#want to know i have everything ready

[egophiliac]

he did it! 🐍 and it only took...uhhh...well, there probably could've been less punches, but why hold back!

PUNCHES FOR EVERYONE

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[wyrmwright]

bro he does NOT want to hear you practice your villain monologue

[girlsdads]

#ok it’s giving girl dad wearing his daughter’s handmade necklace special for him into work 🥺🥺😩😩

couldn’t stop thinking about this tag of mine, wrote a little smth about it 🥰

The stomping footfalls racing down the hall behind him could only be those of a toddler. Daniel turns and squats just in time for his tiny blonde projectile of a child to come barreling into his chest. The force sends Daniel falling back onto his butt with a surprised oof, his daughter giggling delightedly in his lap.

“Hey, Ellie-bug,” Daniel smiles. “Daddy’s gotta go to work, remember how we talked about it and you promised to be a big girl?” He brushes a strand of hair away from her mouth where it’s gotten stuck in a little smear of jam leftover from her breakfast. Daniel had shown Max how to make it just the way she likes—the pancake batter shaped in the silicone star mold, the silly faces drawn in jelly and jam.

Ellie’s head bobs up and down dutifully, but she makes no move to get up.

Max appears from the kitchen then, looking like a man who’s been fighting a losing battle with the second pancake. There’s a splatter of thick batter on his white t-shirt. He’s holding the spatula like it’s offended him somehow. Daniel looks at him over their daughter’s head, and loves him fiercely.

“She is of course the biggest girl,” Max says. Ellie grins proudly. “Why don’t you give Daddy your present now, then we will finish your pancakes.”

Daniel watches her grey-blue eyes light up like she’s just now remembering why she came running at him in the first place. She reaches a chubby hand into the bib pocket on her overalls, embroidered Enchanté script stretching as she roots around and produces a string of brightly-colored plastic beads. She holds it out to him expectantly.

Daniel takes the strand delicately in hand, wraps it around the backs of his fingers and rotates his wrist to get a good look. It’s a necklace, probably more of a choker given its relatively small circumference, the fat pony beads the only real indication it was made by a child. The powder pink and fuchsia beads are separated by interspersed pearlescent white orbs and clear sparkly stars. Smack in the center is a single number bead, a glittery pink three.

“Jeepers, did you make this for me? It’s beautiful!” Daniel says, and means it. He’s already been wanting to talk to his team about adding a jewelry collection to a future drop, and what better inspiration?

Ellie nods excitedly. “Papa helped me do a…,” she pauses, squints and tilts her little head, searching for the word, “…a pattern!”

“We made it the other day, while you were out with Blake,” Max chimes in. “For good luck.” He sounds almost bashful, like maybe it wasn’t their daughter’s idea in the first place. Daniel’s heart is so swollen it’s threatening to leak out through the gaps in his ribcage.

“How’d I get so lucky, huh?” Daniel muses, softly, mostly to himself. He stretches the elastic over his head, feels the smooth plastic three settle in the hollow of his throat. His pulse thrums evenly against it, grounding.

He flashes his biggest smile at his family. “How do I look?”

“Pretty, Daddy!” Ellie throws herself forward again, wrapping her arms around Daniel’s neck. It leaves him locking eyes with Max, who’s gazing down at the two of them like nothing else in the universe exists. Daniel can never quite get used to that look—still feels butterflies dancing up the back of his throat, his stomach dropped into a glorious freefall.

“Beautiful, Daniel,” Max says, reverent. “Always.”

[yea-baiyi]

say what you want about svsss but hands down the most distraught i have ever been while reading a mxtx novel is after the bing-ge extra. what do you mean he asked shen qingqiu to come with him. what do you mean “it’s not fair”. what do you mean he looked back.

[scificrows]

Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.

Some Thoughts™ I had while putting this together (under the cut):

In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.

It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]

The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]

Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]

In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]

In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]

Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.

[chirpsythismorning]

Yeah a teaser dropping on ST day would be cool. But can we agree that a DNA board reveal would be infinitely better?

[miabrown007]

the summer after finishing university in New York, Marinette gets invited to a camping trip with Alya and Nino and his best friend. which, honestly, is for the best. at least she has more time than the four years she's already had to figure out how to reach out to her one-time superhero partner, with whom she fell out of touch after the reveal.

only, it's Adrien Agreste waiting for them on the meeting point, beaming so hard at her that it's blatantly obvious they know each other well. in her panic, what is Marinette supposed to tell Alya and Nino to protect their identites, if not that they used to date?

(fake exes AU x there was only one tent)

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[fisheito]

hello... please consider... yakumo in:

the classic traditional style qipaos

the modernised and modified ones

bonus: modified hanfu

he would look wonderful wouldn't he? all the more delectable and sashimiable?

ahaha...ahah...AHAHHAH.AHAHAHAHAHAHAHAHAHAHAHAAHAHAAHAHAHAHAAHHAAHAHHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHHAHAHHAHAHAHAHAHAHAHAHAHAHAHAH

[vonn13]

Everyone talking about Kevin fumbling Jean, Jeremy and andreil, but I present to you aromantic Kevin Day.

[yuriyuruandyuraart]

Hi? Gosh how do I even start with this :'D

I know it's been ages since I've last popped up on here. I've been debating when to post this for a while, but I kept adding to my draft more and more and now it's the end of JULY omgg I felt so guilty disappearing with zero updates but then thought my birthday would be the best day to finally address this considering it'll feel less random? idk but Ive always celebrated my bday with you guys and I'd feel so bad answering your kind asks without me at least explaining why I was gone for months.

Truth be told, I was dealing with a lot of stuff irl. health issues and sudden declining grades that left me stumped and drained for months now- along with technical issues like having to replace some parts of my computer that took a while for me to find to even draw digitally, which I didn't have the time for anyway with how tired and weary I felt every day.

I'm frankly shaken up by a lot of shit rn and I don't know how to be active online with this burden on my chest- Especially as it's been a while since I've even looked at utmv related content and my motivation dwindled. I swear I'd hype myself up to post or reblog something- but I'd see just how much I've missed or the overwhelming amount of posts I'd need to go through and I'd feel so swamped with exhaustion and most importantly guilt, for not clearing the air up sooner to reassure you guys that I'm, y'know, alive, and not dead in a ditch somewhere. And I'd procrastinate cause typing it all out is hard and I'd give up halfway every time and it's just not fair to you all!

I thought I was handling it well when I started going out and socializing more, instead of staying cooped up at home on my computer all day. and in the first draft of this post I made months ago I was gonna detail some of the fun plans I had, for my life and for this blog :D but relaxing my strict study schedule and letting go a bit of my tight routine, thinking it was better than wringing myself dry to keep it up, backfired horribly, to say the least.

I know right?? so silly to be hung up on stupid shit like studies of all things! but this is a very important thing for me considering my career plans and the competitivity encouraged by everyone I'm surrounded by, the pressure of keeping up adding to my already stressful days. I had to fix myself up first and I couldn't handle the strain nor interact with people and thinking of jobs and exams sapped my energy so much it's frankly embarrassing. writing this feels so cheesy too and it frustrates me to know I could've come back a month earlier if it weren't for that, but I also know putting all of this into words then would just sound like incoherent venting (not that this is very different tbf) and I wasn't in the right headspace to address my absence, or anything really- I didn't want everyone to see me return when I couldn't muster up a genuinely positive message, let alone talk to anyone with a shadow of my usual cheer

I feel like a complete mess and It drives me up the wall how depressed I've gotten. I debated deleting this blog so many times 'cause the fear of disappointing my audience and my friends, for lack of a more fitting sentiment, made me feel even shittier. I'm constantly thinking if this wall of text is worth posting, or if it's better not to burden you all with all my sappy troubles as if it's the end of the world. Trust me, I'll be fine. I'm not trying to dramatize this situation, but I don't think I'm up to pretending I'm all sunshine and enthusiasm you're all accustomed to.

So sorry for worrying you all! I'll try to catch up, deliver some missed birthday gifts, and answer some asks while I'm at it! Again, I can't state how much I appreciate your support throughout the years. It's frankly a miracle I kept any of you around with how much I keep popping and leaving at random with no warning. I definitely can't promise for my stay to be without a hitch, and if you don't mind an inconsistent schedule you're free to stay of course, but I'm afraid I can't sustain the pace I had when I first started this blog. I'll keep posting art, but lower my activity in the fandom sphere to reduce the strain on my mental health. so fewer rants and walls of text, more art, and less stress overall. Love you all and thanks for waiting for this long <3

[lollytea]

Huntlow situationship gives me such intense brain termites you don't get it

[sarah-cam]

i've seen some people bringing up the parallel of how tim told lucy that they were worth the risk to how tim broke up with her... this is a great parallel don't get me wrong and it is so painful and i feel so sad for lucy

HOWEVER i've also seen people absolutely railing on tim and calling him a coward for leaving her and saying that this is unforgivable. i get being upset with him, i'm not saying that's wrong. but i just want to offer my take:

tim is absolutely broken down. this is the lowest point he's ever reached and it's been building and building since before we even met him. everything that happened in his childhood, in the army, with isabel, the trauma we've seen from the job these last 5-6 seasons. and now this, which has brought everything he's never dealt with to the surface. he truly believes in his bones that lying to lucy was what he had to do to protect her. even when lucy (rightfully) told him to stop, he said he can't because it's who he is. it's all he has right now because if he's going to lie and break the rules and compromise him morals, he is damn sure going to do whatever it takes to protect the people he loves.

he grew up with an abusive father who made him believe that he doesn't deserve to be loved, let alone unconditionally. he had no control in his childhood so he got that control by joining the military, and when he finally had that control?? he screwed up and blames himself for getting his teammates killed. he tried to gain back that control by becoming a police officer/to but never felt like he needed to move up any higher than that and now we know why. he didn't want to be a leader again because he didn't think he deserved it. he was terrified of losing lucy with the UC work and didn't even realize it, because when she's gone, he doesn't know what's going on and can't back her up. he has no control.

and now this? he compromised everything he believes in, as he said, "to save his career" but it's not that simple. if he told the truth, that angela and lucy knew about everything and still helped him, they would still lose everything he tried to protect them from. he can't even look at himself in the mirror right now.

he's not a coward for breaking up with lucy. he's not walking away because they had a fight and he doesn't want to work through it. in fact, she validated everything he did!! she showed him that she still loves him no matter what he did, that she would've done the same thing. but to him, that's even worse because he doesn't believe he deserves unconditional love, so when lucy gives it, he thinks that he's dragging her down because how could anyone love him after this. giving their relationship a shot was worth the risk because she is worth the risk. but him? he's not worth it

it's not cowardly to take yourself out of a relationship that you're not mentally okay to be in.

[boxwinebaddie]

my time in kindergarten has cursed me with the knowledge that kyle is def the tiny 'erm, actually!' kid in big ass fishbowl glasses who tries to answer questions that i haven't even finished asking yet, is reading books at third grade reading level like 6 y/o megamind, all of which is Great except that little fkn einstein is constantly TRYING ME by attempting to undermine my authority by staging a literal Coup in my class over who should clean up the magnetiles and ‘start shit’ aka intense philosophical debates abt BLUEY during Quiet Time.

and conversely, stan is the kid who almost gets hit by a car during pick up trying to pick a fkn ROLLYPOLY out of the gd street, needs to be told 25/8 to stop playing in the planters/stop building complex worm terrariums out of sticks and mud everyday at recess, cries anytime i have to raise my voice above a whisper, is super adhd, gets extremely overstimulated by EVERYTHING, blurts Constantly abt things he did over the weekend and drew a...Very Frightening ‘my family portrait’ of his dad yelling, mom crying, sister in devil horns and him frowning...

...In Big, Blue, Lopsided Crayon.

[n0bluev]

@fushiglow hmm….wonder who i’d draw this for all of a sudden and why… 🤔🤔