#what they're really saying is they want the service

[possibly-evil]

I WAS SO MAD WHEN I FOUND OUT AHGHHHHH

they're literally just trying to milk the money out of musicals because the movie industry just found out that people pay money to watch people sing and dance. you would think that after they did a bad job with mean girls (and dare I even say the dear Evan Hansen movie) that they'd know better than trying to make it tolerable to people who don't like musicals. they're just trying to stretch Wicked over two movies so that they can make money. They should realize that what musical lovers really want is to give things the Hamilton treatment. record a show, put it on your streaming service. We don't want new plot, we want the shows that we love available to watch. That's why bootlegging is so popular (wicked reference).

my mom made a good point about this, saying that they want to make it appeal to a larger audience. they did this with mean girls by not advertising it as a musical movie. what they don't realize is that by trying to find a halfway point, you're making it worse for both parties. either make it a musical or don't. It's not that hard.

(also im still sour that they made mean girls more pop-music-y. We wanted a musical, not a Disney kids show. they also took out meet the plastics, which enraged me. It's such a good introduction to their characters, and they just dulled it down to regina's part.)

the movie to musical to movie pipeline is growing. I've heard that they're going to make a back to the future movie musical. I haven't even seen the new musical or even listened to the soundtrack, but I can confirm that they're going to make it so much worse than both the original and the musical. please stop trying to do this. you're not appealing to musical lovers, you're making them mad. let me say this again, we want MUSICALS, NOT MOIVES.

one of the best experiences I had with a 'movie' musical was when I went to see a recording of the waitress musical in theaters. this was a limited time event, were you could watch a recorded preformance at the cinema. it was perfect. This was target to musical fans and musical fans only, so they didn't try to change it. This is what we want.

holy crap didn't even realize that I went on a rant

sorry im mad today lol

Wicked Movie is going to make a trillion dollars its opening weekend and everyone will leave the theater the angriest they’ve ever been in their lives because no one except for me and my beloved mutuals knows that despite having runtime longer than the whole stage musical it is a Part One that only covers the first act

[pastel-peach-writes]

hello!! i love your writing, so may i ask? may you write about fem!reader x caitvi with a reader that does ballet? thank you!🌷🌷💋

Sure! I'm a ballet dancer myself so I'm happy to do this request!

En Pointe | CaitVi x Reader

╰┈➤ PLOT: Headcanons of CaitVi with a ballet dancer girlfriend!

╰┈➤ WARNINGS: No Spoilers(S2), She/Her Pronouns, Not Proofread, Suggestive Themes (Second to Last Paragraph)

⍣ ೋ Enjoy!⍣ ೋ

– As someone who's also physically active, Vi makes sure you're taking care of your body after long nights of rehearsal.

– She gives you supplements that help with muscle recovery, makes you protein shakes or smoothies that help you last throughout dress rehearsals or performances, etc.

– She also will invite you to work out with her when your teachers tell you that you need to work on conditioning or stamina.

– If you're running late to practice and your hair is a mess, Caitlyn will always be there to help you with it. Whether that's putting it in a ponytail so you can put it in a bun later or flat-out doing the bun for you while you prepare snacks and waters for class.

– Furthermore, the girls love to attend your rehearsals to watch you dance or to get familiar with your dance studio/school. Sometimes they come during late-night practices with dinner or during early morning practices so they can take you out for brunch later.

– When the time comes for pointe shoe fitting, trust that Lady Caitlyn and Vi are right there at your appointment. The two of them are astonished with how pointe shoes work and never knew how much care and preparation goes into them.

–––

"What do you mean you have to sew them yourself?" Vi asked after her first fitting with you, appalled to hear that the ribbons and elastic come separately.

"Some teachers and dancers prefer different styles of ribbon, elastic, cut, and placement so to make things easier on the pointe shoe makers, the dancers sew the shoes themselves," you informed Vi but Caitlyn was nearby taking notes.

–––

– On days when you forgot a certain pair of shoes or tights, one of the girls would rush home to grab them for you. Even if they were in the middle of work.

– And on the off chance that they can't leave work to help you out, Caitlyn either finds or hires someone to purchase a new pair of shoes for you and then deliver them to your location.

– Safe to say you have many pairs of canvas ballet shoes and even contemporary/jazz shoes if you dabble in those genres too.

– Upon supporting you through your practices and giving you motivation on hard days, Caitlyn and Vi are always there at your shows and performances with flowers or a stuffed animal if you don't like flowers.

– They've told their family and friends about the show too so you have at least two rows, or one really big row, of supporters at every one of your performances.

– Caitlyn would get her family, Jayce, Mel, maybe even Viktor while Vi gets her crew (Yes, including Vander, Mylo, and Claggor), and her sister to attend. Even some of the coworkers Vi got close to attend your shows sometimes.

– After every show, they make sure to feed you. So if you're in between shows, for instance you finished a morning show but you still have an afternoon and evening performance, they would quickly get you food from a nearby restaurant if craft services wasn't provided or good.

– If you only had one show that didn't cut too late into the night, they take you to whichever restaurant you want.

– It could be a restaurant you saw on the way to the venue that you wanted to try or your favorite one back home. Either way, you're getting fed and they're happy to pay for whatever you want.

– On days when practice was an absolute ass and your body was a mess and too sore to function, Caitlyn offers to draw you a warm bath while Vi offers to draw you an ice bath.

– Sometimes they get into petty arguments about which bath is better and what you truly need at the time but usually, they come to a decision on their own.

– After your bath, warm, ice, or both, a meal would already be ready for you and the bed open for your laying.

– If you were too tired to eat, one of them would feed you in bed while the other massaged your sore muscles and applied muscle repair cream.

– If you're one to enjoy adult activities, sometimes the massaging gets carried away. Especially if you're just in your towel. But trust, it's all consensual and if you're not in the mood for such activities, the girls don't even encourage it.

– Okay, that's all! Hope you guys enjoyed <3

WC: 732

[macgyvermedical]

Hello Ross!

Came across your post reblogged by @msbarrows. Sorry if you've been asked this before, but what are some good steps to take now before the new regime comes into effect in January?/RFK Jr brain worm antivaxxer BS.

Thank you in advance.

I know just about every post on the subject says this, but- get your vaccines up to date. Buy yourself a nice TDaP from the CVS for Christmas. The Department of Health and Human Services (of which RFK Jr will have control) oversees the CDC and the FDA. While it would be unlikely he would go for an all-out ban on vaccines, he could make vaccines a hell of a lot more optional and refuse to approve new ones. Considering another goal of the administration is to repeal the ACA, that would mean childhood vaccinations would no longer be covered by private insurance (I was a child prior to the ACA and my mom paid $750 to get (fully insured) me vaccinated (about $1,638 in today's dollars). Meaning people will likely not be able to afford vaccines even if they wanted them. And a combination of expense + lack of mandate would mean a drastic reduction in the number of people who get vaccinated. While vaccines are less effective without community (herd) immunity, they are still great at keeping you from dying. So get them while they're available and covered.

Get your records. Download or request as many of your own medical records (and those of your children!) as you can. You can get most of your records through MyChart or other online portals. If you received medical care before electronic charting, you'll have to directly contact your hospital or clinic's records department to see if they can send you copies. Save them in hard copies in a binder or at least on a flash drive or disc you have the ability to read from a computer. This makes your medical care portable if you have to see a new doctor without a lot of time to plan.

If you're on more than one medication, have a "medication reconciliation" appointment with your doctor. Learn what meds you are on and know what each of them do. Call your pharmacy and learn how much they cost without insurance. Ask your doctor if there are any cheaper alternatives that treat the same things. In the case of an ACA repeal and loss of drug coverage, you're going to want to know so you can make an informed decision about which drugs you buy.

Get your mental health straightened out as much as possible. RFK Jr. has said things against antidepressants and other psych medications. While again, he's probably not going to ban them (Think of the lost productivity! Think of the pharmaceutical companies losing revenue!) he may make it hella difficult for new antidepressant meds to be approved.

Get on long-term birth control of you can get pregnant and don't want to be. The copper IUD is the longest lasting form of birth control and can prevent pregnancy for more than 10 years, but hormonal IUDs can last 7 or more. Each has their own side effects and benefits. You can always get it removed later if you change your mind, but getting access to birth control might become difficult.

Have any semi-elective procedures done ASAP. At least get them scheduled. If the ACA is repealed you may not qualify for health insurance and you really don't want to have to pay for a surgery out of pocket. Plus, if the FDA becomes less reliable, you're going to want any tools or implants used in that surgery to still be safe.

Get new glasses. If you have vision insurance, get a new pair of glasses (not contacts) now with your most up-to-date prescription.

Get any dental work you've been putting off done if you currently have dental insurance. Get a cleaning and any preventative care done you need too.

[alexanderwales]

I've heard some people lauding the NATO phonetic alphabet, and am just sort of scratching my head about that.

Like, here were the criteria for words in the alphabet:

Be a live word in each of the three working languages.

Be easily pronounced and recognized by airmen of all languages.

Have good radio transmission and readability characteristics.

Have a similar spelling in at least English, French, and Spanish, and the initial letter must be the letter the word identifies.

Be free from any association with objectionable meanings.

But then you look at what they actually picked and it's like ... okay, you picked a bunch of names? You picked "Whiskey"? On the assumption that what, this is a drink that's common everywhere in the world? That everyone is fine having an alcoholic drink as one of the words? Nowadays I can pull up a global map of whiskey consumption, but that's not something they could do in the 50s, and I would guess that they were not considering e.g. Muslim pilots. (Some places do actually change out "Whiskey" for this reason, along with other regional variants, which are exactly the sort of thing you want in a standard everyone is supposed to be on the same page about.)

And alright, whatever, I think the list is kind of confusingly culturally bound given what the criteria were, but it served its purpose well enough ...

Except that as standards do, it began to be used in other places, including by civilians, and including by civilians when both parties have not agreed on the NATO phonetic alphabet. It would be great if we all had an agreed upon phonetic alphabet that everyone knew, but the fact that some people don't know it makes it a lot worse, particularly if you're on a customer service call, and particularly if you're on a customer service call with someone who is not a native English speaker and who was not raised in the same cultural context that the NATO phonetic alphabet assumes.

If you, like me, love terrible quality PDFs, then some helpful soul made a FOIA request for "The Evolution and Rationale of ICAO Spelling Alphabet", and you can read it. This is a fun read for me, because it's not just concerned with the phonetic alphabet, but the history of it, and in one case they're just like "welp, we have been completely unsuccessful in locating this file". And I'm sitting here in 2024 reading a ratty PDF of a file from 1959, thinking "yup, that's how it is sometimes, they do all that work making a report and then no one fucking preserves it".

(Most of the document is about whether they would use the US-UK version or the ICAO version, and then some modifications and why they were made, and this is all interesting, but I'm kind of still scratching my head about some of these, especially given what they say the criteria were. "An international alphabet designed to fit the multilingual requirements of all nations"? Maybe they really thought that's what they were doing in the 1950s.)

Anyway, this isn't to say that I think we need a new, better phonetic alphabet, just that I think the current one is not actually the pinnacle of standards that some people seem to think it is, and in fact, it contains a lot of baggage from the time and place it was made. Further, it's being used in places well outside the environment it was made for, and unless everyone is trained in it (and maybe even if they are) some of the deficiencies get magnified.

[reasonablywittyatbest]

See the thing is that, while this may be true of some Republicans and Trump supporters it's not true of all or even most of them I would bet. This is the wrong approach, this is labeling them all inhane monsters we can brush off. Much of my family supports Trump and I've had to watch that and live with it and I have another hypothesis.

When a Democrat is in power Republicans don't really suffer, nothing bad happens to them. They experience no changes or even benefit! Sure they get mad or annoyed etc. But overall, nothing bad happens to them. They never really suffer. And that's good! That's why we vote liberal! To lessen suffering!

But what it means is they see all these democrats losing thier mind, angry, devastated, etc etc and they can't understand it. They just think eh, nothing actually bad is going to happen they will just be mad/annoyed/etc. They cannot wrap thier mind around the idea that a republican president etc is going to genuinely hurt and kill people.

Being a republican DOES require you to be extremely self centered and unable to see the world from another's perspective. This is obviously a very bad thing.

But they're not all abusive monsters who want to see people cry blah blah blah. They're humans. Just like all of us. And if we're going to change society for the better, we need to understand them. Genuinely understand them. We need to look into the horrors to understand how to stop the.

And yes, my knee jerk reaction is that I also wish all Trump supporters drop dead simultaneously including my family. But our knee jerk reactions are not a good basis to run a society on.

I'm not saying thier family and friends shouldn't ditch them. There are consequences to actions. That's fine.

But we Cannot start down this road. It will not lead us were we want to go. They're not all blurhurhur I love the tears of snowflakes hur hur online poisoned outright douchebags. They're real humans. They're nice and polite when you provide them service. They're your family that helped you when you were homeless and couldn't afford the price of moving into a new place. They're just. People. Insanely selfish and self centered people, but not inhuman monsters. People we need to find a way to reach. Somehow.

[breelandwalker]

so, I know you've been vending at a lot of different craft fairs and witch markets for awhile now (sadly, too far away for me to attend!). would you happen to have any tips for someone looking to do the same at their local fairs? thanks!!!!!! ❤️

Sure! To start, brush up on three things - networking, recordkeeping, and people skills. Get an idea of what's going in on your area, talk to the organizers, see what the particulars are for the events. Here are some questions to ask:

What's the venue like? (indoors, outdoors, parking, accessibility)

Do I need to bring my own table and chairs?

Is there electricity / wifi available?

What is the table fee?

When is the event and how long does it run?

Is there a theme or target audience?

Is there advertising being done for the event? (Signal boost!)

Based on the answers you get, you can start putting your stock and setup together.

Do as much as you can WAY ahead of time. If you need to make things, start now. If you need to buy things, give yourself at least a month before an event to make sure everything arrives in time. Get yourself a 6-foot folding table and a comfortable folding chair or camp chair for events where they're not provided by the venue. Sign for Paypal, Venmo, and Cashapp as well as a card payment processing service like Square to give your customers the most payment options possible. And of course, plan to carry some small bills for cash patrons. (You don't need a register or cashbox, a simple bag of appropriate size will do. I literally use a pencil case that says Resting Witch Face. Works great.)

You'll want to get some displays for your merchandise. The type will vary depending on what you have, but it should be simply and sturdy and preferably easy to pack in and out. Vertical visibility is important at these events, so if you can find some kind of stand or tiered display, that will help you get noticed. I'd also suggest some simple clear plastic standups that you can put a printout price list and a basic sign in. A table banner helps people notice your table from afar and you should definitely have business cards to hand out with your shop info and socials. (I use Vistaprint for both.) Decorations are nice, but don't overload the table with them. They should augment your setup, not overwhelm it.

You may also want to get an 8x8 or 10x10 popup canopy and canopy weights if you plan to do outdoor events. Also, GET A COLLAPSIBLE WAGON. Best investment I ever made was a $45 collapsible wagon. It fits in my backseat and makes hauling things in and out of venues SO much easier.

Keep track of everything you spend related to your endeavors, including event fees, supplies, stock, setup items, displays, signage, business cards, and gas and food on the day. Keep those receipts - you can deduct them on your taxes later to offset your earnings. (Because registering as a business can be a pain and comes with fees, but if you don't do it, you may owe money for not collecting sales tax. Put aside some money for that tax bill, just in case.)

Prep your setup and stock the night before an event. Check your merch, charge your card reader (and bring a fully-charged auxiliary power pack and cord, just in case), make any updates to your inventory or pricing that you need to. It really cuts down on stress when you're loading up if you know you've already get everything set. I suggest reusable shopping bags or clear plastic bins to make things easy to haul, plus they can double as storage.

Plan to leave as early as you need to in order to account for traffic and pit stops. Pick an outfit ahead of time so you don't have to dither over clothes. It should be something appropriate for the event and the weather that looks neat and clean and is easy to move around in, including comfortable shoes. (Look to other vendors for examples.)

Make sure you bring water, snacks, and anything you'll need to get through the day, i.e. medicine (headache pills and stomach medicine at minimum), energy drinks, a fan for hot days, an extra layer for cold ones, etc. Get to the venue as early as the organizers allow. The more time you have to park, load in, and set up, the less stressed you'll be. Make sure things are arranged in a way that's accessible and makes sense. Place signage where necessary to explain items and pricing.

GO TO THE BATHROOM BEFORE THE EVENT BEGINS. TRUST ME.

During the event, you're gonna have to do a LOT of socializing, so prepare for that as best you can. Try to stand if possible when there's a lot of foot traffic so you're more noticeable. Be personable - you don't have to grin constantly, just try to keep a pleasant expression and greet people as they pass, especially if they look in your direction. Don't be afraid to invite passersby over if they pause to check out your setup. Welcome them in, invite them to check out your stuff, and let them know you're happy to answer questions. (And ALL questions are good questions. There are no dumb questions. Even if the question is the dumbest thing you've ever heard or it's the fifteenth time you've been asked that day.) Chat and banter a bit where possible. If you can get people smiling or laughing, they're more likely to stick around and possibly purchase your wares. Make sure as many people as possible take your card when they leave.

Yes, you will be exhausted when the event is over, even if you're a naturally outgoing person, and you'll still have to break everything down, haul it out, load your vehicle, and drive home. If you happen to have somebody who can help you out, that really comes in handy.

In any case, know your own capabilities and personal limits and plan for that when you're deciding where to vend. If a venue is too far away for your comfort or doesn't have what you need or the table fee is too high (be wary of any thing over $75 for a single day event), don't sign up. If an event is too long or too far outside your target audience, don't sign up. If you don't have an appropriate setup or don't have the stock / can't get it in time, don't sign up. If something about the event or the venue or the organizers rubs you the wrong way, DON'T SIGN UP. Talk to other local vendors to get an idea of where to go and what to expect. Most will tell you right away what works, what's good, and what to steer clear of.

This is all just the basics. You'll learn a lot more when you start to vend, as far as what your individual needs are, where to go to find reliable business, and how best to connect with local venues and customers. Keep records of everything you do (spreadsheets are your friend!), network with organizers and other vendors, and practice that sociable game face.

And trust me - if a disorganized introvert with social anxiety and ADHD and absolutely NO sales experience can figure out to do this, I think pretty much anyone has a chance.

Good luck!!!! 😁

[practically-an-x-man]

see I like my horror films (and most other films I watch, but it's mainly horror) to be intelligent with clear narrative themes

but I like my superhero films to be campy and flooded with fan service

[nova-rogue]

The assumption that all production is a monolith is certainly a choice here. Two major things on cinematography:

Cinematographers are generally good at their job. They know way more than you could ever know about lighting a scene. Someone taking a screenshot and "brightening" it in software like photoshop is NEVER going to prove the point you think you're proving. Because lighting doesn't work that way and you're taking a 2D still of a 3D film that already has processing and compression and using a brightening tool. Like that's not how that works at all. This is a dumb comparison to make. You don't have the original captured image and all of its data. You cannot adjust the brightness with a screenshot: you need to be able to process the full image data.

A big downfall, though: Movies are lit specifically for the best case scenario of lighting and color nuance. Theater screens and projectors are supposed to be kept clean, working, and up to spec, and movies are lit for that purpose. A movie is rarely "too dark" it's just that you're watching it sub-optimally on a computer, phone, or TV, or god forbid on a movie projector that hasn't had its routine maintenance (something that notably got worse because of the pandemic!). This isn't your fault as a consumer btw, it's just a stupid disparity that exists.

Cinematographers light differently than you'd expect. White is meant to be seen as the BRIGHTEST thing on the screen. Every ounce of brightness is lit down based on that. Your computer screen? There are things just as bright as white because of the way brightness is done on computer monitors. Cinematographers use a system called False Color in order to identify and "visualize" brightness levels:

Note that Brightness has to do with literal light output and not hue or saturation. Those are different things.

Cinematographers use False Color overlays when adjusting for lighting on set in order to determine the appropriate levels based around pure white being the brightest thing ever on screen and pure black being the darkest possible thing.

Because of this: compression is a bitch. If you're watching on any at-home device your device is compressing the shit out of the bottom end of the spectrum! You are seeing LESS detail than intended. There will be artifacting there that's typically pretty visible. This doesn't happen with (maintained) projectors.

When you watch on an at-home device you are viewing with less color nuance than is actually captured on camera.

These cinematographers are not "lazy". They're not using "flat lighting" (jesus christ) and they rarely have to "fix things on set" like this post is implying. Their lights and lighting are often just fine. The bigger issue is the technology disparity between what Cinematographers are lighting for--for NUANCE and COLOR RANGE--versus what color range output the average person's device is capable of putting out.

Also, if you're ever watching a pirated movie or show, unfortunately it is highly likely it's in less quality than the original and the compression, artifacting, and overall quality is going to be worse. Not saying you're wrong for doing this (fuck the streaming service hell world), just making mention that pirating does sometimes affect quality.

See Also: VFX is absolutely a bitch too, but we do talk about it wrong. CGI tech is really good now, but I've seen VFX artists on twitter talk about how the biggest issues arise when the production team doesn't have a solid vision for what they want and keep changing their mind or making adjustments to what's needed. Less time to work on the CGI means less quality CGI. Sometimes the lighting and color grading of post-production is affected by this problem as well. If you watched either of Denis Villeneuve's DUNE films, it's worth watching any behind the scenes production stuff you can. You'll note that Villeneuve and Greig Fraser (my favorite cinematographer of all time btw) worked very hard with visual development, story boarding, and pre-production so that they had a clear vision for going into solving cinematography problems in advance, which also makes post-production go smoother. A lot of times it's not even the Director and Cinematographer's fault if they aren't given the time or budget to make things go as smoothly as DUNE.

So yeah, posts like this irritate me because a lot of assumptions are made by people who know very little about how cinematography works. There are little snippets here and there that are correct (like the rushed/lack of vision VFX stuff), but a lot of it gets pinned on either the director or cinematographer, which is often unfair. Someone doesn't get in Greig Fraser's position (or even lower!) by being bad at lighting on set. It's a job with an impossibly high skill ceiling. There is stuff with more mediocre cinematography, but the issues are rarely going to be "lazy lighting". It's usually something else.

OMG. Somebody said it out loud.

Disney is absolutely not the only studio doing this though.

It seems to have become standard practice across movies and series everywhere.

Anything that doesn't do it is like a breath of sunlight and fresh air inside a dank musty cave.

It's part of the 'fix it in post-production' epidemic sweeping through the studios. Fix it in post is often used as a time/money-saving measure - and is absolutely part of the same mess that the WGA is fighting against currently.

Rather than fixing things on-set - audio, lighting, something in-frame that shouldn't be, etc. (which is all handled by unionized crew) - they leave it for the CG folks (not unionized) to edit later.

(on ridiculously tight schedules that leave them scrambling, cutting corners, and working inhumane hours)

See also: that part where scripts aren't finished, because the studio won't fully staff the writers room, and won't pay to have writers on-set for day-of-filming script questions and fixes (which could resolve issues such as 'what kind of lighting do we need here?')

Anyway, all this shit we, as audiences, keep complaining about - bad lighting, bad sound, wonky visual effects, over-usage of not-great CGI, stilted acting on green-screen sets, scripts that seem not-quite-finished, costumes that look like they're cheap and flimsy, terrible hair and makeup, films and series that aren't as polished as they could be...

Plus the complaints we have about streaming services and their shenanigans...

All of that is enmeshed in the extreme capitalism that has taken over everything, including entertainment, to the point that studios are abusing their workforce and churning out material that - at best just doesn't live up to its potential - at worst, is just unwatchable shit.

[fridayyy-13th]

wow. not even a week into college and i'm already behind on work. fucking lovely.

[rowenabean]

.

[nohkalikai]

every time i talk w my parents i have to remind myself not to get swayed by their doting affectionate act.

[zecoritheweirdone]

i don't usually share wips,,, but 'm pretty happy with how it's coming out so far,,, plus it's also killing my hand so i might as well share a sneak peek since 'm not continuing this tonight,,, dkjdkemwkjssk. anyway have i told you guys how much i like the fic vagabonds

[freedelusionshere]

Sorry, this is long, hope it's okay!

Carmy wants to desperately keep her there at the very least? He said the Michelin Star was a trap and went along with it anyway (because she wanted it). Syd later admits she's been his "accomplice" in S3, because he initially justified what he did with the excuse it was in pursuit of the star.

He couldn't even attempt any of that without all she had contributed to that point to begin with. But also, Syd is impulsive and will rush things, and we see him push back about that in S1 with the rib and risotto dish.

But then...he agrees to adding the to-go orders he didn't want. Did he do that as a compromise? I would guess so. When it blows up, he blows up, she tells him off, leaves, and when she comes back, he immediately makes her an offer and starts promising stuff he knows she'll want to do.

This will become a pattern of behavior with them both.

Carmy's behavior in S2? He doesn't really know how to build a restaurant, and under that time line? He knows how to work in one when it's up and running. But who did he promise that to?

Syd has more experience from starting her own business, even though it failed, she's the one writing the business plan. She brings in Nat to basically run business ops.

He fucks up their date/tour. Later, instead of doing whatever with Claire, he stays up all night drawing a menu to present to Syd! Telling her, "This is what you wanted" (when he knows it's not) but he's giving her an opportunity to tell him what to do, which she kind of does, but withholds her real feelings to keep it professional (in order to pretend she's not jealous).

Carmy's behavior is exactly like the story Emmanuel tells about himself and Syd's mom (who were "still getting to know each other"): Carmy is fronting about what he's capable of, and Syd ends up doing the work.

But at Friends and Family, Carmy loses his shit when he realizes the truth, which is Syd doesn't need him to complete a service. Also, by this time, Richie has told Syd that she is part of the family.

In S3, Carmy says he'll never leave Syd alone again, and sends her a partnership agreement without even discussing the contents, or allowing negotiation, and then presents a list of non-negotiables. It's him trying to stay in control because he knows he's running out of things to offer her to make her stay. Then...he promises her the star again instead of being wishy-washy about it and she agrees.

That partnership agreement is a test to see if she will stick with him or not, and he knows he's in big-time trouble because she doesn't sign it. He invites her to Ever's funeral dinner, and she gets treated like an equal among her peers, which, interestingly, is what she'd been fuming about, doom scrolling media pieces about Carmy the day before! Because at this point, they both know she's his equal and he's trying to dominate in the kitchen and she's not playing his game; she is the one really in control, not him. That is her kitchen.

Syd at this point has to know that when Carmy fucks up it will immediately be followed by him giving her something she wants. She is getting tired of it, though, because she was definitely considering Shapiro's offer.

They're like a married couple who are codependent, and breaking the cycle for her would be feeling safe enough to talk about how she really feels (this means treating her like she's really his partner). She has money problems that are completely acerbated by the way he's chosen to run the restaurant. He owes her several things, one is a sense of security (within the means he has) and doing the stuff he agreed to do with her in the beginning, even if it's hard.

Carmy always had the vibe, the vision for something new, and the idea of making the restaurant different. It was never Mikey’s idea—it was his. In a way, his dialogue mirrors Sydney's; they have that same desire.

As we know, after Mikey died, the restaurant became less about building something new and more about trying to turn back time to fix what went wrong between him and Mikey- maybe in a way to save Mikey and break the cycle? Then Sydney came along—a Chef who shared his original vision and understood that things had to change. She became someone who wanted to break cycles with him.

He says the right things—"our menu," or "I wouldn’t even want to do it without you." But what happens if he actually has to move forward without Sydney physically present? Would he be able to carry that vision on his own?

He wouldn't because, in 1x08, he doesn't even try and ultimately gives up when she leaves. He decides to keep things the same. Then she comes back, and he's ready to change again—but not because he has to save Mikey. He wants to break a cycle for her... so she could stay?

Maybe.

[neverendingford]

.

[mkeanarchytect]

If you are thinking about it on paper, the bus running every half hour doesn't sound so bad, until you're waiting at the stop and you miss a bus or it's delayed. Then you're waiting a very, very long time. To people who never take transit, that's probably fine. Why do you care. To people who only take transit, they're expecting it, it's baked in their lives. But the important part, what really impacts our cities, is what happens to people for whom transit is an option.

The spiral goes like this. You go to take the bus instead of driving, thinking "I'm going to o have a couple drinks" or "I don't want to worry about parking where I'm going." So you take bus. First bus is right on time. But then you transfer from your neighborhood line to the line that takes you where you actually want to go. And your bus is delayed. And it only comes every 30 minutes. And then you're waiting, 40 minutes later, wondering where your bus is, knowing you could have driven there in 20 minutes.

Why would you ever chose to take a bus again? The bus made you waste precious time on your day off just sitting there. So next time you drive. Ridership goes down. When the transit authority asks for more money for more buses and more drivers, people point to the ridership numbers and say "why should we pay for this instead of paying for our schools/police/baseball stadium/parks/police again (let's be real that's who's taking all the money)?" If we want to increase ridership we need to actually design and fund functional transit networks. If we want people to actually ride the bus we need to make it a better option than driving, which means reliable service, which you don't get with a bus every 30 minutes.

Every 15 minutes, everywhere, all of the time.

[medicinemane]

You know, capitalism is another one of those words that sadly is like problematic in that it's functionally useless because people just toss it out and then everyone gets so hung up debating the meaning of the word capitalism that the whole point is lost

That's why I don't ever really use it. It doesn't really matter if it's capitalism or if it's cronyism or... whatever, I think it's bad when companies make record profits while prices go up up up

I think there's probably an issue and it probably needs to be solved (and I'm afraid you can't convince me less regulation is a magic bullet)

I like currency and exchanging currency because it seems like a good way of moving goods and labor around, but I also strongly support welfare and think that any group of more than 50 people is probably starting to get corrupt

Don't trust the government, but sure as hell don't trust corps...

I don't know, my original point is that sadly capitalism gets tossed around too much to mean anything anymore... but I just see too many argumentative people online so I'm tossing out my stances to avoid getting side tracked debating what I mean

What I really really mean is just fucking say what you're saying and don't bother saying capitalism cause you'll just make people argue and miss your point