#we need to know more about him

[randomly-generated-posts-machine]

put the man made of tumblr and papyrus with key plot points into a fake town with cameras everywhere and actors and see what happens

[hehosts-moved]

i haven't scratched the surface of deng's background —

[swiggity-swexual-i-am-asexual]

We all know the semi-canonical ‘all the Robins know to hide/duck inside of Batman’s cape, even as adults’ thing.

We also know that Danny ‘is LITERALLY a ghost’ Fenton sucks at remembering his own intangibility while ALSO forgetting to look ahead of him.

All I’m saying is, Danny Fenton (or Phantom, if you’d really like) would absolutely SLAM into Batman on accident while running on roof tops and Bruce ‘Brooding Instinct’ Wayne doesn’t even think twice about letting the kid hide and scanning around for danger before there’s a record scratch of ‘wait who tf is this?’ kicks in.

[egophiliac]

he did it! 🐍 and it only took...uhhh...well, there probably could've been less punches, but why hold back!

PUNCHES FOR EVERYONE

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[papanowo]

i think dan should get to be a little weird too. as a treat

[umblrspectrum]

part 4 of a lot funnier in my head than on paper

[poorly-drawn-mdzs]

Archery Nemesis.

[First] Prev <–-> Next

[keferon]

“Mistakes on mistakes until” ch 69 spoilers below!

Ahahahahahahah here I go again

Mistakes on mistakes until until I can draw Jazz with my eyes closed

I woke up, checked my phone, woke up for real and decided that whatever plans I had for this day yeah no they can wait a little bit kfkgnfk

Also. Consider listening this while reading. Or don't who am I to tell you what to do~

[ducktracy]

there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love

[fifthnailinstevesbat]

thinking of a new steddie fic/au hmmm.

It’s just the classic, Steve buys weed from Eddie in season 1 era, he and Tommy meet him at the bench in the woods behind school. Steve and Eddie have some playful banter and clearly get along, but it’s dismissed as just a drug deal and they go on about their lives.

Next time they meet is when a frantic Steve comes and finds Eddie after he’s just fought off the demogorgon for the first time. He’s rattled, and skittish, wearing a nasty black bruise on his eye, and just overall not acting like himself. He snaps at Eddie multiple times to just ‘hurry up’ and ‘get him his stuff’, and sure he’s being an asshole, but more than anything Eddie is just concerned. He has never seen The King Steve Harrington lose his cool like this. So Eddie cautiously gives him the weed, making sure not to give too much, and lets him go about his day, but not before asking if he’s alright. Steve clearly wasn’t expecting this and brushes it off defensively, but that doesn’t mean he’s not thinking about it for the rest of his week. How the hell did Eddie Munson notice something was wrong, when his own parents didn’t? Nor his “friends”?

They cross paths again a year later, the beginning of season two. Steve is still with Nancy and has freshly dumped his old douchebag crew of superficial friends. He is still sitting quite comfortably on the higher ranks of popularity, but there is no denying his status is not what it used to be. He comes to buy weed from Eddie in the first week back at school, and it’s a casual interaction. He’s still as charmingly stuck up as he ever was, but now without Tommy there to judge his every move, he seems a little more at ease when making casual conversation with Eddie. Eddie doesn’t mention the year before and Steve is so glad for it, secretly very embarrassed that he went to Eddie for some refuge after arguably his most traumatic experience to date. He gets his stuff, giving Eddie a smirk when he notices he’s dropped the price significantly for Steve when it’s just him alone. Eddie gives him a challenging smile back, almost daring him to call it out, but he doesn’t. They both just laugh and part ways.

The next run in is tina’s halloween party. They notice eachother when Steve first arrives, making eye contact and giving a polite nod. Maybe Eddie lifts his drink up to Steve in a silly salute. They don’t speak at all or make any effort to hang around eachother. That is, until Steve storms down the stairs in a rage after he’d gone up there with Nancy Wheeler. But then are those- tears? Eddie was standing on the front porch smoking a cigarette, trying to discreetly hide from one Billy Hargrove to avoid having to sell him anything, but staying visible enough that he won’t lose all chances of making any money tonight. Steve storms right past him and hits his shoulder. Eddie whips around and is about to call him a dick before he sees who it is.

Steve tries to quickly wipe his face, he won’t make eye contact with Eddie, and he’s clearly trying to get out as fast as he can. Eddie doesn’t let him, though, since he’s obviously not thinking very clearly and is most likely about to do something emotional and stupid. He asks if Steve’s alright, and his answers are all short and rushed, so he’s definitely not. They’re not really friends, but Eddie’s not an asshole.

— “Did you drive?” Eddie asks

“Yeah”

“Well, you’re drunk, Steve. You can’t get behind a wheel right now. And if I knowingly let you, then that makes me an accomplice. I’ll take you home.”

Steve tries to protest, attempting to push past him, but Eddie interjects. “Yeah, yeah, alright! Don’t thank me yet, Steve’o. This is not for you, see, I’m not trying to get a criminal record, here. I cant go to prison, Steve. Do you know what they’d do to a pretty guy like me in prison? Nope, let’s go hot stuff.” —

Eddie takes Steve home. They don’t talk much. By the time they reach Steve’s drive way and Eddie has put his van in park, Steve is making no attempt to exit the vehicle just yet. Eddie doesn’t know what to do, he didn’t really plan this far, so he’s just tapping away awkwardly at his steering wheel while Harrington stares down the dashboard so clearly lost in thought Eddie fears his head might explode. Steve tells Eddie what happened, says it’s ‘relationship troubles’, and he’s not quite sure what compelled him into being so honest with Eddie Munson, but he’s blaming the alcohol. Eddie wasn’t expecting that. They chat for a bit, Eddie makes Steve laugh and considers the whole night a success after that. Then they start cracking jokes about their shared hatred for Hargrove, and Steve looks and sounds a bit more ok to go inside. He thanks Eddie, quite sincerely actually, and it throws him a bit. He stutters a ‘yeah, for sure. It’s no problem.’ And Steve goes home.

After that, it’s a little different. Steve, doesn’t actually really have anyone, anymore. When they go back to school he’s now greeting Eddie here and there in the hallways, making conversation when they find themselves alone together, in the lunch line or at the bathroom sink. He doesn’t approach Eddie when there’s too many people around, though. As much as he’s grown, Steve Harrington still carry’s some prejudice in him about how certain things may make him look. But it doesn’t bother Eddie too much. It’s not like they are really friends, they’re just like, strange acquaintances. And Steve would never deny that they get along, that really Eddie’s ‘not so bad’. So that’s a win.

Steve finds Eddie again not long after the party to buy some more weed, a plan that sparked purely out of boredom. Eddie says yes, of course, but tells him if he wants it today he will need to wait till after school and meet Eddie at his place, since he was busy. So Steve takes a trip to the Munson trailer to make his deal. Eddie invites him inside and they sit together on the couch as he gets Steve’s bag ready. They end up making quite pleasant conversation, joking around and ultimately finding they are really enjoying each other’s company. They enjoy it so much so, that Steve ends up smoking there, with Eddie. So now they are kind of like, hanging out? And it’s fun, so they do it again. Still they’re not, friends friends, they just get along. Eddie just sells Steve weed sometimes and they keep it civil.

He doesn’t hear from Steve for a while, and the next time he sees him it’s from a distance, in passing. The man has the most roughed up face Eddie has ever seen, bruised and swollen in multiple areas, stitches and bandages all over. It’s really, concerning? completely metal, but alarming. This is the second time Eddie has seen the guy all beaten up like that. He knew that boys fight, but surely not that bad? As worried as he was, Eddie doesn’t approach him to ask questions, because they don’t know eachother like that. So he goes on about his day, and he doesn’t see Steve again after that for quite some time.

Then it’s summer, Eddie isn’t graduating again, and he’s not really sure what to do with himself over the break. The new mall has just opened up, and there’s a cool music store up on the second floor that he likes to visit sometimes with his band friends. And wouldn’t you know, working at the Scoops Ahoy located directly across from his favourite store, is Steve Harrington. The guy hasn’t come to Eddie for any weed since last year, and then there was that sighting where he looked like he’d just fallen face first into a flying fist or two, so it’s been a minute since Eddie’s seen him. And he’d be lying if he said it wasn’t a nice surprise. He only goes into scoops once. He’s curious, okay? Sue him. And, he knows the girl who works with him, Robin. So he plays it off like he had no idea he’d see Steve there. And to his surprise, Steve actually acknowledges him. He doesn’t act like Eddie is a total stranger just because they’re not in school anymore. The interaction is quick, they make very casual conversation, Eddie says hi to Robin, grabs his milkshake and goes home. That’s all. He doesn’t go back, and he doesn’t really plan to. Steve’s nice, and he knows Eddie’s around if he needs to buy from him again, and that’s really as far as their relationship goes. That’s all it ever was. It’s been fun getting to know Steve Harrington a little bit better, even if it was just for a short time. Eddie liked having the chance to see in past the quaffed hair and pressed polo shirts to learn that Steve was really just a person under it all. He never thought he’d say it, but Harrington wasn’t so bad. It was a nice little eye opening experience for Eddie.

Eddie was ready to write off his little blips of interaction with Steve Harrington as a thing of the past, no hard feelings, and move on with his life. That is, until he gets a knock at his front door in the middle of the night afew days after the big mall fire. And it’s Steve on the other side. And he looks awful, his face is the worst Eddie’s ever seen it. And he wasn’t really knocking, more like pounding. He says he needs Eddie’s help.

What the fuck?

[qcomicsy]

Alfred comes home and there's a whole noise from the kitchen.

Alfred: Is everything okay?

Damian: Dumbass is coming out.

Alfred: Oh.

Alfred (to Dick): ...I figured this day would come sooner or later...

Dick:

Alfred: Don't think I didn't saw it my boy, and pardon me if I should said something before...

Dick: No, no, no it's not

Alfred:... I mean It was obvious from the start but I figured I shouldn't press-

Dick: Alfie It's not

Jason: No, no let him finish.

----

Batman: Yes, my kid also came out to me recently.

Superman (to Dick): Oh wow, that's great! I'm proud of you buddy.

Dick:

Dick: What

Tim: It's me.

Superman: Oh

Superman: Oh wow, thats great! I'm proud of you buddy.

Dick: No, wait you can't just-

----

Jon: I'm just glad in not being alone in this, you know.

Titans:

Dick: It's not me.

Titans: "Oh, right. Sure." " Yeah we knew it" "Totally"

[egophiliac]

tsum events really are just the best, huh

[thevoidstaredback]

How To Balance Your Daytime and Nighttime Activities So That You Don't Burn Yourself Out More Than You Already Have

Danny was waiting when Dick came home. "Welcome home, Dick."

He runned the back of his neck nervously, slipping the window closed behind him. "Hey, Danny."

There was a long moment of silence, Dick standing in front of the closed window and Danny sitting on the couch. Danny took a sip of the tea he was holding before setting the mug down on the coffee table with a click. "So," he leveled a small glare at the vigilante, "you gonna apologise to Tim?"

"Who?" Dick blinked.

"The kid you yelled at and then left standing in your apartment as you went out as Nightwing for exactly two hours, fifteen minutes, and twenty-two seconds longer than your new schedule allows."

He cringed back. "Listen, kid-"

"No, you're listening to me, so shut up and sit down." He did, dropping right to the floor. "I don't know what the hell happened between you and Batman, but you don't get to take it out on the people around you, especially not the kid that just trying to help."

"Dan-"

"What did I just say?" He sighed. "Look. I get it. You're grieving, both you and Batman are, but that doesn't excuse your behavior. It doesn't excuse Batman's behavior, either, so don't think that's what I'm saying."

Dick carefully pulled his domino mask off. "What do you want me to do?"

"Several things." Danny stood and walked into the bathroom, coming back a few seconds later with Dick's first aid kit. "First, though, you're gonna let me patch you up. Then, you're gonna use my phone and apologise to Tim. After that, you eat and go to bed; You have work in a few hours."

Knowing he wasn't going to be getting out of this, Dick started to take his suit off. He slipped his arms out of the sleeves and let Danny treat the bruises on his arms and hands. Not much damage that night. He'd only encountered a few petty crimes so it had been quiet.

Without another word shared between them, Danny left to put the first aid kit away before making a quick snack for Dick while he went to change. It'd only been about a week, but they'd fallen into an easy routine.

Dick was quick to change and eat, falling asleep nearly ten minutes after he laid down.

***

Danny made sure Dick was asleep before he left the apartment as Phantom. He'd learned, during his two weeks of not-stalking, that a some criminals hung back until Nightwing had turned in before they came out to play. Phantom was going out for an extra two hours each night to remedy this. Though, he made sure no one ever spotted him before or after he knocked people out. Invisibility was hand like that.

Sure, he didn't have all that much experience as a vigilante, but he'd been traveling for four weeks before stopping. The first lesson he learned was that he needed to learn fast. He was wasn't a genius like the rest of his family, but he picked up on things really fast. Fighting had been one of those things. Though, the lessons from his mom when he was a kid also helped a lot.

Staying invisible was easy, so was intangibility and flight. The three together made stealth easier than if he didn't have them. Though, he did make sure to practice his stealth without them, too. Being caught unawares or without his powers would be disastrous and he was going to do everything he could to mitigate the risk.

Blockbuster, Phantom had learned, was the reason Dick had stayed in Bludhaven. He was also the ringleader of the organised crime in the city. Apparently, he's the second of the Blockbuster name? The giant of a man had his hands everywhere; The Bludhaven Police, as well as the underbellies of New York, Metropolis, and Gotham. With eyes and ears everywhere, not a lot got passed him, which is likely why Nightwing was having trouble getting the crime rates down. So, Danny Phantom was going to help.

He'd heard the name Oracle from both Nightwing and Blockbuster's goons, so Phantom assumed whoever that was was on his side. Unluckily, though, they were now a target. He just needed to get a hold of them without letting them find him.

Phantom had heard the information from several goons since he'd started going out, but he didn't know if Nightwing knew or not. Though, he didn't know how to pass on the information. How could he tell Dick what he knows without letting slip that he'd been going out? Dick would call him a hypocrite and would fall back into his passively suicidal schedule. Danny's not a hypocrite! He just runs on a separate schedule. A schedule that Dick might not like, but one that works for Danny.

The intel Phantom was working with tonight was about some of Dick's coworkers. He knew the corruption in the Bludhaven and Gotham City Police Departments ran thick and deep, so he wasn't really surprised to find out that Detective Soames and Chief Redhorn ran with the less than pleasant people that made their homes and bases in Bludhaven.

Dick knew this, too, which is why he became an officer in the first place.

According to the goons Phantom had spied on, Detective Soames was involved in a drug ring that was doing deliveries tonight. It was timed to be after Nightwing had turned in for the night so that he wouldn't be able to bust it. It was a smart move on the ringleader's part, to have his goons out only after Nightwing was done for the night.

That was the next thing he was going to have to work on with Nightwing. He couldn't have a discernible pattern without someone with him to cover. Honestly, Batman should know better, too. Maybe he'll pass it on to Tim?

While on the road, Danny had learned that his powers were still developing. One of which was a kind of sixth sense. It worked somewhere between hearing and a spider's ability to feel vibrations in the air and webs. He didn't know is reach on it yet, but he was able to cover half of Bludhaven from where the ability currently sat, so he was going to work with that limit for now.

The warehouse he was staking out was where he'd heard goons talk about for nearly a week. They had been careless, assuming that there was no one out to catch them, but it worked in Phantom's favor. It was mostly empty, save for a few homeless squatters looking for some shelter, and was otherwise undisturbed.

Phantom didn't believe it for a second.

He was also going to laugh in Tim's face if the goons in Bludhaven were smarter than the goons in Gotham.

Right on time, just as the clock turned over into the Witching Hour, the homeless people sheltered in the warehouse stood up and met in the center of the building. Together, and armed, they waited for exactly five minutes. Then, the back doors to the building opened and Detective Soames walsted in.

"Gentlemen," the detective greeted with a sneer, "Lady. Do you have what I came here for?"

"Do we look like idiots?" the lady of the group scoffed, "Of course we have it."

"Well, I don't see it," Soames frowned, "Where is it?"

The dirty blond to the woman's right was the next to speak. "Hidden in the walls."

Soames' frown deepened into a scowl. "The hell is it in there for?"

The only other person of the group, a brown haired man, said, "There's rumors goin' 'round about a Spook. Comes out when Nightwing turns in."

Well, well, well. Looks like Phantom's gaining a reputation.

"You believe in ghost stories now?" Detective Soames sneered, "Get my delivery, now."

The three scuttled off the the wall just under where Phantom was hiding in the rafters. He timed ten minutes before they walked back upto Soames with two bricks of cocaine each.

"You're short."

"This is the agreed upon amount." the lady argued.

Soames' expression twisted into something cruel. "Did I forget to tell you? Tsk. Shame." In a quick and fluid movement, he whipped a pistol from his inner pocket and shot the woman and then the blond. He picked up the bricks, tucking them under his arm before taking the last two from the brunet. "I cannot build an empire without a few casualties, right?"

The man gulped, eyeing the gun. "Y-yes, sir."

Soames hummed. "The sands of Egypt were dyed red with blood. The roads of Rome are the same." He turned away from the man. "Twelve bricks in two weeks. You'll have a location shortly."

Phantom watched the detective leave with a frown. So that was the deal, huh? He didn't know too much about Bludhaven's criminals yet, but he was fairly certain that a man like Blockbuster won't like someone trying this shit under his nose.

He was quick to leave the warehouse after that, doing a quick loop of the city - focused mostly on Sin Central and The Spine - before flying back to Dick's apartment. He wrote down everything from the night, complete with drawings of everyone of note that he saw. He'd pass it to Nightwing as soon as he needed to. For now, though, it remained his cases alone.

Part 8 Part 10

[chitinleg]

got him off-balance!

[aq2003]

has anyone gotten the idea that odysseus' storyline in hades 2 is a depiction/exploration of trauma over his SA and how he's blaming himself for things that were out of his control? because that's the impression i'm getting from what i've seen. he talks about "goddesses" as his "greatest weakness" and that "he's not one to say no to them"...

when mel invites him to the bath, he brings up mortals having different standards for intimacy than gods and how it usually has a more romantic/sexual connotation. she then asks if he's uncomfortable and he has a startled reaction and brings up circe and calypso again (but never actually by name)

(this isn't ship/romance bait btw. odysseus knew mel as a kid and they're stated in-game to have a sibling/uncle-niece relationship)

also he grew apart from penelope after his return, but the game makes a point of showing that his love for penelope and telemachus is what drove him on at all so that element of his character isn't brought into question