#we the viewers deserve better

[unicoo]

So many actors & actresses have been wasted on this show 🙄

the disrespect tom glynn-carney as an actor and aegon as a character have to endure — i am just angry tbh.

not only did tgc try to not have his character be a rapist, because he knew exactly that many viewers would never view him as anything else, and he was written that way so that everyone would despise him, in favor of more cherished characters.

no, important and very strong scenes, especially after b&c — not even talking about aegon’s dynamic with helaena, and moments with his children which were not even planned to explore by those writers because they hate him — got cut. they would have shown aegon’s rage and pain, as well as tgc’s abilities as an actor. they got cut, yet we got a billion hours of daemon at harrenhal. unnecessary romance and unnecessary sex scenes.

what’s most important, however, is that tgc STILL gave the performance of a lifetime. he was supposed to be a lead character, rhaenyra’s opponent, yet he got less screen time than daemon.

tom was able to give a character that was humiliated, and stripped of his abilities and strengths DEPTH.

so please look at this and tell me that any other cast member deserved an award nomination more than he did.

yeah i thought so

[pageofheartdj]

The more time passes the more I miss creepy menacing Collector xD

The way season 3 shedded this Collector's side on one hand makes sense. The show needed to hammer down the fact that Collector is a kid first and I guess they didn't trust their audience to understand that creepy kids are still kids, they are not evil. and they were sort of right. only in season three the main fandom kinda accepted this idea.

But this... killed a bit Collector being out of touch with everything? He is not just a kid that doesn't know how to socialize and act around people. He is an entirely different species. A god like species. His values, his morality, his view of life and world is SO different.

When he acted creepy, he felt alienated as he is an alien. Out of touch with people and reality not that he needed that.

A kid out of this world, a little god. A god child is a scary concept.

That was toned down. Understandable, but a shame nevertheless.

[creatingblackcharacters]

“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape

Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.

There are two things, I think, that are important to note as we start this conversation.

One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.

Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.

There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:

One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.

Two: The idea that Black characters and people deserve the pain they are experiencing.

Three: The disbelief or dismissal of the pain of Black characters and people.

You Better Start Believing In Ghost Stories- You’re In One

I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.

Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:

12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup

When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.

Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.

Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.

It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:

“They Shouldn’t Have Resisted”

Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:

“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”

Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.

Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.

You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.

My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?

Hippocratic Oath

Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:

If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.

I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.

As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.

“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”

Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:

“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”

If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.

What’s My Point?

My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.

There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.

There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.

“So I just can’t write anything?!”

Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.

The Black Guy Dies First

The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.

Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.

Black Horror/Black Thriller

We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.

Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.

“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”

For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!

In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.

The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.

The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.

Isn’t Violence Stereotypical or antiblack?

That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.

Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.

Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!

But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.

I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.

Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!

Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!

“But if Black violence bad, why rap?”

The short answer:

“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”

Marwhan Makhoul, Palestinian Poet

First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.

That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!

Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?

Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!

Conclusion

I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.

I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.

That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!

@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!

If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!

[verysadlesbian]

Now that I have sat with my thoughts for a couple of days, I want to talk about some things:

There are too many people trying to defend Caitlyn's actions, so I have to say: NOTHING, and I mean absolutely nothing, justifies fascism. "Oh but she's grieving and blahblahblah" you know who else was grieving?! The mother of the kid Jayce killed in season 1. You know who else?! Vi and Powder that saw enforcers murder their parents, just like many other children from Zaun. Caitlyn destroyed her mother's legacy in the police brutality™️ operation, you understand how fucked up this is? Her mother's recording is saying "the people from Zaun deserve to breathe," and she did it anyways. If you sympathise with Piltover, you're either part of the problem or naïve enough to fall for fascist propaganda.

Ekko is the only real one. Not a single slightly evil bone in his body. Everything he does, he does for his people, not in a persuit of power, or revenge. He's genuinely good, so much so that he's willing to hang out with not only Heimerdinger, but also Jayce just so he could protect his community. He deserves so much better and I'll be heartbroken when he finds out that Vi was involved in Caitlyn's operation.

I don't know how Vi can forgive Caitlyn after what happened. I know I wouldn't. It just goes to show that you cannot trust that privileged people are going to be different just cause they were nice to you. Viktor found that out in season 1 and Vi is finding this out now.

Do you guys think the black rose is gonna pretend to be Mel?! I don't play LOL, but it is to my understanding that the black rose can make clones, so it'd be obvious that they're gonna take Mel's identity

Saw some people on twitter and tiktok (of course they were there) denying that jayvik has heavy romantic undertones by stating "they're friends! They're like brothers! Why everything has to be gay now?" and EVERYTHING HAS TO BE GAY CAUSE I SAID SO, NOW SHUT UP! But seriously though, I understand that to cishet viewers, their relationship might seem strictly platonic, 'cause they lack the eye that we, queer people, have for these things. And that's okay. Not everyone needs to understand the nuances of a homoerotic friendship. But in the same breath, they're quick to say that "Viktor was thinking about Sky, so obviously he's straight" and that pissed me off, cause: 1 - have you looked at him?; 2 - He feels responsible for her death (cause he was)! He's thinking about her because he feels GUILTY! that man was not interested in Sky whatsoever; 3 - it's so heteronormative to think that a man and a woman can't be friends, they're so adamant in denying jayvik cause "they're friends!" but they do the same fucking thing!; and finally 4 - HAVE YOU LOOKED AT HIM???

The trio "Sevika, Jinx and Isha" is probably my favourite thing in Act 1, I just can't get enough of them.

[fiyero3305]

ABSOLUTELY THIS

The smack in the face of this being marketed as a season about Ben and then his storyline takes him out of the show and away from his family and he doesn't even get to be a part of the final moment where the characters are saying goodbye to each other and we as an audience are saying goodbye to them??

Season 3 is the Ben season. Anyone who disagrees can argue with the wall.

Anyone else disgusted and traumatized over the last moments we get to see Ben. Confused. Mutated beyond all reason. Without his family, and turned into a monster like he’s been thought of his whole life. Remember the timid little boy who was forced to kill a whole room of bank robbers and came out covered in blood, disassociating and wanting to go home? Yeah so he dies and then dies again and loses all memory of his family and loses the other family he has and then rejects the other one and turns into a monstocity that kills them all and it turns out he never got to be happy again and he was just there to murder people when the plot needed and be a vessel to suffer and die pointlessly

And “this was supposed to be ben’s season” when he doesn’t even to say goodbye. He barely even has a place in the season at all.

“This is a happy ending”

Are you out of your mind??

[caldella]

SINSMAS SPOILERS AHEAD

Fan theory time!

This part of this episode had me SCREAMING because I hope they're hinting at a headcanon/theory I've had for a long time!

The way this scene was such a DIRECT callback to S1E1 Muder Family, down to looking through a window and one of them being hesitant to go through with the job because there's a happy family?

In Murder Family it was the same situation (murdering someone responsible for a marriage falling apart), but Blitzø didn't think anything of it even though he had done the same with Stolas. Blitzø and Stolas' situationship vs. Stella could've well been a Martha and Mrs. Mayberry situation, if you remove the later knowledge he and the viewers didn't have at first. Mrs. Mayberry as a client could have very well been a Stella if we didn't know the context later in the episode said otherwise. Mrs. Mayberry was more angry that the public viewed Martha as a hero for surviving being shot than anything else.

And the entire Sinsmas mission making Blitzø hesitant, because now he's realizing that he relates to his target? Like, suddenly he's examining that his revenge murder stuff isn't always the best solution, and this might be hurting someone who has been through shit and should be happy? That he could be killing a Stolas or a Blitzø? That he could be ruining a family of kids like Loona and Via who don't deserve it?

That maybe like he's been doing with his personal life, he should be asking some more questions about the impact of the jobs he's taking on, too? Add in the way Blitzø insists constantly that he's an assassin, not a bodyguard, but he is super protective of his loved ones and has proven to be really, really good at saving people...

Incoming IMP revolution theories might mess this up, but I am going to be SO, SO HAPPY if the eventual end-of-show route for IMP is that they transfer from murder to being bodyguards for hire. Like IMP is now Imminent Murder Prevention or something. Blitz is getting over his mentality that he can only make people's lives worse, and what better symbolism for that than his entire company eventually being devoted to protecting/saving people instead of destroying them?

They still get to fight/shoot/kill if needed, but to help instead of harm. The absolute symbolism. The way that would probably be really good for Blitzø's mental health once he makes that connection because he loves helping people he likes or thinks need it. Moxxie might like it, too. Just everything about this possibility.

I would love it SO MUCH.

[devosin]

— LATE NIGHTS & FLASHING LIGHTS !! prologue : a series of unfortunate events . .

♡. Spotify playlist | Updates, every Friday !! — Vil Schoenheit x reader | Vil pov . .

Vil sighs, scrunching his eyes shut, which proved to be more difficult than it appeared with the mud mask that he applied over half an hour ago still on his face, currently drier than the gluten free bread he bought last week. He melted into his couch, feeling an overwhelming sense of boredom settle into his otherwise restless body. 

Before he knew it, he found himself mindlessly scrolling through Magicam, looking through the self proclaimed critique’s 30 to 60 second reviews on his new movie or the finale of some show he was in, for a hit of dopamine. Which clearly wasn’t working, as each video was the same thing washed over and over again repeated with new synonyms bundled together to sound authentic (Which it rarely was) and of course, there was those few criticisms here and there, nothing uncommon. 

Vil lays his head back, scrolling some more, “Influencer Tartaglia joins the new soon to debut boyband, D!CKZ—”, he shuts his phone and tosses it to the side carelessly . . Did he ever mention his distaste for influencers moving into the entertainment industry? . . It makes his blood boil, just a tiny bit, since most of the influencers tend to ruin it for a lot of genuinely talented and lesser known actors out there, not to mention they’re so-called talent is usually mediocre at best. 

And he could go on and list all the reasons why influencers do not deserve a spot in the spotlight with the elite, and they may all seem reasonable at first, but it’s a cover-up for the real reason.

He feels some weird sort of envy, towards those individuals who put in zero effort and somehow make it, and get all these big protagonist roles right away, and how they aren’t criticized for their faults or terrible acting skills, just because they have a huge built fanbase of delusional fangirls ready to defend them from the get-go. 

Or how they aren’t criticized when they look less than perfect on screen, although he appreciates that current age viewers can acknowledge that it’s only human to get acne or maybe a pimple here and there, he didn’t meet the same fate when he was younger . .  It just makes him feel bitter . . and he’d never speak those feelings into existence, but deep down he does feel a bit hurt by the shift, it sometimes makes him feel like all those previous breakdowns were for naught. 

Vil snaps out of his pity party for one, getting up and stretching, going into the bathroom to wash off the mask before it dries out his skin (It probably already has), burn-out has hit him hard, and as much as his love for acting runs-deep, he’d rather take a break before his audience starts noticing his shift in acting. 

Which is why he agreed to hosting the show in the first place, he wanted to switch up his career, for awhile at least, he’s taking a break from acting but doesn’t want to directly leave the industry, because it’s difficult to fit right back in place once you leave, as there's always someone who could come and steal your position, and maybe even do better . . that’s why this industry is so hard to survive in, and as pitiful as it sounds, he’s practically married to his work, he can’t exactly risk it, in peace. 

Vil dries his face with a towel and then moves to grab his moisturizer, when his work phone rings. 

“Hello, this is Amanda from Descendants. Inc. We talked before reguardinging ‘Late nights & Flashing lights’ . ” . . . “So, due to a multitude of reasons, we’re kind of in a time crunch to get the premiere launched, by the end of this month actually . . . but, we’ve received confirmation on who’ll be co-hosting with you, Y/n L/n!” 

“ . . . excuse me?” 

“This must be such a shock, but Y/n has actually been our top pick for this role, and the internet seems to really want to see the two of you on-screen together, considering your screen presence, I honestly think you two will be a perfect match for the show.”  

“I—”, Vil’s voice was hoarse as he tried to mentally wrap around all the information that was just dropped, “Ah—That’s time, we’re so excited to see you on set next week.” . . . “If you’d like, I could send you y/n’s number beforehand, so the two of you could talk things through?”, that seems to snap him back to reality, as the professionalism seeps right back into him, “That would be lovely, thank you.” 

The doorbell rings, informing Vil that his takeout that he ordered about two hours ago had finally arrived, but he didn’t feel like eating anymore.

Drinking is completely legal at 18-19 in my country, so I'm just putting that over here before someone tries fighting with me about it (This has happened before), also Vil is currently in his late 20's.

Don't expect everything to play off of Vil in-game, since this is placed like a decade into the future, so things will be changes and messed around with to fit the current age and setting more. <3

Profiles | Masterlist | Next chapter . .

— LATE NIGHTS & FLASHING LIGHTS !! ♡. Synopsis : VIL SCHOENHEIT recently signed a contract under Descendant. Inc for his very own late night show, only to find out his co-star and fellow co-host is none other than Y/n L/n, someone he hates despite knowing very little about them and never having met them, previously. Y/N L/N, an actor who made their debut 3 years ago and hasn’t been able to catch a break since, recently decided to sign a deal with Descendants. Inc to host their new late night show “late nights & flashing lights”, as a break from acting . . Only to find out their favorite long-time actor will be co-hosting with them. Tune in every Friday, for a new episode of “late nights & flashing lights” to see if these two hosts can find a peaceful work-bond amidst their judgements . . and quite possibly even love? . .

♡. Want spoilers ?! . . Join my server . . !! (or for updates)

— taglist ♡ ; @well-look-at-this , @honkai-freak , @kingnem10 , @merviolet-asks , @katzline , @pebble-bb , @meigalaxy , @lordbugs , @crowbird , @yuus3n , @azriel-sama , @reivelmin , @the-ghost-0f-t0m0 , @eliza-be-t-h , @feverish-dove , @yejiswifex , @l0v3r666 , @cece-cherries , @frootloopscos , @abell2029cluster , @ephemii , @alienlatteinspace

♡ . Ask to be tagged... (If you don't see yourself up here, I cant tag you)

© devosin , do not repost, plagiarize, translate, or adapt my work without prior permission and or confirmation.

[certified-bi]

Okay all my thoughts because some people have been saying that not supporting this change is not supporting artist and creators and as an artist fuck that.

1. Audiences owe you nothing. You have to convince them to engage with your creation not the other way around. This is something both the nonprofit theatre I work with recognizes and huge companies realize. It's just part of life. There are so many talented people in the world making amazing art, videos, music, writings, and on and on, and there's only so much time in the day. I'm not saying you shouldn't know your worth, just that being flippant about how little you care about those who can't pay isn't a good move. On that note...

2. PR is everything. If you haven't made a visible effort to push patreon, channel memberships or other avenues of making money, don't be suprised that your creation that was previously accessible to those without extra cash and to those who can't support foreign subscriptions due either to conversions or because it simply doesn't work, being made private isn't popular. There's a big leap from "We want to have more artistic control" to "We can't afford to make our content accessible to most of our audience," and people are smart enough to see this. You either have to make budget cuts or give into sponsors. This isn't unique to Watcher, it's part of literally every production from broadway, to Hollywood, to YouTube. Unless you can fund it yourself or get viewers to pay(which given how many are already strapped for cash...) that's life.

Not to mention they simply do not have enough followers to make the switch to a paid only site(dropping the first epsiode only on YouTube isn't going to draw people in, they're just going to say "oh why start if I'm not going to see the rest" and not watch) especially not one that is buggy and a security risk. Even if the switch had been supported its not going to end well. The only reason services like nebula and dropout work is because of the large amount of series and creators and the fact those creators still are partly on YouTube so new people are drawn in.

3. As for the price, 6 dollars a month is a not a good starting price for only their content and that's as someone who pays for nebula. I'd be paying the same amount for a fraction of the access to others work. Actually it'd be twice as much. And before someone says "it's only a coffee-" that's for you. Not everyone has your lifestyle. And with every other patreon and subscription service that says the same thing, it all adds up and I simply don't think 60 dollars for 48 videos a year on a subscription basis where you don't get to keep the videos if your situation changes, some of which don't appeal to every viewer is a good move. If you were able to buy physical copies of your favorite series they've made that'd be different, but that's not what this is.

4. I do believe that the employees deserve a livable wage. I also did not hire them. It is not on the viewers that they hired more people than they could afford to. They can charge that much if they want to to try and balance this out. They also shouldn't be suprised if not many can or will sign up. They also don't have to be based in L.A. L.A has ridiculous costs associated with it, and quite honestly it doesn't really add much to the content. I'm not saying they need to move to the middle of nowhere Kansas. Simply that living and basing your studio in a super expensive city and then being suprised money is tight is just weird.

5. Something that occurs to me is that they might get more views if their playlists were better set up. Only some series are given playlists. It'd be easier to find all of the series and binge them if they didn't just show off their more popular shows. Honestly the only draw the streaming site has to me is that the series are actually labeled well.

Do I think the weird ass energy towards Steven is necessary? No. He's not the only one at the company and they're all adults. I actually liked grocery run and homemade, and like to see them back. The parascoial attachment to Ryan and Shane is annoying in people's criticisms, but that doesn't make them completely wrong. If you're going to brand yourself as the anti capalist underdogs you can't get away with being dismissive of your poorer fans. The dissonance is what is causing this backlash and makes you look like hypocrites. I definitely think Steven is turning into the fall guy which is fucked up, his statement and the fact dish granted is one of those shows that make people uncomfortable about wealth flexs doesn't help matters.

[secriden]

Not to be a Style apologist, but I feel like some viewers haven't quite picked up that Style's brand of wooing Fadel is quite literally intentionally designed (by both the writers and the character) to be as annoying and frustrating as possible.

Lets consider:

Style thinks his bff is in love for the first time in his life. He thinks Kant is genuinely down bad for Bison: let’s not forget his clear surprise when Kant agreed to give up the car. As far as Style is concerned, Kant is acting really out of character and it's because Kant desperately wants to be with Bison.

He also thinks the only thing standing in the way of True Love™ is Fadel, who according to Kant is being unreasonably difficult about Kant and Bison dating. He doesn't know that Kant has a secondary motivation, nor does he know about the mind games that Bison is playing with Kant. Worse, he has no frame of reference or context to make any of Fadel's animosity towards Kant reasonable.

Moreover, while I think we all agree that Style made a terrible first impression on Fadel, the same has to be said of Fadel towards Style. Like, yes, absolutely Style was in the wrong, but Fadel came off as not only condescending and impatient, but unreasonable (and very weirdly cagey) when Style tried to immediately offer a resolution. Again, Style has no frame of reference for why Fadel would first demand that he take responsibility for his actions and then immediately after claim to have no time to entertain Style's attempt to take said responsibility.

Also, it doesn't help Style's wounded pride that Fadel keeps 'besting' him at every turn. So at this point I think a significant portion of that initial attraction (in ep 1) has shifted to annoyance when it comes to Fadel. By the time he gets his hands on Fadel's information, I think he's more than a little invested in some payback. While I think Style very much still wants to help Kant (and Bison) out, at least a part of him figures as long as he keeps Fadel busy, he kind of meets his goal. And if he gets to embarrass, frustrate and otherwise harass Fadel along the way, all the better!

You can see him start to have some fun with it. He ramps it up SO much in ep 2. He gets to lean into that wild, brash, playful personality because he doesn't really care if Fadel likes him. Style gets to be dialled up to extremes, and I love that for him because he's honestly kind of justified because he knows so fucking little about what's really going on. I think it's only fair if the other 3 are playing 4D chess while Style only has the Uno game rules in front of him, he gets to be the most Unhinged about it.

So, yeah, while I absolutely agree with all the posts out there that recognises just how reasonable and polite and tired Fadel is, I do think we need to give Style some credit here. He's absolutely SO extra, but he's also the one, arguably, that has been lied to the most and I feel that he deserves some slack for that.

[confirmeddead]

The crazy part about AMC’s Daniel Molloy and Devil’s Minion is they can do just about anything with it. They’ve turned Daniel’s character from someone referred to as “The Boy” in IWTV to a fully fleshed out character. They did this with Louis, who many didn’t care for until AMC’s IWTV. They transformed Louis into one of the greatest characters on TV!

So Daniel Molloy isn’t a “boy” anymore per se, he’s lived a long life in between the first and second interviews. He’s had two marriages, kids, written several books, and seen so much success in his career. So what does this mean for Devil’s Minion?

Anne Rice all but wrote Daniel out of TVC after Queen of the Damned. Armand’s first and only fledgling just… gone. But Daniel is so essential to AMC’s IWTV now. I think most viewers would be sad if we didn’t see much of Daniel after Louis’ current story wraps up.

So from what we know about AMC’s Daniel, I’m hoping this changes the “after” drastically. Daniel doesn’t take well to being turned and is taken away to be cared for by Marius. Could you see our Daniel doing that? He’s gone through every bullshit life can throw at you at this point. Two divorces, kids that don’t talk to him, drug abuse, etc. I don’t think he’s that boy Anne Rice wrote about, at least not anymore. Maybe he was in 1970s San Francisco, but that’s not him anymore!

Old Man Daniel deserves better than to be stuck with Marius and frankly, so does Armand. I’m not saying the companionship has to be a perfect, happy ending but I’d like to see it more than what Anne ended up writing. And I gotta say, I do trust the team at AMC’s IWTV to do something great.

[atlasofoverthinking]

The Problem with the League of Villains

this is just me ranting after reading many people say that the lov deserved a better ending (i agree with them don't worry). most of that stuff has already been said but i'm bored and need something to write

so why is everyone disappointed?

by definition, an antagonist is someone that goes against the main character(s) and a villain is someone who does immoral and/or illegal things (wow, shocking)

so by definition, the league of villains is aptly named. shigaraki and dabi are mass murderers, toga is a killer too, and even if the others are 'less dangerous' they're all guilty of terorism and kidnapping a teenager.

not nice, right? then why would anyone would want them to have a good ending?

long story short: horikoshi made the league too sympathetic and relatable

when horikoshi has decided to make them funny, he's decided to make them likeable. that's not enough though. you can find a fictional villain funny and not root for them (for some reason the examples that comes to my mind are the disney villains. captain hook is hilarious but no one wants him to win)

the cause of everyone's disappointment is the relatable part. everyone in the league has gone through stuff viewers can relate. touya, shigaraki and toga have been abused; twice has mental health issues (and stuggling to get a job is relatable too lmao); spinner has been discriminated against... you get the idea

and even without knowing their backstory, most of the league's fights can be considered noble: they want to change society and make the world a better place. to take a more precise example, the league kidnapped bakugou because they thought he had gone through similar struggle as them

(this is mr compress talking in chapter 85) as far as i've seen, most of the fandom either think bakugou being chained and muzzled at the end of the sport festival was just comic relief or agree that it was fucked up

so yeah, you can't put a group of people rejected by society, who just want a better world and expect people to not like them

and that's why their ending is disappointing (the rest contains heavy spoilers of the last few chapters of mha)

they're all either in jail or six feet underground. we rationally could understand it, they're all criminals/villains so of course they wouldn't get a happy ending and face consequences for their actions. the only one who could have gotten away with it is shigaraki because of all the grooming/brainwashing he's gone through and maybe toga because she's a child

but if you relate to a character, you want them to get a happy ending. of course fans would want dabi to be at peace, but instead he's forced to spend his last moments being stared at by his abuser). of course fans would want shigaraki to be free from afo (but instead his only freedom was death). of course fans would want toga to be understood and cared for (but she never had that opportunity)

that's not very 'save to win' out of you horikoshi

maybe it's just a shortcut made by the fandom, but the league are seen more as victims of abuse than actual criminals. i mean, what's more important in dabi's story? the fact that he burned himself alive after overworking himself to get his abusive father's attention, or the fact that he's burned people alive? probably both, but there's more focus on the first element.

and obviously we would want abuse victims to get a happy ending

basically, their ending isn't coherent with what we've seen of them, and that's why people are disappointed

btw, the same logic applies to stain. some fans agree with stain's reasoning bc he's fighting against corruption. of course, his logic is stupid and he's delusional but he's introduced not long after we've discovered shouto's past. you can't say "one of the most popular heroes is abusing + all he wants is to get n°1 to satisfy his own ego" and then follow with "see that guy fighting against corruption? he's bad, don't do that"

the clever way to make sure no one would agree with stain would have been to make the heroes fight against injustice with good methods. i live for the fanfics in which izuku takes down the hpsc

okay i'm done ranting thanks for reading

[previouslyonavatar]

one of the funniest things I haven't seen anyone talk about yet about Good Omens s2 is how Aziraphale came up with the plan to get Nina and Maggie together fully knowing Nina had a partner, as Maggie told him that when she was crying.

We as the viewers quickly figured out Nina´s partner was horrible and abusive and she deserved better, but Aziraphale didn't know that.

He was perfectly willing to do some homewrecking along with the romantic Jane Austen ball plans.

[russellbby]

pairings: daniel ricciardo x platonic!verstappen!rb driver!reader (face claim: various girls on pinterest)

in which: daniel ricciardo and the younger verstappen are no longer teammates..

a/n: formula 1 will miss you danny ric!!💔

instagram

skysportsf1

Liked by y/n.verstappen, jensonbutton and 2,016,836 others

skysportsf1: Daniel Ricciardo to leave RB, the team have announced. Liam Lawson will race in place of Ricciardo for the remaindering 6 races of the season.

view all 30,482 comments

username Daniel deserves better💔

username We will miss you honey badger!🍯🦡

username This is not fair, you can’t do this to us!!!

username No one is hurting more than Y/N Verstappen..

username I hate this season.

username F1 won’t be the same without you Danny!!

username No more Y/n and Danny content😭😭

username Y/n looked so sad at Singapore, she must of known it was their last one💔

//

twitter

//

instagram

y/n.verstappen

Liked by danielricciardo, maxverstappen1 and 3,582,026 others

y/n.verstappen: Danny, you’ve known me ever since I was a little kid, you were there at my first race in F4/F3/F2, when I won my F2 championship, when I got a seat in formula 1, my first points, my first win and many more moments.

What is the best one of all? When we became teammates, I don’t think I have had that much fun, laughed so much, loved the battles we had on track, the shoey you made me do after my first win and just the overall joy of being your teammate. I can’t thank you enough for everything you have done for me and everything you helped me through.

You always brought a big smile, laughs and positivity to everyone. Formula 1 is going to be weird without you here, you’ll be missed by everyone (especially me). I love you like an older brother, keep your head up, you know I’ll always be here for you, until next time❤️

tagged: danielricciardo

view all 28,639 comments

username Y/n…what are u doing to us?!?😭

username Best teammates💗

username Sorry Max, love your sister and Danny’s friendship more🤣🤣

username I’m going to miss this!!

maxverstappen1 I’ll always be his favourite Verstappen!

y/n.verstappen No you aren’t??

maxverstappen1 Uhh yea I am!

danielricciardo How have I dealt with you both???

username Everyone applaud Daniel for surviving the verstappen siblings🤣

username I’m going to miss this so much!!

username No one Danny & Y/n content💔

danielricciardo Thank you lil one going to miss you too, until next time❤️

y/n.verstappen ❤️

landonorris favouritism, didn’t reply to my comment

maxverstappen1 My sister over me?! Really mate? :(

y/n.verstappen suck if losersss😚

alex_albon Don’t leave us with her ALONE

georgerussell63 menace incoming..

danielricciardo Good luck guys :)

username Omg😂😂

username Y/n is going to be brutal now as Daniel isn’t there to step in and stop her🤣

username I can’t wait to see what Y/n gets up too😭

//

instagram story

danielricciardo added to his story 15s

Seen by 2,583,926 viewers

Replies:

y/n.verstappen Thank u Dannyyy, I’ll do it for us!!🤍

username This is so cute!!!

username Live for this friendship!!

username Thanks for taking care of Y/n💗

username I’m betting so much that Max and Lando have complained about this😭

maxverstappen1 I see that you have a favourite Verstappen🙄

username I love that you either call Y/n kid or lil one !!

username I’m going to miss this duo so much..

username Like an older brother to her, thanks for taking care of our girl!

landonorris Where’s my post?

username She’s going to keep going for u both!!

username Thanks for everything Honey Badger❤️

//

twitter

[everythingseasoning]

Something More - Series Masterlist

Pairing: Sorcerer Geto x Non Sorcerer reader. Sorcerer Gojo x Non Sorcerer reader. Only one ship will prevail, and this is the story of Suguru being saved. (Pushed back a few years, with 21+ characters). It’s riddled with angst, it’s messy, and it’s so difficult, but it’s realistic.

Author’s Note: Pre Series: Hey all! We will be exploring: Satoru starting to learn about connection beyond Jujutsu and Suguru; We’ll deal with the tide of darkness that threatens to overtake Suguru, exploring what it takes to save Suguru; And Satoru is beginning to learn that he’s more than a weapon. Includes: grief, hurt/comfort, angst, ego death, coming back from a spiral through support & love & time, breaking free from what you were conditioned to be, jealousy, developing self-identity & dreams, and more. Satoru heavy in the beginning, Suguru heavy in the middle. Chapters will be lengthy, but it’s worth it. My second series will follow up with a new reader x Satoru, and it will be a continuation of this story, but with different main characters. Hope you come along for the ride :)

Premise: Suguru never stopped loving you. He’d broken up with you, but that was to protect you. He wouldn’t involve you in his dangerous life anymore. One year later, and it’s evident that he’d still ruin himself for you, in every single way. Satoru, on the other hand, is annoyed. He wants Suguru to get his head back in the game, as they’re both teachers now. Determined to figure out a solution to the problem of you, Satoru starts to secretly visit you at your workplace, the local cafe. But as he spends time with you, Satoru gets an unexpected surprise when he realizes he’s catching feelings for you, too.

Status: ongoing

Word Count:

Warnings: Swearing. Canon violence. Eventual smut (chapters 13, 17). Mature themes, viewer discretion is advised.

[JJK Masterlist]

ch. 01 | The Person In The Cafe

ch. 02 | Second First Date, Question Mark

ch. 03 | Warm / CLASH

ch. 04 | Weaknesses, Weaknesses

ch. 05 | Cursed Either Way

ch. 06 | ‘You’re A Shitty Teacher’ - First Lesson

ch. 07 | Sudden Death. What Was I Made For?

ch. 08 | Picking Up The Pieces - ‘Just Hold Them In Your Hands’

ch. 09 | What Are We?

ch. 10 | Slaughter Of The Lambs / Crushed To The Darkest Depths (Suguru’s POV)

ch. 11 | Don’t You Dare

ch. 12 | —Saved.

ch. 13 | Put One Foot Forward (mature)

ch. 14 | A Hundred Kilometers Backwards

ch. 15 | I’m Going To Get Them Back

ch. 16 | Bodyguards And New Fates

ch. 17 | Sunrise And Acceptance (mature)

ch. 18 | Back To Everything And Nothing / Forever Love, Tied Knots

[bonus chapter] ch. 19 | Don’t Give Up Anymore / Chance To Be Me / Evermore (Satoru’s POV)

NTS: ^chapter titles and chapter numbers are subject to change as I write the story

Reblogs, Feedback/Comments are Highly Appreciated!

Tag List ( Comment on this linked post to be added :)

Background Info || Asks || Feedback and Love

Author’s Note: Post Series:

I: Canon Suguru did defect. And this story is for him, the version of him that suffered so much, and broke. This story is for everybody who was once caring, but got traumatized deeply, used over and over, and consequently turned bitter and disillusioned. You deserved better. Please try to remember there is goodness out there, and that being kind and good to others is still of utmost importance.

Spinoff Series: Story’s Not Over (ft. Satoru x new reader)

[sunflowerdigs]

What if it's not Tommy's Baggage?

So i've seen a lot of speculation that the baggage that will get between Buck and Tommy is going to be Tommy's baggage with Gerrard. But think that may be a misdirection - I think it may be Buck's mustachioed baggage that intrudes into their relationship instead.

If the show wanted to make Tommy's hazing of Hen and Chim the central issue, it would have spent 8x01 reminding the audience of just how brutal Gerrard was back then in order to drive home why Tommy siding with him then isn't something Buck can overlook. Gerrard's racism and misogyny would be on more overt display and Tommy would likely be more wishy-washy about him. Instead, the show has emphasized Gerrard's authoritarianism (and diminished his actual bite as a villain) in order to set him up as a better enemy for Buck (and yes, we should talk about whether that's a good move or if it diminishes what Hen and Chim went through - just not in this meta). The point of Tommy is Buck's growth and Buck breaking up with someone who betrayed his friends is very similar to what happened with Taylor. The show may think of it as retreading old ground.

So, maybe instead we're about to dig into what happened in 7x04 and who Buck was really jealous of. The first few moments of the birthday scene tonight were a misdirection - the viewer was meant to think that Buck and Tommy were doing something together, only for Eddie to literally come to sit between them because the entire scene was actually all about him (and Buck and Christopher). And that's kind of the story of Buck and Tommy's elationship (it's almost a direct parallel to the first Buck and Tommy scene in 7x04 - Buck and Tommy were getting along after the tour and then, boom, in came Eddie).

The show may frame the baggage more around Buck's fear of abandonment and fear that he doesn't deserve the love he wants. Coming on the heels of his attacking Gerrard because he denigrated him verbally, that would make sense. But ever since 7x04, those issues have been tied to Eddie - they're why Buck couldn't face up to his feelings about him. So, I suspect Eddie will come into their fight somehow (I think that's also why, in the US Weekly interview, Oliver didn't mention Eddie as someone he would be leaning on during the dispute with Tommy. Heck, I think that's why Oliver talked about Buck leaning on other people rather than how he and Tommy specifically might work out a disagreement - because this disagreement isn't one that can be worked out. If Tommy isn't it, he isn't it (neat parallel to Eddie and Ana's relationship there)).

[persephryne]

Making Aegon a rapist was straight up bad and lazy writing.

Let me elaborate.

In the show, the first thing we learn about Aegon as an adult is that he is a rapist. We haven’t seen him yet but still we already know that he is an horrible despicable rapist, especially since Dyana is so young, which pretty much makes him a pedophile too. How could anyone root for a man like that ? And that’s where the problem begins.

Rhaenyra had already been established many times as the rightful heir to the throne in season 1. It has been made obvious that she would make a decent Queen too. In the meantime, it had already been shown that Aegon is not even a good person. He’s selfish, inconsiderate, a bully, and does not act like a prince at all. To put it plainly, he sucks big time and we as viewers already know it. Add what we saw in season 2, how reckless he gets, how he’s an alcoholic immature asshole, how he obviously knows nothing about strategics nor how to rule efficiently, or even how bad he is at high valyrian, and you can’t have anyone tell you in good faith that he would’ve been a better ruler than Rhaenyra.

However, had Aegon not been made a rapist, you would still feel for him even though he is not cut out to rule. Because he knows it too and tried to escape it and he was forced to attend his own coronation . Because this crown that he did not want does not fit him, even though he really tries to show that he is not as worthless as everyone seems to think and he just keeps failing. You would feel for him because the war ,that he has started when he was made an usurper by the people around him, has cost him his son’s life. Because the brother, who is partially responsible for his son’s death has now betrayed him and tried to kill him with dragonfire. Because the injuries he suffered make him look more and more like his father who never cared for him, never loved him and that he definitely hates. Which also probably why he tries so hard to make his mother proud of him and love him but he can’t and his main attempt has left him half-dead, half-burn. Not only that but his dragon, with whom he has the strongest bond known in Targaryen’s, history probably died during this futile attempt to prove himself. The only thing about his Targaryen’s heritage that he seems to care about has been destroyed all because he wanted to prove himself. Because he truly resents his Targaryen’s, his father’s heritage, it’s obvious, just as it is obvious that he didn’t want to marry his own sister but was forced to. It’s completely legitimate of him to want to distance himself as much as possible from everything that is Targaryen related. He is indeed more of an Hightower than a Targaryen, but can you really blame him for that ? Would you not try to fit somewhere else too, if you were in his place ? It’s all absolutely and undeniably tragic.

I wholeheartdely believe that, even if you would’ve root for Rheanyra to be Queen, you woud’ve probably still thought that Aegon, as bad as he is, did not deserves this much pain.

But because he is a rapist, well, he honestly does.

By not trusting the audience to see that Aegon is not a good person, nor a good a king, without having him comitting a literal crime, by making Aegon a rapist, the writers have annihilated any possibilities for an internal conflict regarding Aegon and Rhaenyra. The whole concept of « teams » just goes down the drain because of this lazy, manichaean, writing. And that, my friends, is bad writing at its peak.