#well all of the kids are like. very important characters to me. they make me happy i love them lots!!

[constantfragmentation]

Arcane S2 Thoughts

I've had a week to digest this season and well, I guess I have the unpopular opinion of being very disappointed. After the initial flash of gorgeous animation and some ooo's and awe's.... I was left with a bitter aftertaste. I can rewatch S1 loads of time. I don't think I can watch S2 again.

I'm happy for the fans that loved it and got what they wanted or the shippers that got what they wanted. I'm happy for you. Do your thing.

Me? Not so much. Even as a Silco fan (and I admit to squeeing for any footage of him at first), I'm not pleased. Yeah, my young Silco is a nerd, man-bun hottie, but that's where it ended for me. His entire characterization was nothing like the character I fell head over heels for in S1.

Vander's Flashback: I honestly don't find Felicia's inclusion necessary at all. In fact, I think it waters down everything between Silco and Vander. Their knowing her and the kids creates more questions, plotholes, and problems than it supposedly solves.

Why is Vander only in those memories with the kids? It's before the fallout with Silco. Why don't the kids know or remember nice Silco? Why do they only fear him (obv that's from Vander and Benzo, yes?)?

Why doesn't Silco seem to know Powder at Vander's dead body? Why would he kill Felicia's kids? None of it makes any fucking sense if he cared about Felicia. He hates Vander so much, he hates the kids too because he adopted them?

How the hell does S2 Young Silco turn into S1 Silco? Riot really messed this one up. Vander's attempted murder didn't change his entire personality.

It was a rebellion battle. People were going to get hurt and killed. They had to know this. So, whether Silco accidentally killed Felicia (as some fans are debating) or she died, is so damn dumb for Vander to solely blame Silco. Takes the kids, becomes a pacifist FIRST and then decides to (shave and grow younger) kill his brother for the greater good. Doesn't make one lick of sense narratively.

The narrative, characterization and animation inconsistencies don't help from S1 either. The drowning scene doesn't fit the S2 explanation. They're too young. Vander had a beard and appears much older on the bridge. Hell, S2 Young!Silco looks older than S1 Young!Silco. Sloppy, sloppy, sloppy. If people want to kiss Riot's ass, fine, but there was too much that was straight up lazy writing.

Silco's death is just glossed over considering how important he is. Silco did what Vander couldn't. Even without Shimmer, the Underground was thriving. Cait's mother's death/burial/statue gets more screen time and Silco gets dumped in the river. No one seems to question his death or what happened? Yeah, ok.

I'll use this moment to complain about the excessive music video montages this season too. I watched S1 again and the writing and use of music worked in unison and enhanced scenes. S2 felt like scenes in between music videos and it was irritating.

There was so much screentime wasted that could have been good dialogue heavy scenes that S1 was great at. Instead, time wasted on poorly executed plotlines that needed way more time to flesh out (Mel, Ekko and Viktor) and we have slowmo music videos and MCU fight scenes. Hermie's guitar song and Mission Impossible jokster crap was laughable and not in a good way.

Riot tried to pack too much into one season, and it was a mess. This season felt like watching a Marvel movie. Cool action sequences with little to no substance. All the nuance and grit from last season were gone in favor of the 'good vs. bad' trope. All the political-societal issues in S1 were abandoned that were far more fascinating to explore.

Mel has superpowers now? It feels all out of place. Her, Ambessa, and the Black Rose plot have zero time to make it interesting and plausible. She was introduced as this master manipulator/politician and her sage persona feels so forced.

Jesus Demigod Viktor was too much. I was excited for the Machine Herald and the psychedelic Arcane magical multiverse took me out. Making him to be the big baddie and timeloop it around to Jayce felt like a big cop out. Viktor deserved better. Hell, Jayce deserved better.

So much was sacrificed to make the whole Arcane magic THE point of the series when it was one of the least interesting aspects of the show. Hextech for weapons and the continuing problems between Piltover and Zaun was RIPE for storytelling. It seems each act needed several episodes to cover.

Ekko sure as fuck deserved better than that half assed time warp with Hermie. The AU really bothered me. Everything felt wrong. EVERYTHING. Nothing was explained well at all. It felt like complete fan service at the expense of the characters. Before people rip me saying "well duh! It was an AU!". You don't assassinate characters and plot to have a happy ending that insults your viewers.

They turned Zaun (its own cool character) into the bargain basement of Piltover. How is it sunny and pretty? Really? Mirror tricks? Everyone just forgave Piltover after years of oppression?

You're telling me Vi's death saved humanity? Fuck that shit right now. Piltover just stopped because a kid died? Suddenly everything became better? What happened to Jayce? Viktor? Hell, Hermie after decades didn't give two shits about Zaun, so what changed with the Council? Where's Singed? I don't buy it.

I don't buy Jinx/Powder being super normal smart girl. I LOVE JInx, but I believe she had mental issues prior breaking into Jayce's apartment. I don't think Vi's death made that go away (as I don't believe Silco's death did either). As someone who battles with mental health, this is insulting to me as a viewer.

I hated AU Silco. There. I said it. He just forgave Vander? Really? Bullshit. The reason Vander tried to kill him is stupid. A simple letter changed Silco? That fluffy-haired softy is not Silco. I can't imagine that Silco being the one who fought a rebellion. He probably would not have become a mob boss peddling drugs but this AU softboi dad feels so wrong. I never would have stanned AU Silco. Not in a million years.

S1 Silco's traits didn't magically appear because Vander betrayed him. The young S1 Silco had to be similar in many ways to older S1 Silco. Drive, ambition, ruthlessness, willing to die for a cause. I don't see Felicia's death changing that. I certainly don't see Vi's death changing that.

If Vander needed to kill Silco to stop the violence, etc, it's because he saw Silco as a threat to him or society as a whole. S1 Vander is known as The Hound. So, he seems to be violent as well. He takes credit for building the Underground when Felicia credits both 'bozos' for it. So Vander being upset she died and blaming Silco to the point of murder is a slap in the face to fans' intelligence.

I do hate that by Vi's death, everything is magically better. I can't express how much I hate that. AU Powder was irritating and was nothing like my Jinx that I love. Again so much wasted time that could have been better spent on good character driven scenes that actually advance the plot.

Pointless characters. Introduce Isha (who I adored). Make her seem important to Jinx. Kill her and never mention her again. So what was the point of her inclusion this season? Just to make Jinx suicidal? I hated that also. Again WASTED SCREENTIME.

Oh, and Caitvi was a disgrace. I think shippers deserved better here, too. Caitlyn goes crazy dictator because of guilt over her mom. Granted, Caitvi only knew each other for a week-ish? Not a lot of time to make their relationship serious past an infatuation. Cait turns from all her good points last season to Ambessa's padawan.

Don't get me started on that side piece Maddie. Really? Cait you were that hard up? And that long awaited sex scene was a big eye roll. Vi goes to her sister, and shit goes to hell, and a few minutes later, she's fucking Cait in the same cell. Vi was reduced to shit this season.

I mean, these characters just got shafted in every way for a high speed train wreck ending that we've seen a million times in Disneyfied stories. Action sequences were more important than actual character development and plot.

You can't make me believe that one speech from Jayce 'seeing a possible future' suddenly got Zaun to work with and dress up as Piltover soldiers? Really?

I had high hopes for Sevika, and the girl got shit nothing to do except in two episodes. Her seat on the Council feels like a last-minute decision and not worthy enough to expand on.

What made S1 so great was the class divide between Zaun and Piltover and how it affected the characters. S2 decided to scrap that and go with the easy good vs evil trope instead. Even the parallels didn't have the same hit as last season.

I did like Jinx talking to her 'ghost' Silco in the jail cell. He was calming to her in contrast to Milo/Claggor except the implication that she should die (that's what I got out of that).

We didn't even get much from Singed. Yeah, he got his daughter back (in some form) but his story was so blah. We didn't get nearly enough of him and Warwick and what made Warwick.

I guessed a few years ago it was going to be Vander but I didn't like how it was handled.

Too many plotlines all rushed together without getting any decent screentime and explanations that don't confuse or insult viewers intelligence. OR you have to be a LOL fan/player to understand. I never played LOL before S1 and wasn't confused as to the main plot.

I loved all the characters in S1 and felt they were pretty much watered down or assassinated in S2 for an apocalyptical Demigod villain vs humanity battle done to death finale.

The Zaun/Piltover political-societal problems, parallels, corruption, science going wrong, pathway to hell paved with good intentions themes from S1 was so much better in every single aspect.

I'm still a fan of S1 and the characters and frankly, I'm going to ignore 95% of S2.

[brionysea]

Is it just me or did Vi really not get an arc this season 😭? She doesn’t resolve the fact that she places all her worth on protecting those she loves. A lot of her big emotional beats (joining the enforcers, becoming a pit fighter, finding Vander, freeing Jinx and getting imprisoned for all her efforts) happened as a result of Caitlyn or Jinx’s intervention. She has so much oldest sister syndrome she infected the narrative 😇

yes! I think it's an issue of flawed ideas and poor execution. in classic me fashion, I'll go through the whole thing to show you what I mean:

vi joining the enforcers despite everything they've done to her (killing her parents, roughing up her family as kids, chasing them down, coming into the last drop to arrest them and intimidating everyone and almost taking powder, imprisoning and abusing and starving vi for her entire adolescence) because caitlyn asked her to and caitlyn is the Most Important Person in her life right now is the exact kind of thing vi would do. I personally love how temporary the enforcer gig is, despite that going against the lore (I honestly couldn't care less), because vi's CHARACTER in this show goes against the lore. I don't care that she's supposed to be an enforcer in the game. I'm not playing a game. I'm watching a show. the vi I know wouldn't do that, it makes no sense for her character, and it really feels like that's the point. she's losing herself for the sake of what caitlyn wants in a very clever way to address whoever demanded the show be more accurate to the game (which, again, I AM NOT PLAYING. BECAUSE THIS IS A SHOW THAT'S MORE THAN CAPABLE OF STANDING ON ITS OWN) without betraying the characters. this is the kind of freedom that would have made for a truly stellar season: going where the story is led naturally by its characters rather than being trapped by a pre-determined narrative

then in vi's fight with jinx (which, fine, I guess vi *would* decide that 'jinx isn't powder anymore' means 'my sister is dead'; she's single minded like that, even if it felt rushed), there's suddenly a random child in the crossfire and vi's like oh. okay. I can't actually hurt innocent children the way I was hurt. I do, in fact, have principles, and they dictate that I intervene rather than allow this to play out. and it turns out that when the chips are down caitlyn doesn't actually care about the undercity because she risked killing an innocent child and wants to kill jinx knowing she's vi's sister (and said that jinx, a young mentally ill girl from the undercity, killing caitlyn's mother, one of the richest and most powerful women in piltover, is the same as vi's parents being killed by enforcers while fighting to end the oppressive social order they enforce. it's not.) and basically says that she thought vi was 'one of the good ones' but she's exactly like all those other animals (again, because vi refused to let cait open fire on a child), before literally gut-punching her and leaving her there. vi was right before, they're oil and water, they're too different. and now vi's lost her sister; lost cait; the rest of her family is still dead. she has no money. no power. nowhere to go. nobody to protect. what's even the point of her?

and then we reach the second act. vi has no purpose so she's like well I'm just gonna fight people for money. because she'll win. obviously. she's a mess, she's drinking all the time, she's seeing jinx and caitlyn everywhere (people really breeze over how vi sees things too - definitely to a lesser degree than jinx, but when she hits rock bottom, it's there). I love this set up for vi. it makes so much sense that putting all her energy into caring for others would end up here. like a message from the universe that she needs to learn to do things for herself or she'll always end up back in this hole. you could argue that vi not having a lot of agency and just following jinx or caitlyn around until she ends up stuck in that cell (her ✨️ prison of the mind ✨️ or whatever jinx's imaginary, out of character, ghost silco was talking about), while boring (so boring), is more of vi being stubborn and stuck in her ways and refusing to learn her lesson until she's forced to. which she was also like in season 1, except there, it was more like vi repeatedly trying to solve problems that were much too big to be punched away by punching them (vi thought jinx could brute force her way out of being traumatised), and even then, I didn't get the impression that vi cared enough about the council to actually give up on jinx because of what she did to them. vi's a brick wall of a woman. sometimes, in this bitch of a world, stubbornness is a virtue

the problem, like a lot of things that had potential in season 2, is that it's not actually followed through on. there's no self actualisation for vi. she just cares about jinx until she doesn't and then she has sex with cait (who does not actually atone for any of the shit she did btw) in the prison cell where vi's sister was just planning suicide and is currently going through with it elsewhere, as far as vi knows

I think the intention was for vi having sex with cait instead of chasing after jinx to be the first selfish thing in her life (which jinx basically told her to do, because no one hates piltover anymore even though they haven't changed at all or done anything to earn this 'meet us halfway' demand of feeling entitled to zaun's bodies for their war after poisoning those same bodies for who knows how long. jinx never called vi an idiot for dating an enforcer. in fact, she feels bad for nuking the council :( which means she's good now! 👍 because GOOD characters are NICE to piltover and only BIG MEANIES care about zaun's independence. even silco's ghost thinks it's a waste of time! apparently he was just bitter and unloved, like a child throwing a tantrum! sure. sure! why not!), but it falls apart immediately because 1) jinx told vi she's going to kill herself (vi knew what jinx was planning before she asked, you can hear the fear in her voice), which obviously takes priority - never in a million years would vi let jinx disappear like that without doing anything about it, no matter how self actualised she is, because STOPPING YOUR SISTER FROM COMMITTING SUICIDE IS A NORMAL THING TO DO. well, maybe not normal, but you know what I mean. it's not exclusively a vi-ism. it's common sense. if someone you love tells you they're going to commit suicide, you do everything in your power to prevent it. and 2) CAIT IS NOT ACTUALLY REDEEMED FROM ALL THE SHIT SHE DID TO THE UNDERCITY. yes, cait letting jinx escape was symbolic of her letting go of the obsession that drove her to that point, but she didn't actually hurt jinx (except now jinx is free to off herself because of cait, which vi would be angry about if she hadn't spontaneously forgotten what she learned in the previous scene). despite her personal vendetta, cait couldn't catch jinx to even attempt to hurt her. who she DID hurt was the undercity at large, and she has no way of making up for that. they dropped the zaun plotline like a hot potato so there's no narrative opportunity for cait to prove to vi (and to the audience) that she gets it now. that she's done being a fascist and vi isn't just blinded by her hotness (which would be a strange angle to take but that's honestly what it seems like. it's so shallow and out of place with everything going on). none of this is earned enough for vi to choose a quickie in a cell over stopping her suicidal sister from blowing herself up

TLDR; there was an attempt at an arc, which was foiled by tying it so closely to caitvi, which was tied to the politics of the piltover-zaun conflict, which was never resolved and thus made vi's arc feel unsatisfying

[que3rduckling]

My Pitch for Absolute Robin

For one, I think it is important for the Robin in this universe to be Dick Grayson. I have seen someone on TikTok saying it should be Stephanie Brown and while I do agree with many of the points they made and I do believe that that would make an interesting story, I believe that Dick being the first Robin and ergo Batman’s first sidekick is very important to his character. (As well as me being a huge Dick Grayson fan who would LOVE to see him in it)

I want the Absolute Robin to have the same approach to him as the other superhero’s so far, that being taking away some key aspect of the character. For Dick, I think the key aspect of his character that should be taken away is Haley’s Circus. I want this Dick to have never grown up in a Circus and never was an acrobat. Instead I want him to have been raised to something of the likes of an assassin. While I do not know if Snyder will or should introduce the Court of Owls into the current story he is telling with Absolute Batman, but I do believe that Dick should have been raised to some of the like of The Gray Son. Him being this prophesied greatest assassin, being raised so that he can full-fill this prophecy.

Dick doesn’t enjoy the life he is currently entrapped in, not wanting to hurt people but instead help them, and having a lot of built up anger due to this.

Dick should also be aged up a bit. Instead of being around 9 when he becomes Robin I want him to be around 15. Also Bruce should not be adopting Robin, more so mentoring him.

Alright let me set the scene:

Batman is messing up operations for everyone in Gotham with his arrvial so Dick, a trained and prophesied assassin, is sent out and tasked with killing him. Dick does not want to but does not have much of choice and goes out to do so. He hides in the darkness, face covered by a mask to shield his identity and age, watching Batman. He waits for the perfect moment to strike and does just so. Using his agility to his advantage and dancing around Batman, striking blows all around him. You could also say he looks like Circus performer putting on a show. At some point he slips up, misses a hit or something, and Batman gets the upper hand. He slams Dick into the ground. He’s about to hit Dick with a ruthless hit when he sees that the mask covering the boys face is cracked, and a young boys scared eyes stare at him through the crack. He stops. He stares at this kid who can be no older than 15. Dick uses this moment of pause to kick up and escape.

Later as Dick is being yelled at for not completing the mission he finally decides he’s has enough. I mean if there is a man dressed up as a bat, helping and saving people, why can’t he? If I man dressed up as a Bat is able to start taking down the organizations that have caused Dick so much pain, why can’t he?He has the skills to do it. He has the anger to do it. He has the fight in him to do it.

He escapes that night. Dick uses his pre-existing knowledge of The Bat and his detective skills to figure out where he is. He emerges from the shadows, presenting himself to Batman. No mask this time. Him and Bruce stare at each other for a moment before Dick breaks the silence. Dick says how he is fed up with the organizations that are ruining this city. He wants to take revenge against the place that took away his family, his childhood, his life. He tells The Bat that he has insider knowledge of the area, how they can help each other to take them down. Dick tells him how he will do this whether or not Batman agrees, so it would be more effective if he did. All Bruce sees is another hurt kid. A kid who lost his family to the corruptness of this city, just like he did.

This city spares no one, he knows that. But maybe he can help give this kid closure. Guidance. He’s going to help this kid. He accepts the kids offer. He set some ground rules though and Dick reluctantly agrees.

Dick knows he some sort of superhero identity. One separate from the one he has been forced to use all his life.

He decides he will be called Robin, his mother’s nickname for him and one of the last things he ever heard her say before the separated from each other by assassins. He does not know if she is alive or not but if she is he hopes she’ll hear the name and know that he is still out there. He chooses to have bright yellow, green and red on his costume because he is spent to much of his life in the shadows , hiding. He is going to be seen now. He is going to be a beacon of light in the darkness that is Gotham.

——-

That is my pitch for Absolute Robin! I left the organization that trained Dick purposely vague because I never quite decided if I would want it to be a new one or be the Court of Owls. So you guys can decided which one would be better!!

Also some ideas I have that I couldn’t quite fit into main story I was telling:

- Dick lives one of Bruce’s safe houses, but a separate one from where he lives in

- Dick is still quite acrobaty Just Never being properly trained to be a circus one

- Dick was originally from outside the states but the organization that trained him forcefully separated him from his family and brought him to the states

- He never saw his parents die and hopes they are still alive but knows deep down their not. (Bc their not)

- Mary and John used to be in Haley’s Circus but left when Mary became pregnant with Dick and decided to settle down

Hope y’all liked this!! (Sorry it was so long 😭😭)

[chaos-bringer-13]

My brain just hit an old hyperfixation (is this what it's called? I hope I used the word right) and oh dear am I losing my mind now. I need to write a story I think. About this one old guy. He's unhinged. There's so much information about him and yet not enough. I want to explore his character so much. He's definitely a criminal - at least he was one - and I'm 95% sure he can do actual real magic, and he's a musician and an artist and an actor and a magician and a philosopher and a traveler and a conman and so much more and also I think he's some kind of immortal. Maybe he just has a VERY long life. It's strongly implied he was a pirate at some point of his life. He started a cult by accident several times. My conspiracy theories about him include him being a secret god.

He's also a freaking round blue raven. Someone save me from my mind.

[hella1975]

i cannot stand the aot fandom this is not a new take at all they are universally intolerable but oh my dayssss u are FORBIDDEN from making ANY take about the show it's actually insane to watch. 'aot is perfect' no show is perfect. 'tell me you didnt get the show 😂🫵' people have different opinions/interpretations about things. 'eren is a good guy they could never make me hate him' i think there's actually 4 seasons and two movies explicitely using him as a tool to show that no one is 'good' or 'evil' they are only trying to survive. hello. the fandom r all so far up aot's ass that they actually discredit its writing in the process and it would be laughable if it wasn't so frustrating

[the-eclectic-wonderer]

A big thanks to @witchybitchybisexual who tagged me in this amazing 30-questions Golden Girls-themed game; I had a *great* time answering these! I look forward to reading everyone's answers (including yours, @witchybitchybisexual!).

I'm hiding all questions after #1 under a cut, because this got long haha!

1. How did you find out about the show?

Via another show I love -- Good Omens! Or, actually, via the amazing book that inspired it. One of the main characters, the demon Crowley, is a big fan of The Golden Girls; there's a great scene in which the forces of hell hijack one of Rose's monologues to send him a message while he's watching the show! I was in need of something new to watch at the time, and I figured if Crowley liked it so much, it was at least worth checking out. :)

2. One storyline you’d eliminate?

Hmm... probably Miles' witness protection program storyline? I don't mind it that much (it gave us some fun jokes and some memorable scenes!), but I feel like that was a turning point in Miles' character, and I just don't like the person he became after that turning point.

There was no question 3 here, so I made up my own! Hope that's not an issue :)

3. Best guest star/character?

Lynnie Greene takes the cake as the best guest star, for sure. I adore her and she played a phenomenal young!Dorothy. The second place goes to Dick Van Dyke, just because I love him in general!

As for the best guest character, I think the honour goes to Angela, Sophia's sister! She's absolutely hilarious and her comedic chemistry with Sophia is stellar. I also have to mention John Neretti from S6E23 What A Difference A Date Makes for being the best man in the series imho.

4. Character you most relate to?

Dorothy! My personality nowadays is a bit of a mix between Dorothy and Rose, I feel, but the Dorothy side is prevalent (and it was even more prevalent a few years back). I love reading and literature (and I enjoy learning about history, although I don't have her passion for it); I share her love for teaching (although I'm not a teacher); I was a great student in school, but not a popular kid at all; I'm level-headed and responsible, but I can be impulsive under the right circumstances; I'm very protective of the people I love; I'm Italian and was brought up a Catholic; I'm often the tallest girl in the room (I'm just a bit shorter than Bea Arthur was!) and I'm not attractive (not that Dorothy isn't -- but she is perceived as unattractive in the show), so I also understand her self-esteem issues fairly well.

I'm not as quick-witted as she is, unfortunately, and nowadays my outlook on life is more positive and easy-going than hers, but she's still the one I relate to the most.

5. Favourite character?

Blanche, although the other Girls are very, very close. I adore them all and I especially love to see them interact, but if I have to pick one, then it's Blanche. She's the one who surprised me the most! At the start of the show I kind of wrote her off as 'the man-crazy one', and that's as far removed from me as possible, so I didn't really focus much on her at the beginning. Then came S1E4 The Transplant, and then came her family issues, and then came all her memories of George, and before I knew it I was head-over-heels in love with her. Rue was masterful in how subtly she played her; she showed Blanche's depth as a character little by little, letting the audience peek behind the mask only for moments at a time, so when I realized I hadn't given her the attention she deserved, I was already in too deep.

6. Favourite story of a cast member?

Oh, so many good ones to choose from! The first one that comes to mind is Bea's anecdote about the time she was Tallulah Bankhead's understudy. The awe with which she describes her coming down the stairs is palpable -- but I mostly admire how she took Bankhead's mean comment and turned it into motivation. And Bea did get her 'coming down the stairs to thunderous applause' moment (more than once!), so her vow came true!

A fun one that involves all four main actresses is this blooper related to Blanche's Christmas gift to the girls, the 'The Men Of Blanche's Boudoir' calendar. Watching all of them lose their marbles over this prank is priceless -- it always puts a big smile on my face!

(Is this what you meant by this question? I wasn't sure!)

7. Which was the episode that got you hooked?

The pilot, lmao. It might be a cheesy answer, but it's true! I was immediately hooked from S1E1 scene one. Dorothy's incredible entrance got me.

8. You could wear one girl’s wardrobe for the rest of your life, who would you pick?

It's a toss-up between Blanche's and Dorothy's.

9. How many kids do you think they all actually had?

... this ask made me realize there are doubts about this, lmao. I've never done the math! Had to go check on wikipedia 😂

As far as I can tell, it's fairly set in stone that Rose had five children, of which we meet two (Kirsten, with two different faces 😂, and Brigit, who I assume is her youngest one).

It also seems reasonably certain that Dorothy had two kids -- Kate and Michael. I will say I've always thought Kate was much younger than she should have been in her appearances on the show, considering Dorothy was pregnant with her when she married, but maybe she just looked much younger than she actually was, I don't know.

Blanche is more complicated. We see both of her daughters, Janet and Rebecca, and in S3E3 Bringing Up Baby she mentions three sons, Matthew (also known as 'Skippy'), Doug, and Biff. In that same episode, though, she also says she's had four kids! I get where the disconnect comes from, haha. To be precise, her quote is:

"I have had four kids, I have never had a Mercedes."

This is just off the top of my head, but I wonder if she means 'I have had' in the sense of 'I have given birth to' here? This would imply one of her children is actually adopted (which is very interesting to think about!!). Since she directly mentions her three sons after this quote, I suppose our suspects are Janet and Becky. I'll have to give this some more thought, though -- for now my answer is that Blanche has five kids, and that 'four' is a continuity error on the writers' part.

10. Do you think the actresses would’ve gotten along with their characters if they met in real life? Why/Why not?

Interesting question! I think so, yes.

Dorothy and Bea seem fairly similar already -- as far as I know Bea was a big sweetheart, a private, gentle person, and Dorothy's a big sweetheart too. Plus I feel like Dorothy would have been respectful of Bea's introverted nature, and Bea would have been understanding and accepting of Dorothy's personal history (not to mention, she wouldn't have mocked her for not dating/for her appearance).

In all the interviews I've seen, Estelle seems very respectful and very fond of old people in general -- I think she'd find Sophia a riot! I seem to remember a clip in which she actually says she likes Sophia, so I feel pretty secure in stating they'd get along.

There's this famous quote by Rue in which she essentially says that she's similar to Blanche in everything but the fact that she's not from Atlanta 😂 so I feel justified in assuming they would have had fun with each other! Rue's stated that she felt an immediate connection to Blanche as a character, and that playing Blanche helped her gain more self-esteem and confidence, so I think meeting her in person would have had a similar effect! And Rue (being a very open, honest, compassionate person) might have helped Blanche drop her mask a little bit.

The only one I have an inkling of doubt about is Betty -- mostly because she'd run circles around Rose! But ultimately I think any 'mocking' would be gentle and affectionate, much like the Girls' jokes in the show. I think they would have liked each other -- and they could have bonded on their common love for animals alone!

11. What are your other comfort shows?

Apart from the aforementioned Good Omens, I'm also very fond of Only Murders In The Building, a really fun show about solving murders and found family that I wholeheartedly recommend. Derry Girls is another recent favourite. Oh, if you like cartoons too, I recommend Steven Universe, Hilda, and Avatar: The Last Airbender.

12. Headcanons? (Feel free to list as many as you’d like)

Oh, my god. I have so many and I'm for sure going to forget some. Let's see...

I've already said some time ago that in my mind Dorothy drives stick shift. Reasoning for this is that Italians (including yours truly, haha!) drive stick shift, and she's of Italian descent, so... she knows how to drive an automatic car, she just learned how to drive on a stick shift one (and in the streets of Brooklyn, no less!). Still on Dorothy: I think she has a very neat handwriting (she feels like the type of person who consciously decided to improve her handwriting at some point in her life), but she's prone to leaving ink stains on the page (and on her hands!!), especially when she's writing in a hurry.

Rose is really strong! Physically strong, I mean. I know she was a housewife for most of her life, but she was a farm girl first! Farming takes a lot of physical resilience, and that's the kind of strength that stays with you, I think. She's the one who lifts up the furniture when they clean (S2E12 The Sisters), and I don't think they'd let her do that if she couldn't handle it. Plus, remember that time she broke a whole ceramic cup with one bare hand (in S7E19 A Midwinter Night's Dream)? Yeah. I also subscribe to some mutuals' hc that she's autistic (although they'll be able to comment on it much better than I can, if they want to!).

Regarding Blanche, I really enjoy @\eeblouissant's hc that she has a permanent tan! She's from the South, she's lived near the coast for ages, *and* she's expressed an appreciation for sunbathing in the show, so it makes perfect sense to me. Also: she's a cover hog! In the show Rose is the one who admits to stealing the covers (in S2E5 Isn't It Romantic?, iirc), but I like to think Blanche is the worst offender. It's a good way to complete the Girls' trifecta of sleeping annoyances (Dorothy snores, Rose sleeptalks, Blanche steals the covers!), and I think it's thematically appropriate for her -- considering her Southern origin, I think she's more sensitive to the cold than Dorothy and Rose are, and she's always looking for affection, so...

Oh, regarding their sexuality: I don't have a marked preference for any of them, but I tend to think of Blanche as a bisexual with a lot of internalized homophobia. Rose is also bi, and somewhere on the asexual spectrum (and I have textual evidence for this!). @\hecatesbroom has completely convinced me to read Dorothy as a repressed lesbian, but I'm fine with people considering her bisexual too. I prefer queer interpretations of all of them, but I'm honestly fine with any take, as long as the strong (platonic or romantic) bond between them is preserved.

Most of my headcanons on Sophia are just traits borrowed from my grandmothers -- for example, I like to think that she started getting into gardening once she moved in with the Girls, and she's really gifted at it (like my grandma!).

13. What would you change (if anything) about the show/ characters if it was set in the modern day?

This is a really hard question to answer properly, because while the show is still very relevant to the present day, some aspects are so grounded in their time that a lot of things don't make as much sense when transposed into the future. For example -- would Dorothy end up marrying Stanley and staying married to him for 38 years if he'd gotten her pregnant in the 90s? Single mothers weren't exactly celebrated back then either (Madonna's Papa Don't Preach is from 1986), but they still had it much better than they did back in the 40s-50s -- and divorce has become much more accessible (and socially acceptable) in the past few decades. Would she have left him earlier? Would she have married him at all?

And what about Sophia? Being an Italian immigrant in the 50s seems different from being an Italian immigrant in the 20s -- there was a whole World War between the two, for starters. Would she still emigrate to the US? Would she even emigrate at all? How would she have survived the fascist regime in Italy?

Blanche and Rose are perhaps less grounded in their time. St Olaf is so absurd it might as well be the exact same in the present day (and dying in childbirth is unfortunately still too common, so it's not strange to think that Rose would be an orphan in any case), and considering how some people still think and behave nowadays, Blanche's biography and opinions seem plausible even when transposed 30-40 years into the future (at least to me). But still -- many of the issues they deal with were grounded in their time. Take Rose's AIDS scare: would she react in the same way in the present day, knowing that care for HIV patients has progressed so much?

To be fair, apart from all these questions, all of the Girls are still plausible (and relatable) characters from a modern POV; but society has changed a lot in the past 30-40 years, and I think a groundbreaking, socially advanced show like Golden Girls would necessarily have to change as a consequence. It's just in the spirit of the show! The core idea of four women sharing a life is still a perfect premise, but the problems the Girls face, their careers, their economic stability, their ideas on love and relationships -- there's a lot that could be different when transposed to the present day! I feel like this question requires much more space, time, and analysis to be answered properly.

One thing I like to think is that at least some of the Girls might have been explicitly queer if the show was set in the present day! Which opens up a lot of avenues for plot-lines and relationships :)

14. Which other Fictional Characters would you like each one of the golden girls to meet?

I have a storyboard in my notes for a little comic in which the Girls travel to England and meet Aziraphale and Crowley from Good Omens, so them, definitely 😂

Also, the Derry Girls! Check out this great crossover fic on Ao3 -- the chaotic energy is just off the charts, I love it.

15. Who were your favourite duo?

Oh, I can't choose. Any duo within the Girls. Their 1:1 interactions are all amazing, there's no way I can pick just one. I love the bond between Dorothy and Sophia, I love Dorothy and Blanche's chemistry, I love how fun and silly Blanche and Rose get to be together, I love the ironclad trust between Dorothy and Rose, I love Blanche and Sophia's love-(fake) hate friendship, I love the way Sophia hides her immense affection for Rose under a veil of humour and the way Rose sees right through it. I could write an essay on each pair of them.

15. Who should’ve got more 1:1 screen time with each other?

I'm pretty happy with the amount of 1:1 time each pair of Girls got with each other, actually! One of the strengths of the show imho is how well-balanced the interactions between the main cast are. If I really have to nitpick, I think I might have liked a couple of episodes specifically on Dorothy and Rose in the last couple of seasons; it feels like they interacted 1:1 less after S5, but that might just be me.

I also think the Girls' interactions with secondary characters and guests were well-balanced, in general; I can't think of any specific example where I wished for one of the Girls to have more interactions with a certain character.

... okay, there is one instance, but it's not really a matter of screen time, more of what happened during said screen time. I really, really wanted to see Blanche (with Rose as support) tear into Stan. I think we deserved a scene where she tells him off for the way he treats Dorothy -- she's already pretty caustic in the show when it comes to him (except in S6, for some reason...), and a proper confrontation would have been glorious.

16. Calmest season?

Is there one? 😂 the first season, I guess? It feels a bit more 'domestic' and contained in scope, likely because it was the first -- but it's still a wild ride!!

17. Most chaotic season?

Season 3, for sure. It's a bit all over the place, and it contains some of the wildest premises in the whole series -- I mean, Bringing Up Baby? Letter to Gorbachev? Mister Terrific? I could go on -- there's lots of chaotic episodes in there! (Just to be clear: I love the chaos! S3 is not my favourite season, but it's still great -- and it's got some amazing episodes!)

18. Favorite Season?

I think the honour goes to season 5! It would probably be S6, if not for the whole 'Dorothy falls back in love with Stan' plot line. S7 is the one that contains the highest count of favourite episodes for me, but I think S5 is stronger as a whole, and it's got some true gems.

19. If the girls hadn’t had their established careers, what other ones could you picture them doing?

Oh, let's see! Stan mentions Dorothy always wanted to open an antique shop back in S1E11 The Return of Dorothy's Ex, and I think that really fits her. I can also see her as a (very passionate) librarian! And, of course, she'd be great as a college professor / history researcher.

Despite the Girls' lack of confidence in her ability to keep things alive, I think with proper training Rose would work well as a nurse. She already volunteers for the hospital, she can be competent when given the chance, she's a giving person, and she loves taking care of people, so I think she at least has the right attitude for it -- although I'd never place her in a stressful unit, especially at the start of the show! Apart from this, anything to do with animals, of course -- a zoo, a farm, a pet shop, she'd excel in all of them!

I can see Blanche thriving as a trophy wife, haha 😂 but that's not properly a career, so it's not a valid answer. Taking her keen artistic eye into account, I think she'd be great as a designer -- either a fashion designer, or an interior decorator. She also showed some talent and interest in psychology during the series, although I'm not sure she'd manage to remain completely professional as a psychologist. 😅

As for Sophia, I think she'd do well in any position that allows her to be a motivator! She's great at encouraging people through a bit of tough love, and she's a very driven person herself -- so I think she'd do well as a manager of sorts, although the kind of manager that still works hands-on too. I believe she'd manage to hold her own in more or less any field; she's very adaptable! I do think she's at her best in a kitchen, though.

20. Best aspects of the show in your opinion?

There's a lot! The writing, the performances, the costume department, it was all exceptional. I think the best aspect to me is the premise, and how seriously they took it! The idea of a show centered on four older women living together is groundbreaking, especially since it didn't make a mockery of them -- the Girls are serious, well-rounded characters, with full lives, written with lots of love and respect. I think this show really convinced me that life isn't over once you hit 30, and that there's plenty to look forward to as you age! A lot of people my age are terrified of growing older, and here I am, eager to see what's coming next -- and I owe at least some of this attitude to this show. I'm really grateful!

21. (This question is for my fellow cheesecake lovers) favourite cheesecake flavour?

:) Great question! I love cheesecakes in general, but I'm especially partial to raspberry cheesecakes.

22. Storyline you wished they had expanded upon?

The show has an unfortunate tendency to introduce characters and then forget about them, which allowed for more variety in the stories they chose to tell, but I would have liked to see some of the Girls' relatives and friends return! Like, I don't know -- Jean, for example, or Blanche's nephew from back in S1. Some of the guests' arcs are complete within their episode (as happens eg for Lily, Rose's sister), but others remained a bit 'in the air', and I think it would have been nice to see them again.

Oh, and also -- I would have liked some little references to the Girls' issues and problems outside of the episodes they're tackled in! References to Blanche's pacemaker, for example, or to Rose's addiction, or to Dorothy's CFS (or her hearing aid!!). I understand that the time was limited, but even a small callback or two would have been nice!

23. Questions you’d ask the actresses?

Does 'will you marry me' count? 😭

I'm not sure -- knowing me, I'd probably be unable to utter a word in their presence! Rather than ask questions, I think I'd just thank them for bringing such an incredible, wonderful show to life. It wouldn't have been the same without them.

24. Episode that brings you the most comfort?

Most of them, really. Even the sad ones; I hear the first few notes of the opening theme and my spirits are already lifted. I can pick one per season, if that's alright:

S1E25 The Way We Met

S2E17 Bedtime Story

S3E3 Bringing Up Baby

S4E4 Yokel Hero

S5E23 The Mangiacavallo Curse Makes a Lousy Wedding Present

S6E26 Henny Penny -- Straight, No Chaser

S7E23/24 Home Again, Rose

But honestly there's so many more I could mention! I just love these ladies so much and I love to watch them in situations, haha.

25. Episode that made you laugh the hardest?

This is a cruel choice! Golden Girls is infamous in my house as 'the show that makes the-eclectic-wonderer howl with laughter', and I think that speaks for itself 😂

Let me pick at least three: S2E4 It's a Miserable Life, S7E2 The Case of the Libertine Belle, and S7E4 That's For Me To Know.

26. Which other work that the actresses did you enjoy the most?

I believe most of Estelle's career prior to The Golden Girls was in the theater, so I'm not sure it's even possible to watch her other works, unfortunately.

Show me Bea Arthur singing literally anything and I will be on my knees in seconds. Her musical performances are peak. Also -- I still haven't watched Maude, but I already know I'll love it.

Maude includes Rue as well -- I cannot wait to fall in love with her as Vivian too! And I have one of her early movies in my watch list, although I'm waiting for the right moment to watch it (homegirl plays a stripper and I'm not sure I can handle it in company without making a fool of myself, considering my big gay crush on her).

As for Betty -- Life With Elizabeth, absolutely. She's so funny and so beautiful and so captivating in it! She's simply charming, I love her to bits.

27. Best St Olaf Story?

The Great Herring War from S1E25 The Way We Met, no question. It's not necessarily the strongest from a comedy point of view (although it's certainly up there -- it's hilarious!), but the context and the way Dorothy and Blanche contribute to it make it the most memorable one, imho. It's my favourite, for sure.

(The story of Gunilla Bjorndunker, St Olaf's tallest woman, as told in S6E3 If At Last You Do Succeed is in second place).

28. Best slut story?

It changes every time I hear one, lmao! I love all of Blanche's stories!

If I must pick one -- I really enjoy Blanche's retelling of that time she realized she was even more devastating by moonlight in S1E25 The Way We Met, if only for that incredible final line ("It was at that moment I realized my bosoms had the power to make music!"). I'm not sure if it counts, because it's so brief, but her involuntary remembrance of that time she had to call a cab to get home because the sailor she hooked up with wouldn't wake up (S2E17 Bedtime Story) always has me in stitches -- I love how unexpected and effective it is!

Oh, and I'm really fond of the one she tells her mama in S3E25 Mother's Day. I'm very sensitive to the theme of loved ones getting older and having trouble remembering stuff, so that whole flashback hits close to home for me, and I love how Blanche's story helps her and her mama connect over shared memories. It's really touching (and Rue's acting is spectacular).

29. Best Sicily story?

Sophia's alleged encounter with Pablo Picasso, as narrated in S6E24 Never Yell Fire In A Crowded Retirement Home: Part 1. I somehow didn't anticipate the punchline, and I lost my shit when Sophia name-dropped Picasso. I still lose my shit every time I listen to it. It's a classic.

30. Which girl would you be most interested in seeing a prequel of? And at which point in their life?

I would pay dearly for a young!Dorothy show. It might be depressing (because her life with Stan was... well... yikes) but also imagine -- Dorothy learning how to be a mom, her life at college, building herself a life... so many possibilities!!! And it would be even better if it featured some flashbacks to Sophia's life in Sicily!

I would enjoy a show about teenage Blanche's adventures, too, but a part of me thinks those stories are at their best when retold by Blanche herself (ie when there's a good amount of doubt as to their veracity, lmao).

[wheelercore]

Constantly thinking abour karen wheeler btw but in a way that makes everyone here super madsies

[cockringhoratio]

i think “thank you for loving me” is possibly the worst manga panel of all time.

[omarwolaeth]

It's such a tiny innocuous thing that really doesn't matter, but I feel like calling duel monsters a children's card game (when it's fundamentally baked into everyday life, and your social existence is judged by what you play and how you play it so very intensely, for everyone in-universe) is an absolute injustice to what it is for that universe of people.

[mymarifae]

i hope everyone's prepared for me to become the most annoying person ever in 13 more hours

[designernishiki]

sue me but i just really don’t wanna see someone try to rectify that terrible cliche out of character love triangle again like. if they chose to cut that out all together (not cutting YUMI out all together, obviously, just the romantic implications) then they’d probably have my attention. but let’s be real that’s probably not gonna happen

[theygender]

Yeah sure growing up abused may have left me with permanent scars on my psychological state that I'm still working to unpack, but on the bright side it gave me the ability to give a thoughtful in depth analysis of Roald Dahl's Matilda and all of its adaptations

[pumpkinrootbeer]

Something that really hits like a gut punch the older I get, as someone whose been actively suicidal the majority of my life, is how fucking. Young Sam is in the original 5 seasons. If it ended as originally intended, Sam never would have made it out of his 20s and I can't accurately describe how sad that makes me

[mad-hunts]

as far as jack could tell, jervis was really out of it; and it made him wonder it was due to something that had happened while he was out with his father, or when they'd gotten here. perhaps both. jack gnawed on his bottom lip, his eyes darting to jervis's hands, which were flexing like he was struggling with something. an eyebrow rose as jack contemplated asking whether he needed some pain medication.

since he didn't receive an answer to his question yet, jack figured he might as well introduce himself. ❝ uhh, well, you don't have to talk to me if you aren't feeling up to it. my sister told me that you fainted in front of her out there — so, i understand if you're still feeling sick. my name is jack, ❞ he scratched at the back of his neck as he continued to observe jervis. whenever the man tried to get up, jack approached him and was about to caution jervis that maybe he shouldn't by lightly touching his shoulder.

but he remembered matilda telling him something about the other really not liking to be touched, so he merely was going to verbally tell him. up until jervis laid back down himself, anyhow. jack couldn't hold himself back from frowning at his poor present state before venturing out of the room with a 'i'll be right back.' and indeed he had been, with two different vials, alongside a few syringes to inject into that IV bag: should jervis want to be medicated. jack figured it'd be easier to just do that rather than forcing him to swallow anything.

he placed those also on the table before tilting his head at the quote jervis had said until it clicked a few seconds later, ❝ that's a quote from through the looking glass, isn't it? and one that the red queen said in the story if i remember correctly. she was basically teaching alice that staying in the same place is falling behind, right? ❞ jack squinted his eyes at that before a thought came to mind. a soft snort left him, but one that was done of an innocent sort of amusement rather than malice. ❝ that is a kind of roundabout way of talking about survival of the fittest. but hey, lewis carroll was all about the whimsy of things, i guess. and its no big deal. ❞

jack pretended not to see the tears that the other shed for jervis's own sake. the blood on his lips was something he couldn't ignore, no matter how hard he tried, though. jack grabbed a washcloth from his pack and held it out towards's jervis's hand. once it was out of his hand was when jack set down that teacup, the slightly too long stripped pants he wore swaying across the ground. ❝ mm, you and dad were both asleep for nearly four hours. sure — i don't think that's silly at all. i keep something on me all the time from when my brother, julien, was still around. ❞ the bracelet he showed the other on his right wrist then seemed to be made up entirely of tiny conch shells.

julien was a big fan of the sea, which jack thought made his death all the more crushing. after seeing the state that the stuffed animal was in, he figured that that bunny must've been really loved; though it didn't really matter by whom it was. the end result was the same, as love changes you. jack knew this well as he'd never wanted anything more than to be embraced by the warmth of it.

he quickly shook that thought off, only to grab the two vials he got from the fridge once more. ❝ eh... the four hours actually went by rather fast. ❞ jack cleared his throat then, ❝ you know, i couldn't help but notice that you aren't looking so hot still, and so i grabbed some meds for you. but i won't force you to take them. i have a pain reliever as well as something that relieves vertigo. are either, or both of these, something you want? ❞

Eigengrau.

A faint hum buzzed in his ears; his mouth was so dry it felt like he’d swallowed a wad of wool.

The thin sheet beneath him brushed his fingertips as Jervis flexed his hands, cracking his eyes open a sliver. The room tilted, everything blurring at the edges. Ah… so he had fainted. Just as he’d suspected. No glasses, then.

"Hey. Ahh, you're awake… That's awesome. How are you feeling?"

The new voice was barely a whisper, young and uncertain—belonging to a boy, maybe sixteen or eighteen by the timber. Was this another of Barton's assistants, a friend of Matilda’s, or perhaps her brother? Jervis couldn’t quite remember; hadn't Barton mentioned something about having more than one child?

He winced, his body feeling heavy, leaden; aching everywhere. Slowly, he exhaled and tried to push himself upright—tried being the keyword. The effort brought only a wave of vertigo, dizzying and blue-hot, making his vision swim.

… ohh, god…

He swallowed thickly, curling into himself. Something wasn’t right. His glasses and gloves weren’t the only thing missing. He was in his socks, jeans, and a now damp charcoal t-shirt, his body slick with cold sweat. His graying auburn curls clung to his neck in tangled ropes. His boots were beside the cot, his messenger bag on a desk across the room. His overcoat and maroon button-down were draped over a chair.

A flicker of discomfort in his right arm. Burning. Tugging.

Jervis glanced down at the source: a plastic tube. A peripheral IV catheter.

"Ah, you know... 'It takes all the running you can do, to stay in the same place,'" he muttered, his voice clipped and hollow; Bermudian accent casual, almost detached. He turned his eyes to the boy; offered him a faint, strained smile. "Keeps things interesting, I suppose... but I appreciate your concern, lad."

He lifted his fingers to his cheek, feeling the moisture trickle down—salt on his lips. Tears, sharp and stinging. Jervis flinched and quickly scrubbed them away with the heels of his hands.

Cold metal pressed into his spine, tight around his neck—the chain with his and Sylvie’s wedding rings twisted against his skin. He must’ve been thrashing in his sleep. There was blood on his lips.

"Forgive me…" His vision swam as he watched the boy set a teacup on the small table beside the cot, just within view. "But I'm afraid I've rather lost my sense of time. How long has it been since I…?" He paused, his voice barely steady. "... if... if you don’t mind, could you please reach into my coat pocket? You'll find a small cuddly toy. A rabbit..." He rubbed his mouth, lowered his eyes. "It sounds foolish, I know... but it... it was my daughter's, you see..."

The boy nodded, moving quickly to retrieve the toy from Jervis’ coat pocket, and placed it on the table beside the teacup. The bunny was missing one of its button eyes, its white fur faded and matted. A pink satin ribbon around its neck was frayed and tattered.

“Thank you,” Jervis said hoarsely. “I must have been out of it for quite a while.”

[p0orbaby]

First Love

summary: you have a new admirer, alexia isn’t a fan

warnings: none

a/n: i cant remember if this was request or not so if it was i apologise but ive lost it. if not, well done me for thinking of my own plot for a change

word count: 1.2k

-

You and Alexia arrive fashionably late, because, well, it's Alexia’s family, and you’re not about to sacrifice your sanity to be early for a gathering that’s going to last an eternity anyway. She’s already stressed because she knows every cousin, uncle, and long-lost relative is going to pester her with the usual questions. How’s football? How’s the knee? When are you going to settle down and give your mother some grandchildren? Not to mention, the subtle but unmistakable scrutiny that comes with introducing you—again—like you're the new pet hamster instead of the person who’s been sleeping next to her for three years now.

You’re prepared, though. You’ve got your A-game smile, and you’re ready to nod at all the right moments while maintaining an impressive and unwavering level of small talk. You’re a pro at this by now. You can discuss the weather in ways that would make any other Briton jealous.

The event is held at a distant cousin's place—a sprawling estate that screams “we have more money than common sense.” The house is big, too big. The kind of place where you could lose a child or three and not notice until the next family reunion. The garden is a maze of strategically placed garden furniture, various expensive but uncomfortable chairs that no one sits in, and a kid's bouncy castle that looks like it was imported from the set of some cheesy Netflix original with mediocre reviews.

You’re halfway through your first glass of sangria when you notice him—a small boy, around five or six, with that messy hair that suggests he’s been on a sugar bender since eight this morning. His eyes are locked on you like you’re the most fascinating thing in the world. He’s got this look that can only be described as pure, unfiltered determination, like he’s decided, at that very moment, that you’re going to be his new best friend, and there’s absolutely nothing you or anyone else can do about it.

"He's cute," you whisper to Alexia as the boy starts to waddle over, his shoes lighting up with every step. Alexia glances at him, then back at you, her brow furrowing ever so slightly.

"Yeah, cute," she says, her tone dry enough to rival the Sahara. You can tell by the way her jaw tenses that she’s already not thrilled with this kid, which is hilarious because you’ve seen her face down a team of professional athletes without breaking a sweat. But a small child? Apparently, that’s a whole different kind of threat.

The boy—let's call him Diego, because of course his name is Diego—sidles up to you with all the subtlety of a charging bull. He stares up at you, his eyes wide and sparkling, like you’re a rock star, and he’s your biggest fan.

"Hola," he says, in that high-pitched voice only kids or cartoon characters can pull off without being annoying. Except, it’s already a little annoying, because he’s completely ignoring Alexia, and that’s a crime in and of itself.

"Hi there," you reply, keeping your tone light and friendly. You glance over at Alexia, who’s now sipping her drink with a look that suggests she’s contemplating how many more family functions she can skip without starting a feud.

Diego looks at Alexia briefly, as if she’s some sort of obstacle, then turns his attention back to you, his smile growing wider. "Wanna play?"

You blink. Play? You haven’t ‘played’ in, what, fifteen years? Maybe more? You’re more accustomed to adult games now, like “Where did I put my phone?” and “How long can I avoid doing laundry?” But Diego doesn’t seem to care. He’s already grabbed your hand, sticky fingers and all, and is pulling you toward the bouncy castle like it’s the best idea in the world.

You glance at Alexia, who’s now watching the whole thing with an expression that would be hilarious if it weren’t so serious. There’s a thin line between her eyebrows that you’ve learned means danger. You try to give her a look that says, “Help me,” but she just raises an eyebrow, as if to say, “You got yourself into this, deal with it”

Before you can protest, you’re inside the bouncy castle, surrounded by kids who are all screaming with the kind of joy only children and maniacs experience. Diego is jumping up and down, laughing like a crazy person, and you’re doing your best to stay upright, which is difficult because it’s been a while since you were five.

Outside, you can see Alexia, arms crossed, watching you with a look that’s a mix between amusement and something else—something that looks suspiciously like jealousy. You bounce awkwardly, trying to maintain some semblance of dignity, but Diego is relentless. He’s now trying to get you to jump higher, and you’re seriously starting to consider if this is how you go—death by bouncy castle.

After what feels like an eternity (but is probably just ten minutes), you manage to escape, stumbling out of the bouncy castle like you’ve just survived a natural disaster. Diego is still inside, shrieking with laughter, blissfully unaware of the drama he’s just caused.

You make your way over to Alexia, who’s watching you with that amused, slightly irritated expression still firmly in place.

"Having fun?" she asks, her voice dripping with sarcasm.

"Oh, tons," you reply, wiping sweat from your brow. "Best day of my life”

"You know, I’m not the jealous type," she begins, her voice low and dangerous, "but what’s mine is mine. End of story”

You can’t help but laugh, because of course Alexia would be jealous of a five-year-old. It’s ridiculous, and yet, somehow, perfectly understandable. "I think I’ve been claimed by someone else," you say, grinning. "You might have some competition”

She rolls her eyes but you can tell she’s not really mad. At least, not in the serious way. "He’s got good taste," she admits grudgingly, "but don’t let it go to your head”

"I wouldn’t dream of it," you reply, leaning in to kiss her cheek, because you know that’s what she wants, even if she’ll never admit it.

The rest of the party is a blur of forced smiles, endless small talk, and more sangria than you probably should’ve had. Diego pops up a few more times, always eager to drag you back to the bouncy castle or show you some new toy, but each time, Alexia is there, gently but firmly steering him back toward his actual family.

By the end of the night, you’re exhausted, and Alexia is finally starting to relax, probably because Diego has finally passed out somewhere, giving up on his quest to monopolise your attention.

As you leave, hand in hand, you glance back at the house, wondering how long it’ll be before you’re back here again, playing the role of the supportive girlfriend in a family that still doesn’t quite get it. But then Alexia squeezes your hand, and you realise it doesn’t matter. Because at the end of the day, what’s hers is hers, and what’s yours is yours, and that’s all there is to it.

Besides, next time, you’ll be ready. You’ll bring your own bouncy castle and show Diego who’s boss.

[fruity-phrog]

Okay, I saw someone say that Nimona, while being good representation, “didn’t take the big step forward in queer rep that everyone says it did”.

That is wrong. So wrong, my dude.

Yes, an explicit and open queer relationship in children’s cartoons is not new, per ce. Hell, just this year, two popular kids’ cartoons had the main character in an open, adorable, plot-based queer romance. But this is different for a few reasons.

Reason number one, it isn’t left in suspense. Yes, they had that split for three odd weeks, but they started the film as a couple. One of the very first scenes is them together as a couple, Ambrosius saying he loves Ballister, them holding hands, Ballister leaning on Ambrosius’ shoulder. Ambrosius says he loves Ballister three times during the film, and none of them are any more than halfway in. It’s very clear, from their very first interaction, that they are an established relationship, which isn’t something I’ve seen...at all in other animation.

Secondly, they are the plot. Ambrosius not believing Ballister, Ambrosius cutting off Ballister’s arm, Ballister trying to get the video to Ambrosius - this is what drives the plot. In any other children’s animation with queer relationships, the relationship is not the main focus. Even The Owl House, which is so amazing with its constant representation, would still make sense if Luz and Amity never happened. But Nimona’s plot wouldn’t make sense without Ballister and Ambrosius’ relationship. It, quite simply, can’t be erased. It could work as a friendship, yes, but that’s the point. They could have just been two close friends that fell on opposite sides of a fight, but they weren’t. They were two lovers that fell on opposite sides of a fight. 

Thirdly, they aren’t sanitized for “family viewing”. An emerging trend in children’s animation is to only have mlm relationships as fathers to make them seem more “family friendly”. With the exception of Kipo, there really isn’t many tv shows or films that places light upon an mlm relationship. And if it does, it'll be a teen relationship because teenagers being queer tends to come across as less “dirty” and more “innocent”. But Goldenheart is none of these things. They are adults without the mollifying aspect of having a family. And on top of that, they fight. They wield swords and they get bloody and they shoot at things and get angry and yell. They aren’t “clean” and “innocent”.

As well as this, they are in a film. Films are far more accessible than tv shows. You have to watch twenty seven episodes before Lumity in toh is canon. Troy kisses Benson on the eleventh episode of Kipo. And there are two hundred and eighty three episodes of Adventure Time before Marceline and Bonnie kiss. But with a film, the queerness is much more forward - especially in Nimona, where it’s literally the second scene. Animated films hardly ever display queer relationships, but Nimona did.

Finally - they aren’t perfect. I don’t know about you, but three weeks of thinking your boyfriend/maybe ex is a murderer? Doesn’t sound like a healthy few weeks to me. I have only seen big relationship arguments portrayed in straight relationships in cartoons - think Star Vs The Forces Of Evil - whereas queer relationships either have the massive fight prior to being canonically gay - She Ra - or have conflict, not arguments, that are dealt with quickly - Dead End/The Owl House. But Goldenheart? Goldenheart suffers. Their relationship is pushed to such extreme boundaries as for them to be pretty much exes throughout most of the movie. And yet, they are clearly healthy, happy and very much in love at the end. 

TL;DR - Nimona is amazing with the queer representation, and it is a milestone for LGBTQ+ cartoons. Not only is the relationship romantic for the entire movie, the plot is driven by Ambrosius and Ballister’s sort-of-break-up. In short, they are treated the same way straight people are. They have flaws, they have massive arguments, they have plot importance, they have backstory. They are in love. And that’s what matters more than anything else.