#anansi boys

[fuckyeahgoodomens]

SFX Magazine Issue 372 - Designing Good Omens ❤ 😊

PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON

WORDS: DAVE GOLDER

Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.

“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”

GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”

But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”

For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.

But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.

“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.

“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”

Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.

“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.

“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.

“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”

(look at the description under this, they called him 'Azi' hehehehe :D <3)

Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.

“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.

“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”

Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.

“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”

It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”

Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.

The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.

“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”

[dirtyriver]

Preview of Neil Gaiman's Anansi Boys #1, adaptated by Marc Bernardin, interior art and cover by Shawn Martinbrough

[theniftycat]

What other Neil Gaiman work might you like?

The biggest thing to know about Neil Gaiman is that each work of his is a mixture of horror, fantasy, and subtle comedy.

That being said, each of his projects is pretty distinct from one another and there might be some that are more up to your tastes than others.

I haven't read some of his newer stuff (because I largely stopped reading as much since the early 2010s), but I'll do my best to remember what matters in other works.

Horror

The Sandman is a great work for horror fans. It's also great for mythology fans and other nerds, but horror is a major push and pull factors.

The comic is probably the greatest body of work Gaiman produced and it's recommended if you're a goth at heart and are comfortable with themes of death and humans being gods' toys.

The Sandman (TV) is a great adaptation, but it's very short so far and doesn't cover the best stories.

Coraline is a horror story for children. It doesn't have anything that's not suitable for kids, but it can be viscerally scary to some people. Both the book and the film are great.

Mirrormask is my personal favourite, it's a low budget film with mindblowing surreal imagery and one of the best soundtracks ever.

It's about a teenage girl who has troubles with her parents (who run a circus, btw) and who gets swiped up by her imagination into a bizarre world that is being eaten by her depression. Not a scary film, per se, but it's disturbing. However, it's a very warm film and it always makes me feel better.

Fantasy

Neverwhere is set in a dimension of twisted London Underground where everything that's straightforward in our world becomes weird and too real.

It really tickled my imagination, I highly recommend the book.

Stardust is set in a more high fantasy setting.

It features kings, witches, ghosts, and a star that fell to the Earth. It has a young protagonist who's not exactly the best or the brightest person, so if you hate such things, stick to the adaptation. In my opinion, the book is just lovely.

American Gods is a darker fantasy that asks the questions: "What if every god people ever believed in became real through the power of their worship? And then what if that worship started fading?"

It's set in the USA and because that country is such a melting pot, there are many gods. And not all of them are happy. This is the book that gave Neil Gaiman his reputation of a writer who loves weird sex scenes.

Humour

Stardust the film is often compared to Princess Bride. It's lighthearted, funny, full of imaginative adventures.

Just a very nice film with an all-star cast.

Anansi Boys is a spin off of American Gods, but it's a lot more lighthearted.

Anansi is a trickster god, so you know things will get funky.

I haven't read The Graveyard Book and The Ocean at the End of the Lane yet, but I hear they're very good as well.

Also, short story collections or Norse Mythology might be a good place to start if you want to get a feel of Neil Gaiman as an author first.

[thenightling]

For those keeping score here are all the TV shows based on the work of Neil Gaiman from the last ten years. Lucifer - Loosely based on the version of Lucifer who quits ruling Hell and opens a piano bar, from The Sandman comics by Neil Gaiman. Originally aired on Fox and then moved to Netflix for seasons 4 through 6. Neil Gaiman also got to play God in a bonus episode for season 3. The full series can be watched on Netflix. And is available on DVD. The plot deals with Lucifer, the ruler of Hell, up and quitting and moving to Earth where he opens a night club called Lux and takes up playing piano. In the TV series he befriends (and eventually falls in love with) a woman homicide detective named Chloe Decker.

_______________________ American Gods - Based on the novel by Neil Gaiman. Aired on Starz. The plot deals with a man called Shadow Moon who gets dragged into the strange world of Old and New Gods vying for power.

________________ Anansi Boys - Originally written by Neil Gaiman as a spin-off of American Gods, the TV series version was filmed for Amazon Prime and is currently in post-production (Not yet released.) The plot deals with the sons of Anansi, the African trickster Spider-God.

__________________ Good Omens - Showrun by Neil Gaiman and based on the novel by Neil Gaiman and Terry Pratchett. Also Neil Gaiman has a small cameo in the first season. Available now on Amazon Prime. Seasons 1 and 2 are complete. Season 3 has not yet started filming and will very likely be the final season. Season 1 is currently available on DVD. The plot deals with two "differently competent" entities, an Angel and a Demon, who have come to love life on Earth and each other. And now must work together to prevent the apocalypse.

______________________________ The Sandman - First episode was co-written by Neil Gaiman, based on the stories and original characters created by Neil Gaiman with a few borrowed DC comics characters. Currently on Netflix. Season 2 is in production now. Neil Gaiman also voiced a ghostly bird in the bonus episode segment Dream of a Thousand Cats. Season 1 will be available on DVD and Blu Ray at the end of this month. The plot deals with Morpheus, the King of Dreams, who accidentally gets summoned and captured by occultists who had been trying to capture The Grim Reaper. After over a hundred and six years in captivity Morpheus finally escapes and has to track down his tools which had been taken from him when he was captured. He also comes to realize he had made many terrible mistakes in the past and struggles to set those wrongs right.

_________________________________________ The Dead Boy Detectives - First official spin-off of The Sandman. The Dead Boy Detectives were originally planned as an HBO Max series (now just Max) but moved to Netflix after the success of the first season of The Sandman. Based on characters who first appeared in Neil Gaiman's The Sandman: Season of Mists, Neil Gaiman is involved in the production. The plot is a pair of ghost teenagers decide to become detectives and are really bad at it. These two characters made a previous appearance in Doom Patrol on Max (Formerly HBO Max) but had been played by different actors.

[ismellpestilence]

I can't force anyone to stop engaging with Neil Gaiman's works but can y'all please please please stop tagging it with his name. It's hard enough to find any reliable information without having to sift through y'all's fanart and shitposts. I'm tired of seeing the worst people on Earth be the only ones that talk about it.

(And if somehow you still haven't heard: five women have accused him of sexual abuse. 2 in early July, 1 in late July, and 2 more today)

[thelastofthebookworms]

Please reblog if you want others to vote. I'll make polls with other female characters (co)-written by Neil Gaiman, don't hesitate to mention your favorites if you don't find them here.

[wednesdayshadow]

Such sweet trauma. But, victimization may be too severe, as I am an all to- willing victim.

[wheresbenni]

Jacob Anderson sings his own specially composed Anansi Boys song

Source credit: jacobandaily on twitter

[paintedpineleaf]

hey guys! here's a fun read for today:

Neil Gaiman, Tumblr's beloved author and show-producer!

Keeping in mind that even if the sexual assault didn't happen, and was fully consensual on the victim's part, she was an 18-year-old fan when they met, and 20 when he began a relationship with her while he was in his mid-40s, so there was always a massive power imbalance that Neil exploited and took advantage of.

[crowleysgirl56]

A really great update from Vera at Council of Geeks. Really excellent points about each of the productions currently attached to NG. I very much agree with all her thoughts around the Good Omens finale, and glad she is able to voice those opinions so well and clearly.

One thing I hadn’t known was Douglas McKinnon was also co-show runner of Anansi Boys and quit around the same time as quitting Good Omens.

That’s incredibly telling. Obviously we still don’t know the reasons, but NG had only specifically addressed McKinnon leaving Good Omens stating it was due to production clashes as a result of the writers strike (at least that’s what I remember seeing him post, after answering an ask that he had received here on Tumblr). I don’t ever recall him saying anything about McKinnon leaving Anansi Boys. I know we could speculate the reasons, and they probably wouldn’t be helpful. But I’m really curious to know if it had anything to do with McKinnon having foreknowledge of the allegations.

I’m also pretty sure that NG had hinted here earlier this year that Anansi Boys would be out really soon, so my assumption is Prime was ready to make a release date announcement, the allegations came out, and they’ve delayed announcing or releasing it until they feel it appropriate to continue. You know, bullshit things that giant corporations like to do, making it seem like they’re taking a stand but really just concerned about their own self interests and bottom line.

Lastly, touching on Sandman S2, I’ve been really torn about whether I’ll watch that one or not. If I did end up watching it, I’ll do it outside the golden binge watching week that Netflix so very much likes to take all their renewal decisions from. Though I will be incredibly pissed off if they decide to renew for a third season, considering their decision to cancel other incredibly great shows after only one season, and with cliffhangers. But at the same time I once again feel sorry for the hundreds of other people who worked hard on it who now lose work because of the actions of one shithead person.

I’ve been really sad and angry this last week, and this is just yet another reminder of how one person who was supposed to be one of us, let us down by being a complete monster. I’m still so angry that he tore away such a safe space for so many people and tainted so many other beloved works because of his actions.

[fuckyeahgoodomens]

Neil Gaiman and Roz Kaveney at the British Library event Why We Need Fantasy 20.11.2023 :) ❤

Neil: I don't remember if it was you or John M. Ford, the late Mike Ford, who pointed out to me first that there is a thing that I do that I was not aware of doing. And it was.. and I remember this being pointed out to me at the time of the publication of American Gods. Or possibly even before it was published, when I sent it out a manuscript. Because it was pointed out to me that one way that you can tell that you're entering the third act of a Neil Gaiman story is there is always a kiss that sort of ends the second act. And it's never a sort of romantic kiss. It's always a kiss that is unexpected and a little bit wrong, but it symbolizes where we're going to go next.

Roz: Yeah, that was Mike, it's too smart for me.

Neil: That was Mike. And I remember arguing with him and then him pointing out that all the places I'd done it. And then I did it again in the Anansi Boys and didn't realize that I'd done it. And then I forget about this thing. And I saw somebody on Tumblr had found an interview with me from 2002 where I'm talking about this and the kiss, and they're like, 'Still doing it then'.

:)) Yep, Neil is still doing it :D <3 (this is the tumblr post)

You can watch the whole event here :).

[book--brackets]

Anansi Boys by Neil Gaiman (2005)

When Fat Charlie's dad named something, it stuck. Like calling Fat Charlie "Fat Charlie." Even now, 20 years later, Charlie Nancy can't shake that name, one of the many embarrassing "gifts" his father bestowed-before he dropped dead on a karaoke stage and ruined Fat Charlie's life. Because Mr. Nancy left Fat Charlie things. Things like the tall, good-look-ing stranger who appears on Charlie's doorstep, who appears to be the brother he never knew. A brother as different from Charlie as night is from day, a brother who's going to show Charlie how to lighten up and have a lit-the fun. And all of a sudden, things start getting very interesting for Fat Charlie. Exciting, scary, and deeply funny, Anansi Boys is a kaleidoscopic journey deep into myth, a wild adventure, as Neil Gaiman shows us where gods come from, and how to survive your family.

Gemma Doyle by Libba Bray (2003-2007)

It's 1895, and after the suicide of her mother, 16-year-old Gemma Doyle is shipped off from the life she knows in India to Spence, a proper boarding school in England. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma's reception there is a chilly one. To make things worse, she's been followed by a mysterious young Indian man, a man sent to watch her. But why? What is her destiny? And what will her entanglement with Spence's most powerful girls—and their foray into the spiritual world—lead to?

Babel: An Arcane History by R. F. Kuang (2022)

Traduttore, traditore: An act of translation is always an act of betrayal.

1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he'll enroll in Oxford University's prestigious Royal Institute of Translation — also known as Babel. Babel is the world's center of translation and, more importantly, of silver-working: the art of manifesting the meaning lost in translation through enchanted silver bars, to magical effect. Silver-working has made the British Empire unparalleled in power, and Babel's research in foreign languages ​​serves the Empire's quest to colonize everything it encounters.

Oxford, the city of dreaming spires, is a fairytale for Robin; a utopia dedicated to the pursuit of knowledge. But knowledge serves power, and for Robin, a Chinese boy raised in Britain, serving Babel inevitably means betraying his motherland. As his studies progress Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to sabotaging the silver-working that supports imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide: Can powerful institutions be changed from within, or does revolution always require violence? What is he willing to sacrifice to bring Babel down?

Magnus Chase and the Gods of Asgard by Rick Riordan (2015-2017)

Magnus Chase has seen his share of trouble. Ever since that terrible night two years ago when his mother told him to run, he has lived alone on the streets of Boston, surviving by his wits, staying one step ahead of the police and the truant officers.

One day, Magnus learns that someone else is trying to track him down—his uncle Randolph, a man his mother had always warned him about. When Magnus tries to outmaneuver his uncle, he falls right into his clutches. Randolph starts rambling about Norse history and Magnus's birthright: a weapon that has been lost for thousands of years.

The more Randolph talks, the more puzzle pieces fall into place. Stories about the gods of Asgard, wolves, and Doomsday bubble up from Magnus's memory. But he doesn't have time to consider it all before a fire giant attacks the city, forcing him to choose between his own safety and the lives of hundreds of innocents. . . .

Sometimes, the only way to start a new life is to die.

Abhorsen by Garth Nix (1995-2016)

Sent to a boarding school in Ancelstierre as a young child, Sabriel has had little experience with the random power of Free Magic or the Dead who refuse to stay dead in the Old Kingdom. But during her final semester, her father, the Abhorsen, goes missing, and Sabriel knows she must enter the Old Kingdom to find him. She soon finds companions in Mogget, a cat whose aloof manner barely conceals its malevolent spirit, and Touchstone, a young Charter Mage long imprisoned by magic, now free in body but still trapped by painful memories.

As the three travel deep into the Old Kingdom, threats mount on all sides. And every step brings them closer to a battle that will pit them against the true forces of life and death--and bring Sabriel face-to-face with her own destiny.

The Starless Sea by Erin Morgenstern (2019)

Zachary Ezra Rawlins is a graduate student in Vermont when he discovers a mysterious book hidden in the stacks. As he turns the pages, entranced by tales of lovelorn prisoners, key collectors, and nameless acolytes, he reads something strange: a story from his own childhood. Bewildered by this inexplicable book and desperate to make sense of how his own life came to be recorded, Zachary uncovers a series of clues--a bee, a key, and a sword--that lead him to a masquerade party in New York, to a secret club, and through a doorway to an ancient library, hidden far below the surface of the earth. 

What Zachary finds in this curious place is more than just a buried home for books and their guardians--it is a place of lost cities and seas, lovers who pass notes under doors and across time, and of stories whispered by the dead. Zachary learns of those who have sacrificed much to protect this realm, relinquishing their sight and their tongues to preserve this archive, and also those who are intent on its destruction. 

Together with Mirabel, a fierce, pink-haired protector of the place, and Dorian, a handsome, barefoot man with shifting alliances, Zachary travels the twisting tunnels, darkened stairwells, crowded ballrooms, and sweetly-soaked shores of this magical world, discovering his purpose--in both the mysterious book and in his own life.

The Roots of Chaos by Samantha Shannon (2019-2023) The House of Berethnet has ruled Inys for a thousand years. Still unwed, Queen Sabran the Ninth must conceive a daughter to protect her realm from destruction--but assassins are getting closer to her door. 

Ead Duryan is an outsider at court. Though she has risen to the position of lady-in-waiting, she is loyal to a hidden society of mages. Ead keeps a watchful eye on Sabran, secretly protecting her with forbidden magic. 

Across the dark sea, Tané has trained all her life to be a dragonrider, but is forced to make a choice that could see her life unravel. 

Meanwhile, the divided East and West refuse to parley, and forces of chaos are rising from their sleep.

The Winternight Trilogy by Katherine Arden (2017-2019)

Winter lasts most of the year at the edge of the Russian wilderness, and in the long nights, Vasilisa and her siblings love to gather by the fire to listen to their nurse’s fairy tales. Above all, Vasya loves the story of Frost, the blue-eyed winter demon. Wise Russians fear him, for he claims unwary souls, and they honor the spirits that protect their homes from evil.

Then Vasya’s widowed father brings home a new wife from Moscow. Fiercely devout, Vasya’s stepmother forbids her family from honoring their household spirits, but Vasya fears what this may bring. And indeed, misfortune begins to stalk the village.

But Vasya’s stepmother only grows harsher, determined to remake the village to her liking and to groom her rebellious stepdaughter for marriage or a convent. As the village’s defenses weaken and evil from the forest creeps nearer, Vasilisa must call upon dangerous gifts she has long concealed—to protect her family from a threat sprung to life from her nurse’s most frightening tales.

The Tale of Despereaux by Kate DiCamillo (2003)

As the only surviving mouse of the litter, Despereaux was always considered the loser, the runt, so naturally, he falls in love with a princess named Pea. The story also tells of a mouse called Roscuro, who lives in the darkness but wishes for light, and Miggery Sow, a serving girl who wants one wish. They set off on a journey that will end them up in a terrible dungeon, a wonderful castle, and of course, with each other.

Legends & Lattes by Travis Baldree (2022-2024)

Worn out after decades of packing steel and raising hell, Viv the orc barbarian cashes out of the warrior’s life with one final score. A forgotten legend, a fabled artifact, and an unreasonable amount of hope lead her to the streets of Thune, where she plans to open the first coffee shop the city has ever seen.

However, her dreams of a fresh start pulling shots instead of swinging swords are hardly a sure bet. Old frenemies and Thune’s shady underbelly may just upset her plans. To finally build something that will last, Viv will need some new partners and a different kind of resolve.

[weirdly-specific-but-ok]

my aunt just got me a book about neil for my birthday next week

I DO NOT KNOW WHAT THIS BOOK IS BUT FUCK IT WE BALL TIME TO READ IT!

OKAY I JUST REMEMBERED THE BACK COVER EXISTS AND IT SAYS IT'S ABOUT THE HISTORY AND IMPACT OF ALL OF @neil-gaiman's WORKS WITH INTERVIEWS AND STUFF FABULOUS.

*BOOGIES* WAHOO! Oh and it has a foreword by Terry Pratchett!!

@orpiknight oi Vel you might like this, lil cute FAQ maker, c'mere.

[whim-prone-pirate]

how many times does neil gaiman have to specifically refuse to Word-Of-God anything before y'all take the hint���

he is the biggest supporter of fandom that there is, his own and in the broadest of senses. "is [x] canon?" is such an easily answerable question given that he has answered it twenty five times on one tumblr account. so, to reiterate, again, on his behalf:

book canon is stated in the book. tv canon is shown on screen.

anything that neil has said about his own characters outside of that specific and clearly laid out guideline is considered his own headcanon and opinion. there is no wrong or right version of aziraphale or dream or coraline. however you have decided to personalize these characters to help you love them does not make them any less real. Your Crowley is yours, and he is just as real as Neil's Crowley.

stop worrying. genuinely. you don't have to go searching for canon in the various gaimanverses because it's all been laid out in front of you since inception. you're all fine.

in neil's own words (possibly paraphrased as i don't have the post in front of me): "your characters are safe, and no one is going to take them away from you." not even neil.

[geekthefreakout]

The Joy Leaving the Work

This post will be discussing the works of Neil Gaiman and my personal relationship with them. If you don't like that or cannot handle that, kindly don't read. Also, there will be allusions to SA in the discussions.

So, a couple of weeks ago I decided to pick up Anansi Boys by Neil Gaiman-- a book I've owned for a couple of years that's been in my "to read pile" waiting its turn. In the light of the allegations against Gaiman, I put off reading it a couple of months more as I tried to process how I felt. Now I've read it.

Background: Neil Gaiman has been my favorite author bar none ever since I read Coraline in 5th Grade. He and Sir Terry Pratchett share a bookshelf of honor in my room- the one right behind my bed, so I can easily reach for a comfort read. I've always loved his twists on various stories-- The Graveyard Book and Neverwhere being two of my favorites. The dark-but-not-too-dark tone, the dry humor, the magical realism, all of it. Anansi Boys looked like it would have all of that.

And it did! In a vacuum, this would have been a very enjoyable read. But with the allegations, I noticed things that I wouldn't have before. For example (spoilers, I guess):

Mr. Nancy (the titular Anansi) is a funny old man, and often a bit lecherous. In his final moments, he's doing karaoke with some young, buxom blondes when he has a heart attack and falls off the stage, hand outstretched. As he goes down, he sticks his hand out, grabbing one girl's tube top and exposing her as he dies.

This anecdote in the book is presented as something that embarrasses his son (our protag) but is generally interpreted by the other characters as something that was just so funny and charming.

It made me uncomfortable. In fact, just about every time Mr. Nancy alluded to his Master Roshi-like interest in buxom young women, I felt uncomfortable. But wait, there's more:

Spider (secret twin brother of protag Fat Charlie) is interested in Fat Charlie's fiancee. He tricks her into thinking that he IS Fat Charlie, and this girl who had been saving her virginity til marriage is so taken by him that they have sex. Meaning not only did he entice the girl to sex under false circumstances (this is rape), but it's also unclear as to how much of her going along with him is really HER and how much is his... mojo, I suppose. To the story's credit, once she realizes what has happened she gets angry and breaks up with both of them, no longer wanting anything to do with them... until, of course, happenstance brings them together again and she admits that she had real feelings for Spider, who finds himself wanting to behave better for her.

That doesn't sit right with me in the best of circumstances. These are not the best of circumstances.

I finished the book and it took me this long- two weeks and change- to decide how I feel about it. And how I feel about it is this-- I cannot separate it from the author. I cannot enjoy this book because the slime from Gaiman's actions oozes all over it. And that sucks.

I'm almost afraid to reread my favorites from him, for fear that my happy memories of those books will be ruined too. That SUCKS.

And it makes me feel dumb for never having seen the misogyny in the books before. It's like when Rowling showed herself to be what she was and I couldn't enjoy Harry Potter anymore, but worse because Gaiman is an author that I was still actively reading, who had been vocally supportive of queer and trans people, who I'd still looked up to. When it all went down with Rowling, I realized that I'd been excusing a lot of problematic shit in her writing as ignorance, rather than malice. But it WAS malice. And now I'm wondering if I didn't make the same mistake with Gaiman. That sucks too.

Anyway. That's my rant. Thanks for listening. Please share if you're having issues like this too, it's good to not feel alone.