#we want happy endings back

[puppyeared]

these two are so interesting to me

characters belong to @canisalbus

[divineandmajesticinone]

THE HEART KILLERS (2024) I EP. 3 "I want you. Nothing more than that."

[hyunpic]

HAPPY BIRTHDAY HYUNJIN 🖤

[simplydnp]

totally normal about the 'wedding?' response continuing to evolve even though it's only been 5 shows. at this point i'm convinced the grand plan behind tit is to convince dan via exposure therapy that he's allowed to want to get married

[hello-sweetheart]

Steddie Angst Prompt: Nepo Steve + Undiscovered Musician Eddie

Eddie is trying to make it big in the music scene but people don’t get ‘discovered’ nowadays, even with a manager, it’s all about who you know. And Eddie gets the chance to mingle after subbing for small band who were one member short. He scores an invitation to tag along to a party. A high profile party.

And Eddie’s manager gives him a tip: the son of C. Harrington, owner of huge record label GNH, will be there and he so happens to bat for the both teams.

Nothing is said directly but it’s heavily implied that if Eddie can manage to shake this guy’s hand and flirt his way into a few dates… that can be his in.

So, okay, stringing along some rich entitled asshole born with a silver spoon in his mouth? Eddie’s game. Doesn’t hurt that the guy is easy on the eyes, even if a little too on the preppy side for his tastes.

And he does it. He gets his few dates, but no word has reached Harrington senior about his music so it looks like this might turn into the long game.

Except that Steve is sweet.

Eddie didn’t count on Steve being so sweet.

Eddie didn’t count on Steve showing active emotional interest. To spill his heart out to Eddie and reach with such lonely hands practically begging to be loved.

Eddie didn’t count on falling in love either.

Maybe Eddie can have his cake and eat it too, right?

But then, well,

Steve finds out about his original intentions.

[poorly-drawn-mdzs]

about that one lan qiren & jin guangshan art: .....does that mean wen ruohan has both or is he as flat as a board on the opposite? XD

Mans so flat they rotated him 90 degrees and he disappeared from the narrative.

[kit-screams-into-the-future]

jesus christ, doc, i thought you were a goner! warn a guy next time, will ya? jesus christ, doc. jesus christ

bonus doodle post-extra-long-hug:

(listen im a sucker for the forehead kisses alright. whenever it happens in a fic i eat that shit UP. it's the cutest thing ever idc)

[noname-404s-blog]

[13-nothing]

Rapid fire Inky Mystery Theories:

Bendy Shadows = Dead ink illness people (In other words the Lost Ones duuh)

(Tho last chpt descriptions made me think of Canon Bendy more than Lost Ones cause of the teeth and spines on the back, but ehhh, whatever, my statement stands)

Steven = Baby

(Don't kill me but I totally forgot about him til the last 2 chpts cause I don't reread that arc as much and he was a flash in a pan in the over arcing story. Tho I have to admit I got a little choked up realizing he died when I read it the 1st time)

Grandmama = The Eye Looking Through the Crystal Ball

(It's in my theory boards from last time buuuut there was a LOT on there and I didn't want it to get lost)

Bendy Shadows don't want to be humanoid in shape cause they aren't exactly who they were anymore. They're just the inky puddles now.

(Tho it does make me wonder what would happen if he tried to make them look specifically like who they used to be)

The Thing Demons Portal thru = Ink Realm

(Idk what to comment on here it just is)

Bendy's whole purpose is to fix the machine and BOTH of his fav activities will forever be tainted (hehe) by the fact he was created to specifically be good at them and not because he just chose them as HIS things to do.

(It's extremely sad when u think about it)

As of Chpt 268 Angelo was brought to the be with the shadows

(Wow, it's been like 80 something since that happened)

Sooo yeah that's all I got right now. Figured I'd try to get some of my theories out while before we get too far into the upcoming arc. Anyway, uh, thanks for reading and I say farewell to thee my fellow existences!

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[mishy-mashy]

Probably not gonna match with when this comes out translated, but still—just a few things I liked about BNHA 423

WE GOT TO SEE THE VESTIGES AGAAAAINNNNN!!! HI BRUCE!

I think Bruce gets a lot of bad angles. This is an example (but it's okay honey, you're still hot stuff)

Unfortunately, I have a favorite. It's Bruce. The most Normal Guy™ in the vestige line up. And the special-est sopping wet cat for Kudo ever (Yoichi is a dry cat because at least Kudo remembered to take Yoichi inside).

The vestiges were all gearing for a punch, but Tomura/Tenko is reaching out.

The rest of the users usually use OFA to punch, is the general idea we see. But Tomura/Tenko's Quirk isn't that.

Tomura/Tenko reaching his hand out to grab, and the vestiges readying a punch—it's their ways of putting the hurt on.

And Tomura/Tenko knows what happens if he puts his fingers on someone. He was aiming for AFO's head too. Guy was pissed.

I like that the vestiges look like they're crawling out of hell (or the depths) here. Technically for OFA itself, which they embody, being in AFO's realm was hell. It meant they failed their collective goals to win against AFO, and keep OFA [Yoichi] out of his possession

Also, they're all embers of who they once were. If Factors embodied their personalities, these embers are the leftovers of that embodiment. Their eyes are blank.

And even when they're only shattered fragments of themselves, they came for AFO to take him down.

They really embodied that purpose. Even as husks of themselves, or sad leftovers that scattered from their destroyed Factors, they still reached forward to clock AFO one last time.

They were that determined, and that determination was all that was left of them.

Meanwhile, with Yoichi, his itty bitty remains continued trying to talk sense into his brother till the end.

Yoichi has such a bleeding heart. But he also loved his brother.

AFO is standing in the dark. But in that dark, there's a light. It's Yoichi, as if he were the light at the end of the tunnel.

AFO chased OFA for decades, and ruined a lot of lives, just to have Yoichi by his side again.

Joining hands with Garaki; killing Banjo, En, Nana; forcing the creation and upbringing of Tenko; the whole Shimura incident; everything he did to UA and the Aoyamas to get close to the wielder of OFA [Yoichi]. He did all that, and more.

He just wanted the chance to have Yoichi with him again. That was his purpose in obtaining OFA this whole time.

Yoichi was AFO's light at the end of the tunnel.

Too bad for AFO, the light at the end of the tunnel was an oncoming train.

Yoichi is telling AFO what happened, but I love that in front of Yoichi, AFO became himself. I mean, not a mass of scar tissue, but who he originally looked like

Idk, there's just something symbolic about it?

Midoriya calls AFO a lonely man. And Yoichi comes to him, and AFO says he wants Yoichi by his side. He wouldn't be lonely if that were the case. Yoichi could make him not lonely anymore.

And the lonely man, a bundle of scar tissue from his warpath to see Yoichi again, reverts to a time he had no injuries or scars. He looks like the period of time where he and Yoichi lived in the same era.

In front of Yoichi, he's just.. himself, I guess is how to put it. Not a mass of scar tissue, or the evil villain everyone feared: he's literally just Yoichi's "Nii-san".

It's like, the scar tissue shed itself to reveal AFO's true face.

He wants to see Yoichi's face, and ended up showing his own without even meaning or thinking to.

He's finally looking straight at Yoichi, trying to see his face. It's not like when Yoichi was alive, when AFO always looked down on him, and just waited for him to bend to his will.

Now, AFO has little time left with Yoichi, and he's lost his composure for it, wanting to see Yoichi as more than an ember. But maybe he got to the point he only ever saw Yoichi for his Factor, rather than the Factor for Yoichi: how often has he said he was chasing One For All, instead of his younger brother?

AFO wanted to see Yoichi's face, but when he saw Yoichi next to Kudo... yeah, he lost his mind a bit there. Probably (Definitely?) because he saw Kudo's Ability, and Kudo with Yoichi. And Kudo is "to blame for everything".

Maybe he lost it seeing Kudo and Yoichi together, because it was a repeat of the past, I suppose?

(Technically, he did see Yoichi's face one last time already. Just that he also saw the bastard Kudo's face again too. And AFO did not like that.)

[whiskey-tango-matcha]

Hard to Shake (M, cold)

Woof, that was too long of a hiatus. I'm back with some Greyson sickfic! In this, Greyson has a one night stand and ends up 'running into' his hookup in a not-so-stellar way. This was a fun write, I'm feeling a little rusty after taking a couple months off writing but I hope you all like it. Please let me know what ya think, good, bad or indifferent! :)

CW: M snz, colds, contagion, coughing, some M/M romance but nothing above PG-13 lol. 5k words (it's a slow burn, shocker, I know)

Hard to Shake

The club was dark, humid, and loud as fuck - just the way he liked it.

“I’ll get us drinks,” Matt said, disappearing into the crowd to push towards the bar without waiting on Greyson’s response. Not that he would have stopped his counterpart; Matt had a boyfriend waiting for him at the end of this black hole of a night. Greyson, alternatively, was on the prowl for a bed, and someone to share it with.

They had begun the night at two pm, just an hour after brunch ended, since the only way to get a proper buzz on a Sunday was to start early as hell. Elijah had closed the restaurant early – “We’ve had ten guests all day. It’s too damn hot for brunch, and I want to go home” – and Mark was currently on a plane home from England after a week spent with family; it was like the universe was begging them to go out.

The restaurant’s reservations had been capped at a tiny number the next two days to prepare for their food writer dinner on Wednesday, and Greyson was so nervous about this career-shaping dinner that he could barely keep himself from lapsing into panic attacks at the slightest provocation; it was Matt who insisted on the bender.

“We haven’t gone on a good one since Mark and I got together,” the sous chef had said after service. “And you need a drink, you're acting like a psycho.”

Greyson, never one to deny himself a good binge drink, had taken the bait and allowed himself to be paraded through the city for the rest of the day. Now, at eleven pm and with Mark back at his and Matt's place safe and sound, Greyson could feel the night coming to a close. Time to round it out with a good old-fashioned one-night-stand.

Without waiting for Matt to return with the drinks, Greyson sashayed onto the dance floor and began grinding on whoever seemed the most into it – he ground on a group of drunk men, twirled between two gorgeous women who laughed giddily through the song, and put his tongue into so many people’s mouths that he lost count. Of course it was fun; it always was. But the hunt for a bed partner had proven, thus far, unsuccessful.

“There you are,” Matt slurred, coming up behind his boss and shoving a whiskey into his hand. “Why do you always run off? I’m about three seconds away from getting you one of those toddler-leash backpacks.”

“Makin’ friends, Matty boy,” Greyson said, chugging his drink and slamming the glass onto the closest table he could find. “Some of us don’t have the luxury of goin’ home to a warm, naked man in our bed.” Greyson elbowed Matt playfully and the younger man rolled his eyes.

“Fair ‘nough,” he said, sipping his drink. “Hey, actually, I saw someone who was exactly your type back near the bar. Talkin’ about food and everything.” Greyson raised his eyebrows, intrigued, and Matt looped his arm into his boss’s and led him back towards the horseshoe-shaped bar. “Let’s see if we can’t get you fucked to sleep.”

Matt pushed the two of them through the crowd, his head on a swivel, until finally he spotted the man he’d been talking about. “There he is,” Matt said, pushing Greyson towards the bar. “Do your thing.”

The sous hadn’t lied; this man was quintessential Greyson’s type. Shorter than his six-foot-three-inches by about half a foot, perfect skin, hair coiffed in a way that just smelled of total pretentious douchebag, and a full blazer and dress pants at the club. Oh yeah, Greyson thought, pulling the elastic out of his sandy curls and shaking them to fall around his shoulders, there’s the rest of my evening.

“Hi,” Greyson said, pushing himself in front of whoever the guy had been talking to before. “Can I buy you a drink?”

***

In his defense, he hadn't known the condition of the man he'd left with until they got to his apartment. The club had been dark; he could barely hear the sound of his own voice, let alone the wheeze of someone else’s. And he’d been really, really drunk.

“Hh-! EISHH-oo! ISHH-oo!” The man – Reed, Greyson had learned his name was – curled into his elbow to sneeze as he pushed open the door to his apartment. “Shit, pardon mbe,” he muttered, clearing his throat and beckoning Greyson in. The chef, blasted as he was, simply ignored Reed’s constant sneezing.

“Now, where were we?” Greyson purred, pawing the back of Reed’s head and pulling it into his own. The two stood in the entry of Reed’s apartment – a truly incredible fifteenth-story one-bedroom in the Upper East Side with its own doorman – making out until Reed had to pull away to catch his breath.

“Shit,” he said again, panting, “sorry. Thought the worst of this fuckin’ cold was behind mbe but – ISHHOO! Snrf. Apparently ndot.” He wiped his nose on the back of his hand and cringed. “I understand if you don’t want to stay,” he said, giving Greyson an apologetic look.

Greyson remained unfettered. “Reed,” he said, taking a step back towards the other man. “Stop talking. And get in bed.”

Reed’s face colored. He opened his mouth to say something, but Greyson cut him off with another kiss.

“What did I just say?” Greyson asked, taking off his t-shirt and unbuttoning Reed’s expensive-looking button down. “Get in the bed -” - he yanked the shirt off the smaller man and licked him, navel to collar bone, prompting a moan - “- and let me take care of you.”

To his credit, Reed did as he was told. He did as he was told all night long.

***

“Lij, I don’t want to alarm you.”

“Greyson, I don’t want to hear it. Zip it. I’m being so serious right now.”

“I don’t want to alarm you,” Greyson repeated, slamming the rest of the bottle of Pedialyte and holding onto the prep table as if for dear life, “but I think I may be dying. I think I may need you to call me an ambulance.”

Elijah swung his chair around and strode towards the chef. He took the sunglasses Greyson had placed on his face the moment he walked inside the bright kitchen and tossed them across the room. He regarded the chef with an annoyance usually reserved for parents of crying toddlers at Disneyland.

“Your drinking antics, Grey, are what most people would describe as ‘a you problem’. You decide to get unreasonably wasted and then come in to prep one of the biggest dinners of your career? That’s a you problem. I don’t want to hear it. The only thing I want to hear is your knife going into and out of different types of food.”

“Does that mean you don’t want to hear about the incredibly hot guy I hooked up with last night?” Greyson asked, a smile blooming at his lips. Elijah, despite himself, felt his eyebrows raise halfway up his face.

“But you haven’t slept with anyone in months,” he said, annoyed at himself for taking the bait but too curious to stop himself from saying anything. “I thought you were on a self-imposed time-out?”

Greyson shrugged, pushed his hair into a bun at the top of his head, and secured it with an elastic. “I was,” he said. “But - and you’re not going to believe this, but it’s true – I am finally feeling… I dunno. Healed?”

“Healed?” Elijah asked, snorting. “I think you’ve been taking too many hot yoga classes. Like, spiritually healed?”

Greyson tipped his head back and forth, considering. “Kind of,” he said. “Like… ready. Moved on from Collin. Prepared to get back out there for real, not in a self-punishing way.”

Elijah whistled, long and low. “Wow,” he said, patting Greyson’s back. “Well, congrats, man. A little over a year and you’re finally back on your feet. That’s actually quite impressive.”

“Thanks,” Greyson laughed, shoving Elijah playfully. “I was also really drunk and you know nothing stops drunk-Greyson when he decides he’s going to sleep with someone.”

“There it is,” Elijah said, rolling his eyes and laughing. “So… tell me about him. Did you get his name?”

Greyson dead-panned his boss as he pulled knives out of his bag and cracked his neck. “Yes, I got his name, Elijah. That’s what healed people do, they get people’s names before sleeping with them, and I am, as previously stated, healed.”

Elijah flipped the chef off lazily, non-committal. “Well, out with it then,” he said. “What’s his name? Tell me about the night.”

“His name is Reed Parker, and we fucked til the sun came out,” Greyson said simply, laughing at his own gregariousness. He looked up when he realized that Elijah wasn’t laughing – in fact, his face had gone stark-white. “What?”

“Reed Parker?” Elijah asked, pulling out his phone. “You’re sure that’s his name?”

“Umm, according to him at least, yeah,” Greyson said, unwrapping a pan with a cleaned striploin in it. “Why, do you know him?”

“No,” Elijah said, pushing his phone towards Greyson. “But if that’s him, we’re going to know him in two days.”

Greyson looked down at the phone and felt the wave of nausea he’d been holding back all morning wash over him – oh. Oh, no.

Pulled up on Elijah’s phone was an Instagram post from The Foodie Society – a group of well-acclaimed food critics and writers in the city. The group that was hosting a dinner at Elliot’s in two days. The group that would likely be the deciding factor in whether Greyson got nominated for a James Beard award this year.

We are so excited to announce Reed Parker, writer of the extremely popular food blog, ‘Eat Like You Mean It’, as our newest Foodie Society member! Reed has been a prolific writer and food critic in the city for nearly five years, and we are so delighted to have him aboard. Can’t wait to collaborate with you, Reed!

Above the blurb was a photo of – undoubtedly – the man that Greyson had slept with the night before. He looked markedly healthier in the photo, and his hair was a little longer, but there wasn’t any was it wasn’t him. Greyson swallowed hard.

“Oh… shit,” Greyson muttered, lowering himself to the floor. “Oh, no.”

“Maybe he was drunk, too?” Elijah said, the panic clear in his voice. “Maybe he won’t remember?” Elijah kneeled down next to Greyson, trying to console him. “Hey, Grey, it’s alright. Obviously you guys didn’t know who the other one was. It’s not like he’s going to think you slept with him to get the nomination. It was just drunk sex. Right?”

“He gave me an out,” Greyson muttered, shaking his head. He looked up at Elijah, eyes wild. “Maybe he did know, or maybe he figured it out on the walk back to his place, because he gave me a fuckin’ out.”

“What do you mean?” Elijah asked, pulling Greyson back to his feet. The chef stood, but placed his head in his hands and his elbows on the prep table, as if to steady himself.

“He was getting over some sort of sickness, and he said he’d understand if I didn’t want to stay. He basically told me to get out and I just… fuck. I told him I didn’t care, and I stayed the night. Shit. I’m never going to get nominated now. There’s no fucking way.” Greyson rubbed both hands down his face and shook his head in disbelief. “I fucked myself.”

“Greyson,” Elijah said, taking his friend’s chin and lifting it so their eyes met. “You didn’t fuck yourself. Okay? He didn’t know it was you. It was a mistake, and also he’s brand new there, it’s not like he’s THE deciding factor. Just – wait, did you say he was sick?”

Greyson, his chin still in Elijah’s fingers, looked away from his boss with just his eyes. “Uhh… I mean, yeah, kind of, I guess. He had some sort of cold, I think.”

“You purposely slept with someone who was sick three days before this huge dinner?”

“Umm… did I mention I was really drunk?”

Elijah sighed loudly and threw his hands in the air. “Never a dull fuckin’ moment with you, is there?” he mumbled, storming into the office and pillaging through their medicine cabinet. He returned a moment later with Emergen-C and Airborne in his hands. “Take those.”

“Yes, sir,” Greyson muttered, pulling them to his side of the table. “Sorry.”

“I think it’s crazy that out of all the millions of people you probably saw yesterday, the one you just so happened to pick is a food writer who could decide your future fate who also had a fucking cold. There wasn’t a single other person in the city you could sleep with?”

“Apparently not,” Greyson muttered, pouring Emergen-C into his water bottle. Elijah took a deep breath before continuing.

“Let’s just… let’s try to get through the next couple days,” he said, heading back to the office. “I am glad you want to get back out there,” he continued from afar, “just maybe give them a cursory Google before you bang them next time. Okay?”

Greyson, completely deflated, just nodded. He swallowed and thought he could already feel a twinge of a sore throat, which would just figure. His dick had sealed his fate. Fuck.

***

Tuesday, May 12

NEW MESSAGE

Matt

3:53pm

r u almost back??? idk how much longer I can handle them at each others throats.

Mark

3:58pm

On my way back now! Are they at each other’s throats again?? I thought they were over it..

Matt

3:59pm

has elijah ever REALLY been over smthn..? & greyson’s going down fast af so hes pissy.

Mark

4:02pm

It seemed like he was in the downward slide when I left...ugh. ok, I’ll be back in 15!

“We are ndot,” Greyson said from behind his sous chef, “at each other’s throats.”

Matt jumped at the sound of his boss’s voice and quickly clicked his phone screen off. “Don’t read my private texts, Chef, that’s rude.”

Greyson shrugged and pulled a tissue out of the box on the desk next to Matt. “Don’t talk shit about your boss and you don’t have to worry about mbe being ruuhh – huh! Hh...IGTSZHH-ue! Hh-NTSHZH-ue!” Greyson crumpled into the jacket he’d pulled over his chef’s coat to sneeze. His hair fell over his face, blocking the grimace he hid as he sucked in through his nose.

“Bless you, moron,” Elijah called from the dining room. Greyson rolled his eyes so hard he felt it splinter in his head. Matt winced when he saw Greyson shudder with pain, and stood from the desk.

“The prep sheets for tomorrow are all written, Chef, tell me how I can help you,” he said, guiding Greyson into the chair. Greyson allowed himself to be sat down, despite his better judgment.

“I feel pretty good about -”

“You feel pretty good? Is that a joke?” Elijah asked, pushing through the swinging kitchen doors and leaning on the office door frame. Greyson gave his boss the dirtiest look he could muster and turned back to Matt without a word to his boss.

“I feel confident about the first three courses for tomborrow’s dinner, but the steak and dessert I feel like we’re way behind. Plus I have ndo idea how the guys are looking for service tondight, so pick which one of those you’d rather tackle and I’ll – hhuh! Hh...HUHESTZHH-ue! Fuck, snrf.” Greyson grabbed another tissue and blew his nose before finishing. “I’ll do the other onde.”

Matt nodded while Elijah stood wordlessly in the doorway. “I’ll get with the guys and help them with tonight, make sure it goes smooth,” he said. Greyson nodded back and his sous looked away and scurried towards the line. Elijah, in stark contrast, pushed past Greyson and sat at the other end of their shared desk, unwilling to look away from the mess that was the executive chef.

“How ya feeling?” he asked finally. Greyson pulled another tissue out of the box just in time.

“HRTSHH-ue!” he sneezed into the tissue and let a tickling flurry of coughs escape as well. Elijah sighed, looked into the kitchen, and reached past Greyson to shut the door to their office.

“How are you feeling,” he asked again. “Seriously.”

Greyson sighed wheezily and pulled a hand down his face. “Honestly?” he said, looking Elijah in the eye, “like fuckin’ shit.”

Elijah sighed as well. “You seemed okay when you came in this morning,” he said, as though it mattered.

“I felt okay this mborning,” Greyson admitted. “I mean, I felt like it was coming but I definitely didn’t feel this… shitty.” He shrugged. “It just… I don’t kndow. Hit mbe out of nowhere.”

Elijah nodded. “I mean, if you want to leave so you’re good for tomorrow, you know I’ll understand.” Greyson just scoffed.

“I have so mbuch shit to do before tomborrow,” he said, sucking in through his nose and coughing again. “There’s ndo way in hell.”

They sat in silence for a few moments, until Elijah sighed. “Fuck, Greyson. I’m really sorry.” He looked up at his friend, the true pity evident on his face. “I know how important this dinner is to you. It’s still going to be great, okay? If you need to par it down, do it. It’s not like they know what’s on the menu til tomorrow. I’m cutting off reservations tonight so you can go home early, okay? We’re going to make this work.”

Greyson had to set his jaw to keep from tearing up. “It’s mby own damn fault,” he said. “Ndo need to baby mbe – hh...HTSHH-ue! HRTSHH! NTSHH! Huh! Huhhh-ETSZHHH-uee!” Greyson collapsed into his own lap, lapsed into coughs again. Elijah handed him a water bottle, which he took the cap off of while wiping his nose with the other hand.

“Can we go back to you being a dick to mbe?” Greyson asked, his voice rough. “That I can handle.”

Elijah pressed his lips together to keep from smiling. “Sure, Chef. Get your lazy ass up and start prepping,” he joked, pushing Greyson’s arm lightly. “Sitting is for the weak.”

Greyson smirked, an attempt at a laugh that wouldn’t make him cough. “Thanks, Lij,” he said. “Let’s get this stupid fuckigg show on the road.”

***

Course One

Compressed Cantaloupe

tarragon | smoked sea salt | brown butter crumble

Reed sat in the cushy, velvet chair and attempted to make himself comfortable. He hoped beyond hope that this dinner would go as quickly as humanly possible.

After their little rendevouz at the club, of course Reed had looked Greyson up; in this day and age, who wouldn’t look up their previous night’s partner, if only to make sure they weren’t some sort of psycho killer. And after he looked him up, of course he realized that oh. It was that Greyson Abbott. The same one whose food he was about to be poised in front of. The one who he and his fellow writers gathered around this table were tasked with deciding whether or not he was worthy of a Beard nod.

Of course.

Reed shifted in his seat and cleared his throat. The other writers had started talking immediately and, this being his first dinner with them, he was feeling awkward and left out. He really could have used the distraction of talking about their craft, but apparently he would have to earn a word tossed in his direction. This was going to be a long evening.

At least the restaurant is beautiful, Reed thought to himself. He’d never been to Elliot’s before, and now he was kicking himself for it. The wrap-around bar, the view of the park, the chandeliers… everything was gorgeous. He just wished he wasn’t here with these people, under the circumstance that his fling was in the kitchen plating up. That put a bit of a damper on things.

“Good evening,” a husky voice came from the head of the table, and Reed whipped his head to see a gorgeous plate of food placed in front of him, and the absolute god of a man he’d slept with a few days before standing just feet from him. Reed swallowed hard.

“I’mb Greyson,” Greyson said, and Reed immediately clocked the congestion in his voice. So you did give him that cold. Asshole, Reed chided himself. Greyson attempted to clear his throat before continuing.

“If you’ll excuse mby voice, I’mb at the tail end of a cold,” he continued, and Reed felt his face flame. Tail end, he thought. Yeah, sure.

“Our first course is compressed cantaloupe,” Greyson said. “I hope you enjoy. Pardon mbe, I have to get back to screaming at mby cooks.”

The group laughed in earnest as the chef walked away. Reed, too embarrassed to even look at the other writers, just picked up his fork and gathered a bite on it. He stuck it in his mouth and closed his eyes.

Christ, Reed thought, he cooks as well as he fucks.

Course Two

Hamachi

yuzu pearls | grapefruit | coconut crème

“I swear to God, Mbatt, what is goigg on?” Greyson yelled the moment he walked back into the kitchen. “We’re already behind, and none of the hamachi is on the plates yet? Can we please get it the fuck together che – ehh! HhITSZHH-uh! HRITSZHH-ue!”

Greyson yanked his chef’s coat over his nose and mouth and ducked away from the plates. The cooks called, “Bless, Chef,” and Elijah came up behind him with Sudafed – “The good shit, from behind the pharmacist counter,” he’d promised Greyson earlier, when he made an emergency trip to Walgreens for medicine – and popped two into his hand.

“I just took two,” Greyson croaked, sucking in through his nose.

“Well, it sounds like they’ve already worn off,” Elijah countered. Greyson swallowed the pills and coughed. “Is he out there?”

“Of course he’s out there, Lij, did you think he’d cancel because of mbe?” Greyson said, washing his hands and heading towards the pass to place hamachi on plates. “Like you said, hopefully he doesn’t remember.”

“Hard to forget a giant, loud, blonde buffoon who’s sporting the cold you just got over,” Elijah murmured, and Greyson flipped him off. “Just saying,” Elijah said.

“I don’t have timbe to think about him,” Greyson said, swallowing painfully. “I can’t think about anything but this.”

Elijah nodded. “You’re right,” he said. “Let me jump in with the pearls.”

Course Three

Lamb Lollipop

harissa | mint chutney | bbq ‘chip’

“Pretty incredible, right?”

These were the first words uttered to Reed all night, said moments after the third course was placed in front of him and seconds after Greyson disappeared back into the kitchen. Reed could see him dip into an elbow to sneeze before he made it back to the kitchen. He cringed; poor guy. This was all his fault.

“Reed?”

The writer who’d spoken to him waved a hand in front of his face to snap him out of his stupor. Reed pulled his head back to the table and smiled. “Really incredible,” he said. “I mean, this guy has talent.”

“For sure,” the other writer said. “I mean, he’s been hoping for a Beard nod for years.”

“Yeah?” Reed asked, hungry for any bit of lore he could get about Greyson. The other writer dug into his lamb as he nodded.

“About five years,” he said. “The menu is deemed as one of the best in the city, and he changes it every single day. I mean, the guy’s an animal.”

Reed nodded slowly. He could only imagine how hard Greyson had worked, how nervous he was, especially with Reed's stupid ass sitting here to judge him. Especially when Greyson was sick as a dog.

“That he is,” Reed said, and he took another incredible bite.

Course Four

Rutabaga Tart

fennel | feta | cured egg yolk

“Matt can put these on the plates, Chef,” Elijah said, putting a hand on Greyson’s back. “Take a quick break before you have to talk to them again. Drink some water. Blow your nose.”

Greyson shook his head, pushed the flop sweat off his forehead. “This is mby shot. These are mby plates,” he said, his voice just above a whisper. “I’mb here until the end.”

Elijah pressed his lips together and flashed Matt a look. The sous chef just raised his eyebrows and gave a little shrug. Once Greyson was like this… well, there was certainly no arguing with him.

“Okay,” Elijah said. “I’ll make you some tea, then.”

“Thank you, Lij,” Greyson managed, before ducking under the pass to sneeze into the collar of his chef’s coat. “God, fuck, I’mb gonna have to throw this thing away after this.”

“More like burn it,” Matt countered, prompting the first laugh from Greyson all evening.

“Burn it is right,” Greyson said. “HHITSZHH-ue!”

Course Five

Striploin

deconstructed bearnaise | white asparagus | duxelle

The fifth course was placed in front of them, and the writers looked up expectantly at Greyson.

“Forgive mbe,” Greyson said, his voice strained to a whisper. “I’ve yelled mbyself out in the kitchen, so mby number-two will introduce your last two courses.”

The writers tutted or laughed and looked over towards the sous chef – everyone except Reed. Reed was staring at Greyson, hoping he could hear his thoughts. I’m sorry you’re sick. I’m sorry I’m here. I’m sorry, I’m sorry, I’m sorry.

The sous finished the description and the writers began to eat once again. Reed was sure he could hear the younger chef say to Greyson, “Just one more, Chef,” as they walked back to the kitchen.

Reed sighed and took a bite of his steak. He closed his eyes; perfection.

He did not deserve to be here.

Course Six

Matcha Milk Bombe

coffee | pastry crumb

Greyson placed the final pastry onto the final plate and turned away to cough as the servers brought his final plate of food to the critics. He felt like he was attending his own funeral.

“I don’t think I can go out there again, Lij,” Greyson said, shaking his head and crouching down on the ground. “I can’t look at all of themb, I’ve embarrassed myself enough.”

“You haven’t embarrassed yourself at all, Grey,” Elijah promised, pushing Greyson’s sweaty hair out of his face. “But I understand if you’re too exhausted. I’ll go out for the last one, thank them all for being here.”

“Please,” Greyson said. Elijah nodded, stood, and left the kitchen to meet the writers, while Matt nodded towards the office.

“Go,” he said to his boss. “Sit. You did it.”

Greyson shook his head. “Gotta clean mbyself up first,” he said, standing and moving towards the kitchen doors. “I’mb using the damn guest bathroom, fuck those pretentious assholes.”

Matt laughed in earnest. “You’ve earned it for sure, Chef.”

Greyson slipped into the guest bathroom, hoping no one saw him, and locked himself in a stall. Finally, he sat down and let himself go.

“HITSHH-ue!” Greyson sneezed into the open, then quickly grabbed a handful of toilet paper to keep from becoming the restaurant’s biggest biohazard. “HTTSHH! IIITZSCHUE! Huh! Hh…. huh, huhhh… huhhETSZHHH-ue! Huh! HRRRSHHH! Fuuuck mbe.” Greyson blew his nose, beyond exhaustion. He felt like shit. He knew he looked like shit. He’d put out shit food, he’d been in a shit mood… this whole thing was just… shit.

Finally, feeling a little more cleared out, Greyson flushed the toilet paper and unlocked the stall. When he exited, he nearly jumped out of his skin. There, in the doorway, was his fling - Reed.

“Jesus,” Greyson said, placing a hand on his chest. “Give a guy a fuckin’ heart attack.”

Reed shifted uncomfortably from foot to foot, then let Greyson by to wash his hands. “Sorry,” he said, “I didn’t mean to scare you. Bless you. By the way.”

Greyson huffed out a laugh. “Thangks,” he said, drying his hands. “Sombe cold you’re passing around town. Shouldn’t you be finishing your meal? Or was it so bad you’re here to hock it back up?”

“It was incredible,” Reed said earnestly. “Truly, Greyson. Thank you. I… I’m sorry. For being here, for getting you sick, I – I didn’t know that this place was… um… yours.”

“Mmm, more Elijah’s than mbine,” Greyson mumbled, looking away from Reed’s face. “But, uh… thank you. Glad you enjoyed. Hopefully it's ndot for nothing.”

"I don't think it will be. They all had nothing but good things to say. I'm just the grunt, but I mean...you have my vote. You're... You're incredible," Reed said, the words escaping his mouth before he could even consider what he was saying.

Greyson tried to hide a small smile by looking down. They both stood awkwardly until Greyson cleared his throat. “I, uh… better get back to mby guys,” he said, starting towards the door.

“I had an amazing time the other night,” Reed blurted out suddenly. “I, um… I haven’t stopped thinking about it, actually.”

Greyson smirked, the tension finally broken. “Yeah?” he asked. Reed nodded.

“Yeah,” he said, rubbing his neck awkwardly. “You’re… you’re hard to shake.”

Greyson took a step closer to Reed, looking him in the eye now. He sniffled, rubbed his nose, and crossed his arms, a smile dancing on his lips. “Who are you, Reed Parker?” he asked. Reed’s face flushed bright red.

“I – I don’t know what you mean. I’m a food writer.”

“Mmm,” Greyson nodded. “Well, Reed the food writer who can’t get mbe out of his mind, at the moment I’m a bit, uh… incapacitated. But,” Greyson pulled a Sharpie out of his coat’s side pocket and grabbed Reed’s hand, “if I’m still rattling around in your brain in a few days… give mbe a call.” Greyson coughed into his shoulder, capped the Sharpie, and gave Reed a little smile.

“I will,” Reed said, biting his cheek. “Thank you. For, um… dinner.”

Greyson paused, thinking, then took a bold step towards Reed, grabbed his chin in his hand, and planted a deep kiss on his lips. “It was my pleasure,” he said, and stepped out of the room.

Reed stood, flushed and breathless, for a moment. The kiss sat, swelling his lips, sweeter than any dessert he’d ever had; he looked at the number on his hand, felt his heart catch in his throat.

Greyson Abbott, he thought, looking towards the bathroom door. Holy shit.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[transingthoseformers]

My brother sent me another one of those goddamn tfone Megatron speech parodies and now I'm thinking about tfone's future again😭😭😭😭😭

[volivolition]

wiggles my fingers at you ouuuu… you want to tell me about solace so bad…

HKJGG wiggles my fingers back lovingly!!! i really do, i fuckin LOVE solace :3 hey did you know i really like making fake skill descriptions?

SOLACE

Follow the north star. Find light in even the darkest places. Cool for: Optimists, Recovering lost souls, Sweet summer children

Solace is the skill you tucked away long ago, at the bottom of Pandora's box. The little one that tells you: despite it all, there is still hope. It needs a lot of nurturing -- and it's far from being the most helpful for police work -- but taking care of it is basically self-care. It enables you to find the glow in yourself that you often ascribe to gold lungs or brilliant halos in others. It encourages you to wake up and watch the sunrise, to play board games with someone you love, to forgive yourself and let yourself be a gentler kind of animal. Constantly looking forward to a brighter future, it also helps shield your morale from damage.

At high levels, Solace gives you a heightened sense of childlike optimism - which isn't always the sense to lead with in this precariously harsh world. Always looking for the bright side will blindside you with naivety. At low levels, however, you may just extinguish whatever keeps your soul alight. You've already lost her once. You may not survive the desolation if you let her disappear again.

[noweakergirl]

dare I say... superior trope