for Michael and holding his namesake, but Michael was also made in a sense for the pilot program, hand picked and given a second life to work for the foundation and with this strange supercar. and even if they had a rocky start, michael comes to view kitt as a person - car, TV set, or computer core, Kitt is his partner, his buddy. he helps him find himself, guides him and teaches him about these things that make us human, and in a way, kitt becomes human - but his entire experience is still through the perspective of an AI in a car, it's still very unique and isolating, and I think he sort of grows into his own limitations, he's finally brushing against the walls that define him.

he learns of love, and then he learns to dream Of love. these things he sees in the movies, that michael tells him about, that he so often sees michael Partaking in that he gets so oddly jealous of, doesn't it all seem so wonderful? he's very curious. but who could ever love steel and circuitry, who could ever see him as an equal let alone a partner in a romantic sense? who would ever love a car and all the limitations That comes with? it's a problem for a hypothetical hopeful Some Day, in the meantime stuck between two worlds where he doesn't perfectly belong to either, where no car Can love him and no human seemingly Would love him...

and michael loves him anyway. before either of them really realize or talk about it, in spite of everything, in any form, regardless of the fact it wouldn't be a typical relationship by absolutely any means, michael loves him anyway. kitt is as much a person to him as bonnie or devon or RC, and that person is someone he loves and cares for deeply. the feeling is mutual, kitt's world revolves around michael, he's one of the most important people in kitt's life, and he'd do anything to protect him.

and it is michael that will finally teach him to love, and what it means to feel loved in turn, to be loved as the person he undoubtedly is.

[sillyandquest]

Oh yeah, I drew this a while ago and finished it recently. Just Bill with his puppet introducing you to Weirdmaggedon.

Looking at this drawing now led to some thoughts about why Bill possesses Jax. Y'all can read under the cut if you want.

Thanks to The Book of Bill and watching/reading others analyze Bill as a character, I think he's easier to understand than Jax. TADC is still pretty new, and only two episodes have come out far, so most of what I have on Jax is mostly speculation. We don't know if he's a sympathetic character or was born a jerk and we only know small tidbits like him being scared of corn for some reason. Thankfully @gooseworx has stated that we'll have an episode that'll flesh out Jax's character more, but for now we'll just have to speculate until then.

Since we don't know much about what Jax is thinking at any given time other than that he enjoys causing chaos for his own amusement so far, I'm not entirely sure if he would willingly allow Bill to puppet his body. Chances are he doesn't, at least not at first, and Jax is clever enough to know that Bill's hiding something.

As for how Bill even got into the circus in the first place, he is a dream demon. One that can enter the dreams of any living creature. While you might think that the cast members don't sleep or that Bill can't get to them since they're stuck in a digital hellscape, they are ultimately human. Ep. 2 of TADC even opens with Pomni having and waking up from a scary dream, so it's not that farfetched to say that Bill could reach the cast members.

But there's also the issue of why Bill would even be in the Digital Circus. Is it cause he's intrigued? Bored? Just stumbled on it and got curious? Any one of these reasons seems plausible so we'll leave that up to the imagination. There's also the question of even if Bill could posses someone in the circus, why would he? The cast is stuck there with no way out. There's different ways to go about it. One idea is to have the circus be a forgotten game, but still accessible on the Internet. You could still play it, but why would you if you never heard of C&A and all merchandise and marketing was pulled off of store shelves? Maybe the cast members were employees that were silenced or something of that nature.

The only way I see Bill wanting to take over the circus is if the circus itself is an entirely different reality than the real world the cast members used to live in. Bill already likes it weird and thanks to Caine there's no shortage of wacky shenanigans ready to be experienced. Honestly, that might mean that Bill would try to possess Caine, but he can't cause Caine's an AI. An advanced one to be sure, but still an AI.

I imagine Bill would either stay away from Pomni, get rid of her or potentially be a little fond of her. We know thanks to The Book of Bill that the guy's parents were red and blue triangles and frequently draws them during arts and crafts while in The Theraprism. Pomni would definitely remind Bill of his parents and what he did to them, that's why I'm not entirely sure if he would be okay with her around. Honestly though if it weren't for her colors then she'd actually be the first person Bill would make a deal with. She's smart and determined, but also desperate. Perfect for a deal if it weren't for lingering regrets Bill refuses to deal with.

Ragatha's a completely different story. She's gentle and kind, bordering on condescending, but she truly means well. Bill would probably find her boring and be uninterested with what happens to her. I think Bill might consider Ragatha a pawn at best because of her passivity.

Zooble we don't have much info about, but we do know that they're uninterested with whatever Caine offers and does her own thing most of the time. This'll probably change down the line, but for now I'm gonna say that Bill would find their "take apart, put back together" body interesting for a while and consider making a fidget toy out of Zooble.

Gangle's very emotional and the comedy/tragedy mask alters her personality which makes her a bit unpredictable. Otherwise, I don't see Bill being too interested in her and might not even care enough to bully her. If anything, I think he'd consider her "figurine thing" concerning.

Kinger's kinda kooky already and I think Bill would find him hilarious. At the very least Bill's gonna laugh at the tragedy that Kinger represents within the circus. Beyond that though, Kinger's mind is just too broken for him to make a deal with Bill.

Finally we have Jax. Like Pomni, Jax is smart and capable. He's confident and is really good at getting into places where he shouldn't. This is why I think Bill would offer up a deal with Jax, even if Jax turns him down at first. I think Bill would follow Jax around, revel in the rabbits chaos and offer up small ways to make it "more interesting." At first, Jax disregards Bill and his tips but eventually he gives it a try. Whether through curiosity or sheer boredom, Jax follows Bill's advice and has a great time. The more fun Jax has, the more he trusts Bill, leading to Bill's final trick.

However, something goes wrong. Bill starts to connect with Jax. They bond more and more over chaos and their desire for control. As time goes on, both Bill and Jax develop a genuine friendship. (A chaotic and arguably toxic friendship, but still a friendship nonetheless). Soon enough, the two make a deal, one that gave Jax endless entertainment at the cost of his digital body.

I'll leave it at that for now. If you made it to the end, thanks a lot! There's still plenty more to think about when it comes to these goobers so if anybody wants to add more to this I'd like to hear it.