(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:
"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"
I never really shipped Odydio until last night 12am thinking about how Athena favoured Odysseus for his wits while for Diomedes his strength (though the two did not lack in the other quality, it just wasn’t their standout thing) and so together they are basically Athena Incarnate. Like, the unstoppable war machine Athena. All they need is someone who’s good at weaving and- oh would look at who it is! PENELOPE. ODYSSEUS’S WIFE. PENELOPE.
So yeah. Odydiolope (or some other better ship name) is literally Athena incarnate, the Athena trinity, the holy-god-fucking-shit-we’re-so-screwed duo on the battlefield, and the holy-god-fucking-shit-we’re-so-screwed girlboss trio at like… any other domestic setting.
Um... ha-ha, okay, it has been stuck in my head for the whole month, but if I will keep it any more I will explode, I need to busy my brain even more
I'd like to take an animation commission. Like, a fully colored, shaded, with lightning, with in-betweens, with the clean line (and background). Up to 5 seconds depending on what you want to get
I guess the price may start from 250$ and be higher or less depending on complexity of the details, character or movement (<- of course everything will be negotiated)
I never took such commissions before so please be patient with me since I might spend even months ha-ha (really wanna beat this fear of taking something more complex) But I will do my best since it will be first experimental time for me
1. Payment via Boosty after acceptance of the sketch animation (very rough idea)
2. I think I can draw mostly anything (but won't 18+, guro and I can decline something if I feel like I will not like to do it)
3. You must have a reference of the character, I'm not ready to work with something that doesn't have a ref to start working right away
4. Please, properly think of what you'd like to see, I will not make 3 different rough animations of different ideas because you suddenly had another idea ;~;;
5. Note me in dms if you'd like to take commission... (I'd like to move to discord later since it's more comfortable in here)
Uh... I have only this as a more or less proper example (it was based on amazing storyboard by yeye23)
Okay, I'll just leave it here if someone really will be interested and will delete if it if it will be decided.... I just feel like my brain is dying if I don't have an enjoyable/stressful more complicated work on a side that demands an attention from me. Have a nice day
OK, fair warning to the few people I actually managed to convince to try the game??
Rain world does NOT play like hollow knight, and you'll get your butt kicked if you approach it like that.
It's really hard. Like, really hard. Instead of the game literally giving you abilities in the form of power-ups and damage buffs, the only abilities you gain is from what you learn and your own ingenuity. You're a rat from beginning to end. If you just beef your way through it, it's gonna suck and you're gonna be confused and frustrated all the time. But if you pay attention, take it slow, and learn how the ai works and how everything interacts with each other, you can consistently get through and dominate situations you thought were impossible to do so when you first began. Now get out there, kill some lizards, and bully some old computers!
You know one of my favorite things about this novel?
Is that Cale (Well, Kim Rok Soo) actually acts his age (36)
I personally haven't read many Isekais aimed at male audiences, so I can't speak for those
I have, however read quite a bit of Otome Isekais
And one of the things that annoys me the most about the genre, is when the protagonist, usually an adult woman, gets reincarnated into a baby, a child or a teenager and you sometimes forget their actual age because some of the things they do, some of the decisions they make are /baffling/ when you remember they're a grown ass adult
But with Cale is quite the opposite, people around him are often left scratching their heads at some of his actions and level of maturity ("Aren't you supposed to be 18-20?")
Hell, one time he told Raon that he is "30 years older than him" only to remember mid-phrase that nope, he's actually supposed to be only 15 years older
-Spoilers for P1-
And it's also very funny when Alberu finds out that Cale is, in fact actually older than him, his reaction is pure gold because he's supposed to be the hyung around here you know?
More Craig Before the Creek designs! These are maybe my favorite creek-centric bgs from the whole movie, I think I finally understood what I wanted to do with the foliage shapes and terrain here.
I guess this might be why the UK seemed to go so antisemitic so quickly
I'm researching the 1947 pogroms in the UK. (Actually, I'm researching all the pogroms and massacres of Jews in the past 200 years. Which today led me to discover that there were pogroms in the UK in 1947.)
From an article on "The Postwar Revival of British Fascism," all emphasis mine:
Given the rising antisemitism and widespread ignorance about Zionism [in the UK in 1947], fascists were easily able to conflate Zionist paramilitary attacks with Judaism in their speeches, meaning British Jews came to be seen as complicit in violence in Palestine.
Bertrand Duke Pile, a key member of Hamm’s League, informed a cheering crowd that “the Jews have no right to Palestine and the Jews have no right to the power which they hold in this country of ours.” Denouncing Zionism as a way to introduce a wider domestic antisemitic stance was common to many speakers at fascist events and rallies. Fascists hid their ideology and ideological antisemitism behind the rhetorical facade of preaching against paramilitary violence in Palestine.
One of the league’s speakers called for retribution against “the Jews” for the death of British soldiers in Palestine. This was, he told his audience, hardly an antisemitic expression. “Is it antisemitism to denounce the murderers of your own flesh and blood in Palestine?” he asked his audience. Many audience members, fascist or not, may well have felt the speaker had a point.
...[The photo of two British sergeants hanged by the Irgun in retaliation for the Brits hanging three of their members] promptly made numerous appearances at fascist meetings, often attached to the speaker’s platform. In at least one meeting, several British soldiers on leave from serving in Palestine attended Hamm’s speech, giving further legitimacy to his remarks. And with soldiers and policemen in Palestine showing increasing signs of overt antisemitism as a result of their experiences, the director of public prosecutions warned that the fascists might receive a steady stream of new recruits.
MI5, the U.K. domestic security service, noted with some alarm that “as a general rule, the crowd is now sympathetic and even spontaneously enthusiastic.” Opposition, it was noted in the same Home Office Bulletin of 1947, “is only met when there is an organized group of Jews or Communists in the audience.”
The major opposition came from the 43 Group, formed by the British-Jewish ex-paratrooper Gerry Flamberg and his friends in September 1946 to fight the fascists using the only language they felt fascists understood — violence.
The group disrupted fascist meetings for two purposes: to get them shut down by the police for disorder, and to discourage attendance in the future by doling out beatings with fists and blunt instruments. By the summer of 1947, the group had around 500 active members who took part in such activities. Among these was a young hairdresser by the name of Vidal Sassoon, who would often turn up armed with his hairdressing scissors.
The 43 Group had considerable success with these actions, but public anger was spreading faster than they could counter the hate that accompanied it. The deaths of Martin and Paice had touched a nerve with the populace.
On Aug. 1, 1947, the beginning of the bank holiday weekend and two days after the deaths of the sergeants, anti-Jewish rioting began in Liverpool. The violence lasted for five days. Across the country, the scene was repeated: London, Manchester, Hull, Brighton and Glasgow all saw widespread violence. Isolated instances were also recorded in Plymouth, Birmingham, Cardiff, Swansea, Newcastle and Davenport.
Elsewhere, antisemitic graffiti and threatening phone calls to Jewish places of worship stood in for physical violence. Jewish-owned shops had their windows smashed, Jewish homes were targeted, an attempt was made to burn down Liverpool Crown Street Synagogue while a wooden synagogue in Glasgow was set alight.
In a handful of cases, individuals were personally intimidated or assaulted. A Jewish man was threatened with a pistol in Northampton and an empty mine was placed in a Jewish-owned tailor shop in Davenport.
And an important addendum:
I've read a whole bunch of articles about the pogroms in Liverpool, Manchester, Salford, Eccles, Glasgow, etc.
Not one of them has mentioned that the Irgun, though clearly a terrorist group, was formed in response to 18 years of openly antisemitic terrorism, including multiple incredibly violent massacres. Or that it consistently acted in response to the murders of Jewish civilians, not on the offensive. Or that at this point, militant Arab Nationalist groups with volunteers and arms from the Arab League countries had been attacking Jewish and mixed Arab-Jewish neighborhoods for months.
I just think the "Jewish militants had been attacking the British occupiers" angle is incredibly Anglocentric.
Yeah, they were attacking the British occupiers. But also, that's barely the tip of the iceberg.
Everyone involved hated the Brits at this point. If only al-Husseini and his ilk had hated the Brits more than they hated the Jews, Britain could at least have united them by giving them a common enemy.