#what kind of show goes on under that big top?

[mon221b]

I’ve listened to a lot of TMA recently and when this landed in my inbox it hit me that it would be a perfect nightmare domain for nurses — you can treat those wounds using all the best practices, but they will. Never. Heal.

[fangirl-dot-com]

Incorrect Quotes - Part 2

All of these were taken from Pinterest - again, I am not this funny

Special thank you to @sinfully-yoursss for asking for another one!

Max: Do you ever do anything except whine like a little bitch?  Y/n: Sometimes I whine like a BIG bitch 

Arthur (propping his feet up on a table): So, I heard you like bad boys Y/n: What? No??? Arthur (immediately taking his feet off the table): Oh thank God, that felt terrible 

Christian: Where’s Y/n and the child?  Toto: Y/n is teaching him how to drive Christian: Y/n never learned to drive??????

*Meanwhile*

Y/n: So there’s two pedals. Sometimes three but you can ignore the left one  Kimi: I don’t think…. Y/n: the lines on the road are more like suggestions than anything, like the speed limit Kimi: Are you positive that… Y/n: I’m not sure how to turn on the blinkers. Ready?  Kimi: Uhhhhh Y/n (shouting): GO GO GO GO  Kimi (screaming) *floors it* 

Nurse: I’m sorry sir, we can only allow family to see Miss L/n at this time  Christian: bold of you to assume I won’t legally adopt her right now  Y/n (sleepy, inside the hospital wing): you tell ‘em dad! 

Max: Your honor, my client is ready  Judge: And what does the defendant plead?  Max (mouthing the words): not guilty  Y/n (squinting at Max): hot milky Max (facepalms): take her away 

Y/n: Deck the halls with crippling depression  Charles: Fa la la la la, la la la la  Y/n: ‘Tis the season for emotional suppression  Arthur: Fa la la la la, la la la la  Max (passing through): what??? 

Y/n (on the phone): Hey Lance, can Arthur and I borrow $5000?  Lance: Why the hell do you need $5000?!  Y/n: For an escape room.  Lance: What kind of escape room costs 5 grand??  Y/n:  Y/n: Jail.

Max (answers phone): hello?  Y/n: It’s Y/n Max: What did she do this time  Y/n: no, it’s me, Max  Max: what did you do this time 

Y/n (on the floor): Go on…without me! Lando (crying while kneeling beside her): No! We can get through this together, just like we always do!  Y/n: There’s no time! You must defend our honor. Don’t let my death be for nothing!  Lando (sobbing): I can’t do this without you!  Y/n: Goodbye, old friend….(goes limp) Oscar (whispering to Max): They do realize this is just a dodgeball game, right?   Max (aiming at Lando): Oscar, this is war. Show no mercy. 

Oscar: One day, someone will think about you for the last time in eternity. You will be forgotten by the world  Y/n: not if I eat the Mona Lisa 

Yuki: I’m small but knowing  Y/n: You don’t be knowing what the top shelf looks like  Yuki:  Y/n:  Yuki: Bitch 

Y/n: Go big or go home! Vito (tears in his eyes): I am begging you, Y/n. For once in your life, go home. Just this once. Go. Home.  Y/n: I’m gonna go big

Y/n: I will do a lot of thing. But admitting I’m cold to Max after he told me to bring a jacket isn’t one of them 

Max: I sleep with a knife beside my bed  Carlos: I have a machete under my bed  Logan: I have a gun under my pillow  Arthur: Weak. Pathetic. All of you  Max: And what deadly weapon do you sleep with?  Arthur (putting on shades): Y/n 

Arthur: I will speak French between your legs  Y/n: That is the hottest thing I’ve ever been told  Lando: I’m just imagining someone screaming “Bonjour” to a dick Daniel: SACRE BLEAU MADEMOISELLE HON HON HON TITTY CROISSANTS  Logan (wheezing): TITTY CROISANTS  Max: None of you should ever be having sex 

Y/n: Hey do you know anyone who can teach me how to play the trumpet?  Alex: Why? Y/n: I wanna wander around the paddock and annoy Esteban  Logan: Technically, you don’t actually need to know how to play it for that  Y/n: You have opened my eyes Logan 

Max (not looking up from his book): what did he do now?  Y/n: HE SMILED  Max: At you?  Y/n: No, at Oscar and Ollie but HE LOOKS LIKE AN ANGEL  Max: go away  Y/n: shut up, I watched you pine over Charles for months – let me have this  Max: carry on 

Arthur: I came up with a brilliant idea for a prank  Y/n: Ooh, what is it?  Arthur: We should kiss.  Y/n: …I don’t get it  Arthur: Think about it! Imagine Max and Charles come into the garage, only to find us making out, hands all over each other. You can sit in my lap and we’ll really just go to town. Max will be like “WHAAAAAAA” and Charles might even faint!  Y/n: Oh, that’s hilarious! We totally should 

Esteban: The math problem isn’t so hard, it’s just a simple repetition of-  Y/n (frustrated): You’re a simple repetition  Esteban:  Y/n:  Charles: Did Y/n really just hurt Esteban’s feelings  Max: I’m so freakin proud 

Y/n (googling): snake bite leg what to do  Google: elevate and apply pressure  Y/n (lifting the snake really high): apologize or else 

Y/n: with all due respect  Y/n: Y/n: which is none 

Toto: If you took a shot for every time you made a bad decision, how drunk would you be? Kimi: Maybe a little tipsy?  George: Drunk.  Y/n: Wasted.  Lewis: Dead. 

Esteban: Could you at least try to be nice?  Y/n: You’re still breathing. That’s me being nice. 

Oscar: Hey do you have a bag I can borrow?  Zhou: The only bags I have are the ones under my eyes, and they’re specifically designed to carry the burden of my existence  Oscar: Literally all you had to do was say no 

Max (at Y/n’s funeral): Can I have a moment alone with her?  Arthur: Of course *leaves*  Max (leaning over the coffin): Now listen, I know you’re not dead  Y/n: no duh 

Y/n: Ow!  Oscar: You dislocated your shoulder. Want me to pop it back in?  Y/n (grimacing): Yeah…okay Oscar: All right, on 3….0, 1 *pops shoulder back in*  Y/n: MOTHERFU- WHO THE HELL STARTS AT 0 

Yuki: Hey Y/n, did you eat all the powdered donuts?  Y/n: …No?  Yuki: Then what’s that white powder on your pants Y/n (panicking): cocaine

Y/n: Max, I think you should play the role of my father  Max: I don’t want to be your father Y/n: That’s perfect. You already know your lines 

Lando: Can I be frank with you guys?  Y/n: I don’t know how changing your name is going to help us here, but sure?  Charles: Wait, can I still be Charles?  Oscar: Shh, let Frank speak. 

Lewis: I have a bad feeling about this.  Y/n: What do you mean?  Lewis: Don’t you ever have that little voice in your head that tells you if something is going to get you in trouble?  Y/n: no  Lewis: That explains so much 

Y/n: What do you call a fish with no eye (i)?  Oscar (not looking up from his book): myxine circifrons Y/n:  Y/n: fsh  

George: Do you have any skeletons in your closet?  Y/n: Figuratively or literally?  George: Y/n, honestly, the fact that I have to specify 

Mitch: I know you took the last Red Bull Y/n Y/n (internally): play dumb  Y/n: Who’s Y/n?  Y/n (internally): not that dumb! 

Y/n: Big mood  Fernando: What does that mean…big mood?  Y/n: Uh well, it kind of means like, me too, I guess  Fernando: Thanks 

*1 week later before a race in the rain* 

Oscar: I’m kind of worried about this race guys  Fernando: Big mood, Piastri, big mood  Oscar: Y/n what did you do? 

Charles: What’s worse than a DNF at a home race? Y/n: realizing that dragons can’t blow out their birthday candles  Charles:  Charles: mate 

Y/n: You know what? Underneath it all, you’re actually quite nice  Max: Repeat that disgusting slander and you’ll be hearing from my lawyers 

Carlos: Now that I have explained the answer to this problem to you for ten minutes, do you understand?  Y/n: Yes.  Carlos:…Are you lying to me?  Y/n: Yes. 

Christian: Y/n, it’s your turn to give the pre-race talk  Y/n (claps hands): Fuck shit up, hit some barriers, run Charles off the road, don’t die  Max (proudly): succinct and informative 

Max: The FIA really seems to hate us  Charles: Maybe they’re homophobic  Max: We’re not a couple Charles  Charles: We’re not  Y/n: You’re not? 

Vito: Why is Y/n in the bathroom on the floor crying?  Max: She’s drunk  Vito: And? Mitch: She heard that Arthur has a girlfriend  Vito:…but she is Arthur’s girlfriend  Max: Yeah, we know that 

Max (wears lighter skinny jeans and a brighter blue Red Bull polo) Y/n: I see you’re busting out the spring colors 

Oscar: How do you two normally get out of these types of messes?  Lando: We don’t.  Y/n: We just make a bigger mess that cancels out the first one 

*Valentines Day* 

Arthur (reading Y/n’s texts): Y/n just said she’s going to give me 102 minutes of pleasure tonight Max: Oh wow

*Later watching Cars 2* 

Y/n: You look disappointed 

Y/n: Chillax!  Oscar: that’s not a word  Y/n: Sometimes the ones who deny “chillax” are the ones who need to chillax the most

Y/n: You know, water is pretty crazy. It can boil you to death, freeze you to death, drown you, or spin your car out of control, throw you into the barriers and kill you. But you still need it to survive  Max: Y/n, I love you, but its 3 AM 

Christian: Y/n, a word.  Y/n: BALLOON 

Max: I have the sharpest memory! Name one time I forgot something  Y/n: You left Charles in a Walmart like three weeks ago  Max: I did that on purpose, try again 

Vito: Y/n isn’t answering her phone  Arthur: I’ll call  Vito: Max and I have both tried, along with everyone else on the grid. What make you think she’ll answer?  *Calls her anyway* Y/n: Hello? 

Y/n: Oi, where’s your boyfriend?  Max: Who?  Y/n: Charles, where is he?  Max: He’s not my boyfriend Y/n: Have you told him that? 

Fan: Max, what motivates you?  Max: My ambition and desire to push forward no matter what  Fan: Y/n, what about you?  Y/n: An unhealthy mix of spite, pettiness, the thirst for vengeance, and pure, relentless rage. That and a Red Bull in the morning 

TAG LIST: @fionaschicken @glitterquadricorn @laura-naruto-fan1998 @treehouse-mouse @sam-is-lost @kagatinkita @fangirl125reader @megatrilss1885 @myxticmoon @angsthology @cmleitora @fly-me-away @graciewrote @ashy-kit @slutofmultifandom @aexitizen-ln4 @sugarvibez @vellicora @thatgirlthatreadswattpad @33-81 @hoetel-manager @xcharlottemikaelsonx @jayda12 @ilove-tswizzle @justme2042 @itsjustkhaos @nikfigueiredo @stopeatread @cha-hot @sadg3 @iloveyou3000morgan @s4turnsl0ver @alessioayla @torchbearerkyle @leptitlu @awekbachira @shreks-sugar-daddy @v1naco @stan-josie @mellowarcadefun @badassturtle13 @beskardroids @callisposts @poppyalice2001 @juniper-july19 @lizzypiastri

[woso-dreamzzz]

World Cup VI

Hardersson x Daughter!Reader

Natalia Guijarro (OC) x Hardersson!Reader

Part of The Big Adeventures Universe

Summary: It's heartbreaking

It's the worst kind of pain imaginable.

The kind of pain that lodges in a chest, in a throat, in a mind. The kind of pain that radiates throughout a body, weighing on someone, eating away at them until there's nothing left.

Eaten from the inside out.

Until there's nothing left but an empty husk of a person.

To be so close to a dream that will never be reached.

Not now.

Not ever.

It chokes someone from the inside, suffocating them until they can do nothing but accept their fate.

There's not much else to say about it.

The kind of pain that is only really experienced once in a lifetime.

The kind of pain only experienced in extra time of a football match as one last substitute is made.

The board goes up.

"On for number fourteen, number one for Sweden, Harder-Eriksson."

The final of a World Cup.

Sweden, two.

Spain, two.

And the worst person to take penalties against is subbed on.

"No," Talia says as she watches you run on," No, please. Please."

You'd taken a knock in the semifinals against Colombia, a bad one that had you sitting out most of the final.

Selfishly, Talia was glad for it.

The two goals she had scored wouldn't have gone in had you been standing between the sticks.

Had you been on in the beginning, there would have been no extra time.

You are the greatest goalkeeper in the world and you're never out of control in finals.

You thrive under the pressure, under the pressure of the whole world watching your every mood, under the pressure of Magda and Pernille's legacy.

You rise to the occasion every time.

You show why you are so sought after.

Extra time leaks away and the tears already fall as penalties are announced.

Your Sweden team isn't known for their penalty-taking abilities but it hardly matters. All it takes is one penalty to win.

One ball in the back of the net.

You can delay that for as long as you need to.

One goal to win a match.

One goal for a childhood dream to shatter.

One missed save to return to Spain as a World Champion.

But you have never let a penalty passed in your entire career.

Not at Linköping. Not at Arsenal. Not at Barcelona.

Not for Denmark. Not for Sweden.

No penalty has ever escaped you.

The shots are taken in quick succession.

You don't let any pass but neither does Spain's keeper.

The anticipation swells. The tension builds. The camera flashes to fans in the crowd.

To Patri, sitting in the stands with her hands clasped in front of her and a nervous look on her face. Talia has never seen her cousin so shaken before.

She cuts a striking picture against the complete calmness of Magda and Pernille when the camera switches again. They don't look worried in the slightest.

They've always been your biggest supporters, the biggest believers in your ability to do anything you set your mind to. They've seen the talent in you for years.

There is no reason for them to be worried.

Talia takes the ball, the last penalty for Spain.

She steps forward.

You come out of your goal, walking forward towards her until you're face to face.

The conflict is clear on your face.

To anyone else, you look deadly calm. Magda's feature on your face matches your mother's expression in the crowd but Talia can see through it.

The slight furrow of your brow, the downturn of the corner of your mouth. The way that you can't quite meet her eyes.

"I'm sorry," You say as she places the ball on the penalty spot.

"I know," Talia replies.

"I am really sorry, my love. I...I didn't want it to end like this."

"Don't be. Go do what you do best."

Talia's dreams of a World Cup slip through her fingers in an instant. She usually shoots right, in the top corner. This time though, she'll shoot left to the bottom.

Pernille sits up in the stands as you back away from Talia, returning to your line.

The stadium holds its breath.

A home World Cup win would mean the world to Sweden. To defeat the hosts would mean the world to Spain.

But you stand in their way.

A formidable force between the sticks with more experience than most your age and an unshakeable spirit that intimidates by just your mere presence on the pitch.

"She's got this," Magda whispers to her, clasping Pernille's hand tight," Even if it is Talia."

The stadium ripples with anticipation, shouts escaping throats as Talia lets the ball fly...

Your familiar red jersey moves, your black gloves reaching out.

Your body crashes to the ground.

A millisecond too late and the ball would have gone in.

Your fingertips manage to brush it away though, forcing it away from your line.

The knock to Spain's confidence is big.

It can be felt all around the stadium and just a box away, Pernille sees Patri bury her head in her hands.

Sweden's last penalty is taken quickly.

Scored even quicker by your captain.

A title defended on home soil. The triumph of Sweden over Spain.

The crowd is electric and Magda pumps her fist into the air, screaming like she'd just won this herself and Pernille hauls herself out of her seat to head down to the barriers with her wife to greet you.

The crowd is nothing compared to the roaring in Talia's ears as that pain settles into her bones and gnaws away at her muscles.

She falls to the floor, breathing in a ragged breath as a childhood dream slips away from her.

"I'm sorry," She can hear over her sobs," My love, I'm so sorry."

Familiar arms wrap around her. A familiar smell filling her senses and she grabs onto a familiar red jersey, pulling at it and forcing herself even closer.

"Go," She says," And celebrate."

"No," You reply, sitting down next to her and guiding her head to your shoulder where she could cry without cameras watching her," I'm staying right here."

"Your mothers-"

"Can wait," You insist," I want to be here. With you."

You've singlehandedly ruined Natalia's dreams. You had dangled a World Cup in her face and snatched it away again.

It was so close.

She was so close to being the first person to ever score a penalty against you.

Mere inches sat between her and the World Cup.

But you'd ruined it. You anticipated her change. You pushed away her penalty.

Last time, you'd scored Sweden's only goal. This year, you'd saved all of Spain's penalties.

You are Sweden's hero. Sweden's golden girl. Sweden's vice-captain and the greatest goalkeeper they've ever produced.

There is no hope of competing against you.

A World Cup won and a World Cup lost.

Magda and Pernille wait by the barrier. Talia can see them, ready to celebrate with you.

But you don't go anywhere.

You just hold her as she cries.

[ariaste]

If you could sit the vampire polycule/diabolicule down in a row on a sofa to watch one (1) movie with the intent of causing the maximum amount of psychic damage and/or drama, what movie would you pick for them? I'll go first: Moulin Rouge. Hear me out.

Louis is upset because he's a pretentious snob (affectionate) when it comes to Art and he's complaining that it's just a ripoff of the opera La Traviata. He's correct but he doesn't need to say it, he is allergic to camp and he's harshing everyone's vibes with his barely-under-his-breath scoffing.

Daniel is ruefully identifying way too heavily with Ewan McGregor's character. Daniel is sitting here with his mouth firmly shut like, "Nobody call me out for being exactly Like That when I was 20, nobody look at me, nobody read my mind, nobody make eye contact with me, god this is cringe. Look, he's even got the drug use going on." (This is show!canon that we're talking about so thankfully Daniel doesn't have to also cope with the "AND he's embarrassingly into a hot redheaded theater nerd, god just kill me now, nobody Perceive me please" vector of embarrassment). Daniel is also not having a good time with the creepy older men skeeving on this theater nerd sex worker once he thinks the words "Hm, Marius vibes"

Daniel and Louis also feeling kind of mutually overstimulated from how their heightened vampire super-senses are reacting to all of the Colors and Flashing Lights and Whippy Camera Movements etc. They have matching headaches and are feeling slightly nauseated.

Everyone is feeling some degree of slightly triggered, emotionally, about either Paris In General (Daniel), or Niche-Theater Life In Paris (Armand, Louis, Lestat). Big mixed feelings also about tuberculosis, a disease that makes people cough up blood.

Armand and Lestat are profoundly NOT allergic to camp, unlike some people on this wretched sofa. Armand and Lestat cannot be overstimulated by Colors/Flashing Lights/Whippy Camera Movements/etc, bc their vampire neurodivergence goes in the opposite direction. They have not blinked or moved in 90 minutes except to breathlessly clutch each other's hands. Lestat is muttering feverishly under his breath like "armand. armand. armand. is it maybe time for us to found another theater together, do you think???? armand??? what if we just. are you doing anything after this. how much cash do you have on hand right now." his ADHD hyperfixation on a new-old hobby is going BUCK WILD. He has to recreate this except EVEN MORE. Armand is watching Satine Suddenly Die At The End, just like how in all of his silly little plays someone also Suddenly Dies At The End, and he is deciding that this is maybe god's perfect movie. This is the greatest film either of them has ever seen. They think this is Cinema.

Armand and Lestat will have never agreed with each other for so many consecutive minutes as they will when the credits roll and Louis starts monologuing about how much it sucks to the point of VAST OFFENSE AND HURT FEELINGS on Armand and Lestat's part

the whole mess devolves into a screaming fight between the three of them while Daniel both refuses to referee and also won't stop making bitchy comments once he twigs to the fact that nobody else seems to have noticed that he was Going Through Some Cringe Nostalgia. The night is ruined, no one is happy, Louis takes Lestat floating the idea of founding a new theater with Armand since "you clearly don't understand art, LOUIS" as one of Lestat's top five greatest betrayals. Armand is not giving a straight answer about whether he is on board with the theater idea or not, which upsets everyone equally, unlike if he had said yes or no clearly and at least gotten one ally locked down. Louis appeals to Daniel to oppose the theater idea; Daniel does a bad job of doing so because he chronically believes that maybe having some hobbies will Make Armand Worse, which is a thing he's into sexually. Everyone goes to bed mad. The passive-aggression for the next week could be cut with a knife.

[mommypieck]

𑄽୧ crying with eren 𔓘 ᰍ

kinktober day 9: oh so messy!!!

✯⁠ eren jeager x reader

✯⁠ warnings: crying, rough oral (male receiving), ball sucking, choking, oral (female receiving), rough doggy, p in v, cream pie (maybe a bit of baby trapping)

You and your boyfriend have been dating for a while now. He's beautiful, smart and perfect in your eyes. Also, the sex life is amazing, he always makes you cum without any problem, and sometimes he even manages to scream out loud from all of the pleasure.

Eren sees you the same, a sweet little thing, who is always so eager for his cock. He loves to see your eyes light up every time you see his cock, it makes him wanna ruin you completely.

"Yeah, baby, take it in your mouth." he breathes out, guiding your head down on his cock. Your lips wrap around his tip, sucking on it lightly while you look up at him with the most innocent face. His eyebrows furrow, he doesn't understand how you can look at him like that while you have his cock in your mouth

"Be careful, sweetheart," he warns you as he thrusts his cock deeper into your mouth. You choke a bit around him, your eyes filling with tears. He stops, you look even more beautiful with tears in your eyes. Your throat hurts from how big he is, but Eren continues thrusting his cock deeper and deeper into your mouth.

"You can take it," he grunts, completely letting go. He hammers his cock inside your mouth, making you choke with every thrust. You feel like you can't breathe, tears and saliva running down your face. The expensive mascara you're wearing is smudged all over your face, and your boobs are soaked with all kinds of liquid.

"Lick my balls, love," he says, showing his balls right into your face. They bump into your nose, almost making you fall back, but you try your best to suck them how he wants to.

A pair of arms lifts you up and before you know it, you're thrown on the bed. Eren crawls on top of you, kissing you hungrily. He doesn't waste any time exploring your body before he's settled in between your legs. He licks your pussy a few times before muttering, "You're already so fucking wet, I don't even have to prepare your fucking pussy."

He positions his cock to your opening before thrusting in, knocking the wind out of your lungs. He doesn't give you any time to get used to his size, he has one goal, and it's to make you even messier.

"You love how I fuck you?" he asks with a grin, thrusting as hard as he can. He hits your cervix with every thrust, and it hurts, but it hurts too good for him to stop. He pulls away almost completely before slamming in again, this time you choke a sob. Tears start spilling out of your eyes once again, much to Eren's adoration.

You've never been this beautiful in his eyes. He loves to see your face filled with tears and the choked screams you make. Your whole neighborhood can probably hear how much you plead for him to stop and go harder at the same time. He thinks he finally broke you, finally made you into his doll.

Eren presses your body right into the mattress, preparing for what's about to come.

"I'm gonna fill you up. Are you gonna cum with me?"

You nod your head, hiding your face in the pillows. Your legs trash under Eren's weight as you try to get away from him. He's so mean, but you want him, but at the same time, you can't handle his thrusts.

His thrusts soon become frantic and without any pattern, and you know that he's close. His fingers find your clit, and he fingers it as fast as he can to get you to your orgasm.

"Here it goes, baby," he says, burying his cock as deep inside of you as he can, shooting all of his cum inside of you. You feel yourself being stuffed full, cumming with him. Your shake and trash, both of you riding out your orgasms.

"It was nice," you say quietly, lying down next to Eren.

"I wasn't too rough, was I?" he asks, and you shake your head. He has too rough, but something inside of you liked it.

"You were not, and maybe we can try it sometimes again."

taglist: @mcharris747 @huuuuut30 @krispsprite @bejewelledd @cawwn @veryninjanacho @jamayah @dngerwayz @nwptune @universlypiratecolor @ffakegucci @iheartpieck @d1lf-luvr @th3girln3xtdoor @nobody289x @iheartpieck @gia999 @kawasgirl @st4rrlighttt @candyeyeroll @7haze @banchangsbbbg @nigthmar3moon @softlilpeachxx @d1gitalbathh @jaenniii

@satorustar @balenciagarette

[mingtinysworld]

Extra Credit

Pairing: tutor!wooyoung x fem!reader

Genre: smut

Word count: 1.1k

Summary: you can’t help but admire how attractive your tutor is, and you finally decide to do something about it

Warnings: mdni, handjob, oral (m receiving), pet names (pretty boy, love, baby)

A/n: this is a request from my friend, so she takes the credit for the idea. I’m so obsessed with the idea of stuttery and shy Wooyoung hehehe. I hope you enjoy!! Please reblog if you liked it, love youuu - jules

“Ok and then the exponent goes here, and since it’s 3, that means it’s cubed.” Wooyoung explains with a passionate voice, his interest in math clearly obvious.

You don’t listen to a single word though. You can’t. He looks so pretty sitting there, big sparkly eyes that are covered by his black frame glasses. His hair is fluffy and covers his forehead, making you want to run your hands through it.

You feel yourself so mesmerized that you don’t even hear Wooyoung calling your name.

“Y/n, hellooo earth to Y/n.” He says with a slight chuckle.

You snap out of your daze and give him a sheepish look. “Oh sorry, I just got distracted there for a second.”

“All good!” He replies, sounding so chipper. He continues with his rambling about equations and who the hell knows what else. All you care about is Wooyoung.

You’ve been having tutoring sessions with him for the last 3 weeks, and you’ve totally become enamored by him. He’s just so so sweet.

But so oblivious.

You’ve tried every method of getting him to even look at you suggestively, but he simply averts his eyes and continues with his lesson. It’s got you so frustrated and you can’t even explain the reason as to why without sounding like you’ve lost your mind.

Today, you unbuttoned your shirt. A lot of buttons. So much so that the top of your black bra shows under your white top. Once again, Wooyoung has not spared you a glance.

You take a look at the clock and see you only have five more minutes of the session left. In that moment, you make a decision. You’re not leaving Wooyoung’s place without getting some kind of result.

“Ok! That was it for this lesson, and I will let you know when we can…” His words trail off as he realized just how close you are to him. You’ve scooted your chair right next to him, making your shoulders touch. His breath hitches at the way you make direct eye contact, and you can’t help but feel proud of this tiny achievement.

“What’s wrong?” You ask, tilting your head and innocently batting your eyelashes.

His cheeks light up in embarrassment and he looks straight in front of him, avoiding your eyes again.

“Wooyoung, look at me.” You let your voice carry a demanding tone, which makes him obey immediately.

“Oh look at you, you’re so cute when you’re embarrassed.” You take a hand to his cheek and just hold him there. “You have no idea how long I’ve waited for you to realize how much I want you.”

His eyes widen at your admission and he opens his mouth as if to speak but no words come out.

“That’s alright, you don’t have to say anything. I’ll take care of you.” You lean into him and put your lips against his.

He responds immediately.

It’s as if he’s been touch starved his whole life with the way he clings onto you. You kiss him gently at first, not wanting him to get intimidated. However, it seems like he wants way more.

“What do you want pretty boy?”

“I-I’m not sure, I haven’t um really done anything like this before.” He looks at you nervously, anticipating your reaction. Then it hits you. Wooyoung’s a virgin. That explains everything, from him being nervous to him going wild at the slightest touch.

“Aw baby, that’s ok. I can make you feel really good, I promise.” You stand him up from his chair and make him sit down right on top of the study table. “All you have to do is just sit there and feel good.” He nods timidly while biting his lip.

You slowly unbuckle and unzip his pants, letting the material pool around his ankles. Immediately his hard bulge catches your attention. Wooyoung looks so flustered, and looks anywhere but at you.

“Youngie you’re so excited for me, I’m so flattered.” You settle a hand on him and he whimpers from the contact.

“Has anyone ever touched you here baby?” You ask sweetly.

“N-no never,” Wooyoung already sounds ruined and it makes your ego inflate. You now take off his boxers and his hard dick slaps against his shirt. Your hand wraps around his length and Wooyoung bucks into you, chasing more stimulation.

You slowly stroke his length which makes his breath stutter. There was so much precum gathered at his tip that it makes your grip slippery.

“Oh you’re just so needy aren’t you?” You pump his length faster now that he’s actively letting out desperate whines.

“Oh my god o-oh my god,” he repeats while throwing his back. “I think I’m gonna cum.”

“Already?” You question in a teasing manner. He just whines in response.

“Good boy, you can cum for me,” you give permission. As soon as you do, he cums with a strained groan and it splatters all over his clean t-shirt.

“You did so well love,” you praise with a warm smile. “So proud of you.”

“I want more.” Wooyoung says in a demanding tone.

“Oh? Getting brave now huh.” You say with a smirk, as you lean over to give him a quick peck on his flushed cheek. “As you wish.”

You slide down to your knees, taking in his length hardening once more. You smoothly take him into your mouth, making him squeak out in surprise. Wooyoung instinctively grabs onto your hair, making you choke out a moan. His entire dick fills your mouth, cutting off all oxygen.

As you come off to take a breath, you watch as his facial expression twists into pleasure. You think you could watch Wooyoung’s face all day and not get tired of it. But you go back on him, going even deeper than before.

“Oh fuck Y/n,” Wooyoung swears. He feels like he’s about to explode again, too quick for his liking. But you double your efforts, bobbing your head at a brisk pace, offering no breaks. He bucks his hips into your mouth, and you fight the urge to gag. You keep going until he finally tips over the edge.

His legs shake with the effort and the tears in his eyes make him look so pretty. You swallow down his cum and you stand up to take a good look at him. “How was that pretty boy?”

Wooyoung wraps his arms around you, pulling you in tight. He hides his face in your neck, making his words muffled.

“Thank you Y/n,” he says gratefully.

You can’t help but coo at his sweetness, so pleasantly surprised with the turn of events. “You’re so welcome love. Would you like to relax now?”

He nods yes into your skin and you chuckle at him. “Ok baby, let’s cuddle on the couch.” You help him put his clothes back on, and lead him to the couch. You put on a cozy show and settle down to lay together.

He smiles shyly at you as he snuggles into you. “That was worth extra credit by the way.” He says with a cute blush on his cheeks.

[help-itrappedmyself]

Summoning Game Show 2

Masterpost

“Okay! You guys are from an Earth right?”

The bat brothers glance at each other before they all start nodding.

“Cool cool. If you need to stretch or warm up, I suggest doing that during the following explanation” Danny watches as Nightwing does start doing light stretches. Not too much, but Dick knows he’s still pretty loose from the fight before falling through the portal, so he’s just making sure he’s still warm. “So, human version of the obstacle course is timed, you have to finish 7 obstacles in under 10 minutes. You can get creative with the obstacles, have fun with it. The only rules are no flying, no intangibility, and no breaking anything! I will be doing some announcing to the best of my ability so don’t let me distract you. There will be no one else in the room with you, so if you’re confused by an obstacle or get hurt and need to stop or something just shout for us. When you’re ready the obstacle course is through the Door with the big number 1 on it. Your time starts when the door opens, so be ready.”

Danny takes a moment, tapping his finger to his chin. “That’s about everything I think. Any questions?” He smiles brightly at Nightwing.

“Uh, no thank you.” Nightwing stops stretches and starts heading for the door.

“Give us a moment and we’ll let you know when you can start!” Danny shouts after him., then turns to the rest of them. “Since you’re not participating in this round, you all come up and sit on the stage.” Three chairs almost instantly appear behind Danny and once the boys are all on the stage a large screen appears along the entire front edge of the platform. The screen is blank at the moment. “Is everybody ready?” Danny looks behind him to get nods from the boys sitting in their chairs, then turns to the ghosts to make sure everything was running smoothly, then to Nightwing who nods at Danny. A timer appears in the upper left corner of the screen, and on top of the door in front of Nightwing. “Okay Nightwing, you can go when you’re ready.”

Nightwing opens the door, quickly walking through and surveying the scene, the course is walled so he can only see what’s in front of him which looks like a military wall, It has a sign the says “Obstacle 1’ on it, and has a rope climb which he climbs to the top of quickly. 

“Making quick work of The Wall, and moving on to Parkour, the test of speed and balance.” Danny comments.

Danny and the boys watch him climb on the screen in front of them, the camera panning to give a view of what he sees as he makes it to the top of the wall. “Obstacle 2’ is a nice speed jump course, mostly angled platforms and ledges and Nightwing jumps from one to the other easily, heading downhill. All lower body so far, but he’s approaching ‘Obstacle 3’, - “The Bars, to test upper body and grip strength!” - is what appears to be monkey bars, but the fifteen bars are all at different lengths from each other. Instead of a ladder, there’s a trampoline to help him reach the first bar, but Nightwing has to do a quick double take when he sees what's below the monkey bars.

“What is that?” Nightwing asks, and it echoes strangely to the audience in the other room. 

Danny doesn’t really know why he stopped. “Safety feature! Didn’t want you falling onto concrete or something, it’s just a pool.”

The pool is a green that is very familiar to the brothers and that they have been seeing a lot of since coming through the portal. 

“Is your safety feature actually safe for humans?” Red asks at the same time Nightwing goes: “Are you telling me that is your version of water?”

Nightwing, despite his slight reluctance, has started on the monkey bars, doing a great job making his way across.

“It’s kind of radioactive to humans actually, but this part of the Infinite Realms doesn’t have any actual water.” Danny almost wants to laugh at the look on the boy's faces when he says ‘radioactive’. “It is a safety feature, so it won’t kill anyone, but depending on how much exposure there is there might be some side effects.”

“Gee, that’s just great.” Hood mutters.

Nightwing reaches the last ring of the monkey bars, which leads to a small trapeze bar which he takes with glee, swinging right over to ‘Obstacle 4’, a large net wall, and transferring on. Instead of taking the time to climb over the net, he just wiggles through one of the holes to the other side.

“Hey, nice one, that saved you some time!” Danny exclaimed.

Nightwing reaches ‘Obstacle 5’, what looks like a ropes course mixed in with a laser grid. There are small floating platforms in various locations, interspersed with ropes in every possible direction, some just dangling, some with clear climbing knots that can help reach the platforms, and some that are just in the way blocking the clearest jumps and paths across. There’s five minutes left on his clock.

“The floating grid!” Danny announces. “Main test for agility and problem solving!”

When Nightwing reaches the last floating platform he’s able to step right onto solid ground again, there’s a wall in front of him, the only way through looking to be a hole at ground level. “Obstacle 6, the crawl! We looked into a mud crawl, but nobody wanted to bring in mud for it, so it’s just a regular crawl.” Danny shrugs lightly. “I hope you’re not claustrophobic!” Nightwing lowers himself and starts to crawl into the hole. It’s longer than he thought, and once he’s inside his body is blocking all light into it, he can’t see where it ends. It is a good thing he’s not claustrophobic, Dick thinks to himself as he reaches a slant, starting to crawl up now. At least in this direction he can see light again.

As he crawls out of the tunnel he sees that he has two minutes left to do the last obstacle, and he gets back up to his feet and stops.

“Obstacle 7, the jump pit!” Danny claps lightly. “This is my favorite.” 

Nightwing is standing on a very high ledge and there’s a pit beneath him. The pit is filled with what he assumes are foam shapes, like the pits you land in when attempting new tricks in a trampoline park or gymnastics center. Nightwing takes another second to look down at the pit, he is so high up. “It’s soft down there right? I’m supposed to jump in there?” His voice is quiet, as normal as heights have gotten for him the idea of falling so far is making him freeze a bit.

“Yes, it’s a soft landing. The pit is a safe depth and filled with cushioning, you just have to jump in and get to the platform at the end.” Danny explains.

Nightwing knows crawling through the foam shapes is difficult and time consuming and he glances back at the clock to see 1:39 and jumps before he can think about it any more. 

He does land safely, hearing Danny’s whoop come from the speaker as he falls. He is running out of time as he reaches the end of the pit, but he manages to crawl out onto the platform and the clock stops as he takes a break to lay there.

[vidavalor]

The *Original* Original Sin Theory or... why Aziraphale's "I forgive you"s really mean "forgive me" and just why he wants Crowley's absolution...

Will this break your heart in a good way and make the end of S2 hurt less? more? both? idk let's find out...

I want to talk about what the Before the Beginning scene does to the Eden scene and what all that suggests about Aziraphale and Crowley's relationship... because it might be enough to upend what we think this relationship is quite a bit, at least from Aziraphale's POV, if it goes in the direction that I think they are hinting at in S3, which I'm basing off of where they took it in S2 in these scenes.

This also contains an analysis of That Scene from 2.06 that ties into lots of other scenes and some other meta related to the show and it's a bit long-- like, the mother of all metas-- but there are pretty gifs and I brought snacks? Just letting you know it's a long post but tuck in with some tea if you're in the mood and thanks for reading. :)

Under the big cutty thing...

Before we get started, a couple of quick warnings: I curse a bit in here. It's in the show itself but just letting you know it's here a bit, too. I also mention *very* briefly suicide ideation in the characters and also very briefly (one sentence) Satan's mind-control of Crowley in S1 in a way that might be sensitive for a sexual assault survivor. There is general mention of religious trauma and abusive relationships (not Crowley & Aziraphale's relationship) all over this. If you are okay with the show, you should be more than fine reading this but just wanted to let you know up front. If you're okay with that, read on...

So, the Before the Beginning scene contains a twist, in that we learn that pre-Fall Crowley is naive to Heaven while Aziraphale is the one who is wary of it. This is especially interesting because, best we can tell, no angel has Fallen yet. There aren't *explicit* consequences for asking questions yet, as Crowley doesn't think it could get him into trouble to do so... but *Aziraphale* does. Heaven in S1 and S2 is shown to be basically a fascist state full of bullies jockeying for power where the ones on top dole out all sorts of abuses to maintain a sense of order among the rank and file. We see the emotional and even physical abuse they dole out to Aziraphale and how little they tolerate any sort of dissent, even from an archangel, based on what they ultimately do when Gabriel doesn't want to do arma-bloody-geddon anymore. Heaven is basically The Kremlin. Toe out of line and they'll toss you off a high-rise while telling everyone how sad it is that you recently had a spell of depression and heart troubles as a way of scaring everyone else into submission, right? What's surprising to us is that Aziraphale knows this *absolutely* Before the Beginning and he's terrified on Crowley's behalf, since this place functions as a kind of mafia state.

This implies something really kind of dark which is that Aziraphale knows enough to know how to toe a party line and keep quiet about any doubts he has. He knows how to survive in a way that then-innocent Crowley did not. He tries to tell Crowley that questioning things is going to get him angel-killed but Crowley has a faith in God that's different than Aziraphale's was even before the Earth was fully created. Crowley believed in Her more than Aziraphale does. He doesn't think anything will happen to him. Aziraphale knows what will and this implies knowledge of the abuse of the system and it completely changes our perspective of Aziraphale throughout the rest of the series. We often think of him as either willfully naive or just desperately optimistic regarding Heaven's goodness but, in reality, he's neither of those things. He's something else, entirely. His actions are not expressing naivete or desperate optimism or anything else.

They are expressions of guilt.

And the Eden scene tells us why he has that guilt.

The Eden scene introduces us to Crowley and Aziraphale and the series itself and it has Crowley posit the central question of the show regarding the nature of angels and demons:

Objectively, when you watch this scene, you think this is about the tempting of Eve and the flaming sword. It is... but it's also not *just* about that. Because Crowley and Aziraphale are watching Adam & Eve venture off beyond the Garden of Eden in this scene. They're still within view so the flaming sword situation happened a matter of minutes earlier. Yet, when Crowley posits that central question of which one of them actually did the good thing and which did the bad thing, Aziraphale reveals that it wouldn't be funny at all if what Crowley is saying (that Aziraphale actually did the bad thing) is true. He's distressed about it and so Crowley, somewhat dryly, reassures him that he's an angel so he couldn't have done the wrong thing. (Crowley, of course, being a literal former angel punished for doing the wrong thing lol and that being the joke but also in there is also the layer of Crowley genuinely liking Aziraphale and trying to tell him that it's all okay and meaning it.) Aziraphale is relieved and this is the key bit here-- he says oh good "because it's been bothering me."

The tone of this is that this central question of whether or not he did wrong or right by Crowley and whether or not Crowley was wrong or right in his actions *has been bothering* Aziraphale and he phrases it in a way that implies he's been losing angelic sleep (so to speak) about it for a little while now. If this was *just about Adam and Eve* then Aziraphale's reaction here makes absolutely no sense because the camera also then cuts in their conversation to in front of Crowley and Aziraphale *to show us Adam and Eve still visible in the near-distance* fighting off the lion with the flaming sword. They literally *just left* so how could Aziraphale be all in knots for awhile now over whether or not he made the wrong call? He's not. You can argue that his decision here in Eden to help Adam and Eve by giving them his flaming sword-- by standing up and doing something in the face of God to help out other beings he secretly thinks might have been treated unfairly-- *is a direct response to what he failed to do back in Before the Beginning*...

... which was to stand up for Crowley.

Meaning: Aziraphale doesn't need to see Heaven's files to find out what happened to Crowley when Crowley fell because he was there. S3 is going to be about preventing the Second Coming and so plot allusions to the crucification (which had its own Crowley & Aziraphale scene in S1) will likely abound. Aziraphale was there when Lucifer and The Gang were tossed out of Heaven. To be fair to Aziraphale, there is basically nothing he could have done to prevent this and the best possible situation is that he didn't even have the chance to. The worst possible situation is that he's literally Judas and sold Crowley out, out of fear of being tossed out of Heaven himself. I tend to think it's more that he just didn't stand up and say anything in support of Crowley to prevent himself from being seen as on the side of the eventual demons. Still, just as Crowley thinks the punishment for Adam and Eve was harsh, Aziraphale thought that asking questions and being curious wasn't enough to send Lucifer and everyone around him to Hell to be damned for all of eternity but it caused an obvious existential crisis in him that he still struggles to totally resolve.

If he disagreed with the decision to cast out the suggestion box-happy angels, he was as "bad" as they were. If he agreed with the decision, he was condemning them and that didn't seem angelic, either. How to be a good angel, which is the only thing he had ever tried to be or knew how to be? He did what he thought must be right-- to follow what the other, more powerful angels said the word of God was-- and if it was Her will, then it must be what was right, even if it was *extremely difficult* to see how this lovebug here was really an evil, demonic creature of Hell...

Not to mention that Aziraphale was in love with WhateverHeWasCalledPre-Crawly!Crowley. (We will just call him "Crowley" for this whole meta, because that is the name he chose for himself.) And maybe Angel!Crowley went after the more glamorous, daring guys. Heaven honestly seems like both a fascist state and high school at once (is there really a difference? lol). Crowley describes how he wound up falling in S1 as that he "hung out with the wrong crowd" and Aziraphale in Before the Beginning honestly seems like he's been flying around watching Crowley make stars for ages, trying to work up the nerve to or find an opportunity to introduce himself to the beautiful hot cool arty science-y guy who barely looks at him when his other option for a view are nebulas... or Benedict Cumberbatch's Lucifer/Satan, whose "stroke of demonic genius, dahling" bit in S1 and dark assault on his fave Crowley while Crowley was driving had a real "Angel!Crowley went for the bad boy who were so bad pre-Fall that they wound up fucking Satan afterwards and friend-zoned angels like Aziraphale" vibes. Alternatively, maybe he didn't totally? Before the Beginning seems to be the first time they met and maybe after that, Crowley and Aziraphale became close. It's just that Crowley canonically also wound up sitting at the cool kids' table because they were the only ones questioning things and he wound up damned for eternity for it and Aziraphale?

Aziraphale blames himself for it.

He has blamed himself for Crowley's Fall for six thousand years.

When they speak in Eden, Aziraphale is being confronted for the first time with what has come of his nebula-joyous, freshly baked blueberry muffin of an angel. He calls himself "Crawly" now-- or that's the name he's been given-- because who he was is dead. His eyes are yellow. He's now a snake. He's maybe a bit sarcastic, a bit dry, and a lot more guarded and aloof but Aziraphale sees flickers of Angel!Crowley in there. He's *kind* to Aziraphale. He's still inquisitive, in spite of it being what damned him to Hell. Aziraphale, God help him, is still wildly into him and, ugh, maybe even *more* so, in spite of everything.

And 'everything', for Aziraphale, includes Crowley being a demon being Aziraphale's fault.

They don't talk about it. Ever.

They don't talk about it because Aziraphale thinks that Crowley doesn't remember. Crowley's memory loss of a lot of his time pre-Fall is canon in S2-- something we, the audience, will need to understand the whole picture when/if we end up getting this revelation in S3 of Crowley's Fall and that Aziraphale feels he's at least partially responsible. What's even harder for Aziraphale is that because Crowley doesn't remember his time as an angel, he doesn't remember their full history together. He doesn't remember how they met and protecting Aziraphale from the first celestial shower and all the times they chatted after that and if they were in love back then, Crowley doesn't remember it. Eden then becomes, to Crowley, the first time they meet... but then look at how while Aziraphale seems to think that Crowley doesn't know him while Aziraphale knows Crowley-- the moment that he pauses so Crowley can introduce himself-- *Crowley* seems a little bemused. Why?

Because what Aziraphale has failed to consider is that the one memory that the demons are allowed to keep, most likely, is their Fall, which means that if Aziraphale was there when Crowley fell, Crowley actually *does* remember him. At minimum, he remembers Aziraphale being there and looking stricken by what was happening so even if he can't remember more than that, he knows he's safe with Aziraphale and that Aziraphale cared about him, which would explain why he risked going to talk to with him on the wall in Eden. He knows they were friends and that Aziraphale is good and he can trust him. It's also theoretically possible that if Crowley remembers his Fall and if Aziraphale was there, it's a trigger to him being able to remember all of his and Aziraphale's time before Crowley fell. Aziraphale might not know this and because these two idiots do not know how to talk-- and especially don't talk about this-- Crowley hasn't told him. In part because Crowley can't go back and he doesn't want them to dwell on Angel!Crowley when Crowley is who he is and if that's a demon, it's a demon, and the whole system can go fuck itself anyway, as far as Crowley's concerned.

Aziraphale, though, is still back on "it's my fault". He thinks he literally took goodness from the world; that he participated in the murder of his friend and the love of his life. He has never. In six. thousand. years. lol. told Crowley that he feels like this because he still thinks that Crowley doesn't remember Aziraphale betraying him and he is terrified that if he told Crowley he did-- if he told him that he was responsible, in part, for his Fall-- that Crowley would hate him and Crowley is Aziraphale's only friend in the universe and Aziraphale is madly in love with him. He couldn't bear the loss of him. He can handle their occasional spats and disagreements, knowing that Crowley always comes back, but this? If Crowley knew that his Fall was Aziraphale's fault? Aziraphale thinks Crowley wouldn't come back from that and he'd never see him again.

In reality? Crowley either already knows this and has the whole time or suspects it or if he found it out, would forgive Aziraphale for it. If he knows, he already has. His counter-argument is, like, what were you supposed to do to save me, exactly, angel? You alone versus all the hierarchy of Heaven and God Herself? I'm *glad* you didn't do something stupid and get yourself tossed into a pit of boiling sulphur. You don't deserve that.

Thing is, though, because they've never had this conversation because they DO NOT TALK lol, Aziraphale thinks he *does* deserve that. But look at what's happened since he made the decision not to save Crowley from falling...

...nothing.

Nothing has happened to Aziraphale. He didn't fall for it himself. He didn't fall for betraying the angel he loved and he wonders every. single. day. why he didn't and the only thing he can come up with is that he must have done the right thing. *It must be* that Crowley did the bad thing and Aziraphale did the good one because Crowley was damned to Hell for all of eternity and Aziraphale is still an angel of Heaven, six thousand years later. It's not for Aziraphale to question God. Her will is ineffable. It's ineffable because he cannot begin to understand how any of this can possibly be just and that just keeps happening over and over and over and over throughout the years to come in every situation he and Crowley find themselves in, from Job to The Flood to Wee Morag and Elspeth to Arma-bloody-geddon, right?

Aziraphale begins to lose count of how many times he's gone up against God at this point. Gives away his flaming sword to Adam and Eve. Saves as many as he could during The Flood-- *with* Crowley. (You know they did.) Lies to Gabriel's face in the eyes of God to save Job and Sitis' children... and learning that Falling was political, really, in the process. Nothing happened to Aziraphale for Job's kids. He suffered no consequence for lying to Heaven and God because Crowley was willing to lie for him-- to protect him from Falling, where Aziraphale couldn't protect Crowley himself ages before-- and nothing happened. Falling, suddenly, didn't seem totally God-ordained it it could be tossed aside by something as simple as having a demon just choose not to toss you to Satan. Crowley didn't take him to Hell because he didn't feel like Aziraphale belonged there. It wound up all entirely within Crowley's control, which then made Aziraphale begin to question if God was even really behind the Fall of Lucifer and the Gang or if it wasn't just the thugs in charge of Heaven who decided to toss them out... thoughts he was terrified to think and didn't dare voice aloud, at least not then.

In another era, Aziraphale and Crowley stood there together to witness the torture and murder of Jesus Christ in the name of God, in a parallel to the Fall. What happened to Jesus? He was betrayed by his closest friend, then tortured and murdered by those in the government who thought he posed a threat to social order. Heaven as Pontius Pilate. Aziraphale as a kind of Judas, in Aziraphale's mind, anyway.

Jesus as Crowley.

Time goes on and he and The Demon Crowley form friendship in their own right, regardless of what Crowley might remember from before his Fall. They form their Arrangement off of that and Aziraphale learns even more that, often, no one is really paying attention to what they do. That no one seems to notice if Crowley performs an angelic miracle or if Aziraphale performs what has become termed a 'demonic miracle'... because, really, *they're the same*, though that's not something Aziraphale can fully admit. He cannot allow himself to believe that demons *are angels* because if there's nothing different between demons and angels than Aziraphale doesn't know anything at all.

Anything at all... He doesn't know what being an angel *is* and it's what he supposedly is so it means he doesn't know who or what he is, really.

He doesn't know what God wants or if he truly believes in Her.

He doesn't know what the purpose of all of this is-- why Crowley had to suffer, why demons in general have to, why the *humans* do. Why it all has to be destroyed eventually. To what end?

Aziraphale has the same questions Crowley does and sometimes, late at night, often a little drunk, he'll dare to ask them with Crowley, and every morning that he still wakes up and sobers up and finds himself still an angel when Crowley Fell for so much less than Aziraphale has ever thought or done, he wonders just *why?*

Why is he still an angel when he, really, is no different from Crowley? Why Crowley is damned? Punished for all of eternity for curiosity and innovation and imagination, while Aziraphale is still an angel, doomed to only have until the clock runs out on Armageddon before losing him for the rest of fucking *eternity* but, until then, stuck suffering watching him suffer while remaining an angel? Is being an angel at this point, really, his punishment for failing the apparently foul fiend he adores?

Does Aziraphale ever have any answers to these questions? Good God, no lol. He's six thousand years into this and he's in the same spot as Amnesiac!ArchangelFuckingGabriel in 2.01:

...would be okay if you could just be one near particular person?

Of course Aziraphale knows what this feels like. Of course. We know he does. And that's why he hasn't been able to make a real move in six thousand years-- because it's his fault, as far as he's concerned.

Crowley's damnation is his fault. Crowley cannot really love him, or couldn't if he knew. Not because he's a demon, though Aziraphale might have thought that at one point but he definitely was cured of it by events in 1941. The more time that goes by, the more Aziraphale knows that Crowley loves him-- that he's *in* love with him-- and the worse it all gets for Aziraphale because every day that he hasn't told Crowley that he didn't prevent him from Falling is another day within the last *six thousand years* of them falling in love and the betrayal seems to get worse and worse to Aziraphale. The time to have this conversation was on the wall in Eden and it still hasn't happened. Still, over time, he starts to realize that Crowley, if ever knew, would forgive him.

Because his Crowley has the kindest of hearts. He really does, and that wasn't taken from him when he Fell and Aziraphale finds every opportunity he can to delight in seeing that and making Crowley reveal it.

It goes against everything Aziraphale is supposed to believe.

Demons are not supposed to be good-- if they were, they wouldn't have Fallen. Yet, Aziraphale knows Crowley is. He never has truly believed that Crowley isn't-- even when he could have, at least at the start. He worried, maybe, that he had helped create a monster out of the most lovely being he'd ever known but Crowley just kept proving him wrong about that, time and time again. *Crowley* doesn't believe it about himself, really, because that's his own trauma from his Fall but Aziraphale believes it about him and that's often good enough for Crowley.

But, really, this is why they still haven't gotten together in six thousand years. This is why Aziraphale seems like he can never get beyond "I'm an angel and you're a demon", no matter what Crowley does or how he proves that there are shades of gray and also, that the entire system is bullshit. It is not that Aziraphale doesn't *know* that it's bullshit-- it's that if he admits that it is, if he stops believing in Heaven (even if he doesn't stop believing in God), then he's left with nothing but the crushing weight of guilt that he has for all the pain that Crowley has been through.

If he tells himself that Crowley Fell *for a reason* and that he (Aziraphale) was *right* to not interfere, to not try to thwart God, even if it would have likely failed, just on principle, to stand up for his friend... then Aziraphale doesn't have to deal with the fact that he made what he really considers to be a colossal mistake and that it has caused the continued pain and torture and eternal damnation of the being he considers his soulmate...

...which is why everytime that pain comes to the surface in something Crowley says or does, Aziraphale *cannot handle it at all whatsoever* and reverts to You'reADemonI'mAnAngel!Mode.

Example: Crowley's religious trauma on display in their bandstand argument:

Crowley owns this, even if he's still traumatized by it. He's saying it sarcastically, making a joke on a song Aziraphale probably barely knows, if he knows at all ("Unforgettable"-- Nat King Cole). Aziraphale *aches* at Crowley saying this-- because it reminds him that it's partially his own fault. And he can't. Do. Anything. About. It.

He's an all-powerful *angel* here but he can't change this for Crowley. He can't stop his suffering some six thousand years after his Fall. He's looking at sexy goth Crowley here and he's thinking about curly-haired, beaming, ball of light! Crowley and that they are *the same person* and Aziraphale *does* know that. He knows it and he loves him passionately and desperately and he is one of the most powerful beings ever in existence and he's standing there looking at the man-shaped-being he adores talking about how he still aches from the betrayal of his fellow angels and his mother God and *there is no way for Aziraphale to fix it* when he can mend broken bones and heal the sick and let their be light! all over the place. He can do proper magic and still, he cannot take away Crowley's pain.

This is Aziraphale's Hell. He didn't Fall but he's been in Hell anyway.

So when Crowley's religious trauma and pain comes out, usually in an argument like in the bandstand scene, Aziraphale does the only thing he thinks he *can* do, right? He's an angel. Still. Somehow. He's an angel and there must be some reason for that and an angel is not a demon-- an angel is a purer being, a healer-- and so he says "I forgive you". He doesn't mean it to be patronizing, even if it is. ("I am a *great deal* holier than thou," as he told Crowley at one point and that was the point, right?) He is trying to say "I am still of Heaven and if it's absolution you need, I can give it to you."

He is trying to say: You are not unforgivable to me.

The real lyric of the song Crowley parodies in the bandstand is what Aziraphale means, whether he knows that song or not...

Unforgettable/That's what you are...

*Crowley*, though, doesn't know about Aziraphale's inner turmoil because *heavy sigh* FFS TALK, YOU IDIOTS *breathes* lol, so *he* hears:

I still think I am better than you and you are Fallen, so you're not worthy of me. I can't love you, not the way you want. I love all beings because I'm an angel and I you know I'm in love with you but I can't *allow* myself to be because it goes against the nature of an angel and I've only done eleven thousand things that should have made me Fall over the years but letting myself be in love with you is the rubicon I won't cross, apparently...

Crowley knows by the time they're having the bandstand argument enough about Aziraphale's general religious trauma (not necessarily about how it pertains to Crowley's Fall but about it in general) to know that he spits out hateful garbage when he feels cornered and how to just call it bullshit and move on. ("I don't even like you."/"You doooo.") But he understandably walks away when Aziraphale pushes him away past a point he can handle-- and Aziraphale knows how to do that. He does it *intentionally.* The "I forgive you" is sadness because it's all he has to offer Crowley but he also knows it'll piss Crowley off enough to end the argument, so he says it intentionally to get Crowley to go away. In this scene (which parallels the end of S2 quite a bit, as many have noticed), Aziraphale is trying to deal with it all on his own, right?

He knows where the antichrist is. He's just not telling Crowley yet. He's trying to deal with it to keep him safe. He's doing it because he thinks he should-- that maybe, when it's something of this level of importance, that his job should be as an angel first, above his side with Crowley. (It's also worth mentioning here that Aziraphale is straight up terrified of Falling, not even just for being damned to Hell but because then, if he's no longer in Heaven, he has exactly zero power to even *try* to protect Crowley.) At the end of S2? With The Metatron?

Aziraphale does the same thing as with the antichrist for a time in S1, really.

The beginning of S2 shows us that Aziraphale has known that Heaven is North Korea since Before the Beginning so now marry that with its last scenes and see the arc that connects them-- Aziraphale does what he does out of guilt over what happened to Crowley to *protect* Crowley. He didn't want to do any of it without Crowley and when The Metatron finally offers that carrot, Aziraphale is suspicious as all hell (pardon the pun) and here we have this moment where part of him *wants* this to all be real, right?

Times change and sometimes, your parents who traumatized the living fuck out of you and didn't approve of your boyfriend, grow the hell up a bit and try to repent and mend fences. Maybe the trust is broken but maybe it can be healed and *as an angel*, Aziraphale is a being of goodness and hope and optimism. He's pure of heart, as Crowley put it to Nina. He *wants* that to be the case... but he also knows it likely is not.

Still... they can't run. There's nowhere that Heaven won't find them. It's no life for them-- no life for Crowley, in Aziraphale's mind, no matter how many times Crowley tries to get him to run away with him. "We can go off together!" begs Crowley, over and over, and Aziraphale's only really ever found that Crowley will only slither off if he's ticked off enough and only "I forgive you" ever really does that enough to work lol. He *means* I love you endlessly but you know this is impossible, you bloody maddening, gorgeous serpent! Will you stop reminding me of what we could have when it can never happen?! but that's not exactly how Crowley's taking it.

In the end, to Aziraphale, Aziraphale is an angel and Crowley is a demon and they are doomed to spend eternity apart and Aziraphale thinks he has no one to blame, really, but himself. If he had somehow saved Crowley six thousand years ago-- or had somehow been brave enough to stand up for him and Fallen alongside him-- they could have been together forever.

But he wasn't then and now The Metatron is here and it's time for Aziraphale to go back to Heaven and he knows, as he sits there drinking coffee with the being whose posse sent Crowley in a free fall into a pit of boiling sulphur, that Crowley will never, ever, ever, EVER go back to Heaven.

But he also knows that Heaven is here to collect Aziraphale and they are making it clear that there is no escape. There's nowhere to run. Everyday, it's been getting closer for six thousand years and going faster than a roller coaster for the last handful but a love like Beez and Gabe's will surely never come his and Crowley's way now.

It was always going to end like this. Nothing lasts forever. He told Crowley that, Before the Beginning. Six thousand years. That was all the time they had before the end of Earth, the place they'd come to call home. They found a way to borrow a few more years at the end of it since S1 and he got to dance with Crowley, their fingers brushing, and that is going to have to be enough because they're out of time.

The Metatron never needed say it directly but it was evident: they wanted Aziraphale to go to Heaven and they would say or do anything to get him up there and Aziraphale may have bought it for a moment but he's definitely figured out by the end of S2 that they need him up there not to become the Supreme Archangel but because his time as an angel is now over. The threat to Crowley is unspoken but omnipresent.

The Metatron makes it sound like he doesn't care if Crowley comes back up to Heaven with Aziraphale or not and he really doesn't and why would that be? Why would he be eager to have the two most troublesome beings in all of Heaven and Hell teaming up and getting in the way of his Second Coming plans, which he absolutely *knows* they won't support? Because they won't have jobs waiting for them up there. Crowley will not be restored to full angelic status.

They're going to kill them. Aziraphale knows it. He's known what Heaven is since Before the Beginning, even if he's been in denial about it for almost as long to try to assuage his own guilt over participating in it.

And it's a lot easier a goal for Heaven to accomplish if they separate them and just Aziraphale goes up to Heaven. If Aziraphale goes alone-- if he keeps Crowley from following-- then Crowley is not a threat to them if Aziraphale is gone.

They aren't as powerful apart.

Aziraphale knows that if Crowley comes to Heaven with him that they will kill him and Aziraphale thinks okay, this is it... this is my moment of redemption.

Six thousand years since Crowley Fell and I can finally make up for not saving him by saving him now.

I can go with The Metatron and let Heaven kill me and know that they will not threaten Crowley if they do because what they are threatened by is both of us together. One of us, alone, is less of a threat and the only problem here is that if I go... Crowley will follow me.

If I just go without telling him what The Metatron said and I don't come back right away, he'll go to Heaven, worried that something happened to me, and they'll kill him when he comes looking for me. He'll find out they've Book of Life'd me and do something stupid and my sacrifice to keep him safe will all be for nothing.

So what's our tortured angel to do?

Bandstand 2.0, right?

He's got to piss Crowley off enough that Crowley won't follow him.

He's got to piss Crowley off so much that Crowley *will never come back* and the worst part is that Aziraphale knows *exactly* how to do it.

He makes his own plans and if things get drastic enough, he'll blow up that damn halo, metaphorically-speaking this time. To save Crowley, he will break Crowley.

It's darkly romantic, really. He'll sacrifice himself for Crowley but to be sure that Crowley will be safe and not follow, he'll have to break his heart a bit first-- to further their misunderstandings in a season based on "I don't think your exactly is my exactly exactly"-level miscommunications.

So Aziraphale accepts The Metatron's offer and lets The Metatron think he completely believes that the offer is legit and maybe a part of him is still hoping that it is but he knows it's really not and that this is a suicide run. This is Aziraphale's Holy Water arc...

...and speaking of Holy Water... that arc from the perspective of this being Aziraphale's mentality... Crowley, tortured by Hell for what he did while with Aziraphale in 1827, then refusing to talk about it, showing up with a cane, sullen and depressed, asking Aziraphale for the one thing that would kill him and Aziraphale's unwillingness to understand that it wasn't completely suicide ideation on Crowley's part but as a way to *protect Aziraphale* and keep him safe. Crowley wanted what could kill a demon not to kill himself but to kill one that might come after Aziraphale. All Aziraphale could see, though, was Crowley's physical and emotional pain, that he could barely keep hidden in that era, and how Aziraphale couldn't make it better. All he could see was how he failed him and led him to this suffering. All he could see in a note begging for "holy water" was Crowley wanting a suicide pill, wanting to destroy himself, unable to take any more, in so much pain that he'd leave Aziraphale forever to make it stop. Aziraphale is blinded entirely by guilt and fails to see what Crowley is really saying, which was, ironically, the last time Crowley began to try to tell Aziraphale how he felt, which was:

I've been thinking-- what if it all goes wrong? (What if I lose you? I'm terrified of losing you. I love you. I wake up from nightmares of you being destroyed by the demons who just spent a couple of decades after 1827 not that long ago torturing me. I didn't know for sure if you were still alive during any of it.) We have a lot in common, you and me. (We're a team. A... group of the two of us.) What if it all goes pear-shaped? I need you to get me the magical demon-killing stuff so I have a weapon against *my own fellow fallen angels* that I can use in case they come after us. I would kill another demon and send every legion of Hell after me to protect you.

Aziraphale: I like pears.

(My God, they are so stupid. Please. I can't take any more lol.)

So, yeah... it's Aziraphale's turn for the holy water suicide run here only with an actual suicide run...

It takes the books in The Blitz for Aziraphale to really understand what Crowley was asking for and what he meant by asking for holy water and by 1967, he gives Crowley the holy water, in the one moment when *they actually talk*, as much as they can, about how much they love one another, that exists prior to the end of its parallel-- the end of S2.

So, yeah, Aziraphale "goes to tell his friend the good news" with a look on his face like he's marching to his death *because he is* and he knows it. His last moments with Crowley, in some of his last moments in existence, he already knows will be spent upsetting the man-shaped being he loves. He's got it all planned out. Not exactly the picnic of his dreams but it'll redeem him and save Crowley and that's all that matters to Aziraphale in this moment.

He will sound naive to the threat of Heaven and because Crowley doesn't remember pre-Fall, he won't remember how Aziraphale warned him against taking on the brass in Heaven so Crowley won't be suspicious, he'll be *frustrated*, like he was in the bandstand. He'll get angry. Aziraphale's goal is to get him to storm out-- but it has to be a really, really, bad relationship-ending storming out.

He can't come back after he drives The Bentley around the block like he did back in 2.01 and say "okay, fine, I'll help you" and Aziraphale knows that if he plays this right, he can make it so Crowley won't because helping Gabriel was one thing but asking Crowley to become an angel with him and pretending like they can go fix the broken system of Heaven is going to be Crowley's bridge too far. It's *the only thing* that Aziraphale believes is Crowley's bridge too far where Aziraphale is concerned and isn't that heartbreaking as hell? That Crowley loves him this much? And they never got to be together the way they wanted? That they were just beginning to get close to trying to figure that out?

That, hours ago, Aziraphale was asking him to dance and trying to ignore the signs of trouble around the corner, desperately wanting more time with him? That they are semi-immortal beings that always somehow seem to be out of time?

Truer words have never been spoken, Crowley. Little did you know, poor demon...

So Aziraphale goes into the bookshop and Crowley looks all worked up and wants to say something and some part of Aziraphale begins to hear warning alarms going off in his head because Crowley *never* looks like this-- is never this flustered, never this uncomfortable, never this nervous, never in a rush to say something-- and Aziraphale thinks no, can't be, we don't talk about this... even if, ironically, all of S2 shows that Aziraphale has been trying *for just that*. It was just a few hours ago that he was trying to Jane Austen a ball for them to use as a pretense to discuss their feelings because, in the height of ironies here, right?

Aziraphale was ready.

They'd had some time without Heaven and Hell breathing so much down their necks, even if the threat still loomed, and spent every day together and it was perfect and it was lovely and he knew Crowley would forgive him and Aziraphale was almost there, right, he was *almost* ready to tell him. He was almost ready to tell him he loved him and that it was him, all those millennia ago, who could have done something and didn't and he's so, so, so sorry and can Crowley ever forgive him? Is there any way that Crowley could ever forgive him after what he didn't say and didn't do when he should have? For all the times since that he's said things in anger when, really, he was madly in love and just full of his own issues to sort out? (Damn, Aziraphale, we're beginning to see your affinity for Austen heroes here...)

But he's out of time so there will be none of that now. Now is his karmic payback. Six thousand beautiful years with the being he loves and feels he doesn't deserve have led to Aziraphale's redemption being that he can sacrifice himself to save him. He can leave the world they love with Crowley and Crowley's *goodness* in it, as it should be. So when Crowley says he needs to say something, Aziraphale cannot-- CANNOT-- let him speak because he cannot bear it.

He suddenly fears that of course-- OF COURSE-- the one moment in all of these trillions of moments they've lived through where Crowley is about to directly say he loves him for the first time is the also the same fucking moment when Aziraphale has to destroy their relationship to save Crowley's life and Aziraphale will be dead after this and he cannot bear hearing what his life could have been. He can't hear Crowley say this right now or else he worries he might lose his nerve. He *wants* to hear it but if Crowley speaks first, Aziraphale might cave, he might be weak again like he was when Crowley Fell, he might fail him again, and he can't. Not after all this time. Not when he loves Crowley so much.

"What's that lovely human expression?! 'Hold that thought!'" he blurts out, in a callback to, of course, the moment Crowley saved him in 1941-- to that night where Aziraphale really realized for the first time that Crowley wasn't just capable of good or capable of being friendly towards him but that Crowley *loved* him and that he loved the Demon Crowley, whether or not he should. ("But somewhere in my wicked, miserable past," sings Frances McDormand as the Voice of God, from her apparent favorite film lol, "I must have done something good.")

Ah, yes. Played for suckers. Here is where it's important to note that in 1941, Aziraphale had no idea that Rose was really Greta and that he, in fact, was the one being played for a sucker. By the end of S2, though, it could be argued that he very much knows that The Metatron is Fraulein Greta Klauschmidt-- someone who presented herself as Captain Rose Montgomery, an agent of anti-fascist good, who approached Aziraphale in his bookshop and told him that he could be an agent of change, too. He could help save the world and stop the global rising tide of fascism represented by the Third Reich. He could even do so using his books. They plotted a sting together, in which he'd bring his books to a church and seem to give them to Nazis to give to the Fuhrer, only for agents to surround them and arrest the Nazis. Aziraphale, desperate to *do* good and to *be* good, falls for this-- he fails to see that Rose is really Greta, a Nazi agent who fools him into working for the enemy and getting him to help destroy the world in the process. Pretty obvious to see here that Greta is The Metatron in S2... but it's likely that Aziraphale knows it and is playing along because it's his turn to save Crowley, unlike what happened in 1941, when Crowley saves him and his books.

Crowley, in the bookshop back at the end of S2 in our present time, stops speaking at the "hold that thought", looking like he's about to be ill, and has to also be thinking of 1941 and the church now that Aziraphale has referenced it. Maybe, in some way, it's an unconscious effort on Aziraphale's part to convey to Crowley that this is a charade-- that he doesn't mean this, that it's an act-- but he really doesn't want Crowley to figure that out. It would defeat his goal. But he also doesn't want to hurt him because he loves him but this is the only way that Aziraphale can see to save him. So he starts gushing about his coffee with The Metatron, right? We all remember this pain lol.

Maybe I've misjudged him. (Aziraphale, we suspect you know that he tossed Crowley into hellfire and stole Gabriel's memories so honestly, the worst part of all of this is that you're so traumatized that Crowley is *buying* what you're saying here...) And guess what?! He wants me to be the new Supreme Archangel! And he said you can come! And you can be an angel again! It will be so fun! We can have a slumber party, Crowley, after days of doing good, and braid each other's hair!

Crowley is like jfc fml are you even serious right now? Which, of course, is what Aziraphale *was going for.* It's the "I don't even like you" and the "we're hereditary enemies" and the "I'm an angel, you're a demon" way of trying to intentionally push Crowley away but the new version of it because none of that flies with S2 Crowley-- most of it barely flew with him in S1-- because Crowley *knows.*

He knows that Aziraphale loves him. And he knows that Aziraphale knows him, which is to say he knows how to hurt him, and that's what this is but also Crowley just sees it as how much Heaven has hurt them both. How much they've hurt Aziraphale. Because just as Aziraphale looks at Crowley in the throes of his religious trauma-- "Unforgivable. It's what I am", etc.-- and wants to help and save and protect him, Crowley feels the same way in return when Aziraphale is like this. Frustrated, sure, but in just as much pain at how much pain Aziraphale is in and feels powerless to stop it but will do whatever he can to try to, yeah?

For Aziraphale, this is all going fairly well (it's miserable but in terms of goal, it's working) through "tell me you said no" but the problem is that Crowley is still pleading. He's still trying to work through it because they're an *us* now and also ironically of course this is when Crowley's been trying to do better with storming out lol so he's trying to couple-solve this. He's not just *leaving* like how Aziraphale had hoped. He had been trying to sell to Crowley that he could pick Heaven over Crowley and Crowley is just kinda... not believing it so much at first and, instead, is trying to approach it like a problem for the two of them to solve together, instead of as a decision that Aziraphale has made for his life that he's stating that Crowley can take or leave.

Which calls back to this scene in 2.01 at the start of this arc, when Crowley calls their life *his* life and Aziraphale counters with that he thought *they* had carved out a life for themselves *together* and Crowley answers: "so did I!" Because they haven't had a discussion about what they are, exactly, at that point, Crowley still cautiously calls *their* life *his* life, retaining a sense of autonomy, as if he's only making decisions for himself when, in reality, they are a couple who are trying to make a life together and have been doing so consciously since S1. Crowley calls that life "precious" and "peaceful" to Aziraphale-- beautiful, lovely things that they both treasure and want and find with one another-- but also "fragile". The threats to them still loom large in the background and they are still so afraid to go much further in their relationship because, in part, of those threats and how terrified they are of losing one another... which just makes the end of S2 even more brutal, really.

(*mantras* cottage in the south downs cottage in the south downs...)

So back in That Scene later in S2, Aziraphale is then just kind of stuck trying to figure out how to get Crowley to be so angry with him that he storms out and never comes back in the face of Crowley trying to very much not do that and then Crowley starts saying that he needs to say what he was going to say or he never will and Aziraphale *knows*, ok? He knows what Crowley needs to say. He just literally cannot believe this is going to happen right now. He honestly can't believe it's happening at all but right now?!

He knows before Crowley begins speaking. He probably knew when he told him to "hold that thought" a few moments before but he *really* knows now. Crowley has no idea that Aziraphale has planned for this to be the last time they ever see one another and to go sacrifice himself to Heaven for whatever they want to do with him to keep them away from Crowley. Crowley looks like he's about to pass out from nerves and can barely speak and just...

...six. thousand. years...

...I know we have all looked at the heartbreak of this scene from Crowley's POV here every which way to Sunday, okay, but just imagine you are Aziraphale, who has loved this being since before the literal beginning of time, and you blame yourself for his pain and suffering, and he's standing here, braver than you've ever been with him, looking into your eyes and telling you that he knows that you love him and that he loves you and he knows you both have known this for basically the entirety of your existence together and he can't pretend anymore. He doesn't want to pretend anymore. He knows things have changed over the last few years between you and he wants more of that. He wants to be with you.

The two of you are not even human, just human-adjacent beings who have gone native from the stars and clouds here, who live and love like humans, who know that maybe the angels and demons have it backwards and God's great creatures are the humans-- that it should be the good in them that you should be trying to emulate-- and Crowley had never been more beautifully, impossibly human than while he's standing there looking ready to pass out while asking you if, after six millennia, it might be alright for him to not hide how much he loves you.

How many times has Aziraphale imagined this by this point? A million? How many different ways? There's at least half of them when he imagines that he's the one who gets up the courage first but there are so. many. Crowley. fantasies. Ones in every time period. But always *a fantasy*, at least up until maybe very recently. Why?

Not even just Heaven and Hell and the threat of being caught but the fact that Aziraphale believes that Crowley doesn't know Aziraphale didn't save him during The Fall and how could he ever really love him if he knew? How could Aziraphale ever go to him like this and give Crowley everything he knows Crowley has desired for so long without telling him the truth about Aziraphale's role in Crowley's Fall-- but then, Aziraphale assumes, he'd lose Crowley forever? So this has always been a pipe dream for Aziraphale-- fantasies from a world where they ever stood a chance of being together-- never really something that could be reality and here it is, starting, happening *now*...

...after six. thousand. years. of living with this guilt and in the last moments in which he will ever see Crowley before he heads to his likely death, with no time to tell him the truth and beg for his forgiveness, no time to ever know what their lives might be like if they could be together.

As Crowley, unbeknownst to Aziraphale, mused dramatically, if not inaccurately, earlier in the season... it's always too late.

It's punishment, in Aziraphale's mind. That's what Crowley's proposal, his confession, is now. It's his Fall, whether he falls or not when he leaves the bookshop for Heaven. It's karmic retribution-- it's God, finally saying something, and what she's saying is:

Look at what you've done, Aziraphale...

Look at how he loves you.

He was never unforgivable.

You are.

Aziraphale might be erased from existence once he gets to Heaven and he knows that's a possibility but he basically is dying here. Crowley is killing him. Crowley has pointed that silver bullet gun straight at his head and fired but he's missed and the bullet isn't in Aziraphale's teeth, it's gone through him.

Crowley, here, tears in his eyes, asking for whatever time they have. An eternity? Impossible, unlikely. Angel and demon. One day, the war will begin again-- another war to end all wars, like all the ones they've fell more and more in love during throughout history-- but it might be the one where Heaven or Hell wins and they're doomed to spend eternity apart. Crowley has said before he thinks the real war is humanity versus Heaven and Hell and that sounds like he thinks there's a chance they could survive it but who knows? They don't know. They're immortal beings who live like humans and that's, of late, included a sense of mortality. They don't know how much time they have left and Crowley is asking for all of it. He is asking for whatever time they have left to be spent together, openly loving one another, and what he doesn't know is what Aziraphale knows:

That they're already out of time.

Crowley is proposing marriage unaware that Aziraphale is dying. It's always too late, Crowley had stated earlier but had hope that maybe it wasn't but it is. And Aziraphale?

Gah. Aziraphale...

He's never loved him more. He's never wanted him more. He wants to tell him that he wants that, too, that they can have it, that Crowley can have anything he wants, but it's not true. It's not true because they could run out the back door of the bookshop now and hop in the Bentley and end-of-Grease it up to Alpha Centauri and Heaven will still find them. Heaven and Hell will still be after them. Running away solves nothing and Crowley always, ultimately, anyway, comes back and this time-- this time-- for Crowley's own good, to save his life, Aziraphale needs him to leave the bookshop and never come back.

And the moment that Crowley confesses that he loves him and that he knows Aziraphale loves him in return and that they've both known this, forever, and asks him if he can be allowed to just love him, Aziraphale loves him so much in return that he'll break his heart to save him from dying.

Dying is... not on, as High!Crowley put it in 1827 lol, but suicide-ish attempts are, if it's Aziraphale's turn this time.

So he twists the knife. He hides the goats as pigeons and he looks at Crowley and does a bit of this:

...only with the exact opposite intent. In the Job minisode, Crowley cannot speak aloud his true intentions. (Something he can finally do in the S2 finale, when he declares his love for Aziraphale.) He cannot tell Aziraphale outrightly that he had zero desire whatosever to kill Job's kids and animals and doesn't plan on actually doing it and, in fact, is actively engaged in a bit of bait-and-switch to make it look like he's doing what he's supposed to be doing as mandated by Heaven! this time as well as Hell (a nice little extra bit of paralleling to the end of S2 and Aziraphale, there.) He wants Aziraphale to believe him enough to allow him to pull it off because saving the kids and the pets (and protecting Aziraphale from any harm that might come to him if he gets in the way of what Crowley's been asked to do) matters more to Crowley than Aziraphale believing him...

...and believing him here means believing *in* him. Believing that they are on the same side and it's their own side and they're in it together. Crowley has to lie to him here *and it works for a moment*. It's really important to note that *it works*. Aziraphale believes that Crowley can do this and that he wants to-- that he not only can but he *longs* (lol) to "kill the blameless kids of Job"-- but it's all in Crowley's wording. He isn't *actually* lying. He *does* long to kill the blameless kids of Job like how he killed the blameless goats of Job-- because he "killed the blameless goats of Job" by turning them into pigeons. So he's really saying to Aziraphale that he longs to *fake the deaths* of the blameless kids of Job and plans to in the same way that he did the goats. In that moment, though? It didn't matter if Crowley was lying or telling the truth. There was only one goal--

--to get Aziraphale to walk away.

To get Aziraphale to leave, for his own safety, and let Crowley handle this. Better that he misunderstand Crowley and be disappointed in him and think him a lost cause than to get himself into trouble. Crowley out here loving Aziraphale that much in the days of Bildad the Shuite. (This poor mfer. Six. Thousand. Years lol.)

So what caused Crowley's plan to save Aziraphale in the Job era to not work?

One of the pigeons bleated, right?

Aziraphale heard it and realized that Crowley hadn't been lying so much as he had been trying to protect Aziraphale from his plan of subterfuge against the Almighty and Satan. The difference is that there are no bleating pigeons in the S2 finale... there's just *a whole certain famous other kind of damn bird instead* and its *absence* from the scene is the big emotional gut punch moment. And we all know it but I'll gif it anyway since this is already a depressing meta (cottage in the south downs cottage in the south downs...)...

...and that *is* the point. Because unlike back in the Bildad the Shuite days, there is no bleating pigeon (at least, not yet) to make Crowley realize that all is not what it seems and that Aziraphale is trying to lie to him and get him to leave to protect him from Heaven.

As Aziraphale is like mortally wounded here by Crowley's confession of love and is so not going to recover from this, he's now got to not only get Crowley to leave feeling like Aziraphale rejected being their own team for Heaven, he has to now do it with all of it out in the open-- with Crowley having openly confessed love for him, with him having asked for them to be together. He's not just going to have to frustrate Crowley more than he ever has before and get him to leave more angry than he was before, he has to, instead, smash into little tiny bits the very beautiful, very passionate, beating heart of the being he has loved since he met him *making the stars* in the bloody sky here...

The only way to get Crowley to go now is to make Crowley think he's rejecting the idea of loving him. Aziraphale honestly can't even sell the idea that he *doesn't* love Crowley because Crowley won't believe it-- he knows Aziraphale does and he's said as much in his whole marriage proposal here. So it has to be that Crowley thinks Aziraphale chose Heaven over loving him. Chose being an angel. That he really meant all of those 'hereditary enemies' and 'you're a demon' moments and to sell that, he sells it.

(You're a dark horse, Mr. Fell, Nina said of him in 2.01... the same turn of phrase Crowley uses when surprised by the secret skills and narrative power of Jane Austen later on in the pub.)

Aziraphale does love himself a bit of theatre. A bit of a disappearing act. The West End, The West End...

...our Nefertiti-fooling fellow...

He sells it with:

Well, of course you said no, *you're* the bad guys...

Come with me... I'll run, it you can be *my second-in-command*...

We can be together. *Angels*. Doing *good*...

...oh, Crowley... nothing lasts forever...

For his final act, The Marvelous Mr. Fell will saw his ineffable husband's heart in half by spewing a litany of everything he can think of to say that will piss him off enough to make him leave the bookshop broken-hearted enough to never come back.

Only someone put a miracle blocker on here because, try as he might and good heavens (pardon the pun), Aziraphale is *trying* here...

...this turnip is not turning into a damn inkwell.

Crowley finally starts to go-- it's looking promising. Finally, Aziraphale thinks, this misery might end. Six thousand years of wanting to speak of all of this between them and hoping for some happiness when-- if-- it could maybe someday arrive, if it even could-- and it's the worst moment of Aziraphale's existence and he knows it is the same for Crowley.

Crowley stops and the "do you hear that?" And no, Aziraphale doesn't hear anything, he just has never been more upset and Crowley needs to just go because Aziraphale can't handle another moment of this, how could it possibly get worse?

Nightingales. Of course.

A call back to S1's "no more world-class composers/little restaurants where they know you/gravalax and dill sauce/old bookshops" but this time, it's "no nightingales". There's Armageddon coming that neither of them know about in this moment. It's still a 'someday, they'll try again' concept to them in this scene, not an extremely immediate threat, as Aziraphale doesn't learn about The Second Coming until after this. So the end of the world that Crowley references here is the end of *their* world and that means no nightingales. No romance. No *them*, together. Worth remembering that Crowley thought, up until maybe what? Five minutes ago? That they were headed to breakfast at the Ritz together. They should have been sitting there together *in this moment*, is what he's saying. Miracling the pianist to play "A Nightingale Sang in Berkeley Square" and gazing at one another over teapots and mimosas and croissants.

That's gone, since you chose Heaven instead, is what Crowley states and Aziraphale knows it because, God help him (no, literally, GOD HELP HIM! WHERE THE HELL DID YOU GO OFF TO THIS SEASON, FRANCES?!), it's what he's *trying* to make happen.

You idiot, says the once-Bildad the Shuite, who thought he was taking his beloved to the ox rib special this morning and not getting dumped for an old floating head and the cinematic world's most contentious to-go cup of coffee, we could have been... us.

Not really a part of the theory here, just the observation that Crowley's confession/proposal begins with him unable to say "a couple", in case this all goes pear-shaped and he needs to have never said something that romantic, so he says instead "a team", "a group-- of the two of us". He says it without saying it. But, by the end? He just says "us." He *present*-tenses it. He's like forget everything else, angel, we could have just kept on being us because we both know what we are. We don't need to find the right turn of phrase or even the most specific human word for it. We are just *us* and we could have kept on with that but you chose the mentality of your abusive family and asked me to be what I'm not and I still love you because I *know* you but I can't be with you like that and *you* know that.

And he kisses him. Because Franny McD says you ain't suffered enough yet, Aziraphale lol. Should I just gif it while we're miserable? If you've read this far, a month has passed and hopefully, you've taken breaks and I do apologize but I'm gonna gif it because yeah. Here we go, folks...

God, make it stop, pleads Aziraphale to literal God and here comes Crowley with the S1 wall slam parallel, all dammit, angel, I know you've wanted us to snog for centuries and this is our last chance.

I know people have opinions about this kiss and I know we're all posting them here, obviously myself included, but while I've seen a lot of like... 'Crowley knows it's the only time they ever will be able to because Aziraphale is leaving him for Heaven' and 'Crowley wants to remind Aziraphale what he's giving up and could have had' and 'Crowley tries the kiss to see if it'll change Aziraphale's mind' takes-- and I agree with all of those things and think they're all right-- I've not seen a lot of 'Crowley kisses Aziraphale *for Aziraphale*' and I think that's a big part of it, too.

Crowley really isn't stupid. Not when it comes to Aziraphale wanting him. It would be honestly hard to spend a zillion lifetimes on Earth and not get it after like...

And Crowley understands Aziraphale's particular brand of religious trauma more than most, since he has a variant version of it himself. He understands that where his whole thing is that he's very much *not* an angel anymore, that Aziraphale's identity is wrapped up in being one and the conflicts he has with Heaven and while Crowley is not yet quite hearing what Nina said-- that she just got out of an abusive relationship and that she's not yet ready to be with Maggie and needs time-- and marrying that to Aziraphale and Heaven (especially because Aziraphale is showing exactly zero signs of trying to get out of his relationship with Heaven lol), Crowley wants Aziraphale to have had what he (Aziraphale) wanted, even if it was for only a moment. He can't go with him. This is the *one* scenario where Crowley cannot follow where Aziraphale goes, where he can't come to him and rescue him, because Aziraphale has said he doesn't want him to. Aziraphale wants to go and do this and the only way he'll take Crowley is if Crowley wants to become an angel again, which Crowley will not do.

And damned if there isn't a part of Aziraphale that thinks that if The Metatron can really be trusted, wouldn't that be something? That if he gets up there to Heaven and he really is made Supreme Archangel and if Crowley changes his mind, if he comes back, like he always does... if he storms out and leaves but then misses him too much and takes the elevator up... then maybe Aziraphale could make him an angel again and while Crowley hears in Aziraphale offering that you aren't good enough as a demon-- you're not good, period and even if he doesn't totally believe that Aziraphale really thinks that but knows Aziraphale has enough religious conflict that it's a problem for their relationship, what Aziraphale *really* means is... I could fix it.

I could go back and un-Fall you. I could take away your pain. I could stop your suffering. I'd have the *power* to do it when I don't right now and it kills me, every day. I could right the wrong I did, the sin I committed-- the real Original Sin-- six thousand years ago when I betrayed you, when Heaven betrayed you.

I could do right by you, the way She never did.

I am going to Heaven to either have the power to do that or to be obliterated into non-existence and I don't totally know which, though surviving is not looking promising, but all I know is that it's too dangerous for you to follow me right now until I do know so I'd rather hurt you than see you dead.

You want to be with me and I am afraid it will lead to your destruction so I need to say anything to put the breaks on your attempt and make you back off. To a lesser extent, I've done it before. Can do again.

Only this time, no hope of the possible, future picnic, I'm afraid...

It really is the worst possible Aziraphale nightmare here like... everything he's ever wanted. Six millennia of wanting to pull Crowley close and he has to reject him or Crowley could die. Fanfic season here said Coffee Shop AU and also a reverse-Fuck or Die for the ages. People complaining that it's awkward? YES. It's supposed to be. Crowley has no idea that Aziraphale is facing a round of sudden death here and was just hoping for his one fabulous kiss and vavoom. Even if it didn't change anything-- he wanted *Aziraphale* to feel that. To know how much he's wanted this for so long and to have it, even if they can't again. The intent is terribly romantic, as is Aziraphale flailing in the middle of it and giving in because he is made of strong, halo-exploding stuff here but he's wanted this forever. He goes up on his toes, he leans in, his hands flail around and he touches Crowley's back. He *shouldn't* do any of this if he's trying to meet his goal of getting Crowley to leave because it gave Crowley hope. It might have even been what motivated Crowley to stay outside and not go right away, or at least a part of it. But Aziraphale had to because he loves him and he couldn't help it.

Then, *sob*, The Michael Sheen eviscerating all of us here...

For anyone who might still be saying that is an "I didn't want his kiss" face... hard, HARD, VERY HARD disagree. That is "I didn't want *this* kiss, like this, right now." That is a man-shaped being who was just kissed by the love of his life for what may have been the first time but, at minimum, is for what he believes will be the *last* time. (I'm still out here holding out some hope for Blitz, Part 3-- a nice first kiss after they kill some Zombie Nazis with Chekhov's derringer in the bookshop but I digress...somehow, even if this entire long meta is one long digression, I digress lol...)

It's the face of a man gutted by the fact that this, in his wildest dreams, was not supposed to happen like this and he's been alive for damn ever at this point so he's had *all* the wildest dreams. And a lot of them, let's be real, have centered around Crowley doing just this. Exactly this. Crowley ain't wrong with the 'grabbing him by the collar and kissing him senseless in the middle of the bookshop' thing. He's wanted to do it for centuries. And the middle of the bookshop bit? That's important, too. This is their home. It's *their* home, even if Crowley is technically homeless. It's safe for him in here and Aziraphale has made it so. It's where they've spent thousands of hours together, happy and safe in each other's company, and here they are, bouille-bouile-bouile-baby-ing finally and it's a complete and utter, unmitigated trash truck dumpster fire.

Honestly, this was a better kiss than in S2 lol. S1 laying down though how long they've been dreaming about it (and having Crowley start listing animals that are in Aziraphale's nonsense magic spell, like he flashes back to 1941 when thinking about the end of the world and kissing Aziraphale in the bookshop... so you can see why I'm moderately hopeful that maybe they did kiss then, once, before then trying to never again until Crowley kisses Aziraphale in 2.06.)

I'm going to bring this back around now to the comparison I made above with Crowley and Jesus and talk about how 2.06's end scenes are also like the last temptation of Christ. Good Omens makes it pretty clear that Aziraphale is the tempter, really, of the two of them, in their relationship. Crowley can't say no to him and Aziraphale has learned it and loves to puppy eyes Crowley into anything he wants.

Crowley knows it and is fine with it. He's smitten and happy to be wrapped around Aziraphale's finger. Crowley has tempted Aziraphale and we see that in S2 with the ox rib. He is, himself, just by existing, tempting to Aziraphale. But in terms of temptation carrying with it a bit of manipulation and *that* kind of tempting being what's demonic in nature? Then Aziraphale is, and always has been, the demon of the two of them. This is true into the end of S2, as while there is almost nothing that Crowley would deny Aziraphale, there is really only one thing and that's to change who he is for him. To become an angel again, to work for Heaven again, after what they've done to him and Aziraphale. So the end of S2 is then Aziraphale's temptation-- it's a test, of sorts, for Crowley, even if Aziraphale doesn't intend for it to be. Crowley resists the temptation. Even for Aziraphale, he won't follow the path of darkness for himself and become something he's not. Crowley-Jesus. (Aziraphale-Satan S3 incoming lol.)

And if you've been reading all of this right then you know what happens next and what it means from the POV of this guilt-ridden Aziraphale...

I honestly don't think Aziraphale is really that angry *with Crowley* at this point-- I think he's just angry. He's reached his limit and then some. He has a lot of simmering, under the surface rage on a good day that only bubbles over when he's stressed by a situation he can't control and here is the ultimate one, really. He's a little mad at Crowley because they've waited countless years for that and in an argument, while ironically probably kind of perfect for them, is not really how *either* of them wanted it to be... but, mostly, Aziraphale is just angry that he can't have any of those moments at all. That they're out of time. That they had all this time and they never really could be safely together and that he's been haunted for six thousand years of the image of his fluffy cloud of redheaded sunshine, bloodied and stricken, and then tossed to Hell while Aziraphale was powerless to stop it. He's never seen those eyes since and he loves the snake ones. He loves all of Crowley with all he has but he's never been allowed to *have* him and never felt safe enough to try and now it's all over. And he still has to make Crowley fucking leave this bookshop for his plan of self-sacrifice to fucking work here so...

...I forgive you. It's the worst thing he can think of. The thing Crowley always hates. The thing that he knows makes Crowley feel lesser and demonic, even if Aziraphale has always, always meant it as an I love you. He even spits it out to Crowley with an almost self-deprecating, referential tone to it-- like "here we go again-- you say you love me and I say 'I forgive you' because I can't say anything else, can I?" The anger is laced underneath it and all the pain but he's intentionally referencing how this this the thing he says whenever Crowley says they can be their own side. He's trying to claim that nothing has changed in all of these years, when they both know that everything has changed since S1 and the bandstand. That's what makes it hurt both of them even more. Aziraphale chooses to say "I forgive you" because he knows that Crowley has never heard it for how Aziraphale means it and Aziraphale is a little bitter about it and lets it show in the moment, since Aziraphale's I forgive you always really means...

I can't stand to see you in pain and if there's any power in me as an angel to stop it, then I will do that so I forgive you and may that make it easier, may that make it all okay, even though I know it won't.

And just before saying I forgive you, Aziraphale's mouth works and he almost-- almost-- says I love you instead... what Crowley would really give anything to hear.

You can see the 'l' forming there, the beginning of "love", what he *really* wanted to say... what Crowley himself didn't even actually explicitly say. Crowley said it without saying it. He called them a couple without saying that word, asked for eternity without fully asking for it, said he loved him by acknowledging that they had both been pretending, but Crowley was terrified and so he said the things in a way that made it obvious what he was saying and asking for but, so unused to not speaking in code are they, that Crowley didn't say he loved Aziraphale, not directly. He did say it. He just didn't say it in those words.

And for a second, Aziraphale almost does.

He can't stand that he's breaking Crowley's heart. He can't stand that Crowley has kissed him and Aziraphale only briefly kissed him back, only barely touched him, when he really wanted to go at him like an ox rib and never let him go, and he starts to say the truth because no part of him really *wants* to be lying like this to Crowley. But he stops. And not even just because he needs Crowley to leave the shop to save his life but because, in the last four minutes, Crowley has confessed love and proposed and they've kissed and Aziraphale, pretty sure he actually died somewhere in the middle there and he's now stuck somewhere in one of Dante's worst circles of Hell lol, just cannot *also* have this be the moment where he says "I love you" to Crowley.

It's not even false hope that maybe they'll somehow have more time. With Heaven breathing down his neck in the form of The Metatron, Aziraphale has no real hope of that. He just always dreamed of telling him and not like this. He doesn't want Crowley to hear it like this, either, not as a part of a rejection. The anger, instead, surfaces, because why can't he and Crowley just *have* this?! How the hell did Gabriel and Beezlebub get to fuck off to Alpha Centauri after dating for ten minutes when he and Crowley have spent bloody eons in queer pining hell over here? What did they ever do that was so wrong to deserve this? Why was Crowley asking questions so terrible? Why have they had to spend thousands of years pretending not to love each other as if love-- the epitome of the angelic-- was unholy? Why, Aziraphale is wondering, now that they are out of time, did he ever spend so many years terrified when, in the end, it all ended tragically anyway?

How many of those years could Aziraphale have spent loving Crowley the way they ought to have been able to have and denied themselves of for so long?

And then Crowley finally does it. Tells him "don't bother" about the forgiveness-- about the love, as Aziraphale has always meant it-- and he leaves. It worked. The anger and pain and saying "I forgive you" after that kiss... it worked. And Crowley leaves and Aziraphale, alone, is a complete mess of broken and furious and broken some more.

Crowley, as we know, doesn't get to see this moment. Muriel does! Great for fic! Hilarious by show standards that the new angel who is literally being ordered to take over Aziraphale's home against his will is who witnesses the aftermath of the intimate moment our angel has been craving, oh, just since before the dawn of humanity over here.

He touches his lips, his hand trembles... have you all noticed that Aziraphale is literally fucking *tasting and eating* what of himself Crowley left in his mouth here? He's pulling every bit of Crowley to his tongue from his teeth and *swallowing*, like he knows it's all of him he'll ever again be able to consume, like he's committing how he tastes to memory for the last like, who knows, ten? fifteen? twenty minutes? of his own existence that he knows he probably has left...

Jesus fucking Christ, Michael Sheen...

This is all without yet mentioning the single most under-analyzed line in S2 that calls into question a ton of stuff, which is this beauty from Shax, right off the top of 2.01:

"Beezlebub's put some of the lesser demons on half-rations."

What does this have to do with Aziraphale consuming Crowley's kiss like it's the most scrumptious thing he's ever tasted (because it is) and being furious that it'll be their last?

Because that Shax line casually confirms that demons eat. Do they eat human food or some sort of demon food or both? Who knows, really, but they're *supposed* to eat. Ok, but is it just a demon thing? No, because it ties to Crowley's comments in S1 about how he complained that the food wasn't really that good lately when hanging out with Lucifer and The Gang, which then implies that, at least back then, *angels* ate, too. Eating was a normal thing. Over time, though, we know that the higher angels have come to see eating as human and pedestrian and not something befitting of an angel. Some demons eat-- even Crowley eats, if less than and differently than Aziraphale-- but the angels think it's beneath them and if we have confirmation via Shax in S2 that they are supposed to be eating and basically only don't die because they're immortal beings and not human, even if they have human corporations, then the show is saying that all of these angels are fucking starving themselves.

They're doing what they're told and denying their own nature and their own needs in the process.

S2 also shows that with the ox rib, right?

Aziraphale went *at* that thing. He'd never eaten at all in a couple thousand years after being told it was un-angelic and so when he tasted food for the first time, he went so overboard that he's been Mr. Prim and Proper with his napkins and table etiquette ever since out of embarrassment over Crowley watching him food orgasm once-- and that's the metaphor there, as we've all figured out. Our show that has a sex worker named Mrs. Sandwich is all about its ongoing food-as-sex metaphor. S2 even opens with the hilarious turnabout from S1 as a "thank you for my pornography", "why do you consume *that*?" Gabriel shows up at the bookshop-- naked-- and has a food orgasm trying hot chocolate for the first time.

Gabe, babe, Aziraphale does not need the play-by-play here....

Mah point is... mah point is that Tumblr is maxing me at 30 images per post and so you'll just have to picture Crowley slurring "dolphins" while I get to my actual point here...

Mah point is while this is a whole separate analysis almost and one that many of you have already done in different ways re: food & sex on the show, my point here is that starving yourself of food in Good Omens is analogous to being touch-starved or love-deprived and before someone yells at me about how angelic beings don't necessarily need sex or are by nature not into sex unless they make an Effort, I agree with you and Neil Gaiman. I'm just also saying the show is suggesting that they all have human corporations and that many of those human corporations are not sex-averse so for those of them that are not, they're literally out here touch-starved and/or sex-starved here in different ways. But, you say, maybe Crowley is hungry (goodness knows, Crowley *is hungry* lol) but Aziraphale eats all the time!

Yeah. Aziraphale eats *food*, all the time. But he isn't touched all the time. He doesn't have sex all the time. He isn't kissed all the time. The 2.06 scene shows him *physically* making that metaphor of food and sex real for us-- we watch him *consume* what remains of Crowley's kiss--showing that he's desperate for it and deprived of it. He's starved for it, to a point of trembling hands and rolling every bit of Crowley's lingering taste around his mouth like he's taking on every last bite of the best crepe he could ever imagine in all his days...

...and then being, understandably, full of rage that this is the only time he's going to ever have Crowley-- and all he's ever going to have of him, when Crowley just offered all of himself-- forever.

And then The Metatron comes back and is Aziraphale ready to go to his death now? And, Friends, Aziraphale...

...is absolutely not.

He's turned away from the door, barely containing tears. When the door opened and he turned, he half-hoped it'd be Crowley but it was grr That Bastard instead. He looks out the window and Crowley is still out there...

...he left but he didn't really *leave*... and it somehow then still isn't over and will someone please just take Aziraphale out back and angel-shoot him? He can't take any more of this.

What about the shop? he asks, in a moment of desperation and terror over what's to come and some blind, stupid hope that he can somehow get out of all of this with him and Crowley still alive and The Metatron, who anticipated this, tells him Muriel lives here now. Aziraphale looks around the home he's made for him and Crowley for the last 223 years and his favorite books and possessions. Crowley's hat from 1941 is on the hat stand, the horse statue is where Crowley put his glasses back when he trusted him, back when he let Aziraphale see his pretty yellow eyes whenever Aziraphale wanted in recent years... before he just put his glasses back on now and closed himself off again.

Aziraphale is never going to see those eyes he loves again. He didn't even get to kiss Crowley without the sunglasses on before it was all over.

Even Gabriel had something to take up to Heaven with him to remind him of the demon he loved but Aziraphale goes to Heaven and to his death empty-handed because he pushed Crowley away to save him from all of this and, in the final push, he looks at Crowley standing there by The Bentley, all that secretly optimistic, beautiful, romantic hope about him still in him from the angel Aziraphale first met, all the awareness there of Aziraphale-- the only being who really knows him-- and so he's still waiting, still hoping. It goes back a few hours to the ball.

I'll be back. I won't leave you on your own.

But it's Aziraphale's call now and he gets into the elevator. The Metatron wins because Aziraphale's love for Crowley wins. He'll die before he lets anything happen to him, even if he wants to run to that car and to him but where would they run *to*? There's no place to go. Crowley has always been wrong about that. They can't go off together. There's no place safe from Heaven for them.

So Aziraphale gets into the elevator at The Dirty Donkey, leaving Crowley alone in the street once again, just with less hope this time than in 1967.

So Aziraphale leaves the bookshop this time, instead of going into it like he did in S1, when he left Crowley in the street, standing beside The Bentley, while clutching a different book this time-- Agnes Nutter's prophecies in his hand versus The Book of Life and its threatened erasure hanging over Aziraphale like the specter that it is. What was predicted about the future versus erasure from the past and all time. Nothing to see here, Crowley! Everything is as it's seems.

Everything is tickety-boo!

Tickety-boo?

Yes, which is also what Aziraphale-as-Crowley said... when he was kidnapped by Heaven and Hell in S1, remember? When he was taken from Earth to be sentenced to death... along *with* Crowley.

This time, Aziraphale is shutting Crowley out again. Telling him 'mind how you go' again, this time a bit more, uh, emphatically lol. And on their heels, again, the end of the world. Arma-bloody-geddon 2.0: The Second Coming.

Aziraphale heard The Metatron saying that was the plan-- as, of course, our villain walked away and meant for it not to be totally heard, further implying that they have no plans to really make Aziraphale the Supreme Archangel and that this is all a remix of Fraulein Greta Klauschmidt. That then makes this all somehow *even worse*... because now Aziraphale gets in the elevator to ride up to his death to save Crowley but now he knows that it was all for nothing.

War is coming. The planet they love will be destroyed. Crowley, if he knows him well enough, will likely die trying to save it. When he does, he'll still be damned to Hell for all of eternity while Aziraphale thinks he likely won't exist at all once he makes it upstairs and Michael finally gets to Book of Life him. Let the other angels think he's been played for a sucker. Better they think him a fool than that they come for Crowley.

He doesn't want to Fall and doesn't wish for it. If they take his memories as punishment, and they almost certainly will, he won't remember any of the moments he spent with Crowley and even if they could have eternity together in Hell if the world is destroyed, he wouldn't wish Crowley the pain of being around him when he didn't remember anything.

Aziraphale only finding out about The Second Coming in the moment before he gets on the elevator-- *after* everything happens with Crowley-- is a million times worse because now Aziraphale is riding to his death knowing that everything they've done in six thousand years doesn't matter and that the events of S1 didn't matter because all it did was delay the inevitable end of the world and everything Aziraphale loves is about to be destroyed.

That, apparently, was God's ineffable, Great Plan.

All of that is what is on Aziraphale's face on the ride up to Heaven in the final splitscreen.

In that splitscreen, Crowley, for what it's worth, is visually echoing the driving back from Tadfield bit that leads to the "tickety-boo" moment of Aziraphale lying to him by omission. He looks close to a parallel to the S1 moment where he suddenly yelled:

"DUCKS!"

They're what water slides off of. In this context? They were also the thing itching at the back of Crowley's mind-- the not quite right thing, the puzzle he couldn't quite figure out, the question he coudln't yet quite answer... until he could. That's positive, actually. It means there might be something for him to realize, even if that realization might come too late in the short term. (They will solve everything and be fine, memory-intact, immortal beings in love who go off together by the end of it. This is all just until then.)

Ducks are also, sort of, the be all and end all of Good Omens. Crowley knows how to take care of them, after all, when others do not. You feed them frozen peas-- they are good for them and they love them, too. (Don't feed him coffee, you Metatron idiot! He only ever drank one mug of it in S1 and it led to the *points above* see: tickety-boo Aziraphale lying to Crowley paralleling sequence of scenes.) [The "do you have one, single, better idea?" scene is Aziraphale drinking coffee, for reference.]

So, yeah, by comparison here... Aziraphale, you are a duck lol. You have been fed bread by idiots for far too long when, really, you need to be eating frozen peas. Crowley knows this and he knows how to take care of you. With any luck, he's about to have his duck-moment-paralleling epiphany any moment now, though I fear you're already going to be memory-wiped and fallen to Hell when he does. That's okay, though, because this is the main scene that still needs a go-around in paralleling and we know Crowley knows where the dungeons are down there from unfortunate, personal experience.

Cottage in the south downs, cottage in the south downs, cottage in the south downs, cottage....

Notes: Hi! If you have made it all the way here, thank you for reading. I hope it was worth the read for you. You all write such great stuff that I felt inspired to put my lit and film studies and psych background to use and jump in a bit. Thanks for indulging me. I also wish to note that there is a gif above that is by @fuckyeahgoodomens but for some reason, the credit was not working properly so I just wanted to make sure you knew who was providing us the visual joy.

[daddyfordaeddy]

Pairing: San x f! Reader

Word Count: 2269

Warnings: cursing, talks of insecurity about your nether regions, too much league of legends talk, none otherwise (smut warnings under cut)

Genre: smut, fluff, rated M for mature, established relationship au

Summary: You lost a bet to San, and now he gets to do whatever he wants

Smut warnings: fingering, oral (male & female receiving, fem focused), blindfold, dirty talk, spit play, light bondage (yn's tied to a chair), multiple orgasms

I’m only doing a couple of the February Filth Fest, and this is day/track 25! free use/spit play, and i chose the latter (once more)! i know almost nothing about spit play so i hope its good!

And if you want to know what other days I’m doing? You’ll just have to wait and see ;) This is the second to last one!

-

“Baby, can you come here for a minute?” Your boyfriend, San, calls for you and your head pops up from the book you were reading. It wasn’t very interesting anyway, something you had to read for class, so you have no qualms about putting it down and seeing what San needs. He’s currently in the computer room, waiting for you with a large and mischievous grin on his face.

“What’s that look for,” you laugh, approaching him and leaning down to peck his lips. “You look like a cat who swallowed a bird.” San pouts at the analogy but he can’t really fight it.

San sighs, his eyes crinkling with a smile and you can’t help but kiss him again at the adorable sight. “I just had an idea. Hear me out, okay?”

You laugh but plop into your chair next to him. “Shoot.”

“So.” San seems almost embarrassed but the smile on your face doesn’t waver and he squares his shoulders. “I was wondering if you’d be willing to bet with me. You know how you’ve been playing league pretty competitively lately?”

You nod. Your friends roped you into playing ranked games with them and you’ve somehow made your way as a platinum player. Every so often, San would join you and your friends in playing games and every time he does, you’re reminded of how he used to be a diamond level. “Yeah, why? You wanna play again?”

San chuckles. “Kind of. I don’t want to go the competitive route again, but I want to play one game with you.”

You narrow your eyes playfully. You may be good now, but you’re pretty sure San has been practising behind your back. “What do I get if I win?”

San’s smile grows wider. “You can do whatever you want with me in bed. But the same goes for me if I win. Deal?”

You hum. “Sure, but we get to pick each other’s champions.”

Without another word, San holds out his hand and you give it a firm shake. “I’ll have you play Neeko.”

You snort. “Well, you picked so nicely you can play Akali. I’d let you be Graves but I’ve never played against one.” San leans over to smack your leg but you dodge it with a giggle.

San sighs but his eyes are full of fondness. “Of course, so kind. Now, I hope you’re ready to get your ass beat.” His words are tender but he’s not playing around. He’s both competitive and horny and he’ll do whatever to win. And you won’t lie, you’re enjoying the idea of it too.

“I think you might be talking to yourself, Sannie,” you wink. “I hope you like getting pegged.”

-

The beginning of the match was fairly easy. The bots, of course, were evenly matched and you and San were fairly even. Although you tend to scale more late-game and San does best in mid-game, you were playing it safe.

“Ah, fuck!” You squawk when the opposing top just shows up, stunning you and San lands his first kill. “That was so mean,” you complain and San chuckles, leaning past his computer screen to pat your knee.

“Sorry, baby, that’s the game,” he hums before narrowing his eyes to reconcentrate. You find it hotter than you should. Unfortunately, after your death, San got a leg up and it’s hard to pick up the slack. And with how close the two of you were in skill, that small difference turned into a big difference. In no time whatsoever, your nexus is already on the brink of death and no matter how hard you try, you end up losing.

“Fuck,” you whine, pulling off your headphones and slinging them around your neck. “That was so close I could almost imagine my victory.”

San snickers, rolling his chair over to practically flop onto your body. “Sorry, baby, but it looks like I’m the winner here.”

You pout playfully, carding your fingers through his soft hair. “Fine, fine. What do you wanna do,” you concede, bending down to kiss his temple.

San hums but you know he’s not really thinking about it. You’ve known him long enough that you can tell that he had been planning this for a while. “I wanna eat you out.”

His words cause you to stiffen and turn your eyes away. You’ve always disliked the idea of you receiving oral. Not because you find it gross, of course. You like sucking dick, what difference is there? Your past boyfriends offered before, you just didn’t take them up on it and they didn’t press the issue. It just stems from your insecurities about your vagina, you suppose.

In your eyes, it’s too weird-looking. And you know San is just happy to do whatever but you can’t get over your mental block. But as San stares up at you, you sigh. You’re too prideful to back out. It’s not like it’s the worst thing San could’ve chosen. You just don’t like it. It’d be like if you won and wanted to peg him.

“You don’t have to if you don’t–” San tries to help you when it takes you a tad too long to respond but you shake your head.

“It’s okay. You can.”

San’s eyes brighten and his lips twitch but he sits up, a little more serious. “Are you absolutely sure? I don’t want to make you feel like you had to.” And your heart blooms with appreciation for his words. And it only makes you want to trust him more.

“I am.”

—

Your body is stiff in the chair you’re tied loosely to as you anticipate what's to come. A blindfold rests over your eyes and it's almost barely see-through so you can see the shadows moving around you but not what it is. You're not quite sure what you expect but the unsurety of it all makes your thighs clench.

“You're so tense,” San's voice floats towards you and you can almost feel his presence as he comes to stand in front of you. “Are you ready?”

At your nod, his hand comes to rest on your bare thigh, nothing covering your lower half except the hem of your shirt. “Don't worry, I'll make you feel good, baby.”

Before you can even respond, his breath ghosts over your cunt and your breath stops in your throat. He giggles at how stiff you're holding yourself before he presses a soft kiss to the junction of your inner thigh. And another. And another.

“Hurry up already,” you groan. “Can't get this over with if you take five years–” Your words are cut off as soon as San places a kiss to your clit, pleasure shooting up your spine. Your teeth sink into your bottom lip as your hips jerk at the sensation.

“Come on, don’t be shy. I want to hear all your pretty moans,” San hums, pressing another kiss to your clit as his tongue darts out to flick at it. “Taste so good baby, can’t believe I finally get to do this. Been dreaming about eating you for dessert and now I finally get to. So perfect for me.”

Your thighs are so tense, both from your nerves and from the feeling of his tongue pressing against your folds. “San–” you groan, clenching so hard you feel you may get a cramp in your hip, but San’s having none of that. His thumbs press into the junction connecting your thighs and torso, and you hiss at the pressure. “Fuck,” you groan.

You can hear the slick sounds of San lapping at your pussy, his nose pressing into your clit so perfectly you fear you may come already. His fingers are pressing slowly into you as he licks around them. “Fuck, you’re squeezing around me so well,” he groans. “So needy, look at you.”

Without warning, he spits on your pussy, and you gasp at the sensation of his saliva dripping down your heated skin. “San!” You don’t know how to react and your boyfriend chuckles at your astonishment. He bends down, licking at the mixture of your slick and his spit, kissing your clit again as he bites at the flesh.

A high-pitched whine escapes your throat as his teeth scrape against your folds and your hips kick up as you reach your high, coming with a groan. It feels like you’re about to pee, just so much more intense, and your core clenches as your head is thrown back in bliss. San’s tongue leaves your folds although his fingers are still pumping inside of you.

“Fuck, babe, I didn’t know you could squirt,” he says, voice filled with awe. “Fuck.” He spits again on your pussy, flattening his tongue to lick a long stripe up it and your breath catches at the feeling.

“Oh God,” you groan, eyes fluttering shut as your teeth work into your spit-covered lower lip. “Fuck, it’s so much, Sannie.”

San hums, mouth still pressed against your sopping cunt and if you think hard enough, you can just imagine how shiny his face must be after eating you out for what seems like hours. “You’re just so perfect, how could I stop?” he groans, the vibrations in your cunt making you twitch. “Colour?”

“Fuck– green,” you cry, trying to grind down on the chair, and San chuckles, puffing his warm breath onto your nether regions. “Sannie, please–”

Without another word, he spits onto his free hand, pressing his palm onto your clit and rubbing it in small circles. You can’t help but arch your back, whimpers and gasps leaving your lips like you’re getting paid for every sound you make. The light filtering through your blindfold is suddenly covered, and before you can even register what’s happening, San’s lips press against yours and you eagerly accept his kiss.

You can taste yourself in his mouth as you lick into it, mouth falling open as San spits in it. “Swallow,” he commands, and you rush to do so, eyes rolling back in your head as his fingers pump inside of you and the hand that was rubbing your clit moves up to pinch and knead your breast.

“Nng, San, I’m close again,” you warn, and San laughs, kissing down your neck and biting at your shoulder.

“Ah, again? So needy, begging for me,” he hums, mouth travelling down to suck at your other boob, his teeth scraping over your nipple. “You’re so pretty, (Y/N), taste so good, I could eat you up for hours.”

And, true to his word, he presses his tongue against your flushed skin, dragging it down to taste the mixture of sweat and come until it reaches your clit again. With a groan, he slurps at your sensitive bud, nipping at it.

“Shit–” you cry out, legs jerking. San laughs, drawing his fingers out of your cunt and away from your chest as he pins your legs down to have uninterrupted access. The hot muscle of his tongue slowly presses into you, flicking at your convulsing flesh so perfectly. With so many sensations overcoming your body, you feel like you might die as you reach your second orgasm of the night.

It washes over you wave after wave, and San’s tongue won’t stop pushing in and out of you at a slowing speed. “So perfect for me,” he repeats himself as he sighs against your quivering pussy. “You’re dripping so much for me. Eat you so well you can’t stop, hmm?”

“Fuck off,” you gasp, although there’s not much bite to your words. Not when San spreads your lower lips and presses his tongue impossibly further into your wet heat. “Ah, shit.”

As much as he likes to tease you, San doesn’t want to overwhelm you and he slows down, letting you come down from your high without too much overstimulation. Your body feels limp on the chair, your legs jello. You feel San’s breath on your temple right before he kisses it as he unties your wrists and pulls off your blindfold.

You blink blearily up at him, a smile forming at the sight of how wrecked he looks just as much as you. His hair is a mess and his crooked grin is shining with his spit and your slick. You grab his collar, unable to resist pulling him for another kiss as your hand wanders down to press against the obvious bulge in his slacks.

“Ah–” San sighs at the pressure, just letting you unzip his pants and pull out his thick cock, your thumb rubbing the head of it. “You don’t have–”

You interrupt him by leaning down and pressing your lips against the tip, letting your spit dribble down the length of it before enveloping half of it in your mouth. As you reach down to fondle his balls, you keep his dick resting in your mouth, spit pooling and sliding down the veins.

San looks ready to blow already, his eyes squeezed shut and his hand gripping your hair. It makes your heart and cunt throb at how beautiful he looks and you scrape your teeth gently against him. With an almost pained groan, he comes into your mouth and you swallow the bitter taste with a sigh and hum.

The hold he has on your hair loosens and his hand falls to cup your face to bring you back up to him for another long kiss. “Thanks for letting me do this,” San smiles against your lips and you tug him closer by his belt loops.

“Thanks for doing this,” you smile right back. “Next time, I’ll win.”

[violet-butterflies]

❥︎ yandere! Villain Headcanons

❥︎ Warnings ! ☞︎︎︎ stalking, violence, gore, angst ☞︎︎︎ A/N If you recognized this character then you probably read my work from Quotev. Or I might be wrong and my story might be more generic and/or similar to another author's work than I thought lmao. ( male yandere! oc x gn reader )

❥︎ yandere! Villain who disguises as a hero he killed earlier that week. He purposely caused a huge chaos in town where he can come in and pretend to help! After that, he can always go into the hero's circle and infiltrate the hero's defense systems and take the hero's powers all for himself!

❥︎ yandere! Villain who is betrayed as a child by the very heroes that are supposed to protect him and his small village. Now, equipped with shadow powers that allow him to absorb and transform into the heroes he's killed, he is gonna hunt for the most powerful hero in town!

❥︎ yandere! Villain who meets the hero's overworked sidekick. No matter, you won't be a problem in his master plan at all.

❥︎ yandere! Villain who is frustrated about how the hero barely shows up to most of the chaos he and his minions have caused. For god's sake, he made sure to cause trouble for the whole week so he could pretend to be friends with the hero and gain more intel! Why are you the one showing up to deal with all this?!

❥︎ yandere! Villain who has to change his plans due to how much the hero was not showing up. Maybe he can use you to hunt the hero down! After all you are his sidekick and, he must say, your company is not half bad!

❥︎ yandere! Villain who spends a lot of time with you to gain your trust; hoping that is he gets close enough you'd take him to the hero's hideout! But wait, why are you actually interesting?

❥︎ yandere! Villain who finds out you were betrayed by the heroes too. He can't help but sympathize with you but he just doesn't get how you still want to join forces with them. In fact, it only pushes you to protect the people even more! Not only that, he even found out that the hero barely does anything to help you if the crime is not big enough to take any significant credit! He can't help but feel a big need to protect you from people that are clearly taking advantage of you. This also makes him want to tear the hero down even more for taking advantage of your undeserved kindness.

❥︎ yandere! Villain who finds a lot of things in common with you and eventually hangs out with you for no reason on top of a building somewhere when nothing is happening. You were so sweet and kind! He wants to stop disguising himself because he feels bad fooling you. He's sure you'd fall in love care for who he really is anyways because it's his personality you've been hanging out with this whole time!

❥︎ yandere! Villain who finds out your real identity and where your family lives. Apparently, they live far away from the big city. Perfect! Now he has a way to get you out of the city for his master plan. You won't be there to help the hero. and you will be safe in case anything goes wrong.

❥︎ yandere! Villain who is pretending to feel sympathy for your mom who apparently got harassed by a thug and needed to be hospitalized. Oh you needed to go home for a few weeks to take care of your mom? Don't worry about it, he'll make sure to keep the city safe! tell your mom that he's sorry for beating her up

❥︎ yandere! Villain who summons a murderous demon to massacre the city! Now that you aren't here to help the hero, he's free to let loose and do as much damage he can to draw the hero out and kill him! He doesn't even have to do a thing! All he has to do is to be a vessel for the demon and he can watch under his subconscious!

❥︎ yandere! Villain who is in a panic since instead of the hero, you were the one that showed up. What were you doing here?! You're supposed to be with your mom! No no! You can't handle this yourself! Y/N GET OUT OF HERE YOU'LL DIE! PLEASE GET OUT OF HERE I DON'T WANT TO HURT THE PERSON I LOVE!

❥︎ yandere! Villain who gains back control when it is too late. Lying on the concrete streets is the broken and bruised body of his beloved sidekick. You are covered in bruises and blood. Multiple stab wounds covered your body and you were missing a whole arm. On top of that, crimson blood oozed out of you and you were losing heat quick. He doesn't even bother to hide his true identity since he wants you to see who he actually was at least once.

❥︎ yandere! Villain who is crying while he apologizes to your unconscious body. His whole body is shaking as he tries his hardest to find any solution to fix the problem he caused.

❥︎ "Please y/n wake up! I'm so sorry! Please don't leave me alone! You've barely even met me! The real me! So please open your beautiful eyes and tell me that everything is going to be ok!"

❥︎ yandere! Villain who shoots a sharp glare to the hero and lets out a string of profanities when the hero showed up late, witnessing the villain hug the body of his sidekick; he himself can't help but stare, feeling mortified and remorse.

❥︎ yandere! Villain who takes you to his hideout where he keeps you hooked up on all sorts of machines to keep your body alive until he can fully bring your soul back from the other side.

❥︎ yandere! Villain who swears on vengeance to the hero and promised himself to properly protect you from everything including himself from then on.

❥︎ "I promise y/n. I'll save you and we'll get to know each other properly this time. When the time comes, I'll let you punish me for hurting you and I'll keep you safe from everything including me."

[woso-dreamzzz]

Sleepy

Hardersson x Child!Reader

Part of The Big Adventures Universe

Summary: Magda comes home from training

Pernille injures her knee during the match against Essen. She scored a goal before it though so it wasn't a total waste but it was still horrible to watch her have to exit the pitch.

She's been stuck at home for most of her rehab while Magda continues to go to training.

It's a little hard going because Magda worries from a distance, barely conversing with her teammates at the end of the day. You've been staying at home too, insisting on helping Pernille get better because that's what your mothers did for you.

Magda worries over you too. Pernille's got such a limited range of motion now that she worries if you're getting everything done that you need to like brushing your teeth or eating your lunch.

Pernille can be a bit of a pushover when it comes to that kind of stuff when she's injured and Magda doesn't really like you snacking through the day rather than eating a proper meal.

It's probably why she speeds home every day when practice is over. It's ingrained into her now even though she comes home to a similar thing every time.

Usually, Pernille's set up on the sofa with her leg stretched out while you're either next to her or sitting on the floor. You usually have some toys spread out in front of you or maybe you're focussed on whatever show Pernille's put on to keep you both occupied.

Today though, as Magda enters the house and throws down her bags, she sees a different sight.

Pernille's passed out asleep on the sofa. She's clearly gotten one of the pillows from their bed because she's clutching at it with one hand as she snoozes.

A blanket is thrown over her body, one of the lightweight ones that you like to wrap around your shoulders and pretend is a cape. Speaking of you, you're curled up next to her.

Pernille's other hand is being used to press your little body close to hers. It's a safety thing more than anything, to make sure that you don't roll off the sofa in your sleep, but it still brings a fond smile to Magda's face.

You're buried under the blanket too but Magda can just see a hint of the pyjama top that you haven't changed out of. Clearly, it's been a lazy day for everyone but Magda because she has no doubt that if you haven't gotten dressed properly then Pernille hasn't gotten dressed properly either.

You look so soft and cute though so Magda pushes down her jealousy at not having a lazy day with her girls. You snuffle a little bit as you wriggle in your sleep, smacking your lips together and Magda just watches you both for several seconds.

When you eventually settle, she smiles and goes to change.

She'd already showered at training so all she needs to do now is put away her bag and get changed. She's been training all day but it doesn't mean that she can't join in on the rest of your lazy day now that she's home.

"Hey, princesse," She coos to you when she returns in her pyjamas.

You're in that odd state of inbetween where you're still asleep but also, somehow, awake too. Your eyes flutter open.

"Hi, Morsa," You say, your voice soft and groggy with sleep. You slowly lift your fuzzy head and Morsa cradles it gently.

"Aren't you all sleepy? How was your nap?"

You make a few grumbling sounds as if they communicate how you feel before sitting upright. The blanket falls from your body.

Magda was right. You were still in your pyjamas - a pair of fuzzy trousers and your Lyon van de Donk shirt. It's been chosen for this week's sleepytime top.

You usually cycle through football shirts for bedtime because they're all too big for you and make you feel all nice and cosy. Last week it had been Keira Walsh's Barcelona shirt and the week before that it had been Alexia's Spain one.

You yawn and rub at your eyes.

"Momma's still hurt," You say," But she's okay."

"That's good." Magda reaches out to tickle your tummy. "And what about you? Are you okay?"

You nod. "We had a lazy day so we ate pancakes and had a little sleep." You yawn again.

"Are you still tired?"

"Uh-huh."

Magda smiles as she helps pull you from Pernille's grip. "Well, there's not much space for me on the sofa so why don't you head on up to the big bed and I'll get Momma?"

It's clear that you're excited but your movements are still sluggish because you shuffle up the stairs to the Big Bed, snagging the blanket on the way.

That makes Pernille wake up, blindly reaching for where her previous warmth has gone.

"Hey," Magda says," How's your knee?"

Pernille makes a face as she sits up. "It's fine. Where's Princesse?"

"Upstairs," Magda says," I promised sleepytime cuddles in the big bed."

"Hmm. That's generous of you. Can you just leave me to my nap?"

"We're napping upstairs." Magda helps Pernille to her feet, supporting her weight all the way up the stairs.

"Hmm. That's nice."

It's clear that Pernille is halfway to sleep again so Magda settles her in bed quickly.

Automatically, Pernille's arms are out to wrap around you, curling herself around you protectively.

You're asleep again too and Magda slips into bed to join you both.

Pernille adjusts herself to rest her head against Magda's shoulder as she presses a soft kiss to it. "How was training?"

"Go back to sleep," Magda replies," You're still exhausted. We can talk about training later."

[suzayaaa]

ೃ⁀➷ 11:47 PM ☆.｡.:*

𓆩⟡𓆪 pairing: anton x reader

𓆩⟡𓆪 word count: 1.0k

𓆩⟡𓆪 themes: fluff, established relationship

𓆩⟡𓆪 warnings: thunderstorm

𓆩⟡𓆪 suza’s note: first anton post yippee

The storm is loud. It’s heavy, dark, and almost agonizing, and as you’re choosing a movie to watch, you can’t help but look outside the window. It’s something between awe and terror—the sky, although dark and kind of foggy, roars every few seconds, making the silence of your and Anton’s shared apartment somewhat disturbing.

You don’t think much of it when your feet carry you through the dark home to the spare room. You open the door softly. The blue light from the computer screen gleams on his face, defining his features in the otherwise unlit room. You walk over to him and tug at his sleeve. He flinches, eyes jolt to your face only to relax immediately.

He moves the headphones from his head to his neck. “Yeah? What’s wrong?”

“What are you doing?” You look at the screen and observe the character’s flowy movements in the game’s lobby.

“Playing, wasting time,” he sighs as he turns his chair toward your body. His big hands land on your waist, touching it through the material of your pajamas barely, but securely. “Why? Is everything okay?”

You hum and the room and the sky flash pure white for two seconds and a loud growl follows. It echoes through the walls to the floor and to your feet, crumbling into your skin and clutching your muscles and lungs and throat and squeezing the air out of you in one sharp motion. Just as your hands grip Anton’s forearm, the world turns quiet and black again. You look back at Anton, not realizing your head snapped toward the window, and gulp.

“Hey,” he massages your sides with his thumbs, eyeing you attentively, “it’s okay. Come here.”

He pulls you closer until you’re sat on his lap. Your face buries in his chest, calves hanging loose on the side of his gaming chair as your fingers start to play with the hem of his shirt. His left hand moves to your hip to steady you and the other one goes back to the keyboard lit up in a pretty neon rainbow.

“I’m not that scared of thunders,” you mumble into his body, although you’re pretty sure you don’t sound that confident. “This one is just kinda,” your voice fades away because you don’t really know how to describe it.

It’s big, loud, and scary, and every time you look at the blinding thunders or hear the grumbling noises it feels as if it’s coming straight for you, your boyfriend, your apartment, and everything and everyone else around you; as if it’s going to strike right through your window and kill both of you, or worse—kill one of you and leave the other one in eternal pain, fear, and agony of losing a partner and make one of you suffer every time there is a storm.

“I know, I could hear it through the headphones, even though I think they’re noise-cancelling. I thought you’d be asleep by now.” His soft breath fans the top of your head as he logs off the game and closes all apps. You glance at the time in the right corner of the screen—11:47 pm—and hum.

“I wanted to watch a movie. Not like I’d be able to fall asleep anyway.” Anton chuckles at that, and although it comes off awkwardly, you ease into his chest when it vibrates against your ear.

“We can do it now if you want,” he offers as he turns his PC off. The keyboard and the mouse’s neons slowly fade out, leaving you in pitch black.

You hum absentmindedly. The storm seems closer without the light, more real. Your muscles stiffen at the thunder growls, even under your boyfriend’s touch.

His arms move under your knees and back as he pushes the chair away from the desk and gets up. You instinctively wrap your arms around his neck, although he doesn’t display any trouble carrying you.

You arrive at the living room. The TV is still on. The list of shows and movies you saved to watch later is your only source of light, but it’s enough.

He lays you on the couch and you sit up, feeling the cotton under your palms until a remote lands in your hand. In the meantime, Anton goes to the kitchen and comes back with leftover snacks crunched up in his fingers. He puts the bag on your lap and you move to the edge of the seat, making space for him to lay down. When he does, you drop the remote onto his chest, pull the coffee table closer to the couch to place the bag of snacks on it, and finally lay yourself on top of him. You cover your bodies with a blanket you grabbed earlier and wrap your arms around his neck. Before your head lands on his chest, he takes the remote from it.

“What do you want to watch?” You hear just when you are about to ask.

“I don’t know. Something not scary.” He fiddles with the remote for a good minute and then you see the search bar slowly fill up with letters—your comfort movie.

You can’t help a soft smile grace your features and you know Anton is also smiling from the way his hand, the one that is free of the remote, squeezes your waist, and his lips press a peck to the top of your head. It’s a small reminder of his love, a silent message of what you are to him and what he is to you, but it brings such relief to your mind and body, melting you into him under the warmth trapped by the blanket.

As the movie’s first scenes roll out and Anton’s light breaths fan over your head, you slowly forget about the sharp lightning bolts dancing in the sky. Anton’s big arms over you, his cologne tickling your nose, the comfort of his presence pulling on your muscles and tendons and setting them free, light like a feather. It’s all so familiar, but so lovely, and paired with his steady heartbeat, you let yourself fully relax for the first time tonight.

Because everything is and will be alright—as long as you’re in his arms.

suzayaaa 2024 𓆩⟡𓆪

[oleander-nin]

Yan!Rottmnt find you sleeping in their bed

A/N, not important: Told you I'd get out more this week. I figured out a system to (hopefully)stop me from burning out as quick. Any criticism is welcome, constructive or not. This is supposed to be a gender neutral reader, so if I screwed up somewhere, please tell me.

Tw: watching you sleep, implied kidnapping, yandere themes, Raph overthinking and slight babying, unconsentual touching(nonsexual)

Words: 961

Summary: The Yan!ROTTMNT turtles find you sleeping in their bed, and they didn't even have to bribe you for once.

-Ollie

Mikey:

He’s surprised at first.

You’ve been fighting him on this for so long, despite him trying to reason with you. You hadn’t even touched his bed of your own volition so far.

And yet here you were, curled up in between pillows and blankets and the small rabbit stuffie Mikey had given you when he first met you.

He doesn’t touch you at first, opting to silently watch from a distance.

Has the biggest grin on his face as he coos at your sleeping figure, admiring you.

In his mind, this was a step forward to you accepting him, to you loving him.

Depending on the time of day and what Mikey was doing/how important it is, he’ll either get in bed with you and cuddle you while trying not to wake you, or he’ll sit on his desk and watch you as he draws.

Mikey hushes anyone who walks by, making sure his loud brothers don’t disturb you.

Until he wants your attention.

Then you’re getting dragged out of bed, an excited Mikey holding you in his arms.

You can always sleep later, after all, you obviously don’t care about sleeping in his bed anymore.

Don’t fight it, he knows you better than you know yourself.

-----------------------------------------------------------

Donnie:

Knew about it as soon as you fell asleep.

Is a bit miffed, especially if you didn’t wash before getting into his bed. He’s big on cleanliness, and will not stand for you making his bed all gross. He has to sleep there too, you know.

If you didn’t wash up first, he wakes you up and makes you go take a shower/bath first, taking the sheets to be cleaned and replacing them with spares as you do so. Drags you back to bed once you’re done, you don’t get a choice now. Plus, if you're so eager to sleep in his bed dirty, you’d enjoy it even better now that you’re clean.

If you were already clean, he leaves you be for now, having SHELLDON keep an eye on you to make sure nothing goes wrong while you sleep if he’s too busy to do it himself.

If he can spare the time however, he goes into his room and sits at his desk, being able to work while still being near you.

If he’s done with his work and is feeling up to it, he’s crawling in with you, collapsing on top of you and using you as his pillow. You’re soft and warm, you should’ve expected this to happen.

Gets pissy if you fight back, considering you most likely awoke when he flopped on top of you.

You should be grateful he’s showing you such kindness, he can always make you sleep on the floor.

Overall, he is quite indifferent about it. He doesn’t need you to sleep in his bed by your own volition, he can always just make you. Thinks nothing of it as you should be doing so anyway.

-----------------------------------------------------------

Raph:

Very pleased with you.

Seeing you sleeping under the covers of his bed of your own volition, just as he wanted you too was so comforting to him. He almost melted at the sight of you surrounded by his various plushies, one of the bears being held in your arms.

The problem lies with his anxiety, however.

You are currently in his bed, alone. If he leaves, you could get hurt. What if a plush falls on your face and suffocates you in your sleep? What if he leaves and you roll off the bed, breaking your neck? What if you have a nightmare, and he’s not here to comfort you?

Despite what he was doing prior, he drops it to watch over you, not trusting you to be safe on your own as you sleep. There were too many things that could go wrong, too many variables that could lead to your suffering.

No, he had to stay with you, to protect you.

It’s what he’s here for after all.

He tries to stay away for as long as he can hold out, watching you from the opposite end of his room as he sits on the floor, just silently staring.

If it gets too much for him, seeing you there all cozy paired with the worry he has for you, he’d crawl into bed with you. He tries his best to not wake you up, simply depositing your body on his plastron as his arms wrap around you.

Freaks out if he wakes you up by accident, shushing you and trying to coax you back to sleep. You need your sleep after all.

-----------------------------------------------------------

Leo:

This man’s ego raises so high, you have no idea. Is incredibly smug for the rest of the day(unless you do something wrong after you wake up).

See’s this as a win, thinks you’re finally giving in to him. Takes a photo to commemorate the memory before walking over to you.

Depending on his mood, he’ll either slip into bed with you, or sit on the bed next to you and just watch you while you sleep, enjoying this small step towards your reciprocating love.

No matter what, he drops whatever he’s doing to stay near you, not caring how much his brothers fuss at him.

If he slips into bed with you, he’s full on wrapping his arms around you and clinging to you like he’s never felt the touch of a lover before. Absolutely milks it.

If you wake up from his movements, he just shushes your complaints, refusing to let you go now that he’s with you.

You’re the one who was here first, why do you want to leave now?

Is very proud he’s finally making some progress, he knew you’d come around.

[heavencanbeaprisontoo]

Hi I hope you’re well 😊 I’m here to request your thoughts on Tommy Shelby as a father. Like how many kids you’d think he would have had if he only had one love interest (no falling in love with Grace or marrying Lizzie). Or if you think he’d be a girl or boy dad (personally i’d like to think he’d be a girl dad and have a big family haha). You can make this headcanon or just simply respond to this ask however you’d like! Thank you for taking the time to read and answer 🥰

Thomas Shelby as a Father

Tommy x Fem!Reader

Trope: Wait till your father gets home Warnings: Angst, spoilers for most of the series, period-typical sexism, references to past ab-se.

What we see of Tommy as a father is that he's distant and seemingly detached. This, I feel, is because of his trauma in losing Grace and his growing obsession with obtaining power.

We do see that Tommy is aware of his children's emotional state but seems unable to comfort his son. He goes as far as to have Arthur be the one to talk to his son about why he had to shoot his horse.

Tommy clearly cares about his children. He runs through a field of landmines to save his son, when he had almost stepped on one to purposely end his own life. Tommy goes nearly mad when he finds out Alfie Solomons was involved with the enemy that kidnapped his son. He shot Alfie for that betrayal with the intent to kill.

When Ruby became ill and he thought was all due to a curse, Tommy hunted the woman down. He went on a bloody rampage because he thought it would save her. With all of this, we know he is a loving father. But without Grace, he doesn't seem to know how to show that love.

Let's say that there is no Grace, only you, and that no sapphire is ever put around your neck.

That Thomas might be different than the one we saw parenting Charles and Ruby. I think he would want more than two children. I think he would be the sort of man who would say "one is enough," but really he wants four.

He would never raise his voice in his home without good reason. Tommy knows what its like to have a father that rules through fear and honey. He won't be kind only when he wants something. He won't make his children afraid of him.

Personally, I do see him as prime girl-dad material. Like he would have one son and three girls. Regardless of the birthing order, he calls the boy his "heir," but spoils the girls. They each have their own horse, a wardrobe of beautiful clothing, and freedom to do literally whatever they want. He has opened his briefcase to find dollies and teacups from your youngest girl's tea set before. She thought he would be lonely at work.

His girls would be the sort to follow around staff and ask them intrusive questions. Tommy would not be immune. His daughters would probably ask him questions like: "Do you not grow hair on the back of your hand daddy? Is that why it's only on top?" At least one of his daughters would have a "I'm totally a witch," phase where she's flinging curses just like he used to. Only with her, it's cute because she's only nine.

The only son of Thomas Shelby would be safely tucked under his wing. At your imploring, he would take your boy on long car rides or out into town without his sisters to bond. The boy has a lot of pressure on him to succeed, Tommy doesn't always sympathize with that.

All four of his children would be little hellions. He would be dragged to see their school's headmaster on a near weekly basis. To the point where he isn't always sure which of his kids is in trouble sometimes. He just drops a donation to the school and the problem goes away. That's not to say your children are bratty or terribly spoiled. Well, they are, but not unbearably so...

Tommy makes sure his children understand where he came from. He brings them all to the Cut to watch the ships come through. Loves to leave them at Charlie's yard for an afternoon of mischief and bonding time with "Grandpa Charlie." They also get dropped off at Aunt Polly's home for weekends every now and again. The girls always come back with a new swear word.

They are new money, not old money. There are those who will look down upon them based on this alone. He makes sure his children are educated and well-rounded individuals. Tommy often worries about the state of the Shelby Empire after he dies. You remind him that he "isn't allowed to die," before you say so.

Tommy is still more distant than you would like him to be. He's so focused on his goals, it's like he forgets all about Arrow House and the family that lives there. The oldest two girls have said as much to his face once before. He took the family on holiday after that. You knew he would go right back to long nights in the office, but it was still sweet.

Life with him is hardly perfect, but it's closer to it than you could have with anybody else. And that's enough.

[somerandomdudelmao]

But what's Casey using to cloak himself?

From what we see in the show, cloaking brooches are normally activated by touch but can be turned on/off without it (eg. big mama's hotel staff). This makes it pretty hard to tell what it is, and normally when theorizing about something like this, you need to go through and reread EVERYTHING but I'm too lazy for that so lets assume I actually did. Firstly lets get the mask and hockey stick out of the way, because he doesn't even have those on him afterward Draxum gave him the cloaking "pin". He doesn't actually seem to have anything that could be identified as a brooch or pin as far as we can tell in the first few panels of the "Commander O'Neil arc", which narrows it down from anything that could be blatantly obvious. He could, however, be hiding it somewhere on his body (chest, shin, shoulder, or boots are most likely in order) There's also the chance of the magic just being infused into him because Draxum is Draxum and magic shenanigan's, which could mean this search is futile and I'm just ranting about useless sh*t. Anyways, since Casey usually has one or two outfits per arc, weather it be different from the previous or not, I'm gonna compile all the first (good) shots of him here somewhat in order (from after the turt casey saga):

The images above seem to be his more casual outfit worn around the base, with short sleeves and long, loose pants tucked into what looks like boots and/or ankle wraps (similar to what Raph has on his arms in the show).

The classic battle/outdoor outfit that we see him wear in the movie, consisting of armor that vaguely resembles a turtle on his chest, a cape that goes over his shoulders and covers his neck as well as the top of his torso, pants with kneepads, shoes akin to sneakers, possible arm wraps that go under the gloves, the cool ass mask, and his hockey stick.

back into the shirt and pants when in the past lair, but is in a different shirt as there is no longer a rip on the left sleeve. He isn't wearing any shoes, scratching the boots/shoes theory, as well as his pants going up past his ankles and almost past his shins, meaning it's probably not there either.

going onto the surface, Casey wears a hoodie supposedly on top of the shirt and pants he wears around the lair, gathering his stick and mask to go with it. He is also seen wearing this hood in the lair on part 10 of "You are in the past, your thoughts are in the future".

The shirt and pants are definitely his lair outfit at this point, the photo above is from "Donatello".

the hoodie returns for a magic spell, only to be replaced with the free Hamato possesion make over

This lovely upgrade keeps his hoodie, but he now has a design similar to the Hamato outfits for the turtles in the episode "Insane in the Mama Train", with wraps on his arms, legs, and around his waist. Donnie's logo now sits on his heart (awww), and he looks pretty damn cool. I wasn't sure if he had socks or shoes on, but looking at that piece of fanart on Cass' page, it's shoes. There is a symbol on his back, possibly being that of the Hamato clan (hard to tell though, as it looks more like some kind of wheel in most panels you can see it)

The turtle version seems to be pretty much the same, the only difference being the wraps changing for his now 3 fingered hands and 3 toed feet, as well as the hoodie likely becoming a bit looser/bigger to better fit his shell. A little something I noticed about the transformation scene is that it starts from his ankles/shins/feet, which is cool and all for the posing, but is a bit controversial because it is, in fact, not in any of those areas. IN CONCLUSION,

The brooch (if there is one) is not on his arms due to him wearing short sleeves around the lair, it is not put in his shoes, and it does not need to be activated by touch. It is not anywhere near his feet, as there isn't anything we can see despite the transformation thingies coming from that general area. If we take the previous sentence into account, it is not on his chest either, crossing out pretty much all of the options we have. The last thing I can think of is Draxum somehow just... injecting the stuff into him as a controllable power. That could be flimsy, though, as Casey could've struggled with that of course. But then again, plot convenience.

TL;DR

The brooch is probably non-existent and Draxum just did some mystic shit to the kid.

THE A M O U N T of research HOLY SHIT??!¿¿¿

Why is it that every time I read an essay with theories, I feel like I'm not the author???Ahahah but for real?? I strait up just sit there like...

like...oh my god, how interesting, there are so many mysteries in this comic, unravel them for me please

[laviefantasie]

It Kinda Makes Sense

Pairings: Alive!Luke Patterson x Alive!Reader

Summary: Los Feliz High School, the best school for future actors, singers, or any kind of artists. Home to the top couple formed by Luke Patterson, the perfect boy soon-to-be rockstar, and Y/N Y/L/N, troubled goth girl with the voice of an angel. A match make in heaven... or hell.

{ BASED ON VICTORIOUS’ JADE AND BECK }

| MASTERLIST |

If you asked Julie Molina what had been her first thought once she had stepped foot on Los Feliz she would say it had been... confusing.

The school was beautiful, with bright blue lockers decorated in unbelievable ways to adolescents dressed as bright blue bobcats. It was truly a sight.

The other thing that was a sight was the group of students that captured most of the other teenagers’ attention. Especially two teens who happened to be having what appeared to be a screaming battle. Screaming battle that ended once ice e/c eyes found Julie’s across the hallway.

“Lost something, shorty?” The unknown girl snaps, “MIND YOUR BUSINESS!”

Her words had caused the boy she had previously been fighting with to sigh in shame before looking her way.

Julie’s breath got stuck in her throat.

The boy was beautiful. Scratch that, he was handsome. Untaimed brown hair with wild hazel —maybe green— eyes, the boy could be anyone’s dream boy.

“Y/N, could you not?”

Julie’s brown eyes move to the girl glaring daggers at her only to have her heart skip a beat. The girl —Y/N apparently— was breathtakingly beautiful. She had wavy h/c hair with some dark blue streaks that matched her skin color perfectly and powerful e/c eyes.

Said girl rolls her eyes before glaring at Julie once more before focusing once again on the pretty boy besides her.

“Fine. I won’t. But this conversation is over”

“We haven’t even had the conversation!” The boy argues back.

“And it’s over!”

The dark-dressed girl stomps off leaving the boy groaning in frustration. Julie taking that opportunity to check out the rest of the group.

With her back pressed to a locker decorated with different colorful fabrics stood a light brown haired girl —could be dark blonde— with brown eyes dressed in a beautiful pink dress and black heels to match. She seemed to be debating whether to follow her friend or staying still.

Besides her was a dark-haired boy with sky blue eyes standing out thanks to his pale skin. He was wearing a leather jacket on top of a white shirt, with a red flannel tied on his waist, and black jeans. His eyes glued to the floor.

Lastly, there was the blond boy with a pink hoodie and blue —sometimes green— eyes. He seemed to be pretty used to what had just happened.

The blond one is the one who noticed her still staring at them, offering a sweet smile before walking towards her and stretching his hand.

“Hi, I’m Alex. I’ve never seen you before”

She grabs his hand with a small smile, “Julie. I’m new”

Her name seems to snap the leather jacket boy from his trance, his bright blue eyes soon finding hers with a big smile adorning his features.

“You’re the girl that sang for Flynn on the school’s talent show! I’m Reggie”

Julie blushes as soon as he speaks, everyone’s eyes staring at her with realization and a little of awe.

“Flynn is my best friend, I just wanted to help her out”

“Well, it worked for you. You got a scholarship” pretty boy adds, “I’m Luke”

Julie cannot help the way her smile grows as soon as he smirks at her. He seriously had to be the most gorgeous boy she had ever seen.

The pretty light brown haired girl with the pink dress joins her friends in greeting her, Julie blushing under the vibrant smile she gives her.

“Hi! I’m Carrie”

Julie goes to grab her hand but the girl —Carrie— pulls her in for a hug. The gesture has Julie’s shoulders tensing, she hadn’t willingly hug anyone after her mother’s death a few months ago, but she soon forced herself to relax.

This was a new start. No pity stares or whispers directed at her.

“It’s nice to meet you guys”

After that meeting the curly-haired girl became a part of their weird group of friends. Soon learning that the beauty ice queen dressed in all black was Y/N Y/L/N, Los Feliz High School’s prodigy and Luke’s girlfriend.

It was no secret that the girl was talented, but she was as talented as scary. Julie hadn’t listened too much of everyone’s warnings, she was sure it was all because of how she dressed and acted and not at all for the kind of person she truly was.

Boy, was she wrong.

She learned that the hard way after getting a role on a play Y/N wanted. A role that played Luke’s romantic interest.

She had ended up one rehearsal with hot coffee thrown at her and icy e/c eyes glaring daggers at her with a sweet —fake— smile. Luke’s apologies were not enough to calm the humiliation Julie felt.

And even if the brown-haired latina wasn’t fond of vengeance, she couldn’t stop herself. And if she kissed Luke longer than necessary after sending a wink the goth girl’s way, it was a mere coincidence.

A coincidence that resulted in her having to watch her back every time she stepped on school’s property.

But things did get better with time and Julie and Y/N became kinda friends. At least enough for Y/N to tolerate Julie and for Julie to not be afraid to sit close to the scissors fanatic.

They were okay. As okay as someone could be with the girl who kissed the other’s boyfriend. But okay nevertheless.

But the more time she spent at the school and the closer she got to all of them, the more she doubted the health of Luke’s and Y/N’s relationship. Today being one of those days.

“What are you saying?!”

“I’m just saying, what kind of friend sends you eight messages in a lapse of five minutes?!”

As soon as the words leave the screaming girl’s mouth, Luke’s phone rings signaling the arrival of another text message making Y/N’s glare darken.

“Nine” she growls.

“You don’t even know if it’s from her!”

Y/N glares at him in disbelief, “Okay! Then prove me wrong!”

With a scoff, Luke gets his phone out before checking the recipient of the message only to let out a sigh that proves his girlfriend right.

“Nine?”

He nods in defeat, “Nine. B-but this is ridiculous! She is my FRIEND”

“How naive are you?!”

The couple fights for a couple more minutes before Luke’s gaze finds Julie in front of her butterfly and music doodles decorated locker. The rockstar grabbing his girl’s hand before tugging her towards the latina.

“Julie!”

Her brown eyes find the couple, widening when they see the coldness in Y/N’s eyes before trying to make a run for it.

She doesn’t make it far as Luke’s hand grabs a hold of her wrist keeping her in place.

“We need your help”

“No, we don’t” Y/N argues back.

“YES, we do”

Julie looks at her surroundings looking for a way to get out of there but finding nothing. Where was Alex when she needed him?

“Guys, I really don’t want to be in the middle of whatever this is”

She tries to leave but once again Luke pulls her back, “Too late. If you were my girlfriend—”

“HA! What a perfect way to start”

Luke glares at his girlfriend for the interruption before turning towards Julie once again, failing to notice how uncomfortable the situation was making the latina.

Somehow she was once again in between them, although this time it wasn’t her fault.

“If you were my girlfriend” he starts again, “Would it bother you if I was friends with Kayla?”

“Who cares what she thinks?” / “Honestly, it would”

Both girls speak simultaneously. Y/N’ eyes widening as soon as the Latina’s words register, grabbing a hold of the girl’s shoulders to keep her in place.

“I care what she says” Y/N smiles.

“I want to leave” Julie adds before trying to move only for Y/N’s hold to tighten.

“You stay” she barks.

The argument wasn’t unlike many others, Y/N’s temper wasn’t the best and that meant she sometimes got too jealous. It didn’t help that Luke Patterson didn’t know when to say no nor know the difference between friendly and flirty.

It was just another Luke and Y/N argument, nothing to worry about. Except it was different. Julie realized that as soon as Y/N let go of her and started walking away.

“We’re DONE”

The words had everyone in the hallway quiet down and stare at the ‘it’ couple. Eyes settled on Luke’s surprised reaction and Y/N’s tensed body.

“Come on” Luke voices “You’re being ridiculous”

“What do you care?!” She screams back before starting to leave, “You’re not my boyfriend anymore”

Word around the school traveled fast and soon girls were following Luke around begging for his attention, much to his annoyance.

On the other hand, every time a guy tried to get near Y/N she would turn her icy glare at them and have them running away in seconds.

It was a weird and new situation. Especially at lunch. It was weird seeing the former couple sitting on opposite sides of the table instead of at the side of the other with Luke’s arm resting on Y/N’s shoulders.

It was new territory to have Luke inevitably —as a habit— reach for Y/N only to have her snap at him to not touch her, just as she did to everyone else.

But that was what they had to deal with for two weeks.

Two weeks is how long it took for Y/N to ask Luke to take her back only to have him reject her. Two weeks that made Y/N go crying to Julie’s house, the only one of her friends —not really her friend— whose opinion mattered much less than the others.

“What are you doing in my house?” Is the first thing that Julie says as she sees the other girl.

Y/N gets into the house without waiting for an invitation before starting to sob, Julie standing there in panic as she sees the cold hearted teenager break down.

The latina tries to go for a hug only to be pushed back.

“I need your help”

A long talk later, Y/N convinced the Molina girl to help her get Luke back. Somehow, Julie had the fantastic idea that she had to change.

Y/N Y/L/N was a time bomb. Always ready to explode without a care on who she takes down. That had to change.

Julie realized then that the girl was truly in love with Luke. Y/N was letting her —Julie Molina— see her cry her eyes out just to ask for help to get him back. She was letting Julie give her a makeover just to get him back.

She was truly in love.

The next day at school everyone stared wide-eyed at the beauty that was Y/N Y/L/N in a colorful outfit and a wide smile —though it was a fake one—.

Everyone except Luke. The brunette boy stared at his former girlfriend with furrowed eyebrows not liking the change, his expression not changing even when Alex and Reggie complimented her.

He also couldn’t help the glares he sent any boy who came to flirt with her, his glares darkening every time she flirted back. This was not his girl and he knew whose fault it was.

His now dark green eyes find Julie’s proud smile across the hall and soon he stomps towards her, grabbing her by the arm before taking her to the janitor’s closet.

“What did you do to Y/N?”

Julie furrows her eyebrows in confusion as she sees the angry look the guitarist is giving her, but soon smirks as she confuses it with jealousy.

“What? Jealous of the attention she is receiving?”

“Actually, I’m mad that she is receiving the attention for dressing like a Barbie” he argues back, “That is not her, that is not the girl I love”

Julie’s eyes widen after the boy’s words before he storms off, leaving her with an unexpected knowledge.

The latina goes to look for Y/N as soon as she snaps out of her trance only to find said girl in the bathroom back in her black clothes while doing her dark eyeshadow.

“Wha—ho—I’m confused”

“Being nice sucks” she answers as she finishes her makeup, “Thanks for the help but, if I can be honest, I was better without it”

“Bu— and Luke?”

“If he ever wants to get back together it has to be with me, the real me. Not a version of me dressed in awfully ridiculous clothes”

“Those were my clothes”

“Exactly my point”

With that Y/N walks out of the bathroom ignoring the looks that followed her figure, leaving Julie once again at loss of words.

A week after, Luke and Y/N were back together and closer than ever. But the honeymoon phase faded and the fights started once again. But Julie learned to see the beauty in their arguments.

Every argument got Luke out of his perfectly peaceful demeanor and got him to voice his thoughts out more, it helped him stand up more for himself. And every argument showed the depth of Y/N’s feelings for the guitarist, it showed how much she cared.

It’s just that sometimes they didn’t know when to stop arguing.

Of course now Julie wasn’t blind to their little moments. The way Y/N always stopped when Luke asked her to or how Luke always kissed the girl’s temple sweetly.

Or how when Bobby —Sunset Curve’s (which was the boys’ band) rhythm guitarist (who she hadn’t met)— left the boys, it was Y/N who approached the curly-haired girl thinking she was the perfect fit for the remake of the band.

It was Y/N, who barely tolerated her, who adviced them to change the band’s name as they changed their sound slightly. Julie and the Phantoms, had been her idea after the boys ghosted the girls on the group chat.

Julie knew the only reason why Y/N had done that was because she knew how much the band meant to Luke.

She wasn’t blind to how Luke would only ever snap when it was to protect Y/N, even if he knew she was perfectly capable of doing it herself. Or how he always bought a hot chocolate with his coffee for her.

With time, Julie realized it kinda made sense why they were together even when she couldn’t quite completely understand it.

But soon the fights started again, this time worst than ever. It was different because instead of bickering until one gave in, neither seemed interested enough in fighting.

It worried all of them because their fights —as annoying as they sometimes were— showed how much each cared. Now it seemed they didn’t.

To be completely fair, Julie understood if anyone outside their group saw the relationship as toxic. She had seen it as toxic once. But it just made sense in a weird way. It just made sense for the kind of people they were, they complemented one another.

But this time the fights were just too much. That’s why when the traditional friend group game night happen, Y/N and Luke weren’t invited.

Carrie —Y/N’s undoubted best friend— was sick of fainting every time she got stuck in the middle, the innocent and kind girl couldn’t take the stress.

Reggie, the boyish teenager with the purest heart ever, didn’t want to cry anymore. He couldn’t handle the screaming and that’s all the couple did.

Alex, on the other hand, was tired of having to grab his asthma medicine every time they appeared. The fights making him get too anxious which always caused him a panic attack which led to his inability to breathe which led to an asthma attack.

No one could take it anymore.

So they decided to have an evening free of them, one well deserved. But it didn’t work as planned as the couple stormed into Julie’s home half an hour after everyone started playing Monopoly.

“See! Told you they’d be here”

Y/N rolls her eyes, “So? What does it matter if they’re at dumbass’ house?”

Julie rolls her eyes at the insult but nevertheless listens closely to the couple, all her friends groaning in annoyance at the interruption.

“It matters because our friends, our best friends, don’t want to be near us anymore!” He argues “Doesn’t this bother you?”

“Not really” she shrugs, “Should it? Wait... does it bother you?”

“It does! They’re our best friends and they can’t stand us”

Y/N crosses her arms across her chest before turning to glare at their friends, Carrie hiding under the table with a shriek as soon as she sees her best friend gaze at her.

Seeing the icy glare that the girl throws at them, Reggie shakily takes a deep breath before standing up and looking at them with annoyance.

“Yes! We can’t stand either of you!” He shouts, “We wanted a day free of you both because all you ever do is fight! And, somehow, you always seem to drag us to the middle of it. We’re tired!”

As soon as Reggie finishes, the dark-haired boy sits down with a huff. His shoulders feeling less tense as he let out his emotions.

The couple watched their best friends with mixed feelings, neither expecting the outburst and much less from Reggie. Reggie who had always been one to avoid conflict.

“I cannot believe this” Luke sighs “Reggie snapped at us. REGGIE”

“This is you fault!” She accuses “How hard is it to just agree with me?!”

“BUT I DON’T AGREE WITH YOU”

“BECAUSE YOU ARE WRONG”

The four friends sighed in defeat as they listened to the couple bicker once more with one another, how had a fun night turned to a nightmare all of a sudden?

They silently decided to just stay in their seats waiting for the couple to stop the nonsense as they always did.

“WHAT BOTHERS YOU SO MUCH?!”

“THAT I AM NOT HAPPY WITH OUR RELATIONSHIP!”

The words cut through Y/N’s strong façade in a second, the glare faltering as Luke’s eyes widen after realizing what he had said.

No one dared move nor say anything. Everyone had their eyes on the couple that seemed to be coming to terms with how bad the situation had become.

“Fine” she sighs in defeat “You have a choice. I’m walking out that door and counting to ten, if you’re not out before I finish we are DONE”

Luke sighs frustrated as he watches her leave, the door closing with a thud behind her.

“One”

He stays still on his place with his fists clenching as he fights the urge to run to her and scream at her what was the reason for this ultimatum.

“Two”

Luke knows he needs to calm down. He has to. He had to if he wanted to be able to go after her without fighting as soon as he saw her.

“Three”

Y/N counted behind the door, staring at it with nerves as she asks herself how he could take so long to come after her. What was taking him so long to decide that she was worth going after?

“Four”

The four friends behind Luke stare with wide eyes as they try to figure out what is it that the brunette is going to do.

They want him to go after her. Carrie, Reggie, and Alex more than Julie. The three best friends had been there throughout all the relationship. They had seen Luke be the only one brave enough to pursue the cruel beauty. They had seen Y/N being the only one that cared more about Luke’s heart than his looks.

They knew how much this relationship was worth. Even with all the fights, they knew the love the two had for one another was deeper than any outsider could understand at first sight.

He had to go after her.

“Five”

Luke sighs looking towards his friends once before deciding what he wants to do. He can’t lose her, no matter how much they fight.

No one understood him like she did. No one cared enough to tell him when he was wrong or to fight with him until he fought for what he wanted.

“Six”

Y/N feels her eyes widen as she realizes how much time he is taking. It should’ve been easy, he shouldn’t have even let her count to three.

He should’ve opened the door the second she closed it.

“Seven”

Sighing, Luke starts slowly making his way towards the door. His best friends sighing in relief as they see him do it.

Julie, though, watches closely as the boy’s shoulders tense the closer he gets.

“Eight”

Carrie furrows her eyebrows once she sees Luke starting to halt in his steps. She knew Y/N better than anyone, Y/N had been the only one willing to take the ‘obnoxious naive superstar’s daughter’ under her wing and be completely honest with her.

She knows better than anyone that if Luke lets her walk away just like her father let her mother walk away with her, that’ll break her.

“Nine”

Luke grabs a hold of the handle but for some reason he can’t bring himself to turn it and open the door.

Something feels wrong about opening it, almost as wrong as it feels to not open it.

He is scared of what it means if he opens it, or how easily he gives in. Something had to change. Maybe he needed to let her walk away, Y/N always came back. She would go to his house in the middle of the night and they would fix everything.

It would be okay, they would be okay. They always were. This was no difference, they just needed some time to think, to breathe.

So he doesn’t turn the knob.

“Ten”

Y/N feels her heart stop the moment she screams the last number. She feels her heart sink to her stomach as a feeling of abandonment settles in her.

She feels her skin pale and soon reaches for the knob, but she doesn’t allow herself to touch it. He made his choice.

So with every ounce of strength she could find within her, Y/N turns around and makes her way to her car knowing that he could catch a ride with Alex. The tears started accumulating in her e/c eyes but she didn’t let them fall.

Y/N Y/L/N didn’t cry. She wasn’t about to start... at least not in a place where someone could see her.

Inside the Molina’s household, the best friends stare at Luke in disbelief, neither knowing what to say or do now. The Patterson boy makes the decision for them.

“Let’s play some Monopoly”

The statement has everyone else following his movements in silence, knowing better than to act against him.

Carrie, though, is the one that finally breaks the silence as she lets out a quiet sob. She was angry, mainly at herself for not being able to go after her best friend. But she knew better. Y/N was a person who protected her feelings more than anything else, she was in pain and she wouldn’t let it out if someone was watching her. So Carrie had to stay on her seat even if she wanted to run after her.

“You hurt her” whispered the sweet teenager, “I trusted you, she trusted you, with her heart and you hurt it”

It was at that moment, with Carrie’s pretty brown eyes filled with tears as she glared at him with all her willpower, that Luke realized how wrong he had been. He thought it would be okay but Carrie’s reaction proved him wrong.

Carrie showed him that this time was different from the others. If the sweet girl willingly glared at him with so much betrayal than it meant that Y/N wasn’t gonna go to his house at midnight.

It meant he had lost her.

Still, as Luke realized that, he stayed on his seat staring intently at the fake money in his hands. He couldn’t change what he had done.

“Let’s start”

The following weeks were a pain for the group of friends. The group had to divide their time between the former couple and it was exhausting.

But things got better and after a couple of months Y/N and Luke started sitting at the same table with their friends once again. It brought some relief to the group.

The hurt from the breakup still pained them though. Y/N was not used to watching so many girls flirt with Luke and watching him flirt back, and Luke was not used to Y/N moving away from his touch while also enjoying the way some guys’ eyes linger on her figure.

Things had changed and it pained them both, but they were finally okay. As okay as they could be at least.

They still loved each other, but they became good at pretending. Soon three months became five and five became seven. And things were okay, they were friends again without any awkwardness surrounding the group.

Still, Julie was sure she wasn’t the only one who noticed the love they still had for the other. It was the little things. The way their eyes lingered on the other when they thought no one was looking, the smiles they faked to play the part; all signs of how much they still loved the other. Even after everything.

So it did come as a surprised when Y/N announced she had a date.

Apparently some senior that participated on the play with her had the balls to ask her out. And she said yes.

While everyone congratulated the mean girl, Luke made some excuse to leave the table while everyone tried to stop themselves from asking the questions that they new neither of the former couple wanted to answer.

‘Are you okay?’ ‘Do you still love her/him?’

Neither wanted to be asked that because the answers broke them. They weren’t okay. They still were in love with one another.

They were afraid they would never stop being in love with the other.

But neither had to say it. All their friends knew it, because they knew them. That’s why no one was surprised when Julie and the Phantoms was saved by Y/N on their concert at a cafe the night of her date.

The girl had screamed at them for keeping the presentation a secret, the band excusing themselves with the thought of not wanting her to miss her date —although they didn’t want to give her the opportunity to bring her date with her to their concert since that would break Luke.

Either way, they boys’ amps had stopped working and in a panic Julie had texted Carrie. Carrie had been helping Y/N get ready and said girl had grabbed her amps and drove them both to the small cafe.

Date completely forgotten without a care.

“You didn’t have to miss your date for this” Luke tells her softly.

She looks at him as if he had lost his mind, “This is your band, Patterson”

Luke’s heart feels heavy in his chest as he realizes the depth behind her words. This was his band and that meant it meant something to her. It meant as much to her as it did to him because it was his.

The brunette boy feels a smile overtake his features along with a small blush, wanting nothing more than to kiss her right there.

But he didn’t. Instead he kissed her cheek.

Y/N’s eyes widened in surprise and soon her perfect skin started acquiring a deep scarlet, which she hid by hurrying Carrie to go find some seats.

If that night Luke sang looking at her too often, then damn him. Who could blame him? Y/N had just giving him more reasons to love her.

After that neither tried to date again. They were silently pining after one another, too afraid to make a move considering the way things ended between them.

But Julie grew tired of it and soon started bugging them to date other people if they weren’t going to date one another.

That’s why when Luke was rejecting Kayla’s date, Julie intervened.

“Sorry, Kayla” he apologizes, “I have rehearsal with the band”

“No, we don’t” Julie smiles “Actually, why don’t you guys come to the concert the school is holding together?”

Luke glared at the talented singer before fake smiling towards the Hawaiian beauty who agreed instantly.

Though once Kayla is out sight, Luke grabs Julie’s arm and pulls her towards the janitor’s closet where he glares at her with dark green eyes.

“What are you doing?”

“You need to date! Get out there, mingle a little”

He shakes his head, “When Y/N finds out about this she’ll despise me”

Julie frowns with confusion, “No, she won’t. She has moved on, you should too”

Luke shakes his head in disbelief making Julie scoff before getting her phone out.

“What are you doing?”

She shushes him before putting her phone on speaker, making Luke’s eyes widen once he sees the called ID being the one of his ex.

He would never voice out loud the way his heart skipped a beat.

“I’m blocking you”, came her cold voice as soon as the call is picked up.

“Wait—Y/N! Don’t hang up!”

A groan is heard making Luke involuntarily smile.

“You have five seconds to tell me what the heck you want before I block you”

“Okay, look, I’m here with Beck—“

“Julie, don’t”

“He’s going with Kayla to the school’s concert, as a date” Julie continues “Just wanted to make sure that’s okay with you”

There’s a ten seconds silence through the line. Ten seconds in which Julie realizes that maybe she was wrong, that maybe she should’ve minded her own business. For so long she had found annoyance in the ways she always ended up in the middle of their problems and here she was, butting in herself.

Ten seconds in which Luke panics. Realizing that he is also awaiting the answer anxiously. There are two ways this could go: Y/N could snap, voicing loudly how she didn’t give a damn, or she could scream asking for answers to questions she shouldn’t have and bad-mouthing Kayla. Both were common in their past. It was a way to showed she cared, that she was jealous and that she wasn’t ready to let him go yet. Both answers would give him the last drop of hope he needed to do something about what he felt towards her.

But when the ten seconds came to an end, neither got an answer they expected from the impulsive ice queen.

“We’re not dating” she reminded them in a voice too soft to be recognized as hers, “We haven’t been for a long time. You don’t have to make sure if it’s okay with me”

“What?”, Luke asks softly, “Y/N, I…”

“I’m being serious right now, Luke”, she continues, “I do appreciate your concern but it’s none of my business who you date”

Silence. Neither Julie nor Luke know what to say or do next. Neither expected the mature response from the H/C haired beauty. Neither knew if they liked it.

“Well, if that was all, don’t call me again”

And she hung up.

Julie stared at her phone in disbelief, but what did she expect? Was she secretly hoping that Y/N would finally snap and this agonizing secret mutual pining they were all forced to endure would finally end? What exactly had she expected to achieve from this?

Definitely not the way Luke was looking right now.

The guitarist looked completely heartbroken and hopeless. The fire that normally resided in his eyes had ceased to exist. And as he looked at one of his best friends while holding tightly onto his backpack’s strap, all that could shine through his eyes was a deep feeling of betrayal.

“I…”

“You should’ve stayed out of it”, he voiced numbly “She doesn’t despise me. It’s worst, she doesn’t care at all”

“Luke…”

“I’ll go on that stupid date, just bug out, will you?”

The days before the concert were painful for every single one of them on their friend group. It was definitely a weird sight to see Luke look so out of it and Y/N so unbothered by it. It was the first time since their break up that their friends doubted the possibility of them ever finding their way back to each other.

When they finally had the courage to ask Luke what was going on, the guitarist told them he had a date with his eyes glued to Y/N body. He was waiting for a reaction, no matter how small it was. Anything really.

But she gave nothing away.

All she did to answer their friends’ curious and astonished gazes was shrug her shoulders and voice she was just trying to finish her song for the school’s concert.

The unbothered air that surrounded her was heartbreaking for everyone around her. It was as if she was truly okay either letting go of Luke and their history. As if she had already given up on them. They couldn’t blame her, it had been a long time since they last were together, but that didn’t change the fact that they all truly believed they were meant to be together and that it was unsettling to see it come to a real end.

Especially by the look on Luke’s eyes. His face may have remained neutral and unfaltering but his eyes could never deceive from his true feelings. He was hurt.

And being hurt but not wanting to show it meant he tried to keep himself as busy as he could until the school’s concert, avoiding all his friends and Y/N especially. And when the time to meet up with Kayla came, Luke had to pretend to be invested in everything she told him; even if most things were just compliments to suck up to him, agreeing to every little thing he said. He didn’t even know if anything that she actually told him was her actual real opinion or if she was just trying that hard to agree with everything he said to be reciprocated.

He didn’t even know anything about who she was and they had been talking for the hour that concert had already been going on.

Favorite song? She would ask his first before saying how much she also loved it. Methods of acting that they found more suitable? She would giggle and twirl her hair waiting for him to answer before giving what she would fake is her own opinion.

It was tiring.

Where was her own fire? Why didn’t she fight back when he disagreed with something she said? Why didn’t she try to show him why she was passionate about it instead of just nodding and giving in?

Why was she making it so easy?

He didn’t like it. He was hating it actually. So he took the first chance he could, excusing himself by saying he needed to refill his drink, to run for it.

That’s how Julie found him after helping the boys set up the instruments for Y/N’s set, which was up next.

“Ooohh, hello, loverboy” she teased him, “Where is your lovely lady of the night?”

“Don’t know. Don’t care”

Julie blinks, surprised by his answer, before grabbing a cup and filling it with the first soda she saw.

“Date not going well?”

“It’s a disaster” he scoffs, “She’s just agreeing with everything I say”

Julie nods, “Isn’t that a good thing, though? Means you have things in common”

“Not really. Not if I don’t know if that is truly what she thinks” he shakes his head “Feels like she’s just trying to agree to everything I say”

“Well, it’s the first date, you know” she sighs, “She probably doesn’t want to fight you on it. Next one will be better”

He shakes his head, “There won’t be a next one”

“WHAT?!”

Luke drinks from his cup while Julie starts stumbling upon her words after what he said. She couldn’t believe it. He wasn’t even gonna give it a chance? The date wasn’t even over yet.

“I think I learned something about myself”

Julie scoffs, “That you’re ungrateful to your friend who tried to help you by fixing you up with a cute girl?!”

“No, I just…” he sighs “I think I kind of like to date a girl who, you know… fights back”

Julie looks at him dumbfounded, not understanding his point.

“I mean a girl who has strong opinions” he continues, “you know? A big mouth”

“Why?”

He shrugs his shoulders, “Cause it’s not easy. Easy is boring”

Julie stares for a good minute before sighing. It kinda made sense. At the end of the day, love was all about growth. Growth didn’t exist without different opinions and dialogues that fought each ideal. It was all about pushing each other to become your very best. How could you do that without bumps along the way?

“Okay…” she sighs, taking a sip of her drink, “Then, who’s not boring?”

Their conversation is cut short by Reggie’s voice on the stage, he had been assigned as the concert’s host and had been doing a magnificent job all night.

“Okay, people! Let’s hear things up with F/N L/N! Let’s go!”

Reggie soon goes to grab the bass as Alex appears behind the drums. Other two students grabbing the guitar and keyboard left.

Luke and Julie take a step closer, that way they have a better view of the stage.

The guitar starts playing the intro as Y/N walks into stage in a cute short black goth dress with fisher nets and combat boots, her hair’s normal blue streaks a dark purple this night. Shortly after she makes her way to the microphone stand the drums join the melody.

And soon her melodious and angelic raspy voice sounds through the place.

“You think you know me

But you don't know me

You think you own me

But you can't control me”

As if it was destined to be, the lyrics bring light to the situation at hand.

There was a reason why Luke and Y/N always ended up gravitating towards one another despite all the horrible fights they endured with each other.

“You look at me and there's just one thing that you see

So listen to me

Listen to me”

Julie feels like smacking herself across the face. The truth was so obvious that she feels dumb to have been so oblivious to it.

“You push me back

I push you back

Harder, harder

You scream at me

I scream at you

Louder, L-L-L-L-Louder”

Luke Patterson was probably one of the most carefree and easy going people she had ever met. He was always carrying this certain peaceful atmosphere around him. He needed someone or something to push him to thrive, to become better than he already was. To fight for his ideals and his dreams. It wasn’t enough to just want them to happen, he had to make them happen and his calm self usually hid from conflict.

F/N L/N was probably the most loud and impulsive person Julie had ever met. Never once had she silenced her opinions, always speaking the truth no matter how cruel it could be. She wasn’t someone who hid from a fight and whenever she wanted something she never stopped until she got it. She needed someone who could stop her when she was going to far, someone to calm the fire that never cease to light up inside of her.

“I'm dangerous so I'm warning you

But you're not afraid of me

And I can't convince you

You don't know me”

There was not one person in the whole world that was meant to be with the other but themselves. They pushed each other, for better and worst. They had the possibility of being the best and the worst thing that could happen to the other.

And as the song keeps going, the truth becomes blinding.

“And the longer that you stay, the ice is melting

And the pain feels okay, it feels okay (hey)”

Luke’s eyes never once stray away from the powerful force that is Y/N as she sings. Her voice loud and powerful as raspy and angelic. His heart beats to the song’s rhythm, unveiling a silent truth that he had been trying so hard to push to the bottom of his being, to afraid of what it truly meant. To afraid of it being to late to mean it.

“You push me back

I push you back

You scream at me

I scream at you

Louder”

Her e/c cold gaze meets his green eyes and suddenly it seems all the iciness in it melts away. As if only his gaze could have that power over her. As if only he was allowed to see the true kind soul hidden behind the cold walls she had taken so long to build around herself.

“You push me back

I push you back

Harder harder

You scream at me

I scream at you

Louder, L-L-L-L-Louder”

And he knows right there and then, as does Julie and his friends, that it is her. It has always been her. It will always be her.

It is Y/N who pushes him until he finally snaps. It is Y/N who fights for him whenever he doesn’t find the will to do so. It is Y/N who loves him so much that she fights to control her impulses whenever he asks her to.

It had always been her and he had been a fool to ever let her walk away without giving a fight. Especially when she had never stopped fighting.

“I'm dangerous so I'm warning you

But you're not afraid of me

And I can't convince you

And I don't have to I think you know me”

Their relationship was flawed. Maybe even toxic. But it was magical. It was powerful and passionate. And it was real.

Never had they ever been afraid to voice their opinions to the other, even fighting back when they disagreed; yet never settling. Never had they ever been afraid to be vulnerable by showing each other how much they truly cared for one another. Never had they ever stopped loving each other.

The applause make Luke blink out of his daze and realize all this time he had been staring right at Y/N. And she had been staring back.

She offers him a soft smile that to anyone else would look like her usual smirk, but he knew better. He had always known better. And that’s how he knows she is fighting, one last time, for him. She has ignited the flame and it is leaving it to him to turn it off once and for all or help it grow as fierce and wild as it can.

Julie smiles softly, “So, Luke… who’s not boring?”

And he smiles.

Step by step he gets closer to the stage where Y/N is still on, nodding at the standing ovation that is applauding her. Only taking her eyes her eyes off the public once he makes it right at her side.

Everyone’s eyes are on them. Silence.

They stand there for a minute just staring at each other. Y/N with her hand folded in front of her and Luke with both his hands buried in his jean’s pockets.

“I’ve missed you” he finally voices.

She shrugs, acting indifferent, “So what are you gonna do about it?”

Two seconds of silence follow in which Luke pauses to admire her challenging e/c gaze, before taking enough steps to be face-to-face with her. His hand leave the safety of his pockets and find their way to the warm of her cheeks before pulling her towards him, lips meeting anxiously.

And it was like a weight was lifted of their chests, letting them finally breathe without struggle.

No matter the fights, the misunderstandings, disagreements or the toxicity. They would always find their way back to each other because of the truth and purity of their love, which was real. Love was never meant to be perfect but it is meant to keep the other grounded, to push the other to grow.

And that’s what always brought Luke and Y/N back. It’s what always would bring them back.