#what did we say back in like 2006
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So today I want to talk about puberty blockers for transgender kids, because despite being cisgender, this is a subject Iâm actually well-versed in. Specifically, I want to talk about how far backwards things have gone.
This story starts almost 20 years ago, and itâs kind of long, but I think itâs important to give you the full history. At the time, I was working as an administrative assistant for a pediatric endocrinologist in a red state. Not a deep deep red state like Alabama, we had a little bit of a purple trend, but still very much red. (I donât want to say the state at the risk of doxxing myself.) And I took a phone call from a woman who said, âMy son is transgender. Does your doctor do hormone therapy?â
I said, âGood question! Let me find out.â
I went into the back and found the doctor playing Solitaire on his computer and said, âDo you do hormone therapy for transgender kids?â It had literally never come up before. He had opened his practice there in the early 2000s. This was roughly 2006, and the first time someone asked. Without looking up from his game of Solitaire, the doctor said, âIâve never done it before, but I know how it works, so sure.â
I got back on the phone and told the mom, who was overjoyed, and scheduled an appointment for her son. He was the first transgender child we treated with puberty blockers. But not, by far, the first child we treated with puberty blockers, period. Because puberty blockers are used very commonly for children with precocious puberty (early-onset puberty). I would say about twenty percent of the kids our doctor treated were for precocious puberty and were on puberty blockers. They have been well studied and are widely used, safe, and effective.
Well. It turned out, the doctor I worked for was the only doctor in the state who was willing to do this. And word spread pretty fast in the tight-knit community of âparents of transgender children in a red stateâ. We started seeing more kids. A better drug came out. We saw some kids who were at the age where they were past puberty, and prescribed them estrogen or testosterone. Our doctor became, Iâm fairly sure, a small folk hero to this community.Â
Insurance coverage was a struggle. I remember copying articles and pages out of the Endocrine Society Manual to submit with prior authorization requests for the medications. Insurance coverage was a struggle for a lot of what we did, though. Growth hormone for kids with severe idiopathic short stature. Insulin pumps, which werenât as common at the time, and then continuous glucose monitoring, when that came out. Insurance struggles were just part and parcel of the job.
I remember vividly when CVS Caremark, a pharmaceutical management company, changed their criteria and included gender dysphoria as a covered diagnosis for puberty blockers. I thought they had put the option on the questionnaire to trigger an automatic denial. But no - it triggered an approval. Medicaid started to cover it. I got so good at getting approvals with my by then tidy packet of articles and documentation that I actually had people in other states calling me to see what I was submitting (the pharmaceutical rep gave them my number because they wanted more people on their drug, which, shady, but sure. He did ask me if it was okay first).
And hereâs the key point of this story:
At no point, during any of this, did it ever even occur to any of us that we might have to worry about whether or not what we were doing was legal.
It just never even came up. It was the medically recommended treatment so we did it. And seeing whatâs happening in the UK and certain states in America is both terrifying and genuinely shocking to me, as someone who did this for almost fifteen years, without ever even wondering about the legality of it.
The doctor retired some years ago, at which point there were two other doctors in the state who were willing to prescribe the medications for transgender kids. I truly think that he would still be working if nobody else had been willing to take those kids on as patients. He was, by the way, a white cisgender heterosexual Boomer. I remember when he was introduced to the concept of âgenderfluidâ because one of our patients on HRT wanted to go off. He said âthatâs so interesting!â and immediately went to Google to learn more about it.Â
I watched these kids transform. I saw them come into the office the first time, sometimes anxious and uncertain, sometimes sullen and angry. I saw them come in the subsequent times, once they were on hormone therapy, how they gradually became happy and confident in themselves. I saw the smiles on their faces when I gave them a gender marker letter for the DMV. I heard them cheer when I called to tell them Iâd gotten HRT approved by insurance and we were calling in a prescription. It was honestly amazing and I will always consider the work I did in that red state with those kids to be something I am incredibly proud of. I was honored to be a part of it.
When I see all this transgender backlash, itâs horrifying, because it was well on the way to become standard and accepted treatment. Insurances started to cover it. Other doctors were learning to prescribe it. And now ⊠itâs fucking illegal? Like what the actual fuck. We have gone so far backwards that it makes me want to cry. I donât know how to stop this slide. But I wrote this so people would understand exactly how steep the slide is.
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Kamala Harris just announced that her vice president will be Minnesota governor Tim Walz. Based on the coverage so far I'm really reassured by this decision.
The Washington Post did an obviously great job of making a prepared article for each option, considering how long an article they had up 7 minutes after the announcement.
((Okay technically it's not an official announcement yet it's "according to three people familiar with the pick, who spoke on the condition of anonymity to discuss a decision that is not yet public." But listen. I am 99% sure this is a weather balloon. (Meaning: a deliberate leak to gauge reaction.) Because the sheer weakness or incompetence on the part of the Harris campaign that it would take for three people to all confirm that within a few hours hours of each other and the planned announcement it is massive.))
-via The Washington Post, August 6, 2024
Honestly this decision, from everything I've read and can tell, looks like it's brilliant politics.
Important Context: The vice president(ial candidates)'s job in an election is not to be similar to the president. The vice president's job on the ballot is very, very much specifically to be different from the president. Why? So they can cover each others' weaknesses. Especially regionally.
(Sidenote: I feel a bit ridiculous saying this. But genuinely if you want to get a stronger understanding of how US elections really work. Go watch seasons 6 and 7 of The West Wing. Genuinely, a lot of politicians have said - especially back in its day - that that was the most accurate depiction of an election they'd ever seen. Also specifically features an entire arc about a contested Democratic primary convention, so also very good if you're interested in understanding weird nominating convention shenanigans.)
From the article:
"Harrisâs choice for a running mate was among the most closely watched decisions of her fledgling campaign, as she sought to bolster the ticketâs prospects for victory in November and rapidly find someone who could be a governing partner. In picking Walz, she has selected a seasoned politician with executive governing experience and signaled the importance of Midwestern battleground states such as Wisconsin and Michigan.
Walzâs foray into politics came later in life: He spent more than two decades as a public school teacher and football coach, and as a member of the Army National Guard, before running for Congress in his 40s. In 2006, he defeated a Republican to win Minnesotaâs 1st Congressional District--a rural, conservative area--and won reelection five times before leaving Congress to run for governor.
Walz was first elected governor in 2018 and handily won reelection in 2022. Though little-known outside his state, Walz emerged publicly as one of the earliest names mentioned as a possible running mate for Harris, and in the ensuing days he made the rounds on television as an outspoken surrogate for the vice president...
âThese are weird people on the other side. They want to take books away, they want to be in your exam room. ⊠They are bad on foreign policy, they are bad on the environment, they certainly have no health care plan, and they keep talking about the middle-class,â Walz told MSNBC in July. âAs I said, a robber baron real estate guy and a venture capitalist trying to tell us they understand who we are? They donât know who we are.â
Walz also has faced criticism from Republicans that his policies as governor were too liberal, including legalizing recreational marijuana for adults, protecting abortion rights, expanding LGBTQ protections, implementing tuition-free college for low-income Minnesotans and providing free breakfast and lunch for schoolchildren in the state.
But many of those initiatives are broadly popular. Walz also signed an executive order removing the college-degree requirement for 75 percent of Minnesotaâs state jobs, a move that garnered bipartisan support and that several other states have also adopted.
âWhat a monster. Kids are eating and having full bellies, so they can go learn, and women are making their own health-care decisions,â Walz said sarcastically in a July 28 interview with CNN when questioned whether such policies would be fodder for conservative attacks, later adding: âIf thatâs where they want to label me, Iâm more than happy to take the [liberal] label.â
Walz also spoke at a kickoff event in St. Paul for a Democratic canvassing effort, casting Trump as a âbully.â
âDonât lift these guys up like theyâre some kind of heroes. Everybody in this room knows--I know it as a teacher--a bully has no self-confidence. A bully has no strength. They have nothing,â Walz said at the event, sporting a camouflage hunting hat and T-shirt.
Walz has explained that he felt some Democratsâ practice of calling Trump an existential threat to democracy was giving him too much credit, which prompted his decision to denounce the GOP nominee instead as being âweird.â
âI do believe all those things are a real possibility, but it gives him way too much power," Walz said on CNNâs âState of the Unionâ regarding the Democratsâ rhetoric. âListen to the guy. Heâs talking about Hannibal Lecter, shocking sharks, and just whatever crazy thing pops into his mind.â
If Walz is elected vice president, under state law, Minnesota Lt. Gov. Peggy Flanagan (D) would assume the governorship for the rest of his term. Minnesota Senate president Bobby Joe Champion, a Democrat, would become lieutenant governor."
-via The Washington Post, August 6, 2024
--
This guy. Sounds like. fucking Moderate swing-state/rural/Midwestern/southern/"heartland"/working class white voter catnip. He sounds like he's also a very smart politician and strong campaigner. And he's apparently genuinely a good guy with a good record, too.
He sounds like he's going to do a really good job of appealing to voters in several of the big deal swing states without being from any of them specifically. Which means it doesn't feel like pandering to one of the states involved (and thereby spurning the others), which is also great.
(Also he was the one who started "weird" @ conservatives and I think we should take that seriously as a very good political instinct/move. Judging in large part by how it has so clearly hit an actual nerve with conservatives like so little else. Also hugely relevant: that post going around about how part of why conservatives are so upset about "weird" is because in the Midwest, "weird" specifically also implies anti-social or harmful behavior.)
Officially feeling more optimistic about Trump not winning in November
#tim walz#minnesota#united states#us politics#kamala harris#harris 2024#2024 elections#election 2024#us elections#american politics#2024 presidential election#vice president#2024 election#kamala 2024#shoutout here to the post that
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In 1985, one of the only persons interested in an interview with a ânewâ writer called Terry Pratchett, after his publication of the Colour of Magic, was one Neil Gaiman. Neil Gaiman was writing for Space Voyager at the time. "The Colour of Pratchett" was the name given here:
It ran exactly one page inside the June/July issue of that year. The interview took place in a Chinese restaurant in London.
Here is Neil many years later holding that issue. You can see it here if you want. Warning: extremely emotional video.
Neil arrived wearing a grey homburg hat. âSort of like the ones Humphrey Bogart wears in moviesâ he later wrote. (Before saying that in fact he did not look like him, but like someone wearing a grown-upâs hat). Terry Pratchett, photo courtesy of one @neil-gaiman, was in a Lenin-style leather cap and a harlequin-patterned pullover. At this point, Terry was already a hat person, although not that hat.
Terry offered Neil this : "An interview needn't last more than 15 minutes. A good quote for the beginning, a good quote for the end, and the rest you make up back at the office"*. (Terry Pratchett had worked many years in journalism by this point ).
But the meeting went terribly well. The two of them realized they had "the same sort of brains". So well indeed, that in 1985, Neil had shown Terry a file containing 5282 words, exploring a scenario in which Richmal Crompton's William Brown had somehow become the Antichrist. Was a collaboration in the cards as of that moment? Not really. But Terry found in Neil someone to whom he could send disks of work in progress and to whom he could pick up the phone sometimes when he hit a brick in the road of his writing.
Terry loved it and the concept stayed in his mind. A couple of years later, he rang Neil to ask him if he had done any more work on it. Neil had been busy with The Sandman, he had not really given it another thought. Terry said, "Well I know what happens next, so either you sell me the idea or we can write it together". **
On collaborating together:
Here is a video of Sir Terry saying why he chose to collaborate with Neil, another video talking about the technical difficulties of writing a book when the two of them where miles apart ,and some pages from Interzone Magazine Issue 207 published December 2006:
An Interview with Sir Terry Pratchett and his works- and Neil Gaiman, where he shortly addresses the process of writing Good Omens.
Terry shortly mentions,
âNeil doesn't rule out another book with me and he was good to write with...yep, it could happen. With anyone else? I don't know, but probably not.?â
Neil says,
"Terry took that initial 5,000 words of mine and ran it through the computer (because Iâd lost the files in a computer crash) and made it the first 10,000 words, and it was definitely Good Omens at that point. Neither one thing nor the other, but a third thing.â
"I think Terry could do a very good impersonation of me if he needed to, and I could do a very good impersonation of him; so we knew the area of the Venn diagram in which we were working. But mostly the book found its own voice very quickly. It helped that we were both scarred by the William books when we were kids...â
And as you know, unless youâve been living in Alpha Centauri, the rest is history. That was the beginning of what would become William the Antichrist and later would get the name Good Omens:The Nice and Accurate Prophecies of Agnes Nutter, Witch. (Title provided by Neil Gaiman and subtitle by Terry Pratchett).
More about the writing process:
Terry took the first 5,000 words and typed them into his word processor, and by the time he had finished they were the first 10,000 words. Terry had borrowed all the things about me that he thought were amusing, like my tendency back then to wear sunglasses even when it wasn't sunny, and given them, along with a vintage Bentley, to Crawleigh, who had now become Crowley. The Satanic Nurses were Satanic Nuns.
The book was under way.
We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes. We would throw characters in, hand them off when we got stuck. We finished the book and decided we would only tell people a little about the writing process - we would tell them that Agnes Nutter was Terry's, and the Four Horsemen (and the Other Four Motorcyclists) were mine.
From the introduction to William the Antichrist:
âIn the summer of 1987 several odd ideas came together: (..)I found myself imagining a book called William the Antichrist, in which a hapless demon was going to be responsible for swapping the wrong baby over, and the son of the US Ambassador would be completely undemonic, while William Brown would grow up to be the Antichrist, and the demon would need to stop him ending the world. The unfortunate demon, whom I called Crawleigh, because Crawley was a nearby town with an unfortunate name, would have to sort it all out as best he could.
It felt like a story with legs.
Terry took the 5,000 words, and rewrote them, calling me to tell me what he was doing and what he was planning to do. The biggest thing he was going to do, he told me, was split the hapless demon into two characters â a would-be-cool demon in dark glasses (which was, I think, Terryâs way of making fun of me, a never-actually- cool journalist in dark glasses) who had renamed himself Crowley, and a rare-book dealer and angel called Aziraphale, who would embody all the English awkwardness that either of us could conceive.â
William the Antichrist being a direct inspiration of the 1976 film The Omen. If the baby swap had just been a little bit messier and the kid had gone off somewhere else he would have grown up as somebody else. âAnd then there was a beat and I thought, I should write it, it will be called William the Antichristâ says Neil. ***
âThe first draft of Good Omens was a William-book. It was absolutely in every way it could be a William book. It had Violet Elizabeth Bott, it had William and the Outlaws, it had Mr. Brownâ.
Over time they realized that they would have more creative freedom if they in their own words filed off the serial numbers. William and the Outlaws becoming Adam and the Them.
But the spirit of Just William was never far away.
The joy for Neil was to construct âperfectly William sentencesâ. The one when Anathema tells Adam that she has lost the Book, and he tells her that he has written a book about a pirate who became a famous detective and it is 8 pages long⊠thatâs âa William sentenceâ.
If you want to read more details about William The Antichrist, here are some slides I made.
Good Omens was also inspired by a particularly antisemitic moment in The Jew of Malta and John le Carre's spy novels. (Neilâs ask)
 Then I was reading The Jew of Malta by Kit Marlowe, and it has a bit where the three (cartoonishly evil) Jews compare notes on all the well-poisoning and suchlike theyâd done that day, and as a Jew who never quite gets his act together, it occurred to me that if I were the third Jew Iâd just be apologizing for having failed to poison a well⊠And suddenly I had the opening of a book. It would be called William the Antichrist. And it would begin with three Demons in a graveyard⊠(x).
âWhen we finished the book we estimated that the words were 60% Terryâs and 40% mine, and the plot, such as it was, was entirely ours.â -Neil Gaiman
"Neil and I had known each other since early 1985. Doing it was our idea, not a publisher's deal." "I think this is an honest account of the process of writing Good Omens. It was fairly easy to keep track of because of the way we sent discs to one another, and because I was Keeper of the Official Master Copy I can say that I wrote a bit over two thirds of Good Omens. However, we were on the phone to each other every day, at least once. If you have an idea during a brainstorming session with another guy, whose idea is it? One guy goes and writes 2,000 words after thirty minutes on the phone, what exactly is the process that's happening? I did most of the physical writing because: 1) I had to. Neil had to keep Sandman going -- I could take time off from the DW; 2) One person has to be overall editor, and do all the stitching and filling and slicing and, as I've said before, it was me by agreement -- if it had been a graphic novel, it would have been Neil taking the chair for exactly the same reasons it was me for a novel; 3) I'm a selfish bastard and tried to write ahead to get to the good bits before Neil. Initially, I did most of Adam and the Them and Neil did most of the Four Horsemen, and everything else kind of got done by whoever -- by the end, large sections were being done by a composite creature called Terryandneil, whoever was actually hitting the keys. By agreement, I am allowed to say that Agnes Nutter, her life and death, was completely and utterly mine. And Neil proudly claims responsibility for the maggots. Neil's had a major influence on the opening scenes, me on the ending. In the end, it was this book done by two guys, who shared the money equally and did it for fun and wouldn't do it again for a big clock." "Yes, the maggot reversal was by me, with a gun to Neil's head (although he understood the reasons, it's just that he likes maggots). There couldn't be blood on Adam's hands, even blood spilled by third parties. No-one should die because he was alive." -("Terry Pratchett : His Worldâ)
(Here are some slides of mine where I go into some other details concerning the origins of Good Omens).
Another wonderful insight with Rob Wilkins in "The Worlds of Terry Pratchett".
*Quote: from Terry Pratchett A Life With Footnotes by Rob Wilkins, but said by Terry of course.
** All the quotes, facts listed here : see above.
***all other quotes by Neil Gaiman from various interviews and asks Iâll link.
#good omens#neil gaiman#terry pratchett#crowley#aziraphale#ineffable husbands#good omens fun facts#the colour of magic#the colour of pratchett#space voyager magazine
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Following todayâs Imola observations, can we get a charles praise kinkđđ
Charles is high on adrenaline as he climbs out of the car. And then on the podium and even on the press conference. Heâs exhausted and not so happy with the result he had this weekend, but canât deny how thrilling it is to see all the tifosi shouting and cheering for him and Ferrari.
He still can hear the âOle, Ole, Ole, Leclerc, Leclercâ from his driverâs room.
And itâs not until Charles is, finally, in the comfort of his home that he feels all the emotions of the day coming back full force.
âCharlie?â You ask at hearing the door being closed, standing from the couch and walking to greet him.
âHey, baby.â He smiles tiredly at you.
âI wanted to wait for you but thought it was better if I just came back home.â You shrug, shortening the distance. Charles arms immediately find your waist, pulling you flush against his body. âYou did so great today, Char.â
Charles cheeks heat up, eyes glazing over. âOh, Iâm not so sure about that.â
âWhat are you talking about? You did an amazing job all weekend.â You tangle your fingers in his hair and he willingly lets you pull his head back. âFirst Ferrari driver to be on the podium since 2006, uh?â
Charles face is impossibly hot, his cheeks so red that you canât help but find it cute. All the blood on his body going to very different places. âSince Michael.â He whispers, flustered.
âThatâs huge, Charlie.â You say with a proud smile on your lips while massaging his scalp. You lean forward and attach your lips to his jaw, kissing your way down to his neck. Charles closes his eyes, letting out soft sighs and feeling like putty in your hands. âAnd second in the championship too.â
Charles canât help himself, all the praises doing weird things to his brain, and so he moans. He would feel embarrassed in any other situation but not today.
âYour home race is next,â Your left hand slowly makes its way downwards, the pad of your fingers stroking his cock through his pants. âNobody can beat you there, you know Monaco like the palm of your hand. Donât you, Charlie?â You wait for him to reply but he is silent for a whole minute, too lost in the pleasure, so you bite his earlobe to pull him out of it. âI asked you something, Charles. Donât you think it is rude to ignore when someone asks you a question?â
âYes, sorry. Sorryââ He finishes with a groan when you pull hard on his hair, exposing more of his neck.
âYou will win in Monaco, Charles.â You pull away just enough to look him in those green, sparkling eyes. âAnd everyone will cheer for you as you stand on the top step of that podium.â Charles thrust into your hand and you place your leg between his, so he can rub against your thigh. âAll the fans shouting your nameâjust like they did today. Can you imagine it already? How will that feel?â
Charles should feel embarrassed about how little it takes for him to come in his pants. But not today.
#ê°ê° đ â verstappen cult files ê±ê±#charles leclerc x reader#f1 x reader#f1 imagine#charles leclerc fluff#charles leclerc smut#charles leclerc x you#f1 drabble
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Oooh! A great Gavin Finney (Good Omens Director of Photography) interview with Helen Parkinson for the British Cinematographer! :)
HEAVEN SENT
Gifted a vast creative landscape from two of fantasyâs foremost authors to play with, Gavin Finney BSC reveals how he crafted the otherworldly visuals for Good Omens 2. Â
It started with a letter from beyond the grave. Following fantasy maestro Sir Terry Pratchettâs untimely death in 2015, Neil Gaiman decided he wouldnât adapt their co-authored 1990 novel, Good Omens, without his collaborator. That was, until he was presented with a posthumous missive from Pratchett asking him to do just that. Â
For Gaiman, it was a request that proved impossible to decline: he brought Good Omens season one to the screen in 2019, a careful homage to its source material. His writing, complemented by some inspired casting â David Tennant plays the irrepressible demon Crowley, alongside Michael Sheen as angel-slash-bookseller Aziraphale â and award-nominated visuals from Gavin Finney BSC, proved a potent combination for Prime Video viewers. Â
Aziraphaleâs bookshop was a set design triumph.
Season two departs from the faithful literary adaptation of its predecessor, instead imagining what comes next for Crowley and Aziraphale. Its storyline is built off a conversation that Pratchett and Gaiman shared during a jetlagged stay in Seattle for the 1989 World Fantasy Convention. Gaiman remembers: âThe idea was always that we would tell the story that Terry and I came up with in 1989 in Seattle, but that we would do that in our own time and in our own way. So, once Good Omens (S1) was done, all I knew was that I really, really wanted to tell the rest of the story.âÂ
Telling that story visually may sound daunting, but cinematographer Finney is no stranger to the wonderfully idiosyncratic world of Pratchett and co. As well as lensing Good Omensâ first outing, heâs also shot three other Pratchett stories â TV mini series  Hogfather  (2006), and TV mini-series The Colour of Magic (2008) and Going Postal (2010).Â
He relishes how the authors provide a vast creative landscape for him to riff off. âThe great thing about Pratchett and Gaiman is that thereâs no limit to what you can do creatively â everything is up for grabs,â he muses. âWhen we did the first Pratchett films and the first Good Omens, you couldnât start by saying, âOkay, what should this look like?â, because nothing looks like Pratchettâs world. So, youâre starting from scratch, with no references, and that starting point can be anything you want it to be.â Â
Season two saw the introduction of inside-outside sets for key locations including Aziraphaleâs bookshop.Â
From start to finishÂ
The sole DP on the six-episode season, Finney was pleased to team up again with returning director Douglas Mackinnon for the âimmensely complicatedâ shoot, and the pair began eight weeks of prep in summer 2021. A big change was the production shifting the main soho set from Bovington airfield, near London, up to Edinburghâs Pyramids Studio. Much of the action in Good Omens takes place on the Soho street thatâs home to Aziraphaleâs bookshop, which was built as an exterior set on the former airfield for season one. Season two, however, saw the introduction of inside-outside sets for key locations including the bookshop, record store and pub, to minimise reliance on green screen. Â
Finney brought over many elements of his season one lensing, especially Mackinnonâs emphasis on keeping the camera moving, which involved lots of prep and testing. âWe had a full-time Scorpio 45â for the whole shoot (run by key grip Tim Critchell and his team), two Steadicam operators (A camera â Ed Clark and B camera Martin Newstead) all the way through, and in any one day weâd often go from Steadicam, to crane, to dolly and back again,â he says. âThe camera is moving all the time, but itâs always driven by the story.âÂ
One key difference for season two, however, was the move to large-format visuals. Finney tested three large-format cameras and the winner was the Alexa LF (assisted by the Mini LF where conditions required), thanks to its look and flexibility. Â
The minisodes were shot on Cooke anamorphics, giving Finney the ideal balance of anamorphic-style glares and characteristics without too much veiling flare.
A more complex decision was finding the right lenses for the job. âYou hear about all these whizzy new lenses that are re-barrelled ancient Russian glass, but I needed at least two full sets for the main unit, then another set for the second unit, then maybe another set again for the VFX unit,â Finney explains. âIf you only have one set of this exotic glass, itâs no good for the show.âÂ
He tested a vast array of lenses before settling on Zeiss Supremes, supplied by rental house Media Dog. These ticked all the boxes for the project: âThey had a really nice look â theyâre a modern design but not over sharp, which can look a bit electronic and a bit much, especially with faces. When youâre dealing with a lot of wigs and prosthetics, we didnât want to go that sharp. The Supremes had a very nice colour palette and nice roll-off. Theyâre also much smaller than a lot of large-format glass, so that made it easy for Steadicam and remote cranes. They also provided additional metadata, which was very useful for the VFX department (VFX services were provided by Milk VFX).âÂ
The Supremes were paired with a selection of filters to characterise the showâs varied locations and characters. For example, Tiffen Bronze Glimmerglass were paired with bookshop scenes; Black Pro-Mist was used for Hell; and Black Diffusion FX for Crowleyâs present-day storyline. Â
Finney worked closely with the showâs DIT, Donald MacSween, and colourist, Gareth Spensley, to develop the look for the minisode.
Maximising minisodesÂ
Episodes two, three and four of season two each contain a âminisodeâ â an extended flashback set in Biblical times, 1820s Edinburgh and wartime London respectively. âDouglas wanted the minisodes to have very strong identities and look as different from the present day as possible, so weâd instantly know we were in a minisode and not the present day,â Finney explains. Â
One way to shape their distinctive look was through using Cooke anamorphic lenses. As Finney notes: âThe Cookes had the right balance of controllable, anamorphic-style flares and characteristics without having so much veiling flare that they would be hard to use on green screens. They just struck the right balance of aesthetics, VFX requirements and availability.â The show adopted the anamorphic aspect ratio (2:39.1), an unusual move for a comedy, but one which offered them more interesting framing opportunities.Â
Good Omens 2 was shot on the Alexa LF, paired with Zeiss Supremes for the present-day scenes.
The minisodes were also given various levels of film grain to set them apart from the present-day scenes. Finney first experimented with this with the showâs DIT Donald MacSween using the DaVinci Resolve plugin FilmConvert. Taking that as a starting point, the showâs colourist, Company 3âs Gareth Spensley, then crafted his own film emulation inspired by two-strip Technicolor. âThere was a lot of testing in the grade to find the look for these minisodes, with different amounts of grain and different types of either Technicolor three-strip or two-strip,â Finney recalls. âThen weâd add grain and film weave on that, then on top we added film flares. In the Biblical scenes we added more dust and motes in the air.â Â
Establishing the showâs lighting was a key part of Finneyâs testing process, working closely with gaffer Scott Napier and drawing upon PKE Lightingâs inventory. Good Omensâ new Scottish location posed an initial challenge: as the studio was in an old warehouse rather than being purpose-built for filming, its ceilings werenât as high as one would normally expect. This meant Finney and Napier had to work out a low-profile way of putting in a lot of fixtures.Â
Inside Crowleyâs treasured Bentley.
Their first task was to test various textiles, LED wash lights and different weight loadings, to establish what they were working with for the street exteriors. âWe worked out that what was needed were 12 SkyPanels per 20âx20â silk, so each one was a block of 20âx20â, then we scaled that up,â Finney recalls. âI wanted a very seamless sky, so I used full grid cloth which made it very, very smooth. That was important because weâve got lots of cars constantly driving around the set and the sloped windscreens reflect the ceiling. So we had to have seamless textiles â PKE had to source around 12,000 feet of textiles so that we could put them together, so the reflections in the windscreens of the cars just showed white gridcloth rather than lots of stage lights. We then drove the car around the set to test it from different angles.â Â
On the floor, they mostly worked with LEDs, providing huge energy and cost savings for the production. Asteraâs Titan Tubes came in handy for a fun flashback scene with John Hammâs character Gabriel. The DP remembers: â[Gabriel] was travelling down a 30-foot feather tunnel. We built a feather tunnel on the stage and wrapped it in a ring of Astera tubes, which were then programmed by dimmer op Jon Towler to animate, pulse and change different colours. Each part of Gabrielâs journey through his consciousness has a different colour to it.âÂ
Among the rigs built was a 20-strong Creamsource Vortex setup for the graveyard scene in the âBody Snatchersâ minisode, shot in Stirling. âWe took all the yokes off each light then put them on a custom-made aluminium rig so we could have them very close. We put them up on a big telehandler on a hill that gave me a soft mood light, which was very adjustable, windproof and rainproof.âÂ
Shooting on the VP stage for the birth of the universe scenes in episode one.
Skyâs the limitÂ
A lot of weather effects were done in camera â including lightning effects pulsed in that allowed both direct fork lightning and sheet lightning to spread down the streets. In the grade, colourist Spensley was also able to work his creative magic on the showâs skies. âGareth is a very artistic colourist â heâs a genius at changing skies,â Finney says. âOften in the UK you get these very boring, flat skies, but heâs got a library of dramatic skies that you can drop in. That would usually be done by VFX, but heâs got the ability to do it in Baselight, so a flat sky suddenly becomes a glorious sunset.âÂ
Finney emphasises that the grade is a very involved process for a series like Good Omens, especially with its VFX-heavy nature. âThis means VFX sequences often need extra work when it comes back into the timeline,â says the DP. âSo, we often add camera movement or camera shake to crank the image up a bit. Having a colourist like Gareth is central to a big show like Good Omens, to bring all the different visual elements together and to make it seamless. Itâs quite a long grade process but itâs worth its weight in gold.âÂ
Shooting in the VR cube for the blitz scenes .
Finney took advantage of virtual production (VP) technology for the driving scenes in Crowleyâs classic Bentley. The volume was built on their Scottish set: a 4x7m cube with a roof that could go up and down on motorised winches as needed. âWe pulled the cars in and out on skates â they went up on little jacks, which you could then rotate and move the car around within the volume,â he explains. âWe had two floating screens that we could move around to fill in and use as additional source lighting. Then we had generated plates â either CGI or real location plates âprojected 360Âș around the car. Sometimes we used the volume in-camera but if we needed to do more work downstream; weâd use a green screen frustum.â Universal Pixels collaborated with Finney to supply in-camera VFX expertise, crew and technical equipment for the in-vehicle driving sequences and rear projection for the crucial car shots.Â
John Hamm was suspended in the middle of this lighting rig and superimposed into the feather tunnel.
Interestingly, while shooting at a VP stage in Leith, the team also used the volume as a huge, animated light source in its own right â a new technique for Finney. âWe had the camera pointing away from [the volume] so the screen provided this massive, IMAX-sized light effect for the actors. We had a simple animation of the expanding universe projected onto the screen so the actors could actually see it, and it gave me the animated light back on the actors.â Â
Bringing such esteemed authorsâ imaginations to the screen is no small task, but Finney was proud to helped bring Crowley and Aziraphaleâs adventures to life once again. He adds: âWhatâs nice about Good Omens, especially when thereâs so much bad news in the world, is that itâs a good news show. Itâs a very funny show. Itâs also about good and evil, love and doing the right thing, people getting together irrespective of backgrounds. Itâs a hopeful message, and I think that thatâs what we all need.âÂ
Finney is no stranger to the idiosyncratic world of Sir Terry Pratchett and Neil Gaiman.
#good omens#gos2#season 2#interview#gavin finney#neil gaiman#terry pratchett#gavin finney interview interview#s2 interview#bts#fun fact#british cinematographer#british cinematographer 2023#jon hamm#2ep1#2ep2#2ep3#2ep4#2ep6#2i1i1#job's minisode#1941 minisode#1827 minisode#2i6i7#bentley
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đđđđ đđ đ
đđđđ đđđđđđ
đ đ©đđąđ«đąđ§đ : Teen!Gojo Satoru x Teen!fem!reader
đ đŹđźđŠđŠđđ«đČ: The most worst thing Gojo never wanted to happen became true. But after meeting the new transferee, all his problems went away.
đ đđšđ§đđđ§đ: Highschool 2009 jjk, Gojo being sad after the Geto incident, Reader is a transferee from Kyoto Jujutsu high, Reader is a 2nd year and Gojo is a 3rd year, fluff, slight angst
đ đ§đšđđ: Might actually consider making this into a series... From Gojo meeting you for the first till you both are married and have children AACKKKK. Also, if you're wondering why it's not 2006, the year where gojo and Geto separated happened during 2009 and they were 3rd years
đ đđ: 1.4k
2009 â 2 days after Gojo and Geto separated.
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That sickening feeling of regret gripped Satoru as he sat down on the rough, stoned surface of the stairs outside Jujutsu high. He tried to reminisce the moments he had shared with his one and only, best friend Suguru Geto. He hoped that it would relieve his feeling of remorse after the incident. But instead, it made him feel worse. So worse that it made him feel more emptyâan emptiness that was sinking deeper and deeper into the dark. He's the strongest, but why couldn't he save his loved ones? He just wishes that he had the ability to rewind the time.
EVERYONE knew that the two bestfriends were inseperable. Yet, was what so important to Satoru had been taken away from him.
Not until......
"Yo, Satoru, are you okay?" Shoko asked as she was approaching the white-haired man, who seemed depressed. Who did nothing but just stared at the ground while sitting on the stairs. It was rare to see Satoru in this stateâHis usual joyful and playful attitude replaced by a quiet demeanor now, made Shoko feel bad for him.
"...Yeah, I'm fine, it's just that... " He paused, not knowing what to say afterwards. He couldn't think of any excuse.
"... Don't worry, I understand." Shoko replied as she pulls out another cigarette. Searching for the lighter in her pocket.
"..Oi, Ieri-san, what do you think, am I the strongest because I'm Satoru Gojo? Or am I Satoru Gojo because I am the strongest?" He has been pondering about the same questions over and over, and still couldn't find the answer to it. But just now Shoko was too busy with her cigarette, that she didn't perceive what was Gojo was saying.
"Sorry, we're you talking to me?" Shoko puffed the smoke out of her mouth, and puts the cigarette back in to her lips.
Gojo sighs, "Well, forget it. Let's just go, that old man might start exploding by now if we go back to his class late again. " He finally stood up from the staircase as he walks together with Shoko back to class whilst watching the bright blue sky through his sunglasses.
After a few walks on the way to class, Shoko spots an unfamiliar girl who was wearing the same uniform as her, she had a pretty face. But the girl seemed puzzled of where she is right now.
Shoko taps on Gojo's shoulder, "Hey, is that the new transferee from Kyoto? I heard she's the same year as Nanami."
Gojo looked down from the sky, "Eh? Ha? What transferee? Wheâoh... " The moment he laid his eyes on you, he felt a rush of emotions. He's confused of what he is feeling. Why is his heart beating so fast? Why does his face feel hot? What? What?? You're even prettier than the model that he has as his wallpaper on his phone, just who are you?
(hey!! Waka inoue is very VERY pretty, this is just based on Gojo's perspective in my fic) (Also, think of this as the bg music of this scenario the moment gojo lays his eyes on you)
The way he is feeling right now felt so soothing and comforting, as if that emptiness he felt earlier felt like it was no longer there anymore.
He felt weirdâfor him, he felt like there was a connection between the two of you. His six eyes tell him that he's just crushing over you, but his soul tells otherwise. You were absolutely WAY more than that.
.
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"Oi! Satoru! Stop daydreaming, that girl seems confused right now. We should ask her." Shoko snaps her fingers in front of Satoru's face, bringing him back to reality. "O-okay...!" His whole body tensed, and Shoko cringed at his reply.
As they approach you, your gaze met Satoru's, he feels even more tense. By now his face turned as red as a tomato.
You quickly ran towards them, feeling relieved that you finally found people that you can ask help with finding your dorm. You may have been to Jujutsu high's sister school, but this school was way different than the one in Kyoto.
"Oh thank goodness. I'm a little lost right now, but you guys must be the 3rd years. I'm [last name, first name]. I'm a transferee from Kyoto Jujutsu high. Nanami-san has told me about what you guys looked like in case I ran into you. " You said shyly.
Shoko smiles at your introduction, she knew you the both would get along well. "I'm Ieri-san, I work with healing a ton of people. And this isâ" The moment Shoko points at Satoru, he scratches the back of his head, trying to avoid looking at you. Fuck, he's never acted like this in front of new people before. What were you doing to him? The only thing he could do right now is just to shyly wave his hands at you. "âGojo. He may look stupid but he's actually really strong, he's a special grader."
Shoko went to take a look at Satoru, thinking why he was so quiet. Usually when he goes to introduce, he'd go boasting. He could even take an hour to introduce himself. The way he looks right now was so awkwardâRed face, sweating, the way his eyes were avoiding to look at you, and he ONLY waved at you. Now that she has given a thought to it, mischievous thoughts filled up in her mind. She now found a new way to tease Gojo.
Upon hearing their introduction, your face lit up. They sounded really cool! You were happy to have them as your seniors. At that moment you didn't notice Gojo's awkwardness; you were more concerned about finding your dorm. But you wouldn't mind a little talk with them.
"Oh, I've heard a lot about you and your insane powers! You're really famous. I knew you were in Tokyo Jujutsu high. So when I was gonna transfer, I was looking forward to meet you." You were referring to Gojo.
When you looked up at him, his sunglasses were resting on the bridge of his nose, revealing his ice-blue eyes. His long white lashes framed them perfectly. His eyes we're sparkling like a sunlight above the rim of his glasses. You were slightly taken aback by how breathtaking his eyes looked. And he also had a well sculpted face. Now you understood why you kept hearing girls squeal about this particular guy.
After Gojo heard your comment about him, he felt like he could seriously melt at this moment. He stuttered a short "...T-thanks..." in reply. How long will he stay here talking with you? He can't take it anymore!
And it seemed like the gods heard his prayers, Shoko gave Gojo a teasing look. She pat his shoulders and told you that he wasn't really feeling well today. "Sorry, this guy kinda got a fever today. He'd go bragging about himself if he wasn't. He's gonna have to go back to his dorm right now." Shoko looked at Gojo with raising her one eyebrow up, giving him a teasing smile. It pissed Gojo off that she knew he had an instant crush on you. But anyway, she still helped him. "Gosh darn it you Shoko. "âhe mumbled.
You turned to look at Gojo to see he was turning away now, a little disappointed that you guys didn't really get to talk that much.
"...Oh, I see. Get well soon then!" You yelled, but not too loudly as Gojo was about to head back to his dorm. But after all the talking, you remembered why you were here in front of Shokoâ"Oh yeah. I forgot to ask something, it says my dorm is **** but I don't know where it is. Please help me find it!"
And after that, she was able to help you find your dorm, but the thing is..
*what happened after*
Satoru: "Shoko, what the fuck do I do. It's like I'm being tested, her dorm is right next to mines!!!??" he panics.
Shoko: "Looks like somebody's whipped..." *she raises both her eyebrows up and down repeatedly*
Satoru: "Oh my gosh shut up, I feel like I could melt any minute. What the heck is that woman doing to me... "
Shoko: "You were all emo and stuff earlier, now you're all giddy? She really did a huge impact on you. Aaaanddd it's the first time you were acting timid."
Satoru: "I know! When I first saw her, it felt so weird. I dont know how to explain it! It's like....weird in a good way.... "
tags: @byakuya61085 @angelsleepinggurl
#jjk#jujutsu kaisen#gojo x reader#jujutsu kaisen x reader#gojo fluff#gojou satoru x reader#jjk fluff#satoru x reader#gojo satoru
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CHAPTER FOUR
Big emotional moments here.
Oh Danny knew he screwed up the moment he appeared back in his throne The line that went out the door was gone also. Most likely the ghosts sensed the emotions Danny projected onto his haunt and the ghosts scattered not wanting to deal with the nervous and scared ghost king.
He wasnât thinking when he disappeared at the loud crash! He left his son in a mess! Oh no! But his kid wasnât scared when he left. So the glass breaking was normal? Oh how he wished he could go back and time and take care of the kid.. but he couldnât no matter how much he begged Clockwork he knew that. Not to say he didnât try.. Clockwork didnât even let him watch his kid grow up.
Danny should visit his baby later. When the helmet thing is off. He can take care of the core problem as he does so. His baby doesnât know who he was. He didnât leave a picture or anything with Catherine but the kid did mention something about a picture.. maybe he should go as human? So the kid doesnât realize heâs the same ghost! Perfect idea!
________
Jason was furiously typing on the laptop. He was searching all he could about âThe Ghost Kingâ âPhantomâ. The only thing coming up was Pariah Dark and a autocorrect to Fenton when he typed a bit too fast.
The link that came up with Fenton said something with ghost so he clicked it. That led him into a black hole of information that just seemed biased. He read all the articles published by the scientists. Then in 2006 they started mentioning a ghost.. a certain ghost that Jason was just looking for.
FENTON WORKS
All the information and weapons you need about ghosts! We are happy to say we have figured out what exactly what ghosts are! This site is made by the Fenton Family.
(Picture of a family of 4. A bigger man than Jason himself in bright orange. A fit woman in blue with ginger hair. The older teen with ginger hair like her mother and a cyan headband. Then a younger teen with black hair like the father and frankly skinny considering his parents.)
Click here to read more
Click here to buy things
Click here to contact us
Jason learned a lot of information about Phantom and the Fentons.. Jason now just needed to find a way to summon the ghost once again and make him talk. The ghost seemed nice and not destroy the world just because he could type of being. Then again Jason wasnât the most.. sane? Normal? Person to ask about what is normal and not normal. He would ask Dick but he was still likely drugged and concussed. He didnât want to deal with that. Not to mention Dick also wasnât normal.
___________
âWhat the ancients..â Danny muttered looking at himself in the mirror. He transformed back to his human form not even a hour ago and heâs already regretting it. He still looked like his 20 year old self. He didnât age a day from when he first transformed. The clothes were even the same he left in.. he could only pin point a few differences on his body. Like the more ghostly attributes. The pointer ears, sharper teeth, and paler skin.
Danny knew he shouldâve shifted between forms more but it just didnât seem right without the kid next to him..
âââââ
âDaaaa! Deeee!â A childâs yelling pierced the air followed by a loud crash then a giggle.
âIâm coming! Iâm old- okay. Accept it while you still can.â A young manâs voice came followed by a black hair with white on the back young adult. The man had icy blue eyes and a scar on his bottom lip. The child the man was talking to looked like him.
The child had curly black hair not a hint of white unlike his father. Darker blue eyes that seemed to shine when he saw his father. Chubby cheeks and stubby fingers. The kid was wearing a shirt that had the words âIâm just outta this world. Floating by the starsâ surrounded by stars. Along with jean pants and a gray jacket. The shoes stuck out due to the bright yellow color of the rain boots.
âOh donât give me that look.. I know Iâm only 20! You make me feel 50 years older than I am. Specially with all your sass.â Danny put his hands on his hips and looked down at the kid.
âAunt Cathy say it comes from you.â Jason put his hands on his hips and looked up at the kid.
âI know it did. I canât blame anyone else but myself and itâs horrible.â Danny huffed sticking his tongue out at the child which was followed by the kid doing the same to the young adult.
Suddenly the mood changed and Dannyâs expression changed into a more somber one. He couched down and looked at the kid.
âJason, you know how I sometimes leave you with you Aunt Cathy?â Danny felt horrible. His core hurt and he wanted to hug the child and not let go.
âYeah? But Daddy always comes back so I ainât scared!â Jason grinned moving forward and putting both hands on the adults face.
âJason what I say about the hands and other peoples faces?â Danny brought his hands to the kids and pulled the hands off his face but didnât let go of the kids hands.
âNot to do it.. but donât worry! I only do it to you!â Jason hopped on his feet unable to stay still like any child.
âOkay, youâre such a bully.â Danny deadpanned, âThis is serious Jason, I donât think Iâm coming back this time.â
âWhat? No. Daddy you gotta come back. You canât leave .â Jason looked up at his father not really understanding the situation .
âI donât want to kid but I want you safe and Iâm not that.â Danny pulled his son into a hug burying his face into the curly mess that was on top of Jasonâs head. He stood up picking up the toddler his arms surrounding the other in a tight hug.
Danny knew it was stupid to say this while he still had the child. He shouldâve just left the kid at Catherineâs and not return. But then he thought about the kid getting all ready to come back to him waiting at the door with his to big backpack only for him not to return. He didnât want that for the kid. He didnât want his kid to be sitting in front of the door sad because he couldnât understand what was happening and why his father wasnât there. He wanted just a bit longer with his child.. even if it was in tears.
ââââ
Jason was sure he had the right man. The scar was exactly the same. It was a line on the bottom right lip the that split into two at the bottom. He didnât know what to think of the being.. his father? From what his Ma told him. Catherine not Shelia. His father was a good man. A bit too sarcastic for his own good but it also made him funny. He had weird ways of saying things. Never used a saying right or just made it his own. He had a slight lisp and had an accent. Couldnât cook to save his life and hated toast. Hurt himself with stupid things but was incredibly smart. Could turn a microwave into a gun in a hour alone.
Jason wondered if he got some of those qualities.? Before he died and turned into a monster. Dick always said he had a lisp and used some words wrong. Like fruit loop and ancients.. apparently he used one as an insult and the other as a replacement for some words.
@boopjuice
#danny phantom#dc x dp#dad danny#ghost jason todd#more so ghostling then ghost but meh#ghost king danny#red hood#yikes I havenât posted in forever.#I tried my best to make the two year old actually a two year old.#but I only have a one year old for an example.#in other words I refuse to use my cousins children as examples cause their sweet but#dang the headaches they give me.#womp
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Okay, we gotta talk about Pit Madness in the comics.
I keep seeing a bunch of people saying itâs not real. Problem. It is. Itâs just rarely brought up.
It might not be the earliest reference, but we have this panel with Talia talking about how madness seizes him after dipping in the Lazarus Pit
Batman #244 (1972)
But this isnât the only time we get reference to this. The panel below also talks about lore of the Lazarus Pits and again mentions that madness.
Batman: Bane of the Demon. Issue 3 (1998)
This gets referenced again in Hush when Bruce is fighting who he thinks is someone pretending to be Jason having been resurrected in the Pits during Hush.
Bruce is thinking about how he almost out Jason in a Pit after his death, but due to the madness the Pit can cause and Jasonâs injuries to the head, he thought against it.
Batman # 618 - I think itâs volume 11 in the Hush omnibus (2003)
We see a reference to it again regarding Jason in the Lost Days. Whatâs super interesting here is that Talia states the Pits did NOT drive Jason mad, but Raâs warns her that itâs possible the madness can occur up to years after a personâs dip.
I find this particular one fascinating, simply because of the lore that Pit Madness can take hold decades after a dip in a Pit.
Red Hood: the Lost Days #2 (2010)
Now, regarding Jason. There has NEVER been any concrete proof heâs suffered from Pit Madness. Itâs very popular as a head cannon simply because Jasonâs characterization is so all over the place.
Edit: Please keep in mind Jason was calm, cool, collected, and conniving in Under the Red Hood. Saying heâs Pit Mad there takes away all of the impact and gets rid of his motivations. Please be aware of this.
Now, thatâs not saying thereâs not a connection between Jason and the Pits. There was an entire arc in Red Hood and the Outlaws (2010) regarding this which also deals with Jasonâs time with the All-Caste.
I still havenât gotten around to reading that part, but itâs where the permanent augmentation theories come from. Oh, and Jason can canonically make constructs from Lazarus Water. Raâs can too, but yeah⊠itâs a thing.
Red Hood and the Outlaws 2010 #27 (Released in 2014)
But while thereâs no confirmation Jasonâs dealt with Pit Madness, you know who has? Cass
Batgirl 1 #72 or 73 (2006)
Cass was revived after taking a blow for someone. And Shiva revived her, but thereâs no permanence to it. And to my knowledge, I could be wrong since Iâm not as familiar with her runs, this is the only time it gets referenced with her.
But going back to my original point that started this: Pit Madness is real. Itâs just rarely seen in the comics. And if you want to use it, thatâs fine - just be careful about its use since you can ruin characterization with it.
Edit 2: while there isnât much of Pit Madness seen in the comics, it does seem to wear off over time. We also know a dip in the Pit temporarily increases brain power and physical strength/ability.
We also know that thereâs a Lazarus Pit under Gotham and that its waters leech into Gothamâs water supply.
Thatâs referenced in Teen Titans vol. 3 issues 40-41 (2007) - forgive me. I donât feel like looking up those panels
#dc comics#batman#lazarus pit#Pit Madness#Jason Todd#Red Hood#cassandra cain#raâs al ghul#I personally started using the idea the Lazarus pit amplifies negative emotions more#which is canon#but it allows for influence without ruining motivations
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HALF OF YOU
PAIRINGS: tashi duncan x f!oc, art donaldson x f!oc, patrick zweig x f!oc
SUMMARY: No matter how bright Tashi Duncan shined, her best friend, Milan Mikaelson, wasnât far behind. Though seeming second best, Milan would never let that define her career. Holding as much fame as Tashi, Milan encountered Patrick Zweig and Art Donaldson. Would this encounter change the trajectory of her life, and would it completely alter her relationship with Tashi Duncan?
WARNINGS: challengers spoilers, reader is milan mikaelson, sexual situations, language, angst, plot alterations.
WC: 5.1K
NOTES: hiiii!!! hope yâall enjoy this next chapter cuz itâs not my fave thing ever LOL. was also too lazy to proofread so sorry if there's errors. iâm also gonna be going on vacation with no internet for a little over a week so next update will be after that! thanks for reading luv u đ
READ BEFORE THIS: INTRO and ONE
CHAPTER 2: DOUBLE TROUBLE
CHALLENGERS TOURNAMENT, NEW ROCHELLE - 2019, 1:00 PM
Gnawing on my bottom lip, I gripped my dress as Tashi got up and cursed before walking off, disappointed with Artâs performance.Â
âWhere the hell do you think youâre going.â I shot and grabbed her wrist, eyeing her up as I took my sunglasses off.Â
Shaking my grasp off of her, she bent down and spoke dangerously close to my face.Â
âIf heâs not gonna play tennis, then I donât wanna see shit.â She seethed and walked off, brushing off her dress with each stride.Â
As I watched her go, I could feel a pair of eyes on me. Darting my attention back to the match, Art was already looking my way.Â
Shooting him a sad expression, I put my sunglasses back on, huffed, and sat back in my seat.Â
All he did was shake his head and rub the sweat off his face while Patrick smirked proudly.Â
He sure seems to love this.Â
Sighing, I raised one hand to my mouth to bite my nails, the nerves of the match taking over my entire being.Â
At the next serve, I carefully watched the strategic movements behind the boyâs every motion. They have always been outstanding players, and I furrowed my brows as I thought back to the first time I saw them play against each other.Â
The stupidity of Tashi and I, dumb enough to pin two best friends against each other. We should have never stepped foot in that godforsaken hotel room.Â
Shaking my head, I closed my eyes. The crowd's roar echoed around me as I thought back to the night that started it all.Â
The night that ruined it all.Â
THE BOYâS HOTEL- 2006, 12:00 AM
âWhat the actual fuck is wrong with you?!â I exclaimed to Tashi as we made our way to the boy's hotel room. âWhy the fuck would you let them come down when you knew I was there?â I shot at her as I smacked her arm.Â
Tashi smacked me right back, making me let out a hiss and shoot a cold glare at her.Â
âI donât know why you're acting like you donât have a game. Youâre the best at playing hard to get.â Tashi responded and shrugged as if it was as simple as adding two plus two.Â
âYouâre a bitch.â I muttered and rolled my eyes as the hotel came into view. âWhat do you even plan on doing with these two.â I raised my brow at her and studied her expression to gauge what was going through her mind.Â
âWhat we usually do,â she responded, smiling at me. Hypnotize them with our charm and have a good time, of course,â She said proudly as if this was second nature for us.Â
I wonât say that Tash and I havenât had our fair share of fun with boys, but something like this, with two boys who knew their way around the game themselves, was certainly daunting.Â
âFine, but you should have heard how they talked about us at your match. It was disgusting.â I pretended to gag and placed a hand on her shoulder.
âPerfect, we already have them locked in then.â She nudged my arm before leading the way to the room.
Rolling my eyes, I smacked her again before following behind her.
On the way to the room, I got lost in my thoughts. How did we get ourselves into such a situation? I hope Tashi doesnât expect us to have a foursome of any sort because I donât have the patience to deal with a whole ordeal like that.Â
Approaching the door, Tashi stopped to let me walk ahead of her.Â
âPerfect, Mila, you can see your ass poking out of your shorts.â She smirked and gently patted it until I swatted at her hand with a laugh.Â
âFuck off, letâs go,â I scolded, waiting for her to catch up, as she knew which room to go to.Â
Once we reached the door, Tashi knocked and softly bit her lip. Scuffling was immediately heard behind the door, signifying that the boys were startled by our appearance.Â
I moved to press my ear to the door with a slight smirk which Tashi returned as she did the same.Â
âTheyâre crazyâŠâ I whispered to Tashi, to which she responded with a nod and a soft hum.Â
When we removed our ears from the door, it swung open so quickly I couldnât make out the motion.Â
The boys stood at the door, looking extremely disheveled. Patrick wore boxers and an unbuttoned linen shirt that looked like it had been shoved in his tennis bag and forgotten. Also wearing boxers, Art wore a beater t-shirt that looked like it had never been in the wash and dryer a day in his life. Both of their hair was ruffled and unkempt, making it look like they had just gotten out of bed.Â
Raising an eyebrow, I was the first to speak. âWhat, did you two just get done fucking?â I questioned as I looked between them and placed my hands on my hips.Â
Patrick just burst out into laughter while Art spoke up.Â
âNoâŠfuck noâŠâ He muttered with a laugh as he patted Patrick on the back.Â
Drunk as sailors.Â
I nodded at this before resting my eyes and glancing at Tashi, who smiled fondly at the two, but I knew she was plotting.Â
âSo, hi,â Tashi spoke calmly with a smile that immediately brought the boys back to Earth as they moved aside to let us in the room.Â
I had to stop myself from covering my nose as we entered the room.Â
Reeks of beer and cigarettesâŠtypical boys.
Two beds pushed together were messily made. Beer cans, cigarette buds, and clothes were everywhere, though it looked like someone had tried to tidy up a bit.Â
That explains all the noise.Â
Patrick mindlessly spoke to Tashi as I continued to scan the room, not noticing that Art was eyeing me up. Turning my head, I caught his stare, which didnât make him falter. He only continued to stare before coming up to me and handing me a beer.Â
âDidnât know you were gonna come.â He spoke as he looked down at me through lidded eyes. Tipsy eyes. And, of course, he had a smirk, but it spoke Iâm glad you came, really.Â
I continued to study his expression as I let my guard down a pinch. I shrugged nonchalantly as I took a long swig of the beer, knowing I would need it to get through the night.Â
âHad nothing else to do. Figured why not.â I spoke calmly as I let my eyes rake over his entire figure, drinking up his messy look which he really really pulled off. Never would I ever admit that for him to hear.Â
Or me.Â
âWell, glad youâre here.â Art said as he took the beer can from my lips and sipped it while he stared into my eyes, flickering to my lips for a moment.
I kept my eyes trained on his as I refused to back down in this staredown, showing that I couldnât be swayed that quickly just because he was extremely attractive.Â
âYou two, come sit,â Patrick spoke up from the ground by the bed where he sat with Tashi.Â
Nodding at this, I waited for Art to take his eyes off mine before I made any movement to sit. After a few seconds, he nodded and placed a hand on my lower back to walk me to where everyone was sitting.Â
I shivered slightly at this as I softly bit my bottom lip, hiding this motion from him, but I knew Tashi saw it by her smug little smile that said I told you so.Â
We havenât even done anything, and I suddenly feel like Iâm in the trenches.Â
The next couple minutes were used to discuss how Patrick and Art met each other and how Patrick, predictable enough, taught Art how to masturbate, all while we all took sips from the beer can that Art had given me when we first got here.Â
âYâall are weird as fuck.â I snorted, a bit tipsy, wiping my mouth from my last gulp as I looked between the two boys who had red cheeks from a mix of alcohol and embarrassment, and canât forget, two big smirks.Â
âNo, Mila. I think it's a cute story.â Tashi nodded with a smile in an attempt to reassure the boys jokinglyâa tactic she used to fully reel them in.Â
I rolled my eyes at this and fake glared at Tashi. âOnly if youâre fucked in the head!â I laughed again while the rest of them laughed with me.Â
âDonât tell me you two havenât done anything weird like that,â Patrick said, making me whip my head to him before glancing back at Tashi.
âYeah, you two have known each other since the womb. Thereâs no way you havenât done nothing.â Art added and took a long swig of the beer can before passing it to Patrick, eyes trained on me for longer than I would have liked.Â
I shook my head with a small laugh before looking back to Tashi, who gave me an eyebrow in return, signaling something.
You ready?
âŠ
Iâm ready.
We nodded at each other before standing up and looking down at the boys.Â
âYou guys arenât leaving-â Patrick started but stopped when he saw the two of us moving to sit on the edge of the bed.Â
My eyes locked with both of them briefly as I flashed the most innocent smile I could muster.Â
Here we go.Â
âPatrick, come sit by meâŠâ Tashi spoke and patted the space to her left.Â
You didnât have to tell him twice. He sprung up so fast he spilled the beer can everywhere on the carpet, but he couldnât give a fuck.Â
As he sat down next to Tashi, my eyes locked onto Artâs. I did not need any words to tell him to sit by me.Â
He took the hint immediately, got up almost as fast as his best friend, and sat beside me, thigh already touching mine.
I turned to face him with lidded eyes and a small smile. I could hear his breath hitch as Adamâs apple bobbed, signifying that he took a small gulp. I softened my eyes to let him know it was okay to relax and that he could be comfortable around me.Â
Even though Tashi wanted to play with these boys like putty, I felt a little different about the situation.Â
As I tilted my head at Art slowly, I saw his face contort into a grin that radiated his comfort and need.Â
Leaning in slightly, I placed my hand on Artâs chest, noting how firm it felt through his thin shirt. Art mirrored my leaning in but instead placed a hand on my thigh. As I neared his lips, I teasingly pulled away as I felt Tashi pat my back. I smirked slightly at this and turned around as my lips met hers instead of Artâs.
It was an innocent kiss, a tactic to get these boys right where we wanted them. This action certainly answered their questions about us, and I hope it was worthwhile.
Once again, I could feel Artâs eyes piercing the back of my head, so I moved my hair off my shoulder and tapped the side of my neck so he would know what to do.Â
Almost immediately, his lips were latched onto my neck. I wondered for a moment if he was a vampire because of the way he was sucking on my neck. I figured he was searching for a blood vessel. Poor baby must have been deprived of any female touch, but the way his lips sucked profusely on my pulse point, I could tell this wasnât his first rodeo.
Tashi and I pulled away from our innocent kiss and shot each other small smirks when we noticed that Patrick and Art were too lost in our necks to give a damn.Â
I tapped Artâs thigh so he would know to stop, which he reluctantly did. His lips were a bit swollen, and I couldnât keep my eyes off them. Biting my lip, I reached up and brushed a finger across his bottom lip. As I did this, Art grabbed my hand and studied it before gently kissing my finger where my nail had broken. My eyes widened at this as my heart threatened to beat out of my chest.Â
Keep. your. composure.Â
Shaking out of my daze at his action, I smiled softly once again and leaned in slowly to connect our lips, hands on the back of his neck, threatening to tangle in his blonde curls.
Pillows. His lips feel like pillows.
The kiss was soft until his hand moved from my thigh to my waist. He pushed forward a bit until my back fully hit Tashi and tried to part my lips by biting my bottom one, but I pulled away before he could get that far.Â
Too easy.
Licking my lips to taste him, I turned back to Tashi, who placed her hand on my cheek to kiss me lightly again. As her lips melded with mine, I gingerly placed a hand on the base of Artâs jaw and slowly pulled him towards Tashi and meâs kiss. Immediately, I could feel Artâs lips meld with Tashi's, mine, and then Patrickâs, knowing that Tashi had done the same with him.Â
Now, the four of us were all kissing, making me slightly clench my thighs. Only slightly.Â
After about five seconds, I felt Tashi tap my back to signal me to pull away slowly.Â
As we both pulled away, Art and Patrick were full-on making out, not noticing that the two of us had abandoned the kiss. I glanced at Tashi with a smirk as she watched them in satisfaction.Â
It took everything in me not to giggle as I watched the two continue to eat each other's faces fervently.Â
Specifically Art.
After a beat, Tashi spoke up.Â
âOkay.â She said, which made the boys freeze and pull away from each other.Â
Immediately, they both looked at us in shock.Â
Got âem.Â
I tilted my head at Art as I gently reached my hand out to trace shapes on his thigh while he looked down at me like I had three heads.Â
âThat was cuteâŠâ I mouthed to him with a soft smile as he continued to eye me up in shock mixed with a bit of awe.Â
âWell, we should get going before our parents freak out and wonder where we are,â Tashi says. I sit up as I follow suit, cutting any tension in the room.
Standing up from the bed, I chuckled to myself as I brushed off my clothes and fixed my hair. âItâs been fun,â I said, aiming my comment at Art. Thank you for having us,â I finished with a small, innocent smile as Tashi and I left.Â
âWait!â Patrick said which stopped us in our tracks.Â
Turning around, Tashi and I shared matching grins that we quickly hid when we faced the boys.Â
Art spoke up next as he looked right at me. âWhat about your numbers?â He asked as he stared at me like a puppy deprived of dinner.Â
I crossed my arms and shrugged. âIf you win tomorrow, Iâll give you my number,â I said plainly, as if it were the simplest thing in the world.Â
âAnd Iâll give you my number if you win tomorrow,â Tashi said to Patrick just as plainly as I did.Â
Both boys shot each other smirks before nodding in agreement.Â
Tashi and I said our goodbyes before leaving the hotel room. When we were out of earshot, we both started laughing.Â
âWe have them wrapped around our pretty little fingers!â Tashi exclaimed as she wrapped an arm around my shoulder.Â
I laughed at this and wrapped an arm around her waist. âI really hope Art wins,â I said in a dreamy tone of voice as I thought back to his face, lips, chest, everything, really.Â
Tashi shook me back and forth with a smile as she exclaimed, âIâm just ready to watch some good fucking tennis!â She laughed, knowing that the two boys were really going to battle it out with this new prize put into motion.Â
STANFORD UNIVERSITY - 2007 5:00 PM
As I slowly trudged from the tennis court to the dining hall, I felt my arms giving out.Â
âFuck this damn bag,â I whined and went to a nearby bench to take a breather and bask in the California sun.Â
Todayâs practice was by far the worst of the semester. I worked with my coach on my serve to prepare for my upcoming match, where I would face an opponent ranked decently high in the state.Â
Closing my eyes and throwing my head back to catch the rays of the warm sun, I let out a groan. I probably looked like a corpse to every passerby, but just like Tashi, they knew me, so hopefully, they would just smile and wave.Â
âRough practice?â An extremely familiar and captivating voice snapped me back to reality.Â
Opening my eyes, I was met with my favorite pair of light blue eyesâsomething he would never know. Of course, a smirk adorned his features, and his blonde curls were tucked into a backward red cap, most certainly saying âStanfordâ on the flip side.Â
âArtâŠâ I spoke almost breathlessly as I sat up, brushed a piece of hair out of my face, and used my other hand to block the sun that Artâs head almost blocked.Â
âHey, can I sit?â he asked, shoving his hands into his pockets, and nodded to where my bag was on the bench.Â
Quickly moving it to sit in front of my feet, I patted the empty seat next to me. âSure.â I smiled at him and tucked a piece of hair behind my ear.Â
Over the summer, I would never allow myself to be so forward with Art Donaldson. I couldnât speak for my present self, though. Since Patrick won the match, he and Tashi started dating after he scored her number. I, of course, was too upset to act like I didnât give a damn about not being able to give Art my number. Tashi insisted that to keep their passion and drive for tennis alive, I keep up my end of the deal and donât give Art my number. Hesitantly, I agreed as I knew how easily a stimulus like that can create great results. Since the match, Art and I have never spoken except for the occasional hello when passing by each other on the tennis court or dining hall. This moment was the first time I could speak with him since everything, and since I may have developed a slightâŠcrush.Â
âSo,â He started and turned his body on the bench to face me fully. âHow have you been?â He tilted his head and tapped the back of the bench while studying my face.Â
Inhaling a sharp breath, I turned my body to face him fully, bringing one leg up and letting the other drape off the side of the bench.Â
âDo you want an honest answer?â I chuckled softly as I moved my hands to remove my hair from its braids.Â
In turn, Art laughed gently while smirking at me. His stare narrowed as he studied my face, acting like I was an old friend he had known for years.Â
âWell, if the honest answer is terrible and cruel, then Iâm not so sure.â He responded and immediately matched my energy.Â
Damn you, Donaldson.Â
âHey.â I softly laughed as I moved my dangling leg to kick his gently while I finished taking my hair out.Â
I wondered for a beat how I wanted to summarize months of memories, feelings, and experiences into one sentence, and this made me sigh.Â
âItâs been rough. Majoring in biology and the grueling tennis schedule makes me wanna rip my hair out.â I spoke in a low tone as I ironically and subconsciously began to play with a strand of my hair.Â
âI feel smothered.â I finished and silently cursed myself for acting so vulnerable.Â
That was three sentences, Milan. Not one.Â
As I stared at Art almost helplessly, his eyes softened.Â
âI feel the same way, trust me.â He chuckled softly before removing his hat and running a hand through his hair. âIt really sucks, but itâs gonna be worth it,â He ended his thought before putting his hat back on.Â
âFuck, and I thought I was the only one. Quite naive of me.â I laughed before looking back up at the sun. âItâs whatever, though. Youâre right, and everything will come into place and be worth it.â I continued as I looked anywhere but at Artâs piercing stare.Â
Silence. He didnât respond. He didnât laugh. He did nothing except stare. Stare in a heavy silence that brought me back to the night in that damn hotel room.Â
After a few beats, I returned to my senses, slowly stood up from the bench, and brushed my skirt off.Â
âWell, I didnât mean to stay here for long, so Iâm gonna head off.â I went to pick up my bag as I spoke disappointedly.Â
I couldnât allow myself to fall into the trenches. I needed to focus on my studies and tennis. Hard work makes everything worthwhile, and a boy isnât part of that everything right now.
âWait, Milan,â Art spoke up and grabbed my wrist, his grip as firm as it would be if he held his racket.Â
This made me freeze in my tracks. What the hell did he think he was doing?Â
My eyes slowly met Artâs as I parted my lips to speak, but nothing came out, so he spoke for me.
âItâs been months, Milan,â he started, his grip on my wrist still firm, his eyes scanning my face for any hints of discomfort. Â
âI know we only really talked with each other that one night and had no time to get to know each other, but I would like to get to know you better.â He didnât falter. Not once. I donât even think he blinked.Â
My lips had gone dry, and my voice, for some reason, grew hoarse.Â
âArtâŠâ I slowly began as I looked down at his hand, gripping my wrists. âThe four of us had a dealâŠâ I made sure to tread lightly with a severe tone.Â
Two feet and ten toes on the ground. Donât falter. Donât give in.Â
âTheyâre a happy fucking couple, Milan. I doubt they give two shits.â He stated matter-of-factly as I felt his thumb rub up and down on my wrist.Â
How naive.Â
Biting my lip in thought, I began an internal battle with myself. I wanted this so bad. And I could tell Art wanted it just as bad as I didâpossibly more.Â
I deserve a win other than tennis.Â
Sighing, I removed my arm from his grasp and moved to my tennis bag to look for a piece of paper. Instead, I found a piece of muscle tape and a small pencil. Quickly scribbling down my number, I could feel Art trying to see what I was doing.Â
âHere,â I said with slightly red cheeks as I stood back up and handed him the piece of muscle tape. âDonât go blowing up my phone now,â I playfully scolded before picking up my bag and walking past him, glancing at the triumphant smile playing on his perfect features.Â
Perfect? âŠyeah.Â
Before I began my trek to the dining hall, I touched Artâs shoulder and whispered in his ear.Â
âI didnât want to admit it, but I really wanna get to know you more, too.âÂ
NEXT DAY, STANFORD DORMS 11:00 AM
MEET ME IN THE DINING HALL FOR LUNCH?
My eyes stared at the text in utter disbelief. Art certainly didnât take any time once he got what heâd been craving all summer.Â
âWhy do you look so shocked?â Tashi laughed from the foot of my bed as she hit my leg.Â
Fuck.Â
My eyes looked to her as I shut my phone, put it next to me, and picked my computer back up to pretend to look at my study guide for an upcoming biology quiz.Â
âMy mom sent me a weird text,â I laughed awkwardly before covering my face with my computer.Â
âAre you fucking with me?â Tashi laughed as I heard her moving up towards my side of the bed.Â
She shut my computer to look at my face, which was for sure red as a tomato.Â
âYouâre lying,â she smirked before sitting on her knees and clapping her hands. What is it? A boy? A girl?â She persisted as she grabbed my leg and widely smiled at me.
I rolled my eyes at this before clicking my tongue. âWhy are you so dead set on the fact that I was texting someone romantically?â I crossed my arms and bit the inside of my cheek, probably a dead giveaway.Â
Tashiâs face fell as her brows furrowed, and she crossed her arms, mimicking me.Â
âYouâre joking, right?â She started before studying my stern expression. âWeâve known each other for what, eighteen fucking years?â She used this as a tactic to crack me. âI know your every expression and what it means. I could write a thesaurus on you if I wanted to.â She stated as she sucked on her teeth, brows still furrowed.Â
I stared at her sternly for a few beats before sighing and turning my head to look anywhere but at her.Â
âFine, you got meâŠâ I trailed before uncrossing my arms to fumble with my fingers. âbut this is the first time Iâve received a text, so itâs not important.â I put my hands up and looked at her as an explanation as to why she shouldnât ask questions.Â
I should know better.Â
Tashiâs annoyed face instantly turned into a happy one as she bounced on the bed and continuously hit my leg.Â
âWho is the lucky guy? or girlâŠâ She tilted her head with a goofy smile, which she would only show me.Â
âItâs a boyâŠâ I sighed before turning my head to look at my closest, as it suddenly looked very interesting.Â
No matter how long I had known Tashi, I couldnât gauge how she would react to this. Sheâs a very pushy person who likes everything to go her way, but Iâm hoping that since itâs me, she will react differently.Â
She shrieked and shook my legs back and forth with a giggle.Â
Sheâll be so disappointed.Â
âWho is it? Is it that cute boy I caught you practicing with the other week? Or that one boy that you sometimes study with from your Chemistry class? Or maybe it's that random guy from the baseball team I saw you talking within the dining hall last week?â She fired off in a millisecond as I stared at her in utter disbelief.Â
âOkay, first of all, how did you know about all of those? And second of all, the first guy is gay, the second guy has a girlfriend, and the last one was giving my pencil back to me after using it for a quiz we took in statistics.â I responded as I rolled my eyes so hard I thought the whites of them would turn permanent.Â
âIâm your best friend. I know everything.â She spoke eerily with wide eyes before breaking into a smirk. âSo, come on! Tell me who it is!â She bounced repeatedly on the bed and shook me back and forth until I finally had enough.Â
âFine!â I exclaimed and threw my hands up in the air.
Fuck it.Â
âIt was Art, alright.â I threw my hands up as I bit the bullet and came clean.Â
Tashiâs face dropped almost instantly as his name fell off my lips. She wasnât happy. Not at all.Â
âWhat the fuck do you mean?â She laughed in disbelief as she shook her head and moved her hands from my legs.Â
I immediately sat up more and moved towards her.Â
âI saw him after practice yesterday, and we got to talk,â I explained as I bit the inside of my cheek in anticipation. âHe asked for my number, and I figured since everything happened months ago, there would be no issueâŠâ I trailed off and looked her straight in the eyes with a pleading expression.Â
Tashi just stared at me and shook her head slowly.Â
âWe had a deal with themâŠâ She stared at me with an accusatory face.Â
âTash, I know,â I exclaimed and grabbed her hands. âBut you knew I liked him more than what happened in that hotel room. Plus, you and Patrick are happy, so why should it matter?â I asked and shook my head as I gripped her hands.Â
She stared at me as if I kicked her puppy and gasped in her throat. âUm, to keep their passion alive? To ensure they both strive for better and strengthen their relationship with tennis?â She spoke as if it was plain as day.Â
Furrowing my brows, I slowly shook my head and parted my lips, shocked.Â
âIs tennis all you care about?âÂ
I shouldnât have said that.Â
My words echoed in my mind as I retracted my hands from Tashiâs and bit my lip, feeling defeated. Her stare pierced into my soul as she looked away from me and placed her hands on her thighs.Â
âIf this is what you want, go ahead. I canât and wonât stop you.â She spoke slowly before eyeing me.Â
Fuck, I messed up.Â
âBut never think for a second that I care about tennis more than you.â She choked out as she looked at the picture of us in fifth grade sitting on my bedside table.Â
At this, my eyes widened, and I nodded slowly as a single tear slid down my cheek. Moving towards Tashi, I wrapped my arms around her waist and hugged her.Â
âPinky promise?â I whispered into her neck while she returned the hug.Â
âPinky promise.â She responded and grabbed my hand to interlock our pinkies.
#challengers#challengers fanfic#art donaldson#art donaldson x reader#patrick zweig#patrick zweig x reader#tashi duncan#tashi duncan x reader#zendaya#mike faist#josh o'connor#fanfic#best friend relationship#romance#challengers movie#challengers 2024#oc#challengers x oc#art donaldson x oc#patrick zweig x oc#tashi duncan x oc
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âwhat is this feeling?
summary: You and Peter have known each other since you were kidsâonly because you were friends with his distant cousin Olivia. While you have harbored a crush on him for years, you're sure he doesn't feel the same.
word count: 16.2k+ (31.6k+ total)
pairing: Peter Lyman x fem!reader
notes: i watched scoop (2006) for the first time a week-ish ago and i needed to write something with peter. it's kinda canon to the movieâin the sense that it follows a tiny bit of the story, mainly just the parties that were shown.
this was actually a bit hard to write, i kept second guessing myself wondering if i got his character right or not. i hope i did, bc this is a roller coaster. and also, be sure to look at the tags, because when i say toxic peter lyman, i mean it. and please don't ask how this is 32k words, i have no idea how it happened đ
since it is so long, there are two parts to this since tumblr has a word limit!
warnings/tags: loosely follows event of scoop (2006) but not canon, miscommunication, shy!reader, slow burn, jealousy, angst, mention of murder/death, toxic peter lyman, but also sweet peter lyman (the duality of man), happy ending, not proofread
â ⥠part 2 âĄ
You looked away from the mirror at your friend Olivia, who just got off the phone. âIâm sorry. I canât go tonight. My boss just called about a work emergency and itâs all hands-on deck.â
âOh.â You replied, setting down your lipstick, one you thankfully hadnât applied yet. âWell, I guess Iâll get out of your hair and go back to my plaââ
Olivia gasped, holding you by the shoulders. âWhat? No, youâre going to that concert.â
Your eyebrows rose and you stuttered, âbutââ
She cut you off with a grin, âcâmon, itâll give you time to bond with Peter.â Olivia drawled.
You felt your cheeks heat up, âI donâtâŠâ You trailed off, looking away from her and focusing on the wall behind her. There was a small blotch of white paint on her tan wall.
âYouâve spent a lot of time with him. Ever since we were kids.â
"Yeah, but heâs your cousin," you interjected, hoping Olivia would drop it.
Olivia rolled her eyes, squeezing your shoulders for emphasis. âSeriously, Y/N, itâs Peter. Heâs nice, he likes you, and youâve been to a million family things with him. Whatâs the big deal?â
You frowned, shaking her hands off. âItâs different, okay? Youâre usually there, or someone else is. I donâtâI just feel awkward when itâs just the two of us.â
She gave you a knowing smirk, leaning against the doorframe. âAwkward, huh? Or are you worried youâll stutter every time he so much as looks at you?â
âI donâtââ you started to protest, but Olivia laughed.
âYou do. You totally do.â
You crossed your arms, cheeks burning. âCan we not do this right now? Iâll just tell him you canât make it, and weâll both skipâproblem solved.â
Olivia groaned and grabbed her coat. âNope, not happening. Heâs already on his way to pick us up. Youâre going. Youâre putting on that lipstick. And youâre going to sit through the concert without spontaneously combusting.â
âLiv!â you whined, but she just winked, swinging her bag over her shoulder.
âHave fun!â she chirped, then disappeared out the door before you could come up with a good excuse to chase her down.
---
Peter arrived about fifteen minutes later, sharp as ever in a tailored black coat and that impossibly confident smile. You opened the door, trying not to feel self-conscious under his gaze.
âY/N,â he greeted warmly. âReady for the evening?â
âUh, yeah,â you stammered, stepping aside to let him in. âLiv had a work thing come up, so itâs just, um⊠us.â
He raised an eyebrow, a flicker of surprise passing over his face before he nodded. âShame she canât make it. But I suppose itâll give us a chance to catch up.â
You managed a small smile, grabbing your coat. âRight. Catch up.â
---
The car ride to the concert hall was quiet, save for Peterâs occasional remarks about the eveningâs program. He seemed perfectly at ease, while you stared out the window, hyper-aware of how close you were sitting.
When the car stopped, Peter stepped out first, offering you a hand as you climbed out. âYouâve been here before, havenât you?â he asked, gesturing to the grand concert hall.
âA few times,â you replied, trying to sound casual. âItâs always⊠impressive.â
He smiled. âWait until you hear tonightâs performance. Itâs one of my favorites.â
---
Inside, you settled into your seatsâside by side, of course. The lights dimmed, and the orchestra began to tune, the hum of violins filling the air. Peter leaned closer, his voice low.
âDo you know this piece?â
You turned to him, surprised by how close he was. âNot really. Should I?â
He chuckled softly. âI think youâll like it. Very dramatic.â
You nodded, quickly looking back at the stage, but you could feel his eyes on you for a moment longer before he leaned back into his seat.
---
At intermission, you both stood in the crowded foyer, surrounded by elegant couples sipping champagne. Peter handed you a glass, his expression thoughtful.
âSo,â he said, âhow are you finding it so far? Be honest.â
âItâs⊠really beautiful,â you admitted, fidgeting with the stem of your glass. âI donât usually go to things like this, but itâs nice.â
He studied you for a moment, then smiled. âYouâve always been good at appreciating the little things. Itâs one of the things Iâve always liked about you.â
You nearly choked on your sip of champagne, glancing up at him in surprise. âOh. Um⊠thank you.â
Peterâs smile widened, a glimmer of amusement in his eyes. âYou donât need to look so startled, Y/N. Itâs just a compliment.â
âRight,â you said quickly, cheeks heating up again. âOf course. Thanks.â
He tilted his head slightly, as if trying to figure you out. âYouâre adorable when youâre nervous, you know that?â
âIâwhat?â you stammered, but before you could finish, the bell chimed, signaling the end of intermission.
Peter offered his arm, his tone light but teasing. âShall we?â
You hesitated for a moment, then looped your arm through his, your heart pounding as you followed him back to your seats.
---
Once the concert was over, Peter led you out of the concert hall, his hand resting lightly at the small of your back. The crowd thinned as the night air hit your face, crisp and cool compared to the warmth inside. His car waited at the curb, sleek and polished, and he opened the door for you without hesitation.
âStill enjoying yourself?â he asked once you were both seated, his tone light.
âYes,â you replied, glancing at him. âIt was⊠really amazing. Thank you for inviting me.â
He gave a small, thoughtful smile, his hands resting loosely on the steering wheel. âIâm glad you came. I was afraid Iâd be sitting through it alone tonight.â
The comment was harmless, but you couldnât stop yourself from wonderingâwas that why he hadnât seemed to mind Oliviaâs absence? You pushed the thought aside, unsure what to say, and instead watched the city lights blur through the window.
---
When the car pulled up in front of your apartment building, Peter stepped out quickly, coming around to open your door. You murmured a quiet âthank youâ as you stepped out, feeling the weight of his presence beside you. He walked you to the buildingâs entrance, his movements effortlessly graceful as always.
âYou didnât have to walk me up,â you said softly, fumbling with your keys.
Peter raised an eyebrow, a hint of amusement in his expression. âItâs the gentlemanly thing to do, isnât it?â
You smiled faintly, unlocking the door and stepping inside with him close behind. The elevator ride was silent, though you caught him glancing at you once or twice. Your heart felt like it was lodged in your throat by the time you reached your floor.
When you reached your apartment door, you turned to face him, unsure how to say goodnight without sounding awkward. Peter beat you to it.
âTonight was lovely,â he said, his voice low and smooth. âYou were good company.â
âThanks,â you said, heat rushing to your face. âYou too.â
There was a beat of silence, and then Peterâs expression softened, his tone casual but warm. âYou donât have to feel obligated to say yes every time Olivia drags you along, you know. Iâd hate to think youâre going to these things just because you feel like you should.â
Your chest tightened. Was he saying he thought you didnât want to be here? That youâd only come because Olivia wasnât around to take your place? You forced a polite smile, ignoring the strange twist in your stomach.
âI donât mind,â you said lightly, hoping it sounded convincing. âItâs always nice to catch up.â
Peter smiled, though it didnât quite reach his eyes this time. âGood. Then⊠goodnight, Y/N.â
âGoodnight,â you replied softly, watching as he turned and walked back toward the elevator. You stood there for a moment, listening to the faint hum of the elevator descending before you finally stepped inside your apartment and leaned against the door.
You let out a breath you didnât realize youâd been holding, your thoughts spinning. Did you just get friendzoned? You shook your head, groaning under your breath. âDonât overthink it,â you muttered to yourself, but the knot in your chest didnât budge.
---
The next morning, Olivia burst into your apartment, barely waiting for you to open the door. âWell? How was it?â she asked, her grin wide as she plopped onto your couch.
You blinked, still holding your mug of coffee. âUh, it was fine.â
âFine?â she repeated, narrowing her eyes. âYou went to the Philharmonic with Peter Lyman, and all youâve got for me is âfineâ? No way. Spill.â
You sighed, setting your mug on the table and sitting down across from her. âIt was fine. He was polite, as always, and we had a nice time. ButâŠâ You hesitated, staring at your hands.
âBut?â Olivia prompted, leaning forward eagerly.
âI think he sees me as, like, your friend who tags along to family stuff. He made some comment about not feeling obligated to go to these things, like I only went because you couldnât.â
Olivia frowned. âWhat? That doesnât sound like Peter.â
âMaybe not, but thatâs how it came across,â you said, shrugging. âItâs fine. I didnât expect anything else.â
She tilted her head, studying you. âYouâre not seriously going to let one weird comment freak you out, are you?â
âIâm not freaking out,â you replied quickly, though the heat in your face said otherwise. âI just⊠I donât want to make things awkward.â
âY/N,â Olivia said, crossing her arms. âPeterâs not an idiot. If he said that, he probably didnât mean it the way youâre taking it.â
You shook your head. âI donât know. It doesnât matter anyway.â
Olivia rolled her eyes. âYouâre hopeless, you know that?â
âThanks,â you muttered, but she just laughed.
âDonât worry,â she said, standing up. âIf I know Peter, heâll figure it out eventually.â She paused, giving you a sly grin. âIn the meantime, maybe try not to overthink it.â
You groaned, covering your face with your hands as she left the room.
---
A week later, you and Olivia had a movie night at your place, and old romcom she loved in the DVD player.
You had your legs tucked under you, barely focusing on the movie before gaining enough courage to face her. âLiv? Do you think⊠wellâyou, I gotâŠâ
She took her gaze away from the TV. âHmm. Could be anything thatâs got you stuttering like that.â She grabbed your hand, giving it a squeeze. âOkay. Spill.â
You took a deep breath, blurting out, âJoshua asked me on a date.â
Olivia sat up straighter, grabbing the remote and pausing the movie. âJoshua? Like Lord Beckettâs youngest son? That Joshua?â
You squirmed under her gaze. âYeah. Apparently, he works as a journalist. He came over to the firm and was interviewing my boss.â
Olivia blinked, then leaned back with an exaggerated laugh. âOh my God, thatâs rich. Joshua Beckett, out of nowhere, asking you out?â She shook her head in disbelief. âHowâd he even swing that?â
You frowned. âI mean, he was⊠nice? Polite? We just talked for a bit after his meeting, and thenâbamâhe asked.â
Olivia smirked. âDid you say yes?â
âWell, yeah. I didnât want to be rude,â you admitted, your voice shrinking.
She threw a pillow at you. âWhat the hell, Y/N? This isnât âpolite conversationâ territoryâitâs a date! You canât just agree because you donât want to hurt someoneâs feelings.â
âI didnât know how to say no!â you shot back, clutching the pillow to your chest. âHe caught me off guard. And honestly, he seemed⊠fine?â
âFine,â Olivia deadpanned. âHigh praise, as always.â
You sighed. âLook, itâs just one dinner. It doesnât mean anything.â
Olivia squinted at you like she didnât buy it for a second. âRight. And this has nothing to do with Peter, huh?â
Your stomach flipped, and you quickly avoided her gaze. âThis has nothing to do with Peter.â
âUh-huh,â Olivia said knowingly. âSo, whenâs this casual, meaningless dinner happening?â
âFriday,â you mumbled.
âFriday,â she repeated with a hum, then grinned slyly. âGuess whoâs getting a phone call.â
You looked at her in alarm. âNo! Youâre not calling Peter!â
âOh, Iâm not?â she teased, already reaching for her phone.
âLiv, I swearââ
âRelax, Iâm kidding!â she said with a laugh, setting her phone aside. âBut seriously, Y/N⊠Joshua? Youâre going to have to explain that one to me.â
You groaned, flopping back against the couch. âI donât know, okay? I panicked. Itâs not like Peterâs lining up to ask me out, anyway.â
Oliviaâs smirk softened into something more thoughtful. âPeterâs⊠complicated,â she said after a moment. âBut you know he cares about you, right? I mean, he wouldnâtââ
You cut her off, shaking your head. âLetâs not do this. I canât think about Peter and⊠whatever this is. Not when Iâm already overthinking everything else.â
Olivia hesitated but eventually nodded. âFine. But for the record, I donât think youâre overthinking. I think youâre underthinking Peter.â
You groaned again, burying your face in the pillow. âCan we just finish the movie?â
âSure,â she said, grabbing the remote. But as she pressed play, she muttered under her breath, âYouâre totally underthinking it.â
---
Peter glanced at Olivia, who was reclining with a magazine in one hand and a cup of tea in the other, her legs crossed lazily. The faint echoes of splashing water and the quiet hum of conversation filled the air around the indoor pool.
âPerhaps youâd like to come to the garden party Father is throwing on Sunday,â Peter said, his voice casual as he stretched his arms.
Olivia glanced up briefly. âSure, sounds nice. Is it the usual crowd?â
Peter nodded, stepping to the edge of the pool. âMore or less. Family, some of Fatherâs associates. Nothing too overwhelming.â He paused, his tone shifting just slightly. âWill Y/N be coming?â
Olivia raised an eyebrow, setting down her tea. âOh, I donât know. Iâll ask her after her date tonight.â
Peter froze, mid-step, before lowering himself to sit at the poolâs edge. âDate?â His voice was calm, but the word lingered in the air.
âYeah, with Joshua Beckett,â Olivia said nonchalantly, flipping a page in her magazine. âYou know, Lord Beckettâs youngest. He ran into her at work and asked her out. She said yes.â
Peterâs expression didnât falter, though his fingers tapped lightly against his knee. âJoshua Beckett,â he repeated, as though testing the name on his tongue.
âMhm,â Olivia said, still focused on her magazine. âJournalist. Apparently, heâs charming. She didnât seem overly excited, though.â
âHmm.â Peter slipped into the pool gracefully, the water rippling around him. âWell, good for her. I hope it goes well.â
Olivia glanced at him over the edge of her magazine, a smirk tugging at her lips. âYou sound thrilled.â
Peterâs lips twitched in a polite smile, though he avoided her gaze. âJust being supportive.â
Olivia snorted, setting her magazine aside and standing up. âRight. Well, Iâm off to the spa. I need a massage after this long week. Donât drown or anything.â
Peter waved a hand as he began a slow backstroke. âEnjoy your massage.â
âThanks,â Olivia said breezily, heading for the door. âOh, and Iâll let you know if Y/N decides to come on Sunday.â
Peter didnât reply, his focus seemingly on the water, though his strokes became a little sharper, his movements a touch less fluid. When Olivia was gone, he exhaled slowly, staring up at the high ceiling.
âJoshua Beckett,â he muttered to himself, his voice low and contemplative, before diving underwater.
---
You and Olivia walked through the hedges into the garden area, where small tables were set up and people already mingling.
âDo you think they have those finger sandwiches I like?â you asked Olivia, scanning the tables set up around the garden. Your voice was quieter than usual, the low hum of polite chatter filling the air.
âIâm sure they do,â Olivia replied, smirking. âI mean, Peterâs father wouldnât dare host a garden party without catering to your very specific sandwich preferences, right?â
You rolled your eyes, a faint smile tugging at your lips. âYouâre hilarious.â
âAlways,â she said, giving you a quick pat on the shoulder before her eyes drifted to the side. âOh, speaking of Peterâthere he is. He looks like heâs on host duty already.â
Before you could turn, Olivia raised a hand, waving him over.
Peter approached with his usual effortless confidence, a light smile on his face. His suit was perfectly tailoredâcharcoal gray, understated but sharpâand he moved with the ease of someone who had never once felt out of place in a crowd.
âOlivia,â he greeted warmly. âY/N.â His gaze flicked to you, lingering just a second longer than necessary. âGlad you could both make it.â
âWouldnât miss it,â Olivia said, grinning. âI already saw the sandwiches, by the way. Youâve kept Y/Nâs favorites. Excellent hosting.â
Peter chuckled softly. âOf course. Wouldnât dream of disappointing.â He shifted slightly, his eyes scanning the immediate area. âWhereâs she gone?â
Olivia blinked and glanced beside her, only to realize you were no longer there. âWait, what? She was justââ
Peter raised an eyebrow, clearly amused. âImpressive. That might be the quickest escape yet.â
âShe does that sometimes,â Olivia said, sighing dramatically. âItâs like sheâs made of smoke or something. Well, Iâm sure she hasnât gone far. Iâll catch up with her in a bit.â
Peter gave a polite nod, though his gaze was already moving past her, scanning the clusters of guests. âNo need. Iâll find her.â
Without waiting for a reply, he turned and disappeared into the gardenâs maze of tables and guests.
---
You were standing by one of the smaller tables, a tiny plate in hand, already nibbling on a finger sandwich. Youâd ducked out as soon as Peter walked overânot because you didnât want to talk to him, but because it was always a little overwhelming when he was around. Somehow, he managed to be both incredibly easy to talk to and completely impossible to read at the same time.
The garden was peaceful, at least. You focused on the sounds of the birds and the clinking glasses, taking a moment to settle your nerves.
âEnjoying yourself?â
You jumped slightly at the sound of Peterâs voice, almost dropping your plate. He stood just a few steps away, his hands casually tucked into his pockets.
âIâuhâyes,â you stammered, quickly wiping your mouth with a napkin. âI was justâŠâ You gestured vaguely to the table of food.
âFinding the sandwiches, I see,â he said, a smile tugging at his lips.
âYeah,â you admitted, glancing down at the one in your hand. âTheyâre really good.â
âIâm glad,â Peter replied, stepping closer. âIâll have to thank the caterer for getting them just right. Though, knowing you, you probably wouldâve just been polite if they werenât.â
You blinked, caught off guard by his observation. âWell, I mean⊠itâs not like Iâd complain.â
He chuckled, his gaze steady on you. âNo, you wouldnât. But Iâm glad theyâre up to your standards.â
There was a beat of silence, the kind that felt heavy despite the lightness of the conversation. You fidgeted slightly, unsure what to say, until Peter spoke again.
âDid you enjoy your date?â
Your eyes snapped up to meet his, startled. âWhat?â
Peter stood much closer than before, his expression casual, but his eyes betrayed a flicker of curiosity. âYour date,â he said smoothly, as if it were the most natural topic in the world. âWith Joshua Beckett. Olivia mentioned it.â
You ducked your head, suddenly finding your plate very interesting. âOh, right. That. It was fine.â
âFine,â Peter repeated, a faint smile tugging at the corner of his mouth. âSuch high praise.â
You looked up, narrowing your eyes slightly. âWhatâs that supposed to mean?â
He tilted his head slightly, his tone light. âNothing at all. Just⊠âfineâ doesnât exactly scream thrilling success.â
âWell, it wasnât a disaster,â you said defensively, clutching your plate tighter. âHe was nice.â
âNice,â Peter echoed, his tone amused. âThatâs the second glowing endorsement.â
âPeter,â you sighed, finally meeting his gaze. âWhat are you getting at?â
He paused, studying you for a moment before responding. âIâm just curious. You donât usually go out with people like Joshua.â
Your brow furrowed. âPeople like Joshua? What does that even mean?â
âWell,â he began, his voice as smooth as ever, âheâs the youngest son of a very ambitious family. Polished, charming, likely quite used to getting what he wants.â
âSo⊠people like you,â you countered without thinking, then froze, immediately regretting it. âI meanâuh, not that youâjust thatââ
Peter laughed softly, the sound low and rich. âTouchĂ©.â
You pressed your lips together, looking down at your sandwich. âFor the record, he didnât get what he wanted.â
His brows lifted in mild surprise. âOh?â
You shifted uncomfortably. âI told him I wasnât interested in a second date.â
There was a pause, and when you glanced up, Peterâs expression was unreadable. âI see.â
Before you could decipher his tone, he straightened, glancing past you. âExcuse me a moment,â Peter said, his tone as smooth as ever. He stepped around you, heading toward the two new people with an effortless grace.
You turned, following his line of sight. A young woman with straight blonde hair and wiry glasses stood by the tables with an older man wearing a copper blazer.
You blinked, caught off guard by the sudden shift in his attention. Before you could process it, Olivia appeared at your side, holding a glass of sparkling water.
âWhoâs he off to save now?â she asked, smirking as she handed you the glass.
âI donât know,â you admitted, nodding toward the two strangers. âThey just walked in, and he left to meet them.â
Olivia squinted in their direction, taking a sip of her drink. âHmm. They donât look like the usual crowd. Maybe business?â
âCould be,â you murmured, watching as Peter shook hands with the older man before gesturing toward the house.
âShould we ask?â Olivia teased, nudging your arm.
âNo,â you said quickly, shaking your head. âItâs probably something private. Letâs just stay out of it.â
Olivia grinned knowingly. âRight, because thatâs exactly what weâre doing by standing here and staring.â
You sighed, looking away from the scene. âIâm just curious, okay? Itâs not like Iâm going to eavesdrop.â
âSure,â Olivia said, clearly unconvinced.
Out of the corner of your eye, you saw Peter lead the two guests toward the house. His hand rested lightly on the small of the blonde womanâs back as they disappeared into the crowd. You tried not to let it bother you, but Olivia didnât miss the way your grip on your glass tightened.
âWhoâs jealous now?â she muttered under her breath.
âIâm not jealous,â you replied quickly, though your tone betrayed you.
âUh-huh,â Olivia said, smirking. âWell, if youâre not going to ask, I will.â
Before you could stop her, she turned and started following the trio.
âOlivia, waitââ you called after her, but she waved a hand dismissively over her shoulder.
---
A few minutes later, Olivia reappeared, her expression a mix of curiosity and amusement. She found you lingering near the gardenâs edge, nervously sipping your drink.
âSo, I have news,â she announced, leaning against a tree.
âOlivia,â you groaned. âWhat did you do?â
âRelax,â Olivia said with a grin, casually tossing her hair over her shoulder. âI just asked Peter who they were. Turns out, the blonde is Jade Spenceâsome aspiring actress from Palm Beachâand her father, Mr. Spence. Theyâre staying with the Fultons.â
You blinked, trying not to let your curiosity show too much. âThe Fultons? As in⊠the Fultons?â
Olivia nodded, her smirk growing. âYup. And Peterâs apparently been playing tour guide or something. He mentioned meeting her a few days ago.â
You frowned slightly, glancing toward the house where Peter had disappeared with Jade and Mr. Spence. âTour guide?â
Olivia shrugged, swirling the water in her glass. âOr lifeguard, maybe. He said something about saving her from drowning in the pool.â
Your head whipped around. âWhat?â
âI know, right? So dramatic,â Olivia said with a laugh. âApparently, it was this whole thing. She was swimming alone, started panicking, and Peter swooped in like the hero he is.â
You looked down, fiddling with the edge of your plate. âWell, thatâs⊠nice of him.â
âUh-huh,â Olivia said, giving you a pointed look. âAnd now heâs escorting her around garden parties. Very hands-on for a guy whoâs usually so⊠you know. Detached.â
Your stomach churned uncomfortably, but you forced a nonchalant tone. âMaybe heâs just being polite. Sheâs staying with the Fultons, after all.â
âPolite?â Olivia echoed, raising an eyebrow. âY/N, Peter doesnât do polite for strangers. Heâs always charming, but this is different. Heâs⊠interested.â
You felt your chest tighten, but you quickly shook your head. âItâs probably nothing. Sheâs just visiting, and heâs being a good host.â
Olivia studied you for a moment, her smirk fading. âYou know, youâre allowed to be annoyed.â
âIâm not annoyed,â you said quickly, but your voice wavered just enough for Olivia to catch it.
âRight,â she said, crossing her arms. âBecause youâre totally fine with Peter playing Prince Charming for a random blonde from Florida.â
You frowned. âWhat do you want me to say, Olivia? Itâs not like Peter and Iââ You cut yourself off, your cheeks burning.
Olivia leaned in, her voice low but teasing. âNot like you what? Câmon, Y/N, finish that sentence.â
You groaned, covering your face with your hands. âForget it.â
âNope, not forgetting it,â Olivia said, pulling your hands away. âListen, Iâm not saying you need to storm the house and stake a claim or whatever. But if Peterâs trying to make you jealous, itâs working.â
You blinked at her. âYou think heâs doing this on purpose?â
"Could be. I mean, Peterâs smart. He knows what heâs doing," Olivia said with a shrug, her eyes glinting mischievously.
You snorted, shaking your head. "Thatâs ridiculous. Why would he try to make me jealous? He doesnât even like me like that."
Olivia tilted her head, giving you an exasperated look. "You seriously believe that?"
"Yes," you said firmly, though your voice wavered slightly. "Peterâs always been polite, maybe a little flirty, but thatâs just how he is with everyone. He doesnâtâ" You stopped yourself, suddenly self-conscious.
"He doesnât what?" Olivia pressed, leaning closer with that knowing smirk.
You rolled your eyes and sighed. "He doesnât see me that way, okay? Iâm just⊠his cousinâs friend. The tagalong at family stuff. Thatâs it."
Oliviaâs smirk dropped, replaced by something softer. "Y/N, youâre seriously blind if you donât think heâs at least interested."
You bit your lip, fidgeting with your drink. "It doesnât matter. Even if he wereâwhich heâs notâheâs clearly more interested in Jade right now."
Olivia snorted. "Jade Spence? Are you kidding? Thatâs just Peter being Peter. I bet he swooped in to âsaveâ her and now feels obligated to play the perfect host."
"Or maybe he actually likes her," you muttered, barely audible.
Olivia stared at you for a beat before sighing dramatically. "Youâre exhausting, you know that? The guy practically lights up every time youâre in the room, and youâre over here acting like heâs planning a wedding with some random actress from Florida."
You opened your mouth to respond, but Olivia cut you off, pointing her finger at you. "Nope. Donât even argue. If youâre too stubborn to see it, fine. But mark my words, Y/Nâheâs not into Jade. Heâs into you."
"Thatâs insane," you said quickly, brushing past her toward the refreshments table. "Youâre reading way too much into this."
"Am I?" Olivia called after you, clearly enjoying herself. "Guess weâll see."
---
Later that day when you got back to your apartment, you walked over to the rotary phone and dialed the number.
âHello?â
âHey, Joshua. I know I said I wasnât interested in a second date, butâwell, if you were, not that you have toâŠâ
You cringed, gripping the phone cord tightly as silence filled the line. Then, Joshuaâs warm voice came through, as composed as ever.
âY/N, hi. I wasnât expecting this, but⊠Iâd love to. If youâre sure?â
You glanced at the clock on the wall, your stomach twisting with nerves. âYeah, I mean⊠I thought maybe I judged too quickly last time. Youâre really nice, and it wasnât fair to justââ
âDonât overthink it,â Joshua interrupted gently. âHow about Friday? Dinner at that Italian place by the park?â
âSure,â you replied quickly, your voice higher-pitched than usual. âFriday sounds good.â
âGreat,â he said, his tone genuinely warm. âIâll call to confirm. Iâm glad you changed your mind, Y/N.â
You hung up, staring at the phone for a moment before groaning. âWhat am I doing?â
---
By the time Friday rolled around, Olivia had found out about the second date, of course.
âI canât believe you called him,â she said, draped across your bed as you picked through your closet. âItâs like youâre trying to drive yourself crazy.â
âI didnât call him to drive myself crazy,â you shot back, holding up a simple black dress. âI called becauseââ
âBecause you were spiraling after seeing Peter with Jade Spence,â Olivia finished smugly.
You turned toward her with a glare. âThatâs not why.â
âRight,â she said, sitting up and smirking. âSo why is it, then?â
You hesitated, biting your lip. âMaybe I just donât want to waste a chance with someone whoâs nice to me.â
Olivia snorted. âNice? Joshua Beckett is nice? Thatâs the bar now?â
You sighed, tossing the dress on the bed. âHeâs not just nice. Heâs smart, and he listens, andââ
âAnd heâs not Peter,â Olivia interrupted, raising an eyebrow.
âLiv,â you groaned.
âOkay, okay,â she said, holding her hands up in mock surrender. âWear the black dress. Heâll like it. Or whatever.â
---
While you went on your date with Joshua, Olivia went to the party Peter was hosting at his place. When she entered, Peter looked at the door and grabbed two glasses of champagne. âAh, Olivia.â They kissed each otherâs cheeks as a greeting. The door closed behind her causing Peter to glance over at the now shut door. âWhere is Y/N? Sheâs not sick again, is she?â
Olivia shrugged off her coat handing it to the waiter with a thanks. âOh, no. Sheâs on a date with Joshua.â She grabbed both glasses from Peterâs hands, one clearly meant for you.
Peterâs expression didnât change immediately, but his fingers tightened into a momentary fist. âJoshua,â he said slowly, his tone neutral. âI see.â
Olivia sipped from one of the glasses sheâd swiped, her eyes gleaming with amusement. âYup. Second date. She called him, actually. Kind of a bold move for Y/N, donât you think?â
âVery bold,â Peter replied, his voice calm but clipped. âI thought she wasnât interested.â
Olivia shrugged, her lips curling into a sly smile. âShe changed her mind. Or maybe someone made her change her mind.â
Peterâs gaze flicked toward her, sharp as glass. âWhatâs that supposed to mean?â
âOh, nothing,â Olivia said innocently, taking another sip. âJust that she seemed a little⊠distracted after your garden party. You wouldnât know anything about that, would you?â
âOf course not,â Peter said smoothly, though there was a flicker of something in his eyes. âI didnât realize I had such influence over her decision-making.â
Olivia tilted her head, studying him. âYou know, for someone whoâs supposedly indifferent, you seem awfully interested in her dating life.â
Peterâs jaw tightened imperceptibly. âSheâs your friend. Naturally, Iâm curious.â
âRight,â Olivia drawled, clearly enjoying herself. âWell, if youâre so curious, maybe you should ask her about it. Or better yet, tell her why it bothers you so much.â
âIt doesnât bother me,â Peter said, his tone cool. âSheâs free to make her own choices.â
âUh-huh,â Olivia replied, giving him a knowing look. âSo, youâre totally fine with her going out with a guy like Joshua Beckett? Polished, ambitious, very⊠not you?â
Peterâs lips curved into a faint, humorless smile. âWhat an interesting way to phrase it.â
âJust calling it like I see it,â Olivia said lightly. She leaned closer, lowering her voice. âYou know, Peter, you could just admit you like her. Might save everyone a lot of time.â
Peter didnât answer immediately, his gaze drifting toward the door. âI think Iâll fetch another drink,â he said finally. âExcuse me.â
âRunning away?â Olivia teased, but Peter was already walking off, his steps measured and deliberate.
---
âHe was actually quite nice. And he likes math and sci-fi movies,â you said, plopping down onto Oliviaâs couch.
Olivia leaned against the armrest, her eyes narrowing in suspicion. âMath and sci-fi movies? Be still my heart. Did he also show you his extensive collection of pocket protectors?â
You frowned, tossing a throw pillow at her. âIâm serious! Heâs smart, and⊠I donât know, easy to talk to.â
âUh-huh,â she said, dodging the pillow effortlessly. âAnd yet, here you are, talking to me about him like heâs your neighborâs golden retriever. Youâre trying too hard to sell it, Y/N.â
âIâm not trying to sell anything,â you muttered, crossing your arms. âIt was a nice date. Thatâs it.â
Olivia raised an eyebrow. âDid you agree to another one?â
You hesitated, fiddling with the hem of your sweater. âHe asked. I said Iâd think about it.â
âThere it is,â Olivia said, sitting up straight. âYouâre not even sure, are you?â
âItâs not like that,â you protested weakly.
âItâs exactly like that,â she shot back. âYouâre trying to convince yourself heâs interesting becauseâoh, let me guessâPeter has you in knots.â
You sighed heavily, rubbing your temples. âWhy does everything always come back to Peter with you?â
âBecause you get weird whenever heâs involved!â Olivia said, throwing her hands up. âSeriously, you were fine until Jade Spence showed up with her Barbie vibes, and now youâre spiraling.â
âI am not spiraling,â you said firmly.
âOh, please,â Olivia scoffed. âYou practically ran to Joshua the second you saw Peter being nice to her. Donât think I didnât notice.â
You glared at her. âMaybe I just wanted to see if there was something there with Joshua.â
âAnd?â she challenged.
You hesitated, biting your lip. ââŠAnd I donât know.â
Olivia sighed, leaning back into the couch cushions. âY/N, listen to me. You can go on a hundred dates with guys like Joshua, but itâs not going to change how you feel about Peter.â
âI donâtââ
âDonât even try,â she interrupted, holding up a hand. âYou do. And itâs painfully obvious to anyone with eyes. So, instead of wasting your time on Mr. Math Enthusiast, maybe you should figure out whatâs actually going on with Peter.â
You opened your mouth to argue, but the sound of the doorbell ringing cut you off. You looked at Olivia who looked at you.
âWhat are you doing? Go answer it.â Olivia said.
âWhatâbut this is your apartment!â You argued.
Olivia pushed your side, âgo on!â
You stood up and made it past her before turning around. âPeterâs not at the door is he?â She shrugged, not responding. âOlivia! Youââ
The doorbell rang again, pulling you out of your thoughts. Olivia waved her hand toward the door, not bothering to look away from the TV. âGo already! Itâs not going to answer itself.â
Muttering under your breath, you shuffled toward the door, half-wondering why Olivia wasnât doing this herself. You swung it open, and there he wasâstanding impeccably dressed in a casual button-up and dark slacks, as if heâd stepped straight out of a magazine.
âPeter?â you blurted, gripping the doorknob a little tighter than necessary. âWhat are you doing here?â
He offered you a polite smile, holding up a small clutch. âOlivia left this behind at the party. I thought Iâd return it before it got lost in the shuffle.â
You blinked, glancing at the bag in his hand. âOh. Right. Well, thanks for bringing it by.â
âOf course.â His voice was smooth as always, but his eyes flicked past you into the apartment. âIs Olivia in?â
âYeah, sheâsââ
âWatching TV!â Olivia called from the couch. âBring it here, Peter. And while youâre at it, grab me a soda, would you?â
You shot her a glare over your shoulder, but Peter chuckled softly. âShould I let myself in, orâŠ?â
âOh, come in,â Olivia said loudly. âY/N doesnât bite.â
Peter stepped past you with an easy smile, and you resisted the urge to retreat to the kitchen. Instead, you followed him into the living room, your stomach doing a weird little flip as he handed Olivia the clutch.
âYour soda,â he said with a smirk, âyouâll have to get yourself.â
âUgh, useless,â Olivia teased, but she took the bag with a grin. âThanks, though. Iâd have never remembered it.â
Peter turned back to you, his expression unreadable. âSo, Y/N. How was dinner with Joshua?â
Your cheeks burned immediately. âOh, um, it was⊠fine.â
âFine,â he repeated, the faintest hint of amusement in his tone. âYou use that word a lot.â
âWell, itâs a good word,â you muttered, crossing your arms.
Peter didnât look away, his gaze steady. âI take it things went well, then?â
Before you could answer, Olivia snorted. âSheâs not seeing him again, if thatâs what youâre fishing for.â
âOlivia!â you hissed, glaring at her.
âWhat?â she said, feigning innocence. âIâm just saving time.â
Peterâs brow lifted slightly, though his expression remained calm. âNot seeing him again?â he asked, directing the question to you. âThatâs surprising. He seemed like a⊠suitable match.â
You frowned. âWhatâs that supposed to mean?â
Peter tilted his head, his lips curving into a faint smile. âOnly that he seemed like someone whoâd check all the right boxes.â
âWell, maybe Iâm not interested in someone who just checks boxes,â you said before you could stop yourself.
Peterâs smile deepened, his eyes glinting with something unreadable. âInteresting.â
The silence stretched, thick with unspoken things, until Olivia cleared her throat dramatically. âWell, this is fun, but if no oneâs grabbing me a soda, Iâll do it myself.â
She hopped off the couch, leaving you alone with Peter. You shifted awkwardly, clutching your arms. âSo⊠thanks for bringing her bag by.â
âIt was no trouble,â Peter said, his voice gentler now. âI couldâve had it sent over, but I thought itâd be nice to see you both.â
You hesitated, biting your lip. âRight. Well⊠itâs good to see you too.â
He stepped closer, his voice dropping just slightly. âYouâve been avoiding me.â
Your eyes widened. âWhat? I havenâtââ
âYou disappeared at the garden party,â he interrupted, his tone calm but firm. âAnd you werenât at my party yesterday.â
You looked down, heat creeping up your neck. âI wasnât avoiding you. I just⊠had other things going on.â
âLike Joshua?â he asked, his voice sharp enough to make you flinch.
You glanced up, meeting his gaze. âWhy does it matter?â
He held your gaze, his expression softening. âMaybe it doesnât.â
The sound of the fridge door slamming broke the moment, and Olivia reappeared with a soda in hand. âAm I interrupting something?â
âNo,â you said quickly, stepping back. âPeter was just leaving.â
Peterâs lips twitched into a small smile, but he didnât argue. âI should be going. Thank you, Olivia.â
âAnytime,â she replied, smirking. âBye, Peter.â
He turned to you one last time, his eyes lingering for a moment. âGoodnight, Y/N.â
âGoodnight,â you whispered, watching as he left.
Once the door shut, Olivia let out a low whistle. âWell, that was something.â
âDonât,â you warned, already heading for the kitchen.
âI didnât say anything!â Olivia called after you, her voice full of laughter. âBut seriously, Y/N, you might want to think about what youâre doing.â
You groaned, opening the fridge. âWhat Iâm doing is making tea.â
âSure,â Olivia said lightly. âBecause tea will totally solve your Peter problem.â
You slammed the fridge door shut, wishing it were that simple.
---
Joshua invited you over to a philharmonic concert. He had brought it up while he had taken you out for lunch during your break.
You accepted and now were walking through the elegant, familiar foyer of the concert hall, arm in arm with Joshua. The polished marble floors reflected the soft glow of the chandeliers, and the hum of polite conversation filled the air.
Joshua glanced at you, his smile easy. âYouâve been here before, havenât you? You seem comfortable.â
âOnce or twice,â you replied, trying not to think about the last time. With Peter.
âAh, of course,â Joshua said lightly. âItâs one of my favorite venues. The acoustics are exceptional.â
As he spoke, your eyes caught a familiar figure just across the room. Peter. He was standing near the staircase, chatting with Jade Spence, who laughed at something he said, her hand briefly touching his arm.
You stiffened, and Joshua followed your gaze. His brow lifted slightly. âPeter Lyman. What a surprise. Didnât expect to see him here tonight.â
Your voice was tight. âHe enjoys the Philharmonic.â
Joshua chuckled softly. âDonât we all? Come on, letâs say hello.â
âWaitââ you started, but Joshua was already steering you toward them.
Peter noticed you first. His eyes flickered from Joshua to you, his expression unreadable, though there was a subtle shift in his posture. Jade turned as well, her bright smile widening when she saw Joshua.
âJoshua Beckett,â Peter greeted smoothly, his voice carrying that effortless charm. âGood to see you.â
âPeter,â Joshua replied, shaking his hand. âAnd Jade Spence, of course. I heard you were in town.â
Jadeâs laugh was nervous. âUhâyes, with my father.â Her gaze shifted to you, her smile polite but curious. âAnd you are?â
âY/N,â you said softly, glancing at Peter briefly. His gaze was steady, focused, and unsettlingly intense.
âAh, yes,â Jade said, her tone light. âI think Peter mentioned you.â
Your stomach flipped at that, but Joshua cut in before you could dwell on it. âY/N is a dear friend. Weâre enjoying the evening together.â
Peterâs jaw tightened, though his smile didnât falter. âHow lovely. Iâm sure youâll both enjoy the program tonight. Itâs one of my favorites.â
âYouâve got great taste, as always,â Joshua replied smoothly, before glancing at his watch. âWe should find our seats, Y/N. Donât want to miss the overture.â
âOf course,â you said quickly, eager to leave the tension hanging in the air.
âEnjoy the performance,â Peter said, his eyes lingering on you as Joshua led you away. You didnât dare look back.
---
Your seats were directly in front of Peter and Jade. As the orchestra began, you focused on the stage, but you could feel Peterâs gaze like a weight on your back. Joshua leaned closer to point out something about the composer, his voice low and warm, but you barely heard him.
Peter, meanwhile, wasnât paying attention to the orchestra at all. His eyes never left you, the flicker of a frown crossing his face whenever Joshua leaned in or made you smile.
Jade noticed. She shifted slightly in her seat, her voice a soft whisper. âPeter, youâre not even looking at the stage.â
He didnât respond immediately, his eyes still locked on you. Finally, he leaned back, a faint smirk tugging at his lips. âJust admiring the company,â he said smoothly.
Jade glanced at you and Joshua, then back at Peter. Her brow arched, but she said nothing, returning her attention to the performance.
---
At intermission, you stayed in your seat, flipping through the concert program and trying to focus on the upcoming pieces. Joshua had gone to grab drinks, leaving you alone in the steadily emptying hall. The chatter of other patrons filled the space, but you tuned it out.
The soft creak of the seat next to you folding down made you glance up. Peter.
He sat with effortless ease, one leg crossed over the other, his hands resting on the arms of the chair. âYou always were the studious type, werenât you?â His voice was smooth, teasing but gentle.
You blinked, glancing between him and the program in your hands. âWhat are you doing here?â
âItâs intermission,â he replied simply, his gaze steady. âThought Iâd say hello. Is that a problem?â
âNo,â you said quickly, shifting slightly in your seat. âItâs just⊠unexpected.â
Peter smirked faintly. âIâve been told Iâm full of surprises.â He leaned back slightly, his tone casual. âYou know, this concert reminds me of when Olivia insisted you both take violin lessons. What were youâten? Eleven?â
You stared at him, caught off guard by the memory. âI was ten. Olivia was eleven.â
He nodded, his smile growing. âRight. And she quit after one session, didnât she? Said something about the teacher being âa tyrant in a cardigan.ââ
You couldnât help but laugh softly. âShe hated it. And she convinced her parents it was pointless for both of us to continue, even though I wanted to keep going.â
Peterâs eyes softened. âI remember. You were disappointed for weeks.â
You glanced down at the program, your voice quieter now. âI didnât think anyone noticed.â
âI noticed,â Peter said, his tone gentler. âYou have this way of hiding how you feel, but itâs always there if you know where to look.â
Your heart skipped a beat, but before you could respond, Peter glanced toward the aisle. âHere comes your date.â
You followed his gaze and spotted Joshua making his way back, carrying two glasses of wine. Peter stood smoothly, his polite smile firmly back in place.
âEnjoy the rest of the concert,â he said, his tone light as he stepped aside to let Joshua pass.
Joshua handed you one of the glasses, glancing at Peter as he moved back toward his own seat. âWhat was that about?â
âNothing,â you said quickly, taking a sip of your wine. âHe was just saying hello.â
Joshua nodded slowly, his expression thoughtful. âYou and Peter are close, arenât you?â
You hesitated. âI guess. Weâve known each other a long time.â
âHmm,â Joshua murmured, his gaze flicking briefly toward Peter and Jade, who were chatting again near the back of the hall. âHe seems⊠invested.â
âWhatâs that supposed to mean?â you asked, your voice defensive.
Joshua shrugged, a faint smile on his lips. âJust an observation.â
The bell chimed, signaling the end of intermission. You followed Joshua back to your seats, settling in as the lights dimmed.
As the orchestra began, you couldnât shake the feeling of being watched. You didnât dare glance back, but you could feel Peterâs gaze like a tangible weight.
Joshua leaned closer, pointing out something in the performance. You nodded along, but your focus was elsewhere.
Behind you, Peter sat beside Jade, his expression unreadable as his eyes lingered on you. Jade noticed, her voice barely a whisper. âPeter, youâre missing the performance.â
âIâm not,â he murmured, though his gaze remained fixed on you.
Jade sighed softly but didnât press further, turning her attention back to the stage.
You, meanwhile, tried to ignore the tension coiling in your chest, the strange awareness that had followed you since intermission.
The music swelled, filling the hall, but all you could think about was the man sitting just a few rows behind you.
---
âHe what?â Olivia shrieked. âOh, man. Heâs relentless.â
âWhat do you mean ârelentless?ââ you said, crossing your arms and leaning against Oliviaâs kitchen counter. âHeâs the one whoâs dating Jade in the first place.â
Olivia froze mid-sip of her tea, her eyebrows shooting up. Slowly, she set the mug down and turned to face you fully, her lips curling into a sly grin. âOhhh, so now you admit it.â
âAdmit what?â you asked, avoiding her gaze.
âThat you care,â Olivia said, smirking. âBecause last I checked, you were all âPeterâs not into me,â and âJade Spence is just a guest,â blah, blah, blah.â
You scoffed, pushing off the counter. âThatâs not what this is about. I just think itâs ridiculous youâre calling him relentless when heâs clearly moved on.â
Olivia gasped, clutching her chest dramatically. âMoved on? From what, exactly? Because to move on, youâd have to have been on something in the first place. And as far as I know, nothingâs ever happened between you two.â
âExactly,â you said quickly, throwing your hands up. âSo whatâs the point?â
âThe point,â Olivia said, stepping closer and poking your shoulder, âis that youâre jealous.â
You rolled your eyes, though your cheeks were starting to burn. âIâm not jealous.â
âReally?â she said, raising an eyebrow. âBecause you literally just said, âheâs the one whoâs dating Jade in the first place.â Thatâs got âgreen-eyed monsterâ written all over it.â
âThatâs notââ you started, but Olivia cut you off.
âY/N, come on,â she said, her tone softer now. âYouâve been acting weird ever since Jade showed up. Youâre suddenly going out with Joshua, of all people, and now youâre watching Peter like a hawk every time heâs in the same room.â
âIâm notââ you tried again, but Olivia just kept going.
âAnd donât even get me started on the way you probably looked at him during the concert,â she said, crossing her arms. âYou might as well have had a flashing sign over your head that said, âI wish I was sitting next to him.ââ
You groaned, rubbing your temples. âYouâre reading way too much into this.â
âAm I?â Olivia said, leaning closer. âBecause from where Iâm standing, itâs pretty obvious. You like Peter. And whether you want to admit it or not, him hanging out with Jade is driving you nuts.â
You didnât respond right away, staring at the floor as Oliviaâs words sank in. Finally, you muttered, âIt doesnât matter. Heâs with her. End of story.â
âY/N,â Olivia said, exasperated. âYou donât get it, do you? Heâs not with her. Heâs using her.â
Your head snapped up, your eyes narrowing. âThatâs a terrible thing to say. Peterâs not like that.â
âOh, please,â Olivia said, rolling her eyes. âPeterâs a lot of things, but subtle isnât one of them. Heâs parading Jade around because heâs trying to get a reaction out of you.â
âThatâs insane,â you said, shaking your head. âWhy would heââ
âBecause he likes you, you idiot!â Olivia practically shouted, throwing her hands up. âAnd he doesnât know how to deal with it because youâve been so busy convincing yourself he doesnât!â
You stared at her, stunned into silence. For a moment, the only sound in the room was the faint ticking of the clock on the wall.
Finally, you found your voice. âIf thatâs true,â you said quietly, âthen why hasnât he said anything?â
Olivia sighed, her expression softening. âBecause heâs Peter. Heâs not going to lay it all out there unless heâs sure itâs what you want too.â
You opened your mouth to respond, but the words caught in your throat. Deep down, a small part of you wondered if Olivia was rightâif Peterâs actions, his lingering looks, and his sudden attention to Jade were all because of you. But another part of you was too afraid to believe it.
âWell?â Olivia said, raising an eyebrow. âWhat are you going to do?â
âI donât know,â you admitted, your voice barely above a whisper.
Olivia smirked, leaning back against the counter. âWell, youâd better figure it out. Because if you donât, someone else is going to make the first move. And I donât think youâll like how that turns out.â
You swallowed hard, her words echoing in your mind as you stared out the window, unsure of what your next step should be.
---
The party at Baron Edwardâs estate was in full swing, and you found yourself clinging to the edge of the crowd, sipping something sparkling and pretending to look interested in the artwork on the walls. Joshua was mingling effortlessly, charming guests with his smooth conversation and quick wit. Olivia had disappeared somewhere, likely causing her usual brand of chaos.
Across the room, Peter was standing near Jade, the two of them engaged in polite conversation with a small group. He looked as polished as ever, his tailored suit sharp against the warm glow of the chandeliers. You noticed his hand resting lightly on the back of Jadeâs chair, and for reasons you didnât want to unpack, it sent a pang through your chest.
Joshua reappeared at your side, offering you a warm smile. "What do you say, Y/N? Care to join me for a dance?"
You felt your cheeks heat up instantly, your fingers tightening on the glass of champagne youâd been nursing for the past half hour. "Oh, um⊠I donât really think Iâmâ"
He gave you an easy smile, his hand already half-extended. "Youâll be fine. I promise not to step on your toes."
You shook your head quickly, the thought of dozens of pairs of eyes on you making your chest tighten. "I think Iâll sit this one out. Sorry."
Joshua tilted his head slightly, studying you for a moment before nodding. "No need to apologize. Maybe next time." He glanced around and spotted Olivia chatting with a group near the drinks table. "Mind if I steal your friend, then?"
"Not at all," you said quickly, grateful he didnât press the issue.
Joshua smiled, gave you a small nod, and headed off toward Olivia, who didnât hesitate to accept his offer. You watched as they made their way to the dance floor, Olivia laughing at something Joshua said as he spun her gracefully into the music.
"You couldâve at least warned him you were a terrible dancer."
The low, familiar voice sent a shiver down your spine. You turned to find Peter standing beside you, one hand tucked casually in the pocket of his perfectly tailored suit. His gaze was sharp but amused, his lips curved in a faint smile.
"I didnât think it was necessary," you muttered, looking down at your glass.
Peter tilted his head, his tone light. "And here I thought you were just trying to keep him from getting too attached."
Your head shot up, your eyes narrowing. "Thatâs notâ"
He chuckled softly, cutting you off. "Relax, Y/N. Iâm joking. Though I have to say, Iâm a little surprised. You used to love dancing when we were younger."
You frowned, crossing your arms. "That was different. We were kids, and no one was paying attention back then."
Peterâs smile deepened, his gaze unwavering. "And now?"
"Now," you said quickly, "itâs just⊠not my thing."
"Hmm," he mused, his tone carrying that infuriating mix of charm and challenge. "I donât believe you."
You raised an eyebrow, trying to mask your growing discomfort. "Well, you donât have to."
Peter didnât respond immediately. Instead, he extended a hand toward you, his eyes meeting yours with quiet intensity. "Dance with me."
"What?" you blurted, your heart skipping a beat.
"You heard me," he said, his voice steady. "Dance with me. Just one song."
"IâI canât," you stammered, glancing around nervously. "Not here."
Peterâs smile shifted, softer now but no less insistent. Without waiting for an answer, he took your glass from your hand, setting it down on a nearby table, and offered his arm. "Then letâs find somewhere quieter."
You hesitated, glancing toward the dance floor where Olivia and Joshua were spinning effortlessly among the other couples. "Peter, I donât thinkâ"
"Trust me," he interrupted gently.
Before you could protest, he guided you out of the main ballroom and into a dimly lit hallway just off to the side. The music followed faintly, softer now, the sounds of laughter and conversation fading into the background.
Peter stopped near a small alcove, his hand still lightly resting on your arm. "Better?"
You nodded, though your heart was still racing. "A little."
"Good," he said, stepping closer. He took your hand in his, his touch warm and steady. "Now, letâs try this again."
"Peter, Iâm going to embarrass myself," you whispered, your voice barely audible.
"You wonât," he said firmly, his thumb brushing over your knuckles. "Itâs just us, Y/N. No oneâs watching."
You hesitated, but the way he looked at youâpatient, encouraging, and far too confidentâmade it impossible to say no.
"Okay," you murmured, your voice so soft you werenât sure he even heard you.
Peter smiled, a genuine one this time, and placed your other hand lightly on his shoulder. His hand settled on your waist, the touch sending a strange flutter through your chest.
"See?" he said, his voice low as he guided you into a slow, swaying rhythm. "Nothing to it."
"I feel ridiculous," you admitted, glancing at your feet to make sure you werenât stepping on him.
"Donât," Peter said softly. "Youâre doing fine."
You glanced up at him, his face closer than youâd realized. His expression was calm, but his eyes⊠there was something in them you couldnât quite name.
The faint strains of the orchestra drifted through the hallway, and for a moment, it felt like the rest of the world had fallen away.
"Youâre not bad at this," Peter said after a while, his tone teasing.
You rolled your eyes, though a small smile crept onto your lips. "Youâre a very biased judge."
"Maybe," he admitted, his lips twitching into a smirk. "But Iâm right, arenât I?"
You didnât answer, your gaze dropping to his collar instead. His tie was slightly loosened, just enough to make him look effortlessly disheveled in a way that only Peter could manage.
"Y/N," he said softly, drawing your attention back to his face. His smile had faded, replaced by something quieter, more serious.
"Yes?" you asked, your voice barely above a whisper.
He hesitated, his hand tightening slightly on your waist. "Why do you let him distract you?"
"Who?" you asked, confused.
"Joshua," Peter said simply, his tone calm but pointed. "Youâre not interested in him."
You froze, your cheeks burning. "Thatâs notâ"
"You donât have to explain," he interrupted, his voice low. "I just⊠I donât understand why youâre pretending."
Your chest tightened, his words cutting far closer to the truth than you wanted to admit. "Iâm not pretending."
Peterâs eyes searched yours, his expression softening. "You donât have to, Y/N. Not with me."
For a moment, neither of you spoke, the distant sound of the music filling the silence.
"IâŠ" you started, but the words wouldnât come.
Peter leaned in slightly, his voice dropping to a whisper. "Think about it, Y/N. Thatâs all Iâm asking."
You couldnât move, couldnât breathe, as his words settled in the air between you. And then, just as suddenly as it had begun, the moment was gone.
Peter stepped back, his hand slipping from your waist. "Thank you for the dance."
You nodded mutely, watching as he turned and walked away, his footsteps fading down the hall.
Your heart was still racing, and as the music swelled again, you couldnât shake the feeling that everything had just changed.
---
A few days after the party you were laying on Oliviaâs couch, a box of tissues in your lap and a cool rag on your forehead.
âOh, sweetie.â Olivia cooed, taking the rag away from you.
ââM not a baby,â you muttered, pulling the blanket tighter around yourself as Olivia dabbed your forehead with the cool rag.
âI know,â she teased, sitting back on the edge of the coffee table. âBut youâre my favorite patient, so deal with it.â You gave her a weak glare, which she met with a smirk. âHonestly, Y/N, youâre lucky I love you. Iâve got work in a bit, and instead of doing literally anything else, Iâm here playing Florence Nightingale.â
âDonât let me keep you,â you replied, your voice hoarse. âIâll leave when you do. Iâll get a cab back to my place.â
Olivia frowned, crossing her arms. âYouâre really going to haul yourself into a cab like this? You can just stay here.â
You shook your head, coughing lightly into a tissue. âIâll be fine. I donât want to be in your way.â
âLike you could ever be in my way,â Olivia scoffed, standing and smoothing her blouse. âAlright, if you insist on being stubborn, Iâll drop you at the cab stand on my way out.â
She disappeared down the hall to finish getting ready, and you closed your eyes, trying to focus on the sound of the TV in the background instead of the pounding in your head.
A few minutes later, the doorbell rang. You heard Oliviaâs muffled footsteps and then the sound of the door opening.
âOh, Peter,â Olivia said, her voice laced with mild surprise. âWhat are you doing here?â
âI was in the neighborhood,â Peter replied smoothly. âThought Iâd check in.â
âWell, Iâm heading to work in a minute,â Olivia said, her voice casual. âBut Y/Nâs in the living room. Sheâs not feeling great, though, so donât expect sparkling conversation.â
There was a pause, and then you heard Peterâs footsteps approaching. You opened your eyes just as he entered the room, his expression softening when he saw you curled up on the couch.
âYou look dreadful,â he said, his tone gentle but teasing.
âThanks,â you croaked, giving him a weak smile.
He chuckled, crouching down so you were eye level. âWhatâs the plan? Olivia mentioned a cab.â
You nodded. âWhen she leaves, Iâll call one and head home.â
Peter frowned slightly, standing and crossing his arms. âNo, you wonât.â
âExcuse me?â you said, sitting up a little.
âYouâre not well,â he said firmly. âIâll take you home.â
âPeter, thatâs not necessaryââ
âIt is,â he interrupted, his tone leaving no room for argument. âI donât trust you to actually rest if youâre left to your own devices. Come on, letâs get you sorted.â
Olivia reappeared, shrugging into her coat and raising an eyebrow. âWhatâs going on?â
âChange of plans,â Peter said, offering you a hand. âIâm taking her home.â
You hesitated, glancing between them, but Olivia grinned. âWell, arenât you sweet? Take good care of her, Peter. Sheâs a nightmare when sheâs sick.â
âNoted,â Peter replied, helping you stand. âLetâs go, Y/N.â
---
The drive to your apartment was quiet. You leaned against the cool window, trying to ignore how warm your cheeks feltânot just from the fever, but from Peterâs presence.
When you reached your building, Peter insisted on helping you out of the car and up the stairs, his hand resting lightly on your back as you walked.
âYou really donât have toââ
âY/N,â he said, cutting you off as he opened your apartment door with the spare key Olivia had borrowed and returned. âLet me help. Youâre not going to convince me otherwise.â
Once inside, he guided you to the couch, setting your blanket over you and grabbing a pillow to tuck behind your head.
âComfy?â he asked, his voice softer now.
You nodded, already feeling more at ease. âThank you.â
Peter smiled faintly. âDonât thank me yet. I havenât even started making tea.â
âYouâre staying?â you asked, your eyes widening slightly.
âOf course,â he said lightly, already heading toward the kitchen. âSomeone has to make sure you donât keel over.â
âPeter, I can take care of myself,â you called after him, though the argument sounded weak even to your own ears.
âIâm sure you can,â he replied, his voice teasing. âBut humor me.â
You sighed, leaning back into the cushions. As much as you hated to admit it, having him there was⊠comforting.
âDo you even know where I keep the tea?â you called, a small smile tugging at your lips despite yourself.
âIâm resourceful,â he shot back, and you could hear the sound of cabinets opening and closing.
Shaking your head, you closed your eyes, letting the quiet sounds of him moving around your kitchen fill the air.
Peter returned from the kitchen a few minutes later, carrying a mug of tea. He crouched beside the couch, offering it to you with a soft smile. âHere. Drink this.â
You blinked at him, your fingers curling around the warm mug. âYou really didnât have to.â
He leaned an arm on the edge of the couch, his face a bit closer now. âI know. But I wanted to.â
You swallowed, unsure how to respond, so you took a small sip of the tea instead. The warmth spread through your chest, soothing in a way you hadnât expected.
âGood?â he asked, watching you intently.
You nodded, your voice soft. âItâs perfect. Thank you.â
He smiled, his eyes flickering to your hair. Without saying anything, he reached up, brushing a stray strand away from your face. The motion was so casual, yet it sent a flutter through your chest.
âYouâre burning up,â Peter said quietly, his hand lingering near your cheek before he pressed it lightly against your forehead. âWhenâs the last time you took anything for the fever?â
You squirmed under his touch, your cheeks growing warmerânot from the fever, you were sure. âUh⊠this morning, I think?â
Peter frowned slightly, standing up and moving toward the kitchen again. âStay put. Iâll grab something for you.â
You watched him go, your heart thumping unreasonably loud in your chest. He was being niceânicer than he needed to beâbut you chalked it up to Peter just being⊠Peter. Charming. Polished. Practically perfect. And completely out of your league.
He returned a minute later with a small glass of water and some medicine, handing both to you while placing the mug on the coffee table. âTake these.â
You hesitated but followed his instructions, swallowing the pills quickly and handing the glass back. He set it on the side table before sitting on the edge of the coffee table again, his gaze never leaving your face.
âBetter?â he asked.
âNot yet,â you admitted, your voice barely above a whisper. âBut I will be. Thanks for⊠you know. Helping.â
Peter tilted his head, his lips curving into a faint smile. âIâd hardly call this helping. Itâs just making sure youâre not miserable on your own.â
You managed a small smile, sinking further into the couch. âStill. Thank you.â
He didnât reply immediately, his gaze softening. He reached out again, his hand brushing lightly over your forehead as if checking your temperature once more. âYou should try to sleep,â he murmured, his tone unusually gentle. âIâll stay here.â
âYou donât have to do that,â you mumbled, already feeling your eyelids grow heavy.
âI know,â he said softly. âBut I want to.â
You didnât have the energy to argue, letting your head rest against the pillow. Peter adjusted the blanket around your shoulders, his movements careful and deliberate.
Just as you began to drift off, you felt somethingâa feather-light brush against your forehead. Too tired to open your eyes, you assumed it was nothing, just a fever-dream detail slipping through.
But Peter sat back quietly, his expression unreadable as he watched you settle deeper into sleep. His hand rested on the edge of the couch for a moment longer before he stood, adjusting the light in the room to something softer.
For now, he would wait.
---
When you woke, you werenât on the couch anymore. Instead, you were tucked into your bed, your blanket pulled up to your shoulders. The soft hum of an old humidifier filled the room, a faint stream of vapor rising from its spout.
You blinked groggily, your gaze settling on the chair near your bed. Peter was there, his jacket draped over the back of the chair and his shirt sleeves rolled to his elbows. He had a book open in his lap but wasnât reading; his eyes were fixed on you.
âYouâre awake,â he said softly, closing the book and setting it aside. âHow do you feel?â
âBetter,â you mumbled, still half-asleep. âDid youâŠ?â
âCarry you to bed?â he finished, his lips curving into a faint smile. âYou were out cold, Y/N. I didnât think youâd make it to the bed.â
Your cheeks warmed, and you glanced down at the blanket. âYou didnât have to.â
Peter leaned forward, resting his elbows on his knees. âYou said that already. And Iâm still ignoring it.â
You fiddled with the edge of the blanket, unsure of what to say. âThanks,â you muttered, your voice barely above a whisper.
âYou donât have to thank me,â he replied, his voice low. âI wanted to.â
You glanced at him, your heart skipping a beat at the way his eyes softened when they met yours. He reached over, brushing a hand lightly across your forehead. His touch was warm, lingering just a second longer than necessary.
âYour feverâs down,â he murmured. âThatâs good.â
You nodded, too shy to meet his gaze for long. âHow long have you been here?â
âLong enough,â he said lightly, leaning back in the chair. âOlivia called to check in. I told her you were still alive.â
You huffed out a quiet laugh. âSheâll probably tell everyone Iâm being dramatic.â
âShe might,â Peter said with a faint smirk. âBut Iâll set the record straight. Tell them you were very brave.â
âStop,â you mumbled, pulling the blanket up to your face to hide your smile.
Peter chuckled, the sound low and warm. âFine. Iâll spare you the teasing. For now.â
You peeked over the blanket, catching his grin. âI didnât know you were such a good nurse.â
âIâm full of surprises,â he said smoothly, standing up and stretching. âDo you need anything? More water? Tea?â
âNo, Iâm okay,â you said quickly, though your voice came out quieter than you intended.
Peter crossed his arms, studying you for a moment. Then, without a word, he stepped closer, adjusting the blanket around your shoulders. His hand brushed yours briefly, and you swore your heart skipped a beat.
âComfortable?â he asked, his voice softer now.
You nodded, unable to meet his gaze. âYeah. Thanks.â
Peter didnât move right away. His hand rested lightly on the edge of the bed, and you could feel the weight of his presence. Finally, he straightened, his expression unreadable.
âTry to rest,â he said, his tone gentler than before. âIâll be in the other room if you need me.â
âWait,â you blurted, surprising yourself. When he turned back to you, eyebrows raised, you faltered. âI mean⊠you donât have to stay in the other room. If youâre tired or something, you can⊠I donât know, sit here? If you want?â
Peterâs lips twitched into a small smile, his gaze softening. âAre you sure? I wouldnât want to bother you.â
âYouâre not bothering me,â you said quickly, then immediately looked down, your cheeks burning. âI just⊠I donât mind.â
He hesitated for only a moment before pulling the chair closer to the bed. âAlright,â he said simply, settling back into it. âIf you insist.â
You relaxed a little, letting your eyes close again. Peter didnât say anything else, and for a while, the only sounds in the room were the quiet hum of the humidifier and the soft rustle of pages as he reopened his book.
Before you drifted off, you felt the edge of the blanket shift slightly, as though he were tucking it in more securely. It was such a small gesture, but it left your heart fluttering in a way you couldnât quite explain.
---
As you cleaned up your spreadsheet a knock on your office door drew your attention away from your computer.
âSomeoneâs here to see you. A⊠Peter?â Alyssa said.
You rolled your chair back a little before standing up, âPeter?â You repeated. âOhâuh, yeah, send him in.â
Alyssa smiled and went back to the reception desk. You sat back down just as Peter knocked a few times on your open door before entering, a brown paper bag in his hand.
âGood afternoon,â he said smoothly, stepping inside like he owned the place. âThought Iâd stop by and see how my favorite accountant was doing.â
You blinked, immediately flustered. âPeter, what are you doing here?â
He held up the bag with a small smile. âI remembered youâre terrible about taking lunch breaks, so I thought Iâd bring it to you.â
Your cheeks warmed as you glanced at the bag. âYou didnât have to do that. I was going to grab something later.â
âWere you, though?â Peter teased, pulling up a chair without asking. âOr were you planning to survive on coffee and determination?â
You sighed, knowing he wasnât wrong. âOkay, fine. But really, you didnât need to go out of your way.â
âIt wasnât out of my way,â he replied, leaning back casually. âBesides, I wanted to.â
You hesitated, unsure of how to respond. Peter always had this way of saying things that left you completely off balance. âWell⊠thanks,â you mumbled, reaching for the bag.
âYouâre welcome,â he said, his tone softer now. âItâs just a sandwich and some soup, but I figured itâd hold you over.â
You opened the bag, the warm aroma of tomato soup wafting out. âThis is⊠really nice of you.â
âDonât sound so surprised,â Peter said with a faint smirk. âI can be nice.â
âI didnât say you couldnât,â you replied quickly, glancing up at him. âItâs just⊠unexpected.â
Peter tilted his head, studying you with an unreadable expression. âI like surprising you.â
Your stomach flipped at the way he said it, but before you could respond, he leaned forward, resting his elbows on the desk. âSo, howâs work?â
You shrugged, grateful for the change in topic. âSame as always. Spreadsheets, numbers, more spreadsheets.â
âThrilling,â Peter teased, though his tone held genuine interest. âAnd Joshua? Has he been stopping by with sandwiches too?â
You froze, your spoon hovering over the soup container. âWhat? No. Why would he?â
Peter shrugged, his eyes glinting with something you couldnât quite place. âJust curious. Thought maybe he was trying to impress you.â
âWell, heâs not,â you said quickly, though your cheeks felt like they were on fire. âWeâve only gone out a couple of times. Itâs not that serious.â
âGood to know,â Peter said smoothly, sitting back in his chair.
You frowned, glancing at him. âWhy does it matter?â
âIt doesnât,â he said lightly, though his smile didnât quite reach his eyes. âJust making conversation.â
You hesitated, searching his expression for some kind of clue, but he was impossible to read. âOkay,â you said finally, turning your attention back to your soup.
Peter watched you for a moment longer before standing. âIâll let you get back to it. But if you need another delivery, you know where to find me.â
You glanced up, surprised by the sudden shift. âYouâre leaving already?â
He smiled faintly. âFor now. But Iâll see you soon.â
Before you could respond, he was already heading for the door. You stared after him, the warmth of his gesture lingering even as his presence left the room.
Peter paused in the doorway, glancing back over his shoulder. âDonât skip lunch tomorrow, Y/N.â
âI wonât,â you promised, though your voice was softer than you intended.
His smile widened slightly, and then he was gone, leaving you alone with your thoughts and the small, unexpected weight of his visit.
---
The Apollo Theatre foyer buzzed with excited chatter as you stood with Joshua, clutching your program and trying not to look overwhelmed. Olivia spotted you almost instantly, weaving through the crowd with her signature enthusiasm.
âThere you are!â she exclaimed, wrapping you in a quick hug before turning to Joshua. âAnd look whoâs with you. Hey Joshua. Ready for the show?â
Joshua smiled warmly, shaking her hand. âAlways. How could I pass up an evening at the theatre?â
Olivia turned back to you, grinning. âY/N, are you ready for this? Iâve heard Wicked is incredible. And you know how I feel about The Wizard of Oz.â
You laughed softly. âYouâve only mentioned it a thousand times.â
Before Olivia could retort, another familiar voice joined the conversation. âQuite the reunion, isnât it?â
Your head snapped toward the source. Peter stood a few feet away, looking effortlessly composed as always. Beside him, Jade smiled politely, her golden hair catching the soft light of the foyer.
Joshua straightened, his expression slipping into something cooler. âPeter. Jade. Fancy seeing you here.â
Peterâs smile didnât waver as he glanced at you. âIs it? I thought this was the hottest ticket in town. Wouldnât miss it.â
Oliviaâs eyes darted between the two men, her smirk growing. âWow, all four of us together. How cozy.â
âFive,â Jade corrected with a light laugh. âDonât forget me.â
âRight, of course,â Olivia said, her tone borderline teasing.
Joshuaâs hand brushed lightly against your back. âShall we find our seats, Y/N? I think intermission mingling will suffice for this particular group.â
Peter raised an eyebrow. âActually, youâre all in our row. Theyâve just started seating.â
Your heart sank slightly as Peter gestured toward the usher holding the door open. Of course youâd all end up sitting togetherâit was just your luck.
Joshuaâs jaw tightened ever so slightly, but he maintained his composure. âWell, thatâs convenient.â
Peter stepped forward, extending an arm toward you. âShall we?â
Joshua opened his mouth, but before he could say anything, Olivia interjected, her tone bright and amused. âGo ahead, Y/N. Peter knows the way better than any of us.â
You shot Olivia a quick glare, but Peter was already waiting, his arm still offered. Hesitantly, you placed your hand on his sleeve, letting him guide you toward the theatre. Joshua followed close behind, his expression unreadable.
---
The row was, unsurprisingly, a bit of a squeeze. Olivia sat on the far end, with Joshua next to her. You were in the middle, flanked by Peter on your left and Jade on his other side.
âThis is⊠cozy,â Olivia quipped as everyone settled into their seats.
âIntimate, even,â Peter added smoothly, his gaze sliding to you. âHow are you finding your evening so far, Y/N?â
âItâs nice,â you said quickly, fidgeting with your program. âIâm excited for the show.â
âAs you should be,â Peter replied, leaning closer. âItâs a masterpiece. Though, Iâll admit, some moments can be quite⊠emotional.â
âGood thing I brought tissues,â Olivia teased from the other end.
Joshua cleared his throat, drawing your attention. âAre you familiar with the music, Y/N? I could hum a few bars if you need a preview.â
You laughed softly, trying to ease the growing tension. âI think Iâll manage, thanks.â
Peterâs lips twitched into a smirk. âCareful, Joshua. You wouldnât want to spoil the magic.â
Jade glanced between the two men, her smile polite but strained. âIsnât it wonderful how theatre brings everyone together?â
âTruly,â Peter said, his tone light but sharp enough to earn a glance from Joshua.
Before the exchange could escalate, the lights dimmed, and the orchestra began its overture. You turned your attention to the stage, grateful for the distraction.
---
Throughout the performance, you couldnât help but feel hyper-aware of Peter. His arm rested lightly on the shared armrest, close enough that your elbows brushed once or twice. Each time, you shifted slightly, but he didnât seem to noticeâor perhaps he did and simply didnât care.
Joshua, meanwhile, leaned in occasionally to whisper something about the show. His commentary was kind and thoughtful, but your responses were distracted, your focus tugged toward the man on your other side.
When intermission arrived, Olivia stood immediately. âDrinks, anyone? I could use something fizzy.â
âIâll come with you,â Jade said quickly, standing and smoothing her dress.
Joshua glanced at you. âWant to stretch your legs, Y/N?â
Before you could answer, Peter turned toward you, his expression casual but intent. âOr we could stay and chat. The lobby will be packed.â
Joshuaâs jaw tightened, but he managed a smile. âItâs up to you.â
You hesitated, feeling the weight of both their gazes. âI think Iâll stay,â you said finally, your voice barely above a whisper.
Joshua nodded stiffly. âAlright. Iâll grab you a drink, then.â
As he and the others filed out, Peter leaned back in his seat, his posture relaxed. âInteresting choice.â
You turned toward him, fidgeting slightly with the program in your lap. âWhat is?â
âStaying behind,â he said lightly, his gaze steady but unintrusive. âI thought you might want a break from all this.â He gestured toward the crowded theatre.
You shrugged, unsure how to respond. âI donât mind staying. Itâs quieter now.â
Peterâs lips quirked into a small smile. âTrue. Quieter can be nice sometimes.â
You nodded, clutching the program tighter. The silence between you wasnât uncomfortable, but it was heavy in a way that made your chest feel tight.
âYouâre enjoying the show, I hope?â Peter asked after a moment, his tone light.
âYeah, itâs amazing,â you said quickly, grateful for the neutral topic. âThe cast is incredible.â
âItâs a masterpiece,â Peter agreed. âI remember the first time I saw it. Defying Gravity gave me chills.â
You smiled faintly. âItâs definitely the kind of show that sticks with you.â
He studied you for a moment, then leaned a bit closer, resting his arm on the shared armrest. âYou know, Iâve always admired your taste in music.â
You blinked, caught off guard. âWhat? Why?â
Peter shrugged casually, though there was a glimmer of something deeper in his eyes. âYouâve got a good ear. You appreciate the details most people miss.â
Your cheeks grew warm under his gaze. âI donât know about that. I just⊠like what I like.â
âThatâs what makes it genuine,â he said simply. âYou donât pretend to like things just because itâs expected. Itâs refreshing.â
You glanced down, fiddling with the corner of the program. âI guess Iâve never thought about it that way.â
He chuckled softly, his voice warm. âThatâs what makes it true.â
You dared to look up at him again, finding his expression unusually soft. âYouâre being⊠really nice today.â
âAm I not usually nice?â he teased, raising an eyebrow.
âNo, you are,â you said quickly, stumbling over your words. âItâs just⊠different.â
Peter tilted his head, his smile growing. âMaybe Iâm just trying to put you at ease. You always seem a little⊠on edge around me.â
âIâm not,â you protested, though your voice lacked conviction.
âYou are,â he countered gently. âBut Iâm glad you stayed. Itâs nice talking like this.â
You hesitated, unsure how to respond. Finally, you muttered, âYeah, it is.â
The corners of his mouth lifted slightly, and he leaned back into his seat, his hand resting on the armrest just a little closer to yours. âDo you remember the first play we went to? At my fatherâs estate? You mustâve beenâwhat? Eleven? Twelve?â
You smiled faintly at the memory. âIt was A Midsummer Nightâs Dream. Olivia made me go with her.â
Peter chuckled. âAnd you spent the entire first act whispering that you didnât understand why people thought Shakespeare was funny.â
You groaned, burying your face in your hands. âPlease donât remind me. I was such a pain back then.â
âYou werenât,â he said softly, his tone sincere. âYou were curious. Thatâs what made it endearing.â
You peeked at him through your fingers, your voice muffled. âEndearing?â
âVery,â he said with a small grin.
Before you could respond, the others began filtering back into the row. Joshua handed you a drink with a polite smile, his eyes flicking briefly to Peter. âHope I got the right one.â
âPerfect,â you said quickly, taking the glass and shifting slightly in your seat.
Peter leaned back, his expression unreadable, but his gaze lingered on you for just a moment longer before he turned his attention to the stage.
As the lights dimmed and the show resumed, you couldnât shake the feeling of Peterâs presence beside you. It was magnetic, grounding in a way you couldnât quite explain.
And as the music swelled, you found yourself wondering if staying behind had been the right choiceâor if it had only complicated things even more.
---
It was nerve-wracking going on dates with Joshua, but meeting his parents? That felt like a completely different level of stress. Lord Beckettâs estate was sprawling, the kind of place youâd only seen in magazines, and the garden party looked like something out of a period drama.
âRelax,â Joshua said, offering you his arm as you both approached the grand lawn. âTheyâre going to love you. And even if they donât, theyâre far too proper to say anything about it.â
âThatâs⊠oddly comforting,â you muttered, glancing nervously at the clusters of guests sipping champagne and chatting under the shade of elegant white umbrellas.
âYouâll be fine,â he said, his tone warm. âJust smile and let me do the talking.â
You managed a small nod, though your stomach twisted with nerves.
Joshua led you toward a group near the center of the lawn, where Lord Beckett stood in a sharp navy suit, his posture as upright as his title implied. His wife, Lady Beckett, was beside him, her features poised and polite.
âAh, Joshua,â Lord Beckett said, his deep voice carrying over the hum of conversation. His sharp eyes flicked to you. âAnd this must be⊠Y/N, is it?â
âYes, sir,â you said softly, offering a polite smile.
âWelcome,â Lady Beckett said, her tone more cordial than warm. âItâs lovely to meet you. Joshuaâs spoken highly of you.â
You blinked, glancing at Joshua, who grinned. âWhat can I say? Sheâs easy to talk about.â
Lady Beckettâs smile widened just a fraction. âHow charming.â
Before the conversation could go much further, another familiar voice cut in.
âLord Beckett,â Peter said smoothly, stepping into the group with Jade on his arm. âAlways a pleasure.â
Your breath caught, and you instinctively looked away, focusing intently on the glass in your hand.
âPeter Lyman,â Lord Beckett greeted, his tone polite but measured. âYouâve been making quite the rounds lately.â
Peter chuckled. âWhat can I say? Itâs hard to resist a good garden party.â His gaze flicked to you briefly, his smile unwavering. âY/N. Fancy seeing you here.â
Jade added with a light laugh, âitâs practically a reunion, isnât it? How lovely.â
Joshuaâs arm tensed slightly under your hand, but he kept his tone pleasant. âPeter, Jade. Enjoying the season?â
âAbsolutely,â Peter replied, his tone smooth as silk. âAnd you? Busy keeping Y/N entertained, I assume?â
Joshuaâs smile tightened just enough for you to notice. âSheâs been wonderful company. Isnât that right, Y/N?â
You nodded quickly, feeling the weight of everyoneâs gaze. âYes. Very.â
Peterâs lips quirked, his expression unreadable. âGood to hear.â
Jade broke the tension with a bright laugh, linking her arm with Peterâs. âPeterâs always said these events are better with good company. Havenât you, darling?â
âSomething like that,â Peter said lightly, though his eyes flicked back to you briefly.
âShall we, Y/N?â Joshua asked suddenly, his tone smooth but insistent. âIâd love to show you the south gardens. Theyâre a bit quieter.â
You nodded, eager for an escape. âOf course.â
As Joshua guided you away, you couldnât help but glance over your shoulder. Peterâs gaze was still on you, his expression calm but intent, as if he was waiting for something you werenât sure you could give.
âDonât let him get to you,â Joshua said quietly as you walked, his voice low but firm.
âWhat?â you asked, startled.
âLyman,â Joshua clarified, glancing at you. âHe likes to play games. Donât let him pull you into one.â
You frowned, unsure of how to respond. âI donât think heââ
âHe does,â Joshua interrupted gently but firmly. âTrust me.â
You didnât answer, but your thoughts were a storm of doubt and confusion as you followed Joshua toward the gardens.
---
The south gardens were quieter, with fewer guests and a small fountain bubbling in the center. Joshua stopped beside it, turning to face you fully.
âYouâre tense,â he said softly.
âIâm fine,â you replied quickly, though your voice wavered.
Joshua studied you for a moment, his expression softening. âY/N⊠if this is too much, you donât have to stay.â
âNo, itâs okay,â you said quickly, shaking your head. âI justâthis isnât really my scene, you know? But Iâll manage.â
He nodded, his lips curving into a faint smile. âI know itâs not easy. But youâre handling it well.â
âThanks,â you said, though your thoughts were still elsewhere.
Joshuaâs gaze flicked past you for a moment, and his expression shifted, growing cooler. You turned to see Peter approaching, his stride measured and confident.
âHope Iâm not interrupting,â Peter said smoothly, stopping a few paces away.
âActuallyââ Joshua started, but Peter cut him off.
âY/N,â Peter said, his tone softer as his gaze settled on you. âDo you have a moment?â
Joshuaâs jaw tightened, but he kept his tone even. âWe were just about to head back, actually.â
Peter ignored him, his eyes still on you. âJust a moment, Y/N. Thatâs all I need.â
You hesitated, glancing between them. Joshuaâs expression was calm but tense, while Peterâs was unreadable, his usual charm tempered by something more serious.
âGo ahead,â Joshua said finally, his voice tight. âIâll wait here.â
You nodded slowly, stepping toward Peter. âWhat is it?â
Peter waited until you were out of earshot before speaking, his voice low. âYou donât have to stay with him, you know.â
âWhat?â you asked, frowning.
âI mean it,â he said, his tone soft but firm. âIf youâre not happy, you donât have to keep pretending.â
âIâm not pretending,â you said quickly, though your voice sounded unconvincing even to your own ears.
Peterâs eyes searched yours, his expression softening. âYou are. And youâre not very good at it.â
Your chest tightened, but you couldnât bring yourself to argue.
âI know this is all⊠complicated,â Peter continued, his voice gentler now. âBut I canât stand watching you with him, knowing youâre not where you want to be.â
âPeter,â you started, but he shook his head.
âJust think about it, Y/N,â he said quietly. âThatâs all Iâm asking.â
Before you could respond, he turned and walked away, leaving you standing there with your heart racing and your mind spinning.
---
Later, while you sipped your glass of champagne and held a small plate with a scone, Joshua leaned down, his voice low and warm. âIâm going to say hello to the Westfordâs,â he said, pressing a light kiss to your cheek before walking away.
You blinked, your heart skipping a beat as you glanced around, hoping no one had noticed. It felt like such a public display, something you werenât used to, especially with so many watchful eyes at a gathering like this.
Unfortunately, someone had noticed.
Out of the corner of your eye, you saw Peter standing with Jade near the edge of the garden. His expression was calm, but there was a flicker of something unreadable in his gaze. And then, with deliberate ease, Peter turned toward Jade, leaning down to whisper something in her ear.
Jade laughed softly, tilting her head up to him.
And then he kissed her.
It wasnât a quick, polite kiss, either. It was slow, deliberateâenough to catch the attention of more than a few nearby guests.
Your stomach twisted as you froze, your fingers tightening around your glass. For a moment, you considered looking away, but your gaze betrayed you, snapping back to Peter.
And thatâs when he looked at you.
Even as he kissed Jade, his eyes met yours, holding your gaze with an intensity that sent a chill down your spine. It wasnât a glance; it was deliberate, calculated.
You felt your chest tighten, heat rising to your face. Before you could process what had just happened, you set your plate and glass down on a nearby table and turned on your heel, heading toward the side of the lawn.
You found Joshua near the Westfordâs, laughing at something Lord Westford had said. He glanced up as you approached, his expression softening. âY/N, are you alright?â
âIâm not feeling well,â you said quickly, your voice tight. âI think Iâm going to head out.â
Joshua frowned, stepping closer. âWhatâs wrong? Do you want me to call for a car?â
âNo, itâs fine,â you replied, shaking your head. âIâll grab a cab. I just need to go.â
âAre you sure?â he pressed, his brow furrowing.
âIâm sure,â you said, your tone firmer this time. âThank you for the invitation. It was⊠lovely.â
Joshua hesitated, his eyes searching yours for a moment before he nodded. âAlright. Just let me know when youâre home, okay?â
âI will,â you promised, already turning to leave.
You made your way out of the estate, barely registering the elegant gardens or the soft chatter of the guests. Your chest felt tight, and your thoughts were a jumbled mess as you flagged down a cab and climbed inside.
---
By the time you arrived at Oliviaâs apartment, your head was spinning. You fumbled with the spare key sheâd given you, finally unlocking the door and stepping inside.
âY/N?â Olivia called from the couch, her voice muffled by the blanket draped over her. She sat up, a bowl of popcorn in her lap. âWhat are you doing here? I thought you were at Lord Beckettâs thing.â
You dropped your purse on the nearest chair, your hands trembling slightly. âI was. I just⊠I couldnât stay.â
Oliviaâs eyes narrowed as she set the popcorn aside and stood, crossing the room in a few quick strides. âOkay, spill. What happened?â
You hesitated, your throat tightening. âPeter happened,â you said finally, your voice barely above a whisper.
Olivia blinked, then sighed, crossing her arms. âWhat did he do this time?â
You sank onto the couch, burying your face in your hands. âHe kissed Jade. Right in front of everyone. And then he⊠he looked at me.â
âWhat?â Olivia asked, her tone sharp. She sat down beside you, her hand resting on your arm. âAre you serious?â
You nodded, unable to keep back your sobs any longer. âI donât know what heâs trying to do, Liv. One minute heâs nice, the next heâs⊠playing games. I canât keep up.â
Olivia frowned, scooting closer and pulling you into a hug. âHey, itâs okay. You donât have to figure it all out right now.â
You leaned into her, your face pressed against her shoulder. âItâs just⊠he said something to me before he kissed her.â
She pulled back slightly, her hands still on your arms. âWhat did he say?â
Your voice wavered as you tried to explain. âHe said⊠he couldnât stand seeing me with Joshua. That I wasnât where I wanted to be. And thenâthen he just⊠walked away. And not even ten minutes later, heâs kissing Jade like itâs nothing.â
Olivia exhaled sharply, pulling you back into her arms. âOh, Y/N. Iâm so sorry. Thatâs so⊠Ugh, I donât even know what to say.â
You sniffled, your hands clutching the fabric of her sweater. âWhy would he say something like that if he didnât mean it? And then do the exact opposite? Itâs like heâs trying to mess with me.â
She rubbed your back gently, her voice soft. âI know it feels like that. But right now, you donât need to make sense of it. Youâve had a hell of a day. Letâs just⊠focus on getting you through this moment, okay?â
You nodded weakly, wiping at your eyes. âI feel so stupid, Liv. I shouldnât even care, but I do. I always have.â
âYouâre not stupid,â Olivia said firmly, pulling back enough to look you in the eye. âYouâve had feelings for him forever. This isnât something you can just turn off.â
You didnât respond, your chest still tight as you struggled to catch your breath.
âAlright,â Olivia said after a moment, her tone more practical. âHereâs what weâre going to do. Youâre staying here tonight. Iâll make us some tea, and weâll find something mindless to watch on TV. No more thinking about Peter, Jade, or Joshua. Deal?â
You hesitated, but the thought of not dealing with any of it, even for a little while, was too tempting to resist. âDeal.â
âGood,â Olivia said, standing and giving you a small smile. âStay put. Iâll grab the tea.â
As she headed to the kitchen, you curled up on the couch, pulling the blanket tighter around you. Your thoughts were still spinning, but Oliviaâs presence was grounding, her no-nonsense approach exactly what you needed.
When she returned with two steaming mugs, she set one down in front of you and plopped onto the couch with the other. âAlright, your choice: rom-coms or reality TV?â
You hesitated, then managed a small smile. âRom-coms. Something ridiculous.â
Olivia grinned, grabbing the remote. âYouâve got it.â
As the opening credits of some over-the-top romantic comedy filled the screen, you leaned back into the cushions, trying to let the chaos of the day fade into the background. Olivia reached over, giving your hand a quick squeeze before settling in beside you.
âHey,â she said quietly. âWhatever happens, youâll figure it out. You always do.â
You nodded, your voice too shaky to respond. For now, you let yourself focus on the warmth of the tea in your hands and the comfort of Oliviaâs shoulder against yours. It wasnât a solution, but it was enough for the moment.
â ⥠part 2 âĄ
#peter lyman x reader#peter lyman x fem!reader#peter lyman x you#peter lyman#scoop 2006#hugh jackman#hugh jackman x reader#hugh jackman x you#hugh jackman x y/n#hugh jackman x female reader#logan howlett x reader#hugh jackman x fem!reader
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My McLuhan lecture on enshittification
IT'S THE LAST DAY for the Kickstarter for the audiobook of The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.
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Last night, I gave the annual Marshall McLuhan lecture at the Transmediale festival in Berlin. The event was sold out and while there's a video that'll be posted soon, they couldn't get a streaming setup installed in the Canadian embassy, where the talk was held:
https://transmediale.de/en/2024/event/mcluhan-2024
The talk went of fabulously, and was followed by commentary from Frederike Kaltheuner (Human Rights Watch) and a discussion moderated by Helen Starr. While you'll have to wait a bit for the video, I thought that I'd post my talk notes from last night for the impatient among you.
I want to thank the festival and the embassy staff for their hard work on an excellent event. And now, on to the talk!
Last year, I coined the term 'enshittification,' to describe the way that platforms decay. That obscene little word did big numbers, it really hit the zeitgeist. I mean, the American Dialect Society made it their Word of the Year for 2023 (which, I suppose, means that now I'm definitely getting a poop emoji on my tombstone).
So what's enshittification and why did it catch fire? It's my theory explaining how the internet was colonized by platforms, and why all those platforms are degrading so quickly and thoroughly, and why it matters â and what we can do about it.
We're all living through the enshittocene, a great enshittening, in which the services that matter to us, that we rely on, are turning into giant piles of shit.
It's frustrating. It's demoralizing. It's even terrifying.
I think that the enshittification framework goes a long way to explaining it, moving us out of the mysterious realm of the 'great forces of history,' and into the material world of specific decisions made by named people â decisions we can reverse and people whose addresses and pitchfork sizes we can learn.
Enshittification names the problem and proposes a solution. It's not just a way to say 'things are getting worse' (though of course, it's fine with me if you want to use it that way. It's an English word. We don't have der Rat fĂŒr Englisch Rechtschreibung. English is a free for all. Go nuts, meine Kerle).
But in case you want to use enshittification in a more precise, technical way, let's examine how enshittification works.
It's a three stage process: First, platforms are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die.
Let's do a case study. What could be better than Facebook?
Facebook is a company that was founded to nonconsensually rate the fuckability of Harvard undergrads, and it only got worse after that.
When Facebook started off, it was only open to US college and high-school kids with .edu and k-12.us addresses. But in 2006, it opened up to the general public. It told them: âYes, I know youâre all using Myspace. But Myspace is owned by Rupert Murdoch, an evil, crapulent senescent Australian billionaire, who spies on you with every hour that God sends.
âSign up with Facebook and we will never spy on you. Come and tell us who matters to you in this world, and we will compose a personal feed consisting solely of what those people post for consumption by those who choose to follow them.â
That was stage one. Facebook had a surplusâââits investorsâ cashâââand it allocated that surplus to its end-users. Those end-users proceeded to lock themselves into FB. FBâââlike most tech businessesâââhas network effects on its side. A product or service enjoys network effects when it improves as more people sign up to use it. You joined FB because your friends were there, and then others signed up because you were there.
But FB didnât just have high network effects, it had high switching costs. Switching costs are everything you have to give up when you leave a product or service. In Facebookâs case, it was all the friends there that you followed and who followed you. In theory, you could have all just left for somewhere else; in practice, you were hamstrung by the collective action problem.
Itâs hard to get lots of people to do the same thing at the same time. You and your six friends here are going to struggle to agree on where to get drinks after tonight's lecture. How were you and your 200 Facebook friends ever gonna agree on when it was time to leave Facebook, and where to go?
So FBâs end-users engaged in a mutual hostage-taking that kept them glued to the platform. Then FB exploited that hostage situation, withdrawing the surplus from end-users and allocating it to two groups of business customers: advertisers, and publishers.
To the advertisers, FB said, 'Remember when we told those rubes we wouldnât spy on them? We lied. We spy on them from asshole to appetite. We will sell you access to that surveillance data in the form of fine-grained ad-targeting, and we will devote substantial engineering resources to thwarting ad-fraud. Your ads are dirt cheap to serve, and weâll spare no expense to make sure that when you pay for an ad, a real human sees it.'
To the publishers, FB said, 'Remember when we told those rubes we would only show them the things they asked to see? We lied!Upload short excerpts from your website, append a link, and we will nonconsensually cram it into the eyeballs of users who never asked to see it. We are offering you a free traffic funnel that will drive millions of users to your website to monetize as you please, and those users will become stuck to you when they subscribe to your feed.' And so advertisers and publishers became stuck to the platform, too, dependent on those users.
The users held each other hostage, and those hostages took the publishers and advertisers hostage, too, so that everyone was locked in.
Which meant it was time for the third stage of enshittification: withdrawing surplus from everyone and handing it to Facebookâs shareholders.
For the users, that meant dialing down the share of content from accounts you followed to a homeopathic dose, and filling the resulting void with ads and pay-to-boost content from publishers.
For advertisers, that meant jacking up prices and drawing down anti-fraud enforcement, so advertisers paid much more for ads that were far less likely to be seen by a person.
For publishers, this meant algorithmically suppressing the reach of their posts unless they included an ever-larger share of their articles in the excerpt, until anything less than fulltext was likely to be be disqualified from being sent to your subscribers, let alone included in algorithmic suggestion feeds.
And then FB started to punish publishers for including a link back to their own sites, so they were corralled into posting fulltext feeds with no links, meaning they became commodity suppliers to Facebook, entirely dependent on the company both for reach and for monetization, via the increasingly crooked advertising service.
When any of these groups squawked, FB just repeated the lesson that every tech executive learned in the Darth Vader MBA: 'I have altered the deal. Pray I donât alter it any further.'
Facebook now enters the most dangerous phase of enshittification. It wants to withdraw all available surplus, and leave just enough residual value in the service to keep end users stuck to each other, and business customers stuck to end users, without leaving anything extra on the table, so that every extractable penny is drawn out and returned to its shareholders.
But thatâs a very brittle equilibrium, because the difference between âI hate this service but I canât bring myself to quit it,â and âJesus Christ, why did I wait so long to quit? Get me the hell out of here!â is razor thin
All it takes is one Cambridge Analytica scandal, one whistleblower, one livestreamed mass-shooting, and users bolt for the exits, and then FB discovers that network effects are a double-edged sword.
If users canât leave because everyone else is staying, when when everyone starts to leave, thereâs no reason not to go, too.
Thatâs terminal enshittification, the phase when a platform becomes a pile of shit. This phase is usually accompanied by panic, which tech bros euphemistically call 'pivoting.'
Which is how we get pivots like, 'In the future, all internet users will be transformed into legless, sexless, low-polygon, heavily surveilled cartoon characters in a virtual world called "metaverse," that we ripped off from a 25-year-old satirical cyberpunk novel.'
That's the procession of enshittification. If enshittification were a disease, we'd call that enshittification's "natural history." But that doesn't tell you how the enshittification works, nor why everything is enshittifying right now, and without those details, we can't know what to do about it.
What led to the enshittocene? What is it about this moment that led to the Great Enshittening? Was it the end of the Zero Interest Rate Policy? Was it a change in leadership at the tech giants? Is Mercury in retrograde?
None of the above.
The period of free fed money certainly led to tech companies having a lot of surplus to toss around. But Facebook started enshittifying long before ZIRP ended, so did Amazon, Microsoft and Google.
Some of the tech giants got new leaders. But Google's enshittification got worse when the founders came back to oversee the company's AI panic (excuse me, 'AI pivot').
And it can't be Mercury in retrograde, because I'm a cancer, and as everyone knows, cancers don't believe in astrology.
When a whole bunch of independent entities all change in the same way at once, that's a sign that the environment has changed, and that's what happened to tech.
Tech companies, like all companies, have conflicting imperatives. On the one hand, they want to make money. On the other hand, making money involves hiring and motivating competent staff, and making products that customers want to buy. The more value a company permits its employees and customers to carve off, the less value it can give to its shareholders.
The equilibrium in which companies produce things we like in honorable ways at a fair price is one in which charging more, worsening quality, and harming workers costs more than the company would make by playing dirty.
There are four forces that discipline companies, serving as constraints on their enshittificatory impulses.
First: competition. Companies that fear you will take your business elsewhere are cautious about worsening quality or raising prices.
Second: regulation. Companies that fear a regulator will fine them more than they expect to make from cheating, will cheat less.
These two forces affect all industries, but the next two are far more tech-specific.
Third: self-help. Computers are extremely flexible, and so are the digital products and services we make from them. The only computer we know how to make is the Turing-complete Von Neumann machine, a computer that can run every valid program.
That means that users can always avail themselves of programs that undo the anti-features that shift value from them to a company's shareholders. Think of a board-room table where someone says, 'I've calculated that making our ads 20% more invasive will net us 2% more revenue per user.'
In a digital world, someone else might well say 'Yes, but if we do that, 20% of our users will install ad-blockers, and our revenue from those users will drop to zero, forever.'
This means that digital companies are constrained by the fear that some enshittificatory maneuver will prompt their users to google, 'How do I disenshittify this?'
Fourth and finally: workers. Tech workers have very low union density, but that doesn't mean that tech workers don't have labor power. The historical "talent shortage" of the tech sector meant that workers enjoyed a lot of leverage over their bosses. Workers who disagreed with their bosses could quit and walk across the street and get another job â a better job.
They knew it, and their bosses knew it. Ironically, this made tech workers highly exploitable. Tech workers overwhelmingly saw themselves as founders in waiting, entrepreneurs who were temporarily drawing a salary, heroic figures of the tech mission.
That's why mottoes like Google's 'don't be evil' and Facebook's 'make the world more open and connected' mattered: they instilled a sense of mission in workers. It's what Fobazi Ettarh calls 'vocational awe, 'or Elon Musk calls being 'extremely hardcore.'
Tech workers had lots of bargaining power, but they didn't flex it when their bosses demanded that they sacrifice their health, their families, their sleep to meet arbitrary deadlines.
So long as their bosses transformed their workplaces into whimsical 'campuses,' with gyms, gourmet cafeterias, laundry service, massages and egg-freezing, workers could tell themselves that they were being pampered â rather than being made to work like government mules.
But for bosses, there's a downside to motivating your workers with appeals to a sense of mission, namely: your workers will feel a sense of mission. So when you ask them to enshittify the products they ruined their health to ship, workers will experience a sense of profound moral injury, respond with outrage, and threaten to quit.
Thus tech workers themselves were the final bulwark against enshittification,
The pre-enshittification era wasn't a time of better leadership. The executives weren't better. They were constrained. Their worst impulses were checked by competition, regulation, self-help and worker power.
So what happened?
One by one, each of these constraints was eroded until it dissolved, leaving the enshittificatory impulse unchecked, ushering in the enshittoscene.
It started with competition. From the Gilded Age until the Reagan years, the purpose of competition law was to promote competition. US antitrust law treated corporate power as dangerous and sought to blunt it. European antitrust laws were modeled on US ones, imported by the architects of the Marshall Plan.
But starting in the neoliberal era, competition authorities all over the world adopted a doctrine called 'consumer welfare,' which held that monopolies were evidence of quality. If everyone was shopping at the same store and buying the same product, that meant it was the best store, selling the best product â not that anyone was cheating.
And so all over the world, governments stopped enforcing their competition laws. They just ignored them as companies flouted them. Those companies merged with their major competitors, absorbed small companies before they could grow to be big threats. They held an orgy of consolidation that produced the most inbred industries imaginable, whole sectors grown so incestuous they developed Habsburg jaws, from eyeglasses to sea freight, glass bottles to payment processing, vitamin C to beer.
Most of our global economy is dominated by five or fewer global companies. If smaller companies refuse to sell themselves to these cartels, the giants have free rein to flout competition law further, with 'predatory pricing' that keeps an independent rival from gaining a foothold.
When Diapers.com refused Amazon's acquisition offer, Amazon lit $100m on fire, selling diapers way below cost for months, until diapers.com went bust, and Amazon bought them for pennies on the dollar, and shut them down.
Competition is a distant memory. As Tom Eastman says, the web has devolved into 'five giant websites filled with screenshots of text from the other four,' so these giant companies no longer fear losing our business.
Lily Tomlin used to do a character on the TV show Laugh In, an AT&T telephone operator who'd do commercials for the Bell system. Each one would end with her saying 'We don't care. We don't have to. We're the phone company.'
Today's giants are not constrained by competition.
They don't care. They don't have to. They're Google.
That's the first constraint gone, and as it slipped away, the second constraint â regulation â was also doomed.
When an industry consists of hundreds of small- and medium-sized enterprises, it is a mob, a rabble. Hundreds of companies can't agree on what to tell Parliament or Congress or the Commission. They can't even agree on how to cater a meeting where they'd discuss the matter.
But when a sector dwindles to a bare handful of dominant firms, it ceases to be a rabble and it becomes a cartel.
Five companies, or four, or three, or two, or just one company finds it easy to converge on a single message for their regulators, and without "wasteful competition" eroding their profits, they have plenty of cash to spread around.
Like Facebook, handing former UK deputy PM Nick Clegg millions every year to sleaze around Europe, telling his former colleagues that Facebook is the only thing standing between 'European Cyberspace' and the Chinese Communist Party.
Tech's regulatory capture allows it to flout the rules that constrain less concentrated sectors. They can pretend that violating labor, consumer and privacy laws is fine, because they violate them with an app.
This is why competition matters: it's not just because competition makes companies work harder and share value with customers and workers, it's because competition keeps companies from becoming too big to fail, and too big to jail.
Now, there's plenty of things we don't want improved through competition, like privacy invasions. After the EU passed its landmark privacy law, the GDPR, there was a mass-extinction event for small EU ad-tech companies. These companies disappeared en masse, and that's fine.
They were even more invasive and reckless than US-based Big Tech companies. After all, they had less to lose. We don't want competition in commercial surveillance. We don't want to produce increasing efficiency in violating our human rights.
But: Google and Facebook â who pretend they are called Alphabet and Meta â have been unscathed by European privacy law. That's not because they don't violate the GDPR (they do!). It's because they pretend they are headquartered in Ireland, one of the EU's most notorious corporate crime-havens.
And Ireland competes with the EU other crime havens â Malta, Luxembourg, Cyprus and sometimes the Netherlands â to see which country can offer the most hospitable environment for all sorts of crimes. Because the kind of company that can fly an Irish flag of convenience is mobile enough to change to a Maltese flag if the Irish start enforcing EU laws.
Which is how you get an Irish Data Protection Commission that processes fewer than 20 major cases per year, while Germany's data commissioner handles more than 500 major cases, even though Ireland is nominal home to the most privacy-invasive companies on the continent.
So Google and Facebook get to act as though they are immune to privacy law, because they violate the law with an app; just like Uber can violate labor law and claim it doesn't count because they do it with an app.
Uber's labor-pricing algorithm offers different drivers different payments for the same job, something Veena Dubal calls 'algorithmic wage discrimination.' If you're more selective about which jobs you'll take, Uber will pay you more for every ride.
But if you take those higher payouts and ditch whatever side-hustle let you cover your bills which being picky about your Uber drives, Uber will incrementally reduce the payment, toggling up and down as you grow more or less selective, playing you like a fish on a line until you eventually â inevitably â lose to the tireless pricing robot, and end up stuck with low wages and all your side-hustles gone.
Then there's Amazon, which violates consumer protection laws, but says it doesn't matter, because they do it with an app. Amazon makes $38b/year from its 'advertising' system. 'Advertising' in quotes because they're not selling ads, they're selling placements in search results.
The companies that spend the most on 'ads' go to the top, even if they're offering worse products at higher prices. If you click the first link in an Amazon search result, on average you will pay a 29% premium over the best price on the service. Click one of the first four items and you'll pay a 25% premium. On average you have to go seventeen items down to find the best deal on Amazon.
Any merchant that did this to you in a physical storefront would be fined into oblivion. But Amazon has captured its regulators, so it can violate your rights, and say, "it doesn't count, we did it with an app"
This is where that third constraint, self-help, would sure come in handy. If you don't want your privacy violated, you don't need to wait for the Irish privacy regulator to act, you can just install an ad-blocker.
More than half of all web users are blocking ads. But the web is an open platform, developed in the age when tech was hundreds of companies at each others' throats, unable to capture their regulators.
Today, the web is being devoured by apps, and apps are ripe for enshittification. Regulatory capture isn't just the ability to flout regulation, it's also the ability to co-opt regulation, to wield regulation against your adversaries.
Today's tech giants got big by exploiting self-help measures. When Facebook was telling Myspace users they needed to escape Rupert Murdochâs evil crapulent Australian social media panopticon, it didnât just say to those Myspacers, 'Screw your friends, come to Facebook and just hang out looking at the cool privacy policy until they get here'
It gave them a bot. You fed the bot your Myspace username and password, and it would login to Myspace and pretend to be you, and scrape everything waiting in your inbox, copying it to your FB inbox, and you could reply to it and it would autopilot your replies back to Myspace.
When Microsoft was choking off Apple's market oxygen by refusing to ship a functional version of Microsoft Office for the Mac â so that offices were throwing away their designers' Macs and giving them PCs with upgraded graphics cards and Windows versions of Photoshop and Illustrator â Steve Jobs didn't beg Bill Gates to update Mac Office.
He got his technologists to reverse-engineer Microsoft Office, and make a compatible suite, the iWork Suite, whose apps, Pages, Numbers and Keynote could perfectly read and write Microsoft's Word, Excel and Powerpoint files.
When Google entered the market, it sent its crawler to every web server on Earth, where it presented itself as a web-user: 'Hi! Hello! Do you have any web pages? Thanks! How about some more? How about more?'
But every pirate wants to be an admiral. When Facebook, Apple and Google were doing this adversarial interoperability, that was progress. If you try to do it to them, that's piracy.
Try to make an alternative client for Facebook and they'll say you violated US laws like the Digital Millennium Copyright Act and EU laws like Article 6 of the EUCD.
Try to make an Android program that can run iPhone apps and play back the data from Apple's media stores and they'd bomb you until the rubble bounced.
Try to scrape all of Google and they'll nuke you until you glowed.
Tech's regulatory capture is mind-boggling. Take that law I mentioned earlier, Section 1201 of the Digital Millennium Copyright Act or DMCA. Bill Clinton signed it in 1998, and the EU imported it as Article 6 of the EUCD in 2001
It is a blanket prohibition on removing any kind of encryption that restricts access to a copyrighted work â things like ripping DVDs or jailbreaking a phone â with penalties of a five-year prison sentence and a $500k fine for a first offense.
This law has been so broadened that it can be used to imprison creators for granting access to their own creations
Here's how that works: In 2008, Amazon bought Audible, an audiobook platform, in an anticompetitive acquisition. Today, Audible is a monopolist with more than 90% of the audiobook market. Audible requires that all creators on their platform sell with Amazon's "digital rights management," which locks it to Amazon's apps.
So say I write a book, then I read it into a mic, then I pay a director and an engineer thousands of dollars to turn that into an audiobook, and sell it to you on the monopoly platform, Audible, that controls more than 90% of the market.
If I later decide to leave Amazon and want to let you come with me to a rival platform, I am out of luck. If I supply you with a tool to remove Amazon's encryption from my audiobook, so you can play it in another app, I commit a felony, punishable by a 5-year sentence and a half-million-dollar fine, for a first offense.
That's a stiffer penalty than you would face if you simply pirated the audiobook from a torrent site. But it's also harsher than the punishment you'd get for shoplifting the audiobook on CD from a truck-stop. It's harsher than the sentence you'd get for hijacking the truck that delivered the CD.
So think of our ad-blockers again. 50% of web users are running ad-blockers. 0% of app users are running ad-blockers, because adding a blocker to an app requires that you first remove its encryption, and that's a felony (Jay Freeman calls this 'felony contempt of business-model').
So when someone in a board-room says, 'let's make our ads 20% more obnoxious and get a 2% revenue increase,' no one objects that this might prompt users to google, 'how do I block ads?' After all, the answer is, 'you can't.'
Indeed, it's more likely that someone in that board room will say, 'let's make our ads 100% more obnoxious and get a 10% revenue increase' (this is why every company wants you to install an app instead of using its website).
There's no reason that gig workers who are facing algorithmic wage discrimination couldn't install a counter-app that coordinated among all the Uber drivers to reject all jobs unless they reach a certain pay threshold.
No reason except felony contempt of business model, the threat that the toolsmiths who built that counter-app would go broke or land in prison, for violating DMCA 1201, the Computer Fraud and Abuse Act, trademark, copyright, patent, contract, trade secrecy, nondisclosure and noncompete, or in other words: 'IP law.'
'IP' is just a euphemism for 'a law that lets me reach beyond the walls of my company and control the conduct of my critics, competitors and customers.' And 'app' is just a euphemism for 'a web-page wrapped enough IP to make it a felony to mod it to protect the labor, consumer and privacy rights of its user.'
We don't care. We don't have to. We're the phone company.
But what about that fourth constraint: workers?
For decades, tech workers' high degrees of bargaining power and vocational awe put a ceiling on enshittification. Even after the tech sector shrank to a handful of giants. Even after they captured their regulators so they could violate our consumer, privacy and labor rights. Even after they created 'felony contempt of business model' and extinguished self-help for tech users. Tech was still constrained by their workers' sense of moral injury in the face of the imperative to enshittify.
Remember when tech workers dreamed of working for a big company for a few years, before striking out on their own to start their own company that would knock that tech giant over?
Then that dream shrank to: work for a giant for a few years, quit, do a fake startup, get acqui-hired by your old employer, as a complicated way of getting a bonus and a promotion.
Then the dream shrank further: work for a tech giant for your whole life, get free kombucha and massages on Wednesdays.
And now, the dream is over. All thatâs left is: work for a tech giant until they fire your ass, like those 12,000 Googlers who got fired last year six months after a stock buyback that would have paid their salaries for the next 27 years.
Workers are no longer a check on their bosses' worst impulses
Today, the response to 'I refuse to make this product worse' is, 'turn in your badge and don't let the door hit you in the ass on the way out.'
I get that this is all a little depressing
OK, really depressing.
But hear me out! We've identified the disease. We've traced its natural history. We've identified its underlying mechanism. Now we can get to work on a cure.
There are four constraints that prevent enshittification: competition, regulation, self-help and labor.
To reverse enshittification and guard against its reemergence, we must restore and strengthen each of these.
On competition, it's actually looking pretty good. The EU, the UK, the US, Canada, Australia, Japan and China are all doing more on competition than they have in two generations. They're blocking mergers, unwinding existing ones, taking action on predatory pricing and other sleazy tactics.
Remember, in the US and Europe, we already have the laws to do this â we just stopped enforcing them in the Helmut Kohl era.
I've been fighting these fights with the Electronic Frontier Foundation for 22 years now, and I've never seen a more hopeful moment for sound, informed tech policy.
Now, the enshittifiers aren't taking this laying down. The business press can't stop talking about how stupid and old-fashioned all this stuff is. They call people like me 'hipster antitrust,' and they hate any regulator who actually does their job.
Take Lina Khan, the brilliant head of the US Federal Trade Commission, who has done more in three years on antitrust than the combined efforts of all her predecessors over the past 40 years. Rupert Murdoch's Wall Street Journal has run more than 80 editorials trashing Khan, insisting that she's an ineffectual ideologue who can't get anything done.
Sure, Rupert, that's why you ran 80 editorials about her.
Because she can't get anything done.
Even Canada is stepping up on competition. Canada! Land of the evil billionaire! From Ted Rogers, who owns the country's telecoms; to Galen Weston, who owns the country's grocery stores; to the Irvings, who basically own the entire province of New Brunswick.
Even Canada is doing something about this. Last autumn, Trudeau's government promised to update Canada's creaking competition law to finally ban 'abuse of dominance.'
I mean, wow. I guess when Galen Weston decided to engage in a criminal conspiracy to fix the price of bread â the most Les Miz-ass crime imaginable â it finally got someone's attention, eh?
Competition has a long way to go, but all over the world, competition law is seeing a massive revitalization. Ronald Reagan and Margaret Thatcher put antitrust law in a coma in the 80s â but it's awake, it's back, and it's pissed.
What about regulation? How will we get tech companies to stop doing that one weird trick of adding 'with an app' to their crimes and escaping enforcement?
Well, here in the EU, they're starting to figure it out. This year, the Digital Markets Act and the Digital Services Act went into effect, and they let people who get screwed by tech companies go straight to the federal European courts, bypassing the toothless watchdogs in Europe's notorious corporate crime havens like Ireland.
In America, they might finally get a digital privacy law. You people have no idea how backwards US privacy law is. The last time the US Congress enacted a broadly applicable privacy law was in 1988.
The Video Privacy Protection Act makes it a crime for video-store clerks to leak your video-rental history. It was passed after a right-wing judge who was up for the Supreme Court had his rentals published in a DC newspaper. The rentals weren't even all that embarrassing!
Sure, that judge, Robert Bork, wasn't confirmed for the Supreme Court, but that was because he was a virulently racist loudmouth and a crook who served as Nixon's Solicitor General.
But Congress got the idea that their video records might be next, freaked out, and passed the VPPA.
That was the last time Americans got a big, national privacy law. Nineteen. Eighty. Eight.
It's been a minute.
And the thing is, there's a lot of people who are angry about stuff that has some nexus with America's piss-poor privacy landscape. Worried that Facebook turned Grampy into a Qanon? That Insta made your teen anorexic? That TikTok is brainwashing millennials into quoting Osama Bin Laden?
Or that cops are rolling up the identities of everyone at a Black Lives Matter protest or the Jan 6 riots by getting location data from Google?
Or that Red State Attorneys General are tracking teen girls to out-of-state abortion clinics?
Or that Black people are being discriminated against by online lending or hiring platforms?
Or that someone is making AI deepfake porn of you?
Having a federal privacy law with a private right of action â which means that individuals can sue companies that violate their privacy â would go a long way to rectifying all of these problems. There's a big coalition for that kind of privacy law.
What about self-help? That's a lot farther away, alas.
The EU's DMA will force tech companies to open up their walled gardens for interoperation. You'll be able to use Whatsapp to message people on iMessage, or quit Facebook and move to Mastodon, but still send messages to the people left behind.
But if you want to reverse-engineer one of those Big Tech products and mod it to work for you, not them, the EU's got nothing for you.
This is an area ripe for improvement, and I think the US might be the first ones to open this up.
It's certainly on-brand for the EU to be forcing tech companies to do things a certain way, while the US simply takes away tech companies' abilities to prevent others from changing how their stuff works.
My big hope here is that Stein's Law will take hold: 'Anything that can't go on forever will eventually stop'
Letting companies decide how their customers must use their products is simply too tempting an invitation to mischief. HP has a whole building full of engineers thinking of new ways to lock your printer to its official ink cartridges, forcing you to spend $10,000/gallon on ink to print your boarding passes and shopping lists.
It's offensive. The only people who don't agree are the people running the monopolies in all the other industries, like the med-tech monopolists who are locking their insulin pumps to their glucose monitors, turning people with diabetes into walking inkjet printers.
Finally, there's labor. Here in Europe, there's much higher union density than in the US, which American tech barons are learning the hard way. There is nothing more satisfying in the daily news than the latest salvo by Nordic unions against that Tesla guy (Musk is the most Edison-ass Tesla guy imaginable).
But even in the USA, there's a massive surge in tech unions. Tech workers are realizing that they aren't founders in waiting. The days of free massages and facial piercings and getting to wear black tee shirts that say things your boss doesn't understand are coming to an end.
In Seattle, Amazon's tech workers walked out in sympathy with Amazon's warehouse workers, because they're all workers.
The only reason the tech workers aren't monitored by AI that notifies their managers if they visit the toilet during working hours is their rapidly dwindling bargaining power. The way things are going, Amazon programmers are going to be pissing in bottles next to their workstations (for a guy who built a penis-shaped rocket, Jeff Bezos really hates our kidneys).
We're seeing bold, muscular, global action on competition, regulation and labor, with self-help bringing up the rear. It's not a moment too soon, because the bad news is, enshittification is coming to every industry.
If it's got a networked computer in it, the people who made it can run the Darth Vader MBA playbook on it, changing the rules from moment to moment, violating your rights and then saying 'It's OK, we did it with an app.'
From Mercedes renting you your accelerator pedal by the month to Internet of Things dishwashers that lock you into proprietary dishsoap, enshittification is metastasizing into every corner of our lives.
Software doesn't eat the world, it enshittifies it
But there's a bright side to all this: if everyone is threatened by enshittification, then everyone has a stake in disenshittification.
Just as with privacy law in the US, the potential anti-enshittification coalition is massive, it's unstoppable.
The cynics among you might be skeptical that this will make a difference. After all, isn't "enshittification" the same as "capitalism"?
Well, no.
Look, I'm not going to cape for capitalism here. I'm hardly a true believer in markets as the most efficient allocators of resources and arbiters of policy â if there was ever any doubt, capitalism's total failure to grapple with the climate emergency surely erases it.
But the capitalism of 20 years ago made space for a wild and wooly internet, a space where people with disfavored views could find each other, offer mutual aid, and organize.
The capitalism of today has produced a global, digital ghost mall, filled with botshit, crapgadgets from companies with consonant-heavy brand-names, and cryptocurrency scams.
The internet isn't more important than the climate emergency, nor gender justice, racial justice, genocide, or inequality.
But the internet is the terrain we'll fight those fights on. Without a free, fair and open internet, the fight is lost before it's joined.
We can reverse the enshittification of the internet. We can halt the creeping enshittification of every digital device.
We can build a better, enshittification-resistant digital nervous system, one that is fit to coordinate the mass movements we will need to fight fascism, end genocide, and save our planet and our species.
Martin Luther King said 'It may be true that the law cannot make a man love me, but it can stop him from lynching me, and I think that's pretty important.'
And it may be true that the law can't force corporate sociopaths to conceive of you as a human being entitled to dignity and fair treatment, and not just an ambulatory wallet, a supply of gut-bacteria for the immortal colony organism that is a limited liability corporation.
But it can make that exec fear you enough to treat you fairly and afford you dignity, even if he doesn't think you deserve it.
And I think that's pretty important.
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/01/30/go-nuts-meine-kerle#ich-bin-ein-bratapfel/a>
Back the Kickstarter for the audiobook of The Bezzle here!
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â-â â
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PAC: A letter you're meant to receive
I'm baaaaack~ (kinda) (pretty casually, life's been tough)
As always here are the rules:
Minors DNI
Don't take everything to heart, this is a general reading! Take what resonates!
It's honest, I don't sugarcoat. If you're not liking what you read, keep scrolling! It may not be for you or you may not be ready for that message yet!
Let's take a look at the piles!!!
Pile 1
Pile 2
Pile 3
Let's go!
Pile 1
Signs this may be for you: unicorn, South Korea , the letter S, Squirrels, Love, Skydiving, birthday, anniversary, 12, 6, 16, 2006, 2001, 2026, 1970s, Billie Eilish, John Lennon, glasses.
Dear ____,
How could you think I'm not proud of you? How could you think that minor thing you did would erase all the love I feel for you? It doesn't. I don't think anything can at this point. You're human, you're allowed to make mistakes. And while I do still think you need help, you're still doing your best, even though you don't feel like it. You're trying and I see that. You're wonderful and magical and although your light is dimmed at the moment, I know there's a bright sun under that blanket of darkness you're currently holding over your head. Everything will be ok. Have you ever not gotten a resolution to your conflict? Trust me. You're going to be fine. Let yourself be, enjoy the people around you, breathe. Treat your life like you treat your dreams. Be as excited as you can. You're alive! And while you are not responsible for this darkness that has been placed upon you, you are the only one that can take it off. I understand it's difficult, but you can do it. You're tired of fighting, but you're not just anyone. You're a legend. Legends don't have it easy. Go get them.
Pile 2
Signs this may be for you: Harry Styles, Fashion school, blood drives, nurse, đ, smoke, laughter, blonde, blue eyes, "that boy is mine", 0%, Rihanna, water, rain, Hawaii, Jumping, Rave, Cindy, the letter C, N, and A. Numbers 5, 8, and 30, AMANDA.
Hello, it's been a while.
How are you?
This is awkward, you probably didn't expect to hear from me. I have been okay, I honestly can't stop thinking about us and how it ended. It pains me to think that you left with the impression that I didn't care. I do. I did. I just want to let you know that in another life, maybe we should try again. I don't have much to say, I'm not sure why I feel so compelled to tell you this. It's so basic. I'm being channeled right now (ok aware) and it's weird because it shouldn't be this deep but I really wanted to come through and say sorry. And say that I know you miss me and I do too. And one day we will reunite and we might be able to show our love then. Sorry it ended that way. Sorry that was the last you knew of me. I think of you each day, I dream of you each night.
Pile 3
Signs this may be for you: YES GIRL, happy, cheerful, spaghetti, squash, "I'm allergic", ibuprofen, love is in the air, matchmaker, fruits, VSCO, musically, Harmony, dating apps, Jenna, Lisa, "I stan", Twitter account, laughs, pigs, 25, 23, 2022, 2001, 2000, Beyonce.
Wow, am I impressed with you,
Not only are you grown and beautiful, you're also such a good person. I'm immensely proud of you. You're doing exactly what you need to, you're living life to the fullest and I am here for it. Remember our trips to the beach? I miss you. You should call more often. I love that you're meeting new people and having fun but sometimes I need to see you and hear from you. Please call me from time to time. I know I may seem clingy, but I just miss your presence. I also don't know when I'll actually see you next, you've become so unexpected and exciting. I love you, that's why I need to hear from you. Tell me everything, I'll listen. I'm here for you and I want what's best. Come back from time to time. Please. That's the only thing I ask of you at this time. I can't say this to you normally, you'd get uncomfortable. But please listen and take this opportunity. Let's talk more often! I wanna be part of your life again! đ„°
Hope it resonates! đ
#tarot readings#tarot#free readings#tarot blog#pac tarot#tarot pac#pac#pick a card#pick a picture#pick a photo#pick a pile
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Deanna Stellato-Dudek: 2000 Junior World Silver Medalist â 2024 World Champion
At the age of 40, Deanna Stellato-Dudek is the oldest woman to win a World Championships title in figure skating, with her pairs partner Maxime Deschamps for Canada. Deanna Stellato was the 1999 Junior Grand Prix Final Champion and 2000 Junior World Silver Medalist in the women's singles discipline. She retired from competitive skating in 2001, and returned as a pairs skater in 2016.
40 years is the new 20. That's what I'd like to say. [This record is] not something that I ever set out to do when I came back to skating, but I knew that if I were to accomplish my dreams, it would inevitably occur, because I'm the oldest everywhere. But it's something I carry with pride, and I'm very proud of it. I hope a lot of athletes stay around a lot longer. I hope it encourages people to not stop before they reach their potential. And I hope it transcends into other areas, not just in sports, but also in other areas of life [...] [My 15-year-old self] would say, why did we stop? We're still skating, you know, 25 years later? I think my younger self would think I'm crazy, so she wouldn't think much of it at all. And she wanted to win the 2006 Olympics [...]
-- 2024 World Championships Free Skate Press Conference
#deanna stellato dudek#maxime deschamps#fskateedit#figure skating#worlds 2024#jwc 2000#program#kiss and cry#medal ceremony#mix#request#she's an absolute legend#great request anon!
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Full Robert Sean Leonard 'House'-a-palooza Interview: "As we know, Iâm straight, but yeah, itâs like, homina homina homina."
May 01 2006Â |Â By Maureen Ryan
Do you watch the show much?
"I can't watch it. I mean, Hugh doesn't watch it because he's anal and ⊠eight years old. [laughs] And by the way, I donât buy it, I think he does watch it.
âI watched in the first year. We live in New York and [my fiancĂ©] was in California] and she likes it because Iâm on it. But then she left, she had to come back to New York, and what are you going to do? The idea of me watching myself on TV, alone in Santa Monica, was just about... just short of, like, a bottle of Makerâs Mark and a shotgun away from shooting myself. [much laughter] So I havenât watched it all season. But when I have watched it, Iâve been mildly confused and Hugh is appropriately grumpy."
I have this theory that a lot of my favorite shows arenât even about what theyâre supposed to be about -- they have to be set in a hospital or police station or outer space or whatever because the network can market that, but theyâre secretly not even about that. Like, âHouseâ is really about ethics and morality.
âYeah, sure, I think thatâs true.â
But you canât pitch that show to the network. âHey, we have this great show that examines personal morality!"
ââItâs based on âA View from the Bridge.ââ
Right! Theyâre really going to for that.
âYeah. [laughs] I think itâs good, and when itâs right, when the show works, the mystery works. It has a Sherlock Holmes-ian feel to it, and you do kind of want to know whatâs wrong with [the patients]. And it is interesting, the turns and twists that get you there. And thereâs always a little bit of character-driven fun stuff in between, of who these people are and how they affect each other. And thatâs it at its best. And I guess that could be true of any show.
âItâs tricky, youâve got a lead character [whoâs different from the TV norm] and youâve got to be careful because those characters can be one-note. Heâs the cranky guy, heâs the Australian guy, Iâm the friend in one or two scenes a week. You just have to be careful, and I think we are, we have a really great team of writers. And the numbers are building, people are watching.â
So this two-parter on May 2 and 3, I think the unofficial subtitle is the âFestival of Foreman.â I guess theyâre his Emmy episodes, and thatâs fine. But youâre hardly in them, whatâs up with that?
âHonestly, Iâm okay. I donât want an Emmy. This is what I want -- I know exactly what I want. I did play with a guy named Skip Sudduth, âThe Iceman Cometh,â seven years ago. I saw him five years later, and I said, ïżœïżœGeez, Skip, where have you been? I donât see you at readings anymore.â He said, âIâve been on âThird Watch.ââ It sounded familiar but Iâd never seen it. He said, âIâve been doing it for five years.â I said, âHoly crap!â And he was back doing theater. Thatâs my dream.
âAnd itâs happening. I walk down the street and people say, âWhere are you?â and I say, âIâm on this show called âHouse.ââ My friend Lewis Black [from 'The Daily Show'] said, âWhat is it called? âHeadâ?â
âIâm okay. Iâve never been happier than where my career is now. And I donât want it to change necessarily. Moneyâs good, and Iâm glad Iâm getting that, and Iâm putting it away for later in life when I do more Tom Stoppard plays at Lincoln Center and make no money. But really, Iâm great. I donât mind working two days a week.
âBecause those other guys, the Scooby gang, or the Mod Squad -- they are at that studio for 16 hours a day saying âtachycardia, lupus, blablahdeblah.â Honestly, Iâd kill myself if had to do those scenes for that long. Iâm very happy with the size of my role, I donât want it to get any bigger. Iâm happy.â
So we wonât see the very special âHouseâ episode where Dr. Wilson almost dies?
âThat might be how I get off the show.â [laughs]
Well, you could die and come back as a ghost. Then it would be the âHouse Whisperer.â
âYeah [laughs]. The hair makeup people were saying one day, âOh, I love those scenes with you and Hugh, there should be more of that.â And Iâm like, âShhh! Donât say that!â Iâm the luckiest man in Hollywood. I work only with Hugh, pretty much, whoâs great. And I work two days a week.â
Do you fly back and forth to New York then?
"No, not really. They donât let me because they need me around, the schedule changes so much. Iâm going to try to get away with that a little more [in the upcoming season]. Now that [my fiancĂ©] is here, I really will kill myself if Iâm out there as much as I was last year, without her.â
So five days a week youâre doing what â Botox injections? Going to the mall? Watching âMauryâ?
âRob Lowe once said the secret to being an actor in L.A. is sleeping as late as you possibly can and going to be as early as possible. I remember him saying, âI recommend pajamas by 4:30 p.m.ââ
Whatâs interesting about this show is that theyâre taken something that could be a very formulaic procedural and quite often turn it on its head.
âI didnât know anything about TV, Iâd never done [a TV show], but I now know very well that there are procedurals and character-driven shows. âLaw & Orderâ is a procedural and âGreyâs Anatomyâ is a character-driven show. The test [as to which category a show is in], someone once said to me, which I thought was hysterical, is this question: Did Sam Waterston sleep with [the assistant DA] on âLaw & Orderâ? If the answer is âI donât give a [hoot], I want to know the next element of the case,â then itâs a procedural.
âOur show is weirdly, and there must be precedent for this, but itâs weirdly equally both. I think itâs very much a procedural, and without that sick patient every week, we wouldnât work. And without the character stuff it wouldnât work. And weirdly, people do care if House sleeps with one of our characters, and also care equally whatâs wrong with this person and how theyâre going to solve the case.â
I guess I like the character stuff better, but youâre right, it probably wouldnât work without the suspense of the weekly case and somebody being critically ill.
âNo, I think you need that. I think the echoes of Sherlock Holmes are too strong. The original idea of the show was House and Wilson, like Holmes and Watson. But it got away from that, and his team is Watson, if you want to be technical about it.
âIâm more like ⊠the only way Iâve found to define it, and itâs so pretentious that it makes me want to jump out a window, is like King Learâs fool. Iâm like the only one who tells him the truth. And [Wilson] has nothing to lose. I donât work for him and he doesnât work for me. Iâm the only character who chooses to be with him as opposed to being there because of a job. And because of that I have the freedom to tell him what I think. Not that Cuddy holds back much.â
I think her role is to say, "No! Bad House!"
âHave you talked to Lisa Edelstein [who plays Cuddy]? Sheâs so great. This Japanese woman once said to her, âYou on âERâ!â And she said, âI have been on âER,â but now Iâm on âHouse.ââ And [the woman says] âOh yes, âHouse.â You say, âNo, you donât!ââ Every time we do the table read, I burst into laughter at some point, because there is the voice of that woman in my head, âYou say âNo, you donât!ââ Thatâs the entire definition of Lisaâs character. Not completely, but we laugh [about it]. We have the same dilemma. Weâre on this show that weâre ⊠kind of on. Crew members say, âHow long have you been on the show?â âUh, since the pilot.â They really donât know what weâre doing there.â
So in terms of the other stuff going on in your career, thatâs going well, all the theater stuff?
âIâve achieved everything I wanted to do. When I was growing up, I wanted to be Kevin Kline, Sam Waterston. I grew up watching the Public Theater and Shakespeare in the park and Marion Seldes. I mean, I may as well be gay.â
Iâm not entirely sure youâre not.
[laughs] âBut the thing is, I got it [i.e. his goals]. Iâve done 14 Broadway shows and got a Tony award, and now Iâm making money and no one even really knows. Iâm getting away with murder. If I come back to New York in two years and nothingâs changed, Iâll be thrilled. All I really want to do is [act in] plays, play with my dog, have kids. My desires are pretty simple. I donât really want to do movies anymore. Iâm pretty tired of camera acting.â
Why are you tired of camera acting? Is it the repetition of it?
âNo, no, quite the opposite. We donât rehearse enough. We do scenes where people barely know their lines, where people just about know their lines. In theater, you do it so many times and you get so familiar that then you can actually start having fun with it. And I really miss that feeling.
âItâs true of films too. I donât know. I think Iâm fine on film, but ⊠I have walked offstage and thought, âWow, no one has done that better. People may have done it as well, but not better.' Iâve actually had that feeling after âLong Dayâs Journey Into Night,â or a Shaw play or whatever. Iâve never felt that way with film. I always feel like, âBoy, Donald Sutherland would have done that a lot better.â [laughs] I just donât think itâs what I do best. I think Iâm fine, but there are people who are eerily good at it. In all humility, of which I have none [laughs], thatâs how I feel about my work on stage. I really do feel that Iâm gifted at it.â
Just to change gears completely, what happens in the finale?
âWell, I think the finale is a bit of a cliffhanger. Something very exciting happens. Itâs extremely exciting and freaky and I think itâs great. I canât say what it is. You end this season very curious about how the next season is going to start. Itâs a great final show and a big cliffhanger.â
So it seems like Hugh Laurie is so disparaging of his own talents. But heâs so good as House.
âSome people ask me, âOh, why does Wilson want to hang out with House so much?â and Iâm like, âYou idiot.â [laughs] House is designed to be attractive! Heâs brilliant, heâs self-deprecating, he has a limp. But yeah, Hugh hates himself and heâs very funny about it. Thereâs no better combination in my book. Like Lewis Black.â
But as an acting partner, heâs good to work with?
âOh yeah. The thing is, with this part, Hugh has a huge obstacle he has to deal with, having an American accent. His problem isnât our problem. We as the audience donât have that problem, because what he doesnât know is that he does it perfectly. But of course he doesnât hear that. Thatâs why he canât watch the show.
âWhen youâre doing an accent, you donât feel like youâre interesting in the role. Even if everyone around is telling you that you are. And to be in a play is one thing, but to be on TV show that runs for years, I donât know how heâs going to do it. To be that hard on yourself and be that disappointed in your own work. But as I said, and underline this four times, heâs wrong.â
And then he obviously hates when anyone calls him a sex symbol. You read his quotes when people ask him about that stuff and you can feel the embarrassment rising off the page.
âYeah, he hates that stuff. And even more than the âsexyâ stuff, he hates the âyouâre brilliantâ stuff. Of course thereâs a part of him that likes him, thereâs a part of all of us that likes that. [But him being hard on his performance], itâs not false vanity.
âI think Hugh does work heâs proud of and does work he thinks is good, Iâm just not sure itâll ever be this [show]. Having an accent⊠acting is letting go and forgetting yourself, itâs the opposite of ego. Itâs flying away and getting away from yourself and forgetting. And when youâre doing an accent, itâs virtually impossible to do that.
âItâs hard when you're in a play, doing the same lines, the same way for eight months. Hugh learns 72 new lines a day and has to put an American accent on them. It really is an actorâs nightmare. Iâve done [with accents] Brian Friel plays, Martin Sherman plays, Tom Stoppard plays, and maybe five months into it you have a night where you kind of feel OK and kind of forget the accent and let go and let the scene happen. To have a strange accent in your mouth while playing a role, and then be judged for it, thatâs hard stuff.
âAnd can I tell you, when you have dinner with Hugh Laurie [speaking in his real accent]⊠I miss that voice.â
Yeah. He called me once directly for an interview. I was expecting the publicist to put him through, but it was just that voice on the phone. I was sort of thrown for a minute.
âAs we know, Iâm straight, but yeah, itâs like, homina homina homina.â [laughs]
---- [source (part 2)]Â | part 1Â |Â part 3 ---
it took me two hours to track this interview down. it might be the longest one he's ever done. first i tracked it down to tumblr pages posting about it with no source please stop doing that. then i found a short youtube video of laurie saying "homina homina" on an snl skit i think and someone in the comments mentioned the site where the rsl interview was posted. however the site wouldn't let me in, i guess they took it down so i headed to archive dot org. i didn't have a specific link though so that didn't really work out either. then for nearly an hour i tried a wide range of word combinations on google until i stumbled upon a livejournal page of rpf hugh laurie/rsl fanfic. SOMEONE tysm karaokegal posted the exact link i was looking for in the comments. quick trip to the wayback machine and here you go!
i should be on those ethical hacking competition things
#house md#hatecrimes md#gg.txt#robert sean leonard#rsl#interview#source hunting success#hugh laurie#james wilson#gregory house#i nearly went insane#trying to find this thing#part 3 is an interview w katie jacobs#part 1 is general quotes#muted
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hypegirl! | final.
PAIRING âž soccer player! niki x afab! reader
GENRE âž soccerl! au, roommates!au, she's the man! au, romance, fluff, angst, humor
WORD COUNT âž 4k
SUMMARY âž all you want is to join the boysâ soccer team. all niki wants is to get minjiâs attention. as roommates, what better than to strike a deal and help each other out? nothing really, except for one glaring issue: your blossoming feelings for said roommate. oh, and the fact that youâre technically supposed to be your brother, kim sunoo.Â
AKA a hopefully more sfw version of she's the man?Â
NOTES âž based off sheâs the man (2006), reader is sunoo's sister and pretends to be her brother sunoo, gender swap, like one curse word, kissing,â please let me know if thereâs any typos!
masterlist. | previous.
I DONâT WANNA FIGHT YOUR SHADOWâŠ
âwhat? you want to do what?â
niki doesnât say anything as his head hangs low. he stares at the ground, dark eyebags prominent.Â
âniki,â jungwon sighs in exasperation, âletâs think rationally about this. weâve been working toward this day for weeks. this is it. we canât make any last minute changes now.âÂ
âright,â jay chimes in.Â
âsunooâs become a valuable player on the team. we need him. seriously, what could have possibly happened that you suddenly want to kick him off the day of playoffs?âÂ
niki only shakes his head as the rest of the team exchanges looks.Â
âsorry man, but we keep personal business off the field. sunooâs in, whether you like it or not.âÂ
sunooâs worriedâto say the least. between you not replying to any of his texts and the current dilemma at hand, he isnât sure what to do.Â
all he can do is clench his trusty flute as his band arrives at your camp.Â
itâs hectic, with kids and directors running around attempting to prepare the performance for the game. essentially a perfect chance for sunoo to sneak and snoop around.Â
sunoo manages to spot the boys locker room, and he takes his chance.Â
the minute he steps in, heâs greeted by the smell of deodorant, grass, and⊠the mustiness of sport locker rooms.Â
guys are everywhere, clothes and gear strewn all over the place as they prepare for the tournament.Â
he glances around for any sight of you, not exactly sure what to look for but still keeping an eye out for a smaller figure. sunoo takes about three steps forward, until he yelps.Â
he feels an arm roughly pulling him toward the side, and he whips his head around.Â
âsunoo-dude, where were you? we were starting to think you werenât gonna show up! get changed, the first match is gonna start soon.âÂ
his heart drops. no way, did they think he was-
a jersey is flung at his face. somehow, in the midst of the chaos, face paint is slathered onto his face, effectively concealing his identity even more.Â
where were you?Â
first match, first halfâto everyoneâs shockâenhypenâs down.Â
most yells are directed at, whoâd you least expect, kim sunoo.Â
âkim! what are you doing?âÂ
âpass! no-here! to me! â
âwhy are you so slow today?!â
all sunoo can do is apologize while wheezing. he wasnât built for this. itâs not like he had much of a choice, he was shoved onto the field.Â
at one point, jungwonâs eyes flash at him and he visibly shrinks.
âdude, i donât know whatâs going on, but weâre subbing you out.âÂ
you jump up to the sound of cheers, an announcer yellingâ
âand enhypen takes home their first win with a great comeback in the second half!â
enhypen? win? comeback?
you scramble to your feet, heart racing.Â
crap. what time was it?
you pat your pockets to no avail.Â
thatâs rightâyour phone was left in your dormâŠthat you couldnât access because niki kicked you out.Â
more cheers from outside bring you back to your current situation. you overslept since you didnât have your phone alarm.Â
the tournament started. enhypen played and won their first match, without you.Â
you frown, scrambling to get to the stadium. who in the world played for you?Â
once you make it past the crowd of people, coaches, and players, you scan the field.Â
and your mouth drops open.Â
on the opposite side of the soccer field, sitting on the bench right in front of you, was kim sunoo. the real one, your brother.Â
he was decked out in face paint andâ
was that your uniform?Â
somehow, you manage to make eye contact. you begin mouthing words furiously at him, only for him to point at the crowd.Â
frowning, you turn around toward the audience and performing band. you squint.Â
your mouth drops again. because there in the crowd, sitting in the middle row right in front of you, were your parents.
immediately, you turn around and flee toward the locker rooms, signaling for sunoo to follow while everyone was still distracted with your teamâs win.Â
you donât even get to take a single step when the announcer clears his throat to say something.Â
âattention everyone! enhypen is disqualified. they must forfeit this match and immediately report to the main office.âÂ
gasps and protests immediately ring out.Â
you hide behind a water cooler, gauging the guys reactions. they all look confused and upset.Â
niki stalks over to the camp director and coach, where an unimpressed taehyun stands with his arms crossed.Â
âwhatâs going on? why do we have to forfeit? we won fair and square, thereâs no-â
âi wouldnât count lying and having a girl on your team as fair and square, nishimura.â
the whole team outbursts, while your coach sighs, rubbing his hand over his face.Â
the director eyes sunoo, âwe have pretty good reason and evidence to believe that kim sunoo is not who heâor sheâstates they are.âÂ
sunoo immediately stands up as the rest of the team gapes at him.
âfemales are not allowed at this camp, let alone allowed on a team to play in the final championships.â
taehyun nods. he had found too many irregularities with you, kim sunoo. the conversations with your mom, video footage of you sneaking into the locker rooms as a guy and exiting as a girl, and the fake sideburns and eyebrows in the trash can.Â
niki stands still, hands clenched as he glares at sunoo.Â
he can hear the rest of the guys whispering in disbelief.
âthis makes no sense. how could he be a girl after all this time?â
âand no one noticedâŠâ
ââthis is absurd.â
the announcer sighs, and speaks up once more to the entire stadium. âi apologize once again to the crowd and opponent team for the inconvenience. enhypen will be removed from the tournament due to dishonesty and lack of regards for the rules.Â
i do not want to repeat itâno females are allowed to play on any team for any reason whatsoever!â
you gasp, covering a hand over your mouth. you were still partially hidden, and you know if you were found, it would be over.Â
sunoo sighs, facing the guys and camp director.Â
âput enhypen back in the game. we didnât break any rules. iâm not a girl.âÂ
taehyunâs eyes narrow. âyou canât lie your way out of it again. we have all the evidence we need.â
sunoo gestures out grandly, toward your team and the crowd.Â
âdo i have to spell it out to you? iâm a guy. this is ridiculous. what, you want me to prove iâm not a girl? iâll pull down my pants or-â
clamor follows, but itâs stopped by a desperate yell.Â
you watch from afar, as your parents stalk up to the director. your mother, as expected, seems adamant as she validates her sonâs words.Â
âexcuse me, but there seems to be an issue with my son, here. thereâs no possible way you would be doubting his identity?â
âmaâam, we have submitted evidence that your son sunoo is actually a-â
âand so do i. would you like to see his birth certificate? i didnât pay for my son to attend this camp to simply get disqualified for a ridiculous accusation.â
after a few minutes of deliberation, against taehyunâs protests, the director sighs and rubs his hands together. you hold your breath. the verdict?
âwe apologize for our mistakeâenhyphen is not disqualified and will be moving on to the next round. let the next match commence!â
you watch your team breathe a sigh of relief, clapping sunoo on the back. but your gaze canât seem to stay off of niki. he stays off to the side, fists still clenched. he hasnât looked or said a single word to sunooâyou.Â
you know him, thereâs a storm brewing inside.Â
and itâs all because of you.Â
you see the crowd return to normal, your mom furiously spewing nonsense as your parents walk back to their seats.Â
you nod at your brother, this is your chance.Â
you run towards an empty hallway, waiting for your brother to bring you your clothes.Â
âsorry,â sunoo heaves, âtheyâre sweaty.â
âitâs okay,â you grab them and shut the unused closet door behind you. âiâm used to it by now.â
sunoo waits outside the old janitor closet, keeping watch as you change and exchange identities, once again.Â
once you exit, sunooâs eyes widen.
âwow, you look exactly like me.âÂ
you smirk. âand youâre horrible at soccer.â
he shoves you softly and you laugh. âthanks bro. i really owe you one for saving me out there.â
he nods, âanything for my sister. i need to sneak back to the band though. let me know if you need anything and good luck.âÂ
you hug him quickly. âof course.â the confidence that surged through you as you walked back toward the field, knowing your brother had your back, empowers you.Â
âguys,â you call out, âiâm back. whatâs going on?â
some of the guys still send you weird looks, but you ignore it. nikiâs still ignoring you, and it makes a dreadful feeling grow in the pit of your stomach.Â
the matches were cut down in order to fit all of them in one day and preserve the playerâs energies.Â
but your team was excelling. you had already advanced to the semifinals, as expected. with you back and eager to play, the team was running smoothly.Â
after winning your third match, jay and heeseung high five you.Â
ânice, sunoo. i donât know what happened to you during the first game, but you redeemed yourself.â you cough, muttering some lame excuse.Â
everything was going great, all except for one person. every break, time out, the whole time, niki acted as if you didnât exist.Â
in the middle of the game, you would keep up with him, waiting for him to pass the ball. but niki being the stubborn person he was, ignored you and tried to keep going even when you were open.
mistakes were costly, and you could feel the tension building up. the other guys were getting agitated, you could tell, but he wouldnât budge.Â
you kept telling yourself, one more match. all you needed to do was win one more match and that would be it.Â
it was nearing the end of the day. everyone was sweaty and exhausted. half the crowd had left, but your parents were still there, cheering for their son meanwhile in reality, he was playing in the band a few meters away in the stands and their daughter was on the field.Â
the final match was occurring, enhypen vs. zerobaseone. you knew, it wasnât going to be easy. not with an uncooperative niki.Â
and by the first half, you were right. after calling out niki so many times to pass the ball and receiving nothing in response, everyone was on edge.Â
the score was still 0-0. several times niki would get the ball stolen or make the ball go out, all while ignoring you. you swear he even tripped you at one point.Â
at halftime, your coach and teammates were fed up too. âcome on, niki. get your head in the game!â
âwhatâs going on with you and sunoo today?â
âyouâre costing us too many opportunities. kimâs open and youâre obviously not giving it to him for a reason! figure it out, nishimura.âÂ
all he does is shake his head, chugging water and staying silent.Â
youâre tired. your coach shakes his head in frustration, muttering off about personal issues. Â
the team is completely off balance, and everyone can feel it.Â
but only you can do something about it.Â
with heavy breaths, you match up to niki in front of the whole team.Â
ânishimura riki!â you call out his real name, causes him to react for a second with the slight widening of his eyes before he reverts to his cold facade again.Â
âwhy are you doing this right now? weâre a team, now that we got so far, donât you want to win?
âmaybe you shouldâve thought about that before lying to me and breaking our friendship,â he replies ruthlessly. Â
you sigh, pinching your nose bridge, âit wasnât my intention to do so! i never had any intention of doing so, and i never will! i donât like minji and i never tried to get with her.â
you exhale, trying to calm yourself while the whole team was watching.Â
âi will never like minji.â
he scoffs, âwhy should I believe you after everything?â
âbecause the whole time iâve been genuine. youâre one of my closest friends iâve made here at the camp. if i really wanted to date minji, i would have told you that. you know i tried my best to help you,â your voice cracks at the last sentence.Â
he looks confused for a second before his eyes harden.Â
âwhatever, it doesnât matter anymore. i canât trust anything you say or do now.â
you grab his arm, desperate.Â
âweâve been honest about everything, havenât we? i donât want to lose you, and i donât want our team to lose this chance of winning. i donât care about minji. i could prove it right now.â
he challenges you, eyes dark. just like he had since the first day.Â
âhow? how will you prove it?âÂ
you close your eyes, taking in a deep breath. you decided this was your chance to let it all out. after this, you would go home anyway. whether you would be forced back to your old, mundane life as your mother wanted was up to the future. you open your eyes, finally feeling like yourself as you begin taking off the fake sideburns, eyebrows, and finally, the wig.Â
âlike i said, i donât care about minji.â
you finally untie your hair and shake it out free.Â
âi care about you.âÂ
with an eruption of shocked gasps and whispers, you falter. perhaps you should have waited until after the final game. your true identity and appearance were revealed. everything was out in the open. Â
niki states blankly at you, chest heaving.Â
you think you faintly hear your parents shriek your name. ignoring them, you step closer to him.Â
âiâm sorry. iâm sorry that i lied to you about this. but please believe me when i say iâm y/n, and i never meant to hurt you. so for right now, can we save this for later and just focus on beating the crap out of our opponents?â
you take the chance to glance around, seeing everyoneâs shocked expressions.
silence falls as your coach speaks up, âthis is illegalâŠâ
you glance away, unable to say or do anything.Â
what you donât expect is the teamâs clamors, especially from jungwon who you abruptly make eye contact with.Â
heâs the first to speak up and advocate for you staying on the team.Â
âcoach we all knew the rules⊠but we canât not let her play after sheâs proven herself all this time.â
âitâs unfair to deny her the right to play after sheâs been working so hard this entire season with us!â
as the rest of the boys join in, your coach looks helplessly at the director. soon enough, people from the audience join in too.Â
you canât help the hopeful smile that breaks out on your face, seeing your parents still in shock yet not disapproving. Â
after a couple of minutes of deliberation (and your internal praying and pleading) along with the crowd and bandâs support, the camp director begrudgingly allows you to play.Â
the guys cheer, clapping you on the back and high-fiving you. all except niki, who still lingers at the side with an unreadable expression.Â
then, itâs time to play.Â
it feels different, already. you feel differentâwith the wind blowing your hair behind you and the ability to speak in your normal voice, act as your normal self.
no, to be your normal self.
you ran faster, spotted clearer, worked harder. you felt renewed.Â
and once you saw the opening, with three minutes left, you glance at niki desperately. you hoped you conveyed everything in your face at that split second, like extending your arm out and hoping he would help you up from the ground.Â
niki cleanly passes the ball to you, just so you can score a final goal.Â
you donât even realize it, once the final whistle blows, you almost collapse onto the grass.Â
roars erupt in the air, people around you lift you up and throw you around. yet, your eyes are only on one figure to your left. somehow, in all the commotion, niki grabs your hand in happiness. then he realizes the situation and your grip is broken by your ecstatic team.Â
your eyes lock for a moment before niki turns away, head slightly shaking and you frown.Â
you won. but at what cost?Â
on the last day of camp, after surprisingly receiving a lot of praise from your parents on your performance (as well as an apology from keeping you and sunoo from your respective passions), you finish packing up everything.Â
when you got back to the dorms last night, niki was sleeping with the lights off and his back to you. you were still hurt, but at least he let you back into your room.Â
you pack up silently, in case he was sleeping.Â
even if he was asleep, you speak up softly.Â
âiâm sorry. iâm really, really sorry nikiâŠ.â
his shadowy figure remains unmoving.Â
âi-i hope you know everything i ever said and did was genuine. at least, to me it was. i li-â you bite the words back on your tongue.Â
âi cared about you a lot. i care about you a lot. iâll cherish this summer forever. thank you for the best memories. thank you for changing my life completely. thank you for being you, riki.âÂ
figuring that anything you two had was over, you got your stuff ready to go while blinking away the tears.Â
during the final breakfast, you talked to minji and apologized. she took it much better than you expected, promising to keep in touch as real friends now with no hard feelings left.Â
the boys on your team were just as quick to warm up to you. besides consoling you over niki, they promised to keep in touch as well. you were more than glad and appreciative to have friends and soccer mates.Â
in your daze, reflecting over the course of the last day or so, you feel your phone vibrate.Â
[11:36 am] sunbro: weâre on our way back Â
[11:37 am] sunbro: better hurry up if youâre not packed and ready!
you gather your stuff and say your final goodbyes to your coaches, friends, and finally, the camp.Â
youâre happy and sad to be leaving it all behind. maybe until next year now that they decided to let girls join this soccer camp.Â
with your heavy bags, you trudge along your way outside. you stared around at the campus for the last time by yourself.Â
it was strange to have some peace and quiet without the ruckus of the soccer camp and guys. one last attempt to capture everything one last timeâone of your most memorable and life changing summers.Â
and maybe a tiny bit of you was searching, holding onto that little piece of hope just to see that one personâs face for the last time.Â
but itâs silent. you come to a slow when you reach the gates, gathering your stuff to head out.Â
now you wait. you wait to leave with much more than you entered with.Â
sighing, you freeze when you hear shuffling, the sound of⊠footsteps approaching you?
you donât want to get your hopes up, but you hold your breath.Â
turning around, you see him.Â
your grip on the suitcase squeezes harder.Â
he looks divine, comfy in his last day fit that wasnât his jersey or training uniform.Â
âhey,â he starts off.Â
âhi,â you breathe. for some reason, you canât bring yourself to meet his intense gaze.
niki doesnât say anything at first, so you take the chance to speak up.Â
âwhatâs up? i figured⊠you wouldnât want anything to do with me.â Â
hands shoved in his pockets, he fidgets on his feet. a tiny smile appears on your face.Â
âi donât know, thereâs a lot iâve been thinking about.â
your chest tightens. âi see. d-do you want to share?â you finally look him in the eye and itâs like time freezes.Â
niki isnât able to handle seeing you like this, your real self. he thought you were too pretty for your own good. too good at pretending to be a guy and too good at making him react like this without even doing anything. without even knowing.Â
he thought it was over too. but after he heard what you said that night after the championships, he couldnât stop thinking about you. about the entire summer with you. this time, he wouldnât let you slip away from him like you did at the fair.
niki glances down, taking a few steps closer as your eyes widen. âi miss my roommate who was also one of my closest friends. i really, really liked him. but i also really, really like the girl i met at the fair. she was beautiful, charming, uplifting.â
you place a hand over your chest, âi think they feel the same way,â you whisper.Â
âiâm really sorry that i didnât tell you,â you start off, âi was afraid of getting caught-and of all the consequences, so i tried to hide and cover everything up. it was incredibly selfish of me to hurt others, you, without realizing it. iâm so sorry.â
niki reaches a hand out to grab yours, âyeah, you hurt me. but you also healed me. in more ways than you think. i think, if you hadnât snuck in as a guy, we would have never met and gotten as close as we did. you really changed my life too.âÂ
he says your name, and you look at him. hesitantly, fearfully.Â
as if you would mess it all up again and he would leave you once more.Â
you swallow.Â
âeverything we did together as friends, as someone i wasnât, just made me like you even more as myself.âÂ
he takes a step closer.Â
âis there any chance we could start over?â
niki chuckles and you feel your face getting hot.
âiâm nishimura riki. and you are?â
you stare down at his offered hand in shock.Â
it takes only a second for you to proudly state your name, reaching a hand out to meet his.Â
âa pretty name for a pretty face.â
you flush. where did this side of niki come from?Â
âitâs very nice to meet you,â he adds, âquite nice. almost an honor after all the things i heard about you, well, from yourself-âÂ
you shove niki. there was his playful side again. you relax a little seeing him be more like his old self.Â
although, he catches your arm and quickly pulls you into him.Â
you almost yelp, wide eyes boring into his playful ones. it feels comfortable in his embrace, almost like home.Â
the distance between you two closes, smiles on your faces growing as you feel your heartbeats collide when his lips finally touch yours.Â
âbye mom! iâll text you later, sunoo!â
your mom yells for you to be careful as you slam the door shut behind you (not without giving your brother a quick hug on the way out).
you carry your duffel bag on one arm as you head over to the waiting vehicle, with a particularly dashing man inside.Â
he, however, gets out as you run towards him. he picks you up and spins you around as you laugh at his excitementâit was his favorite sound that he could never get enough of.
he places a sweet kiss on your lips and you smile happily at him.Â
âyou ready to play, babe?â
âas ready as iâll ever be, bro.âÂ
âyou totally just did not call your loving, awesome, superior boyfriend thatâŠâ
âbut i did?â you raise an eyebrow as to challenge him, âand youâre gonna accept it because you like me too much.âÂ
with a sigh, your boyfriend heeds your words as he always does.Â
nikiâs arms stay forever wrapped around you and your soccer bag as he awkwardly walks the both of you to your side of the car.Â
âwhatever, letâs just go kick some ass.âÂ
âoh, you bet i will.â
a/n âž hi guys... surprise?? yes, i'm alive. i was in the hospital for a little and really needed to focus on my health so i decided to take a break. i apologize for the longass wait on the ending of this series, so i crammed to get it done :) thank you as always for the support and love. i appreciate all the feedback <3 i'll be trying to get back on a better, more consistent schedule so see you guys soon again!
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