Happy girl 💕
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Shots with Kendall isolated from others in S1
The middle picture is one of my favorite Succession shots from the very first time I watched it. I gasped and realized Kendall will always be my favorite. He represented loneliness and isolation, forced isolation and self-made isolation from family, to me during the whole of season 1
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just remembered that time i touched josh don’t call don’t text don’t hmu
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gf and i hung out all day. we went antiquing and walked through a cemetery.
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voulez-vous, take it now or leave it
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sometimes a situationship is a prophet, her biggest believer and a non believer
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ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:
i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???
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invisible scars (referenced previous talk here)
[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."
Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”
Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.
At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.
"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.
Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”
Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."
In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]
Credits for ID here and here
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Dad always said I was like him
Meijack and Chilchuck Tims
Dungeon Meshi, Ryoko Kui
^ 1: Moony moonless sky, Fatima Aamer Bilal / 2: Bug like an angel, Mitski / 3: Woodtangle, Mary Ruefle / 4: The Third Hour of the Night, Frank Bidart / 5 & 6: FROM THE MAKERS OF "TWO-MOM ENERGY DRINK," IT'S "LET YOUR FATHER DIE ENERGY DRINK,", Daniel Lavery & Cecilia Corrigan / 7: Batman: Year Three (1989) / 8 & 9 : FROM THE MAKERS OF […], Daniel Lavery & Cecilia Corrigan / 10: Wilt, CJ the X / 11: How Do We Forgive Our Fathers, Dick Lourie / 12: Milk and honey, Rupi Kaur / 13: And My Father's Love Was Nothing Next To God's Will, Amatullah Bourdon / 14: Moony moonless sky, Fatima Aamer Bilal / 15: Someday I’ll Love Ocean Vuong, Ocean Vuong / 16: untitled, Joan Tierney
v 17: Drunk, The Living Tombstone / 18: unknown
When your father tried his best to provide for you but he worked all the time and even when he was home he was either tired or stressed and he’s always liked to get drunk to relax and cheer up. When you know he values work ethics and respectability so you grew up to be capable and quiet. And when he says you’re like him you’re sort of puzzled, does he really know you so little, or does he know himself so little? But you like the feeling of your father ruffling your hair so you accept it, and still you stand next to your mother just as silent and just as stoic as her during family gatherings. He leaves again and again and when your mother leaves him nothing changes, really. You wonder if it’s more telling that you know him better than he seems to himself or that you don’t know him as much as you wish you did, or that you don’t think about him all that much these days. Out of sight, out of mind. And he’s never really been there, even when he was there, after all.
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Prompt 101
The Fentons have created a machine! A wonderful machine that will reveal a ghost’s true form! So that everyone will see their trickery! They’ll see that the monsters they really are!
Now, to know what all went wrong, one would have to know some things about the ghost zone, and more specifically the area the Fentons had managed to punch through to.
For one, ghosts do not age like humans. Oh they might take a form similar to that of their death, which may appear as an adult or teen or something similar, but with how they can only die by the complete destruction of their core, theoretically a ghost could live forever once formed.
In fact, the equivalent of eighteen years for a ghost was one-hundred realms-years dead. And those years don’t always sync up with the years of the living world that one might open a door into. Thankfully, the Fenton’s world, being one of those synced closer to the Realms, only had a time dilation of a few seconds.
That being said, the area their portal had ripped into was incredibly rich in ectoplasm. And areas like that, were where newborn ghosts were formed and arrived. A ghost daycare of sorts, almost akin to a toddler area of the zone.
Which meant that when they shoot the Phantom-menace and other pesky ghosts to revert them into their true form, it isn’t exactly monsters that appear. Instead, there are now several ghost toddlers- or in the phantom-trio’s case literal babies- flying around. Very unhappy ghost toddlers.
What a horrible time for the Justice League to arrive. Though perhaps some would say it was actually perfect timing.
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boys night
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maybe if things were different
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concept where hob is like: sure we are married and we kiss and cuddle and have sex and spend all our time together but he couldn't actually feel that way about me, it's just a friend thing, platonic marriage, it's different for supernatural creatures, we're just pals, besties, mates, he doesn't return my feelings--
meanwhile dream: WE HELD HANDS ONCE AND WE ARE NOW ETERNALLY DEVOTED TO EACH OTHER. I'M OBSESSED WITH YOU AND MY ENTIRE WORLD REVOLVES AROUND YOU NOW, I WILL KILL FOR YOU, I'LL DIE FOR YOU, IF YOU LEAVE ME I'M REDUCING THIS WORLD TO DUST AND THEN I'LL KILL MYSELF. THIS RELATIONSHIP WILL TRANSCEND THE HEAT DEATH OF THE UNIVERSE YOU WILL NEVER ESCAPE MY GRASP I'M GOING TO BREAK OPEN YOUR RIBCAGE AND LIVE THERE I'M GOING TO--
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“one long hand was palm up on the blankets between us, as if in offering, or beseeching something of me. i reached over and set my hand in his. he did not seem to wake. strangely, i felt at peace.”
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sorry but do you ever think about the fact that the bernard we have today is a direct amalgamation of everything that happened in his past and i know that sound like such an obvious statement to say but it actually kills me to know that you can draw a direct line from who he is today all the way back to that sixteen year old boy who watched his best friend bleed out. like it is the defining moment in his life. it fundamentally shaped who he is and the person he's become. he is the bernard we know and love not despite the grieves shooting but because of it. because the gangs all got together and shot up his school. because tim walked out of that room with nothing but a baseball bat. because his darla got shot. because he watched her gasp and cry as she died. because he watched the blood coagulate around the wound. because he sat there and held her hand as her life drained out of her. because he walked into school that day with a joke he knew would make her laugh and her nose would scrunch up and she'd snort a little and tim would roll his eyes at him and call him ridiculous and instead he walked out with a bloody white shirt, blood under his fingernails, and two friends less. because, even now, almost half a decade out from the shooting, he thinks that if he closes his eyes, he will always be that stupid, scared little sixteen year old, holding the cooling body of dead best friend.
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