#what a way to have them meet am i right

[larapaulussen]

[nemesis-is-my-middle-name]

i know ive made jokes about it before but being serious for a second. daniel's willingness to accept arthur's objectively batshit confession also just. gets me right in the fucking heart, man. because, like.

yeah. of course he does.

seven is a Big Number, but daniel's never met any of those other people. they don't actually mean anything to him, they obviously weigh on arthur but they're stories he doesn't know and doesn't really care to. they're just, accounting. they're a bunch of guttering candles in the face of the fucking solar flare that is The Reason daniel has to hate arthur. what the fuck does he care about a bunch of people he's never met, that died some reactionary death in self-defense or however arthur wants to justify it? when from daniel's pov arthur's already stolen two of the most important people in his world away from him. everything left of his family, his blood, for no defensible reason. out of nothing but self-absorbed youthful stupidity.

and he's already decided that isn't enough to drive them apart permanently.

so sure, fuck it, seven people. you probably had your reasons. i've already decided to move past worse. add them to the fucking list, or whatever.

because, y'know. he can't lose another person.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[iliveinprocrasti-nationn]

Nazis are a threat to everyone. We know this, we understand this. HOWEVER. Goyim, non-Jewish people, I'm asking you to think before you speak on Elon's actions.

Yes, the people trying to insist it was just a "Roman salute" and meant nothing are infuriating, but I have seen responses to it that do nothing more than encourage neo-Nazis and their sympathizers. I've seen "comebacks" where people say "Go do a "Roman salute" in a crowd", "go do it in front of a Jewish person". I just saw a video of someone saying, "Better yet, find yourself a synagogue, and go do the "Roman salute", and see how that goes... bet you won't."

You are putting Jewish people in danger. You, leftist who thinks you're being so smart and witty with your comeback, are encouraging neo-nazis to threaten Jewish people. "Better yet"? Go find a synagogue? Go find a synagogue, go there to do the Nazi salute, and that's the better option you're suggesting to them? What you're doing is telling a Nazi that they need to actively harm Jewish people to prove their beliefs to you, and I can tell you that encouragement is embraced by them.

Jewish people are already going to be one of the main targets of any Nazi or white supremacist group, but half of you are actively offering us up for your "gotcha" moment. Y'all don't think before you speak, and you need to examine why you would ever think to give specific ideas on how to harm Jewish people to neo-Nazis who have just been emboldened to a level we haven't seen in decades.

[icewindandboringhorror]

recent lounging babey images

[faaun]

ok let's catch up quickly

[willowfey]

starting to think maybe waking up with an anxiety stomachache every single morning and then needing to spend the entire day trying to get rid of said anxiety just to maybe have a few minutes in the evening of feeling relaxed before going to bed is perhaps not normal

[lurking-latinist]

🐈

[crossbackpoke-check]

Sat politely ankles crossed hands folded please say you have more thoughts about the DC deweys. Lazarus pit cold-eyed stare pristine and bloodthirsty anyway I would love to hear any further thoughts if you have the time + energy + motivation

how i imagine you waiting for me to re-read the resurrection of ra’s al-ghul and hush vol. 1+2:

ALRIGHT. in no particular order, thoughts about the dc deweys

connor fits very well into the mold of a talia al-ghul for me; chip on his shoulder, femme fatale, deadly and precise. he’s not the loudest but he’s got a dry wit that’ll cut you!

“why is connor an al-ghul at all and not batman” well first of all he’s already got the water connection, i’m gonna go dip him into the lake a couple hours north of the pas to make him incredibly long-lived, rejuvenated and beautiful

second of all i want him to be a questionable villain/antihero because he looks evil in those pictures but like beautiful evil. you see him at a multi-million dollar soirée and he’s bored of being there wearing his “heritage” beads and jewels he originally had from a thousand years ago. he and his assassins are only here to murder the head of state who’s planning to lay a pipeline through ancestral grounds

rip brandon duhaime i simply cannot imagine you as any kind of batman. lacks the gravitas, too much of a yapper, loves his wife too much. i curse thee to be green arrow if you’re in this narrative at all

assuming connor stays with toronto, would LOVE to think about toronto as one of the sites of the lazarus pit for many reasons

(a brief aside here to say that for me personally this is interesting if connor goes to winnipeg because i think they suit him better, he’s a manitoba boy, but re: the chip on his shoulder, he’s NOT a manitoba boy. he’s from the pas and very proud of it)

a) the amount of ‘toronto is the center of the universe’ hockey creation myths i can play with & birth/rebirth/reincarnation. if you WANT to feel unhinged trying to blend hockey and comics is an ice rink not just a pool of water?

b) mr. cathal kelly i love your works!!! toronto eats its young!!! thinking about this very literally in the sense of the resurrection arc where players come to toronto and are sacrificed, give up their body, their skill, in service of the demon’s head, and lose themselves.

c) we see echos of the same narratives and styles over and over again—if i can hop over to the flyers for a second, there is of course the curse of the *8s (18 richards, 28 claude, 48 danny b, 68 nolan, 88 lindros) but ALSO the danny brière -> tk -> morgan frost celly chain. every generation a resurrection, emerging clean and new from the pit

can you just briefly hold my hand and imagine wayne gretzky as an evil ra’s al-ghul wanting to possess a new body. gretzky i’m sorry to malign you and i know you never played in toronto but you are the best player in my head to fit the idea, i’m open to other suggestions

coming BACK to green arrow dewey (i did not re-watch arrow or re-read those comics sorry) connor could also be black canary, who takes a brief dip into the lazarus pit (toronto) before getting married to oliver. i do like that narrative but because we were talking about pristine and cold-blooded i figured connor dewar head of the league of assassins was more what you were after

now that i’ve gotten through world building… choose your own adventure narratives?

hockey-ish au: connor chosen as a host for the Next One. i think the lineage of the great one -> next one -> next next one -> next one up of gretzky -> crosby -> mcdavid -> bedard is taken, BUT i can imagine that the league of old boys all have the same intentions. connor gets sent to toronto unknowingly being prepped to get body-snatched by ???? and brandon duhaime of course accidentally stumbles on the plot and they have to fight to stop it

connor assassinating people :) snapshot of the head of the league of assassins delegating which major world events they’re going to change today. would love his shark face from the gifset to have blood spattered across it, ideally.

version 1 as head of the league of assassins: brandon is one of his assassins, big strong bodyguard type. devoted to him, would lay down his life, perfectly designed for connor (lady shiva/cassandra cain-ish). connor orders for something to be done and brandon does it there for him then gently wipes the blood off his face and apologizes for being careless and getting him messy.

version 2 as head of the league of assassins: an actual plot where connor aims to assassinate SOMEONE but brandon gets in the way. they meet at odds as their respective roles (hero, leader of a crime syndicate) but are magnetically drawn together as their alter egos. eventually brandon puts together the pieces of the Big Evil and manages to (legally!-ish as much as vigilante-ism can be legal) take it down and the ending panels show a tentative friendship and recognition of potential shared goals

also, jaromir jágr is immortal. don’t know if this is relevant OR related but he is. personal hot spring lazarus pit?

um. thanks for coming to my 1.5k ted talk (including tags). what a way to moritz seider lore drop that i DID grow up a comic book nerd, lmao. thank you so much for enabling me <3 i'll be here all week thinking about which teams would get what rings in a blackest night au

[savage-rhi]

🫂

[britneyshakespeare]

Yesterday at the high school I was in for this art teacher and they all had like projects they were gonna present to work on in Google classroom, so like many days as a substitute teacher it was quiet and I mostly just sat at the desk and read. But then this one kid in my peripheral vision was looking at me and when I glanced over her laughed a little. And I looked away cuz I was like whatever maybe he was whispering smth w his friends.

But then he says "I have a question"

"Yeah?"

"What two colors make purple?"

"Oh. Red and blue"

"Thank you... I appreciate the no judgment answer"

I didn't even think about it lol

[no-thanks-bro]

How can I be THIS sexy and yet entirely uninterested in other people. Wasted potential!!!!!

[loptrcoptr]

Lmao one of my friends is getting married in August so the friend group is planning trips etc. and my friend and her partner were thinking of flying into the us and then roadtripping from here (New Mexico) to LA, which I had volunteered to drive for and to take everyone to the Grand Canyon on the way, you know, all that jazz

So they are trying to buy tix from Heathrow to Denver and then not fly here but instead drive which is six hours and I’m kind of like… have yall ever driven for that long before, let alone on the wrong side of the road in a backwards car? Like my American ass did the 5 hour drive from London to wales once, first time doing the wrong car on the wrong side thing, and let me tell you I loooove long driving roadtrips and six hours is literally my preferred length of driving day but that 5 hours s u c k e d oh my god I was so scared the whole time, just white knuckling it the whole way.

They want to spend as many days in Colorado as possible, which is great and all, but still need to come here to meet me and, theoretically, take my truck to LA instead of a rental car. And I just know that if they drive all day to get here they won’t want to do anything the next day because they’ll be exhausted, so we won’t do anything fun and I won’t get to show them around and stuff and then we’ll get right back in the car for two more days. And I get a little irked when people don’t consider that there is, in fact, tourist stuff to do here. Honestly tourist stuff is the only stuff to do in this whole damn state, and where I am is just Colorado Adjacent™️, same damn landscape. but when I moved out here I thought it was gonna be like the Sahara or some shit, so I assume that’s what they’re thinking, and I don’t know how to make it clear to them that they should spend two days here if they intend to drive from Denver so they can see stuff, and if they tell me the kind of stuff they want to see, then I can plan accordingly. Because I think we’ll all be sad if they don’t get to spend any time here, because they’ll get here and go “oh wow it’s actually pretty, I would’ve liked to check it out” and idek? I don’t want to be pushy but may have to be like “listen if you bypass me because you think there’s nothing to do here I will be butthurt about it and feel like I missed out on sharing my new life with you” because I mean I’ve never been to Denver so maybe it’s awesome and they should just stay here but… don’t you want to come crash for free and let me chauffeur you around and go to ruins and tourist traps and national parks and go swimming in beautiful mountain streams and have a ride on my pony? I guess it’s one of those “I would love this, why don’t other people love this” kind of things

[secondpersonpoetry]

you’ve probably already read it before, but the poem Party by Kim Addonizio really got me tonight. first thought was “oh man. yeah” and then my second thought was “how can i make this about my hockey guys somehow………..”anyway! have a good one! 

oh. oh.

​

[cats-in-the-clouds]

it is unfortunate when i go to prayer and cry my eyes out and the only response i really hear is that i simply have to bear it. like usually i can get my emotions out and once they’re settled i hear a rational solution but it sucks when i don’t get the answer i want. i just have to keep waiting. like normally i hear something that gives me strength but wow apparently i’ve hit a new low

[moredifferentthanusual]

Hey people of tumblr I have an idea of a way to help support Gaza. This one's especially for people living in Christian areas with a lot of mainstream acceptance of israel. It's only a few days until Christmas and as for all Gazans, things are incredibly desperate for the small population of Christian Gazans. In particular here are some articles talking about fears all Christians in Gaza will be dead soon.

So how about we call up our local churches and ask what they're doing to help the people of Palestine?

The articles I've linked come from a variety of backgrounds. Some predate oct 7th. All focus on the plight of Christians in Palestine. Take your pick for what source you think will speak to your audience.

I want you to find a church that is ignoring the genocide or even praying for israel and then point out it's not just people being murdered. It's their people being murdered. Contact your local church like "Hey I'm Name, I'm not really a member of any church these days but it's Christmas and I really want to do something to help people in Palestine. I was wondering if you have something planned over Christmas? Maybe a prayer meeting or a protest or something idk 🥺" Then if you recieve any pushback switch to "oh but I'm just sooooo worried about our fellow Christians unable to celebrate Christmas".

It's a great place to ease people into caring about genocide who normally wouldn't. And if you convince a priest they might tell their whole congregation about how this christmas they have to show up for persecuted christians in jesus' birthplace. Worth a try?