#we all know how this always end up like

[rae-pss]

masterlist

˗ˏˋ꒰ 💭 ꒱ . . . little prompt (♡).

satan and mc are arguing, per usual

mc: you know what? fuck you!

satan: smirks i already did.

mc: ...

satan: and i did it real good.

mc: ...

satan: ...

mc: you did...

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[chiropteracupola]

granby + iskierka + keynes

[ninyard]

hello I would like the kevallison smut ?? Please

The promised kevallison headcanons (aka how the two of them figure out what the other person is into + how they might go about doing it)

When they start hooking up it’s all pretty standard stuff. Allison gets him off after a game. Kevin eats her out if there’s ten minutes free in between classes and an empty dorm room. They’re a booty call before, during or after a night out, or a no-strings-attached way to get some frustration off their chest. Their friends-with-benefits situation is more often than not just a quick fuck when they’re bored. But it's kind of just… that? It's just fucking. It's a handful of different positions, in a handful of different places, but nothing more than fucking, finishing, and leaving. They don’t feel a need to bring it any further though, in some ways hesitant that the other will catch feelings if it gets too intimate. But from the get-go their agreement is clear - if either starts to get attached, or jealous, or even thinks that it might be worth pursuing, they stop. It doesn’t happen, of course, but in the beginning they really try to err on the side of caution until they know that for certain.

There’s one of two ways that their casual hook ups becomes more... interesting every now and again: one) accidentally. two) intentionally.

If it is accidental, I think they stumble upon the other’s kinks by the Grace of God. It's a quick fuck that turns into something more because one of them picks up on how the other's demeanor changes and they realise oh. oh. That did something for them. The moment when it happens is so intoxicating and sexually charged; So intense at the realisation of how turned on the other person is, that they’re just waiting for someone in the dorm room over, or outside the bathroom at a party, or in the almost-empty parking lot to ask did anyone hear Allison and Kevin fucking last night? For either of them, single and used to quick fucks with strangers that don't mean anything nor have the longevity for experimenting with, getting to dip into their fantasies is unparalleled pleasure.

If it’s accidental, it’s a pleasant surprise for them both, and Kevin and Allison have that in common - they are both incredibly, heavily turned on by their fuck-buddies feeling satisfied. It happens, where sometimes Kevin just wants to be blown without returning the gesture, or where Allison wants to come without having to put in the effort it takes to give back. More often than not, though, whether it be with each other or with other people, they're most satisfied when the other person is satisfied, too. So when the topic of kinks and turn ons is broached, or accidentally revealed, it doesn't matter that it's Kevin, or that it's Allison. When they've been fucking for long enough that they find themselves discovering these things, they're comfortable enough with each other to not feel embarrassed about what happens when they have sex. If it makes her wet, and it keeps him hard, then it doesn't matter. They don't talk about their sex lives outside of when or where it happens - a kink or two isn't going to change that.

For Kevin, sweet submissive baby boy who just lives to be praised - oh, when Allison finds out, it opens this door for changing their dynamics that she hadn't even realised existed. Kevin gets so turned on that he practically melts, and Allison eats it up like it's the hottest thing she's ever laid eyes on.

They've found themselves standing up against a wall in a bathroom at a party somewhere, too many suggestive looks across the room leading to a desperately desired handjob or two, and Kevin is fumbling with the buckle of his belt. He struggles with it for a second, before pulling the black leather out from it's square frame and Allison offhandedly says good job with a laugh as she trails kisses up his neck and her fingers down his stomach. She feels his reaction to her words before she notices how his eyes glaze over with the thoughts in his head; how he stills at her words, how he's yearning through his sigh when she follows with a knowing whisper of oh, you want me to tell you how good you're being?

Him in her hand, the long acrylic nails of her free hand dragging lines down his neck, Allison feels how needy he is and softly purrs in his ear to tell her how much he wants it. It's not lost on him how she plays with him like putty between her tender fingers, but still he looks into her eyes with his eyebrows knitted into each other, too close to argue; The please that escapes his lips trapped in between a gasp and a moan is rebutted with her sultry say it again. I want to hear that pretty voice beg. It takes the stalling of the rhythm in her working hand before he finds the ability to whimper out his desperate please, please, please. She's using her free hand to hold his face still, their eyes locked together, while he can barely keep himself in one piece. Her thumb is soft over his lips, brushing over little gasps and short breaths, holding him while she whispers a question and he falls apart in her hands.

If Kevin loves to be topped by strong women, Allison loves to hear a man moan. And she’s never heard him like this before, his lips drawn apart just inches from hers, one hand steadying himself against the wall and the other tugging and pawing at the skin of the small of her back. She doesn't let him look away as she guides him to climax with her soft words of gentle praise. How pretty he looks when he's trying his hardest to be quiet, how well he's doing at keeping himself composed.

Allsion doesn't care that she's accidentally unlocked this submissive side of Kevin; firstly, he's hot as hell when he's this desperate, and it's not as if she's going to be leaving that bathroom and calling him a good boy on the court, because that's not how this works. She's fucked him angry and she's fucked him needy - the passion of fulfilled fantasy only working on a different level to anything else.

(When he's caught his breath and started to clean himself up, she washes her hands and admires her work; his rosy cheeks burning up as she watches him in the mirror. She pushes herself up onto the vanity, and when he can finally bare to look at her again, she says I'm proud of you with a playful smile. Kevin covers his face to laugh in semi-embarrassment, his head shaking as he finds himself in between her legs. They don't talk about it too much before he returns the favour.)

Then there's, Allison, sweet Allison, who's interests work in harmony like a perfect composed song. We knows she loves to hear the men she sleeps with, but there's two things that really get her going that more often than not go hand in hand - rough sex, and loud sex. Living in dorms, it's hard to indulge, especially the second, but usually she'll just pull him close, with his lips to her ear or hers to his. Allison gets off on hearing the person she's fucking, and Kevin is not an exception to that.

They've somehow had a stroke of luck - an empty house in Columbia and some time to kill. Kevin is on the edge of the bed, and Allison is facing Kevin while sitting on his lap, her knees resting on either side of him, in a skirt that is already so short that it's barely even there. They're making out, and Kevin isn't really thinking, but he slaps her ass - something he'd done once or twice before, but never that hard, never that loud. Allison sits back, hands on his shoulders with her mouth open wide. She doesn't get the chance to finish her questioning what are you doing? Before his mischievous smile curls around, what, this? as he laughs and does it again. When she stands up off of him in a half-protest, shaking her finger at how close he was getting to really getting her going, he follows her up. He stands in front of her with feigned apologies for his boldness. She leans into his kiss, with arms wrapped tight around her waist, but instead of pouting his lips, he picks her up and throws her back onto the bed while she scream-laughs.

Body over body, on top of her then, a hand finds it's way in between strands of shiny blonde. A hand that she takes into hers, guiding his fist to grasp a handful of her hair. When he doesn't hold it hard enough she tugs it gently, keeping his fist closed with her hand around it. Looking down at her, he purses his lips with an oh that pauses his other hand while it pushes up her skirt to touch her over her panties. Reading him while waiting for the laugh that never comes is agonisingly long, as she braces herself for the mortifying conversation that he was not going to be entertaining it. Instead he waits for her hand to trail away before pulling her head, hard, back into the bed. And when she shuts her eyes and parts her lips in pleasure, he is quick to bring his hand up to her chin, tilting her head back. The two smallest of his fingers fingers tuck themselves neatly behind her ear, the other two tight between her jawline and her cheekbone. The ball of his thumb is resting on her chin. She doesn't stop him when his thumb trails down from her cupid's bow and into her mouth. She doesn't stop him when he takes it out hold it around her throat, either. Kevin is careful to scatter wet bruises down her chest where they won't be seen. When he's standing back to take off his pants and she’s lifting her top over her head, he asks, you want it hard? and she responds do you even fucking have to ask?

Her skirt is up over her hips and her thong down her thighs. He’s on his knees with her legs over his thighs, maybe he’s pinning her hands down above her head with one big hand over her little wrists. Headboard banging, unrestrained volume, handprints on ass cheeks and scratches across spines. Allison gets sex-drunk when he manhandles her. It’s sloppy, it’s messy, it’s loud, it’s so hot that it’s on fire. It’s eye-rolling, being in a daze afterwards type of fucking. It’s mascara running down cheeks, how the fuck am I supposed to look anyone in the eye after having that done to me type of fucking. It’s needing to have a shower immediately afterwards type of sweaty, messy fucking.

(It’s probably one of the only times they almost/kind of get caught. Not because of the noise, or the sex itself but because of the aftermath. Andrew and Neil clock INSTANTLY the missing and changed details when they regroup - how Kevin’s hair is freshly washed, how Allison has taken her heavy makeup off leaving only a fresh coat of mascara and some lipgloss remaining. How they can barely look at each other in case it reminds them of what has just happened. Their puffy lips, their general daze. Yeah, they fly a little too close to the sun that time - not enough time afterwards to recuperate from an absolutely dirty, filthy, fucking.)

If it's an intentional thing, a discussion about what they're into, and they know before getting into it/it's a conscious choice/it's intentional/some sort of discussion/WHATEVER? There's a few ways I could potentially see it possibly coming up.

A game of Never Have I Ever or some other drinking game with the group and the discussions of kinks come up; Kevin drinks when somebody mentions a praise kink, or being dominated. Allison drinks when somebody mentions liking it rough. Their looks to each other are quick but knowing, Kevin's raised eyebrows when Allison drinks to say she doesn't mind being degraded, the flick of her eyes when he drinks to say he doesn't mind begging for it.

They don't hang around after hooking up, usually. Clean up, get dressed, and leave. That's the routine. But they're talking afterwards for a little while, and the subject of fantasies comes up, and while shes fixing her makeup and tying up her hair she asks him what's the one thing he'd go crazy for. he considers it for a little bit but then gets embarrassed because it's a way harder thing to talk about when you're not actively turned on or drunk. They offer each other tiny pieces as they joke about it, starting tame before they eventually just say it out straight. (she calls him princess when she's leaving and he calls her a slut before she shuts the door.)

They ask each other outright. Kinda similar to accidentally figuring it out but they ask each other for it instead of the other person just doing something and stumbling upon it. Maybe Kevin asks her to tell him how good he feels and she asks why, are you into that? and they like. talk through it . Do you like it when I ask you this? Can I call you this? Do you like it when I tell you you're doing such a good job? Talking through sex can be so hot and even hearing the questions out loud sets the imagination off on a fucking marathon. Maybe Allison asks can you choke me? and he asks her how she likes it before agreeing. Do you like it when I hold you like this? Do you want me to spit in your mouth? Do you want to shut the fuck up and listen to what you do to me? It's a much more thorough discussion than them simply going oh, i think the other person has [blank] kink, so i'm just gonna go ahead and do that. It's a request, instead. Both of them knowing what they want and knowing how to ask for it? Yeaaaahhhh

[fluffypotatey]

Can we please see Javy (Top Gun) and Javi (Twisters) in a fic or blurb?

hm well i haven’t written their official intro to each other yet (and i do plan to in Jake’s pov) but i got memes for how it would go down!

it’s literally just two different memes but one’s edited two more times lol

[marxism-leninism-meowism]

pretentious cynical fucks that think solarpunk is an apolitical cozy pseudo-punk movement are so unimaginably stupid. like okay whatever go off and have ur glorious revolution. i'm gonna be here making community and planting a garden and dismantling systems of oppression brick by brick in the communities around me, building something new and beautiful in their place. maybe you should give it a shot.

[ganondoodle]

kind of expected that the ability breakdown wouldnt get that much traction (especially on twitter bc if it doesnt do well in the first few hours it might as well be dead) but what i didnt need to wake up to was looking at my twitter notifications and thinking there was a long comment on it at first but then i read it and it turned out to be some guy having dug up one of my old totk tweets where i talked about how zelda was treated-

and if a quote retweet with a thread attached already starts with "this entitled brat didnt understand that zelda was being a history nerd by being in the past and getting to experience it herself" with two screenshots attached of the end of totk with zelda staring at the cam all uwu (which has ??? to do with their point??) i dont even want to know what else was in that thread

if thats how the majority of the fandom is then im even less surprised that nintendy doesnt even have to try to write anything good :I

ah yes, i am a game nerd, and by putting me in a game where i stand around doing puppy dog eyes while being shoved around by NPCs is me being a game nerd OBVIOSULY

[averlym]

smth smth red queen ?

[plaid-maniac]

Do you ever think about how there totally could have been an old classmate of Phoenix Wright and Miles Edgeworth in the audience during like turnabout sister or turnabout samurai. Do you think they would realize? Like “hey, were those the guys in my class in like fourth grade? I kinda remember them. Wonder if they remember each other. But it was so long ago, I doubt they would even care.” Meanwhile Edgeworth and Phoenix are undergoing the most insane mental battles where both of them are going “I recognize my best friend across the courtroom and I desperately want to be close with them again.” And “god he is so god damn annoying I wish he would die already.”

[howtodisappearcompletelyand]

20/10 stars little guy

[cent-scratchnsniff]

here together

[front-facing-pokemon]

[ladystoneboobs]

no of fence to jon snow fans who for some reason care about his exact age, but these discussions just annoy me no end. not only bc there's no way any weirwood flashbacks bran has to rhaegar/lyanna will come with time/datestamps, but also bc there's always comments like this:

SEVERAL turns of the moon (ie, months)?! have these people never seen a human baby before or just have no concept of their ages? even if we take into account travel time from the toj to wf, meaning jon was not a newborn too fresh out the oven when catelyn and robb arrived, there's still a difference between a newborn and a 3mo and an even bigger difference between those infants and an older baby 5-7mo. there's very good reasons these lines were cut. whatever birthdates can be worked out internally for jon and robb from when they're first mentioned as 15 and 16 don't matter in the end, bc grrm doesn't care about a consistent timeline and the actual text of catelyn's pov and ned's convo with robert about cheating on her should outweigh any guesstimates about jon's official nameday wrt robb's. catelyn may not have cared for jon, but she would sure as hell have noticed his nameday if it came before robb's and made him ned's firstborn. if jon's birthday canonically came before robb's then either ned's cover story would not involve adultery (not impossible for him to sire a bastard before his wedding), or he'd just give jon a new nameday along with his new name to fit the adultery lie. it makes no sense for him to lie about one and not the other, undermining the big lie with a little public clue of his story not adding up. whatever else she was as a stepmother, cat wasn't stupid and a bastard who was actually the eldest son being raised alongside her trueborn heir could be an even bigger insult than whether he was born of adultery or not.

BUT, the unknowability of jon's true birthday is not the only reason this annoys me, it's bc this is all based on the assumption that jon must be older since rhaegar/lyanna ran off together before ned married cat, as if both boys must have been conceived asap as robb canonically was when his parents consummated their marriage. and that's not how human reproduction works! even if you don't understand how fast babies grow in the first year, you should know that people who get pregnant do so through ovulation cycles and a lucky sperm finding an egg and all that, not just immediately getting knocked up as soon as one has p-in-v sex for the first time. not unless you only know mean girls sex ed where if you have sex you will get pregnant and die. (even tho lyanna did die, there's plenty of canon examples where pregnancy did not lead straight to death. also examples of people who did not get pregnant right away and even some who are/were sexually active and childless without always having moon tea on hand.) we can't know how long lyanna was having sex before that sperm+egg match happened or even how long she was with rhaegar before losing her technical virginity. if they were married, doesn't it make sense to think they didn't consummate their relationship until the wedding night either? that's the only leverage there is to ensure a status as wife rather than just mistress.

and while i just said grrm doesn't care about exact timelines and a lot is still foggy surrounding the rebellion and esp rhaegar, there is one timemarker wrt robert's rebellion he voluntarily threw in, time and time again: that stannis was besieged at storm's end for almost a whole year. that siege, which mind you, did not match the duration of the entire war. it only started after robert won his battles at gulltown and summerhall, returned to storm's end, and then went out and lost the battle of ashford, leaving his homeland open to the reachermen. the same siege which only ended when ned made a detour there after the sack of king's landing, before going to the toj. even if lyanna may not have given birth that exact day ned found her, she could only be waiting in that bloody bed for weeks at the most, not months. so if rhaegar knocked her up the very same night he carried her off and jon was still a newborn when ned found her after the siege of storm's end had ended, wouldn't that mean lyanna was pregnant for well over a year? that's not how human pregnancy works either! so, maybe that's proof that jon and robb, whichever order they were actually born in, were actually very close in age as babies, much closer than if they were both conceived asap.

and really, jon's actual birthdate does not matter imho, when he was raised not just as the bastard to robb's trueborn heir, but with robb also known by catelyn and the world as ned's firstborn (which he was, in any case, as jon was ned's nephew by birth). what difference could a birthdate before robb's make (even were there some means of discovery) after ned, cat, and robb are all dead? if one is looking only at his birth parents then he's only a firstborn child on lyanna's side, but definitely a second son on rhaegar's side. maybe he was always meant to be a second son with a not much older half-brother! even if the aegon fka young griff is not in fact rhaegar's son, he'll still be known as aegon vi targaryen, meaning jon will never be known as any father's elder son. if i may reference mean girls again, it's not going to happen.

[dykedvonte]

wanted to say I appreciate your nuanced takes on MW and especially Curly. i don't get the claim that the fandom is full of Curly apologists when majority (esp yt and tiktok) say he's worse than Jimmy. Yes there's commentary about bro culture defending people, he def messed up in trying to placate Jimmy (tbh "we'll fix this" sounded more like trying to keep someone prone to outbursts like Jim calm and not hurt Anya/himself) but I don't think he did nothing to help Anya, since she continued to confide in him and he had less than a week to resolve it before the crash (I also don't get everyone saying he knew for ages when it seems like Anya told him that same week). I get Jimmy's a pos but saying stuff like Curly should've known he'd crash the ship or that Jim had a criminal record he ignored, reducing them to obviously horrible villain and willfully ignorant sidekick feels like a disservice to the game. If your best friend turned out to be horrible, what would you do in a confined space in the span of a few days to respond? I'd say some of the horror comes from trying to do good but ultimately failing, Curly's state after the crash is meant to be tragic horror not revenge/punishment

Thank you and this is what I want to get across.

A lot of information we have to supplement when it comes to how long things have been happening on this current ship. I think people try to add on to the horror and negligence by making things more obvious so it can feel like it was easier to avoid when, true to life, its not. Jimmy clearly didn't deserve or appreciate what Curly did for him in getting him the job, but do you think if Jimmy was that big of a menace on Earth he would've given him a position where he could have that level of power over people's lives? There's something in the fact he specifically chose to pick a position so close to himself where he could watch Jimmy.

I hate the bro code argument because that is a whole can of worms people really don't get. That sort of mentality is born from the general respect and preference of male matter over female ones. Curly is clearly not that guy, he is absent minded about the issue and inadvertently dismissive but he clearly believes Anya, he just can't understand what she's going through. It's an onslaught of information that no one really reacts right to. Additonally, the entire discussion of her assualt plays to heavy into the idea that there is fault outside of the perpertratior when it comes to SA. It's too close if she only did this or if Curly had protected her better but the fact of the matter is Jimmy did what he did. He did it before any of the conversations with Anya about it and it's why her behavior seemed to change so drastically in those last two days.

He has other conflicting thought and while his role as a Captain should've taken over, people act like it's not a very human thing to have such a toxic presence cloud your judgement. It is never easy to separate friend from coworker once that connection is formed, you want to help them, especially if they were friend first and for a long while like in this case. It's not right, but people act like it would be easy when the game clearly points out that no choice is easy to make, especially when you have to make it for more than one person. You have the weigh the consequences, look at all the options and make a plan. People can headcanon and decide how long things where happening, but if we look at what we were presented through the characters eyes, the only person given time to do that was Jimmy.

He waited two months after the crash to appoint himself Captain. Every time a problem was brought up he immediately took action and refused to sit on it and find a better solution. I think it's important to look at the warped way Jimmy takes initiative where Curly didn't as it works as a good contrast of why you don't just run in to "fix" things. The quickest and easiest option may not be the safest or most beneficial. I think some thoughts on the game suffer from the black and white thinking the game doesn't operate on along with us being voyeurs. We see what exactly led to what but the characters don't. They don't have the hindsight and foresight we do and even ours is scrambled by the non-linear story telling.

Like it's hard to talk abuou those grey zones without sounding like an apologist because you're explaining why taking responsibility isn't easy. It's not and it's weird to act like it would be in a scenerio that led up to the events of the game knowing what we know. We see all these characters in such isolated moments with various things before, in between, after and even during we aren't privy too. The idea that Jimmy is worse than Curly heavily banks on the words Jimmy was saying to Jimmy before he crashed the ship. That whatever happened on the ship was his responsibility to bare, which is true due to his position. But, are they not still not responsible for taking the actions Curly then must bare?

Like i feel like people think that these are situation that become easier with age or when you are in a postion of authority and they aren't. You don't lose your biases or gain some sudden knowledge that makes it easier. It just becomes more tiring as you keep dealing with it. I would be first in line to say Curly fucked up and should've done more but the idea he knew how bad it could get or he really saw the worst in the people around him and ignored it pretty much ignores a huge aspect of his character and the game.

[adhdtsukasa]

totally not what i intended to post today but also whatever, we ball. pinocchiop is my favorite vocap and i'm very autistic about both him and wxs, so, to honor the song campaign clues that we got today, allow me to present to you the reincarnation apple wxs cover line distribution i did some time ago — and why, in my humble opinion, it fits wxs much more than it fits niigo,

(the lyrics where the color changes each word are where the characters both sing at the same time but my notes app doesn't have the option to do a gradient)

i'm in no way expecting it to be an official line distribution because i did it based on my personal interpretation of the lyrics — and i feel like dedicating almost a whole big part of the song to each member might mess up with the game cut, but i also really would like to see them have solos of those parts — but they're here to help me explain my point better my point. so!

what i like about wandasho covers is that they are performers — and it should give them more creative liberty when it comes to their covers. that's why the reincarnation in this song could be simply treated as them getting into roles, reliving countless lives as actors. even though the accuracy of the lines sung is always nicely welcomed, the covers don't have to always be 100% fitting. and that's fine. especially in wxs' case, because that is a yet another story that they want to tell us.

people often say that the storyline fits niigo but i... don't see it at all? i mean, yeah, ena as the artist and kanade as the savior, that much is obvious (and i guess you could also say that mizuki as a revolutionary, but that is kind of a reach?). but what about the part describing the inventor that matches rui's backstory so well? what if you put main story tsukasa in the artist's place and draw the similiarities? what if you think about emu as the savior, comparing the savior's unconditional love to her wanting to save wonder stage and make everyone smile? the only match that doesn't fit quite well is nene and the revolutionary, but you can't have anything i guess. and then the adventurer part, which is a call back to the our happy ending set (i set out in search of an ideal — emu deciding to go with wxs in order to expand her knowledge and horizons) (and then you know, the end has come with the reincarnation apple)... and then lines like i'm not smart enough and i don't have a great cause could resonate with how people viewed emu and rui in the past.

"oh but isn't the start of the song a bit too dark and depressing for it to be a wxs cover?" kami no manimani starts in a similiar way and yet it still is a wxs cover.

and, putting lyrics aside, it just doesn't feel like a niigo song from the instrumental alone. i'm not a music expert so i don't have strong arguments for it, but for me it sounds absolutely like a wxs song. it even reminds me of sekahaji in a way.

does that mean you're in the wrong for wanting niigo to cover it? nope! i just simply want to explain why it fits. and i don't want people to complain that it doesn't make sense for it to end up as a wxs cover. because i will cry.

tldr: reincarnation as a metaphore for acting save me

[dawnthread]

what the pattern promised me it'd look like:

what the body, as knitted to gauge and exactly to pattern specs, looked like:

... my man is not beating the weird rat allegations, i'm sorry to say. but that's alright! we can fix him! we have the technology!