#i need to eat the words

[zecoritheweirdone]

i don't usually share wips,,, but 'm pretty happy with how it's coming out so far,,, plus it's also killing my hand so i might as well share a sneak peek since 'm not continuing this tonight,,, dkjdkemwkjssk. anyway have i told you guys how much i like the fic vagabonds

[starry-bi-sky]

i think i'm hilarious -- aka i made blood blossom danny au memes

all of these come from my DpxDC prompt "i am pushing the batdad agenda--" and it's corresponding additions in the reblogs ksdjlf.

i am. rotating them in my head. forever and always. personally i think there should be more batdad aus in dpxdc, their dynamic could be neat. :)

[malphurisms]

i need to start eating paper

[dr3amfyr-e]

brat. - j.v. ( w. 4.5k )

꒰ in which the boy you see every summer enrolls in the same university as you. ꒱ — modern!jacaerys velayron x reader

୨ ⎯ i cannot stress enough, football means ⚽️ not 🏈. childhood-friends-to-lovers, but you have to get through my 2000 word psychoanalysis and backstory first. light angst. mention of the death of a parent. lots and lots of talk about the velaryon-targaryen-hightower family dynamic. light make out action. reader's family is implied to be wealthy enough to have a summer home. almost everyone lives au. set in the uk, not westeros. omitted daemon rhaenyra marriage because there’s no way to to make it even semi-normal. realizing now i omitted daemon entirely erm sorry. pushing the laenor agenda bc he’s my favorite character. this is abhorently long. extreme overuse of the em-dash. uhh the perspective is wonky in a few places. will prob get a pt.2. ⎯ ୧

i had to write this twice. i'm offering this to you with shaking hands, like a peasent child begging for coins. i may write a part two because i have more to say, but i don't want to figure it out rn.

On the cold January morning that Jacaerys Velaryon-Targaryen was born, the media went into a frenzy. 

The Targaryens were old money, their fortune rooted a century back in good investments. Historically adept at finding their way into things, the empire had a string to pull in every industry. From art and law to technology and shipping, if business prospects looked good there would be a Targaryen investment.

And then there were the dogs — regal greyhounds, with long, thin bodies and sleek coats. The Targaryens bred them as far back as bloodline records went. The pups were never for sale; sometimes they were used as show dogs, and successful show dogs they were, but more often they were pets. It was a status symbol, to nonchalantly own such a coveted creature. 

The Targaryens were idolized in the public eye. They were all stunning, with sharp features and silver hair, and each member of the family seemed to possess a Midas touch. But, where Valyrian blood ran hot, so did the press. It was no surprise when magazines started to turn a profit from silver heads plastered across their glossy covers. It was the price that came with God-like aristocracy.

From editorials to gossip columns, people devoured the insider life of the untouchables. When Aemma Targaryen died, there was a four-page spread in nearly every magazine; complete with pictures and quotes. Business papers filled with opinion pieces about Rhaenyra’s inheritance claim to her family’s empire; magazines exploded with the announcement of her engagement to Laenor Velaryon, and subsequently Viserys’ marriage to Alicent Hightower, the daughter of his lawyer. 

When Jacaerys was born, reporters lined up outside of the hospital doors. There were cameras and microphones and crew trucks, and Rhaenyra hated it. It wasn’t the way she wished to welcome her child into the world — swarmed by people who didn’t know nor care for him.

Laenor had always been good at navigating the attention, and Rhaenyra was constantly grateful. So, when he pulled his gaze from the babe and steeled himself to deal with the onslaught of reporters outside, tears pricked at her eyes. Appreciation, exhaustion, adoration? She couldn’t be sure. 

Looking down at her son, she thought, he’s perfect. He had a smattering of dark hair, and he was quiet but not concerningly so. Wispy lashes fell upon his cherub cheeks, and when he eventually blinked up at her his eyes were dark. He looked nothing like her — she didn’t care. 

She refused to talk to anyone outside of her family, and had the curtains in her private room drawn. To expose her son, her heart, to the prying eyes of the bored masses with nary a care for his well-being was a nightmare. She wouldn’t have him exploited. 

At the time of Jacaerys’ birth, she and Laenor had been married for a little over a year. Laenor’s father, Corlys, managed the bulk of the import and export for Viserys’ company. Corlys was a good man, he hadn’t dreamed of marrying his son off. But Laenor and Rhaenyra were both in the same impossible situation: the wiles of youth mixed with the ever critical public. 

They had both fallen into scandalous relationships, both preyed on by paparazzi. If they married one another, it would save face for both of their families. Plus — both being the eldest and heir, this would clear the expectation of a dignified marriage. They agreed to leave each other to whatever youthful fun they wanted to have, as long as everything was discreet. 

Both the Velaryons and the Targaryens kept a summer home in Dragonstone, a private community in coastal Wales. It was the perfect place for Rhaenyra and Laenor to begin their life — far from her father, close to his parents, and out of the line of sight for any nosy journalist. 

The public eye had looked to other things by the time Lucerys was born, two years later. Again, Laenor dealt with the small gathering of reporters with the utmost grace, and Rhaenyra submitted a written statement. 

Alicent divorced Viserys that same year. 

As she watched her boys grow up, full of energy and life, Rhaenyra thought, there was no one better to parent with than her best friend — a title Laenor had rightfully earned. They hadn’t had much choice in knowing each other, and they certainly would never have chosen to be married, but he made a bearable roommate. They had things in common; they liked the same music, and the same men. They drank the same wine and frequented the same restaurants. And, they both loved their boys. 

As Jace and Luke grew up, they found the best company in each other — the school in Dragonstone was so small, though, that there were very few other options. They both played on the school’s small football team, and Jace took piano lessons while Luke learned to fence. Where Jace was driven by emotion, Luke was level-headed; where Luke was cautiously quiet, Jace spoke his mind. It was an ideal childhood, the Welsh coast was an idyllic backdrop to grow up upon, with the sea in their backyard. 

They were ten and eight when Joffrey was born, both excited for their new brother. Their mother brought him home, bundled in a soft red blanket. The boys sat on the couch beside Rhaenys and stared at him for upwards of an hour. 

Hardly a week had passed when Harwin Strong died. He was a family friend, a frequent presence in their home and life — Jace and Luke had been upset by this, of course. 

In time they came to understand the situation fully. Jacaerys first, fitting the pieces together with the evidence he found in the mirror. Neither Rhaenyra nor Laenor had dark hair, like he and his brothers. 

His matriline was uncontestable though, as he grew into himself. He possessed the same nose, jaw, brow, and high cheekbones that Rhaenyra wore. The comparisons between the two became more frequent as he grew older, and he found himself to be quite proud to look like her. 

Her attitude lived in him as well, the temperament she had been so notorious for as a girl festered in her eldest son. She had once been christened ‘The Princess of Dragonstone’ after flipping off a reporter at their summer home. Jacearys earned it for himself when he was fifteen, after loudly berating a reporter. He had been defending Luke, but no one seemed to care when they deigned him ‘The Prince of Dragonstone’. He took it with grace, claiming that he couldn’t help but be his mother’s child.

It instilled a sense of public propriety he strove to uphold. 

Rhaenyra remarried the same year — to Alicent Hightower — and moved her children from Wales to London. It took a while to adjust to the new life — Jace liked his new school, but he detested his step-brothers. No matter how hard he tried, he couldn’t come around to the idea of living with Aemond and Aegon, who took so much pleasure in making he and his brothers miserable. 

After the first month, Jacaerys fell in brilliantly. He performed well in school, quickly being enrolled in the advanced literature and history courses. He got on well with his peers, and made a number of friends. He joined the football team and spent his Sunday afternoons learning piano concertos. 

Living in London made him a more publicly prominent figure in his family's legacy. He knew how to play his role as heir; he carried himself perfectly — confident and charming and elegant. He didn’t particularly like being in the public eye, but there was a certain sense of satisfaction when he did something to receive positive public attention. 

King’s Landing, much like where he had grown up, was a community reserved for the upper echelon. Situated in Northwest London, and surrounded by wrought iron gates, it was regal and dignified. The house had high, vaulted ceilings, large stained glass windows, and more than enough bedrooms. It rained more, Jacaerys noticed in the first month. When it had rained in Dragonstone he would watch the droplets bounce off the sea, where it lapped at the sandy bay. Here the rain splattered unceremoniously upon the pavement. 

For as wonderful as life in London had turned out, Jacaerys found himself longing for what was left behind in Dragonstone. Laenor lived there still, and while he called often and visited as much as he could, it wasn’t the same. Jace’s childhood bedroom remained, along with all of the memories in the house he grew up in. And his friends. There was an assortment of people he only saw between late May and early September; the children of the other seasonal residents. The number had dwindled in years past, with fewer of them returning for break — favouring more interesting places, like Ibiza or Rome, as they got older. 

Far too few of his childhood friends he kept in contact with, especially after the move to London. You were the exception. 

He was grateful, on days when it stormed in London, to receive a silly text or too-long voice note. It made things feel less dull — you had a way of doing that. 

He took to reading theory around the time he turned seventeen. It’s queer theory, at the suggestion of his cousin Baela, who lent him his first Judith Butler book. He finished it that weekend. 

His aunt Laena and her two daughters lived in London, and Jace found a close comrade in Baela. She played competitive tennis and listened to riot grrrl, she was much cooler than him and he knew it. Her bedroom held two massive bookshelves, and she let him pillage her collection for De Bouvier and Didion and Gay. Hours were spent lying across the floor in Laena’s house, studying, or reading, or talking. He enjoyed Baela’s company more than any of his school friends, favouring anything with her over anything with the boys from his football team. 

His youngest sister, Visenya, turned one around the same time. Baela, staying with Jacaerys while he babysat one night, inducted him into the eldest daughter club. 

“You’re so keen on driving your siblings around, and taking care of them. Plus, aren’t you your mother’s closest confidant?” She asked. 

True, Jace supposed. He was the oldest of Rhaenyra’s children, and the most responsible of his brothers and step-siblings. His mums both worked full time, they were busy but as involved as possible. Jace just did the menial things. He made Joffrey breakfast, picked Luke up after school, and watched Visenya when necessary. He didn’t mind.

Baela argued that he should mind. 

He had been a sensitive child, more so than his brothers, but it made him incredibly emotionally adept as he aged. So many boys his age prided themselves on stoicism, but that was never something Jace felt connected to. He always felt things too deeply to bottle them up — it accounted for the occasional temper that flared up when he was upset, but also how empathetic and kind he was. 

Jacearys was set to graduate with honours in the first week of May. It was three months before when college acceptance letters began to appear in the mail. He had applied to a number of places, and been accepted everywhere. The University of the Vale was where his hopes hinged though. 

Just after Valentine's Day, it showed up. The envelope was wide and stuffed full, and sealed with a wax stamp. His acceptance letter was on the very top of the stack of papers — the thick paper heavy in his hands, as he admired the blue printed border and silver flocking. 

Rhaenrya sorted through the informational packets while Jace reread the letter. Part of him couldn’t believe it was real.

He sends you a picture of the letter, and you respond in kind with one of an identical nature. 

You hadn’t planned to go to the same university, but it certainly was a happy coincidence. 

After graduation, he was beyond excited for the reprieve that Dragonstone granted. The promise of early morning hikes, and evenings spent on the beach — the once empty house, full of life and bustling with bodies. 

You were the first thing Jacaerys thought to look for when he set his bags down in the summer home. 

It was late May, and you were guaranteed to be out of school. I’ll text after I unpack, he thought, pulling clothes and books from his suitcase. 

His room in Dragonstone had once been his childhood bedroom. The walls were a warm tone of white, and the small bed was still covered with his blue and white checkered duvet. Piano scales and pictures of his brothers and friends adorn the walls. There was a soccer trophy on the back edge of his desk, something he had won when he was eleven. It was stuffy from nine months of stagnance, but familiar all the same. 

He pushed the curtains back from the window to let sunlight filter into the dusty room, gazing down at the beach, when he spotted your figure. He was quick to rush downstairs, out the backdoor, and across the stone path that leads from the patio to the beach. He greets you with a call of your name and a tight hug, sunglasses perched atop his head and linen shirt half buttoned. 

It had been a year since he’d last seen you. You had kept in touch during the school year; Jace favoured Snapchat and FaceTime, delighted with the pleasure of seeing the mundane things you were up to. There was a nearly constant text thread, and voice memos passed back and forth. But, it all paled in comparison to physical company. 

He abandoned his housekeeping duties, keen to sit on the beach and talk. And you did so for hours, about everything and nothing. He tells you about his last year of school and listens as you do the same. When the sun dipped past the treeline, he leaned back on his elbows, watching the water crest on the sand. He felt more at ease than he had in a while, enraptured by the ease of your presence. The conversation flowed, there were no awkward lulls and no pressure to talk about something dignified. It was comforting to be so close to someone who didn’t see much of his life in London — you knew the best version of him. 

Your friendship had always felt like that, from a young age. On days that smelled of sunscreen and sea salt in his mind, you would meet in the mornings and depart past dark and then do it again the next day, never tiring of each other. Your parents knew his, so you had always been welcome in his home — invited or not. You had shared a bed during sleepovers, drunk from the same cup, and fallen asleep on the couch during movie nights countless times. Quick glances and imperceptible expressions were a language you communicated in, reading each other without words. In your presence, Jace was the most comfortable.

The summer slipped away as it always did, taking long nights and leaving memories of sand and sunshine. The days were ambled away in the water, on rocky hiking paths, or in the meadow that sat a mile away from all of the homes. 

Jace had started The Hobbit before school ended — most days he found himself sprawled out in the park or on the beach, reading. He had also taken to running with his dog, Vermax, in the mornings. He relied on the serotonin boost to start the day, and with no football to play a jog was a decent alternative. 

When the summer drew to a close, the typical melancholy that befell the return to the real world wasn’t present in Jace’s mind. He presumed it had everything to do with the fact that he would see you every day now

You have one college class together — a nine a.m. medieval literature discussion. 

Clinging to familiarity in the new environment, he glued himself to your side for the first week of classes. He memorized the way to your dorm, meeting you outside every morning to walk together to your first lessons. The meandering conversation was a good start to the day, and he silently relished in your tired eyes and quiet voice, not yet used to the early schedule. 

On Friday he all but begged you to come back to his dorm after the discussion; it was your only class that day so you had given in. You hadn’t seen his living quarters yet, and he wanted to spend time with you, worried for when your schedules would fill up and you would lose room for each other. 

The discussion had been mind-numbing. You reviewed the same syllabus as the lecture, and went over the same rules and policies as every other class. With the thirty-five minutes remaining, the teaching assistant made everyone watch an incredibly monotone video about the history of medieval England. 

Jace linked his arm into yours in the hallway after class, pulling you to the doors. The cool morning air was refreshing, waking you up more as you walked across campus. His dorm building was new and modern, seventeen floors with grey siding and big windows. It was private housing, clearly expensive. 

He had a single room with an adjoining bathroom and a small common space. The walls were typical dorm white, with laminate wood flooring. Joffrey’s school photo is hung on one wall, the frame clearly decorated by the child with glitter and string. Scattered across the other walls were photographs in thin silver frames, a large world map, a clock, and a cross-stitch of a rainbow stag beetle.

Sitting on the couch, you observed the unframed photos that lay across the coffee table, inspecting a leggy grey dog as you plucked it from the pile, “Who is this?”

Jace leaned into your side, gazing at the photo, “My mum’s dog, Syrax,” He reached over you to tap the picture, “Syrax is my dog’s mum.” 

He slipped his hand into yours as you walked with him to his second class of the day.

In the third week of school, Jace asks you to attend a mixer for a pre-law society with him. He doesn't know anyone, and doesn't want to be alone at the party. You meet at his dorm at a quarter-to-six so you can walk to the event together. 

The dress-code is emi-formal, and when he opens the door to you his hair is slicked back with water and he smells like his cologne — musk, sandalwood, and amber. 

“Are your clothes pressed?” You ask, grinning at his freshly ironed slacks and the three buttons undone on his shirt. 

He rolls his eyes, locking the door behind him as he escorts you down the hallway. The walls of the elevator in his dorm are mirrored, and you laugh at him when you catch him taking pictures of himself. He makes you take one with him, and sets it as his lock screen. 

The mixer was in the dean of law’s massive house, buzzing with young people in smart outfits. Jace abandons you about fifteen minutes in, spotting a group of poli sci majors from his social psychology class. 

From his childhood spent between galas and his mother’s business meetings, Jace was good at navigating these situations. He was charming, leveling the professors with charismatic smiles and confident posture. He was good at holding an intelligent conversation, discussing theory and strategy. 

You were on the patio, watching the stars, when he found you an hour later.

His arms brushed yours as he leaned against the railing, “Sorry for leaving you,” His voice was quiet, and he stared at your profile, watching the way the moonlight illuminated your skin. 

You wave his apology off and make him buy you coffee in recompense on the way home. 

You’re stood talking together on the quadrangle a few weeks later, a cup of hot chocolate warming your mitten-less hands, when you realise just how cold it’s gotten. It's just too cold for the thin jacket that you try to sink further into, hiding from the wind that bites at your delicate skin.

Jace watches you shiver, observing your lack of appropriate attire. 

“Are you cold?” He asks, reaching out to run his hands up and down your arms, half to warm you, half to gauge how thick your jacket is. Not very. 

You nod, “I didn’t check the weather this morning.” 

He sighs with exaggerated exasperation and slides his arms around you, careful of the paper cup you held. Of course, he’s worn the right coat, and you feel the downy material of his hood against your cheek as he rubs your back to generate some warmth. You smell the cologne on his collar and the expensive shampoo he uses; he grumbled something about taking better care of yourself. 

Then, one particularly cold Friday morning he has forgotten his coat. Dressed in a hoodie, he mirrors your excuse from the week prior, smiling sheepishly — face flushed from the chilly air, dark curls blowing around his head like a halo. You take pity on him, slipping your scarf off. You loop it around his neck, tucking the ends down into the collar of his sweater, and leave him with a fond peck on the cheek; his skin is cold. 

He's appreciative, though the scarf does little against the cold wind cutting through his sweater. Still, he doesn't give the scarf back. 

With the cold, comes midterms. You’re the first person Jace asks to study. 

Your dorm room is closer to the central part of campus, and thus a shorter walk in the bitter cold. Jace brushes snow out of his hair as you unlock your door, ushering him inside. It's small. Two twin-sized beds, one on each wall, with nary enough room for two bodies between them; a desk is crammed into the small space between your bed and the window. You let him take the desk, spreading your books and notes out across your bed.

Your dorm is old, and the room has very little ventilation. Despite the frigidity outside, the room is stuffy and almost hot with both of your bodies inside. An hour into studying Jace shrugs off his heavy, knit sweater and pushes his glasses up into his hair. 

“What are you working on?” You ask, leaning forward. You’re bored, working on the same power point you started yesterday. You want to talk to him, though he doesn’t seem keen on the idea

He doesn’t look up from typing as he speaks, “Analysing The Art of War.” 

You shut your laptop, bent on distracting him, “The book?” 

He nods but doesn’t give a verbal response. 

“Who's that by?” You ask, fighting to suppress a grin

This time he does look up, glaring at you over his glasses, “Sun Tzu.” 

His tone is short, but it's amusing to annoy him so you grin, suppressing a giggle, “Sounds very interesting.” 

“What do you want?” He asks after a beat, still holding your gaze. 

You shrug, “Nothing. I’m bored,” 

The next time you study is even less productive, school work discarded on his floor in a matter of minutes. 

“We can’t be trusted to work together,” He tells you, watching as you calculate his astrological chart, geometry homework forgotten. 

You attend your first college party together in November. When you arrive at his dorm, he’s dressed much more casually than normal. 

You reach out to tug at the thin silver chain peeking out from his shirt collar, “This is fun,” You tease, giggling, “Aiming to impress tonight?”

He rolls his eyes in mock-offence, turning you around by the shoulders to shove you out of the doorframe. 

The lights in the house are dim, and they strobe slowly through different colours. It’s too dark and too bright all at once. The music is almost unbearably loud and people are packed in like sardines, it’s all incredibly overstimulating. 

When he senses your unease, Jace takes your hand, pulling you tight against your side to lead you through the throng of bodies. He’s looking for someone, but you’re unsure who, and he canvases the whole space before giving up on finding them.

The backyard of the house is quieter, but the ground still vibrates from the bass of the music. People are scattered about, smoking cigarettes and sipping from bottles of cheap beer. 

You both learn what Jell-O shots are, and make out in the bathroom back at his dorm. It’s not the first time you’d kissed each other, trying it a few times in your adolescence just to see what it was like. But this is different, tipsy and sloppy, as you giggle into his mouth. 

It's forgotten in the morning, when you wake up in his bed still dressed in your going-out clothes, head pounding.

But then it happens again, the week before finals.

You had stayed at the library far too late studying, leaving the pair of you to walk back to his dorm in the dark. It's positively frigid, cold December air whipping snow into your face. 

There are still snowflakes in your hair as you shed the thick coat you’re wearing, pulling off your gloves and hat. 

There's a bottle of wine in Jace’s freezer, left by Aegon the weekend before. It's expensive and rich and red, and Aegon would likely skin you if he found out you were drinking it — but, that's part of the fun. There's a baking show on the small television, and you’re curled into Jace’s side to steal some of the warmth from his body.

When the program lulls he brings his hand to your hair, combing through the tangled strands. You pay it little mind, leaning into his touch as you watch a contestant on-screen whip macaron batter. His fingers slide down to your jaw, turning your head so your eyes meet his. He’s studying your face, cheeks flushed from the wine or the cold. 

The attention is odd, and you giggle nervously under his gaze. His hands come to cradle your jaw as he leans towards you, nose brushing yours. The air is charged with an unusual tension, his mouth a breath away from yours. 

When he kisses you, he’s slow and gentle, his whole body angled into yours. Everything feels warm, a welcome contrast to the weather outside, and you chalk it up to the glasses of wine coursing through your bloodstream. 

It's pleasant, different from times past; this certainly doesn’t feel like an innocent, experimental kiss. It's heated, tinged with passion. He uses the placement of his hand to ease your jaw open, tongue sliding slowly into your mouth. 

There's a vibe, something you hadn’t felt before with him. It's communicated through the gentle touch of his hands, and how his breath hitches when you kiss him back with the same sort of force. 

The moment is broken by the announcement of a winner on the television. His hands slide down, resting on your shoulders, pulling your frame into his. 

You don’t talk about it afterwards. 

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[gd-dollopole]

There’s something so sweet about this scene. Not only Arthur is surrounded by his knights, his friends, he still can’t seem to forget there’s someone missing.

And the way he approaches Merlin is nothing funny or sarcastic: it’s pure concern, it’s love, it’s respect.

Merlin admits he’s scared, without thinking about it twice, because yes, this is Arthur, the same man who makes fun of me on a daily, but he’s also my best friend, the man I love, and who I could lose, but I can’t tell him, but, oh God, if he needs to know I don’t want him to die. I’m the most powerful warlock on earth, yet I’m scared of Morgana, because she wants to kill Arthur, and I’m weak when it comes to him, I’m scared I won’t be able to protect him as I should (especially since Merlin has heard the prophecy that spoke of Arthur’s bane).

I like Arthur’s stunned face. Merlin is referring to his life. “You don’t care you could die?” And not only Arthur is shocked by it, because he thought Merlin knew his reasonings by now, knew that Arthur would never risk losing his knights, losing Merlin. But Arthur doesn’t care as long as his men are safe, as long as Merlin’s safe (because, let’s be honest, this conversation is nothing but a way for them to tell each other how they feel towards one another, without exposing themselves to the danger of this revelation). And Arthur needs to make something clear:

“Only about you.” Because Arthur brings Merlin everywhere like he’s a solider, a warrior, someone who knows how to fight with a sword, who’s an asset to Camelot and the kingdom itself, so he considers him an equal, someone he can sit with on a lower step and chat with about his fears, because he can be vulnerable with Merlin. Arthur knows he’s safe with him.

Arthur includes Merlin in his speech, and this is something that could mean, “Oh, so Merlin isn’t a friend, isn’t a brother, he’s so much more.” This scene is so impactful, because it’s one of those rare moments where Arthur shows how deeply he can love, how much risk he’s willing to take to bring peace to his kingdom and to his people: to the ones he loves.

And he knows his knights, he knows Merlin won’t abandon him, because he has never done it, and Arthur truly believes Merlin has no reason to do it now, even if he’s scared. It’s as if Arthur is asking, just to make sure, just to have the confirmation that they think the same of it.

And they do:

I wish I didn’t understand how much I’m willing to risk, and have already risked for you. Because this is why I’m here: for you and only for you.

The self deprecating smile, because Merlin can’t back down, he never will. He’s so frightened, yet not even the prospect of battling against Morgana and her army will make him run.

He has Arthur to protect.

The way he smiles, it’s as if he’s saying, “Why didn’t I understand this sooner? Arthur’s just like me.” But it’s the fact that they told each other this, they know now, after ten years, that they’re willing to do anything and more for the other to stay safe, to be alive, even if one of them isn’t.

Merlin tells Arthur. He watches him intensely, because Arthur needs to understand. He’s honest.

Arthur gets it, and he’s finally happy. He’s relieved that Merlin won’t abandon him, that he will stay by his side, like he always is, protecting him, fighting with him, and helping him.

Arthur smiles at Merlin like he’s seeing him for the first time, and he falls in love with him just that tad bit more.

[shalom-iamcominghome]

I've been doing a lot of reflection as of late, especially after this past class.

This past class was about the Torah and Tanakh in general, and the way the rabbi talked about the commandments (specifically the ten commandments) has made me really reflect on how I interpret them, specifically the fifth commandment, or honoring your mother and father.

This is a commandment I have wrestled with for a long time - in fact, it brought me away from g-d at multiple times. I was severely abused when I was incredibly young by my mother, and I used to feel insulted at the implication that I were to honor her while she got to live a better life. It was hypocritical, in my eyes.

But this rabbi surmised that this particular commandment was because parenthood is an act of creation, something that is like the g-d from which we come from. My realization is this: I don't think we're necessarily meant to take even these commandments literally.

I this particular commandment is more of a call to honor creation - creation is a gift, and like any gift, many people simply will not like it and will discard it. The person who abused me created me, but she did not honor creation. She didn't honor me, but I can still honor it.

I have started to honor creation much more. I'm too young, too unstable, not mature enough to be a father (though I fantasize about it), but I create all the time. I create relationships, I create with my hands through crochet. I create memories, I create my world. And I can honor who I am and where I came from that made me who I am. I've been learning one of the mother tongues of my family (Italian, since part of my family originates there) and it was judaism that inspired me to do this.

I don't think g-d wants me to honor my abuser. I think He wants me to remember the Holy action of creation. When I am a father, that act of creation will be Holy, and indeed, I am already joyful about the thought.

I have seen many people struggle with this particular commandment, but I think this perspective helps me personally. I don't think I ever have to forgive my abusers (plural), and I don't think I am commanded to simply because they happened to be family. I am commanded to recognize the holy, to elevate the mundane. In doing so, I will remember g-d. Through creation, I honor g-d and everything he has done for us, for me, and for our collective people.

[atalkingrat]

Ok, does ANYONE else think this might have been our handhold scene?

[laurrelise]

someone talk with me about an AU where delores is a real girl who somehow survived the initial apocalypse and spends it growing old with five and keeping him sane

someone talk with me about delores being five’s age when he discovers her body in the rubble and thinks she’s dead before he notices the small rise and fall of her chest before he pulls her out and desperately tries to help her breathe normally again and watches the life fill her eyes with tears in his own that he’s finally no longer alone

someone talk with me about delores being an only child to parents who she wasn’t close with leading her to become dependent on herself until she meets five and learns to trust other people before finding out about his huge family and doing everything in her power to help him not only because she cares about him and wants him to be happy but also because she wants to experience the family she’s never had

someone talk with me about how delores never had powers but survived for the 40+ years in the apocalyptic wasteland of the future due to her seriously genius mind (and five’s help) and lives to help five figure out how to save his family

someone talk with me about young five and delores searching for anything they can find to survive before they stumble upon a half-broken mannequin with a surprisingly intact polka-dotted blouse that five says would suit her so she puts it on out of boredom from looking for materials before five looks at her with the most genuine, in-love eyes she’s ever seen and she decides to keep it just for him

someone talk with me about five always making sure delores has a comfortable place to sleep, to rest, to eat, etc

someone talk with me about five explaining his childhood so nonchalantly one day once he realizes that he can trust delores to her surprise, and she asks why he suddenly had the strength to tell her and he looks her in the eyes and says “believe it or not, you’re stuck with me, and i’m stuck with you, and i want you to know who i am when we’re kicking this apocalypse in the ass”

someone talk with me about teenage five teaching teenage delores how to defend herself with the training he was given during his childhood but reassuring her that he’ll always be there to protect her if something were to happen (to which she reminds him that she appreciates it, but knows she can defend herself with the spite and sheer willpower she has to survive)

someone talk with me about five and delores having a makeshift wedding and five’s vows being along the lines of “even if the rest of the world was alive, i don’t think i could ever hope to find someone that makes me as truly happy as you do, and i will be eternally grateful that of anyone i could get stuck in this goddamn apocalypse with, it was always you, and it will always be you”

someone talk with me about the handler showing up from the commission to recruit five as a temporal assassin and delores as a case worker because they’re both dangerously smart and incredible at surviving in harsh conditions (also, the handler approached them separately to see where their loyalties lied and they both firmly explained they wouldn’t go anywhere without the other)

someone talk with me about delores getting fed up with the handler repeatedly making moves on five despite him clearly being uncomfortable until it bubbles to a climax and she punches her square in the jaw, which results in an ER trip and zero regret (plus five falling even harder in love with the woman who endlessly sticks up for him)

someone talk with me about five and delores plotting an escape plan to get back to 2019 which all goes well, except five had once again messed up the math (or so he thought) and he and delores are placed back in their 13 year-old bodies, but she confesses that she doesn’t mind seeing the boy she fell in love with all those years ago once again

someone talk with me about delores learning to trust and love the hargreeves just as much as five, as they learn to love and trust her just as much

someone talk with me about five always keeping track of dates and specifically remembering the exact times of significant events for himself and delores, like the moment she looked at him for the first time, the moment he knew he was in love with her, and the moment they decided they were going to stop at nothing to keep each other alive and stop the world from ending

someone talk with me about five and delores, the 58 year-old couple that they are, snuggling up on elliot’s couch together because they can’t fall asleep without the other one there to remind them that they’re safe and out of harm’s way (mostly)

someone talk with me about how delores has never been the type to step down, and she continues to stand her ground and be brutally honest when shes upset or wants five to listen to her, and he admires her bluntness (and frankly, needs it) due to his impatience and expectations of honesty at all times

someone talk with me about delores knowing exactly when five needs his time alone and stepping away to help his siblings as much as she possibly can, usually by encouragement or (again) brutal honesty hidden behind a kind and genuine smile

someone talk with me about five reminding delores of his love for her whenever it’s too quiet or he thinks she’s gone too long without him showing it, in every way he can think of, like letting her know that he would’ve lost his mind in the apocalypse without her (which.. he kind of did?), finding little things that remind him of her and bringing them to her, and holding her hand whenever he sees frustration or discomfort bubbling behind her eyes

[rooolt]

the thing to me about Demetri in season 6 is that it very much feels like he’s still clinging to the old version of Eli like just a little bit. Like he accepts that his hair is different and he dresses different and he likes karate now, but Demetri never calls him hawk and is still talking for him and still expects the two of them to go to MIT like nothing has changed. We as an audience can understand that Eli has hated every version of himself until around like season 4 or season 5, including who he was before karate and before the show, but to Demetri that version of Eli was his best friend, he loved that version of Eli and I think to him the rejection of MIT really solidifies that Eli will never be that person again. Like, I think Demetri was like “well he’s not hawk anymore so now my best friend Eli is back” but to Eli, I think he’s trying to be someone new, not the kid who was bullied and not the person who hurt his best friend. I think that season 6 is a little bit about the two of them reckoning with the people they are now and the people they want to be in college

[turtleblogatlast]

“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo

[sky-is-the-limit]

[brainrotcharacters]

yapping about the movie isn't enough. i need to write two novelizations one for each of their povs.

[astronicht]

Since finishing Fellowship I keep seeing references to LOTR as a sweeping heroic tale etc and this is now confusing to me, both in terms of story structure (hero tale or Romance; immram or exile tale) and the level of fantasy. The thing I’m learning about the art of writing swords and sorcery is that — to me, personally! And I get that this sounds bonkers! — Tolkien mostly feels like low fantasy. He just made the magic that was already there real. To the point where it takes a long time to even notice when people are doing magic, and whether it’s magic is sometimes debatable. Sam even complains about this briefly in Lorien (that the Elf magic isn’t dramatic) which is funny bc he’s utterly surrounded by small magics the whole time. Hell, in a story that stresses the power of words, quite literally to protect, I think that in of the fellowship plus Bilbo, only Aragorn, Bilbo, Legolas [edited to add Legolas sorry for forgetting u my guy], and Sam have actually composed their own poems and songs. And most of Aragorn and all of Legolas’s was Boromir’s funeral song.

I’m mostly asleep and have effectively only read Fellowship so far but idk! My point is that it doesn’t feel like it’s so influenced by the structure of later high medieval and onwards hero stories all that much. WAS Tolkien influenced by French Romances and Shakespeare and modern novels like oh absolutely! But lotr isn’t the Green Night or even Melusine, and it is only Macbeth for special occasions.

I know it’s considered a model hero’s journey or whatever but in-universe (and again, maybe just to me!) it’s not? it’s an exile story. Like The Wanderer or Erik the Red or Deor. Frodo et al say it at the beginning a bunch of times: the hobbits have exiled themselves. Gollum we’re told was exiled by his matriarch long ago and has lived as an exile ever since. Where I am at the beginning of Two Towers, Aragorn just saw the mountains that hide Gondor to the south and sang to them because he cannot yet go home. And there are a lot of those exile stories to draw on, in the time period and languages from which Tolkien was drinking deepest. Exile was a legal state and also a favourite story-frame.

[lucaswarmhotchocolate]

Harry Potter can cook. tbh. He deserves it. Also I headcanon that voldemort has made it so he does not need to sleep or eat much in order to thrive, physically and mentally, but he still eats anything Harry cooks and offers to him. A love language, of sorts.

[starry-bi-sky]

Clone^2 Damian

If you really think about, Damian's situation in the clone^2 au is... kinda tragic? Especially in the early months of his arrival. Like,,, think about it. Damian has always known he was a clone of Damian Wayne, that he was a copy of the blood son. There was nothing 'original' about him, not even his name (of which at least Danny has that). He was just... a replacement. A disposable one, to boot.

And he knew that, to an extent, by the time he was six years old. he might not have been actively acknowledging it -- he's six years old -- but deep down he knew. And like, he's six years old. Every small child craves the love and affection of an adult, especially their parents, and even though he knew he was clone, I imagine he still considered - and still does consider, somewhat - Talia and Bruce as his mother and father. And I really doubt he was... getting it?

Now, I know Talia loves Damian, her son. At least in some interpretations she does, and in this au she does. But... a clone of her son? I'm not so certain if she would have the same affection for baby Dames as she would for Damian. I don't think she would treat him badly, but I don't think Talia would treat him warmly either. Kinda just, distant. Colder than she would have been with OG Damian.

And, I know I've mentioned Damian's arrival from Danny's point of view, and its kind of comical kind of insane from his perspective -- a little boy clone of Damian Wayne falls through a portal and immediately attacks him. That sounds like a bad joke.

But, if you think of this from Damian's point of view? It's like he just got dropped into a scary movie. Like, think about it. You're six years old, and suddenly a portal, as green and as swirling as your grandfather's pools, opens up beneath your feet and sucks you through.

After an intense bout of vertigo, you end up in a massive, urban city -- completely different from the rural mountain palace that you lived in for the last six years of your life, and in this city, you don't know any of the language. You don't know what anyone is saying, you can't read any of the signs - you are completely stranded, away from home.

And then, to make things worse, you're facing a figure with a terrifying mask and eyes as burning green as the portal you fell through. Of course Damian's first instinct, six years old, is to attack. He's terrified.

And this figure, he's not a good fighter, but he's fast, and he dodges you quickly. He grabs your sword with his hands, and tries to restrain you, saying something in a language you don't know. Naturally, Damian is just scared. He's six! He'd just be learning how to read if he was normal child going to school.

This figure halfway through the fight yanks off his mask -- he realizes you're scared -- and looking at you now, is a youthful version of your father. This is a clone of your dad, someone you have never met but, six years old, still wants to. Damian gets defensive. This is an imposter.

But this imposter eventually gets you home with him - and he's using his little box, his phone, to communicate with you through a mechanical voice speaking in arabic. and it's frustrating. The boy, the imposter, can say whatever to you just fine, but trying to talk back is a hassle and a half. He's six, he doesn't have that much patience.

He wants to go home.

And so he keeps trying to run away. He keeps trying to find out of this hellish concrete jungle, and he keeps getting lost. It's loud, and busy, and there are people talking to you and you don't understand them, and there are rules and signs you don't understand - Damian tries to cross the street and nearly gets hit by a car. He doesn't know how the road signs work, he was never taught. They didn't get to that.

And he gets lost. And it gets dark, and Damian is brave, but he is six, and this is the worst stress he's been under in all his six years of life. He wants, desperately more than anything, to go home. Why wouldn't he? The only stable... semi-stable environment he was in just got ripped out from under his feet, literally! He wants his mother.

And it's not happening.

But there's something good to be said, at least. The imposter that looks like his father always comes and finds him, no matter what. He could have left that morning, and he will find Damian at midnight, frazzled and worried, and carrying an extra jacket with him because it is cold in Amity Park and Damian is six years old.

And sometimes Damian attacks him - he's scared and stressed and he doesn't want to be here. And every time he catches the sword. Even though Damian can see it cut into his hand and pearls of blood well up and stains his fingers. Even though Damian can see him wince in pain and bite his lip, he still catches it.

But with that little box, he coaxes Damian to come back with him. It's cold, it's dark, Amity Park is unsafe at night. They can figure something out tomorrow, please. And every time, he agrees, reluctantly. And the imposter takes the extra jacket he brought with -- a flannel, a hoodie, a jacket -- and he wraps it around him. It's warm, Damian's clothes are not that thick, and even though he thinks he might hate this imposter, he still sticks close to his legs as he leads him down the street.

And sometimes the imposter carries him, because Damian's shoes are not that thick, and he cuts his foot on broken glass while they're walking home. The imposter sits in the bathroom with him and carefully cleans the cut out, and makes sure it doesn't get infected.

There's hope you know, he still has it. His mother will be looking for him. She'll be worried. He's important to them. Damian may not be the original, but he is still a blood son. He is still her son. She will come find him. This nightmare will end soon. He can go home.

And then weeks pass, and nothing. Then months, and nothing. His family is not coming for him, and it hurts. Hurts more than anything. And yet while that happens, the boy he's attacked, and hurt, teaches himself arabic in order to speak to him. He takes Damian out of the house one afternoon and buys him new clothes, or tries to. And then he keeps buying him new clothes. He gives him blankets and gives up his bed to him until they can get him one himself, and steadily he teaches Damian english.

This boy is kind. Kinder than Damian's ever experienced, and he doesn't know what to do with it. He's devastated by the fact that he is not as important to his family as his family is to him. What do you do when you're six years old and you learn something like that? When a random stranger who looks like your father is kinder to you, and cares more about you than your family did?

And then Damian tells him he's a clone. He's Damian Wayne's clone, and he tells him his purpose - that their grandfather made him to kill him. And the boy, the imposter, Damian thinks he probably already knows that he's a clone. But he doesn't say that. He just nods, and asks him if he wants to tell his original about him.

Damian says no. He doesn't want to. He's tired of living in the shadow of his original. He wants to keep this to himself. This is his. For once, all of this is his.

And to his surprise, the imposter doesn't try and convince him otherwise. He just nods, and says okay. And when Damian asks why, the imposter - his brother - looks at him and says.

"I don't care about Damian Wayne. I care about you." And in Damian's gobsmacked silence, his brother continues. He tells him that if Damian doesn't want to tell his original that he exists, then they don't need to. They don't need to worry about the LoA going after him, because clearly if his 'grandfather' needs to make a clone of Damian in order to take him out, then whatever it was that Damian Wayne was doing to keep himself safe, was working.

"Wayne already has people in his corner, he's got Gotham's army of vigilantes to keep himself safe." his brother says with his eyes as blue as moonlight. "You, however. Do not." And he continues, and says that if Damian Wayne has the same training as Damian does, then he will be fine. He doesn't need to be aware of his clone. Because if DW doesn't know about Damian, then the LoA doesn't either.

And here's the thing. Damian would not have survived in the LoA for long. Not as a clone. No matter what, he was going to die no matter what he did, and sooner rather than later. The sword of Damocles was always hanging above his head in the League of Assassins.

That portal, and meeting Danny, saved his life. There's no way around it. And to an extent Damian knows this even at six years old. He may not be aware that he would've died, but he knows that meeting Danny was the best thing to happen to him.

It's no wonder after that, that Damian is as clingy to Danny as he is. Danny is the first person he's met to offer him unconditional love, with no strings attached, only pure affection.