submitting mysteries by the yeah yeah yeahs for phil (seems like his alt rock vibe)
there's something about this song that i think 18-22y/o phil particularly would really enjoy. just the certain pettiness that comes with that age ig, but also the energy of "i can't imagine not coming back to you but also idk who i hate more me or you" is so,,, it's fitting, is what i'll say. i like this submission
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Thinking about the Chevalier interlude, specifically the inaugural team of Wards. Like in universe, they sell it to this first group of kids (and presumably the rest of the world) as a place for second chances, to find friends and mentors who understand what youre going through, where you can learn to use your powers safely while making good memories. The kids broadly seem to believe in these noble intentions of course, but what really gets me is that I've seen readers buy into it!
"Oh, it's such a tragedy that the Wards program became this awful thing that traumatizes kids even more, and expects them to die for the sake of civilians! It's fallen so short of what it was originally supposed to be!"
No it has not??? The fact that the triumvirate and Hero are saying it has this noble goal doesn't make it true. The Wards was pretty clearly always a way to increase the amount of bodies the prt could throw at threats, and we know this because it was started by the fucking Triumvirate as a part of the Protectorate! Alexandria literally came up with the idea of the Protectorate to legitimize the power of capes, and have a consistent source of heroes Cauldron could throw at problems. That is the whole reason for the PRT/Protectorate existing. So when we have this group of children brought in a subsidiary, there are 2 real options.
1). Cauldron and Alexandria decided they would be really niceys and created this program with no intentions other than helping these kids out.
Or 2). As things got worse, they realized the Protectorate didn't have enough manpower to do what they needed, and so they expanded it to include children (the demographic most prone to triggering). That way, they greatly increase the number of capes who they can send to fight and die as needed, and the ones who do survive their tenure in the Wards will be better trained when it comes time to join the actual Protectorate.
At the risk of sounding conceited, I think the second one is far more likely based on everything we know about Cauldron. Maybe it was originally a little nobler, and the goal was just to create more well trained heroes and cut back on young villains, but there's no way Alexandria, Doc Mom, and Contessa didn't factor in the ability to sacrifice the kid heroes if it improved their chances of success. That was absolutely a perk at minimum.
That's the real tragedy of the inaugural Wards. The kids were lured in with promises of safety, comraderie, and second chances like lambs to the slaughter. All the while, Alexandria and Cauldron knew that many (if not most) of these children would suffer abuse by the prt (like in the case of Reed), die, or face a fate worse than death like poor Mouse Protector. It's horrifying! The idea that they didn't know the danger these kids would be in is literally inconceivable. Especially when one of you is also the head of the prt! They knew, and they didn't care. It improved their chances at the end of the world, and so they did it no matter the cost.
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The Dolly version of Jolene is knowingly pathetic in the way she pleads with Jolene. The Beyoncé version is unknowingly pathetic in the way she threatens Jolene to stay away from her man, it’s giving Better Than Revenge.
Out of the two versions, the self awareness Dolly’s version has and the lack of self awareness Beyoncé’s has makes Dolly’s the clear winner.
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you cannot even imagine the amount of love and respect I have for your posts where it's a very good piece of art and then 2/3s of the post remaining are Sources
ngl I almost posted a whole essay in reply on why I like to post sources with my art, but tbh it's because I really enjoy reading and want to pass the curiosity on to someone else. like, my first impulse when I read a cool thing is to immediately make my friends also read the cool thing. sometimes.....I will even draw comics specifically because I want to talk about something I read lmao
it makes me happy to see messages like this in my inbox, even if I don't always post them! I'm glad that people are enjoy it :)
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honestly one of my least favourite things about online spaces centered around cluster b personality disorders is that they almost treat the disorders as an in joke. like its never quite anti recovery rhetoric but a lot of the times it feels like it becomes this thing where something harmful gets spurred on as a personality trait to nurture rather than a symptom to keep an eye on. freaks me the fuck out.
it could be because growing up i was pretty familiar with cluster b spaces and i lost a couple of friendships due to it becoming this whole "i have this disorder now i have to knowingly indulge the more harmful and dangerous symptoms im supposed to be treating to really prove i have this disorder!" thing.
like babes i still believe youre borderline, you dont need to go full tilt maintaining a numbered and ranked list of the people most important to you and assigning a fp role to someone who frankly is not responsible for your stability.
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I'm doing a lot of processing at the moment and turns out that Atsumu has become a very dear blorbo for dumping all of my feelings & processing into (they don't call me atsumucore for nothin')
I've written exactly two scenes for this in my phone notes app and I'm not sure if it'll ever become a fully realised fic, but boy... do I need to hear the things that are being said to Atsumu right now. And so I'm writing these scenes for myself, but I think maybe they'll resonate with a lot of the other broken trauma babies out there too
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I truly can’t believe I have to say this but I am so so sick of some people my age (namely those who are tiktok users, and therefore are deeply influenced by “woke” stereotypes about queer people and queer identities that are often perpetrated on that site) telling me that it’s weird to talk about growing up as a female or about experiencing sexism because I’m not a girl? and that it either “makes it seem like I’m not really queer” when I talk about my connection to girlhood or that these things “shouldn’t concern me.” because they very much do and that’s such an ridiculous and inconsiderate thing to say.
I was afab and whether I wanted it or not I was treated like a girl and experienced childhood as a girl. I am not out to many people in my life and in their eyes I am a girl.
as a genderqueer person I still experience and feel very connected to my girlhood and the solidarity that I have among girls and women because of shared experiences despite not often identifying as a girl myself. this is because of many factors including socialization, oppression and personal identity. truly can’t believe most people I know (and quite a lot of people online as well) still don’t understand that the oppression I have experienced as a queer person who was afab and the oppression I have experienced being seen as a girl are interconnected and that we have to address multiple layers of discrimination simultaneously if we want anything to change. this is. not new information. I can’t believe people don’t get this.
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