#well i'm not letting you the choice actually!!!

[loki-cees-all]

This build-up was...intense. But it was slow, like a much-needed stretch to finally get that tight muscle to pop. Well-earned, I think is a good word for it. It's difficult to do a slow burn in a one-shot but fuck if you didn't nail it, Cleo!!

And for someone who occasionally has to work 14+ (very stressful) days in a row, it's such a shame that it took me so long to read a fic where TVA Loki - my husband, my lover, my #1 bestest boy - is telling me that I need to take a break because if I'm that tired, I wouldn't be able to get any good quality work done anyways 🤡

The banter here is top notch. Low stakes, but high intensity. I love Loki's breakfast choices, his coffee choices, his commentary on romantic Asgardian literature - Loki is through and through a hater, and I do love to see it. Keep telling me your grumpy old opinions, grumpy old man! <3

But then I got to the smut.

^ my live reaction

This was so good I want to commit arson. I need to create real-world consequences as a punishment to the real world for me not actually being the reader in this story.

The intensity of his gaze makes you shiver again. He crouches down and presses another kiss against the inside of your knee, slowly moving upward. “If you keep talking like that, I’m not going to let you leave my bed for days.” “You know that’s not a disincentive, right?” you say, sucking in a sharp breath as he nips at the soft skin of your inner thigh. “I’ve wanted you for such a long time, Loki.” “I’ll make it weeks if you’re not careful.”

Can I just. How did you. I mean it's just. How. HOW?!

10/10 please do it again <3

Overtime

Summary: Sometimes, working overtime isn’t all that bad.

Pairings: Loki x Female Reader

Warnings: Smut, 18+ minors DNI, sex, cunnilingus, teasing, light bondage, office romance.

Series: Overtime (I don't have a masterlist for this, but if you enjoy these idiots, check out Daylight, a sort of sequel).

A/N: This was largely written prior to season 2 and posted right before episode 4, so it’s not entirely canon compliant and the parts that are may be compliant by accident.

Also, @give-me-a-moose and I were on a similar wavelength about Loki angrily reading romance novels and I would strongly recommend checking out her fic The Imagine Nation if you too are enthralled by this idea.

You don’t think that Mobius intended to keep Loki’s desk behind yours.

“It’s temporary,” he tells you apologetically. “He just needs somewhere to go for now, until I figure out what to do with him.”

“You’re talking about him like he’s a stray cat that you found,” you say.

“You won’t even know he’s there, I promise.”

“You’re still doing it.”

Mobius sighs and puts on his most sincere, earnest expression—the one that he always uses when he’s about to ask you for a stupidly massive favor.

And it’s only because you almost never, ever see this look from him that you back down.

“Okay, fine,” you say. “But he’d better be on his best behavior.”

Mobius puts his palms together and tips them toward you. “Thank you. You will not regret this, I promise.”

You sigh and shake your head. “Just remember this next time you’re budgeting for raises.”

But then—in a move that you certainly don’t expect—Loki ends up sticking around. And, in the subtle way that the stray you’ve been feeding slowly turns into your cat, Loki’s temporary desk becomes his permanent desk. And strangely enough, Mobius’ assurances turn out to be more correct than not: Loki does a lot of fieldwork and is often away; when he is at his desk, it tends to be because he is working on more complicated missions, the ones that require poring over mountains of files looking for patterns and trying to untangle the slippery mess of time itself.

Your work is decidedly less glamorous than Loki’s—almost no fieldwork, lots of files. Endless files. Some days you feel as though you must have seen every file in the TVA’s extensive library and then you’re immediately proven wrong by another wing of filing cabinets that you swear wasn’t even there before.

Although he is generally well-behaved as your desk neighbor, Loki’s presence has a way of distracting you. Even if you didn’t know who he was, your gaze would still naturally drift his way, lingering on those regal cheekbones, that ink black hair, that cunning smirk. The way that the fabric of his dress pants clings to his thighs certainly doesn’t help, to say nothing of how his forearms look with his shirtsleeves rolled up. He can make your heart start to race with no more than a casual glance in your direction and god help you if he gives you one of those devastating smiles. Luckily, you don’t think he takes that much notice of you. You have the sort of pleasantly dull exchanges of coworkers who don’t really know each other and he is almost painfully polite to you. It’s a strong departure from the way he interacts with others—with others, he is bold, charming, sarcastic, talkative, a far cry from the more subdued, almost courtly tone he strikes with you. It’s a difference that is so stark that you can’t help but attribute it to some sort of negative feeling on his end.

“How’s it going with Loki?” Mobius asks you during a one-on-one meeting a couple of months after Loki’s temporary desk becomes his permanent desk. “He’s behaving himself, right?”

“It’s been fine,” you say, “though truthfully, I don’t think he likes me all that much.”

“What? Of course he likes you,” Mobius says. “Why wouldn’t he like you? You’re lovely.”

You shrug. “I dunno, he’s just different with me than he is with everyone else. Like…overly polite. It’s like he thinks I’m going to send him to the principal’s office or something.”

“Let me get this straight,” says Mobius. “First you were worried that he wouldn’t behave himself and now you’re worried that he’s too well-behaved?”

Privately, you realize he has a point. Outwardly, though, you’re not going to admit it. The sardonic tilt of Mobius’ mouth suggests that he knows this.

“No, I just…I don’t think he likes me all that much,” you say. “And he’s entitled to that. People don’t like each other all the time, it’s not a big deal.”

This is also a little bit of a lie—you do wish he liked you. Loki is so magnetic it’s hard not to want his attention. And with the matter of your silly little crush, well…that doesn’t help either.

Mobius sighs. “I think you’re overthinking this. He likes you, sometimes it just takes him a little time to warm up. He’s a bit of a prickly guy.”

You bite down the urge to point out that you’ve seen him warm to other people almost immediately. This conversation has already gone on longer than you want and you are edging dangerously close to having to admit that you care so much because you have a big stupid crush on him, which is obviously unacceptable.

“Well, the point is that it’s fine,” you say quickly, trying to project an aura of cool confidence. “I don’t have any complaints, he seems like he’s settling in, so let’s move on. Did you have any feedback on my recent report?”

The furrow between Mobius’ eyebrows deepens just slightly, the only indication that he doesn’t fully believe you. But for whatever reason, he decides to let it go and follows your change in topic without further comment.

This is one of the reasons you like Mobius as much as you do: he always seems to know the right moment to push and the right moment to bend.

You’re not sure if your relationship with Loki would have changed had it not been for the problem of Charles Berlitz.

The joke around the office is that after Mobius convinced Loki to work for the TVA, he needed something new to obsess over and Charles Berlitz was the next best option. It’s hard to say exactly who Berlitz is, as he has a tendency of showing up, well…everywhere. He is quite literally in every timeline, at least as far as anyone can tell. Sometimes he is an author, penning serious, scholarly essays on outlandish theories like the Bermuda Triangle and the Philadelphia Experiment. He seems to have a fondness for all manner of schemes—he was responsible for introducing both homeopathy and multi-level marketing to no fewer than sixty different timelines. His ability to peddle bullshit naturally led him to politics—pick any rebellion, coup, or campaign on any given timeline and there’s a good chance you’ll also find Charles Berlitz.

Scammers and con artists are not atypical in your line of work, but what makes Charles Berlitz an enduring mystery is that he has never been found. You can have reputable documentary evidence that Berlitz was present at a certain time and location, but if you show up to investigate, he is never there. There have been some glimpses over the years—a shadowy face in the back of a crowd, the hem of a cloak disappearing behind a corner—but nothing concrete or substantive.

“Our ghost in the timeline,” Mobius had said in one of his more poetic moments at an all staff meeting, his voice overly hushed and dramatic. You had seen Loki roll his eyes and you had to fake a coughing fit to hide your laugh.

Time moves differently at the TVA, so it’s hard to say how long Mobius has been working on this case when he makes a breakthrough, but it’s not terribly long after your conversation about Loki. A campaign button had been found in an apartment that Berlitz rented for two years in the French Quarter. That particular campaign button could only have existed in one specific timeline and its distribution was limited. You aren’t entirely clear on all of the details, but Mobius seems to have a plan.

And unfortunately, that plan involves you giving up most of your weekend to work.

It’s near quitting time on what passes for a Friday at the TVA. Loki has been in today and you can hear him starting to pack up. Technically, he’s got twenty minutes of work left, but you’re not about to tell him that.

You doodle absently on your notepad. Technically, you’ve also got twenty minutes of work left, but realistically: nothing is happening.

“Oh, great, you’re both still here.”

In general, this phrase has never meant good news for you and when you look up, you see Mobius with a sizable armful of files.

Also not a great sign.

Mobius plunks the stack of files directly on your desk. “There’s been a development with Berlitz. I need you both to review these now.”

“It’s Friday,” says Loki, affronted. “Surely it can wait until Monday.”

“No can do. I need this done by Sunday at the latest,” says Mobius. “This is an all hands on deck situation.”

Loki glances pointedly at the office around you, which has already started emptying out for the weekend.

“All hands on deck, but most hands are already in the field,” Mobius concedes. “Which is why I need the two of you—” He points to you. “You because you’re good—” He gestures to Loki. “And you because you’ve got desk duty.”

“I beg your pardon—” begins Loki.

“He’s grounded,” Mobius says to you in an exaggerated stage whisper.

This is not surprising to you: you had heard a rumor last week about an incident that had occurred on a mission to the inauguration of Richard Nixon and you suspect that these two events are likely connected.

You look at the pile of paperwork on your desk. You could probably get through it on your own in a couple of hours, but if Loki’s helping, maybe you still have a shot at having Saturday to yourself. You bite back a sigh. “What do you need me to find?”

“Anything that mentions anyone from the Lucchese crime family or Nero Variant N2815,” says Mobius. “I’ll go get the rest.”

Your heart sinks. Farewell, Saturday. “There’s more?” you say.

“It’ll be triple overtime, I already got it approved!” he calls over his shoulder

You sigh and glance at Loki who is scowling at the pile of files as though they’d wronged him personally.

There’s a long moment of silence before you speak. “Is there any truth to the rumor I’ve been hearing about the Nixon inauguration?” you ask.

“If it involved a hot air balloon, then yes,” he says rather tonelessly.

“Well.” You pause as you stare at the pile of papers. “At least it was worth it.”

That at least earns you a hint of a smile.

*

Several hours later, your stomach is growling and you’ve developed a rather impressive crick in your neck.

You lean back in your chair, stretching your neck to the side and rubbing the knot that is pulsing in your upper trapezius. Office work has done nothing positive for your posture in general, but tonight’s work has you hunched over more than usual and your neck is aching.

You and Loki have made good progress, but your pile of finished and sorted files is scarcely comparable to the full cart that Mobius had brought in. Back when the evening was new and you weren’t quite so tired, you’d been optimistic about possibly having half a Saturday free from work; that hope has slipped away the longer the evening has dragged on. Now you’re hoping that you’ll still have a bit of Sunday to yourself and even that feels unlikely.

Your stomach growls again. You should probably eat something—you’d worked through your regular dinner hour in a fit of misplaced optimism. The cafeteria is closed this time of night, but there’s a vending machine not far from your office that has shitty coffee and mostly edible sandwiches.

You stand and stretch, stifling a yawn as you turn around. “I’m gonna grab a coffee and some dinner,” you say. “Do you want anything?”

Loki looks up at you from the file in front of him, blinking somewhat dazedly and running a hand through his messy curls. “I’d like to stretch my legs a bit, if you don’t mind the company.”

You honestly didn’t expect him to want to join you. It’s a pleasant surprise, certainly, but also a little nerve wracking in the way that interacting with Loki always is. He’s so handsome and aloof and you’re not quite sure how to talk to him without acting like a total fool.

But you’re also not about to say no, either.

“Of course,” you say, “I don’t mind at all.”

The TVA is unusually quiet at this time of night—the steady hum of fluorescent lights and the murmur of distant voices is all that accompanies the tap of your shoes on the linoleum. It only heightens the jittery, nervous feeling you get from Loki—like your stomach is filled with drunk, lightning struck butterflies.

“Are you finding much?” asks Loki as you enter the hallway together.

You shrug. “A bit. Mostly on the Nero variant. I’m not having as much luck with the Luccheses.”

“I’ve got all of their property transfers, I think,” he says. “Renato Lucchese never met a vineyard he didn’t like.”

“Or racehorses, from what I understand,” you say. “I think that’s how he lost most of his money.”

You arrive at the vending machines. Loki looks at the vending machines and then back at you, a somewhat puzzled and troubled expression on his face.

“This is what you meant when you said you were going to get coffee and dinner?”  he says.

You shrug. “Yeah, what’s wrong with this?”

He points at the coffee machine. “Mobius calls that machine Satan’s coffeemaker, does he not?”

“Yes, but I know how to trick it into giving me something that’s almost palatable,” you say.

Loki gives you a rather dry look. “Something that’s almost palatable?”

“I mean, I’m just trying to manage your expectations. It’s still pretty shitty coffee, it just tastes less burned.”

He looks at you for a long moment before tilting his head toward the hallway. “Come on, let’s go.”

It’s your turn to look skeptical. “What are we doing?”

“We’re going out for dinner.”

*

He takes you to a twenty-four hour diner called Frank’s that’s maybe a five minute walk from the TVA. It’s one of those places with yellowing Formica tables and big booths covered in red faux leather patched with the occasional square of duct tape. It smells like coffee and grease with a faint odor of cigarette smoke despite the prominent no smoking signs.

“I wouldn’t have thought this kind of place was your style,” you say as you sit down in a booth next to the window.

“I’ve expanded my horizons,” he says, sliding into the seat across from you.

An older woman with greying blonde hair approaches your booth. She wears a nametag reading “Connie” in big capital letters, a sticker of a pink cat stuck on the space next to her name.

“How y’all doin’ tonight?” she says as she hands you each a laminated menu. She looks at Loki. “You want your usual?”

“Please,” he says.

“You got it.” She turns to you. “How ‘bout you, hon, can I get ya started with something to drink?”

“Coffee would be great.”

“All right, I’ll be right back with your drinks.”

You raise your eyebrows at Loki as she walks away. “You eat at diners and you have a usual order. My expectations are being completely upended.”

He returns your pleasantly amused expression. “And you have vending machine coffee for dinner. It’s a revealing night.”

“I mean, I don’t actively seek it out,” you say. “It’s a convenient option that I exercise only when I have no other choice.”

“No other choice?” A sly smile curls at his lips. “Do you not have the entire array of space and time at your fingertips?”

“Well, first of all, we aren’t supposed to use TemPads for personal errands without a supervisor’s approval.”

“Technically.”

“No, actually. It’s in the personnel manual. Like verbatim.”

He raises an eyebrow. “You would put yourself through the egregious physical suffering of vending machine coffee simply to appease the capricious whims of our cruel overseer Miss Minutes?”

You bite back a laugh. “You know she’s not actually our boss, right?”

“I can’t discount that possibility. She wields a concerning amount of power within the organization.”

Connie is back with your drinks—coffee for you and tea for Loki. “Sunday Special?” she asks Loki as she sets a metal teapot and empty mug in front of him.

“Please,” he says.

“You got it.” She looks at you. “Didya get a chance to look at the menu or do you need a minute?”

You’re feeling a little daring. “I’ll try the Sunday Special as well.”

“All right, two Sunday Specials comin’ right up,” she says, collecting your menus.

“So, what’s in a Sunday Special?” you ask Loki as you take a sip of your coffee.

“Boiled fish eggs, mainly,” he says, pouring the hot water into his tea mug.

“Liar,” you say promptly.

He raises an eyebrow. “You didn’t even look at the menu, how could you know?”

“Places like this don’t serve fish eggs,” you say. “Way too unusual and definitely the wrong price point.”

“I suppose you’ll just have to see,” he says with a playful glint in his eyes. The easy charm that you’ve seen him use with the others is on full display and it’s enough to make you giddy. Maybe he doesn’t dislike you after all.

“Well, if it’s fish eggs, you’re picking up the bill,” you say, “and I’ll be getting something else instead.”

“You’d really hold me responsible for your impulsive dinner selections?”

“Yep. And I don’t even feel bad about it.”

He raises an eyebrow. “I didn’t realize you could be so unforgiving.”

“Well, you don’t know me all that well.”

“To be fair, you keep to yourself quite a bit.”

“A little bit,” you say. “But also to be fair, you haven’t really asked.”

“On work time?” he says, widening his eyes in mock horror. “That would mean write ups for both of us, I couldn’t let that happen.”

“I think I know enough about you to know that getting in trouble is not one of your primary concerns.”

He gives you a sly smile, like you’ve caught him out and he likes it. “That’s a diplomatic way to put it.” He takes a sugar packet from the dispenser on the table and tears it open before pouring it into his mug. “Well, we’re on break now, so you can safely tell me something about yourself.”

You drum your fingers on your coffee mug. “What do you want to know?”

“Well, this can’t be the only part of your life. Who are you outside the TVA? What did you do before this?”

That giddy feeling comes to a screeching halt and you take in a long, slow breath. It’s a simple question, one that most people can answer to some degree. For you, though, it’s a bit more complicated.

“Well,” you say. You take a sip of your coffee, mostly to give your hands something to do. “I don’t actually know—I chose not to remember when they gave me the option.”

You’re surprised by how gentle his eyes are when you look up. “My apologies,” he says, “I didn’t realize.”

“It’s okay,” you say and you really do mean it. “You couldn’t have known.”

Usually, you say something like this and then gently redirect the conversation, but something about the way he’s looking at you makes you want to continue. Like maybe he understands difficult things and doesn’t mind hearing about something that others would shy away from.

“When they told us everything and said they could fix our memories…” You clear your throat and focus your gaze just above his shoulder. “It’s weird, but I just had a feeling that it wouldn’t be good for me to know…that something really bad had happened. So I asked Mobius to check for me, just to be sure…” You swallow, blinking hard.

You remember how sad Mobius’ eyes were, how he’d gently placed a hand on your shoulder and said, “I think you’re making the right call, kid.”

“It’s not really okay, is it?” Loki says softly.

You shrug. “I mean, it’s…it is what it is.”

“You’re a terrible liar, you know.”

“It’s not a lie—”

He raises a skeptical eyebrow and you remember that he is, in fact, the god of lies.

“It’s more like…I can’t really miss what I don’t know, but at the same time, the reality of that absence hurts a little. So maybe not exactly okay, but not exactly not okay, either.”

There’s a lot of kindness in his gaze and you have to look away because it makes your head spin and your breath catch in your throat. “I’m not really sure if that makes sense,” you say.

“It does.”

There’s a silence between you, but it’s not uncomfortable.

“Do you…do you think you’d want to forget if you had that option?” You’re not entirely sure what prompts the question and you regret it almost as soon as it leaves your mouth. “I’m sorry, that’s probably too personal.”

He shakes his head and there’s a warmth in his eyes that you don’t expect. “I rather think I owe you one.” He pauses, running a finger around the rim of his mug. “Sometimes I do,” he says finally. “It can be quite painful remembering.” He worries his lip between his teeth. “But I’m not sure who I would be without the knowledge of my past, either.” His gaze flicks back to you. “What’s it like for you? Do you feel like you know who you are without those memories?”

It’s a good question—one you’ve never been asked. “I mean, it’s hard to say for sure. I think I do,” you say. “Sometimes I wonder if I was different in my timeline. Maybe I was kinder because I had different experiences that made me more empathetic. Maybe I wasn’t—maybe I was worse. Maybe I had a villain arc.”

He chuckles. “That doesn’t seem likely.”

“I dunno, maybe it explains the vending machine coffee and my fish egg related threats,” you say and you feel almost giddy when he returns your smile. “Or maybe I’m the same and all those experiences that shaped me are just scars I can’t see.” You shrug and take a sip of your coffee. “At the end of the day, though, that timeline is gone. I’m all that’s left. It’s sad, but it’s also freeing, in a way.”

He nods. “Mobius has said much the same.”

You smile slightly. “Our philosophies are similar, I suppose, though I think there are probably more bits of his past self in his present self than he realizes.”

Loki grins. “It’s the jet skis, isn’t it?”

“I mean, I just don’t think most normal people spend that much time expounding on the reliability of the Yamaha engine versus the pure, raw power of the Kawasaki.”

Loki holds up a finger. “But have you gotten the lecture about Yamaha’s braking system?”

“I think I have that memorized at this point.”

“‘The perfect choice for families.’”

“‘You just tap the brakes. Just tap them. Perfectly smooth stop every time.’”

“‘Reliability meets affordability.’”

“‘You can’t say no to that.’”

You think you probably could have riffed on this for a bit, but you’re interrupted by the arrival of Connie with your dinner.

The Sunday Special turns out to be a fairly traditional breakfast—eggs, hash browns, two fluffy pancakes, sausage, toast, a little bowl of strawberries.

“Definitely lots of fish eggs in this meal,” you say to Loki after Connie leaves.

His smile is small, but genuine. “You haven’t looked under the pancakes yet.”

You feel it then, but you don’t fully understand until later that this dinner has unlocked something important between the two of you. After months of awkward, stilted conversation, it’s like you finally understand how to talk to each other. And you’re surprised to find that even outside of your big stupid crush, you actually like Loki. You like his sly smiles and his dry humor and how easily the two of you fall into a routine of playful banter. You click in a way that surprises you, in a way that makes you mourn the lost potential of all those awkward, stilted months and feel giddy about the possibilities ahead.

Dinner is over too soon and you walk back to the TVA feeling revived from the coffee and the conversation. 

Disaster awaits you back at the office, though: you’d left a stack of the Nero variant files on your desk and evidently the construction was too precarious, as the entire pile had tipped off your desk and spilled to the floor, contents scattered everywhere.

“Fucking hell,” you sigh, running a hand through your hair. You’re not sure whether you want to laugh, cry, or scream. Possibly, it’s all three.

“Here.” Loki is bending down on the floor to gather the files. You studiously try to not ogle his ass or thighs. Or at least not obviously. “Clear off some space on your desk—I’ll help.”

Twenty minutes later, you’ve set up an entirely new system—Loki has dragged his chair over to your desk and the cart of unsorted files sits between you, like a surly metallic chaperone. And even later when you’ve sorted out all of the files from the floor, he remains parked at the end of your desk, a stack of new, unsorted files in front of him. Admittedly, it’s a lot more efficient for you to work like this: privately, though, it gives you a warm glow that has nothing to do with workplace efficiency.

“I’ve invented a new game,” he says some time later. 

“What’s that?”

“Every time either one of us finds documentation showing Renato Lucchese losing money on a racehorse he was told was not a good investment, I get to have a drink.”

You look up at him. “Look, I know you’re a god and everything, but I am pretty sure that will kill you.”

He sighs and tosses the file into the Lucchese pile. “I think it would add a little excitement to the evening, don’t you?”

You raise your eyebrows and look back at the file in front of you. “You mean this isn’t your idea of a fun Friday night?”

“My idea of a fun Friday night includes far fewer files and a lot more debauchery,” he says, taking a new file from the cart.

You glance at the clock. “Well, it’s only eleven. I don’t usually start body shots until after midnight.”

“What are body shots?”

For one horrifying moment, you think that you’re going to actually have to explain this to him, but then you get a good look at his expression.

He’s teasing you.

“You’re an ass,” you say, swatting him on the shoulder with the file you’re holding.

He wags a finger at you. “That’s workplace violence. I’m going to have to report that.”

You lean back in your chair and return to your file. “I’m pretty confident that you’ll be put off by the amount of paperwork that process requires.”

He shakes his head as he returns to his own file. “Uncontrolled bureaucracy is how bad actors escape accountability.” There’s a brief pause. “And…there’s another racehorse.”

You continue on like this for the rest of the evening, occasionally chatting and Loki proving definitively that the Renato Lucchese racehorse drinking game could not be played without resulting in a fatality. It’s nice, though. Yes, it’s sorting files and yes, it’s not the most intellectually riveting task you’ve ever done, but spending time with Loki is nice. It’s because of this that you find yourself trying to stay awake, pushing past your looming exhaustion.

But around two, you can’t quite fight the heaviness of your eyelids any longer and you doze off in the middle of a report on the sinking of the Lusitania.

“Hey.” Loki is gently shaking your shoulder. The way he says your name in that deliciously deep voice makes you want to swoon and you’re glad that you have the ready made excuse of sleepiness to explain any embarrassing behavior on your end.

“I think you’d better call it a night,” he says gently. “Get some sleep and come back with fresh eyes.”

“What about you?” you say. “Are you going to do the same, or are you just all talk?”

He smiles at you and it warms you to the very tips of your toes. You could bask in that smile like a cat in a sunbeam.

“I’m starting to fade a bit myself,” he says

“Very convenient,” you say and he grins at you.

“Come on, I’ll see you back home.”

Part of you wants to protest—there’s really no need for him to walk you home—but a larger, louder part of you wants to let it be, prolong the magic of tonight for just a little longer.

There’s a comfortable silence between the two of you as you walk out of the office together. 

“What time do you think you’re going to come in tomorrow?” he asks as you approach the residential wing. “It’s probably sensible to coordinate our efforts a bit.”

“Yeah, that’s a good point,” you say. “I was thinking nine, but that will be dependent on how much coffee I have.”

“Yes, about that,” he says. “I cannot stand idly by and watch you torture yourself with vending machine coffee.”

“Well, the cafeteria will be open, so I was going to torture myself with cafeteria coffee, which is at least thirty percent less over brewed.”

He clicks his tongue. “You’re not making a compelling case for yourself.”

“To be fair, it’s quite late and I’ve been staring at files for hours.”

“All the more reason to get decent coffee,” he says. “We’re going out for breakfast.”

You raise an eyebrow. “Oh, we are?”

“Consider it an intervention,” he says. “I’ll come collect you at eight.”

You’re not quite sure if this is just his natural confidence and swagger coming through or if he’s flirting with you and this counts as a date.

“Where are we going?”

“I know a place.”

*

The place in question turns out to be a food cart in Central Park in 1998.

“Should I even bother asking if you have supervisor approval for this?” you say, looking skeptically at the time door glimmering before you.

Loki scoffs. “I don’t have a supervisor.”

“You do. It’s Mobius.”

“That can’t be right, we’re peers.”

“You’re absolutely not. Did you read any of the onboarding materials?”

He ignores your question. “I don’t see why I’d even need a supervisor, honestly.”

You snort. “Need I remind you of what happened at the Nixon inauguration?”

He spreads his hands in front of him. “It’s not my fault that I’m the only one with a sense of humor.”

“I’m not entirely sure that was the problem,” you say. “Gerald Ford is never going to be the same, from what I understand.”

Loki waves a dismissive hand. “He’ll be fine, the tail isn’t permanent. Now, are you coming or not?”

You roll your eyes at him and make a halfhearted complaint about proper protocol, but you know that you’re walking through that time door and not looking back. You knew that before he even posed the question.

The food cart is owned by a man named Samir who has a wide smile and booming laugh. He talks to Loki like he’s a friend and he tells you that you have the prettiest eyes he’s ever seen. You are fairly certain he’s exaggerating, but you stuff a few extra bills into the tip jar anyway.

“I can’t believe you fell for that,” says Loki as you walk away, each carrying a coffee and a brown paper bag with a breakfast sandwich.

“Fell for what?” you say, batting your eyes at him. “I do have beautiful eyes.”

“I’ve heard him say that on at least thirty separate occasions.”

“Yeah, but this time he really meant it. I could tell.”

He rolls his eyes and leads you to a park bench overlooking a wide, grassy field. The leaves are just starting to change and the air has a little bit of a bite to it. 

You sit down on the bench and take a sip of your coffee.

“It is good coffee, I’ll give you that,” you say.

“See,” says Loki, “you can’t go back to that vending machine sludge after this.”

“I mean, if it’s eleven o’clock at night and I’m on a deadline, I can.”

“Darling. You have a TemPad.”

“Loki. Read the personnel manual.”

He wrinkles his nose. “It’s not really my genre.”

You roll your eyes and take out your breakfast sandwich. “What is your genre?”

He raises an eyebrow. “Is that a serious question?”

“Of course it is,” you say. “I love talking about books.”

He gives you a slight smile and takes a sip of his coffee. “A little bit of everything, honestly,” he says. “Philosophy. Magical theory. History. Politics. Anything from Asgard, really, though it can be a bit more challenging getting some of those titles.”

“I’ve had pretty good luck with the Library of the Sacred Timeline—have you checked there yet?”

He frowns. “I’m not familiar.”

“Oh, you’d like it—it’s on the eighteenth floor. It’s intended to be a collection of the greatest works of literature from as many branches of the timeline as possible,” you say. “It started as a research project, but people liked it and it just kind of evolved into this huge collection. They’ve actually got a pretty sizeable collection of books from Asgard.”

It’s like you’ve told him that his personal paradise had been located on the eighteenth floor this entire time. “Will you show me?”

He is practically vibrating with the sort of anticipatory, manic energy that you typically would associate with Christmas morning right before you tear into presents. It’s sweetly endearing.

“Of course.”

Ten minutes later, you’re leading him through the winding hallways on the eighteenth floor. You’re not surprised he hasn’t heard about the library—it’s a bit out of the way and the eighteenth floor is so poorly designed that it’s not terribly easy to find.

The design of the library is a sharp departure from the rest of the TVA. The shelves and floors are made of the kind of dark mahogany that you typically see in the kind of estates that look like something directly out of a Jane Austen novel. Worn oriental rugs muffle your footsteps on the creaky wood floors and the air smells faintly of dust and paper.

There’s a subtle change in Loki when you walk through the doors—almost like a muscle in his shoulders finally relaxes and he seems truly at home for the first time since he arrived.

You touch his hand. “This way.”

You lead him into the stacks, back to the far corner, right after the books from Alfheim.

“You can borrow whichever ones you like,” you say softly. “There’s a sign out sheet at the front desk.”

He nods, though you don’t think he really hears you—he only has eyes for the shelves, his gaze sweeping across the spines like they’re old friends. You’re about to excuse yourself to give him a little privacy when his brow furrows and he exhales sharply. “Oh, you can’t be serious.”

“What is it?”

They have the entirety of the finest Asgardian literature at their disposal. Untold centuries of the writings of our greatest minds—” he plucks a book off the shelf, “—and they choose to include this?”

The title looks fairly innocuous—a red, leather bound book with the title The Cloistered Heart embossed in gold script on the front. You take the book from him and open it. “What’s the problem with this?”

“It’s inconsequential fluff, literary pablum of the highest order.”

This is the Loki that you’re more familiar with and a smile curls at your lips. Almost on cue, you flip the book open to a chapter titled “The Wedding and Bedding of Aloisa.”

You bite back a laugh and look up at him. “It’s a romance novel.”

“Precisely my point,” he says. “To think that this is on the same shelf as Nielsen and Auber.”

“That’s kind of how libraries work,” you say, flipping further into the book. The phrases “throbbing length” and “eager moans” draw your eye and you have to tamp down another laugh. “Oh, and it’s a sexy romance novel.”

“It appeals to the lowest common denominator, yes.”

“What, so you’re too good for a bodice ripper?”

He scoffs. “I prefer to do the bodice ripping myself, not read some overwrought description of it.”

You are glad you’re looking at the book because you’re pretty sure you’d disintegrate if you had to make eye contact with him while he delivered that line. “Oh spare me,” you say lightly, snapping the book shut and drawing it to your chest. “I’m gonna read this.”

He blows out a puff of air. “It’s a waste of your time.”

“I’ve got lots of time, I can afford to waste it,” you say cheekily. “Besides, I’m curious to see what kind of book turns the god of mischief into a pearl clutching prude.”

Loki sputters. “Prude? Darling, let me assure you, I’m no prude—”

“I’ll leave you to browse,” you say with a grin as you turn away from him. “Come find me at the front when you’re ready to go.”

You’re a few chapters into the book when Loki rejoins you at the front of the library, a small stack of books tucked under his arm.

You close your book with a snap. “This book is a delight. I think your real issue is just that you’re no fun.”

He scoffs. “I’m very fun.”

“Could’ve fooled me.”

You bicker playfully back and forth as you check out your books and leave the library. A quick glance at your watch tells you that you spent much more time there than you’d planned. You can’t quite bring yourself to worry about that, though, not with the memory of Loki’s wonderstruck expression burning so bright in your mind.

There’s a bit of a lull in the conversation as you wait for the elevator.

“Thank you,” he says softly.

“For what?”

“For showing me that.”

“Of course. I’m sorry you didn’t know about it sooner.”

He looks at you, lips parting slightly like he’s about to say something. His tongue swipes briefly over his bottom lip and you would swear that his gaze drops to your mouth for just a second.

For just a second—one heady, slightly irrational second—you think he might be about to kiss you.

The ding of the elevator arriving breaks the spell, startling you just a little. You run a hand through your hair, trying to give off the impression of composure even as your heart beats wildly in your chest.

Loki gestures to the elevator doors. “After you.”

There is a group of analysts in the elevator already, chatting animatedly and completely obliterating any chance you may have had at recapturing that moment.

You try not to dwell too much in contemplating what ifs or timeline branches—often, it feels too much like work, something Mobius might assign you.

But you know that the possibility of that moment—what if the elevator had been a hair slower, what if those analysts had taken a different route, what if you were braver—you know that’s something that’s going to haunt you for a while.

*

You wouldn’t give up that time in the library for anything—it’s one of those moments that feels formative, something that you’ll return to again and again for one reason or another.

But it’s also true that it’s time that you probably could have used for sorting files and as Saturday ticks on, you can’t help but wish you had a way to pull another hour out of somewhere.

“We’re not going to be able to make this deadline, are we?” you say with a sigh.

It’s getting late into the evening and the cart of files still to be sorted still remains depressingly full, despite the fact that you’d brought both lunch and dinner back to your desk so you could continue working.

Loki eyes the remaining files. “I think we might. We made good progress today.”

You rub your eyes. “My brain feels like it’s about to leak out my ears.”

Loki takes the file you are working on and sets it back in the stack of unsorted files. “I think that might be a sign it’s time to turn in,” he says.

“There’s still so much left.”

“There’s still tomorrow.”

You reach for the file. “Well, let me just—”

He pulls your hand away from the pile. “You can come back to it in the morning. Besides, if you’re this tired, you’re not going to do good work anyway.”

He squeezes your hand and drops it. It’s brief enough to still be friendly, but unusual enough to make you wonder and send your mind racing back to that moment by the elevator.

You shake the thought away. It’s late and you’re tired.

You heave a world weary sigh and slump back in your chair. “I hate it when you’re right.”

To his credit, he only smirks a little. “Come on. I’ll walk you back.”

Once again, there’s no reason for him to do this, but once again, you’re inclined to let him.

You pack up for the evening and walk out of the office side by side. You’re trying very hard not to think about the fact that this is likely the last night that you’ll do this, that tomorrow the assignment will be over.

As you near the residential wing, you start to hear distant shouts. If you inhale deeply, you catch a very faint whiff of explosives—you’re not sure what kind.

“I think someone brought work home,” you say with a sigh. 

This happens from time to time—things get out of hand in the field or something happens when retrieving an asset or a target and all hell breaks loose at the TVA. Mobius had once referred to it as “bringing work home” and the name had stuck.

“Wasn’t there an incident in this wing not long ago?” asks Loki.

“Yes.” You sigh, running a hand through your hair. “I had to call off the next day—I got no sleep that night.” You listen carefully, trying to determine the source of the noise and the status of the problem. “But maybe it’s almost over,” you say with an optimism you don’t fully feel. “Sometimes these things are resolved really quick.”

Your heart continues to sink the closer you come to your home. The acrid burn of explosives only increases and you think you catch the low, dull roar of something not quite human.

And indeed, when you turn the final corner, you are immediately stopped by an electric blue barrier being monitored by a hunter. G-21–you’ve worked with her on a couple of missions before.

“Are you fucking kidding me?” slips out of your mouth before you can stop yourself.

“There’s an ongoing incident in this area,” says G-21 and you almost want to laugh because no shit. 

“How long do you think it’s gonna be closed off?” you ask.

She shrugs. “We’re at a code 54 right now, but it’s probably gonna escalate.”

With pitch perfect timing and before you can even try to remember what a code 54 means, there’s an almighty crash and a low bellow.

“Go!” she yells before running toward the commotion amid frantic calls for backup.

Loki is grabbing your wrist and pulling you into a run.

Your standard issue work shoes are comfortable enough on a day to day basis, but you certainly want to have words with whoever decided that leather soled shoes with absolutely no grips were a good choice for a building floored almost entirely in linoleum. In a low stakes situation, it’s meant occasionally you wipe out in the cafeteria and hurt nothing but your pride. In this situation, it means that Loki’s firm grip on your hand is the only thing keeping you upright.

But there’s a small mercy in that while you can still hear distant crashes and shrieks, whatever is happening down that hallway doesn’t seem to be following you and eventually, you both slow to a brisk walk and Loki drops your hand.

You haven’t even had a chance to consider where you are going to sleep tonight. You could probably curl up on that terrible couch in the office and just plan on getting up early enough to run back to your place for a quick shower and a change of clothes…assuming the incident resolves by then—

“You can stay with me,” says Loki, as though he can hear you trying to sort this out.

“Oh, that’s okay, I’ll just—”

“If you say you’re going to sleep on that terrible couch in the office, I will personally take you to the most boring governmental proceeding I can find and leave you there until you come to your senses.”

“Sounds like a great place to fall asleep,” you say.

His eyes glint, but his tone brooks no arguments. “You’re staying with me tonight.”

You sigh, but you can’t think of a counterpoint. “When did you get so bossy?”

“Darling, I’m a prince,” he says with a bit of a wry smirk. “It’s my birthright.”

Loki lives on the opposite end of the residential wing and his place looks quite a bit like yours—he’s got an extra window in the kitchen but the floor plan is otherwise the same. A lot of his furniture is standard issue, but there are little details that make it seem more personal: an area rug with a bit of fraying on the edges, a painting of what you think is an Asgardian landscape, a vase filled with dried flowers so delicate they look like they might disintegrate if you were to touch them. And books—so many books. Books on shelves, stacked on the coffee table, tucked into the little rack that you know is meant to hold magazines. Hardbacks, paperbacks, leather bound, dog-eared, well-worn and brand new. It’s no wonder he was so excited about the library.

“Have a seat,” he says, gesturing to the couch. “I’ll get some things for you.”

You sit down and he disappears down the hall. You idly examine the books stacked on the end table next to you. Many are quite clearly from Asgard and it sparks a pang of sympathy—it’s like his homesickness is on full display in his living room and there’s something sweet and sad about seeing that vulnerability laid so bare.

He returns a few minutes later with a pair of pajamas, a toothbrush, and a hand towel.

“Here,” he says, handing you the pile. “Bathroom’s just down the hall. I’ll make up a bed for you.”

“Thanks.”

In the bathroom, you realize that the pajamas he’s given you aren’t the standard set you can order from the TVA. These are made of a dark emerald silk that ripples over your skin like water, and somehow, that makes it feel a thousand times more personal than if he’d loaned you a standard set. They don’t fit quite right on you, but they’ll work well enough for tonight.

You brush your teeth and attempt to get through as much of your evening routine as you can before collecting your clothes and exiting the bathroom.

When you return to the living room, you expect to find that he’s made up a bed for you on the couch. These living units only have one bedroom—it would be quite reasonable to have you sleep on the couch.

You do not expect to find a pajama clad Loki stretched out reading on the couch, a blanket over his lap and his head propped up on a pillow like he intends to sleep there.

You exhale slowly. “Please tell me you are not giving up your bed.”

“Don’t be absurd, of course I am,” he says without even looking up from his book. “The point of this was to prevent you from sleeping on a couch, not simply put you on a couch in a different location.”

You wish you had something to throw at him. “You don’t even fit on that couch.”

“Luckily, my knees bend. Besides, you’re a guest,” he says, as though that settles it.

You roll your eyes and plunk yourself down in the armchair across from the couch, setting your pile of clothes on the floor. “I’m not moving until you give up the couch.”

He finally looks up from his book. “You’re really going to do this?”

You examine your fingernails, flicking away an invisible speck of dust. “I’m not the one being unreasonable. I’m simply meeting you at your level.”

“If you think that I’m being unreasonable and you’re also saying you’re meeting me at my level, does that not mean you are admitting that you are being unreasonable?”

“It’s nearly one o’clock in the morning. I’m not arguing semantics with you.”

“Fine.” His eyes glimmer as he sets his book down and slowly rises to his feet. “But you’re still not sleeping on the couch.”

“Oh, you’re going to be so disappointed when you realize how wrong you are,” you say. You think you see your opening and you try to play it cool.

He’s walking toward you, leaving your path to the couch wide open. In your head, you can see exactly how this works: you’ll spring from your chair and dart around the coffee table before diving onto the couch like a baseball player sliding into home plate, soundly defeating Loki. Easy peasy.

Instead, what happens is that you spring to your feet and Loki moves with inhuman speed, grabbing you around your waist and pinning you to the front of his chest, stopping you in your tracks almost immediately.

“I suppose I should have expected that,” he says. Your back is facing him, but you can almost hear the dry, sardonic look he’s giving you.

“Probably,” you say. “God of mischief and all.” You struggle fruitlessly against his iron grip. “You can let me go now.”

He laughs. “I’m afraid I can’t. It was clearly a mistake to trust you. I won’t be making that error again.”

“I don’t know what you’re talking about,” you say, trying again to squirm away from him. “Let me go.”

“The interesting thing about all of this is that you’ve made a rather substantial tactical error,” he says, continuing as though he can’t hear you.

“You’re bluffing,” you say with more confidence than you feel.

“Fascinating theory,” he says, “but I don’t think it’s going to work out for you.”

With that same ridiculous speed, he’s suddenly spinning you around and lifting you, tossing you easily over his shoulder.

“Hey!” you shout in protest.

“I warned you,” he says, his voice full of mirth as he carries you toward the bedroom.

This is not exactly how you’ve imagined being carried off to bed by Loki.

Though, admittedly, you do have a nice view of his ass.

“This is ridiculous,” you say.

“You brought this upon yourself.” He’s walking into the bedroom and a moment later, he’s lifting you from his shoulder and tossing you unceremoniously onto his bed.

You scramble to your feet and try to lunge toward the door, but he’s clearly expecting that. Before your feet even hit the floor, he catches you around the waist and hauls you back to the bed. Your back hits the mattress and you try to leverage the momentum to propel yourself back onto your feet.

He catches you immediately and you find yourself back on the bed again.

“I don’t mean to be patronizing,” he says, failing to bite back a laugh, “but it’s adorable that you think you can outmaneuver me.”

That is deeply offensive and the only way you can earn my forgiveness is by letting me take my rightful place on the couch.” You can’t quite keep the laugh from your voice.

He grins. “Not a chance.”

You attempt to dive off the opposite side of the bed, only to have him grab you by the ankles and pull you back. You manage to dislodge him and lunge in the opposite direction, only to be immediately thwarted.

It becomes increasingly hilarious the longer it goes on and soon your sides are aching from laughter. Loki is laughing too, but it doesn’t seem to affect his strength or speed at all.

Eventually, he wrestles you back down onto the bed and you are fairly certain there’s no way out of this one—he’s got your wrists pinned above your head and his legs locked around yours. You’re both a little out of breath.

“Yield,” he says.

You shake your head. “Never.”

His gaze flicks to your lips and back to your eyes. “Yield.”

“No.”

Something has changed. There’s an electricity and intensity that crackles in the air between you, possibilities blooming in both of your gazes. It feels a little like that moment by the elevator, but you’re afraid to hope, afraid to even wish because the idea of him wanting you still feels as impossible as capturing smoke with a net. 

But the way he’s looking at you, the way his gaze keeps drifting between your eyes and your lips…that’s not nothing.

“Yield.”

You lick your lips, your heart beating wildly. “No.”

Is it just your imagination, or did his breath hitch when you licked your lips?

“Yield.”

God, he’s so close and you want him so badly. 

“No.”

He looks again at your lips and this time, he closes the distance between you.

They call him Silvertongue—you’ve heard the jokes, you’ve rolled your eyes at all of them. But as he kisses you, you realize that there’s an element of truth there because only seconds in and you’re ready to sign away your soul to live under the power of Loki’s tongue. The slow, warm slide of it against yours, the way he guides your mouth against his, the way he lets out a soft sigh as he tastes you—you would give up everything if it meant you could stay like this.

“Yield,” he breathes against your lips.

“No,” you say.

He deepens the kiss, catching your lower lip between his teeth and gently tugging until you whimper and arch against him.

He still has your hands pinned against the bed, his grip unyielding when you try to wrestle them away.

“Let me touch you,” you say when he draws back. You want to touch him everywhere—run your hands along every muscle you’ve admired from afar. 

“Then yield,” he says with a grin, his eyes flashing with devilish intent.

You consider this for a moment. You could give in—there aren’t really any stakes at this point and you’re pretty sure you’re both going to end up sleeping in his bed tonight anyway. But that glint of mischief in his eyes also promises some intriguing possibilities if you stand firm.

“No,” you say.

“Such a pity,” says Loki, though his expression is one of hungry delight.

His hands slip free of your wrists then, but they stay pinned to the bed by some invisible force.

“Cheater,” you say. 

“I think this is only fair,” he says, his hands sliding to your hips. “I’m clearly the victor, am I not entitled to my prize?”

You shiver. “Your prize?”

“Yes.” He kisses down the column of your throat. “My lovely, lovely prize.”

“How can I be your prize if I’m also your competitor?”

“You think too much,” he mumbles against your neck.

“You say that like it’s a bad thing.”

“Generally, it’s not.” He sits back on his heels between your legs, looking you over with satisfaction. “But in this case, it’s distracting you from more pressing matters.” His hands creep under the hem of your shirt, stroking the small of your back, thumbs tracing teasingly along the waistband of your pajama pants. 

“Have I mentioned how much I enjoy seeing you in my clothes?” he asks. There’s a husky depth to his voice and a hunger in his eyes that sends a flood of arousal to your cunt.

“You have not,” you say.

“A casualty of too much thinking,” he says solemnly, his thumbs gently grazing the skin at your hipbones. “You look utterly delectable. I almost want to leave them on.” His eyes glitter with mischief. “Almost.” His hand strays to the bottom button on your pajama top. “May I?”

You nod. “Yes.”

He slips the button free and slowly makes his way up until your shirt is open. He carefully pushes the fabric aside, baring your breasts to his sight and touch.

You’ve never felt more beautiful seeing Loki stare at you, lips slightly parted, eyes wide and hungry. He trails one hand up your stomach and rib cage and slowly brushes a thumb over your nipple. You gasp and the sensitive skin puckers and stiffens as he palms your breast, rolling your nipple between his thumb and forefinger.

“Gorgeous,” he murmurs as he lowers his mouth to your breast, his tongue and lips taking up the role of his hand, while his other hand moves to cup your other breast. You whimper, wishing you could run your hands through his hair. “That’s it,” he purrs, “I want to hear all the sounds you can make, my love.”

You rock your hips forward and arch your back as he lavishes attention on your breasts. It’s the most delicious kind of torture, having him so close, but not being able to touch him.

He’s taking his time, which you both love and hate. He feels so good, but you need him to touch you, you need to touch him, you need him inside of you. You wait until you can’t take it any more and breathe his name like it’s a prayer.

You wonder if this is what he was waiting for because with little more than a brief smirk and a wicked look, he starts kissing his way back up your chest and neck. You whimper when his lips meet yours and you can feel him grin as he kisses you. He fits his hips against yours, angling himself so that his cock rubs up against your clit just right and you moan into his mouth. You can tell that he’s big and part of you wants to savor the anticipation even though you feel like you might go mad if he doesn’t fuck you now. You rock your hips against him, trying to feel that friction.

His large hands frame your face, one hand sliding to cradle the back of your head so he can draw you deeper, the other trailing from your cheek to your throat.

Both hands soon stroke down your sides, lingering teasingly at the waistband of your pajama pants. He hooks his thumbs underneath the waistband and you lift your hips. He slides your pants down maybe an inch and you can feel him smiling as he kisses you. You lift your hips again and your waistband creeps down another inch.

“Loki.” His name falls from your lips with a sigh.

“What is it, my love?”

“Touch me,” you breathe. “Please.”

You lift your hips again and this time, he pulls the fabric fully down and off your legs. He guides your legs apart and stares appreciatively at your bare cunt, his teasing expression replaced by a rapt awe.

“Beautiful,” he murmurs. 

You believe him.

His hands stroke your thighs, seemingly in no hurry, despite your pleading whimpers and the way you arch against the mattress. He draws his thumb gently along your slit, barely grazing your clit.

“Do you know what an utter distraction it’s been sitting behind you?” he asks, tracing your clit in the slowest, lightest circle.

You arch upward, hands still bound by his magic. “Tell me,” you breathe, your hips rising to chase his hand.

“Every time you stood up, I could only think about bending you over the desk.”

You manage a sly smirk. “And here I thought you didn’t like me much at all.”

His thumb presses a little more against your clit and you moan.

“I’ve wanted you from the moment I saw you,” he says, rolling his thumb in a slow circle. “I kept you at arm’s length partly as a matter of protection.”

For who?”

“You,” he says. “I’m not fully redeemed in some eyes and you being involved with a dangerous variant—”

“You’re not,” you say.

“Some would disagree.”

“Well, they’re wrong,” you say. “You’re not a dangerous variant. You’re Loki Laufeyson and I want you just as you are.”

There’s something unreadable in his expression and it makes you wonder how many people have told him that he can just be himself.

“You should be careful saying such lovely things to me, you know,” he says solemnly.

You raise an eyebrow. “Oh really? And why is that?”

“Because it makes me want to do very wicked things to you.”

You’re surprised you’re not shaking, you want him so badly. “What kinds of wicked things?”

“Oh, all manner of wicked things.” He presses a kiss to the inside of your knee, his tongue swiping briefly against your skin. “Things with my mouth...” His thumb rolls over your clit again, his index finger teasing your entrance before retreating. “…my hands…” He drags his gaze over your naked form before locking eyes with you. “My cock.”

A shiver works its way up your spine. “So if I talk about how I think you’re really clever and funny and I find it unbelievably sexy, what sort of wicked thing would that merit?”

The intensity of his gaze makes you shiver again. He crouches down and presses another kiss against the inside of your knee, slowly moving upward. “If you keep talking like that, I’m not going to let you leave my bed for days.”

“You know that’s not a disincentive, right?” you say, sucking in a sharp breath as he nips at the soft skin of your inner thigh. “I’ve wanted you for such a long time, Loki.”

“I’ll make it weeks if you’re not careful.”

“Again, not a disincentive.” You gently tug at your bound wrists and find that they’re still firmly secured. It’s exhilarating, even though you really wish you could run your hands through his hair, especially if he ends up where you think he’s going.

“What else should I tell you?” you muse as he continues his agonizingly slow path along your thigh. “You know, half the reason I kept to myself was that I wanted you so much I was certain that I’d make a fool of myself.”

That earns you a few circles of your clit with his thumb, but his progress up your thigh remains slow. You have a theory about what might move the needle, though.

“I know you like to act like you’re this sort of barely reformed villain, but I think there’s more good in you than you’d like people to believe.”

This time, he moves up to the crease where your thigh joins your hip, close enough that you can feel the heat of his breath ghosting along your labia. His tongue traces a line along your skin and you briefly wonder if you’ll be able to hold it together enough to deliver the last part.

“And,” you say, trying to keep your voice steady, “yesterday and today made me want you even more because I feel like I finally saw who you really are and you’re even more wond—”

Your words abruptly give way to a breathy moan because his perfect, skilled tongue has finally found its way to your clit.

You had a plan from here, but whatever it was has dissolved into nothing under the skilled caress of Loki’s tongue. You suspected he would be good at this from the way that he’d kissed you earlier, but you could not have imagined that it would feel like this.

“Oh my god, Loki.” Your thighs are already quaking. You tug again at the invisible bonds on your wrists, but they hold fast. Something about the way the bonds are keeping you gently stretched along the bed combined with how his large hands have your thighs spread open seems to heighten every sensation. There’s no wiggling away from him or adjusting yourself so that you feel more or less of the onslaught of his tongue on your cunt. You are completely at his mercy and you’re not entirely surprised that you fucking love it.

He slides a finger into your aching channel and your cunt shudders around the thick intrusion. The warm, roiling center of your orgasm starts builds in your hips with every stroke of his tongue, spinning faster and faster, like ocean winds whipping up into a hurricane. Your back arches and his tongue presses flat against your clit, and suddenly you know that this is going to be what takes you over the edge.

Loki seems to know it too, at least from the way that he presses his tongue more firmly against you, one arm slung across your hips to hold you in place. His other hand slides two fingers inside you, rocking and curling against that aching, tender spot.

You whimper, your hips bucking wildly. It’s so good and so much and you are almost there.

You look down at him then, his hair wild, hollowed cheeks flushed pink as his tongue works you over, his eyes closed like he couldn’t imagine anything more blissful than being in between your legs while you come undone.

This is ultimately what tips you over the edge. The storm that has been forming inside you is finally let loose and you arch your back and cry out in a wordless scream as your climax crashes into you.

Only then do the bonds around your wrists release and your hands fly down to grab his hair as your body shakes with pleasure.

It takes a moment for you to get your breath back and reacquaint yourself with the concept of speech, but when you do, you find Loki looking up at you, his expression pure mischief.

“And to think you wanted to sleep on the couch.”

“It wasn’t that I wanted to sleep on the couch, it’s that—” Your voice cuts off as his tongue starts stroking your clit again.

“It’s what?” he asks in between strokes, his smirk obvious in his voice. The lingering ripples of your orgasm are coalescing around the path of his tongue, tightening that coil in your belly again.

“Fuck—you’re not playing fair, you can’t just—” You lose your sentence to a low moan that rises up from your chest. “You can’t just—fuck, yes—you can’t…oh god, yes, just like that.”

His laughter rumbles against you as your hips start rocking against his mouth. How are you already so close?

“You can’t just—fuck—win an argument by—”

You’re trying to say that he can’t expect to win an argument by making you come and you think he might understand this based on how determined he seems to be to prove you wrong. His fingers curl again until he finds that soft, tender spot that is so often the key to your unraveling.

You have stopped trying to complete that sentence—you moan, your hands tangling in his hair, urging him on as the swell of your climax rushes up, inevitable as a tidal wave looming over a seaside village.

You cry out as it crests and breaks, falling down over you in a rush of tingling pleasure that feels like champagne and fireworks all at once.

“Now, what was it you were saying, my love?” he asks as he releases your clit a moment later. “Something about how I can’t just win an argument by making you come? I couldn’t quite hear you over the sound of you coming completely undone on my tongue.”

“Oh, you think you’re so smart,” you say, giving him a stern look as he crawls up your body.

“You know what I think?” he says, settling himself on his side next to you. “I think you liked submitting to me.”

You shiver before you can even think about hiding it and his smile turns decidedly vulpine. 

“You did, didn’t you? You liked having your hands bound and being completely at my mercy while I licked your pretty cunt until you came undone in my mouth.”

“You are enjoying this far too much,” you say.

“I am enjoying it the correct amount.”

You realize your hands are now free to explore his body and you tug at his pajama shirt. “I think you’re wearing too many clothes,” you say.

He gives you a wicked grin as he lets you pull his shirt over his head. “Yes, perhaps it’s time we even things up.”

You pull the shirt away and rake your eyes over him greedily, your hands following the path of your gaze. He is as perfect as you imagined, unfairly beautiful in the dim light of the bedroom.

You hook your thumbs into the waistband of his pajama pants and lower them an inch, a cheeky parallel of how he teased you earlier. His lips curl into a sharp smile when he realizes what you’re doing.

“Interesting strategy.” There’s a bit of a growl in his voice, a rough desperation that makes your cunt clench. “But I think you forgot that I have the upper hand here.”

He raises his hand and with a twist of his wrist, his remaining clothes dissolve in a shimmer of green and he is bare before you.

Your breath catches in your throat. His cock commands your immediate attention, nudging up against your thigh—he’s big, as you suspected, but completely bare and rock hard, he somehow seems longer and thicker than he had when he was grinding against you.

He pulls you into a slow kiss as you reach for his cock. You wrap your hand around him, delighting in the silky hardness of him, the way he throbs in your hand and the low groan he makes as your hand moves from base to tip and back, the way his hips thrust along with you. Your cunt clenches in anticipation.

After a moment, though, he places his hand over yours, slowing your movements.

“I need to be inside you,” he rasps.

“Yes,” you breathe.

He rolls on top of you  and you’re not sure that you’ve ever felt anything quite as wonderful as the heat of his bare skin and yours pressed together. This feeling means intimacy, a closeness that you’d longed for but never expected even in your wildest daydreams.

He pulls you into a kiss, slow, soft, and languid, like you have all the time in the world and he intends to take it. It’s decadent and dreamy and perfect.

But the heavy weight of his bare cock resting against your stomach combined with the ache between your legs—an ache that would be so perfectly soothed by the hard column of flesh currently throbbing against you—proves to be a force too powerful to resist for very long.

You cant your hips against him, snaking one leg around his waist, hoping he’ll get the hint.

He does.

He braces himself on one hand, the other sliding between your bodies to rub his cock along your slick folds. He positions himself at your entrance, waiting for your breathy plea to begin to ease himself slowly into you.

He fills and stretches you in the most wonderful way, but even more than that, he feels like home. The thought strikes you quite suddenly and you’re not entirely sure about everything it means, but you know it’s good and right.

He pauses for just a moment, seeming to savor the feeling.

“You feel better than I ever imagined,” he says.

You quirk an eyebrow at him. “You imagined?”

He gives you a hungry smile as he leans in to kiss you. “Like I said: it has been an utter distraction sitting behind you.”

His rhythm is slow and easy, like he wants to take his time learning every inch of you and memorizing how you react to his touch. His mouth moves over yours in a slow kiss that’s somehow both languid and demanding, his tongue gliding in and out of your mouth in the same rhythm of his hips rocking into you. His cock bumps up against that sweet spot inside of you that his fingers had teased earlier, each stroke inching you closer to bliss.

He shifts the angle of his hips so that his pubic bone grinds against your clit and it feels so good you almost see stars. You can feel your orgasm building, your cunt growing slicker and tensing around his thrusting cock.

He draws back to look at you, eyes hazy with a loose, dreamy kind of pleasure.

“Do you have any idea how good you feel?” he breathes.

You are shaking. “Loki, I’m gonna come.”

“I know you are,” he purrs. “Let go for me, let me feel you, my love.”

With two more thrusts of his hips, you unravel.

He groans as you tremble around him, but mostly, he watches your face, rapt by the way you throw your head back against the bed and gasp his name like it’s the only thing that will save you.

“You’re beautiful when you come,” he breathes. “Absolutely stunning.”

He waits until you catch your breath before he kisses you again, slow and sensual. His hips are still rocking in that beautifully slow rhythm and you don’t know how it can still feel so good.

He keeps moving against you, his touch and his low murmurs of praise invoking a symphony of sensations. He presses deeper and your body sings with every thrust, your muscles tensing and tightening around him like you never want him to leave. Your climax swells again and you come with a whimper, your whole body shaking as he fucks you through it.

You want him to come, want to hear the sounds he makes and feel his sweet, hot release burning inside of you.

“I want you to come for me,” you breathe.

He grins at you. “Oh, I will, but not yet. You’re not done yet.”

You whimper. “Loki—”

“Two more, my love, two more and then I’ll come for you.”

Somehow, you give him three. By the second one, he’s panting and his words have become rough, his voice a growl as he utters some of the filthiest praise you’ve ever heard. The third builds quickly after that and you know instinctively that you’re going to take him over the edge with you this time.

You fight to keep your eyes open against the tidal wave of pleasure blooming again in your hips. You need to see him come undone.

As in everything else he does, he’s unfairly beautiful—he throws his head back, letting out a low groan that you can feel all the way to the tips of your toes. His cheeks are flushed, a few ink dark curls plastered to the light sheen of sweat on his forehead. You can feel him emptying himself inside you, his release hot and hard won.

It seems to last a long time and it’s another minute before his hips slow to a halt. He kisses you, so soft and sweet it would almost seem chaste were it not for the fact that his cock is still throbbing inside of you.

After a moment, he slowly eases out of you, rolling over onto his back, his arm snaking around your waist and pulling you to him like he can’t bear to be parted from you even for a moment.

You curl up against his side, your legs tangling with his. He takes your hand, lacing his fingers with yours before resting your clasped hands on his heart.

You could fall in love like this, you think sleepily to yourself.

You don’t know it then, but you’re right.

*

Time moves differently at the TVA, but a couple years later, there’s a ring in a box on your desk.

Loki likes a spectacle and you’d daydreamed about a traditional wedding, but when you talk it over, you both agree that you want to do something different, something quiet, something just for the two of you.

“I do think we should tell Mobius beforehand,” you say to Loki.

“Isn’t the point of eloping that no one knows until after it’s done?” says Loki.

“Yes, but I feel like we could make one exception,” you say. “If we’d done a full wedding, I would have asked him to give me away.”

Loki’s gaze softens a bit then and he pulls you close. “All right. But we only tell him right before we leave. The man can’t keep a secret.”

But Mobius doesn’t seem terribly surprised when you tell him—in fact, he seems far more concerned about your wedding gift.

“I didn’t have a chance to wrap it yet,” he says. He’s retrieved a large picture frame that had been propped against his desk, though he keeps it turned away from you. “So…this also requires a bit of an overdue confession for context.”

You raise your eyebrows. “A confession?”

“A confession,” says Mobius.

“Will I be angry about this?” asks Loki at the same time you say, “Is this like a go to jail confession or a misdemeanor confession?”

Mobius gives a good natured chuckle, shaking his head slightly. “God, the two of you. Always so dramatic. No wonder you ended up together.” He takes what feels like an unnecessarily long drink from the coffee mug on his desk. “It’s not bad, I promise.” Another sip of coffee. 

Loki sighs. “He always does this,” he says to you. “Have you noticed? Whenever he has something that you want to know, he stalls and drags it out just to torment you.”

“Okay,” you say, “but you jumping in to bicker with him probably doesn’t help.”

“I’m not bickering,” says Loki. “I’m simply pointing out that he’s stalling—”

“What was it you were saying, Mobius?” you say brightly, nudging Loki with your elbow.

Mobius’ eyes twinkle. “See,” he says to Loki, “I always liked her. It’s a good match.”

You don’t have to look at Loki to know he’s rolling his eyes, though he also makes a point of surreptitiously pinching your ass, a detail you hope Mobius doesn’t notice.

“Anyway,” says Mobius, taking a deep breath, “it was pretty clear to me from the start that you liked each other. And you also seemed absolutely determined to get in your own way.” He points to Loki. “Especially you with your whole stilted Asgardian prince thing.”

Loki frowns. “What are you talking about?”

Mobius sighs. “Anytime you like someone, it’s like your brain gets a factory reset and you get all overly polite and courtly.”

Loki scoffs. “I don’t do that at all.”

“You do. It’s deeply weird. You’re like a mannerly robot.”

Loki turns to you. “Darling, tell him he’s being absurd.”

You reach over and squeeze his hand. “You did call me ‘my lady’ a couple of times in the early days.”

Loki sighs and looks back at Mobius. “What was your point in mentioning this?”

“Well,” says Mobius, “you seemed pretty determined to get in your own way, so nothing was happening. And eventually I got sick of all of the pining, so I decided to take matters into my own hands.”

“What do you mean?”

Mobius pauses, a hint of a smile pulling at the corners of his mouth. “There wasn’t a breakthrough with Berlitz that weekend. What there was was a surplus in the overtime budget and a high priority indexing project for Archives.”

Your lips part as your brain slowly puts the pieces together. Mobius’ eyes twinkle.

“Wait,” you say, “you lied to us?”

“I did not lie,” says Mobius, his demeanor suddenly becoming very serious. “That would have been wrong.” He nods at Loki. “Also, it would’ve tipped him off and that would have ruined the whole thing. I simply failed to mention that the cart of files that I gave you needed to be sorted for indexing for the Archives department and I peppered in a couple of unrelated things about Berlitz.”

“But the office was empty that weekend,” says Loki.

Mobius snaps his fingers. “Right. I did make some adjustments to the schedule that weekend.”

“And the disturbance that prevented her from returning home on Saturday night?”

Mobius spreads his hands wide and grins. “All me, buddy. Paid G-21 five hundred bucks for that one.”

Loki pauses for a moment and then looks at you. “I don’t think I can be mad about this. I’m genuinely impressed.”

“I mean, I can’t argue with the results, but Jesus, Mobius, you could’ve just set us up on a blind date,” you say.

“Ah, but that’s not as fun,” Mobius says. “Plus, it wouldn’t have made for as good a wedding gift.” He turns the frame around and hands it to you both.

It’s both your timecards from that pay period, neatly framed side by side. Your eyes well with tears and Mobius smiles.

“Honestly, I’m just relieved it’s not a jet ski,” says Loki.

“He's deflecting,” you say to Mobius in an exaggerated whisper.

“I know,” he whispers back.

But you can’t help but notice that Loki’s eyes are brighter than normal.

“Okay, now get out of here,” says Mobius. “You’ve got a wedding to get to.”

Twenty minutes later, you’re wearing a simple white dress and standing with Loki in front of a time door, your hand clasped in his.

“Technically, we don’t have a supervisor’s approval for this,” you say with a wry smile.

He looks at you, eyes dancing with mirth. “I had Mobius sign off on the paperwork while you were getting ready.”

Your heart swells and your smile is so wide that you feel like your face might split in two. “Then hurry up and marry me, Laufeyson.”

He grins and tugs you through the time door.

-------

But wait! There's more: I don't have a masterlist for this, but if you enjoy these idiots, check out Daylight, a sort of sequel.

[kanmom51]

Jikook came home

God, how I missed this.

How I miss them!!

Before getting into the whole JM post followed by the cute-flirty interaction that followed, I will take this opportunity in congratulating both JM and JK for their MAMA awards achievements.

JM winning Daesang fans choice of the year.🎉🎉

JK winning top 10 fans choice, best male artist and best dance performance (SNTY).🎉🎉

JM being the sweetheart that he is came to us with a lengthy post to thank Army for voting and receiving a Daesang.

There are a couple of nuanced differences in some of the translations, but all in all, they are pretty much on the same page.

The main difference I've seen is the translation of this part:

벙벙 벙벙 벙벙벙벙벙

Being it "dumbfounded" or "stunned" or "bemused".

I think this probably captures it best:

And then we had JK....

Who was most likely sitting there right by JM's side, the speed of their back and forth being one of the indications to that (we are talking within seconds here), not to mention patterns of past behaviour with those two.

Do we discuss for a second the Weverse translation of the discussion?

Like wtf? 🤣🤣

Ok, so the actual translation would be:

Insert the word of bemusement of your choice I guess, lol. But basically we have JM telling us he's stunned/dumbfounded and mainly happy and then that back and forth between those two right in front of our salads.

Oh, and can someone explain the @JK to me please? I mean, I get JM @JK -ing when posting his replies, but why the hell is JK @JK -ing when posting his replies to JM?🤣🤣

The way those two keep doing this shit (in such a good way, may I add) is just absolutely and utterly hilarious.

This whole exchange gives me these vibes:

And Idk why, but this interaction came straight to mind as well when I saw this back and forth between them...

Take those two and combine them and then picture that in mind with this back and forth going on:

Oh, and do I mention that obviously they had access to Internet, enough to have this back and forth between them, while both in the same place, and JK preferring to flirt in our faces with JM rather than post himself about his wins, which I can assure you he knew of. You know how it is when you don't want to take away from your boyfriend's thunder...

Maybe we'll hear from him later on maybe not, but this was about JM, his win, his moment, his post, his excitement.

And JK CANNOT miss out on a little teasing-flirtatious banter with his man, now can he?

Let's back track for one moment, because I do want to talk about JM inserting JK into his post. I do believe this is going to be a new standard/constant/reality. You know, the "me and JK"/ "JK and I" or "me and JM"/"JM and I". That very natural way of inserting one another in their interactions/conversations with us. Now, don't get me wrong, this is not a new thing what so ever. They have been doing this since forever. But I do think that it's going to become more of a constant and less of a "OMG, he mentioned JK/JM" moment for us. They have shown us for years, but more so over the past year, just how important they are to each other, but even more so, just how intertwined their lives are with one another. They literally could not even part ways to do their military service!! Choosing to spend those 18 months together, even if it meant having to endure much harsher conditions and a much more difficult service as a whole. All to be able to be together. With each other. What I'm saying is that I do think we will be getting so much more of "US" from those two.

Openly and proudly.

US.

One last thing, and again this is either Jikook coincidence or kismet or maybe not too much of a coincidence and more of a conscious decision, but JM's post yesterday, 23 Nov 2024, was posted on the year mark of Jikook leaving for their oh so very special and emotionally charged Japan trip, 23 Nov 2023.

💜💜💜

Coincidence or not, we got Jikook back then, and after radio silence from those two for such a long time, we got Jikook yesterday again!!!

[heartowan]

★ WINTER VISITOR : red hood x reader!

( cuss words ) ──────────────── ★

* im not from america so i have absolutely nooo idea how much is -20°c in fahrenheit im sorry 😭 *

You used to enjoy winter so much more when you were a kid. The snow, the warm clothes, the atmosphere, your mom's hot chocolate... everything was so perfect back then. Now, though, you didn't like it as much.

Not because you grew up to be an insufferable grump, but things weren't as easy. At 9, you didn't have to walk on snowy streets from campus to work to your house in a -20°C weather. Freezing your ass used to be fun when it was voluntary.

But, fortunately, the holidays were already coming, so you wouldn't have any more classes during these few weeks, and you'd also get a few breaks from your job at the bookstore. Finally, some rest.

That's what you thought when you approached your porch, pulling out the keys to open the door in a practiced movement, but you stopped when your eyes caught a glimpse of something red. Then you walked a little closer, and you were able to make out the shape of someone sitting down with their legs stretched, hand cluching their side, a weird helmet on their head and a little cropped brown jacket... what a weird combination.

You knew that helmet, though. You lived in his area, after all.

"Can I help you?" Anyone, literally, anyone, would advise you to not speak to him and simply go find some place else to crash for the night until he went away. The thing is, you wouldn't listen anyway.

He raised his head in your direction, the white eyes of that creepy/fucking weird helmet staring at you, sizing you up and probably judging the fact that you were wearing green tights and red shoes. But, hey, who even was he to judge your style choices?

"Actually, yeah." He said, and even with the modulator distorting his voice, you could hear the hoarsness and the faint tireness. "I'm fucked up over here, I'm not sure I can walk anymore."

You furrowed your eyebrows at that and reached for the phone in your pocket. Carefully, you crouched down beside him and turned on the torch to be able to see his wound better. "Let me see." You said, urging him to take his hand away.

He revealed the wound to you, and God, it was nasty. A bloody and very bumpy gash started from the left side of his abdomen to a little bit before the height of his shoulder blade. Absolutely disgusting. Whoever did that was probably trying to split him in half.

"Oh, my God." You mumbled, your eyes widened at the sight.

"Yeah." He added, nodding his head in understanding to your shock. "Can you at least let me in to... I don't know? Clean it up? It just starts bleeding more if I walk, and I don't wanna get an infection."

What kind of stupid fucking little dumbo would let a stranger dressed like that into their house, especially in Gotham?

"Yeah, come on in." You said, your eyebrows furrowing even more at your own brainlessness. They were almost knitted together like a unibrow.

★...

He sat down on your couch like his body weighted tons, and you noticed how his wound did an odd ripple movement. It just got weirder.

"I have a first aid kit in my bathroom." You said, stripping off your coat and your jacket. "I'll go get it. Do you need anything else?" He just shook his head, and you quickly disappeared into the little hallway.

Red Hood used this moment to look around your house, trying to distract himself from the pain and dizziness. He took in how your walls weren't white, but some kind of eggshell color and there was a green wall too, that one covered in framed paintings, pictures and many posters, as well as some hanging plants.

There were just so many plants. Your couch was more comfortable than his bad, and you had a fluffy mat at the center of the living room, between the couch and your bookshelves, which were full of books he could barely recognize in the dim light.

Oh, yes, the lamps. You had little lamps everywhere and one big lamp beside the couch, but they were all warm and barely even illuminated a thing. They made the room very cozy, though.It was so homey, and it looked like you. If he saw you randomly on the street and for some reason he decided to guess what your house looked like from the inside, that would be it. Maybe not as many lamps, but still.

"Okay, I'm back." You walked out of the little hall in hurried steps, a little red box in your hands. You kneeled close to him on the couch. "Fuck, the lights." You mumbled, and he though your annoyed tone was funny, so he smiled a little under his helmet.

After switching on the big, white light, you kneeled again and gently moved the ripped fabric of his shirt away from the cut. He was staining your couch with blood, but you decided not to care at that moment. With some gauze and saline solution, you cleaned the whole thing up, the sides, and what you could reach of the insides, then, you sprayed some antiseptic on it.

"This is disgusting, but I don't think you'll need stitches." You murmured, not looking at him. Your eyes were focused on the wound. "At least not on the whole thing."

"I can manage." It was all he said.

"I'm gonna patch it up so it isn't exposed." He simply nodded at that, and you started covering the extension of the gash with the little pieces of gauze you had, and then, you secured them with some adhesive tape. "All done."

He stayed there for at least forty minutes, and you noticed how he seemed to have fallen asleep at some point. Maybe he was too tired. You didn't care, but you let him rest anyway.

When he woke up from his nap, you had changed outfits into something more comfortable than the jeans you wore before. A pair of gray sweatpants and a very soft brown hoodie on top of your black Iron Man t-shirt.

"You want some tea?" You offered, looking down at him as he seemed to access the situation — probably forgot what the hell had happened for a second.

"Yeah... yeah. What is it?" He mumbled, his distorted voice sounding groggy. You smiled faintly at that.

"It's peach and ginger." You said. "I like it."

You poured a small amount of it in a little mug you had. It was one of your favorites, with little leaves painted all over it.

"I put honey on it, tastes better." You handed him the mug. And then it hit you... how the hell was he gonna drink the tea with that weird ass helmet on? "How do you- oh."

He shut you up when he removed the helmet after one little click at the back of it.

"You wear a mask under your helmet?" You arched one eyebrow, and he chuckled at your reaction.

"It's for the effect." He said and took a sip of the tea. "Very sweet."

You took a moment to look at the exposed parts of his face. He had a few scars all over it, a sharp jaw and slightly plumpy lips, which were rosy from drinking the tea. He also had flushed cheeks, probably from the cold and a seemingly straight nose. You couldn't really tell the shape from that distance.

"Thanks for taking care of that... and for te tea. And for letting me nap on your couch." He said, looking up at you.

His voice sounded so melodic now without the modulator. It was just slightly raspy, not absurdly deep, but not even a little bit high, and just so much more easy on the ears than you'd ever expect Red Hood's voice to be.

"You're leaving?" You asked in a slightly exasperated tone that surprised both of you and put your own mug down. "You sure you're gonna be alright?"

"Yeah, I'll be fine. Don't worry." He shook his head, waving his hand as if to say it wasn't a big deal. You just shrugged at that.

He put his mug down, it was almost empty. So he liked the tea. With his helmet in hand and walking a little more stable than before, he offered you a small smile before stepping over to your door.

"Bye." He murmured. "Thanks again."

You stood there after he left, in your living room, with the big light on, staring at the door. What an unusual night. Your eyes drifted back to the blood stain on your couch, and you groaned internally at the fact that you were the one that was gonna have to clean that.

That only reinforced your belief that vigilantes only brought more and more trouble.

☆

first part here !!

[animeomegas]

blowing some boys' back out please x3 your choice of 'em

that's 2 imprecise help neji gaara, sasuke, and minato? :3 bonus if the alpha is big in size. I'll be 🍷 anon if not already taken ! mwah

(Hey, welcome 🍷 anon! Let's see~)

N-sfw under cut

Let's set the scene!

It was a rough night last night, enthusiastic, hot, and very heavy.

And some soreness is totally normal after nights like this, especially when you consider your... greater than average size *cough*

But when your omega gets up the next morning, it's clear that the soreness is more than normal.

He's waddling around the house, holding himself gingerly, still kind of dazed from last night.

He probably has some emerging bruises in sensitive places, a few pulled muscles, too.

Maybe you were a little too enthusiastic 😅

But how does he react?

Neji

He is deeply unimpressed by you.

He's sending you dirty looks, blaming you for his current condition and conveniently forgetting how much he was begging for it to be harder last night.

"How am I supposed to go shopping like this? 😠"

You better be pampering him to say sorry.

He's going to settle down on the couch and you'll be doing all the chores and massaging the sore parts of his body.

Bring him snacks and butter him up with lots of lovey dovey apologies and he'll forgive you.

And then ask for that kind of sex again the next week smh.

Gaara

Concerned boy is concerned :(

Rough sex is extremely out of character for him, and so something must have triggered it. Perhaps extremely heightened emotions?

I'm not sure, but he's regretting it so much :(

He knew rough sex was a bad idea. He kind of feels bad about the whole thing.

For a shinobi, his pain tolerance is pretty low, but he still has to get to work because he has a village to run...

He keeps his composure remarkably well at work, but he goes home early and he expects lots of cuddles and kisses and gentle affection.

It's one of the only sex things that he won't overshare with his siblings because he's genuinely embarrassed by injuries that occurred from his perceived lack of control. He feels like he should know better.

Give him lots of love, okay?

Sasuke

He is SOOOOO embarrassed.

And he's pissed at you. But he won't say that because he's too busy pretending that nothing is wrong.

This lasts for all of 5 minutes before he realises that pretending he's fine means leaving the house like this, and he'd rather DIE.

So, the man who would try to train or take a mission while literally delirious with illness, actually takes a day off and hides in bed.

A bed that he kicks you out of by the way.

(but you can probably sneak back in with some well placed nuzzles)

What is he even so embarrassed about?

People knowing he has sex? Kinda, yes.

How fucking ridiculous he looks waddling around? Absolutely.

Not being strong enough to physically take his alpha without injury? Yes...

DO NOT tease him!

Just apologise once and then make him breakfast and don't bring it up ever again 😅

Minato

He's a bit sheepish about the situation, because he remembers begging for it to be harder, and he should have known better.

Oh well! Now he knows better, and well, it was pretty hot.

He gets a bit turned on thinking about it, which probably hurts, so that train of thought dies quickly.

He will probably tease you about being so big and rough lol

To be honest though, he's totally fine, and he'll say "you don't have to do that" everytime you try to apologise or make it up to him.

He would appreciate you running him a bath and making him some food though, just to show him that you love him.

Let's just hope that he's not teaching that day 🙏🏻 Because he is not as subtle as he thinks.

Or working as Hokage... Because his guard definitely know how he spent yesterday evening 😏

[theshitpostcalligrapher]

Equipment and Time Considerations

You will need a pullman's loaf pan, which is a bread pan with a lid. the reason just tinfoiling a regular cake loaf pan doesn't work is because a pullman's is also considerably deeper and longer that a regular loaf pan, it can fit about a store-sized loaf of bread. which. which it's where the sizing actually comes from, historically.

This is a sourdough recipe so you have to remember to keep your starter well fed AND that the proofing takes considerably longer than anything with instant yeast.

I've modified a bunch of timings throughout the recipe. While your average sourdough boule takes an overnight final proof (making it a 2-day loaf) and your average pullman's loaf recipe takes about an afternoon, this will take about a day's (little under 12 hours give or take) worth of time.

Also note that it is currently around 19C/66F so I've been using my lightly heated oven to keep the dough at decent proofing temps (idk like 70 to 85ish degrees fahrenheit? whatever the equivalent of a sunny window day is). You'll need to figure out your equivalent

Ingredients

Levain -50ish g active, full hydration starter -35g whole wheat flour -35g AP or bread flour -70g/mL water, lukewarm

Remaining Ingredients (Not doing an autolyse for this one) -500g/mL water, lukewarm -35g sugar -450g AP or bread flour -200g whole wheat flour -15-20g salt -65g butter or margarine, plus some reserved

Method

Prepare the levain by mixing all ingredients together in a glass jar (i reuse an old jam jar), covering top with cling wrap, and leaving somewhere warm-ish for about 4 hours. You'll know it's ready when it's doubled in size and has just begun to fall

If you're using a stand mixer, pour your active levain into it. (any other large bowl will do if you're doing hand mixing). Add the sugar and the water to the levain, mixing together.

Let sit for 15-20 min. (I do this to encourage a bit of rapid growth in the yeast, it ups the culture's concentration and takes a bit of the acrid sour out of the flavour profile)

mix in remainder of the ingredients, flours, salt, butter/margarine. If you're using a stand mixer, have it go for about 5 min on the lowest setting. I run mine longer, but I'm using my roommate's old model so the lowest setting is slower. If kneading by hand I would say about 10 minutes or so, and since this is a wet dough, the slap and fold method is probably the way to go.

transfer back to the bowl and cover with plastic wrap, place in a proofer/warm area.

Now it's time for initial proofing and series of stretch and folds. Wait a half hour, then do a stretch and fold. Repeat this cycle three times so you're stretching and folding a total of 3 times. (30min>S&F>30min>S&F>30min>S&F>30min)

Take your pullman's loaf pan and butter/margarine the bottom and sides

heavily flour a surface of choice. Scrape the dough out and let the dough rest on the counter for about 20 minutes

using a floured bench scraper,burrito fold the dough into a loaf shape (roll in sides first, then roll the long way) and transfer to the buttered loaf pan.

Let that rest in the pan for 10 minutes, then preheat the oven on bake at about 375F. The loaf should be out in the open with no lid for at least 20 minutes, otherwise it'll be too wet for the bread lame to score. (You also have the option of fridging the entire pan with a rice flour coated dish towel to get the same drying effect, but idk what the timeline'd look like for that)

lightly sprinkle some more flour onto the top of the loaf and score bread to your liking.

bake with the lid on for 40 minutes, then slide the lid off, raise temp to 425F and swap to broil setting (we want the heat coming from up top now) for about 15 minutes

cool bread off on rack and enjoy!!!!!!!

everyone!!! i may be generally full of sadness! but!!!

look at my mfucking LOAF OF BREAD

I am writing the version of the resippy i used today since I make tiny adjustments each time, so hold your horses it's comin!

[carry-the-sky]

go spin the wheel, see where it lands—

Here's the thing about time: it's always running out. He felt it even as a kid, this urgency moving through him, around him. Always just ahead. He'd catch up, if everything else would just slow the hell down. But there are rules, and rule number one is that time tends to be, well, linear. Directional. Things get a bit messy when it's not.

Four seconds. That was rule number two, and the consequences for breaking it are— bad. To put it lightly.

He doesn't exactly have a choice. Or, he does, but if it's between breaking the rules or not, watching everything he loves get ripped away or digging in, claws first— well. He knows a thing or two about fighting dirty.

So, no, it's not a choice. It's immutable, like gravity. Time. A strict progression from cause to effect.

Ekko breaks rule number two.

And the line becomes a circle.

.

He thinks it's a dream, the first time. What else would it be? She fell. She's gone.

She's here now, though. Whole and happy and here, running a hand through her chopped-short hair. That single streak of magenta hits him where it hurts, square in his chest. You can't feel pain in a dream, can you?

"You're back," she says, without looking up. She's lying on her stomach, sketchbook open, a whirling kaleidoscope of color on the page in front of her. "Took you long enough."

"Was I gone?" Ekko says.

She actually laughs at that, the sound filling up his ears, warm and bright. "Benzo was starting to worry, not that he'd ever admit it. Big ol' softie." Her hand flashes, chalk sticks arcing across the page. "You seem to have that effect on people."

He shakes his head. "I don't. I'm not—"

She scribbles faster, fingers stained pink and blue and every shade in between. "You know, for a smart guy, you're kinda dumb."

"Ouch."

"I still like you, though."

This is a nice dream. Maybe the only nice dream he'll have again.

"I miss you," he says, dredging the words up from some sunless space inside him. "I didn't tell you before."

Her hand slows to a stop. From where he's standing, Ekko can only see a few snatches of detail on the page; a fuchsia smile, twin blue braids.

"I'm right here, buster," she says, not looking up. Grinning softly at her hands. "Never left, actually."

The circle wobbles, shifts out of focus. Time and space folding in on each other like paper cranes.

When he blinks, Powder is gone.

.

Too late. It's always, always too late.

.

"It's you," she says, the next time.

They're somewhere green, somewhere he's never been. A part of the Undercity that doesn't exist where he's from, that never existed.

"Uh." He blinks against the sun. "It's me, yeah."

"Seriously?" Beside him on the lawn, she pops up on an elbow, scrutinizing him. "You still don't get what's happening? Sheesh, hopping dimensions really does do a number on the noggin."

Okay, this is a weird dream. Still, as long as he keeps her talking, as long as he has sun on his skin and grass beneath him, he doesn't really care. He'll take weird. He'll take whatever he can get.

"Noggin, right," he laughs. "Synapses. Drunk slugs."

Powder scrunches up her nose like she's trying not to laugh. "Alright, I give. If you wanna dance around the giant elephant in the room, be my guest." She turns her head into her arm, a shield from the sun. Between them, their hands brush in the grass, pinky fingers tangling together. "Next time, though."

Ekko hums, content. More than that— happy. Overflowing with it. Then he frowns. "Wait. Next time?"

Paper cranes, folding in and in and in.

"Dummy," he thinks he hears her say before she disappears.

.

"So when you said 'hopping dimensions', you meant—"

"Yeah."

"And that means—"

"Yeah."

Ekko spins in a circle, arms thrown out wide. "But— how? All of this, the lab, the tech— it shouldn't exist here. Heimerdinger made sure—"

"Hey, you're the genius," Powder says. "I just live here."

Four seconds. He lets it sink in for four seconds—she's whole, she's happy, she's here, at least in this tiny pocket of space and time—before he's crossing the space between them and pulling her into a bruising hug. Her breath puffs out in mild surprise, and then she's hugging him back, arms cinching tight around him. I won't forget this. But he's already started to. He drops his head to her shoulder, breathing her in, every tiny detail. He won't make the same mistake twice.

Her eyes are wet when they untangle. Ekko swipes at his cheek to find that his are, too.

"I'm sorry," he says. "I'm so sorry. I thought I saved you, but it wasn't— I wasn't—"

"Don't," she says fiercely. "Don't do that. Not with me, not here. I meant what I said, okay? You're a good one, Ekko. You don't give up on people. If I'm— if the other me is— then there was nothing you could've done to change it. That was always gonna be how the story ended."

The tears are a river, streaming salt down the slope of his nose and into his mouth. "I was too slow. I'm always too damn slow."

Powder's hands are on his face, her lips kissing the salt from his cheeks, his eyelids. "The boy savior," she murmurs. "It's not your job to save everyone, you know. But I love you for trying."

She's fading, or maybe he is. Time and space, a never-ending anomaly. But there are constants, too, things that keep the universe spinning. Rules worth breaking.

He feels it, this time. It's like someone's scooping out his insides, rearranging his atoms. Like he's being wiped clean, unmade. Hollowed out so that some other him can be stuffed into his skin. Four seconds is all it takes, or maybe four million.

I love you. I love you, too.

.

He tells her for real, when he sees her again.

"I know," she says, elbowing him in the ribs. Her cheeks are dusky-pink. "Following my lead, huh?"

He looks at her, really looks. Every detail; the dainty point of her chin and the dusting of freckles across her nose and her eyes, big and bright and blue.

"Always," he says.

.

Time and space. Paper cranes, folding and unfolding, creasing the lines of reality. Some rules can't be broken, but they can bend a little.

Here's one: when you die, you stay dead.

.

He must be dreaming. She's standing right in front of him, in this dimension, on this plane of existence, real and whole and here. Her hair is still short, all of it blue.

Four seconds. He holds his breath for four seconds, and then: "Jinx."

"Hey, buster," she says.

[laurabenanti]

I got a couple of asks on how I did the text transition in this set. I'm going to explain as best as I can (with image references).

*Disclaimer: this assumes you are have a basic understanding of giffing with video timeline, and keyframes. If you're new to keyframes, check out this tutorial by @userpeggycarter before proceeding.

Step 1: Go through, make your gif, color and all that jazz. if you're not familiar with giffing and need a guide, check this one out by @cal-kestis. Be mindful of the number of frames you have, as it is extremely important when keyframing begins. Make sure you have an even number of frames, or you will have an uneven transition. For this gif I'm at 60 frames total, and I'd be careful exceeding 70, as if you need to go back and delete... It just sucks, so be mindful! You'll see my gif and coloring under a group I titled "base" - and I highly recommend putting your gif/coloring/etc. into groups, as it will make the timeline a bit cleaner, and it's a little easier to find everything you need. But when you're done, you should be here:

*Quick note 1: Make sure your gif is in 8-bit mode. If you aren't familiar with bit modes, that is a tutorial for another time. For now, you can change it here:

Step 2.1: Pick your font/placement/etc. I really recommend being 100% on whatever you pick, along with the size. I've encountered problems when I move the font after the fact with alignment, so it's best to look your gif over to ensure you're satisfied. For this set, I went with Figtree, placed dead center.

I want to add to this by saying, thus far, I have found that white is the only color that works for this. I'm playing around with some other options, but black is 100% a no go. If you find a way to get that working, let me know. I'll amend this tutorial.

Photo of text settings, along with where you should be now.

Step 2.2: Since we're transitioning into a new set of words/text, you need to get that text ready as well. Shorten the length of time the first piece of text runs to halfway (I have 60 frames, so I cut it to 30).

Step 2.3: Duplicate your text layer, type your other text. The two texts should show for length of time, as you have an even number of frames, meaning you can divide by 2. Move it over to the end of where the previous text ends. If that makes no sense, it should look like the below: (again, folder for the typography to know where to reference. I have a small organization addiction so.. creator's choice)

*Quick note 2: I do not recommend changing to a new font or size with this, it won't look quite right. Of course, experiment away! This is just a small caution based on my own experimentation.

Now, to get to the actual fun part...

Step 3.1: Duplicate the first text layer. For this gif, it's the one that says "it didn't change anything". Once you duplicate it, you'll be turning it into a smart object. This is so the filter we apply works. Repeat for the second text layer. Lil gif below:

Quick note 3: I recommend going one text bit at a time, and also would tell you to put each typography layer into its own folder. This is really important for later, so doing it earlier is better.

Step 3.2: We will now apply the filter. To do this, you're going to click the smart object version of our text, then go to Filter → Stylize → Wind. For the gifset I made, I used Method → Blast and Direction → From the Right. Click "OK" and the filter will apply. Duplicate this for the other text layer.

Step 4: We now begin the keyframing. I highly recommend the rule of 0.3, which is when your transitions are over the span of multiples of 3 (i.e. if you start at frame 1 with 100% opacity, frame 3 will be at 0%). We'll be doing 6 frames from 100% to 0%, and vice versa, for this transition. This was the best time I found for this transition, but it's a matter of preference. Just follow that rule of 3.

Step 4.1: Click the smart layer of the text we made on the timeline, then click the little arrow on the left of the name of the layer. You'll see this:

See the little clock next to Opacity? Click it, and you get this lovely little yellow diamond. This is how we control the visibility of the Wind layer. It will start at 100%, keep it there.

Click the arrow on the right of the play button 6 times (aka get to the 6th frame), click the stopwatch again. While on this frame, and the yellow diamond clicked, change the opacity of the Wind layer to 0% It'll look like this:

You will repeat this, in reverse, at the end of the text layer.

Quick note 4: Sometimes, Photoshop is moody. To get the diamond on frame 30 (or whatever frame # the end of your text layer is), put it on the frame prior. You can then nudge that diamond over 1 frame. See below:

Repeat the process for the other text layer.

Step 5: We're basically done! Change your gif from video timeline to frames, maybe do a quick play through to make sure all is well.

Quick note 4 (it's the last one I promise): I have heard from many that when they work with keyframes, they end up with duplicate frames. I, personally, have not encountered this issue. I do not know if it is because of the version of Photoshop others are using, PC vs. Mac, or some other secret third thing. I recommend that, when you check your gif, verify if there are duplicate frames. The keyframe tutorial I linked earlier goes into further detail, and here is another lovely explanation from Nik, the master of all things keyframe transitions.

Step 5.1: Export, and give yourself a high five because you deserve it.

If you have any questions, don't hesitate to reach out! I'll try to clarify anything if needed. Happy giffing!

[sunflowerdigs]

As many people have pointed out, S8 seems to be S5: Tim's version. There are also callbacks to S3, but the structure seems to mirror S5 (the season it's also speculated that Buddie would have happened if not for Fox).

With that in mind, I've put together some speculation about Buck and Eddie in the back half of s8, based on S5.

I'm anticipating Eddie going through with the El Paso idea in 8x10 like he went through with leaving the 118 in 5x10. Drama, not realism, is the point of the series, so even though Eddie is obviously coming back, I suspect they'll have him leave in a way that seems permanent (and it also sounds like it will affect the whole 118 this time, so that's nice).

Given the show's current set up, Eddie can't stay in El Paso alone for as long as he stayed at Dispatch. Only Peter and Angela are currently getting multi-episode arcs with multiple guest stars attached. Also, El Paso isn't built into the show like Dispatch was. My suspicion is that we'll get one episode (8x11 or 8x12) where Eddie has the B or C storyline and reconnects with Chris as well as talks to Helena and Ramón. I think we'll see him start to realize that LA and the 118 are home for him, and that his own happiness is paramount to taking good care of Chris, so he'll make the choice to bring Chris home.

In the meantime, Buck is going to be dealing with his abandonment issues and with the fact that Eddie's absence has hit him so hard. Now, 911 could easily chicken out here and try to examine the abandonment without going into Eddie specifically (which wouldn't make much storytelling sense if Buddie is indeed where Buck and Eddie's storylines are headed, but would let them drag Buddie out longer 🙄). Either way, as with s5, I'm expecting Buck to make some dumb relationship decision in 8x11 (5x11 kiss with Lucy) and then make some kind of confession about it in either 8x12 or 8x13 (he confessed to Taylor about the kiss in 5x13, but probably would have done so in 5x12 had the Boston episode not happened). The confession could be to whoever he made the dumb romantic choice about or it could be to Maddie (since he confessed to Maddie about the Lucy kiss before he did Taylor). If we're lucky, the confession will be about both his abandonment issues and how he feels about Eddie (his Oh moment, if you will).

And then, right after Buck makes that confession and things are looking more hopeful for him (8x12 or 8x13), he'll get a frantic call from Eddie, telling him that Helena is trying to take full custody of Christopher and may actually be able to do it and he needs Buck's help. This would parallel Christopher's call about Eddie's breakdown in 5x13, but would also be an evolution of it, with Eddie choosing to reach out to Buck rather than break down in a room alone. Buck would burn rubber down to El Paso, and the next episode would be Eddie's big confrontation with Helena, Buck by his side. Imo, having to justify his life in LA to a mediator with custody of Chris on the line might force a level of honesty out of Eddie that he may not be consciously aware of and could kick-start his own feelings realization.

Eddie would win custody with Buck's support in 8x13 or 8x14 (parallel to Buck helping with the horse therapy in 5x14). And then...idk. With both Buck and Eddie in Texas, the show could justify extending the arc there a few more episodes and could let a vengeful Helena kidnap Chris (imo unlikely since 911 seems to like to forgive bad parents). Or Buck and Eddie could return to LA and the 118 with Chris immediately after Eddie gets custody. Either way, I think the show will let feelings between Buck and Eddie percolate for a bit until either the episode before the finale or the finale itself, which will probably be their first kiss (in time for Pride month! If Pride month still happens in America...😬).

[eerna]

Thank you for posting all your takes on Arcane season 2, reading them has been helping me process what a disappointing shitshow it was and not feel so alone lol. I'm popping in to your asks to vent a bit about how messed up Jinx's ending was. They really led us on all season with themes of redemption and forgiveness and healing from trauma, showing us Vi finally accepting her for who she was, and Ekko showing up for her and saving her because she's worth that. They gave her Isha to love her unconditionally (and then took her away for shock value and tragedy porn), and demonstrated that Jinx's death wish should be something the people around her fight against and work on proving to her that she actually does deserve to live and heal and be loved ......... only to end on her killing herself anyway. She makes one big grand gesture by showing up for the final fight, and then sacrifices herself for Vi. As if in the end, she did deserve to die. As if that's the only way to redeem herself. As if that's a better ending than her processing her trauma and healing, and finally allowing herself to be loved. And we were robbed of Vi and Jinx healing their relationship and finally being in each others' lives. For what, exactly??? A death scene that wasn't even sad because it was just so ridiculous and out of place? That didn't fit the narrative themes AT ALL?

I'm just heartbroken that they did our girl SO dirty. It's unforgiveable. It doesn't even matter to me whether the fan theory that she survived is true or not, because even if she's somehow alive and will show up in a future show, the writers still chose to end this show with the message that the traumatized suicidal girl who never felt like she was worth anything and made violent choices because of the system she was born into actually did deserve to kill herself at the end!!!! And that it was the right choice and led to redemption for her!!!!! Gah!!!!! (sorry for basically yelling, I'm just so sad)

Awh, I'm glad you enjoy reading them, and feel free to express your sadness~ Jinx is definitely alive, it is spelled out by the show, but you are right, it doesn't change the fact that the framing device used in the scene was saying "Vi should just let Jinx kill herself already, we have been heading this way for quite some time and she should just let it happen after all this time". But that was only there for the emotional extortion!!!! And the fact that Jinx chooses to survive and start a new life proves it. Today I was listening to the soundtrack and found out that the song that plays as Jinx' suicide montages roll actually has a final verse and chorus where the singer decides she actually wants to keep living because she is no longer alone, and asks "don't let me go". And this makes sense to me!!! I assume they wanted Jinx to be heroic and remove herself from Vi's life so Vi can live happily and she knew the only way to force her to do it is to fake her own death.. but why??? They are fine now, they are a team and she has other people who care about her as well??? What did Vi, or the others, gain from not having Jinx in their life anymore????? Idk man it is so weird

[sinfiltrate]

Act 3 spoilers

I just wanted to voice my opinions on the entirety of act 3, I will be making another post focusing on Jayce because I am disappointed with his story specifically.

Let's start with what I'm happy with!

The display of Mel's magic was amazing. All her scenes were so powerful.

CaitVi is canon! (which was predictable for obvious reasons but i'm still happy for them)

The music choice was perfect, as well as the quality of the episodes, as expected. No matter the storyline's flaws, the art style itself is undeniably gorgeous.

Maddie dies IMMEDIATELY after betraying Piltover, so I'm happy with that. Don't get me wrong, I think the season looked rushed, but the instant karma of that scene was enjoyable. It's well executed shock value.

The Caitlyn/Mel and Ambessa fight sequence was SICK. They really emphasized Ambessa's strength and battle IQ here, and while I dislike her, it was satisfying to watch.

The JayVik ending. Now, I am very conflicted with this, but I'll focus on the positive part. THIS MOMENT WAS SO TENDER!! It revealed how much Jayce truly loved and cared for Viktor, and that Viktor thought Jayce to be the only person who could ever make him acknowledge the importance of humanity. Jayce was his last and only hope, and Jayce proved Viktor right in every timeline.

Jayce defenders, we won. We got an entire episode dedicated to what Jayce and Ekko/Heimerdinger went through, and it proved that JAYCE WAS RIGHT AND HIM AND EKKO ARE OUR SAVIORS THANK YOU 🙏

Jayce looked fine asf. That is a beautiful man and I'm expecting many more edits (pretty please).

Alright, now let's get to what I'm upset about.

Jayce's wasted potential. The way I see it, they just reduced him to a pawn in Viktor's character arc, considering that his life begins and ends with Viktor. It's sweet, yes, and can be counted as a win for JayVik shippers, but I really wanted more for Jayce. And yes, I will most definitely come back to this on my Jayce-centric post.

The lack of reaction to Jinx's and Jayce's "death". I'm honestly not sure if either of them are dead (I am also somewhat in denial). Mel lost her lover, of whom brought out a softer side of herself that she didn't even know existed, and there's no reaction? Not even a scene of her finding out? The same goes for Caitlyn, since she literally saw Jayce as an older brother. Then there's Vi, who's seen completely fine with Caitlyn, and Ekko, who's having the only appropriate reaction, but even so, it's too calm. We'd have to assume that there's been another timeskip, but it couldn't have been long since the war. ALSO XIMENA, Jayce's MOTHER, she's seen putting a paper of Jayce's name to burn and honor him after his supposed death, but her expression is blank. Just simple resignation. I don't know, the lack of reaction had me questioning why I was sad.

No proper reunion scenes besides Ekko/Jinx and Mel/Jayce?????I actually liked Ekko and Jinx's reunion, but Mel and Jayce? Not even close to what I expected or wanted.

This season was rushed; that's something everyone can agree on. I think it was very focused on action rather than the complexity of these people's relationships and minds, while the first season had a balance between both. There just wasn't enough time for that balance with all the information they had to give us.

Honestly, and this is gonna sound horrible but hear me out, I would've preferred it if they had episode 6 be the last episode instead, and used the act 2 to explore Caitlyn's dictator arc and truly emphasize how long Jayce, Ekko, and Heimerdinger had been gone. I know how this sounds, but I really wanted to see more of Caitlyn and her mindset during the whole fascism plot rather than have her throw it all away three episodes later. It would've helped others understand her more, while also acknowledging how blinded she had become with anger and sadness. Also, this would've given more time for people to grow an attachment to Isha and see how she reminds Jinx of Powder!!! Just imagine it, the season closing with Jayce "killing" Viktor, no sign of Ekko or Heimerdinger, and Isha dying would have been even MORE devastating; the ultimate cliffhanger. There's no denying people would've been angry and shocked, but it would've made us want more, just like the first season did. I would be 100% willing to wait 3 or more years for the next season than have such an underwhelming ending.

Okay, I think that's it. Might add more to this post later if I come up with any other critiques, be prepared for the Jayce post because I NEED to talk about him.

[azaharinflames]

I fell into the deepest depression I’ve had for years when Buck and Tommy broke up. I just wanted to cry so badly but decades of trauma kept me from doing that. Add on that Trump had just been re-elected, and add in that my Dad had been admitted to hospital with a collapsed lung it just took me down.

I’ve mostly gotten over it. I spent 24 hours writing my idea of a fix it fic (won’t happen on show cause they all suck but it was cathartic). I can’t remember what caused my breakdown but I did end up crying. My eyes felt less puffy after as well.

I understand that it’s a fake relationship in a fake show but something about it spoke to me. And just watch it end hurt me worse. The last time I had actually cried hard was in 2021 when my mother-in-law passed away from COVID. So why did this stupid relationship affect me so much. I feel embarrassed for reacting this badly. I don’t even like to talk to my partner about it because he wouldn’t understand.

Hi, Nonnie! Thank you for your ask.

I am so, so sorry to read that. Listen - it's not stupid. It's not embarrassing So don't think your feelings surrounding it and your reaction to any of it is that, because I promise you: nothing about it should make you feel embarrassed.

Here is the thing: Art, in whatever form, is one of the things that move people the most, historically*. Art is a universal language that doesn't simply exist in a painting or a sculpture but in a myriad of different forms that, especially in the last few decades, have expanded immensely. Art can be a channel for our emotions, can be our choice of escapism, can be the thing we see ourselves reflected in and thus, the thing that we connect to because, hey - that's us. And if we see 'us' overcoming on screen, surely we can overcome in real life, right? That's one of the reasons why representation is so damn important.

Yeah, it was a relationship. But it shouldn't be reduced to just that. Instead of dismissing our feelings by making our issue seem nonsensical and small, let's think - my issue was because a piece of Art I connected to deeply was dealt with in a damaging way. And that carries consequences.

There is also the fact that, I think, for a lot of us, it was more than the break-up. The biggest thing to take into context was the election because it is just a matter of fact that we needed a win so bad that week, and we got the opposite of that. To get a bit more personal, I was already dealing with my town being hit with the worst natural disaster in my country this century, still had to hear from some of my friends to know if they were okay or even alive (fortunately, they're all fine), and I was seeing only tragedy whenever I went online. So this happening hit me really hard as well - but, like you, it was one of the things. Still, I spent three days barely able to take a bite and barely able to sleep, and a week with really high anxiety.

And sure, I did feel silly, but if I do love one thing, I sure do love introspection, I reached the aforementioned conclusion and reflection on Art (let me know if it helped or is a bunch of bs tho).

I think what you're doing, writing a fix-it fic, is amazing! You're channeling your feelings through Art, and I am sure it does feel very cathartic. I haven't written for 911 yet (definitely want to, I have some ideas that could work), but I have some years of writing for Marvel and Seblaine (Glee) on my back, so trust me when I say this is the better choice you could do - channel your feelings through your Art, and you will end up with something beautiful, I'm sure of it.

Sorry this was too long, but I'm here if you (or anyone else) needs to rant, vent, or discuss something (911 or whatever, something else is valid as well)

Take care, Nonnie <3 and all of you as well <3

*I have a bachelor's on this, please trust me on it lmao

[stilljuststardust]

Hello Stardust, I hope you're doing well! I've been debating over this certain thing I've read about LOA (multiple times) so I was wondering if you could help me.

I've seen all kinds of posts from LOA blogs that say that the reason you have to persist is to get your desire in the 3D and that the 3D can be difficult at times, but that you just have to return to the 4D where you already have it and remind yourself that your desire will come in the 3D.

I've also seen posts were it says that you must feel like you already have it and that there is no waiting.

Maybe I'm not understanding it well, but it seems contradicting to me.

Can I know that I have it in the 4D already and that there is no waiting there, but because I can't (and shouldn't) deny what my 3D is (which is normal and fine from what I know about LOA), can I have it in my head that it is coming in the 3D even tho I shouldn't be waiting? I feel like the only thing that I have to know is that the most important thing is the 4D and that it is the real reality and that I have it there already, but when it comes to the 3D I feel like I have no other choice than to be aware of how it is and still hope that it changes, but now, since I am persisting, with much more confidence in that hope/I know that it will change.

From what I think it means-you have to know that the 4D is the real reality and that you already have it in the 4D, but when it comes to the 3D you are aware of how it is, but you know that it will change if you keep persisting and you don't get too uspet by it because you know it is just mirroring the real reality which is the 4D and you already have it in the 4D.

So for example, I'm in school and my classmates are being annyoing, my teachers are being rude and it's like any day before this one which is exactly what I want to get away from with shifting my reality, so when I experience this-in my head I have to know that the 4D is the real reality and that I'm already in my DR and that I will soon be in my DR in the 3D and that this shouldn't bother me that much because soon I won't have to experience it anymore and I just simply have to know that I'm already in my DR (where it matters the most) and that it will come in the 3D. I could also return to my imagination and experience my DR through it (if I need fuel).

Sorry for making this so long, I just wanted to get my point across since this is the only thing left "bothering" me about LOA. I love your posts and you have helped me so much!!! Thank you 💛💛💛💛

Hello! I kinda think "3D/4D" is making it sound more complicated than it is.

Take a deep breath and let go of all the conflicting information for a second. This may be long but that's only because I'm trying to address any possible misconceptions I promise the actual concept isn't convoluted.

When we are speaking practically all it means is that you understand the physical world is not final and is completely changeable by you.

I don't expect you to completely disconnect from your physical body or to somehow be completely unaware of the physical world.

"Ignoring" the 3D does not mean you are magically blind to it it just means you don't mentally contradict your manifestation when you see it.

The 4D is just your internal world (thoughts, visualizations, internal conversations, etc).

Essentially, your subconscious believes anything you're repeating to it. It doesn't know or care if what you're repeating is reflected by the physical world. Its only job is to provide you proof of whatever you're giving to it.

The reason people tell you to fulfill in imagination is because it's supposed to be a way of telling yourself subconscious that it's a fact.

"Ignoring the 3D" is actually just making the conscious choice not to repeat to your subconscious that you don't have what you want because your subconscious will provide more of that.

You don't necessarily have to "feel" anything. Emotion is hard to control, hard to define, and inherently fleeting. Scientifically speaking most positive emotions don't linger very long and negative emotions are much more likely to stick around for longer periods.

You don't need to fuel yourself because it's not about motivation or emotion or drive. It's just consistently repeating to yourself what you want to happen.

Repeat a sentence that implies what you want to happen has happened and don't repeat anything to yourself that implies the opposite.

That is all.

[all-pacas]

i mentioned this in the notes but. you know what. let's add it to this insanity: the way cameron ties into this. the way chase is absolutely, positively sure with her. for the first time in his life, with all his doubts and all his attempts to be good and obedient and do what he's told and follow the script of god, of his father, he… falls in love. and he's sure.

CHASE: You have doubts. CAMERON: And you don’t? CHASE: No. CAMERON: Well, that’s… naïve. I want to spend the rest of my life with you. I love you. That’s how I feel right now. But I don’t… know. CHASE: I’ll wait until you do. CAMERON: I can’t know. No one knows. CHASE: I do.

ten years from now, he says. he has no doubts, he's absolutely sure, probably for the first time in his life: this is his path, he's figured it out, he knows, and six months later it's over. (no wonder, btw. no wonder chase doesn't seriously date again after this. not because of cameron, exactly: because of what all that meant and represented. another attempt at defining his life and finding direction, and it didn't even last a year.)

by s7 and s8, house pretty regularly accuses chase of being afraid of intimacy, of sleeping around to avoid relationships and connections. chase was presented as a flirt before this, but not that.

he falls immediately for moira, the nun, someone also struggling with guilt (the boy she nannied died, she blames herself) and faith and who wants desperately to find meaning, to find purpose. it was a rebound, chase seems to admit house is correct on that front, but that doesn't mean it wasn't real, that moira wasn't a mirror to his every internalized struggle. he tells her he was married once, that he can do relationships.

MOIRA: I tried the outside world. It wasn't enough. CHASE: Ever been married? MOIRA: No. CHASE: No kids. You never found a career. Doesn't sound like the outside world got much of a try. What you're headed towards now, fourteen hours a day in silent prayer, never having a family, never touching another human being. MOIRA: Just because that's what you'd miss the most. The nurses talk. CHASE: Nothing's wrong with having fun. MOIRA: They said you were almost killed three weeks ago. You go right back to fun? CHASE: Is that why you wanna be a nun? Someone broke your heart? MOIRA: No. I'm just looking for something more. CHASE: So am I.

no marriage. no kids. no family. "nothing wrong with having fun," he says, but plenty of other episodes explicitly say he finds sleeping around boring, he is bored on his date later this episode, it isn't fun.

HOUSE: Or you're terrified of intimacy, which is why you're a serial slut. But right now you're grasping at an emotional life raft. Ideally someone for whom intimacy's not an option. That actually makes sense, which I can't say about anything else you've been doing.

honestly, has chase ever really had much of the 'outside world?' he's probably known he would be a doctor since he was a child. he doesn't hate it, but did he ever have a chance to consider anything else? he has a career, but in this episode he's doubting and regretting it. in the last episode, he looks scared, not proud, to have his name on the door. he's not unhappy. i really don't think he is. but he's never had much choice either. he doesn't have any of the things he tells moira she'll want, either.

and yes it is all tied together. the constant searching and longing for meaning and purpose. moira has it. he doesn't. the one brief window chase did have meaning and purpose and what he wanted (family, intimacy, love, certainty) slammed shut, and continues to affect and fuck with him for years after; he's still reacting to it even now. ("i was married," he assures moira. "i can do relationships.") insane

Okay need to make a post entirely about chase being insane about religion. Chase's endless religious cycling. how badly and desperately and clearly he wants to believe, how much he wants faith and god, and how he can never quite - make it. Never quite get there. How he openly admires and defends the faith of others, faith and prayer as concepts, how he turns to confession in a crisis, how he still has large parts of the bible committed to memory, how he never answers any questions about his faith, if he believes in God, if anything.

In Damned If You Do, he shares his favorite bible verse with the nun. The episode itself paraphrases it a little, but the verse he mentions reads:

In this you rejoice, though now for a little while you may have to suffer various trials, so that the genuineness of your faith, more precious than gold which though perishable is tested by fire, may redound to praise and glory and honor at the revelation of Jesus Christ.

(you will suffer. it will be so hard. you will be tested. gold can be melted and your faith is more valuable, and if you keep trying, you will be rewarded, you will.)

(AUGUSTINE: Why did you leave the seminary? CHASE: That test. You passed, I failed.)

Here Kitty:

PATIENT: Do you want to tell me what an idiot I'm being? CHASE: No. I really believe that there are things that science can't understand. That there is a role for faith and prayer. But it's in the waiting room. Not the O.R. PATIENT: There's a reason I got sick. There's a reason for all the bad things that have happened to me. I don't know what that reason is. But I know that if there isn't one… If there's no greater purpose in the world. Then it's not a world I want to live in. CHASE: I'll schedule an operating room.

House Training:

CHASE: You want to go get drunk? FOREMAN: No thanks. I’ve got paperwork. CHASE: Listen, I don’t… I don’t know what I believe, but sometimes I need to think there’s something out there paying attention. So when I can’t talk to anybody, I talk to God, and pretend somebody’s listening. We were all wrong, Foreman. Even House was wrong. FOREMAN: I know.

He leaves the chapel in Damned if You Do. He prays for the baby in Forever. He gives the woman in Here Kitty her risky surgery; he defends the faith healer and Wilson's girlfriend's faith in House vs. God.

House vs. God:

HOUSE: When you were in seminary, did God ever talk to you? CHASE: …No.

Chase:

I always wanted to believe. It would have made my life a lot easier. It never took.

(AUGUSTINE: You told me your favorite passage. Would you like to hear mine? “Celebrate and be glad, for your brother was dead and is alive again.” CHASE: …The prodigal son.)

[cyellolemon]

THEY ARE KISSING

[screamingwiththewolves]

I generally don't make posts like this, cause I don't wanna start an argument or disagreement, but I do find the "Is Hyde really a person?" discourse, a bit odd...I know it's a comic, and maybe I'll be proved horribly incorrect but...

Does he have emotions, with personality traits and preferences? Yes.

Does he insist he's a person? Yes.

Then he is, in fact, a person.

[chiarrara]

I don't know I just feel like....

We just watched a man self-immolate in his military uniform. And I don't want to sound like an idiot, because it's much more than this but, couldn't you say that was a very extreme form of conscientious objection?

He could not be complicit anymore, but there is literally no way out of being complicit in this genocide if you live in America. For him especially, being trapped in military service. But for all of us. All of us are trapped in complicity in some way, and we can try to counteract that sin with as much meaningful direct action as we can possibly do, but all of that action comes with some proportional level of risk.

So, a man burned himself alive in an extreme form of conscientious objection (the only form available to him - one of great violence)

And people are still on here telling people to suck it up and vote for Biden.

I just... maybe I'm really stupid and I just can't see the logic y'all are putting forward. Because the way you lay it out it all seems to make so much sense to you. I understand we're trapped in a two party system. I understand the Republicans don't have the same consciences we do and are gonna vote en masse for Trump. I understand Trump is a danger globally and domestically. I understand all that, and I don't want his second term to come to pass. I'm not ignorant of how dangerous he is.

But a man self-immolated to object to the system of complicity he's trapped in, and the most logical response y'all have to a bunch of people wanting to opt out of complicity in this election, and the next four years of horrors that will be done in their name is to tell them, you just have to suck it up and be complicit. Your only tool is to make a phone call. You can try to protest, but there's a non-zero chance you'll be beaten and arrested and have your life ruined, by the way. You can donate to try and put a bandaid on the horrors you're seeing through your phone screen everyday (and you should, but God it's sure not stopping anything). But you're not allowed to object to being complicit in the selection of the Genocider-In-Chief.

It's not going to stop the genocide. We know this. It's not going to stop the election. We know this. It's not going to change anything directly, and Trump is going to get elected (which he will either way. most people who would vote against him are doing it anyway, y'all are fighting a very very small online minority).

But a man self-immolated in his military uniform. He didn't think that act was going to directly stop aid from going to Israel, or stop the genocide, or destroy the US military industrial complex. He didn't think his one small (but extremely brave and impactful) act was going to solve everything. Everything that was going to happen is still going to happen just with one less man in uniform.

But it wasn't nothing. It didn't do nothing. It's not his fault that the military will keep on chugging. It's not his fault that things are getting worse in Gaza every day. But he's not complicit anymore and he sent a message. And he had to die to achieve that.

And y'all are telling us we can't even do the very small act of not being complicit in the presidency. It's a less effective act of protest, but I also don't have to die for it.

It's not a boycott (I've seen this strawman, i don't know why you think we think that). It's not going to "send a message to the government" (obviously, we're not ignorant). It's to the Party that runs these candidates, and makes money off of "pick us because we're not the other guy" then commits crimes against humanity. I don't want to roll over and be fucking complicit in that.

Parties and candidates look at those numbers. they see how many people voted for them last time and how many people this time.

They don't care about our voices, and our protests, and our emails. They care about donations, and they care about votes. That's it. That's all they look at. If the emails and the phone calls and the protests don't result in a drop in one of those two things, they don't fucking care.

I don't know. This is a long ass ramble, but I'm trying to work out my feelings about this. Because we can't opt out of paying taxes, we can't really opt out of the benefits of living and being born in the Global North, we can't opt out of work, we can't opt out of the military, we can't opt out of following the law without extreme violence being brought against us. We can't do a whole fucking lot besides call, email, donate, and protest in a way that doesn't get us beaten and arrested, and if you do get beaten and arrested, you'll be dealing with the legal consequences for years or potentially the rest of your life.

And a man burned himself to death to object but I can't withhold my vote???