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timmydraker · 2 months ago

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Tim begins to distance himself from his family after Damian becomes Robin.

It was obvious in the way he ran off to rescue Bruce, but that was more of a physical thing at the end of the day. He was desperate and had lost any kind of safety net and support he had after Dick threatened Arkham and how badly he hurt Alfred with his instance that Bruce was alive.

Either way he was going to get Bruce back, if not because he felt like he was an aimless, nothing human being without Batman then there was that he wanted to be believed.

Then Dick handed over Robin to Damian who at that point genuinely despised Tim, though there was also a level of jealously in the young Wayne’s mind at the intelligence and analytical Tim.

It was then that Tim decided he would bring Bruce back and then do his own thing, outside of Robin and outside of Batman.

He clearly had done his job hadn’t he? Sure Bruce was dead, but Dick was acting as Batman and that Batman had a Robin, so his reasoning for being Robin was extinguished.

Tim brings Bruce back and the older man praises and thanks him for several days and then, like everything else, the attention moves away. It goes to him connecting with Damian on a vigilante level and catching up on the last several months of him being ‘dead’. It goes to Jason who, now that he’s lost his foster father has decided that maybe he could try a little harder after all.

It goes to everyone and anyone other than Tim and this time? That’s actually the plan.

Tim isn’t as good of a hacker as Barbara, but she’s basically a god at it so compared to others he might as well be master level, just not against her. This he uses to shift around peoples schedules so Alfred has no choice but to let him go to school on his own (Tim may have also invented an early morning ‘club’ that was totally legit and not at all a fabrication). He makes it so when Dick is over or Jason takes the rare opportunity to visit he had to work at WE or DI, something important he can’t neglect.

He never has to walk Ace or Titus because he’s busy with his team mates.

Team mates who think he’s busy helping out Batman.

Tim still does work as a hero, but it’s entirely through his businesses after a while. A few times he has no choice but to go out in a boring black suit with a full face mask and hoodie. It’s got nothing on it, no symbols or gadgets. Nothing to connect him to anyone.

He starts with the homeless, dishing out vaccines like candy without even doing a campaign to showcase it.

Then he changes Bruce’s rather naive approach to orphanages and makes it so every single child who is put through is given a small amount of funding. He makes it so kids have more chance to stay with siblings, makes sure everyone who even so much as enters the ground of a orphanage have a real background check and sure the adoption rate drops, but so does the missing kids and DV cases.

Tim steals over fifty million from people like Luther and Penguin and all kinds of corrupt rich assholes for the majority of the funding and not even a cent of it is traced back to Wayne or Drake businesses. Whiles he’s digging into Lex be manages to get enough evidence to put a sizeable dent in his reputation, even if Lex manages to smooch a fair bit of it back.

He’s manages to take out a large sized trafficking ring and helps get the victims into a real recovery home that he hand picks out security for.

Later, as in a few days afterward, he discovers a dog meat farm and everyone medical veterinary student suddenly finds themself free of student loans and debt and with multiple work opportunities available and volunteer work being down right pleased for.

Tim knows he’s being noticed but given that he basically lives in his office in the heart of the city, he isn’t there to hear his old teammates and ‘family’ talk about the mysterious Dread.

Dread who was named that after a report came out about a theory of an unknown hacker or ‘cyber vigilante’ who was stealing money and information from rich folk and giving it to the poor, giving all of the 1% dread that he would hit them next.

The exact quote was ‘Those with money deeper than their pockets dread the hackers next moves. And they should feel that dread as a warning for this Robin Hood like legend seems to be getting braver.’

Dick was sure the hacker would have been called Robin if he hadn’t chosen that name already, to which Barbara responded with grumbles and growl because she couldn’t find anything other than holes and traps left by the hacker. It was like they knew her every move before she even made it!

Tim, obvious to his growing reputation until it fully took off, hadn’t even considered that his actions would be framed a threat by Batman. He would say it was because he didn’t think Bruce would ever really target him like that, but in actuality it’s because he knew Bruce was one of the few good rich folk. Surely he would be on the side of a secret vigilante hacker trying to use horrible people to do good? He embraced Dread quickly and was happy he make the rich squirm and brought a sense of hope to people, it was just like Robin but instead of them being safe and given light they were given a peace of mind in a mix of revenge and justice.

What Tim doesn’t know is that Bruce is still too far into his whole image of black and white, good and evil, that he tends to forget there’s grey areas.

At least Jason is on the side of Dread, even if he still thinks the myth of a story is just that, a myth.

It’s when Tim blows up a bank when everyone has gone home for the night just so people will find the underground money ring that and he visits the manner to get a few things that he hears them talking about it.

By that point it’s been around two years since he dropped Robin and as usual Dick always greets him with a look of a desperate puppy, “Tim! Hi, you’re here. I haven’t seen you in months, how have you been?”

Tim smiles at Dick even if he hasn’t gotten over his anger at his oldest brother and moves to sit at the breakfast table with everyone (Alfred, Bruce, Jason and Damian).

“Good. Busy, we’ve had a lot of donations lately.”

Jason snorts, “No shit. Isn’t Wayne Enterprise one of the few ones not hit by Dread?”

Bruce grumbles and shakes his head, “I wouldn’t say that. They’ve managed to get into our system and completely changed the Jason Project.”

Jason grins and laughs happily, “you mean improved! Crime Ally is doing great now. Not the best, but still a fuck of a lot better.”

Smiling at the man who once beat him to an inch of his life, Tim takes a sip of his tea and casually says, “You’re welcome.”

The whole table goes quiet as Tim continues to casually sip his tea.

The silence carries for a total minute before Bruce puts down his cup and leans forward with a slight growl in his voice, “Explain.”

“Explain what?”

Bruce stands over his son even from halfway down the table and very obviously tries to calm himself with a deep breath, “What do you mean ‘you’re welcome’?”

Tim makes an ‘oh’ expression before cocking his head to the side in confusion, “I was the one who fixed the Jason Project? Wait, did you guys not realise I’m Dread?”

Damian shouts out a ‘what?!’ That makes Titus jump and Tim laughs under his breath, “What did you think I was doing?”

“Running the business! Not stealing from people and black mailing politicians!”

It’s Tim’s turn to growl now and he stands up himself with a glare at Bruce that is as close as any of them have gotten to the famed Bat-Glare, “Are you fucking kidding me? Like are you a Tully kidding me with that horse shit?”

Bruce looks stunned and Alfred doesn’t even tell him not to swear.

Tim slams his chair into the table.

“What the fuck else would I be doing, Bruce? I’m not Robin, that was taken from me, so what else was I gonna do? I finished my job, not only keeping you from killing anyone but bringing you back, so I had do pick something else. I’m not stealing from the rich, I’m stealing from selfish cunts who ruin peoples lives for no reason and giving it to people like Jason. So, don’t you fucking yell at me and don’t try to make me feel bad for this, not when I’ve done more in two years than you ever have and- don’t you fucking speak Dick, not when you were the one who took my place here away from me! Now, I have a trafficking ring I need to expose so good. Fucking. Day.”

Jason is the only one who follows him.

#batfam #tim drake #bat family #dc comics #batfamily #dc universe #Tim Drake is NOT red Robin #dc #tim drake is a menace #damian wayne #dick grayson #bruce wayne #jason todd #tim drake centric #hacker Tim Drake

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cy-cyborg · 1 month ago

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Disability Tropes: The Perfect Prosthetic

[ID: A screenshot from the movie Nimona, showing Nimona, a small white girl with red hair, grabbing the right prosthetic arm of Ballister, a knight in black armour with black hair and light brown skin. He is holding a broken bottle in his prosthetic hand while Nimona admires his arm. Overlaid on the screenshot is white text that reads "Disability Tropes: The Perfect Prosthetic" /End ID]

In a lot of media, prosthetic limbs are portrayed as these devices that act as a near-perfect replacement for a character who has lost, or was born without a limb. So much so that in a lot of cases, the use of a prosthetic has basically no impact on the character beyond a superficial level or their appearance, or it's portrayed as something that's even better than the old meat-limb it's replacing. This trope shows up most often in Sci-fi, but it shows up in all kinds of stories outside of that, even otherwise very grounded ones!

If a story isn't depicting the loss of a limb as the be-all-end-all worst thing that can happen to a person, they almost always default to a perfect prosthetic, functionally curing the amputation with it. But the reality is that prosthetics are FAR from perfect, and as someone who has used them for their entire life I don't think they ever will be. Limb difference is still and always will be a disability, regardless of the prosthetics available, and this really isn't a bad thing.

Why is this trope so common?

I meant it when I said this is a really, really a common trope, so much so that the majority of the media I've seen with amputees and characters with limb differences that released in the last decade or end up using it. Even stories where becoming an amputee is treated like a fate worse than death, ironically, aren't excluded from this. I have a few theories as to why this has happened: The pessimistic answer is that it's easy. You get to have a disabled character and claim you have disability representation, without really having to do much extra work or research because most of your audience won't notice if you aren't accurate - in fact they kind of expect it. You also, for the most part, dodge the backlash other kinds of disability representation (or really any minority representation) usually get. The more optimistic reason is that, for a long time, amputees and people with limb differences (as well as a lot of other disabled people) were predominantly shown in media as sad, depressed and unable to do anything, very much falling into the "sad disabled person" trope. As a kid, this was really the only way I saw people like me on screen or in books. And so, the limb difference community pushed back against that portrayal and were pretty successful in changing the narrative in the public's eye. A little too successful. A lot of creatives were genuinely trying to do right by our community, listen and do better, but many simply overcorrected and instead ended up creating stories where prosthetics were essentially cures instead of the mobility aids they are. I also think the public's general lack of understanding about disability plays a roll in all this. There are a lot of people who, in my experience, believe that the more visible a disability is, the worse it is. Limb differences and amputations are very visible, but prosthetics, even those that aren't trying to be discreet, make them less so. While using a prosthetic is very, very different to a biological limb, you won't necessarily see how in a casual interaction with, say a co-worker or neighbor, especially because there is a very real stigma applied to people with limb differences to keep those things hidden from the public. There are other reasons too, such as the fact that a lot of creatives don't even consider the connection to real amputees when creating characters with robotic limbs in genres like sci-fi and some fantasy, so they never stop to consider that these tropes could be impacting real people. Amputees are also very frequently used in "inspiration porn" content that uses the angle that disabilities can be "overcome" with a good attitude, downplaying the way those disabilities actually impact us. The prosthetics industry - specifically the component manufacturers, often also push the idea of prosthetics being the only way to return to a "normal" life, both to the wider public and to people with limb differences and amputations (which can add to that sense of shame I mentioned when it doesn't play out that way for them). On top of that, I also think the recent increase in popularity of concepts like trans-humanism contributes to it as well. these movements often talk about robotic or bionic body parts being enhancements and "the way of the future", and I think people get a bit too caught up on what may be potentially possible in the future with the real, current experiences of people with "robotic limbs" aka prosthetics, now. There are also inherently disabling things that come with removing and replacing parts of your body, things that will not just go away with some fancier tech.

So How do you actually avoid the trope?

So, we have some ideas about why it happens, but how do you actually avoid the "perfect prosthetic" trope from appearing in your work? The most important thing is to remember that this is still a disability. The loss of a limb, even with the best prosthetic technology or magical item in the world, will always have some inherently disabling aspects to it - and this is not a bad thing. The key is to not over-do it, lest you risk falling into the old "sad disabled person" trope. So let's go over some of the ways you can show how your character's disability impacts them. You don't have to use all of these recommendations, just choose the ones that would best fit your character, their circumstances and your setting.

The prosthetic itself is just different

Probably the most important thing to address and acknowledge for prosthetic-using characters, is the actual ways in which the prosthetic itself is different from a biological limb, and the drawbacks and changes that come with that. For the sake of simplicity, I'm mainly going to focus on modern prosthetics here, but it's worth considering how to apply this your own, more advanced/fantastical prosthetics too. One major thing that most people writing amputees fail to acknowledge is that prosthetic limbs are not fleshy-limbs with a different coat of paint. They do the same basic thing their meat-counterparts do, but how they do it is often drastically different, which changes how they are used. A really good example of this is in prosthetic feet. There are dozens of joints in a biological foot, but most prosthetic feet have no joints or moving parts at all. Instead of having dozens of artificial joints to mimic the real bone structure of a foot, which are more prone to failure, require power and make the prosthetic much, much heavier for very little gain, prosthetic feet are often constructed from flexible carbon fiber sheets inside a flexible rubber foot-shaped shell. This allows the bend and flex those bones provide, without all the drawbacks that come from trying to directly mimic it. Making the sheets into different shapes makes them more ideal for different activities. E.g. feet made for general use, like walking around the city, are simple and light, shaped to encourage the most energy-efficient steps, while still allowing their users to do things like wear normal shoes. Feet made for rough terrain often have a split down the middle of the foot to allow the carbon fiber sheets to bend better over rocks when there is no ankle, and some newer designs also include a kind of suspension using pressurized air pulled from the prosthetic socket to allow some additional padding. Running feet have large "blades" made of these carbon fiber sheets to absorb more pressure when the foot hits the ground, and redirect the force that creates to propel their user forward as quickly as possible.

[ID: A photo of 4 prosthetic feet. On the left, the foot is covered with a black shoe, the one to it's right consists of a small, carbon fiber blade, split down the middle, in roughly the same shape and size as the previous foot. Next to the right is an even simpler and smaller carbon fiber foot with no split, and finally is a very short foot that is vaguely rectangular in shape. /End ID]

These are some of my own prosthetic feet I've had over the years. The two on the right are designed to be used by someone who is less mobile, and the ones on the left are made for someone who is more active. As my needs changed over the years, I've used different designs and styles, and keep the old ones since my needs do tend to fluctuate.

There are also robotic feet available that are designed as a kind of "all-purpose" foot that use an electronic ankle which more closely mimics a biological foot, but they are not very popular as the mechanism adds a lot of extra weight and it requires a battery and power to work, with many amputees feeling the jointless carbon fiber feet do a better job at meeting their needs. The same goes for arms and hands. "Robotic" hands that mimic a meat hand exist, but they aren't really that popular, even in places like Australia where the prohibitively expensive price tag isn't as much of an issue due to government programs that pay for the device for you. Instead, most arm amputees who use prosthetics that I know prefer simpler devices that do specific tasks, and just swap between them as needed, rather than something that tries to do it all. A big part of this is because the all-purpose hands can be clunky. they often require manual adjustment using the other hand to do simple things like going from holding a deck of cards to putting them down and picking up a glass of water, for example. The few that don't require that, I've been told, are often temperamental and don't actually work for every person with a limb difference.

Altered Proprioception

Loosing a limb is a big deal and this is always going to have an impact on the body in some way that won't be solved with a fancy piece of tech. One such example is how limb loss effects your sense of proprioception. This is your sense of where your body parts are in space. It's how you (mostly) know where your foot is going to land when you're walking, or how you're able to do things like lift up a glass of water without needing to actually watch your hand do it. Your brain does this by creating a mental map of your body, but this map doesn't get adjusted if you loose a limb. If that map doesn't accurately reflect your real body, you're not going to have an accurate sense of proprioception. This might look like a leg amputee being a bit less stable on their feet, or like an arm amputee needing to look at their arm or hand to be able to grab something with it. Those born without their limbs who take to using prosthetics often have a lot of trouble adapting, as their brains aren't used to having that limb in the first place, whereas an amputee's brain can sometimes be tricked into using their outdated body map to help them adjust to the prosthetic (though its impossible to line it up perfectly). Prosthetics that directly integrate with the nervous system, while rare, do exist, and even this direct connection doesn't completely erase this issue for reasons doctors aren't quite sure about. This is something that does become less of a problem with time. Eventually, someone proficient with their prosthetic will learn to compensate, but their sense of proprioception will never be 100% perfect. At the end of the day, no matter how it attaches, a prosthetic is still not a natural part of the body, and that will always cause some issues. It also means if they aren't practicing it all the time, they may have to relearn how to compensate for it.

Extra weight

You also have to remember that a prosthetic is not a natural part of the body, like we already talked about, and so no matter how good it is, your brain will most likely always interpret the weight of the prosthetic as something attached to you, not part of you. This means that, even though prosthetics are actually a lot lighter than biological limbs, they feel so much heavier. This is because, while a meat limb is heavier, a lot of that weight is from muscles which are actively contributing to the limb working, so it doesn't really feel like its that heavy. When you have less of your meat-limb though, you have even less muscle to work with to move this big thing strapped to it, so it feels heavier. The more of the limb you've lost, or just didn't have, the heavier the prosthetic has to be, and the less muscle you have left to move it. It's for this reason that a lot of amputees and people with limb differences get tired faster when using prosthetics. Some of us are fit enough where you almost wouldn't notice the extra effort they need to put in, but once again, just because you can't see it from the outside, doesn't mean it's not an issue.

Avoiding Water

Most prosthetics also aren't waterproof, and so prosthetic users have to be very careful about when and how they come into contact with it. For amputees with electric components, contact with water at all will likely damage the device. This can even include especially heavy rain, something I was told to avoid when I got my electronic knee prosthetic and something I assume would also apply to arm amputees with complex, electronic hands. For those with non-electronic prosthetics, water can be hazardous for different reasons. If the prosthetic has metal components, water may cause them to rust, especially if it's salty water. Other prosthetics have foam covers to give the illusion of a limb with the general shape of muscles and fat, but these covers do not come off, and if they get wet enough that water seeps all the way through, it is very hard to dry it and they may become moldy. Finally, cheaper modern prosthetics may also float. Many are made of very light-weight materials and some have pockets of air trapped inside them. For leg prosthetics in particular, this means a user might, at best, struggle to swim with them on, but at worst, may get flipped upside down and become trapped underwater - something that happened to me as a very young child. On the flip-side, older prosthetics were usually made of heavy materials like wood or steel, and so had the opposite problem, acting like a weight and pulling a person down if they were to wear them in the water. Water-safe prosthetics do exist, I had a pair of prosthetic legs as a teenager that were hollow, and designed especially for me to swim with fins on when swimming in the ocean, and Nadya Vessey, a double leg amputee in New Zealand even got a mermaid-tail prosthetic made especially for use in the water. Most amputees though just swim without any prosthetics at all, and in 99% of cases, this is the easiest and safest way to go.

Prosthetic-Related Pressure Sores and Pain

Many people with limb differences also experience pressure sores from their prosthetics. Modern prosthetics typically attach to the body using a socket made of carbon fiber or fiberglass, held on either by pressure, using a vacuum seal or through a mechanical locking system built into the socket. No matter the specifics though, the socket has to be very tight in order to stay on, and this means that extended periods of use can lead to rub-spots, blisters and pressure sores. Many socket prosthetics also use silicone liners to add extra padding, but this means wounds caused by the pressure can't breathe, and bacteria in sweat has nowhere to go, meaning if the person doesn't rest when one of these wounds occur, it can very easily and quickly turn into a serious infection. In a properly fitting prosthetic, used by someone who has fully adjusted to them, this doesn't happen often, but it is something most amputees and people with limb differences have to at least be mindful of. Some new prosthetics use a different method of attachment, called Osteointegration - where the prosthetic attaches to a clip, surgically implanted into the person's bones. While Osteointegration avoids many of the issues like pressure sores that come from a socket, they have their own issues: mainly that they are incredibly expensive, and as of right now, have a pretty high failure rate due to the implant getting infected. Because the implants are directly connected to the bone, these infections become very serious very quickly. Many people with Osteointegration limbs have to be on very strong medication to keep these infections at bay, and they are generally considered unsuitable for anyone who is going to regularly come into contact with "unclean" environments.

Maintenance

[ID: A screenshot of Winrey, from Full Metal alchemist Brotherhood, a white woman with blond hair handing out the sides of a green hat. She is measuring a piece of metal from a prosthetic she is making while Ed, the prosthetic's owner, gives her a thumbs up in the background. /End ID]

Finally, prosthetics also require maintenance from a specialist called a prosthetist, and they don't last forever. Some parts, like a foot or hand, can be reused over an over, but the sockets of a prosthetic need to be completely remade any time your body changes shape, including if you gain/loose weight, you start experiencing swelling, or you're just a child who is growing. Children in particular need new prosthetics every few months because they grow so fast, and as such, their prosthetics have to be made with this growth in mind. If they go too long without adjustment or an entirely new prosthetic, it can seriously impact the child and their growth but even small adjustments can be costly, depending on where you live. While prosthetics are built to be sturdy and reliable, they need a lot of work to stay that way. The more complex the prosthetic, the more work is needed. Complicated electronic components may need to have regular maintenance done by your prosthetist or even the specific component's manufacturer, and depending on where you live, this might mean having to send your prosthetic limb away for this to be done. While my prosthetist technically has the skills and knowledge to do the maintenance on my electronic knee, for example, the manufacturer forbids anyone not from their company to provide this service, meaning my leg needs to be shipped off to Germany once every few years if I want to keep the warranty. This has the unfortunate side effect of sometimes your limbs getting lost in postage (shout-out to Australia Post, who lost mine twice), meaning it can be months before you get it back or get a replacement. Usually, you'll be given a replacement in the meantime if you need it, but walking on a leg that isn't yours, even when its correctly fitted, always feels a bit weird (maybe that's just me though).

Not every difference is Inherently Negative

We've talked about some of the negatives that come from having a prosthetic, but not every difference is negative or even really that big of a deal. In fact, often times, it's these little moments in the depiction of a disability that go the furthest and make it feel the most genuine. My amputations effect me from the moment I wake up, to the moment I go to bed, but that doesn't mean every single way it impacts me is always inherently bad or negative. For example, back when I was working a normal job and going to university, I would often come home, throw my legs off at the door with the shoes still attached and get into my wheelchair, the same way you might throw your shoes off after work and replace them with comfy socks and other comfy clothing. This is something I've only ever seen on screen once, with Eda from the Owl House (and she wasn't even an amputee yet, her limbs were just detachable)

[ID: an screenshot of Eda from the owl house, a very pale woman, laying on the couch in a bathrobe, her hair in a towel. She has taken her actual legs off, throwing them to the other side of the seat. /End ID]

After that, my day mostly looked the same as most other people working a 9 to 5, I'd make myself dinner, watch some TV or play some games, maybe do some extra work at my desk or chat with friends. The only difference is that it would all be from a wheelchair, mainly because my prosthetics were heavy and it was just easier to use the chair around the house. The fact my afternoon and evening routine was done from a wheelchair wasn't a bad thing, it was just different. Likewise, I also don't sleep or shower with my prosthetics on, for the same reasons most other people wouldn't take a shower or sleep in thigh-high, steel-capped boots. In your own stories, this might look like giving your characters similar alterations to how they go about their day. Let them take their arm or leg off when they're resting or relaxing, show them taking a few minutes longer to get ready because they have to put it back on, show them doing some things without it. Arm amputees in particular tend to get very good at going about their days without their arm prosthetics, and leg amputees often either learn to get around more relaxed spaces like their homes using a different mobility aids like wheelchairs or crutches, or just through hopping if that's something they're physically able to do. Even when everything is going well and working as intended, your limb-different character won't wear their prosthetic 24/7, no matter how much they love it. There doesn't have to be something wrong with it or painful about it to not want it glued to them at all times, just like you can love a pair of big heavy boots but not want them on when you're trying to sleep. For more action-focused stories, being an amputee, also changes things like how you fight. The specifics will vary from person to person, but for example, when I did Hap Ki Do, a Korean Martial art, my instructor heavily modified when I learned what techniques. Beginner-level kicks and most leg attacks were impractical for me, as the force from the kicking motion would usually cause one of my legs to fly off. I also couldn't jump very well, due to some complications with my original amputation that made my stumps too sensitive to withstand the force of landing again. So I ended up learning a lot more upper-body attacks much earlier than it is typically taught. By the time I got my green belt, I was practicing upper-body techniques usually saved for black belts - including weapons training that I could use my secondary mobility aids for, like crutches and my cane in a bad situation. Many holds that rely on creating tension in your target are also less effective on amputees, because either the anatomy that causes those holds to be painful just simply isn't there, or the body part in question can just be removed to escape. Whether we're talking about the negative things, or just neutral differences that come with using prosthetics, you don't want to go too far with any one example. The key is to strike a balance. Of course, the old writing advice of "show don't tell" also applies here. It's one thing to tell us all of this stuff, but unless we actually see it play out, it won't mean much.

How NOT to avoid the trope

Before we move on, let's focus for a moment on some common things I've seen that you SHOULDN'T do as a way to get away from the trope.

The Enhanced Prosthetic

A lot of sci-fi in particular will take prosthetic limbs, make them function exactly the same as a biological limb, but add something extra to it. This does change the way the prosthetic functions and is used, but it usually still ignores the actual disabling parts of having a prosthetic. A really good example of this can be seen in pretty much any futuristic setting, but personally, I think Fizzeroli, from Helluva Boss is the best one to demonstrate what I mean. Fizz is a quadrilateral, above knee/above elbow amputee with highly advanced prosthetics that function, more or less exactly like the limbs he lost, but with the added benefit of being super-stretchy. Fizz is an acrobat and a clown in service, at least initially, to Mammon, one of the Seven Deadly Sins. These prosthetics help him perform and we even do see how they change little things like how he walks and just goes about his day, but the show still treats them like natural arms and legs, but better.

[ID: A screenshot of Fizzeroli from Helluva Boss, a white-skinned imp with 4 black, prosthetic limbs, dressed in teal a nightgown as he lays in bed, reading from a list /End ID]

We see that he never takes them off, even when sleeping, and when he needs to use them as regular arms and legs, they do everything he needs, perfectly fine - at least when they're working correctly. The only time he ever even takes them off or has any issues with them, is when they break in season 2. The word amputee is never used to describe him, as far as I remember, and the fact he is one never really comes up at all, except for when they break or when the story focuses on how he lost them. Which brings me to my next point.

The Glitchy/Broken Prosthetic

One way I see people try to avoid the perfect prosthetic trope, is to take the prosthetic and break it or otherwise make it unreliable by having it malfunction, but not really changing anything else. This approach is heading in the right direction but still kind of misses the point of the criticism a lot of limb different folks have with the depictions of prosthetics in the media. Yeah, prosthetics do break down and some do require extra maintenance, but if your character's prosthetic is still exactly the same as a biological limb (or even better, in the case of the "enhanced prosthetic") when it's not broken, and the only time their disability is treated like a disability, is when it breaks, you're not really addressing the issue. Real prosthetics, like we discussed, even when functioning at 100%, exactly as the manufacturer intended, don't function the same as a meat-limb. They are fundamentally different, and the glitchy/unreliable prosthetic completely ignores all of that. Once again, Fizz is a really good example of this - the only time his prosthetics are not perfect, is when they break or are malfunctioning (despite the criticism, I do genuinely love Fizz as a character, but he unfortunately does fall into a lot of disability tropes).

[ID: Another screenshot of Fizzeroli, this time in a torn up jester outfit, looking down, panicked, at his prosthetic arms which are fully extended and laying motionless on the ground, with his left arm visibly short-circuiting with electricity around it. /End ID]

Now this isn't to say you can't have your character's prosthetics break down or malfunction at all. just that this shouldn't be the only way you differentiate the prosthetic from a biological limb. You should also be mindful of how or why they're breaking. A typical prosthetic isn't going to break down randomly from normal use unless something is very, very wrong or your character just has a terrible prosthetist (which unfortunately, does happen). You might experience issues if you try to make the prosthetic do something it just wasn't designed to do, or expose it to something it wasn't designed to deal with though (e.g. submerging an electronic prosthetic in water and trying to use it to swim).

Just add Phantom Pain

Another common pitfall I see when people are trying to avoid the perfect prosthetic trope, is to just give the character in question phantom pain - which is a side-effect of amputation where your brain's mental map of the body doesn't acknowledged you lost a limb. Your brain tries to fill in the gaps, since there is no signals coming from that part of the body anymore, and assumes either something must be wrong and so you should be in pain, even when you actually aren't. Alternatively, it can also happen when your brain was so used to feeling pain from that area before, in the case of people who had chronic conditions before they lost their limb, that it just keeps remaking those old signals itself. Like the broken/glitchy prosthetic approach, this also doesn't really address the issue with the perfect prosthetic trope, because it has nothing to do with the prosthetic itself. Phantom pain doesn't come from the prosthetic, nor does it effect how they're used, and so including it doesn't really address the issue of the prosthetic being functionally the same as the original, biological limb. This isn't to say that you shouldn't include phantom limb sensation or pain as something your character experiences, but just keep in mind that, when used on it's own, it doesn't counter the trope. Also, just be sure to do your research, everyone's experience with phantom pain is different and it's not something everyone with a limb difference even experiences.

Why is this trope even a problem?

Alright, so we know what the trope is, we know why it became so prevalent, ways to avoid it and also how not to avoid it. All good information, but why is this trope even bad? Why should you try to avoid it? Outside of just wanting to portray a real disability that effects real people more accurately in your creations, the prevalence of this trope actually contributes to a lot of real-world issues, especially when it's as overused as it currently is. I've talked before about "the jaws effect" - where the depiction of something in the media, especially something that the public is widely uneducated on, influences how people see it in real life. The Jaws effect specifically referred to how the popularity of creature-feature movies featuring sharks, like Jaws, caused the belief that sharks were monstrous killing machines to become much more wide-spread, even going so far as to influence decisions about laws and policy surrounding real-life shark preservation and culling in some parts of the world. But sharks aren't the only thing this has happened to.

Disabled people are so thoroughly misunderstood by wider society, that when tropes like this one become popular, people can and often do start to believe the misinformation they spread - in this case, believing that our prosthetics are a perfect replacement for a biological limb, and that getting a prosthetic means you're not disabled any more. While this can be annoying and cause small scale issues for some of us, like people giving us a hard time for using disability accommodations we very much need, it can also impact us in systemic ways too. If the wrong people believe these tropes, it can and does have a very real impact on the lives of disabled people through things like changes to policies to make it harder for amputees and people with limb differences to access financial assistance for other things outside of our prosthetics we may need assistance with.

Conclusion

Despite the very real harm tropes like this can do when it's overused, I don't think it should go away entirely. Some of my favourite pieces of media even use the perfect prosthetic trope and there are even some kinds of media where I even think it's somewhat unavoidable. Characters with perfect prosthetics in kids media in particular, especially when talking about side characters, can help to correct some of the other stereotypes kids may have seen elsewhere - such as prosthetics being "creepy" or "scary" - in a way that is casual and easy for them to understand. The problem with the trope, in my eyes, is it's excessive overuse. It's the fact that it seems to be the only representation amputees and people with limb differences are getting now. Not every story with a limb-different character can or even should delve into the reality of what using prosthetics is actually like, but we need at least some stories that do, without it being this majorly depressing thing.

#Writing disability with Cy Cyborg #Disability tropes #Long Post #Disability Representation #Writing Disability #Writing #Writeblr #Authors #Creators #Writing Advice #Disabled Characters #On Writing #Disability in Media

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homo-house · 1 year ago

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hey uh so I haven't seen anyone talking about this here yet, but

the amazon river, like the biggest river in the fucking world, in the middle of the amazon fucking rainforest, is currently going through its worst drought since the records began 121 years ago

picture from Folha PE

there's a lot going on but I haven't seen much international buzz around this like there was when the forest was on fire (maybe because it's harder to shift the narrative to blame brazil exclusively as if the rest of the world didn't have fault in this) so I wanted to bring this to tumblr's attention

I don't know too many details as I live in the other side of the country and we are suffering from the exact opposite (at least three cyclones this year, honestly have stopped counting - it's unusual for us to get hit by even one - floods, landslides, we have a death toll, people are losing everything to the water), but like, I as a brazilian have literally never seen pictures of the river like this before. every single city in the amazonas state is in a state of emergency as of november 1st.

pictures by Adriano Liziero (ig: geopanoramas)

we are used to seeing images of rio negro and solimões, the two main amazon river affluents, in all their grandiose and beauty and seeing these pictures is really fucking chilling. some of our news outlets are saying the solimões has turned to a sand desert... can you imagine this watery sight turning into a desert in the span of a year?

while down south we are seeing amounts of rain and hailstorms the likes of which our infrastructure is simply not built to deal with, up north people who have built everything around the river are at a loss of what to do.

the houses there that are built to float are just on the ground, people who depend on fishing for a living have to walk kilometers to find any fish that are still alive at all, the biodiversity there is at risk, and on an economic level it's hard to grasp how people from the northern states are getting by at all - the main means of transport for ANYTHING in that region is via the river water. this will impact the region for months to come. it doesnt make a lot of sense to build a lot of roads bc it's just better to use the waterway system, everything is built around or floats on the river after all. and like, the water level is so incomprehensibly low the boats are just STUCK. people are having a hard time getting from one place to another - keep in mind the widest parts of the river are over 10 km apart!!

this shit is really serious and i am trying not to think about it because we have a different kind of problem to worry about down south but it's really terrifying when I stop to think about it. you already know the climate crisis is real and the effects are beyond preventable now (we're past global warming, get used to calling it "global boiling"). we'll be switching strategies to damage control from now on and like, this is what it's come to.

I don't like to be alarmist but it's hard not to be alarmed. I'm sorry that I can't end this post with very clear intructions on how people overseas can help, there really isn't much to do except hope the water level rises soon, maybe pray if you believe in something. in that regard we just have to keep pressing for change at a global level; local conditions only would not, COULD NOT be causing this - the amazon river is a CONTINENTAL body of water, it spans across multiple countries. so my advice is spread the word, let your representatives know that you're worried and you want change towards sustainability, degrowth and reduced carbon emissions, support your local NGOs, maybe join a cause, I don't know? I recommend reading on ecological and feminist economics though

however, I know you can help the affected riverine families by donating to organizations dedicated to helping the region. keep in mind a single US dollar, pound or euro is worth over 5x more in our currency so anything you donate at all will certainly help those affected.

FAS - Sustainable Amazon Fundation

Idesam - Sustainable Developent and Preservation Institute of Amazonas

Greenpeace Brasil - I know Greenpeace isn't the best but they're one of the few options I can think of that have a bridge to the international world and they are helping directly

There are a lot of other smaller/local NGOs but I'm not sure how you could donate to them from overseas, I'll leave some of them here anyway:

Projeto Gari

Caritás Brasileira

If you know any other organizations please link them, I'll be sure to reblog though my reach isn't a lot

thank you so much for reading this to the end, don't feel obligated to share but please do if you can! even if you just read up to here it means a lot to me that someone out there knows

also as an afterthought, I wanted to expand on why I think this hasn't made big news yet: because unlike the case of the 2020 forest fires, other countries have to hold themselves accountable when looking at this situation. while in 2020 it was easier to pretend the fires were all our fault and people were talking about taking the amazon away from us like they wouldn't do much worse. global superpowers have no more forests to speak of so I guess they've been eyeing what latin america still has. so like this bit of the post is just to say if you're thinking of saying anything of the sort, maybe think of what your own country has done to contribute to this instead of blaming brazil exclusively and saying the amazon should be protected by force or whatever

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fuckyeahgoodomens · 10 months ago

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SFX Magazine Issue 372 - Designing Good Omens ❤ 😊

PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON

WORDS: DAVE GOLDER

Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.

“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”

GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”

But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”

For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.

But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.

“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.

“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”

Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.

“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.

“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.

“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”

(look at the description under this, they called him 'Azi' hehehehe :D <3)

Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.

“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.

“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”

Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.

“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”

It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”

Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.

The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.

“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”

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unluckiestmember · 5 months ago

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can I request headcanons of x-men 97 team x reader who is an absolute sweatheart and is just the cutest thing to exist.

Coming right up!

X-Men '97 X Sweetheart! Reader

Characters: Nathan Summers/Cable, Scott Summers/Cyclops, Remy LeBeau/Gambit, Jean Gray, Jubilee, Erik Lehnsherr/Magneto, Morph, Kurt Wagner/Nightcrawler, Rogue and Logan/Wolverine.

Warning: Mild Cursing, but overall SFW.

A/N: Can I please get someone to remind me to actually post when I'm supposed to? Anyone? XD

Cable

“Time to get to work, keep up!… You want me to carry you? Heh, say less.”

Oh Nathan, Nathan, Nathan. He tries his best to be as tough and straight to business like his old man. Always a man to try and change the future and fight for the people with a straight face. But as soon as you’re around him, your sunshine energy radiates onto him. You make the freedom fighter have a need to impress you on the field when he’s not showering you in love outside of missions.

What really drew you to him was just how careful you were with his body. How you complimented his eye and stroked his robotic arm with so much care. It has made him really adore the end of the days where particular expeditions took a lot of energy out of you two, resulting in cuddles and sweet nothings. He never understood the whole concept of loving someone like his dad loved his mom, but after meeting you, he finally understood what they had was sacred. What you two had was sacred. Nathan has lost a lot in his life, but he’ll be damned if he loses you.

Cyclops

“Are you alright?! You’re not hurt, are you? I’m not overexaggerating- I’m worrying the right amount!”

Scott can be a pain in the neck during missions. He’s always one to bark out orders and keep a level head on missions as the leader of the X-Men. And if there’s one order that’s always on the top of his list, it’s making sure you are safe. He’s by all means not an overprotective or possessive lover, but he makes it a daily part of his life to always check on his beloved. Whenever you are just being yourself, you can find him staring at you, taking in your cute energy and reciprocating it with his own cute antics like kissing your cheek or giving you gifts when you least expect it.

Are the team a bit jealous of you having Scott’s favoritism? A bit. But hey, they’d rather someone like you have the best of Scott than the worst. Even if that also includes his defensive nature of you along with his jealous antics. He means well. You know it, sometimes you just have to remind him. Whether it be with a simple talk or a passionate kiss. Face it, you keep the leader of the X-Men grounded.

Gambit

“Ah, just the person I was looking for. Is it just me or are you getting more breathtaking every day, mon cher?"

When it comes to you, Remy is bound to flirt twenty four seven just to see that nice shade of pink color on your cute little cheeks. And if he cant succeed in that, he’s bound to have you smitten with his physical hold of your waist or his sincere compliments. He’s quite a charmer, anyone knows that, but with you, he adds another flare to himself; A sweet lover.

Gambit will always make it abundantly clear that you are the cutest person he’s ever met and how he can wager the perfect future with you by his side. Expect this man to shower you with surprise trips away from the mansion, a fresh breakfast almost everyday and a little card show if you are ever upset, because if there’s one thing he hates more than anything, it’s you being upset. You are the only one that can make Gambit so emotional because he just loves you so so much. And if you ever forget, he doesn’t mind reminding his raison de vivre.”

Jean Gray

“I wish you could see what was in my mind… Maybe then you’d realize how much you mean to me, my love.”

When it comes to Jean, you’ve basically hit the jackpot on one of the most open and loving girlfriends you could ever ask for. You aren’t just a sweetheart, you are her sweetheart. She always touches you like a porcelain doll, staring into your eyes with so much affection of her own and giggling whenever you hug or hold her, prompting her to hold you or hug you back just as tightly. On missions, she is in the zone, but as soon as they are over, she’s heading straight to you to check if you are injured. And if you’re not? Expect this woman to shower you in so many compliments and love that you might just drown from the cuteness.

Jean isn’t just your protector, but also your best friend, always free to try anything you want to try and do what you want to do.Dare she say, you might be the love of her life. Screw being lovers, she wants to be a married couple. But as much as that gets her excited, she’ll take her time for you, because she knows whether it takes her whole life or a single day, she doesn’t mind waiting for the fateful day.

Jubilee

“That was awesome! Did you see me out there- Did you?! Let me let you in on a secret; That last one was for you~!”

Because of how young she is and her lack of a love life, Jubilee is still pretty new to the whole dating and falling in love thing. But when she met you, she knew she was bound to fall in love with someone so positive and full of life. An embodiment of a firework if she said so herself. She always drags you around town with her to hangout at arcades or spend time in the mall grabbing lunch and doing cute couple things.

She cares about you enough to ask other X-Men members advice on how to treat you or show you how much you mean to her. It honestly impresses and shocks the team how this troublemaker tries her best to make you feel like the luckiest person in the world dating her. If she’s not showing her love for you through domestic activities, then look outside your window at night. You are bound to find Jubilee sending you love with her fireworks bound to make you giggle and smile. Which is always delightful because when you are filled with so much happiness, so is she.

Magneto

“What we have is stronger than any magnetic pull I’m capable of. It’s terrifying. But also magnificent.”

If you ever wanted to be treated like royalty, Magneto is the man for you. Erik treats you like you are a precious flower that could be destroyed by the mutant hating world around you. Because of this, he is so careful with you, yet not overbearing. If you want to hang out outside or simply hang out with him, he doesn’t mind as long as no one looks at you the wrong way or touches you with ill intent. Because if they do?… Let’s just say Magneto can do a lot with his powers.

When he’s not making sure you’re safe, he is awestruck at your innocence and your positive outlook on life. At first, he actually found your vision of the world to be immature, untrue and above all stupid. But the more he’s spent time with you, you’ve seem to have melted his cold heart a bit. Does he still think humanity is the scum of the Earth and nothing can change? Yes. But with you by his side, showing him what love, understanding and acceptance can be, maybe, just maybe, he can see where you’re coming from.

Morph

“Why the long face, babe? I can do a mean Magneto impression that’s sure to make you smile… Haha! There’s my love!”

Around people, Morph treats you almost like one of the guys, in a figurative sense. They don't treat you any differently from the rest of his friends and family within the team. But behind closed doors or when you two are alone, all bets are off. They are melting at your sweet nature and so quick to try to make you laugh, smile or get physical with them. Man, do they love when you get physical with him- They adore it!

But what they really loves is how caring and protecting of them you are. They've told you about their past, their run in with Mister Sinister and their time away from the team. And no matter how many nightmares or moments of body dysmorphia he experiences, they love how you are always there to pick up their loose pieces and put them back together with your gentle touch and gentler words. Because of this, they're always there to return the favor and comfort you as well when you are at your lowest. You are their best friend sorry Logan and their beloved and they wouldn’t want it any other way.

Nightcrawler

“Liebe meines Lebens. You never cease to take my breath away.”

Kurt is a pretty romantic person, especially when it comes to you. He showers you endlessly in love, rubbing his nose against yours, showering your face in kisses and becoming putty when you hold him, even if it’s just by his arm! He cherishes moments where the both of you hang out, especially by gardens where he makes cute flower crowns with you. Though just any moments with you are the highlight of his day. On missions, you two synergize perfectly well with the blue mutant complimenting you on your moves and takedowns of foes.

Kurt is an expert at physical touch for a love language, but he’s just as amazing with his words, especially with the nicknames he’s given you. He’ll make sure everyone knows that you are his Schatz, Herz, bessere Hälfte, and of course, Liebe meines Lebens. To you, he’s a lot like a little puppy; Full of energy and always waiting for your attention and affection given to him. The team thinks you two are cute even if they find it a bit annoying that Nightcrawler is always teleporting you two all over the place. It’s not too bad though since the sound of your mixing laughter is enough to make everyone’s hearts soar happily.

Rouge

“Hey, Sugar! I missed you so much today! Now come here, I at least want a hug!”

Rogue is super careful of you. You are just too precious to her and she doesn’t want to hurt or break you with her powers. So she makes sure you both have ways of showing one another how much you love each other, especially herself. Outside of soft hugs, she tries her best to give you a hand covered kiss. Though she can be super cheesy and exchange indirect kisses with rocks, feed you while chuckling at how adorably you stare at her like she hung the stars above. She’ll even have you both set up for dinner plans and fly you around in the sky if you ever want to destress from work as a X-Man.

You both have a cute relationship, even if there are moments where Rogue wonders if she deserves you or if she will ever be enough for you due to her destructive powers and the possibility she will never be able to touch you. These revelations have led to emotional nights, but the promise you make to touch her and make her the happiest woman in the world always makes Rogue realize that she is beyond lucky to have you. You make her want to find a way to touch you no matter what. And mark her words, she will.

Wolverine

“Woah, little pup. I was just gone for a few hours, you act like I went to war or something! Aw, screw it, come here.”

Logan has fallen in love with many men and women during his years of living. But damn has he never met anyone quite like you! When he met you, he thought your whole sweetheart shtick was fake, no offense. He thought it was some trick used to get people to lower their guards around you so you can get the upper hand on them. But when he found out you really were the sweet soul everyone hyped you up to be, he slowly but surely fell for you. He fell for how you spoke to him with such understanding and patience. The way you touched him was with the utmost care when you took care of him and helped him clean blood from your adventures with him that got out of hand.

Logan fights for many people, but for you he will kill anyone that hurts you or makes you cry. Your smile lights up his whole life, your laugh pushes him to be stronger to preserve it and your touch makes him feel alive in a world that always knocks him down. If it’s not the X-Men, Wolverine usually fights for himself and only himself. But now that he has you to lose, he fights for the both of you and a future where you both can live a peaceful life you’re both proud of.

If you got any requests for X-Men '97, Blue Eye Samurai, and or Arcane, send them my way!

Likes and retweets are always appreciated! I love you all, stay hydrated and have a good day! <3

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foldingfittedsheets · 6 months ago

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Back in the dawn of days I worked at Red Robin. It was my first real job after a brief stint at a dog kennel. Many people don’t know this but there’s a costume. A Red Robin mascot costume. I’d never seen it before I worked there.

He’s a violently red bird with empty eyes, a vacant grin, the most atrocious yellow leggings you’ve ever seen, and feet to make any Kingdom heart character swoon. His name was Red.

I was a host, and we were the only ones called upon to wear the costume. We’d don the bright yellow tights and corporate fursuit with someone leading us by the hand so we didn’t crash into everything.

The mesh screen in Red’s gaping mouth was supposed to let the wearer look out. Visibility was a joke. The restaurant was a dark gray haze of bustle from inside Red’s head. So every Tuesday and Thursday there’d be a two hour shift of a designated Bird Buddy leading the visually impaired sacrifice around.

After being forced to wear it during a heat wave and vomiting from the overwhelming temperature, I had vowed to never wear it again. But every new host always had a tiny secret longing to wear it when they first started. This desire never survived the full two hour shift.

So I was working a day shift with a newer host, Lauren, who had been openly enthusiastic to wear it. The manager hustled up to tell us that a little kid was here for his birthday and desperately wanted to see Red. We weren’t scheduled but impromptu requests could be accommodated when the restaurant was slow.

I said, “Great, Lauren can do it and I can be her buddy.”

I grabbed the hapless Lauren and dragged her to the dry goods storage where the suit was stored and where we changed. I closed the door and dragged the suit down. It had a particular greasy ground in smell to it.

Frying food, hot oil, and body odor had all permeated the faux fur with a unique reek. The management mouthed empty nothings that the suit was sent for monthly cleanings. It was common knowledge they were lying through their teeth. The smell of Red was eternal and unchanging.

“Okay, so take off your pants, put on the tights, then step into the body and I’ll zip you up. Then you get a vest and the head goes on last, got it?”

Lauren stared at me. I stared back. She made no move to change.

“Okay…” I repeated, “So you take off your pants and put on the tights?”

Lauren shifted nervously, silent. Not changing.

“Do you need me to turn around…?” It hadn’t occurred to me that she might be shy based on her personality, all the hosts were fairly blasé about changing in front of each other.

“I didn’t….” Her voice dwindled to a decimal only perceivable by bats.

“What’s that?”

Blushing vibrantly she raised her voice to the level of a tiny mouse to squeak, “I’m not wearing underwear….”

I stared at her harder. Our uniform pants were dark denim jeans. The thought of rubbing my bare pussy into denim for a whole shift was on par with dry humping a sheet of sandpaper. “You’re… you’re not wearing… anything?”

She shook her head miserably.

We both regarded the yellow tights worn by most of the host staff. We contemplated a lack of underwear being pressed into those communal tights, adding to the miasma of Red’s smells.

But I was sure as fuck not getting in that costume.

“Make sure to take the tights home and wash them.”

Her eyebrows went up. She met the bitter steel in my eyes and crumpled. I turned my back and she did what she had to, slipping naked as a babe into the neon spandex of Red’s tights. Lauren trustingly kept a grip on my hand as I navigated her through trays and tables to terrify the tiny birthday boy.

To the best of my knowledge, she never did wash the tights.

#ramblies #ffs foibles #funny #story #writing #food service #Red Robin

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luveline · 6 months ago

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Hiiiiii!!!!!!! I recently got back into criminal minds and devoured all ur hotch fics like a MANIAC (you write. So unbelievably well. Im also in love w ur tasm peter stuff, you are just such a good writer thru and thru) and that one request where Jack calls reader mom for the first time really stuck w me so I was wondering if maybe I could request smth of the opposite? Like not-so-single mom!reader and hotch have been dating for a while and her lil girl calls him dad for the first time :3 🖤🖤

thank you for requesting! 💌 —your daughter calls Hotch dad for the first time. fem, 2k

“Come in, come in!” Hotch says, the door held ajar by his arm, forcing you to squeeze in and save the heat. “Quickly, honey, please, get out of the rain.”

Sarah bursts in through the door and away from the rain, her vinyl coat covered in raindrops, her boots wet with mud. “Aaron!” she says, pulling it into something softened and excited at once, though her ‘r’s are weak, closer to ‘w’s. “I missed you.” She jumps from one foot to the other.

He makes sure you’re safely inside before he abandons you. It’s not very kind to you, but he can’t help himself. “Sarah,” he says, without your daughter’s sweetness but heavily fond, “I missed you more, honey. How many days has it been?”

“Four!” she says, holding up four fingers as Hotch grabs her by the waist.

He doesn’t mind her wet coat, working an arm around and beneath her to shuck off her muddy shoes. They topple to the ground to unveil damp socks.

“Oh, no, your socks are wet. I did all the laundry while we were waiting, I have some warm ones for you in the dryer. Should we get you out of this coat?”

“Where’s Jack?” you ask.

“Eating. He was starving, couldn’t wait.”

You kick your shoes off and gather them with Sarah’s to line up by the door. Hotch takes off Sarah’s coat with some one-armed manoeuvring, aware of her smiley gaze following his every move.

“I,” you say, pressing a swift kiss to his cheek, cold lips to his rough skin, “am gonna go to the toilet really quickly. Hi, handsome.”

He savours your kiss and watches you go. He owes you a better greeting, he missed you just as much as he missed your girl. For now, he wipes the cold from Sarah’s cheeks and stations her comfortably on his navel.

He loves her like his own. He’s privileged to get the opportunity, and it’s hard not to feel that low level of awe whenever she’s around, because she loves him the same way. Sarah waits for him to smile before she wraps her arms around his neck, long enough to twine her fingers in the short hair she finds there.

It’s funny to love someone you had no hand in bringing into the world, but no less real. He’d do anything for Sarah. I miss you doesn’t cover it, but it’s a start. “I missed you,” he murmurs, not well-versed in baby talk but always willing to try for his kids. “It’s so nice to see you. Jack missed you too, should we go see him? I can change your socks.”

He ushers her back enough to see her. She has such loving eyes, not shy at all as she nods her head. “Can you make crackers?”

He beams. “Oooh, yes. Crackers and cheese and apple slices, I know what you want, honey. It’s ready for you in the kitchen.”

Things weren’t easy at first for either you nor Hotch. He works too much, and you both have priorities that can’t be shifted, but the connection between you was easy. Love, undoubtedly, pretty much the moment you met, even if it scared him. He never thought he’d get a second chance and he’s not sure you thought you’d find yours either, and yet loving you has been as helpless as loving your daughter. He doesn’t have a choice and he doesn’t want one.

In this time, you’ve found routine. He’s introduced the idea of moving in together and you’re excited for it, though concrete plans haven’t been laid. There’s a lot of questions and no need to rush into answering them yet. He has no intentions of letting you go now —Hotch will do anything it takes to keep his small family.

Today, right now, that’s crackers.

“Sarah!” Jack says when he sees them, jumping off of his chair to climb on top of it. He holds his hands out and Hotch leans down with a loving laugh to let his son hug her. “You’re back!”

“I’m back,” she agrees.

“Do you want some of my sandwiches? Daddy made me two.”

“Yes!” she says, wiggling to be put down and given what he’s promising.

Hotch fights to take her to the sink and wash her little hands, to her horror and whining. He says, “Okay, okay, I’m sorry, sweetheart, but you gotta wash your hands before you eat.”

He puts her in her own chair, and it is Sarah’s chair, outfitted with a big pillow so she can see the table and marked by a pink star sticker, putting a placemat in front of her. Jack quickly pushes one of his sandwiches towards her. “There you go.”

“Thank you, Jackers,” she says.

Hotch smiles. Despite their different interests and ages, they’re quick to get along.

He shouldn’t pry while you’re in the bathroom, but he worries about you. “Honey?” he calls up the stairs.

“I’m just changing!”

“Yeah? Can you bring some socks for Sarah, please?”

You shout back something incomprehensible. He returns to the kitchen, where Sarah looks over the chair with pleading eyes and asks, “Crackers?” a piece of lettuce stuck to her chin.

“Ah,” he says showfully, turning to the fridge to grab the plate of crackers, sliced cheese, and apples he’d Saran wrapped an hour ago. He peels off the wrapping and places it in front of her. “Here, sweetheart. Do you want anything else? Maybe some chips?”

She laughs and grabs a piece of apple without answering him.

“What about you, sweetheart? Drink?” he asks Jack.

“Yes please, daddy.”

Hotch makes Jack a cup of orange juice and Sarah a sippy cup, hers diluted some with water. He places them down in front of the kids, crouching between their chairs, intending to stay and chat. “How’s that?” he asks, tilting his head to the side to listen for your light footsteps on the stairs.

“Thanks, daddy,” Jack says.

“Thank you, daddy,” Sarah echoes, reaching for him. Hotch offers his hand, startled, not quick enough to hide it. She doesn’t pay any mind to his expression, pleased to have her hand held and her big plastic plate of crackers to munch on.

“Why’d you look like you’ve seen a ghost?” you ask, passing him Sarah’s socks, and rounding the table to stand by Jack's other side. “Hi,” you add, ruffling Jack’s hair, “look at you, gorgeous, you got your hair cut.”

Hotch rubs Sarah’s knuckles, trying to phrase it, not sure how to tell you with the kids still there. Will Sarah feel embarrassed if he brings it up so swiftly? Will she feel like she’s done something wrong? Will you?

“What’s wrong?” you ask.

He decides to present you with the situation. He’s not manipulative, but clever. “Mommy got your socks, too. Can we take these cold ones off, is that okay?”

“Yes, please,” Sarah says.

You watch in confusion. Hotch gives you a quick look. Trust me for a second.

He eases the socks off of her feet, laughs when she laughs at his tickling, even if he’s not quite sure how to feel. Happy, he gives her toes a squeeze and bunches a sock up to pull it over her heel and up to her ankle. “One,” he says, repeating the process with the same tenderness. “Two. There we go, all warm again, Sarah.”

“Thanks, daddy.”

You breathe in.

Sarah puts some cheese on a cracker and offers it to Hotch, who eats it while you summon him away with silent parent talk. He kisses her forehead and wipes it clean as he goes.

“Did she do that when I was upstairs?” you ask quietly.

Hotch knows you. Loves you, but knows you intrinsically. He knows just by looking at you that you’re happy, but you’re worried about something, and it’s not hard to guess what it is: he might not want Sarah to call him daddy, and telling her not to might break her heart, and yours too.

“She did.”

“She’s never… expressed that interest to me.”

“Sometimes they think about things more than we know.” Jack still surprises him as he did when he was a toddler.

“She just loves you,” you say.

“I love her. She can call me whatever she wants to.”

You hold his wrist, taking a step closer to him. “Are you sure?”

“Of course I’m sure.” He murmurs now you’re close, ducking his head to yours, two halves of the same heart looking at one another’s hands. “I love her more than anything in the world. I want to make her crackers for the rest of my life.” Hotch puts his index finger to the soft skin under your chin. “Maybe by tomorrow she’ll forget she called me daddy and she’ll never say it again, but… I want her to. Is that okay?” he asks.

You lean up to kiss him and you nod into his lips, which makes it hard but not impossible to kiss back. “She loves you so much,” you say quietly. You’d only wanted a quick peck.

He might’ve said he loves her more than anything, but there’s a level on which he holds her and Jack where you sit too. He loves you. You made Sarah who she is all by yourself, and you’re so lovable standing in his reach. You’re perfect.

Maybe he’s feeling sweet because Sarah called him daddy.

“I think Jack confused her,” he says.

“Maybe. You are, you know, her dad. You do everything a dad would.”

Hotch slots his leg between yours and leans back to force you into his favourite kind of hug. You laugh slowly, hug the same, your arms sliding up over his shoulders to wrap behind his head, your hand cupping his hair.

He closes his eyes and feels your waist.

“You don’t have to worry,” he says.

“I don’t worry about you and Sarah, I know you love her. I guess I just worry about us. Not that you don’t love me, Aaron.”

“Big changes,” he guesses in a whisper.

“Big changes.”

He encourages you away to hold your face. He hopes that waiting with you in quiet for a while can explain it better than words.

Your shoulders finally relax.

#aaron hotchner x reader #aaron hotchner x you #aaron hotchner x y/n #aaron hotchner #aaron hotchner fic #aaron hotchner blurb #aaron hotchner drabble #aaron hotchner imagine #aaron hotchner fanfic #aaron hotchner fanfiction #hotch x reader #hotch #hotch x you #hotch blurb #hotch drabble #criminal minds

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