#what is human morality to gay love

[strangeparadoxlikely]

DanAndPhilCRAFTS - Slime has the vibes nbc hannibal could have brought to the function a decade earlier if will graham wasn't busy being a little bitch about cannibalism and morality for most of it send tweet

[starlooove]

Call me jaded bitter and black but I’ll never care about the nuances of the police fill in on tv. Like we already have to deal with the ‘my dad is a cop :(‘ or ‘my broke brother joined the military’ irl why the fuck am I wasting my brain power on Caitlyn or vi. Like we know materialistically the authority of being a cop can get u what u want faster and that emotionally u either need strict routine with an outlet for ur violence or ur so used to it that u have to be a cop. I still fucking hate u tho like idc about how sad u are about being privileged and I said cop fill in but it’s really every kind of that character on tv like Zuko esque sorry I genuinely have less empathy for you than I do for other people idc

[enbysiriusblack]

comparing your girlfriend to superman is the gayest fucking thing ever. like,, you couldn't say supergirl or wonder woman??

you've just got a massive crush on superman, dude. oh shit, you know what best friend of yours that acts so much like clark kent that you're most definitely in love with?

[carcinized]

i have srsly had irl queer people make fun of me for being queer + liking sports and tell me that is like, not gay or something. like ok just say youre chronically online. womens soccer is the queerest thing i have ever been a part of hands down. also youre an awful person

[monsterblogging]

"I know JK Rowing is a terrible person but her books are so good-"

You sure about that?

I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.

Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?

And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?

Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.

Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?

Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.

Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.

"But the characters are so good!"

Are you kidding me?

Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")

"But the rest of the worldbuilding!"

Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.

I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.

Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.

The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!

But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.

Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.

If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.

Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.

[euniexenoblade]

It's been said better than I can ever say it but you numbskulls have to stop doing the whole "public sex is fucking gross and bad" schtick, your disgust for the human body and it's natural processes is such a disturbingly scary thing. "Public sex" in the United States as a concept is used to shame, harass and destroy what lives the homeless have. They are already stripped of their safety and privacy and now they're not allowed to do the basic things you love to do because they have no walls to protect them.

In the past "public sex" laws were specifically created to harass gay people, "public sex" included hotels, cars, bathhouses, anywhere a gay person could try to have *private sex you'd never see* was called "public sex" and the police would crack down on them, pushing gay people into bathrooms and parks and other places similar.

It goes without saying that these things are amplified for gay/homeless people of color, I think it goes without saying that black people would be terrorized using "public sex" laws. If you don't know this, plz go back to your elementary school history class.

"Public sex" is a code for conservative bigoted ideas and you bought it hook, line and sinker. You will go your whole life *never* seeing someone fuck in "public," it is statistically unlikely. The people out there doing this stuff in "public" (by and large the homeless) don't really want you around for it either. "I don't mean all that I just don't want to see the gross cishet guy fucking his kinky girlfriend" you won't see them either and disguising your disgust as the Spector of the abusive kink cis does not make you any less of patsy. Your disgust is not inherently moral and you need to mind your own damn business.

[the-acid-pear]

Devil on my shoulder tells me to make more frog serial killers . I just want to make dudes who suck ass so bad . . .

[moki-dokie]

been seeing some stuff on blue eye samurai and big yikes to nearly everyone pushing extremely western ideals onto these characters.

this is early edo period. 1600s. the japan you know now did not exist yet.

yall. please. there was NO concept of sexuality in pre-modern japan. that came with both the influx of christianity and western influence very very late in history. like, mid-1800s. (yes, there was christianity pre-1800s but it was not a widespread idea yet and wouldn't be until about the 1800s since, y'know, missionaries were routinely murdered before then)

"so and so is either bi and hasn't figured it out yet or..." no. that isn't how it worked then. nobody gave a shit what was between your legs. anyone could be attracted to anyone else. it was a little more common for male homosexual relationships to be between an adult and younger male - like many other places around the world - but two adult men could bang and love each other just as easily. relationships between women were quite common - especially since so many men were often away at war. there's tons of pornographic prints from the time depicting all manner of fun queer relationships. sex itself had absolutely no moral assignment to it. good sex was good health. it didn't matter who with. (well, social class/caste mattered more than anything else tbh but that didn't stop upper and lower class from fucking.) that isn't to say people didn't have preferences. of course they did. that is human nature. preferences arose more from physical appearance, caste, and circumstances with gender being about the last thing one would look for in a partner - romantic, casual, or otherwise. the only role in sex where gender actually mattered was for procreation.

there would be no queer awakening moment, no sudden switch flipped, no stigma to have internal conflicts about because it simply did not exist as a concept whatsoever. you were either attracted to a person or you weren't, it was that simple. gender played no role when it came to sex and sexual attraction. the japanese were lightyears ahead of western cultures in this particular area - like most cultures were before christianity came in and ruined everything with its backwards morals and strict good/evil dichotomy.

yall have got to realize queer rep will not and should not always adhere by modern western standards. there was no straight, gay, bi, or anything else of the sort. the closest they ever got was referring to roles during sex - as in who is giving and who is receiving.

i know this is mostly a made up story but it is still set within a very specific time period and culture, which should be honored and respected by not making it fit into our box. tons of research went into making this show historically accurate (albeit with some discrepancies but tbh they aren't really that huge) right down to the calligraphy writing. please please please don't whitewash the culture from these characters.

i say this mainly because without this knowledge, so many of you are going to build these characters up on a foundation they aren't meant to be on and then you'll rage about queerbaiting and bad queer rep if it isn't somehow super explicitly stated, if it doesn't match your very modern, very western ideal of what queer looks like. don't try to force this plot and narrative and characters into something they canonically and historically aren't. headcanons are a thing, AUs are a thing, fanfiction is a thing - leave your western thinking for those and let these characters simply exist as they should otherwise. this is one of those times where the queerness really does not need to be examined at all beyond what we get.

i know it can be hard to wrap your head around - sexuality is such a huge part of our identity in the western world and has slowly started to spread amongst other parts of the world in importance. but just keep in mind with these particular characters, that concept would be so very alien to them.

[calder]

Released in 2010, Obsidian Entertainment's Fallout: New Vegas actively concerns itself with the realities of gay existence, and is widely recognized as a noteworthy work of queer science fiction. New Vegas extensively examines social attitudes towards homosexuality among the game's major factions, and primarily conveys this lore through gay and bisexual characters describing their own experiences. It also allowed the player to mechanically set the Courier's sexual orientation. By taking both available perks, the player character can be bisexual. By choosing neither, the player can opt out of seeing flirtatious dialogue options.

Uniquely, Fallout: New Vegas explores homosexuality in the context of wasteland societies, and touches upon related issues. The core theme of New Vegas is that the desire to recreate the past is driven by irrational nostalgia, and any endeavor to manifest past glory is dangerous and doomed. The social issue of homophobia is used as a demonstrative example. The resurrection of corporate and military power structures presents new avenues for Old World problems such as institutional homophobia to reemerge. One of the many issues that divide the New California Republic and Caesar's Legion is the latter's open persecution of gay people. The NCR is described as tolerant and even accepting of same-sex relationships, though acceptance tends to fall off the further one moves away from the developed, urbanized core of New California. In recent years, the Republic's rapid economic transformation has led to an unforeseen erosion of the humanitarian ideals which it was founded to serve. In practice, to recreate America was to take on its shortcomings and its sins. As subsistence scavenging has dried up, the people of the NCR increasingly turn to wage labor, entrepreneurial venture, or military enlistment to keep their families fed. Meanwhile, their government enacts morally corrosive imperialism (narrative verbiage), their dominion expanding indefinitely as their infrastructure crumbles from within. This has led to a profit-based imperial monoculture which must conquer, consume, and coerce to perpetuate. As personal politics and service labor grow in importance, people find themselves more inclined to present as "normal" in the interest of financial stability and political expedience. A loading screen visualizes this culture of artificial social normalcy: the portrait of President Aradesh on the NCR 5$ bill neglects to depict his unibrow, earring, and facial scarification, overall portraying the once-chieftain so cleanly-cut as to be unrecognizable at first glance. He also appears to be wearing a collared shirt or suit as opposed to the robe he wore in Fallout.

In the Legion, Caesar has mandated that every legionnaire take a wife and produce children, citing high infant mortality rates and the constant need for soldiers, and going as far as instituting child quotas. He treats human beings as a resource to be exploited for war. Ostensibly in this aim homosexuality has been declared a capital offense punishable by death. Historically, routine demonstrations of violence towards women and gay people are a deliberate feature of fascist societies, the only logical cultural conclusion of a government devoted entirely to war and control. In Forlorn Hope letter 9, an NCR soldier wrote wrote the following to his boyfriend:

Dearest Andrew, Writing this seems pretty morbid, but tomorrow we march into the no man's land between our camp and Nelson, which is crawling with Legion. The Major insisted I write this damn "if you get this, I'm dead" letter so here it is. What a crock. I have the luck of the devil and your love on my side, so I'll be home soon. Keep the porch light on for me. We'll party in New Vegas when I get back. I love you. —Devin

Devin believed he would prevail over the Legion because his love would keep him safe. He was found dying or dead on the battlefield, the letter was found on his body. In a post-release patch, the injured soldiers were removed from the battlefield for performance reasons, and never re-implemented. Driven largely in reaction to the Legion's hyper-masculine posturing and misogyny, rumors persist across the Mojave that gay male relationships are not only common within the Legion, but condoned. These rumors are repeated commonly in NCR society. A closeted NCR Major mentions that the Legion is "a little more... forgiving" about close male "friendships," speaking in a hushed tone to avoid suspicion. At the same outpost, the player can encounter Cass, a bisexual civilian woman. She may flirt with a male Courier, who may imply they are gay, prompting her to imply gay men are more common in the Legion. Even as gay men fight and die in the name of love under his command, NCR General Oliver may remark to Courier Six at the Second Battle of Hoover Dam: "If you think after all that's happened, I'm going to grab my ankles and take it like the Legion..."

This writing pertains to institutionalized homophobia which manifests in practice though power structures and social interactions without being written into law. Simply put, in his derogatory remark, the general expresses to his army that military surrender is gay, much like their gay enemy. From the brevity and bluntness of this remark, it's clear that this sentiment is already well understood among his ranks. Logically, to project strength in the eyes of such a leader, one might also project homophobia by scrutinizing and harassing one's peers and subordinates. In this atmosphere, the expression of homophobia is not only normalized, but materially incentivized. For the ambitious, it becomes a tool, and a way of casting shame upon rivals. For the closeted, homophobia becomes a survival tactic, hoping to throw scrutiny off oneself. This is why Major Knight is immediately frightened when a male Courier flirts with him. He is so profoundly alienated that he romanticizes life as a gay man under the Legion. The Legion punish homosexuality with death, and yet Knight characterizes them as more "forgiving" than the NCR. Through these apparently disparate events, the audience can trace how a distorted perception of gay people emerges among insecure men in a military environment, and subsequently becomes ingrained in the corresponding civilian culture. At the 188 Trading Post, a lesbian from the Brotherhood of Steel named Veronica also wryly remarks that she believes legionaries have gay sex about as often as straight sex. She also notes that this only applies to men, as women have no rights whatsoever in Legion society. In this aside, she conveys a pre-existing frustration with lesbophobic social norms. Veronica also mentions that the people of her bunker would rather she remain on the surface. The Mojave Brotherhood of Steel has no official policy prohibiting homosexuality, but an implicit attitude among its dominant members that their limited numbers require everyone to have children to avoid extinction. Numerically, this may seem logical on the surface, given their reluctance to recruit outsiders. However, given their tiny population, this is an ineffective countermeasure, as they do not have nearly enough members to maintain genetic diversity for more than a few generations. This approach is not universally supported by all family units within the Brotherhood, but every individual is ultimately at the mercy of the elder. Veronica was in a lesbian relationship, but they were quietly separated by Elder Elijah, due to the dominant culture of enforcing heterosexual pairing among their population.

Caesar's law has not ended homosexuality within his domain. Despite the obvious risks, some legionaries have continued to pursue relationships behind closed doors, especially given their access to slaves. So long as members complete their societal obligations and fulfill the child quotas, they are able to pursue romance with other men in secret. Homosexual relationships in the faction are noted as being relatively equal compared to the average Legion husband and wife, in a "Don't Ask, Don't Tell" sort of open secret policy. Gay legionaries must always make sure to keep their activities hidden. A centurion was once almost caught fraternizing with the teenage boy he had chosen to tend his tent. Despite previous "romantic" intentions, he quickly resolved to dispose of the slave to dispel suspicion. Had they been caught together, the centurion would have been charged with homosexuality and sentenced to death. This story is only known because the enslaved young man, Jimmy, managed to escape execution. Further illustrating the cruelty intrinsic to Legion governance, it's stated that homosexuality was the crime, and not the rape of a young slave; in fact, it seems Jimmy was forced to contribute to the child quota despite being a gay teenager, and the experience left him traumatized. He has resolved to never have sex with another woman, as the very notion triggers memories which fill him with disgust, and (in his own words) makes him feel like a slave all over again. The Strip is indifferent to gay people, viewing them as another opportunity to make caps. Both the Gomorrah and the Atomic Wrangler are interested in maximizing profits, and their prostitution services cater to clients regardless of their orientation. The openly gay Jimmy works at nearby Casa Madrid, but there is some tension among his peers due to his co-worker Maude's blatant homophobia. She supposes he's "okay, for one of those," and if propositioned by a female Courier, Maude will direct them to Sweetie for such "perverted" services. Pretty Sarah must regularly intervene to keep the peace among her staff.

The Followers of the Apocalypse, well-read punks who seek to embody healing through anarchistic values, are not concerned with gender. Most are openly and casually sexually active. Upon meeting Courier Six, Arcade Gannon offhandedly makes his gayness known, unprompted. The audience must face the fact that Arcade's apprehension of the Legion is far from abstract; under Legion law, he would be put to death. One possible ending gives further insight into Caesar's hypocrisy: should the player sell Arcade into slavery and leave Caesar alive, he will keep Arcade as a personal physician and philosophical advisor. They intellectually spar at length, and Caesar grows singularly fond of him. Accordingly, Arcade imitates the historic suicide of Cato the Younger by disemboweling himself. The Legion's remaining medics attempted to save his life, but none were Arcade's equal. Caesar understood his doctor's final gesture of contempt, and mourned him for months.

New Vegas ventures further into themes of healing from the trauma of sexual violence, from the perspective of a lesbian character. Corporal Betsy, an NCR sharpshooter, is a rape survivor, and suffers with PTSD from the incident. Her unprocessed trauma has manifested as a maladaptive tendency to aggressively and explicitly proposition the women she encounters, in an effort to reassert a sense of control. This defensive hypersexual impulse has negatively impacted her ability to connect with other women. A male superior officer notes that her behavior is inappropriate for anyone of her stature, but abstains from disciplining her out of sincere concern for her mental health. The Courier can help her begin to recognize these problems, and convince her to seek treatment from Doctor Usanagi at the New Vegas medical clinic, which proves helpful to her as she processes and heals from her trauma.

In Old World Blues, the Think Tank are five floating brains in jars who express themselves by waving robotic arms bearing screens depicting facial features. Before the War, they were federal scientists who committed crimes against humanity in the name of weapons development. Each is stuck in some sort of neuro-bionic feedback loop which prevents them from moving forward with their projects, mentally binding them to their central laboratory. Walking through their homes at Higgs Village, it's clear each was deeply neurotic before they were transformed into floating brains. Now without bodies, they attempt to maintain the illusion that they are exempt from sexuality as purely mental beings, but each displays obvious interest in the human form. They have codified this shaming with the term "formography." Most of the men are obsessively defensive over their complete disinterest in penises, which they talk about constantly. However, the shameless Dr. Dala shows overwhelming interest in observing and recording any and all human functions. Already androgynous in her pre-War life, Dala has taken to self-identifying as a "gender neutral entity" (though she is not known to use they/them pronouns). Regardless of the Courier's gender, they may coquettishly scratch themselves, clear their throat, and stretch in front of Dala until her biomed gel decoagulates. Dr. 8 also responds positively to graphic masturbation advice from Couriers of either gender. The X-8 research facility is ostensibly a massive immersive shrine to Doctor Borous's hatred of Richie "Ball-Lover" Marcus, a long-dead child who bullied Borous centuries ago. He also clings to his resentment of one Betsy Bright, who refused to attend a dance with him, supposedly so she could "go smoke with RICHIE MARCUS." Clearly arrested in development, Borous has literally built a temple to the fantasy of torturing his adolescent romantic rival and feeding him to dogs. His frozen, static characterization of the jock Richie Marcus as a "pinko-commie" who "likes balls" reflects the shallowness, pettiness, and overall misanthropy underlying his patriotic identity. It remains apparent throughout Old World Blues that the Think Tank are all chronically sexually repressed, which is inseparable from the values of the violent and judgmental pre-War culture which created them. With time and isolation, this ingrained repression has manifested as various intense and deranged psychosexual behaviors, including rage-fueled homophobia, voyeurism, and the obsessive performance of puritanical pretense.

____

“Although I’ve been out for a very long time, I made a conscious effort to be out with relation to this project, as I wanted to be visible as a lesbian in the game industry. New Vegas itself is, I think, one of (if not the) best games out there in how we treat homosexuality – and all of that is very intentional.”

“If my work on FNV, if my being out has helped even one gay person, then I have succeeded.” — Tess “Obsidian’s Gay Cowgirl” Treadwell

____

written (with help from other editors) for fallout.fandom.com/wiki/LGBT_representation_in_the_Fallout_series criticism welcome

[basementloser]

I would've loved an episode in which Danny and Dash switch bodies.

I imagine it happens because Dash is talking to Kwan about how cool Phantom is or something, and at some point he says "Man, I wish I was Danny Phantom!"

Of course Desiree hears this, she appears before him ("So you have wished it, so shall it be!"), and the next day Dash wakes up in Danny's body. Danny Fenton's body. In Danny's room.

At this point he's pretty familiar with Desiree, and he assumes she just heard him wrong, befause Fenton and Phantom do sound alike. ("Huh, how weird! How has no one noticed this before?" We hear Wes screaming in the distance as Dash makes this observation.)

But there is no way in hell that a puny little nerd like Fenton could be Dash's hero, so something must've gone wrong. He decides to find Desiree and correct his wish.

-

Meanwhile, Danny (to his horror) wakes up in Dash's body.

He assumes he overshadowed him for some reason, but when he tries to leave, he finds out he doesn't have his powers. He also doesn't feel Dash's presence in the body.

"I know i asked for a growth spurt, but not like this!"

This isn't good.

-

Dash makes his way downstairs, and is immediately greeted by Jack Fenton, who has a million chores for him.

"Come on, Danno! Those ghosts I fished out of the ghost zone with the Fenton Ghost Fisher™️ aren't gonna put themselves back!"

Before he can object he is pushed into the lab and has to fight a couple of ectopusses. This goes very badly at first, until Dash remembers the bit of ghost hunting training Danny gave him and his classmates, when they had to rescue their parents from that big pirate ship.

As soon as he's done, exhausted on the floor (Damn, Fenton really needs to work out more!), he hears Jack yelling down the stairs.

"Son, don't forget to change the ecto filtrator! You don't want Amity Park to blow up, do ya?"

More dangerous chores keep getting added for longer than Dash thought was humanly possible.

(At some point Jack gave him some fudge, which helped.)

How does Fenton live like this???

-

We switch back over to Danny, who is now looking around Dash's room. He already knew about the cute pink teddy bear collection, but he didn't expect to find what can only be described as a fan shrine to Phantom.

There are newspaper articles, pictures, merch ("Wait I have merch? How come i didn't know that? Who is selling Phantom merch?" it's Tucker), and a poster.

(the b-story of this episode is Sam & Tucker running a Phantom merch line, and trying to stop the Box Ghost from stealing all the boxes of merch.)

Danny keeps looking around Dash's room, and finding out more about him through his stuff.

At some point he finds Dash's diary. He contemplates if he should read it or not, but in the end he decides that since Dash is always such a jerk to him, he doesn't care about morals and reads it.

Reading the diary, Danny starts to feel kinda bad, because in the entries Dash actually seems human. He's insecure, and he actually struggles with a lot. He's afraid to talk about what he's going through.

His parents are very absent, and the A-listers kicked Valerie out when her life wasn't perfect anymore. He doesn't want that to happen to him.

(I personally headcanon Dash as an extremely closeted gay guy with a lot of internalised homophobia, who hasn't stopped trying to convince himself that he's straight, but his struggles could be about anything.)

After reading all that, Danny starts to feel kinda bad for him.

-

Over the course of the day ghosts keep showing up to fight or talk to Fenton, and Dash is incredibly confused by this. Also Danny must have a weird cold or something, because he's been exhaling cold air at random all day.

"I AM THE BOX GHO- Hey! Wait! Why are you running away? You never run away. You always trap me in your cylindrical contraption of doOoOoOm!" (The Box Ghost is wearing a Phantom t-shirt, and is holding a box full of other Phantom merch. After Dash runs away, Sam and Tucker appear, chasing the Box Ghost through the street, trying to get the merch back.)

Later Johnny 13 shows up to fight, because he and Kitty broke up for the 4th time this week, and he wants to let out some steam. "Shouldn't you change for our fight, kid?" Change into what? Wait he wanted to fight, right? Dash puts on his gym uniform, and boxing gloves. Johnny looks at him weird, but doesn't question it. They have a little boxing match in the backyard.

Youngblood came by to play astronauts with him, and was very disappointed that Danny didn't fly up to space with him. (Wait didn't that dead kid kidnap Dash's parents??! Also why in the hell does he think Fenton has the ability to fly?????!! And breathe(!) in space?!!!)

After finishing what seems like a billion ghost related chores (and dealing with way too many ghosts), Dash finally manages to get out of the Fenton house, and starts to look for Desiree.

-

Danny walks out of Dash's room, and runs into Dash's dad. He opens his mouth, but he doesn't seem to care about what he's going to say. "Son I am so incredibly disappointed in you." the dad starts, then continues to list all the reasons he is a huge disappointment who should try harder. "Those weird little bears in your closet!" and "Why don't you have a girlfriend yet?"

The whole interaction is horrible, and makes Danny appreciate his own parents (weird as they may be) so much.

Dash's mom also berates him about being a disappointment, because they found his Phantom collection ("He is a GHOST, Dash! He's dangerous!"), and because his grades are so low. ("What do you mean tutor? Just study harder!")

They threaten to take Pookie away if he doesn't get his shit together.

-

At some point Danny has deduced that this body situation must be some ghost bullshit, and he decides to go to Fentonworks.

Then he runs into Dash in his body, and they have a little spiderman moment

After the internal shock and "WHAT THE HELL ARE YOU DOING IN MY BODY GET OUT!"s have gone around, Dash tells Danny what happened.

Danny informs Dash that most of Desiree's wishes become permanent after 24 hours. They decide to team up to get Desiree to undo this wish before that happens.

It's noted that Dash didn't say the word "puny" or any other insult, when he says "I really don't wanna stay in your body.".

We see a compilation of Danny and Dash searching Amity Park for Desiree, and other wishes she has granted. They fight off a couple of small ghost things together.

(during this compilation we see Sam and Tucker chasing the Box Ghost around. "How is he this hard to catch?? We've done this millions of times already!!!" -"Well maybe if you didn't drop the fucking thermos!")

After the fight, Dash sighs and says "Man, I had no idea how difficult your life is, Fenton. I've only been living it a day and it sucks."

they have a little heart to heart, and Dash sincerely apologises for bullying Danny so much.

"why did you want to be Phantom anyway? I assume his life isn't that easy either." Danny says.

"I dunno, man. I just thought it would be cool to be, y'know, going ghost."

White rings appear around Dash. He turns into Phantom.

they have another moment like this:

"WHAT THE FUCK!"

"WHAT THE FUCK!"

"I"M- I- YOU- YOU'RE PHANTOM??!!!"

"NO! YES! NO TIME! FIGHT HER!!!"

Because of course, this is the moment that Desiree appears, and starts fighting them.

"I dont know how!!!"

The beginning of the fight is very awkward, with Dash not knowing how Danny's powers work, and Danny not being used to fighting Desiree without his powers.

Eventually they get the hang of it, with Danny telling Dash how to activate and use certain powers in the moment, and they defeat Desiree.

All the wishes get undone, and they suck her up into a thermos.

After that, they talk about Danny being Phantom. Danny tells Dash the story of how he died got his powers, and Dash shares some of his secrets with Danny so they're "even". (it's some stuff that wasn't in Dash's diary. Danny doesn't mention that he read that, but that can be conflict in a later episode)

They aren't friends yet, but it's a start. Now that he walked a mile in Danny's shoes, Dash feels so bad about bullying him all those years, and he starts to question his life choices. (start of a Dash redemption arc i guess). He promises to stop bullying in general, and help out Danny however he can. (He also promises to not tell anyone about Danny's secret identity.)

(The episode ends with Sam and Tucker, having finally caught the Box Ghost, only to realise that in the chase/fight all the merch got way too messed up to sell, so it was all for nothing. Tucker throws the thermos down in frustration, the Box Ghost gets free, grabs the Phantom shirt he wore earlier, yells "BEWARE!" and flies off. Sam sighs and gets ready to start chasing him again, but Tucker stops her. "I give up. Let him have the fucking shirt.")

[particlewaveform]

okok i think we should revisit Human Error VOY 7x18 with the added context that seven of nine is a lesbian now. its all about the trauma of being a borg n pushing all that down to play pretend Im Totally A Normal Human Now Im Coping! girl sees herself as the monster in the mirror and IMMEDIATELY throws herself into the most fake comphet relationship she could find - she even literally choose chakotay, calling him "an appropriate choice", like how as a kid ur classmates keep pesting you for your crush so you "choose" a boy to crush on. clearly the words of someone who hasnt 4d chessed her way into Correct Feelings. i, like many of us im sure, think the chakotay/seven romance is badly written but if we consider it instead as repressed seven trying to shove herself into a human mould amigara fault style it gets *chefs kiss*

Chakotay is Safe and Appropriate and often seen as an emotional and moral guide so who better to project "how to be a good human" onto. she doesnt even really see him as HIM this episode and hes mainly there to fufill a loving role - he never talks about himself or expresses anything of his history like he often does with janeway - hes here only as an extension of seven! they do HER hobbies, cooking and piano! he lavishes affection on HER just to lavish it! he is a ken doll for her to try out romance on essentially.

i also think its so telling especially when in the holodeck shes made up so femininely, hair flowing, makeup, tight revealing dresses, fitting herself into this Ideal of what she "should" be to be a Good and Upstanding Human - shes removed all her implants!!!! all the monster and trauma she has!!!!!!!!!

something something gays identifying with monsters something horrible is inside u that will rip n tear its way out smth smmth idk but i think we need to collectively cook with this

[loving-family-poll]

Ultimate Incest Tournament - Semifinals

Propaganda under the cut:

Sam/Dean:

I'm sorry but they have it all. children of metaphorical incest just continuing the cycle in any way they can. they are brothers and mother + son and wives and each other's scorned lovers and life partners they've had multiple infidelity arcs they are sexually psychopathic together they have forsook life and morality and the earth itself for each other and just love each other so much . They are literally in a heaven of their own making together for eternity, incestuously. Come on!!! Blueprint!!!!! It's not gay if he's your brother!!!!!

dean did stuff to sam's dead body in ahbl. i just know it

Messed-up, isolated sibs with all the daddy and abandonment issues. Their lives are so claustrophobic with the brothers no more than five feet apart in the car, a motel room, or standing next to civilians (face it, they are frigging magnets). Can't leave out that they are always touching each other to check for wounds which is a huge PLUS for any shipper.

Sam and Dean ARE literally the blowjob brothers. They walk into a situation and everyone goes well well well if it isn't the blowjob brothers....... And they say. Yep. That's us. And then they fix the situation with their epic love story

THE classic, iconic, show shopping, never done before etc. etc. incest ship. It changed fandom and it changed the world

Dave/Rose:

Daverose blondetwin sweep because they were codependent without ever meeting from growing up seeing each other in their dreams

What does it mean to be an abused teenage boy growing up alone and seeing a girl in your dreams every night who is also your best friend. and when you finally meet her you go on a suicide mission together even though nobody was asking you to die with her. and then you are the only two human beings left in the recognizable universe on a cold meteor surrounded by aliens but you’re glad it’s with her. and when you finally touch the girl from your childhood dreams she looks exactly like you. because she’s your sister

I don't have words for how good these snarky assholes are together. DaveRose is brain chemistry changing. They both put up so many fronts, and engage in so much snarky wordplay, and are constantly trying to get under each other's facade. They play off each other so well, witty and sharp, I need them to be together always

We all die & we all die alone are the two cold truths of the universe but dave and rose broke both simultaneously by ascending to godhood together

Their twincest wins because it is just so confusingly tragic? profound? dave leaving rose behind in a doomed world, dave following her to the bomb. they are both so closed & cut off & curt its hard to imagine the depth of these things. but that is their love language: giving up their lives for each other over and over, in a confusing and fumbling and heartfelt love song. i can’t say i love you but i know we’ll die together anyway. because we’re made of the exact same stuff. i’ll find you again at the last moment. that’s love.

THEY DIED TOGETHER, YOUR HONOR

Confirmed canon by the author, (something happened) between them. Parallels of dying by each other's sides in EVERY timeline. They are THE womb-to-tomb. There is nothing platonic about winking at your brother while talking about crushes, that shit is incestuous. Seer/Knight archetype. They will die protecting each other.

do you realize love someone if you don’t follow them on a suicide mission into the gaping maw of a literal fucking sun after they knock you out and psychoanalyze you in your dreams? the blueprint of the “ethereal androgynous blonde boygirl twins” trope. witch/knight dynamics. they find each other to die together in every timeline no matter what (but they’re still emotionally constipated teenagers who bicker and make fun of each other in pesterchum). kids with grown-up powers. perfect little freaks of nature. what if we looked exactly like each other’s eyes

[max1461]

You guys do not understand that for the average person "freak" is already an inherently terrible thing to be, and "weird" only recently became acceptable when its meaning was softened and palatable "weirdness" became marketable alongside "nerd culture". In everyday usage a "weird guy" is still someone you want to avoid, it's a common euphemism for "probable sex offender", and to call someone a freak is about equivalent to calling them a slur. Being visibly mentally ill or visibly homeless is enough for a good portion of the population to believe you don't deserve human rights (although they wouldn't phrase it that way), and having visibly autistic mannerism is enough for people to think you shouldn't be let around kids. LGBT acceptance was won by arguing that gay and trans people are "normal, just like you and me", that they aren't weird, that they aren't freaky sex perverts they just want to love and be who they are. There has never been any kind of broader acceptance towards weirdness qua weirdness or freaks qua freaks, even on the left. It doesn't exist. For the average person, to be weird and gross is to be inhuman, unworthy of life. There is no distinction made between the subjectively disgusting and the morally condemnable; if you are freaky you are bad and that's that.

People calling J. D. Vance a weirdo is not going to come back around to harm LGBT people in some sort of indirect way, because mainstream acceptance of LGBT people is already predicated on the assumption that they are not weird. That's what the last 15 years have been about, convincing mainstream society that LGBT people are "normal", because normalcy is a deeply ingrained prerequisite for acceptance. Obviously I think this is ridiculous and stupid, but I think it's pretty silly to look at Dems calling J. D. Vance "weird" and "freaky" and be like "that's what's doing it". No, it's like attacking a politician by insinuating that they're gay in the 70s or whatever. It sucks that that's something that can be used as an insult but it's the water we're fucking swimming in, it's gonna be years before anyone looks back on it with shame. And a lot of supposedly progressive people are gonna realize they were on the wrong side of history, but that's par for the course.

[drchucktingle]

Mr Chuck, wizard of gay romance, I consult ye. Without knowing a damn thing about the plot of the book I'm writing other than it is gay and has themes of hunger, consumption, joy in spite of suffering, and the fleeting nature of life, how should my story end?

well to create we need to consume, this is how we produce energy and multiply and build. since beginning of time from frothing volcanos to tiny microbes CREATION and CONSUMPTION are linked. in addition an act of creation is an act of love, it is filling the empty void with SOMETHING and that is as powerful and important as it gets

i think what confuses MANY buckaroos is they get caught up by the consumption part. they see this equation i have laid out and say 'well if consuming leads to creation and creation is to point then we must consume everything as a moral imperative.' i mean HECK that is capitalism in a dang nutshell right there. if you trot this path it says the bigger fish should eat the little one, and that war and power are sort of innate. you see a lot of goofball conservative philosophers with melted brains stop here and set up shop to peddle their sad wares

THE PROBLEM IS consuming everything that you can DOES NOT ACTUALLY LEAD TO MORE CREATION IN PRACTICE. maybe sometimes in the very short term, but at the end of the dang trot it leads to destruction on a massive scale. if the biggest fish eats ALL the little fish then it is not just the little fish who dies it is BOTH of them. if you seek power through TAKING AND CONSUMING all that you can you will do more harm than good. you may puff up your chest for a little while but eventually you will go beyond your means and crumble.

consuming yields the best results when you do it in sustainable way, when you share with your neighbor, when you build a community. this is because LOVE is the best fuel and love thrives when buds work together to create a greater whole than themselves. even if you use example of TAKING through violence, ten little cave buckaroos as a team will always take down one big cave buckaroo. COMMUNITY PROVES LOVE. TEAMWORK PROVES LOVE. CONNECTION PROVES LOVE.

fortunately, as much as scoundrels want to convince us that fighting and violence and TAKING is the best way to grow as a dang species, it is not. humans thrived not because of some primal hierarchy (as goofball conservatives say) but because we started villages and societies and systems of working together. the buds who put their chips behind the BIGGEST FISH are only seeing one part of the picture. YES sometimes in the animal kingdom the biggest beast will win the fight, but that is why THEY ARE BEASTS AND WE ARE PEOPLE. we evolved to greater heights as we grew bigger brains for sharing and empathy and love and complexity. WE STARTED COMMUNITIES, BECAUSE WITHIN COMMUNITY CREATION AND LOVE THRIVE. THE 'REAL' BIGGEST FISH IS KINDNESS.

so hunger and consuming are ACTUALLY an important part of creation. they are part of bringing joy to this timeline, so long as you are not endlessly hungry even after you are full, and so long as you are not consuming what could be better shared with a bud.

hope that helps with your story buckaroo

[ffverr]

On the discourse (that somehow still exists) of why the X-Men are feared and hated but other genetically modified heroes like the Fantastic Four or some of the Avengers aren't :

I still see this argument online that some people, usually not X-Men fans, pull out in a sort of gotcha moment. To kind of stick it to Marvel for being unrealistic or to vouch for the fearing of other heroes in the marvel universe to tip the scales.

There are two points for the "why is *random x-men* oppressed and not *random marvel hero*" discourse that people are always intentionally missing.

One- A base of mutant fear and repression is the argument that "it could happen to your children too". It could happen to ANYONE, from birth, and there is nothing you can do about it. No being careful of scientific experiences can stop your close ones from becoming a mutant. (Kind of like people are okay with gay celebrities as long as they're doing their thing from afar but it's a threat when it comes to their children/Friends/family being gay)

They layed it on thick with this amazing advertisment back in the day: "do you know what your children are"??? I mean come on it's not rocket science

Fun fact, the kid labeled "mutie" here is actually Franklin Richards, son of Mister Fantastic and Invisible woman. He used to be a mutant and this goes to show how somehow johnny storm can be beloved but his super powered nephew doesn't get the same treatment.

Two- Spider-Man, the F4, the Avengers etc... All these heros who get some powers by some incident. They're supposed to be rare and few in between. The fear of mutants mainly comes from the fact that they started popping up in the MILLIONS. A mutant isn't necessarly seen as an honorable individual that acquires powers and realises they have the responsibility to use it for good. To humans, they're millions of people (or at least hundreds of thousands) that are, just by existing, threatening the status quo of humanity. They are changing the natural dominance of humans for good.

So of course humans love the F4 (usually). Because they're not scared to be replaced by them in their day to day life, however they are scared to be rendered obsolete by mutants. When humans look at the F4 they see brave selfless HUMAN heroes. They relate to them, they identify with them. They're a sweet family dedicated to the world's safety. In contrast, the mutants represent a world changing threat that truly shifts the balance. And that's not comfy at all no matter how cute or harmless the power is.

This difference can even cause very understandable tension in between the X-men and other super powered groups:

In short, the mutant moral panic comes from the fact that for exemple:

-humans are afraid to loose their jobs to super powered level talents.

-humans are scared from groups of super powered people that could threaten their safety.

-Governments are scared of these groups being the equivalent of entire armies concentrated in a single individual.

- They're scared that their children could turn into something unimaginable once they hit puberty

-And some just hate the idea of being manipulated by a random telepath on the street without ever knowing.

In contrast of Spider-Man, humans feel like nature is done with homo sapiens and THAT'S what brings hate and fear.

That's why everytime a mutant hate crime happens in the comics, it's always accompanied by some human saying "y'think you're better than us weirdo".

+ Contrary to the avengers, mutants also claim a culture, a shared history and common experiences between thousands. This binds them together in a way they doesn't necessarly make them identify with humans. And this is overall irritating and scary to humans.

Also, religious fear-mongering of mutants is rampant!!! It does a ton to set appart the mutants from the scientifically modified heros of the marvel universe.

In the end, one of the best comic to portray this whole thing is still God loves man Kills.

It depicts a villain, Striker, that gains popularity by spreading religious propaganda to justify mutant hate. In an emotional and shocking twist, we come to find that Striker has had a mutant son, that he killed with his own hand because he was a "monster".

You can understand how Captain America, with his super body, doesn't really evoke the same existential dread. Bigotry isn't rational, but also, a shit ton of things complicate the mutant's inclusion into society that doesn't necessarly parallel perfectly with real world struggles so that's also to take into consideration.

[rockrosethistle]

TSH hot takes 🔥

-Julian was actually a dick. He isolated and groomed vulnerable students (do you think it's a coincidence that every single member of the greek class had a difficult home life?) into thinking that these very outdated concepts of love and power were good for them. He compared their dangerous behaviour to that of ancient gods. Then, rather than face the consequence of his actions and take accountability, he left when it mattered.

-Charles was an asshole, but he's not a scapegoat. You cannot blame all the problems on Charles, he was an addict as a result of his trauma. He needed help. This doesn't excuse him from his actions, but it explains them. At the beginning of the book he physically could not bring himself to hurt Camilla. He's not a "bad" person. He's a sick person.

-Bunny didn't deserve to die, but he was also probably going to condemn the group at some point. He didn't just die for no reason. (Believing that Bunny's death was truly pointless also means believing that Henry was an actual psychopath who killed his friend for shits and giggles.)

-Judy, Cloke and Sophie ended up the happiest. That is literally the moral of the book. Judy wasn't all tortured when Richard didn't want to hang out with her, she shook it off and kept living her life. That's literally the point.

-Richard was never in love with Camilla. He loved the idea of her, but didn't see her as a person. Because of this specific dynamic and the fact the Richard is narrating, we know nothing about her actual personality. Anything he says can be disputed, and a lot of it contradicts itself.

-Francis is not blameless or unproblematic, but of the group he probably had the best intentions. Most of his behaviour that can be interpreted as creepy can be chalked up to Richard's internalized homophobia (remember, everything is told from his point of view, and Francis was a gay man in the 80's) When you look objectively at what Francis did, you see that he made a pass, got rejected, then dropped it and moved on. There is (i think) one more attempt made later on in the book, and that is furthered by Richard and only interrupted when Charles shows up.

-Henry may be the metaphorical representative of death when talking about the book, but in the narrative it's important to remember he's also just a person. Otherwise everything he does seems beyond question, and he's assigned this label as just "evil." He was 21!! Literally still a kid

-There were not good or bad characters. The reason they hit so hard is because each of them are so layered. They all have good traits and bad traits, but calling one "evil" takes away their humanity and dismisses their complexity that makes them so great.