#well they make me ill so we have to kill them

[elifinchsart]

Taking it Day by Day This takes place after they've initially reconciled and started seeing each other again- no label on it just the knowledge that they both care deeply for the other, understand them better than anyone else and want to try to keep them in their life. Some days are easier than others, especially for Capochin. Sometimes it feels like years and years haven't passed and they can pick up where they left off, back when things were okay- or even wonderful and other days the past feels like its going to choke them both to death with it's weight.

[petalsprompts]

𝐑𝐄𝐕𝐄𝐍𝐆𝐄 & 𝐕𝐄𝐍𝐆𝐄𝐀𝐍𝐂𝐄; 𝙺𝙴𝚈𝚆𝙾𝚁𝙳 𝚂𝙴𝙰𝚁𝙲𝙷 𝙵𝚁𝙾𝙼 '𝙶𝙾𝙾𝙳𝚁𝙴𝙰𝙳𝚂'.

change  pronouns,  tenses  and  other  details  as  deemed  necessary. &  please  specify  muse  when  sending  to  a  mumu.

𝐀𝐁𝐎𝐔𝐓 𝐑𝐄𝐕𝐄𝐍𝐆𝐄

The  best  revenge  is  not  to  be  like  your  enemy.

The  best  revenge  is  living  well.

Unfortunately,  we're  all  out  of  'bitter  revenge'  at  the  moment,  so  it's  either  tea  or  nothing.

Revenge,  the  sweetest  morsel  to  the  mouth  that  ever  was  cooked  in  hell.

Revenge  may  be  wicked,  but  it’s  natural.

Tell  me,  Is  revenge  a  science,  or  an  art?

Beware  the  fury  of  a  patient  man.

Careful,  [Name].  You’re  ill-suited  to  the  revenge  game.

Revenge  is  not  sweet;  it  is  gloomy  and  a  waste  of  time.

Our  souls  may  be  consumed  by  shadows,  but  that  doesn't  mean  we  have  to  behave  as  monsters.

There  is  no  such  thing  as  justice,  all  the  best  that  we  can  hope  for  is  revenge.

Justice,  like  beauty,  is  in  the  eye  of  the  beholder.  Some  see  an  innocent  victim.  Others  will  see  evil  incarnate  getting  exactly  what's  deserved.

There  is  nothing  wrong  with  revenge.  The  wrong  has  already  been  done,  or  there  would  be  no  need  to  even  the  score.

𝐀𝐆𝐆𝐑𝐄𝐒𝐒𝐈𝐕𝐄 𝐕𝐄𝐍𝐆𝐄𝐀𝐍𝐂𝐄

Let  the  flames  begin.

I  swore  on  my  knees  at  the  altar  where  you  held  me  that  I  would  kill  you. 

I  will  hurt  you  for  this.  I  don't  know  how  yet,  but  give  me  time. 

I  want  to  commit  the  murder  I  was  imprisoned  for.

And  you,  you  better  run  because  I'm  going  to  destroy  you  for  what  you've  taken  from  me.

I  will  write  your  name  in  the  ruin  of  them.  I  will  paint  you  across  history  in  the  color  of  their  blood.

If  someone  murders  your  child,  find  a  machete  and  take  his  head  off.

Revenge  is  what  I  want.  Nothing  but  pure  unadulterated  revenge. 

An  eye  for  an  eye  is  never  enough.  Never,  never,  never.

I  will  grind  your  bones  to  dust.

If  you  have  to  injure  someone,  then  make  it  so  severe  that  his  vengeance  need  not  be  feared.

The  hour  is  late,  and  the  time  for  forgiveness  has  passed.  This  is  the  hour  of  blood.

I  will  be  everywhere  you  look  but  nowhere  to  be  found  and  that  will  be  my  revenge.

I'm  going  to  carve  my  name  into  his  soul

You  don’t  have  any  reason  to  be  mad  at  me.  You  stole  my  life  and  I  stole  it  back.

[silcobrainrot]

***SPOILERS FOR THE FINALE DO NOT READ UNTIL YOUVE WATCHED***

I know TBSkyen has told us to sit with it for a while before deciding how we feel about the ending but I’m sorry I don’t think any amount of sitting with it is going to make me okay with them killing Jinx. The way she died wasn’t satisfying, the sacrifice meant almost nothing, and all the effort of those around her to keep her alive ended up going nowhere. Isha ends up being completely pointless because she’s only a plot device not a proper character and Jinx dies anyway. I don’t see how this was a satisfying conclusion to her narrative arc and character arc, I just don’t. Any supplemental material that makes it so she’s still alive in the games doesn’t matter to me because in the Arcane canon she is dead. To anyone not playing the games she is dead.

It’s making it hard for me to even want to rewatch it or enjoy what else was there because I’m just. I’m so goddamn fucking tired of seeing mentally ill characters have to die to lift the burden of their existence from others. Vi was so well adjusted and happy after. No mourning. No funeral/end of life rights. Her death was sudden and contrived just for some extra shock value. It didn’t feel like a tragic death, like out of a tragedy, bc this season wasn’t structured like a tragedy the way the first season felt. Her death didn’t feel inevitable and I’m furious because out of everyone. Out of EVERYONE. She deserved to live through this. She deserved to come out the other side of all her pain and suffering. She deserved to walk away from it all. But she didn’t. Because Borderlines are evil people and people with DID are evil and the only way they can redeem themselves is to die. The only happy ending is with them dead. The other two characters who showed suicidal ideation are also functionally dead. Whether or not they’re literally dead, the story’s over, they’re as good as dead.

Dont even get me started on how in her last moments she doesn’t see Isha or Silco (the two characters we SEE HER have a genuine familial bond with), only Vander (whom she has two sequences with in s1, the longer of which had no dialogue and was still less than a minute). She burned down The Last Drop—which she associated with Silco more than Vander now—to break the cycle of violence by killing the last connection to her past, she’s finally free, and then she fucking. Dies. Anyway.

God I want to enjoy what we did get but I just. I’m so tired of the end of my story always being that I have to die so other people can live.

[maxwell-grant]

Didn't realize you've read Riddler: Year One, any thoughts on it ? Also, in a more general way, what are your thoughts on the Riddler ?

Someone sent me an ask the past week or so saying that The Penguin is everything that the Joker movies should have been, and I don't think I agree on that in regards to The Penguin specifically. But if we're talking about a "Batman-less Batman villain origin story about a lonely suicidal man struggling with poverty and mental illness exacerbated by child abuse, who is pushed down through the cracks of society deep into the pits of his own mind until he can only save himself by becoming a horrible force of social upheaval and political terrorism, finally discovering joy and a reason to live at the expense of everyone around him, and now he will be Batman's problem someday", well this just completely embarasses Joker (2019) on every level. Impressively drawn, impressively written, impressive on it's own and as a prequel to the movie, WAY better than a movie actor's comic book tie-in has any right to be, and one of the greatest Batman comics ever made. Issue #5 in particular is one of the best and most harrowing comic issues and format breaks I've ever seen in the medium, and even if it's entirely self-contained, it very much belongs in the exact same conversation and should be considered inseparable from The Batman and The Penguin.

We spens 4 issues boiling the frog over every painful corner of Edward's childhood and humanity and misery, taking us through painfully intimate views and perspectives inside his headspace, seeing how and why he justifies his worldview and how easy it even is to do so, feeling truly sorry for this hopeless wretch even though we know he's losing it bad bad baddy bad bad and is going to step off the deep end forever. And then Issue 5 happens and suddenly you are one of the people in Gotham City tasked with sifting through this serial killer's personal diary and you can hear that creep shouting with that distorted voice, you can feel the final death rattle of Edward Nashton's soul ending where The Riddler begins to scream in your head 'I NEVER KNEW I HAD A REASON TO BREATHE", and by Issue 6 you fully understand why and how nobody was prepared for him, and why what he is and does and embodies is going to drag the city into an abyss it may never recover from, and why this was never going to stop even after his arrest, even after his defeat and humiliation in the movie. Everything here adds layers of sympathy and tragedy and heartbreak to the character, while simultaneously making everything he is and does in the movie so much more harrowing and disturbing, holy shit he really staked EVERYTHING, everyone's lives included, on being noticed by his savior.

I was already very much on board with Dano Riddler in the movie, whose execution absolutely sold what should have been, on paper, a storm of unadvisable fandom pitches and uninspired trends and straight-up bad ideas ("What if The Ridder was the Zodiac Killer", "What if The Riddler was a 4chan mass-shooter type", "What if The Riddler was a political terrorist with legitimate grievances but whose final goal was to kill off scores of people for little reason", "What if The Riddler was a creepy fascist responsible for a QAnon cult that ends the movie by metaphorically storming the capitol", "What if The Riddler was really, really, really obsessed with Batman", "What if The Riddler was another Dark Opposite Batman", fucking "What if The Riddler was Hush" even) worked into just this miracle magic bullet of a new take on the guy, fully capturing a lot of the essential bullet points of what makes The Riddler tick as a character while spinning them into new and significant ways befitting this increased role he has in the movie. Rereading the story now, so much of the movie even feels like it's specifically referencing the first Riddler story - The Mayor of Gotham City as a target, Riddler misdirecting Batman with a big target while his real plan involved a flood, Edward putting on a costume and naming himself The Riddler specifically because he wants to get Batman's attention, the glass maze, the written letters to police headquarters, The Eagle's Nest that is a nightclub and also the home of a millionaire with a bird last name (Falcone), a driverless vehicle careening wildly into a public place, even how the very first thing we learn about this fucker is that he cheats to win.

The guy in the movie is a version that fully works on it's own, but it clicks SO much more strongly and cohesively when you read this comic and what it establishes for him. It's the scene in the movie where the section of his diary reads "I must become something more" while Bruce finds the panicked desperate bat rattling against a cage, the thematic parallel between them that is the scariest thing he finds in the entire movie, but developed across six issues. This even begins with Eddie living through his version of the Wayne murders, with the first time he's felt anything other than crushing despair and misery, in part because he's seen the first hint of the puzzle he needs to solve, and where he needs to go. The moment the world stopped making sense for Bruce is the moment that the world started to make sense for Edward.

We understand, around the same time he understands, the childish nightmare that must become the pattern of his entire life from that moment onwards, how Edward Nashton would have killed himself, and no one would have cared, had he not become The Riddler, and how the only alternative to "Hey Edward why don't you crawl into the black hole inside yourself" is to, in fact, find this black hole inside of you and shaped like you and push other people into it instead. Become the creature of the night who can punch crime forever, become the avenging force too great for the Falcones to handle, become the kingpin whose name alone will live forever, become someone that the entire city will never again ignore or forget.

We see how it's less that he's been planning for this for so long, and more that his entire life has been broken and hammered into a Riddler shaped hole, and then when Batman dropped into it, he could start to understand what it is and put a name in it, in the fact that he's been training his entire life for this without knowing. Getting comfortable with flushing rats and making bombs at the orphanage, getting intimately and painfully familiar with self-loathing and alienation and misanthropic contempt for this city and it's people who sit by and allow all of this to happen, surviving his suicide attempts without being able to explain why, searching for answers as to why it hurts so much to live broken and unfulfilled and miserable and why he even bothers to keep on doing so, having nothing to love in his life but numbers and puzzles, spending his entire life invisible while trying to get Thomas Wayne and then his boss to notice and praise him, and then being the wrong man at the right place to begin his campaign, a little nobody accountant who noticed an inconsistency in the numbers, put the pieces together, and then decided he was gonna do something about it because he knew it could be done, because there was someone out there who showed it could be done, and if Eddie joined in, maybe this someone would notice him, let him be his friend.

Batman and R, forever.

(People don't talk nearly enough about how this Riddler's entire life ambition was to recreate Tim Drake's origin story, and they should, it's pretty funny)

And to be honest, I think this is the first Riddler origin story I've ever really liked. Some of the others, particularly the first, have their charms, and this one certainly wouldn't fit most takes on the character, even most of the ones I like, but I've never really been fully sold on the idea of a Riddler origin story until this one, he's always been a very backstory-proof guy to me. This doesn't have any particularly obvious shorthand moment as to why Edward became The Riddler, so much as an entire life twisted and torn and abandoned and rotten in ways big and small until this is what came out of him. No immediately abusive fathers or test cheating scandals or major company backstabbings as defining tragedies, just life for a poor orphan in Gotham City who can't figure out the answer to what's missing from his life until he does.

Still a horrible nerd hopelessly trapped in a life of trying to intellectually one-up everyone as the only thing he lives for and, like every horrible nerd, knowing that one day he will be recognized for what he is and then they'll all see how wrong and stupid and savage these stupid savage idiots all were to look down on him. Still a man driven to impose order on the world the way he believes it has to be. Still a cheater who loves puzzles and answers and the thrill of intellectual stimulation and victory more than anything else (and in this case, having had absolutely nothing else to even love about his life), and still very much this guy at the end:

I do have a lot of thoughts on The Riddler, and I think part of why I might not talk about him as much is because he's not a character I tend to have really exclusive or particular preferences for. There are a LOT of Riddlers out there, maybe more so than there are Jokers out there, and there's not really with him the definitive must-be-like-this that the other Batman rogues have. Everybody approaches the puzzle differently if they do so at all, and I like a lot of these Riddlers! They connect with each other surprisingly well even, in spite of being incompatible as the same person.

He's gone through some real ups and downs over the decades: given stardom in the Adam West show that made him a definitive Batman villain and spread his modus operandi across all the others, sacrificed in the altar of camp insecurity along with fellow snooty oddball Penguin, defanged and turned into a parody of himself, refitted for joke status, re-refitted for surprise baddie status, given a whole new lease on life and his own gimmicks with the arrival of computer puzzles and the internet and given his fangs back and then amplified, pushed back to the big leagues more horrible and topical than ever before and exponentially increasing as such until his next big movie showing, torn in multitudes across multiverses of takes and ideas, almost too many to even consolidate them all.

I like the first Riddler of Bill Finger's original story in Tec #140, this curious satisfaction-seeking master cheater growing exponentially more dangerous and more varied and more assured the more he fades into his endless barrage of traps and toys and puzzles,. I love Frank Gorshin's Riddler, and everybody loves Frank Gorshin's Riddler, he is the reason The Riddler became an iconic Batman villain overnight. I like John Glover in TAS, and I like Robert Englund's cold ghostly showman in The Batman (2002) much more. I love the Arkham games version of Riddler, probably because I never actually played the games and had to collect his dumb trophies. I love Paul Dini's Detective Riddler, and I especially love Brent Spiner's take on the guy for Justice League Action. I LOVE the more classic take on Riddler as played by John Leguizamo in The Batman Audio Adventures, and I LOVE Paul Dano's Riddler in The Batman, and they couldn't be more incompatible with each other.

I love the Riddlers who continuously undermine themselves in the name of criminal artistry and who look down on the profit-seeking rubes who think any of this is about money, and I love the Riddlers who are ultimately con-men doing money heists because they want to be the only crooks in town smart enough to have something to show for all their work at the end of the day. I like Riddlers who are widely despised and regarded with annoyance and disdain by the city and their fellow rogues, and I like the Riddlers who have good professional relationships with the other rogues, and the Riddlers who managed to become darkly inspiring figures in their own right. I love the Riddlers who've subsumed themselves into the mysteries and horror they embody, and I love the pathological pattern-finders trying to find a way out of this weird pathetic life, even if their efforts will be doomed to failure - The Riddler couldn't out-think his way out of Batman's toybox no matter how much he tried, and he has no desire to - where would it leave him? Down there with all the troglodytes? Please.

I can get on board with very human, conversational Eddies, the Eddies that did stints as sideshow carnies, that can tell on some level that they should be doing better things than this, who'll do bored stick-em-ups to fund the attention-seeking tantrums they're actually passionate about, and I can get on board with Eddies who are truly uniquely vile and scary even compared to the other Rogues in the room, who uphold this terrifyingly cold perversion of fairness, imposing a stark and utilitarian worldview on the city by which the penalty for falling short of his games is murder, that sheer calculated murderous menace that Frank Gorshin brought when he ended his first episode leering on a helpless Robin strapped to an operating table. And if I ever thought I couldn't get on board with the Riddler as a major serious scary existential threat to life on Gotham, well, The Batman sure proved me wrong. I may not love him as passionately as I do The Penguin or Hugo Strange, but I love too many versions of this guy to ever be able to narrow them all down, and there are even more still to be discovered.

Endlessly adaptable, able to change and mutate with the times on the same kinds of grand orchestral shifts and minute beats that Batman does, a greater variety of personalities than the Joker if not quite the same versatility (and where would we be without these two always pissing each other off or making out or both, living in each other's respective negative spaces), always an enduring and entertaining opponent regardless of whether he's the most pathetic man alive or a malevolent genius beyond understanding who routinely puppeteers an entire city and it's greatest hero into putting on their greatest performances for him. Always an adapting puzzle box, always leading into the next version of himself, always beguiling, and always becoming the most frustrating thing that Batman has to deal with, whether he's systematically destroying Batman's rationale and will and ability to be Batman or just being naturally the worst guy to deal with at the most unfortunate possible moment, in itself another key to his endurance. The Joker can murder sidekicks and torch the city and routinely try and drive Batman to breaking points of rage and indignity and despair - but sometimes The Riddler can get Batman there just by being himself, as anyone who's had to deal with this asshole in the Arkham games can attest.

It is imperative to believe in and understand Batman's worldview that his villains can be saved because everyone can and must be saved, just as it is to understand that, out of everyone in his Rogues Gallery, if The Riddler was drowning, Bruce would be inclined to throw him a cinderblock, and The Riddler would be glad to receive it, so long as his last gasps of breath could be spent laughing at Batman's inability to match wits with him.

For a villain who is meant to be fixated on knowing the one correct answer to every riddle, he’s uniquely able to be reinterpreted in endless new ways. He’s gone from being a camp and colorful performance artist to one of the most sadistic and sinister villains Batman can ever go up against. There is no one way to write a Riddler. There’s no single solution! And writers will always like the challenge that presents.

Just when readers think they’ve seen everything the Riddler has left to offer us, and the character is finally exhausted… a new lime-green envelope pops through the door of Wayne Manor to challenge us all once again. It seems we’ll never get tired of trying to unravel the Riddler, and writers will never give up on unraveling the character’s fullest potential. It unites readers, writers, and caped crusaders alike: this time, surely, we’ll crack him. - Batman's Greatest Enemy is...The Riddler, by Steve Morris

[yannisdesk]

Issues With Act 3: A Tier List

I couldn't find the gif of teen Vi making her angry face, but this will suffice. Anyways I have some bones to pick with act 3.

Tier 1: "Oh, the misery!" - Major Problems

I'll be fuming about these decisions for the foreseeable future.

Jinx death/the implications of her being dead (I personally believe a lot of evidence points to her being alive, but for the sake of this post and intentions - we'll talk strictly about what's on screen). Stop killing off mentally ill characters like this, please. To say it's deserved because she's committed acts of violence is stupid. Every character, with the exception of Ekko, has committed acts of violence that had brutal, unfair, or unwanted outcomes - and Jinx is among the ones where her violence is more understandable.

Caitlyn never apologizing for what she did in act 1. Vi calls her out on it and I thought we'd get somewhere, but no. Everyone else just kind of glosses over that she gassed people in act 1 which definitely led to some deaths. No apology to Vi either for gun-butting her. You can argue that it happened off screen, but seeing that ON screen, especially when Vi & Jinx having to verbally voice theirs, is just shitty. What's the point of having her scene in the opening credits be so stressful and guilt-ridden if she's not allowed to express that guilt beyond a word and expression or two? It also cheapens the theme of forgiveness this season because they first step to receiving forgiveness is apologizing. Act 2 understood this better than Act 3, given that in Vander's letter to Silco, the first thing he does is apologize.

Do we need to go over the implications/optics of the wealthy, privileged girl who gets to act out not really facing any consequences for her actions and getting to redeem herself in defending her city, but Jinx, disenfranchised and poor, needs to be fatally punished? Here's a hint IT'S BAD.

The whole Zaun and Piltover plot being dropped in general. We see Sevika join the council in the end, but that's it? Was independence off the table now? WHAT CONVERSATIONS HAPPENED OFF SCREEN THAT LED TO THIS BEING THE SOLUTION? Is anything worth a damn actually going to come from this arrangement? Also Piltover getting all of them councilors while Zaun gets one representative? *deep sigh*

Corruption with the enforcers being dropped like a hot potato. I guess that just stopped being something people cared about despite it being thoroughly critiqued by the narrative from the beginning of season 1 until now.

WHAT HAPPENED TO THE FIRELIGHTS TREE???? No one talks about it anymore. Did it die while Ekko and Heimerdinger were in the alt-timeline, did it hold out, was it healed once the hexcore was destroyed????????????? WE NEED ANSWERS.

Tier 2: "Spare the sympathy" - Middle-of-the-Road

These problems aren't necessarily deal-breakers, but irked me none the less.

No one can no longer call Viktor "Zaunite Jesus" because that was clearly 15 year-old Vi lol. What do you mean in an alternate universe she dies during the heist in S1E1 and then all of a sudden there's peace between Zaun and Piltover??????? All I can think of, is that after seeing how this poor kid was killed while trying to provide that set off some sort of chain reaction where Piltover and Zaun agreed to make peace to stop this sort of thing. I could actually buy that, however, just, why????? Vi already blames herself for everything so why validate that?! Also, I'm not saying it's impossible for alt-timeline Jinx to turn out healthy and well-adjusted, but, she had to cradle her older sister's corpse in her hands...there's a fair chance she'd still become Jinx.

No one finding out that they were all within centimeters of each other during the day of the heist. Arcane loves to do full-circle moments and endings, but somehow in the midst of stuffing the season with everything they could, they somehow couldn't do this which was on a damn platter sitting for them.

Tier 3: "I'll never be a saint" - Minor Problems

Had only these problems existed in act 3, I would've considered it perfect.

Not seeing the conversation that led to Ekko convincing Jinx to join the battle. Kind of minor because we see him convincing her out of ending her life, and we can gather that conversation from episode 7, but still, I feel like, given how down we see Jinx, that's something that should've been shown.

Having Caitvi bone in a prison cell. I'm split 50/50 on this, because on one hand - that's a place rife with Vi's trauma. On the other, it's symbolic for other things (no, I'm not talking about the fact that it's where they first met) that I kind of give it a pass.

[covid-safer-hotties]

Also preserved in our archive

As we’re facing the next COVID surge (brought on by holiday travel), I thought I might try a different kind of COVID post. You can skip to here for some easy to do tips and tricks you might have missed, or you can read down for my discussion of why this is important.

I have recently been writing and thinking a lot about why so many of my friends and family’s actions on COVID are so different from mine. Namely why so many people I know no longer seem very interested in either preventing themselves from being sick or, importantly, not spreading sickness to anyone else.

In my own case, the experience of staying home to stop the spread in 2020 forced me to strongly reconsider my behavior up to that point. Why had I ever thought it was OK to go to work or ride the subway with the flu, unmasked and taking no precautions, knowing that the flu certainly hospitalizes and kills people each year? Even if the flu was no big deal for my body, my behavior had limited other people—particularly disabled people—from comfortably being in public during flu season. I had knowingly spread around an illness. I radically reconsidered a lot of my behavior, and in particular, 2020 pushed me to focus more specifically on disability justice in my activism. A disability justice framework pushes us beyond thinking about individual access to consider how ableism limits us all from liberation.

Getting back to why this reconsideration didn’t happen on a mass level, understanding disability justice also means understanding that ableism is the current social order. And if it’s the order of the day, like other oppressive ideologies, that means we are all drenched in it and it is impossible to avoid ever doing something ableist. Furthermore, most people are going to act in ableist ways, most of the time. None of this are exempt from this, but not even trying is definitely worse!

I am also well aware that good COVID information is hard to come by, especially if you are not on the regular lookout for it. And if you do go looking for it, it can quickly get overwhelming. So I’d like to offer here a very short, distilled list of things people might have missed since 2020. (I’ve not taken the time to track down citations for all of these things; you’ll have to trust me that I got them from trustworthy sources or you can verify on your own. I’m happy to give more info on any of these too.)

Some of these things are easy enough to do. I’m offering this list because from a “stop the spread” mindset, each specific thing you do is helpful. This list is not meant to be comprehensive, and it’s hopefully not overwhelming. You don’t have to be perfect or avoid COVID 100% of the time or make this part of your identity, but I’d like to ask everyone reading this to take one step up in your mitigations for the holiday season, since this is reliably a time with huge increases in virus transmission. With around a thousand people still dying every week from COVID in the US, you don’t know whose life you may save by being a little more careful.

Masking This is the biggest bang for your buck, precaution-wise. If it’s hard for you to mask all the time in public, consider masking in places that disabled people really can’t avoid, like the pharmacy, the grocery store, and on public transportation.

I’d also suggest that if masks are uncomfortable, try different kinds of masks! The Aura is my favorite mask – it’s tight to my face so my glasses don’t fog and head straps don’t hurt my ears like ear straps do. Wellbefore sells masks in different sizes and colors, and Armbrust has sampler packs. Just try a bunch and see what works for you!

Finally, know that if at all possible, you should wear an N95 or KN95 mask. This is a change since spring 2020 because the current variants of COVID are more contagious.

Mouthwash Washing your mouth out with a mouthwash containing CPC (cetylpyridinium chloride) before or after seeing people, or just regularly, will kill some of the virus in your mouth and keep you below the threshold to get sick and/or shed the virus to others. This is a really easy one; CVS brand mouthwash has CPC.

Sip mask These valves will allow you to drink without breaking the seal of your mask. This is great for airplane travel, crowded conferences, or other risky spaces that you need to be in for an extended amount of time.

Airplane The most dangerous time on an airplane from a virus transmission standpoint is the time sitting on the runway (because of the way they circulate and filter the air onboard). Even if you don’t mask up during the flight, this is the best time to mask. (And if you do mask, this is the worst time to have a snack or drink – try to keep your mask on for all of this period.)

Space out risky or crowded events Don’t go to a wedding and a concert in the same weekend! Illness takes 3-5 days to develop after exposure, so give yourself time to know if you got sick from the last thing before potentially spreading that to the next thing.

Air purifiers work! This is a great one for places that you can’t avoid, like school, work, or daycare. You can make your own Corsi-Rosenthal box, but there’s also a variety of high quality air purifiers you can get for $70-100. You want to make sure it has a HEPA or Merv13+ filter on it, and check how quickly it changes out the air in a room. Since COVID is airborne, there can be COVID in a space even after the person has left it. Setting up air purifiers and/or opening windows until enough air has circulated before you remove your mask is a great way to make a space COVID safer

Test before going to events, even if you don’t feel sick Rapid tests (the kind you’re used to getting from the government and at the drug store) False negatives from these are rampant but a positive test reliably means you have COVID. The accuracy of these tests also increases a LOT if you take two of them 48 hours apart.

Better home tests are now available Metrix and Pluslife are both testers you can buy that offer a similar level of accuracy to a PCR test (that is, very accurate!). These devices are expensive, but so is another COVID infection: think of the missed work, cost of Paxlovid, and potential for Long COVID to keep you down even longer.

It’s a good idea to get an updated vaccine 2x a year too; like the flu shot, these vaccines are updated to try to fend off the particular variants that are circling. Be mindful though that vaccination will not necessarily stop transmission, especially of asymptomatic cases. Handwashing is also good for general prevention, but it doesn’t really stop COVID transmission. In the early days of COVID, researchers guessed that it was spread by physical droplets. That’s why we were instructed to wash our hands and groceries. But now we know that COVID is airborne; it spreads more like cigarette smoke than spit!

Of course, no single thing works perfectly. The best model is still the Swiss cheese model, but that also means each thing you do helps. If you’re reading this, please consider doing *one more thing* to take care of yourselves and others. I love you

[softringing]

There's always been a question that bugs me about sampo. Obviously, there are several, but this one specifically, has to do with his ideologies involving elation.

If sampo cares about people so much and desires to make everyone happy, why did he not take direct action in those 8 years he remained in belebog?

We all know sparkle said sampo has a line that he won't cross, and that line is very clearly not hurting people, well at least the ones who have already been hurt enough.

We see this from sampo's actions in the underworld vs overworld. For some reason, even tho sampo is a scammer and values money, he has never attempted to scam underworlders. In Hook's companion mission, hook's father had a rare mining item that was stolen by an npc named Skipper(?) I believe.

While Skipper was trying to sell this item to sampo, sampo kept insisting that he was selling it at such a low price. His direct words were "Are you sure you want to sell this at this price to me?"

And he kept hesitating until hook and tb found skipper and took the item back. We can see cleary that sampo means no harm to those who are weak but when he's in the overworld, he's known for scamming ppl like Chavez from Anti-Blue Scam Society without much remorse.

From all this, it's clear sampo has never done something to hurt anyone seriously, and to add to this, shields is the name for the belebog currency. Yet, in sampo's idle, we see him holding a different currency.

This pretty much implies that to sampo, belebogian currency would be useless. Although we know he's a scammer, we don't really know why he cares about money so much other than this text we got in game from him

Sampo seems personally tired of doing this :( but says that he has to to feed few mouths which we can take as him trying to help the ppl in the underworld with the money he 'earns'.

So, here we return to my initial question, why didn't sampo directly help ppl of belebog with their disaster if he has so much power?

He is hiding from a certain someone-- as mentioned by @/samposillies, in sampo's LC, the exact same currency he's holding is shown & his eidolon

(money model from @/kittykattz)

If u look really closely into his LC, you can see not only that it's from a POV of a sniper, but also another assasin behind sampo, holding a gun and wearing a foreign attire to belebog. The description also matches that someone's obviously trying to kill him, as told by the sniper himself.

At first, I assumed it was the ipc but their outfits lean towards red rather than plain black. Plus, although it looks like sampo isn't in belebog, there are two posters in the lc on the brick background and you can find these coffee posters in belebog at the location "Backwater pass".

But the thing is, sampo uses the non-belebogian currency (assumed to be Kalevalan currency) to convince the sniper to talk to him.

The lc's name is Eye of the Prey-- and although it's from sniper's POV, Sampo is clearly the Hunter, while the sniper is the prey.

This led me to think that someone from Kalevala is perhaps trying to kill sampo while he was in belebog, which is strange bc the world believed Jarilo-IV did not exist before the astral express saved them. Meaning that whoever is trying to kill sampo probably always knew about his whereabouts hence sampo decided to keep a low profile and decided to help underworlders in such a silent approach.

Not to mention, the currency sampo's holding doesn't have the usual hsr language on it (pointed out by @/samposillies)

(maybe it needs horizontal flipping ill check it later)

Therefore, we can assume sampo didn't help belebogians directly by bringing an end to the stelleron bc he's being chased by someone. and even tho sampo appears non-chalant or calm about it in his lc, maybe he just doesn't want that person to come and specifically show up in belebog.

We don't know why that person's trying to kill sampo but there are lots of reasons, just like the fact that sampo is LITERALLY the 'device' from Kalevala as referenced in his event. He CAN legit create ancient relics,

he laughs it off as a typo BUT HE CAN CLEARLY MAKE THESE RELICS!! GEPARD ALSO MENTIONS IN HIS LINES ABT HIM THAT HE SELLS A NUMBER OF ANCIENT RELICS!!

"ancient" MEANS OLDDD, like really old!! How can a normal person make such things?? Not to mention sampo can make his bombs and is immune to their poison and a MEMORY bubble (in autheirum wars), which had the description of being "abnormal or unusual"!! Only memokeepers can make memory bubbles, and herta has several of them in her space station. So he either stole one or knows how to make one himself!! Sampo also made those items in his pop-up shop event with some materials the tb brought so there's no doubt he's the object that's supposed to 'bring wealth'.

Or could it be that sampo is like Giovanni? He prefers natural endings rather than artificial ones? he's still a masked fool no matter how different his aesthetics are after all... LET ME KNOW WHAT YOU ALL THINK!!

Edit: Here's the flipped image of his money but I still can't read what it's supposed to mean and tried to google translate in Finnish but didn't. Work

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)

[melatien]

tiny yoichi (unwillingly) lures out soldiers by being his helplessness little self so his brother can strike

[itshomobirb]

if my parents keep talking to me im going to (remembers that suicide jokes are bad for mental health) go outside and dig a hole to narnia

[storywestistrash]

i am actually so tired of the way westerners treat eastern europeans

[camzverse]

i could probably like or even love william afton if he made any fucking sense to me as a character

[emmodii-mode]

Just finished my first playthrough of BG3. Romanced Lae'zel, but ending up turning into an Illithid because the idea of making Orpheus or Karlach do it didn't sit well with me (or my character).

I told Lae'zel to leave with Orpheus in the end (I heard she wouldn't stay with a ghaik anyway, which she's valid for, but also, it doesn't feel right to ask her to stay when I know how much her people mean to her). And like-

Her face before she flies off---

She looks so heartbroken and sad.

[iftitah]

i feel like a joke

[joelletwo]

duuuuuuuude i had a dad come in late asking to be walked thru getting a fish tank setup for his daughters bday and immediately im like. god. fuck. gonna have to scare him off. ask him what fish hes thinking he says well between goldfish or angelfish. uh oh! [big complicated guys*]

but hes already done so much research and is on board with a proper sized tank and even goes for a bigger one when i suggest it and is generally open to everything i tell him about goldfish care and is already planning on cycling it WELL ahead of time and is so so so niceys and knows how big and long lived they get and is like well even if my daughter outgrows it ill enjoy having it around so thats fine! and im like. crying. sir i love u can u come in every day forever. fantastic customer to almost close out the night.

[nowendil]

whooooo having an anxiety attack about covid. again 👍