I think the ease with which the t4t community here grasped on to Gock (girlcock), shows that the acceptance of Guts (girlnuts) could soon be around the corner
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the funniest mischaracterisation 12 april bashers can make is having raph hate her. why would you, in a million years, genuinely think raph would hate april. raph. secretly soft-hearted raph from tmnt 2012. who let april lean into him like this! who celebrated april's accomplishments with her! who hung up april's tessen in his and donnie's apocalypse home!! we watched the same show right
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We only see each other at funerals
(On Jason, Thalia, Nico, Bianca, and their parallels/connections)
The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art
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@pigeonstab Oh this is fun to explore you're right
I tend to hc they don't know the story but they've picked up bits and pieces. Nightmare does not want to share, he'll avoid all attempts by others to ask about his past or what happened and he thinks he's done a fairly good job keeping them in the dark.
The problem is his boys are all Sanses. Classic Sans does not get his information by asking, he loves to read between the lines and make safe assumptions, and all his boys have a little bit of that still in them. So any time he's mentioned something off-hand or shown a bias towards one thing or another, they've been filing it away.
They don't know about his childhood (much) or what happened between him and Dream that caused all this, but they know he has a dubious past with mortals in some form and they assume it's to do with how he looks and that he feeds off negativity. They know he gets unnerved by large crowds and the sounds of apples crunching. They know he can't stand to see someone left alone in miserable circumstances.
But, alternatively, it would be really funny if he told them a fake story and they'd all been working off that the whole time
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Hank with an Eldritch Horror Reader
Here's another thing I wrote two years back! It was an interesting concept which I really liked, so I actually really enjoyed writing this request!
Hank J Wimbleton was a grunt of many things, but not one to be scared unless he had a good reason to be. There were many things in this world he did not understand, you were one of them. Upon meeting you, his first instinct would have been to either fight or run away - who could blame him, it was all he knew. No matter how many times you reassured him that the very last thing you wanted to do was to harm him, he’d draw his weapon, uncertain of whether or not he should believe your words.
Once you show no resistance towards him whatsoever and simply restrain him using your powers or other methods, that’s when, thrashing around as much as he could, he would start listening. You may or may not have seen a grunt up close, but this was your chance to finally examine one. As you scrutinise him from every possible angle Hank realises that you were simply curious about his being and finally lowers weapon.
Your voice would likely hurt his head and freeze the blood in his veins, so you might have to resort to telepathy or speak through a marionette, if you can find one. Though, once Hank’s interest in you has been piqued, he’d be more than happy to find you one. A lot of people in Nevada seem to be redundant in the first place. Regarding telepathy: You will be able to have a two-way conversation with Hank like that, but, for the most part, he doesn’t think in words. Still, he can do so, if needed.
If you’re on the rather small side, he will make an effort to pick you up, or hold you, and bring you back to base. Depending on whether you can float or not, this might be rather difficult, but he’ll try. If you’re large, however, then he will simply “tell” you to follow him. As an eldritch being you could likely either change your form or scare away anyone in your path in the first place, so he doesn’t particularly worry about anyone being stupid enough to attack you.
Spend time with him, he’ll get used to you more and more and, eventually, grow a bond with you. Proud, he’ll show you to Doc so he can figure out what you are, but do not be fooled. Hank wants to know what you are to some degree too. Once comfortable with you and certain you won’t harm him, he’ll start observing you, touching you to some degree. See how you react, how you feel, how you are.
Despite your conversations being, for the most part, one-sided, Hank will ask you directly what you are and if you’re some form of eldritch deity. Since you’re an amicable creature he can’t exactly wrap his head around, it’s worth a try.
Although he would like to do so to some degree, he won’t take you with him on missions. It’s his way of saying “I care a great deal about you, I don’t want you to die or worse even if you are capable of defending yourself.” If you really insist on aiding him, he will let you, begrudgingly. But beware that he will have your back. In fact, having you around will give him a greater reason to fight and improve his overall performance. Though, it will also be a major stress factor to him if something were to happen to you, so choose wisely.
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I actually just saw someone on tiktok say that Jayce is worse than Silco because (paraphrasing) "at least [Silco] is an interesting and well-written character" I feel like I'm losing my mind
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The room was empty! It was barely furnished with odd things, which seemed to have never been used; the furniture was something the same style as that in the south rooms, and was covered with dust. I looked for the key, but it was not in the lock, and I could not find it anywhere.
Jonathan finds Dracula's room largely empty and clearly unused. This is naturally very disturbing, but he still makes a thorough search for the key that will free him.
The room is covered in dust.
Vampires don't disturb the dust when they walk; we saw as much on May 16. But people do, and Jonathan is searching the room. He's walking across the floor at the very least, to get a close look at the treasure pile and to go through the door leading down to the chapel. But since he's looking for a key, he's also probably checking in what little furniture there is.
Is he leaving a trail of footprints in the dust? The sentence structure might just be implying that only the furniture is dusty here, not the floor, so maybe not. But then, he's possibly looking in the furniture, and no matter how he tries he'd likely disturb some of the dust in doing so. Even beyond just this room, Jonathan goes barefoot down into the chapel and crypts, where the ground has been dug. Even if his footprints weren't noticeable in the freshly-overturned earth, he might have picked up some dirt on his feet. When he fled back upstairs, did he carry some? Did he leave a trace of his presence?
(Of course, the fact that Dracula stared right at him later would surely be the most obvious way to know he had been there. But Jonathan seemed to believe the Count was fully asleep and unaware despite his open eyes and angry expression. And even if he had seen Jonathan... Dracula could be a lawyer, he's able to think like one. And what's the one thing Jonathan himself always, always looks for? Evidence to confirm what he's seen. If Dracula saw him but there's no proof so he dismisses it as a dream, that's one thing; if he saw him and then found proof that it was true, that's another.)
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