#what about a savior?

[youchangedmedestiel]

Episode 4x02 "Are You There, God? It's Me, Dean Winchester":

Episode 12x19 "The Future":

Not a babysitter, just a guardian angel.

[cateyeswrites]

TOMMYINNIT AND TUBBO- DSMP

Unknown artist Clingy duo/ we didn’t start the fire by Billy Joel/ clingy duo art by chunkysoup22 / Fallen by Ephemeral Obblivion / Tommy and tubbo art by catducklol / Tommy and tubbo compases/ My Tears Ricochet by Taylor swift / L’manberg festival by theangelincar1 / techno comes home by @peninkwrites /

this is my contribution to the dsmp four years to late after my wife decided to drag me with her and now I understand when people say there is a hole the size of l’manburg in my heart 😭 I been watching this boys for exactly a year now and getting to doomsday has been an insane experience.

[thomas-jefferson-miku-binder]

hey, remember when Viktor was arguing with Jayce while trying to disarm Jinx's explosive device, and he got riled up with Jayce's ignorance regarding his and the undercity's conditions and messes up, causing the bomb's countdown to start and– and Viktor hesitates for a moment. it's incredibly subtle, it didn't even come to me on my first watches, but he... does. he takes his time cutting the wire, which I can't tell if it's meant to be read as caution or- something else, because after it he turns to Jayce, affirming "there is always a choice", implying he just made one

[lazycranberrydoodles]

i think the barbie movie would have a profound psychological impact on hua cheng

prev comic / next comic / follow for still more hualian barbie movie content because i am not done

bonus angsty version 🎉 i hate love expressions just a couple tiny lines on the mouth and eyebrows and it goes from silly to sad

:(

[trappedinafantasy37]

POV: you ask your girlfriend if she has any plans for the future. She immediately goes on a tangent about her additional 36 plans for world domination since the last one failed. The best part? You're in them!

[vivitalks]

we don't talk about it enough but duck and billy's relationship in amnesty is truly a tragic one.

imagine: you rescue a mindless drone. you save his life, you give him autonomy, you give him language. you teach him trust. you protect him at your own expense. you name him billy. he knows three words in your language, and one is your name. you promise to keep him safe, and he betrays his programming to help you in return. he defies everything he was designed to do in order to aid you.

you save him from being a drone, but in doing so, you kill him. he was never supposed to be here this long. you gave him freedom at the cost of rapid decay, and now he's dying. and if he could just go back to his home planet, he would live, but he doesn't want to. because you're here. duck newton, his first friend, his savior, his guardian. you showed him that there is a better way to live - with free will, with pizza and playstations.

he's damned if he stays and damned if he goes. but you can't watch him suffer. that's not who you are. you're duck newton, local beefcake, defender of the disadvantaged. so you wait until he's engrossed in his video game - in humanity, in freedom of choice - and you strike him down out of mercy.

billy reverts to his original form: a four-armed being of light, once a drone, now a friend. he's beginning to disintegrate, but he has unfinished business here. he never finished his video game. and you give him one last gift of mercy: you lie to him. don't worry, you tell him - that character you're worried about? she's fine in the end. no, i know it seems bleak now, but she turns out okay.

you can't give him anything else, so you give him hope. it's the same thing he gave to you, all those months ago when you saved him.

[ruhrohherewego]

I enjoy the idea of a younger Bruce (about early twenties) adopting Dick because I think it makes Bruce’s immaturity as a father figure more endearing. If anything, father doesn’t come into the picture until much later—it’s more of a brotherly configuration, at first.

Bruce takes Dick in because he sees the parallels of their situation and wants Dick to have a different future than him, but he doesn’t understand kids. So he lets Dick do whatever he wants; eat ice-cream at 3am, skip school, play whatever video games he wants, in the way your older sibling will sit you in front of the TV while they talk to friends or something.

He indulges Dick’s whims because he thinks that’s what kids should be able to do. He’s working off an immature, naive framework.

But then Dick becomes Robin, and things get real, fast. And Bruce realizes he has to take more responsibility for Dick. There needs to be limits and boundaries.

And Dick doesn’t understand the shift because he viewed Bruce as this older brother/mentor figure who was permissive and let him have the freedom to do what he wants. Now he can’t, and it feels like an invasion of boundaries instead of what it is; developing healthy ones.

So they fight. And bicker. And Dick probably throws in a few “I hate you”s that wound Bruce more than he ever thought possible. But slowly, they mature. Bruce prioritizes Dick’s well-being while still giving him what a kid needs and Dick realizes how much Bruce really cares.

And slowly, they grow to be father and son.

[doortotomorrow]

"I'm Reese, Sergeant Techcom, DN38416...assigned to protect you." - Kyle Reese

[ricky-mortis]

Young man with potential…

[thesulkycroissant]

Space Age takes a different stab at Jonathan and Martha as parents, in a way that I think is very interesting. Jonathan is portrayed as critical of Clark (for a reason, but), and there's a panel after his death of Clark and Jon:

Space Age is a comic set in one of the worlds culled during Crisis on Infinite Earths, but I'm always interested in the different ways comics portray Jonathan and Martha Kent because of their status as kind of the perfect parents. But it's interesting to consider and explore the ways Clark's upbringing also effects him in more complicated ways.

[angy-grrr]

spoilers for chapter 429

idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.

This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.

He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost? He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.

but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.

the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship. In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.

That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.

Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.

Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…

Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?

[mari-lair]

i feel like a fun side effect of “i wish the house felt like home” would be forms of their previous culture getting changed to Change in close proximity. such as the observatory wind slowly turning opaque and mosaic-ifying,and the starry hat getting turned into the change hat. just a thought!

Amazing thought, Anon!

I like the idea of this happening whenever Siffrin has a big crisis about belonging and 'everything is fine he has a home now, he is home, this is his family', unconsciously running away from what he craves to not lose what he has, to the point the house make him physically distorts their surroundings (like how The House was wack in act 5)

[higher-noon]

Okay, but how fucked up would it be if one day, long after canon has come and gone, and Siffrin isn't perfect, but they're better and he's having more good days than bad, they are moving through a crowd when he sees a face he had nearly given up on. It surprises them, because they had expected Loop to keep their star head, or maybe Change and look like someone completely new that he would only recognize in their heart, but there is no mistaking that the person on that street corner has his, no, their face.

He pulls Loop somewhere quiter and barely stops himself from collapsing on them (are they still touchstarved?), holding their hand they babble about how much he missed them and he thought they had died or had lied to them and generally being so relieved and happy to know that Loop is okay.

And then they pull their hands back, slowly moving away from Siffrin and asking if he's alright. There is no recognition in their eyes, the person is looking at Siffrin like they're a stranger despite the near mirror image (their hair is shorter, their clothes are vaugardian, their eyes are free of scarring)...

And that is how Siffrin learns that he has a twin.

[mamawasatesttube]

man it would really be so cool if there were fics in the timkon tag that were about timkon, instead of 5000 fics about ~the batfam~ that include like maybe one line about tim wearing a superboy t shirt

[bittertomato]

Castoria's ahoge tilts down like the usual Artoria ahoges but Aesc's curves up like Arthur's 🥺

[anxiously-sidequesting]

how about you shut the fuck up Mr. Irresponsible