#very laura coded

[artplague]

I don't think about the past it's always there anyway Don't think about the past, always there anyway And I will never die, I will never die, I will never die I will never die, I will never die, I will never die I will never die, I will never die...

bonus:

[laurapalmerz]

twin peaks, cr. david lynch + mark frost // violent delights, CHVRCHES

[annemarieyeretzian]

the twins 🥹

[ria-the-camel]

made the mistake of looking at the cr tag, and on one hand I understand people getting frustrated with the Hells freeing Predathos, but on the other, as usual:

This is first and foremost a dnd game, and if my DM said “this being that trumps even the gods and has a direct hand in your creation and powers is here and you can try to fuse with it/control it”, well, I’m jumping right in baybeeee

[milfbrainrot]

the arizona cheating discourse rly was so fucking stupid. oh no bad rep lesbian cheating on her wife :(((((

i thingk. i t hink the plane crash and leg amputation take precedence here a bit . and also it was hot she should've cheated again.

[kashilascorner]

Fernando proposing to Mercedes like a vulture 😭

[widowshill]

hello thinking about 147 and roger, vicki, and david's coordinating check patterns, the similarity of their silhouettes with their shirt collars and lapels, vs laura as very distinct — a different silhouette entirely with her scarf, floral probably? but definitely non-geometric.

[tenderlady]

26, 27, 67!

ty!!!! <3

[lausticzt-a]

laura won't die for her comrades. she won't sacrifice herself. and when you first hear that of her, she sounds awful. cowardice. she does herself no justice in correcting it either. but if you fought with her then you know. it's not that she won't fight, she is the first one to demand she takes action, if you're even lucky enough to get a warning. in the corps, her captain would advise of the situation, and instead of heeding warning, she'd think; those obstacles just have to die, and the problem is solved. and she'd pull on the reigns of her horse and go. and what was once an intense worry for her unit instead became frustration that she just couldn't obey orders. she'd be yelled at the first few times. 'you have a death wish'. no, I just know I'd win.

she will fight for her comrades. she will take on any dangerous obstacle that stands in their way. but she won't view or act like it's risking her life, even when it is. she isn't giving you time, isn't saving the rest, she's 'going to take down all those obstacles in their way. because she will win. they won't defeat her.' it's not mindless arrogance, not that she's perfectly capable; her strength comes from that defiance to lose, and it's what led to those refined skills during her cadet days and survey corp days. she's a perfectionist, so she trained intensely to get everything precise; her body isn't built for physical combat, so she had to learn to adapt around it. the moment she sets her mind on something nothing could pull her away from it.

the one nice thing about laura is that she won't die on you. if you tell her to die for humanity, she'll tell you she won't. she'll live and fight instead. once she looks at something and tells herself, I have to win. there's not much you can do to stop her. she can't even stop herself. in turn, she also doesn't want people dying for her. she won't let you. if you get hurt because of her, she won't leave you alone for days. she is responsible for you now; even as she criticizes you for being stupid and that she doesn't need your protection. she sees her own life as important because it's her life, but when other people also feel that way with her it's overwhelmingly different that she doesn't know what to do with that information and ultimately appears like a prissy prick.

[queenofhawkinshigh]

Chrissy’s tag is from Invisible by Dio.

Eddie’s tag is from Steal Away (The Night) by Ozzy Osbourne.

Laura and Phillip’s tag is from Happy House by Siouxsie and the Banshees.

Jason’s tag is from I’m A Marionette by Abba.

[cl4wingdead]

how i feel knowing both wolverine and deadpool are canonically queer (wolverine being bisexual and deadpool being pan), multiple characters are implying they want each other (kidpool, bartender, etc), all the positions during the car fight scene were mostly real sex positions (LEG OVER SHOULDER.), wade being hesitant while introducing logan to blind al and logan reassuring him by just a glance was queer-coded, wade and logan basically adopting dogpool and becoming a happy family with logan's daughter laura in the end was very much intentional while marvel bros are fighting over the cause that they are not gay (they are)

[aemondsbabe]

Oathkeeper

summary: aemond comes to winterfell to vie for favor and while cregan has his mind set on backing rhaenyra, you remain unswayed. will your indecision be his saving grace?

pairing: aemond targaryen x stark!reader

warnings: mature/explicit, 18+ (minors dni!), no use of y/n, afab reader, brat taming, aemond is a little shit, choking, mild degradation, oral sex (f receiving), very lyanna mormont coded reader, aemond whimpers, he's down bad tbh he loves it, angst, allusions to violence but no actual violence, please no one kill me for the end lmao, let me know if i missed anything!

word count: 6.1k

a/n: happy 3k laura!! i'm so happy to be a part of this collab with you and so many of my other fantastically talented writer friends! check out the full milestone celebration here and the masterlist will be here!

likes, comments, & reblogs are very appreciated but never required!

gif creds to @aemondtargaryensource

divider creds to @targaryen-dynasty

🦋my masterlist

🌟add yourself to my taglist to be notified when i post new fics!

Icy air whips around you as you stand atop one of the many high stone battlements of Winterfell, eyes scanning the horizon; the grey earth and sky seem to meld together as one as the sun sets lower and lower. 

“It is our duty to hear them out, sister,” Cregan rumbles beside you, brow furrowed. Ice glimmers in your periphery when you glance over at him, the great sword strapped over your brother’s shoulder contrasts sharply against the deep black of the furs draped over his body, “If they come to us for aid, we must negotiate.”

The air around your lips turns to mist as you scoff, jaw clenched. Today, of all days, you could do without your brother’s condescending tone. 

“Negotiate,” you echo, pulling the thick white fur of your cloak more snugly over your shoulders as the wind seems to pick up, “They come with hardly any notice, with two dragons, and you still believe this is a negotiation?”

“Sister –”

“To call it anything but extortion is a fool’s game, Cregan,” you keep your eyes straight ahead, focused only on the horizon, when he turns to glare at you, nostrils flared. 

“Need I remind you that we are sworn to House Targaryen? That we have been for –”

“Which House Targaryen?” You swiftly counter, cutting your gaze to his with a biting scowl of your own. The wind gusts again yet you pay it no mind, hardly noticing when a shadow passes overhead. 

An all encompassing roar seems to vibrate the very air around you and you whip your head up just in time to see a behemoth of a beast duck down below the clouds, followed swiftly by a smaller, though no less monstrous, one that lets out a resounding cry of its own. 

“Gods be good,” you sigh, already feeling weary of this whole endeavor; you roll your eyes when you look to Cregan, only to find him positively beaming, entranced. You, however, would not be so easily wooed – of that, you were determined. 

Glowering, you turn your face to the sky once more and watch as the creatures circle one another, huffing when it dawns on you that their movements strikingly resemble two riders racing on horseback, goading and taunting one another. 

Shaking your head, your chest heaves with a tired groan, Seven Hells.

“I shall see you in the Great Hall when you have finished fawning,” you sigh once more before turning, leaving your brother to stand like some open-mouthed whore, gawping at the sky.

“My Prince and… my Prince,” Cregan’s voice echoes throughout the great stone hall, accompanied by the steady crackle of the enormous fireplace at its back wall, “We bid you welcome to the North, I trust your journey’s were pleasant ones.” 

The tension in the air is nearly palpable as you stand beside your brother, carefully watching the two dragonriders.The one on the left, Prince Jacaerys, stares straight ahead at Cregan, as if he doesn’t trust himself to look anywhere else. His dark brows are set in a slight scowl and his gloved hand hasn’t once risen from the pommel of his sword since he dismounted his dragon, who you’ve been informed bears the name Vermax.

Your gaze, however, seems continually pulled to the right, determined to see through the cool mask of indifference Prince Aemond wears. Unlike Jacaerys, his singular lilac eye had been busy flicking all about the space, though he stood stock still with a haughty manner about him, hands clasped behind his back. 

“‘Twas a fine journey, yes,” Aemond hums, looking first at Cregan and then to you; his gaze is piercing and you can’t help but wonder if the rumors among the smallfolk are true – that he’d replaced his lost eye with some sort of gemstone, “Vhagar and I were fortunate to not encounter… anything of note.”

Your eyes move quickly to Jacaerys, breaking from Aemond’s stare once you catch the pointed tone of his words, slicing through the air like daggers. His jaw clenches, though only for a second, as you silently pray that this does not end in the two men coming to blows, or worse. 

“My journey was quite pleasant, my Lord Stark, thank you,” a small part of you is impressed that he seems determined not to let his emotions run amuck. He steps forward and pulls a rolled piece of parchment from the inner pocket of the thick, fur-lined cloak he wears, “I come with a message from my mother, the Queen.”

Beside him, Aemond quickly steps forward as well, producing a similar scroll, close enough to you that you’re able to just make out an image of House Targaryen’s three-headed dragon embossed on the golden wax seal. “And I come bearing a message from King Aegon, Second of His Name,” he pauses, looking between you and Cregan, glancing almost imperceptibly toward Prince Jacaerys, “Who currently sits the Iron Throne.”

“Usurper,” Jacaerys mutters under his breath, nose twitching in annoyance.

“Say that again,” Aemond’s voice is low as he whips around to face Jacaerys, all but shoving the scroll he brought into your hands. 

“That is my mother’s throne,” the brunette replies, simmering with a barely contained rage as he hands over Rhaenyra’s terms to Cregan in a similar manner, “Your drunken fool of a brother has no right to it.”

Your heart thrums in your chest as they stare one another down, the hostility between them seems to suck all the air from the room and bathe it in a silence you’ve only ever felt in the crypts. 

“And who would bend the knee for a whore with bastard heirs, nephew?” Aemond’s footfalls echo about the hall as he stalks around the other prince, circling him with a goading smirk, “She could not honor the oaths made to her husband, I shudder to think what would become of her promises to the realm.”

Your eyes widen and a gasp is wrenched from your throat when Jacaerys whirls around with a snarl and the sound of metal-on-metal grates through the air as both men unsheath decorated daggers from their belts; they stumble a few steps back, chests heaving as they each wait for the other to make the first move. 

“Do it,” Aemond taunts, lips twisted into a wicked smile while he and Jacaerys circle one another. Raising a hand, he pulls the black leather eyepatch from his face and tosses it to the floor, clearly relishing the way the other prince falters at the sight of his uncovered face. The deep blue sapphire he reveals gleams in the light from the fire, the sight of it makes your breath hitch, “Finish what your bastard brother started, go on.”

“Cease this!” Cregan shouts, voice firm, though he may as well not have spoken at all for all the good it does – each man only sparing him a glance. 

“I did not come to fight you,” the brunette huffs, scowling at his uncle while keeping a firm grip on the hilt of his dagger.

“No?” Aemond questions sardonically, “You’ve no wish to prove your might, hm? To show the realm how strong you are?”

The remark sounds like any other taunt to you, yet something about it seems to make the fire simmering within Jacaerys blaze closer to the surface – too close. You can see it coming before it happens from the way he tenses, from the miniscule twitch of his hand.

Acting quickly, you lunge for the great longsword strapped to your brother’s back and unsheath it without a second thought. Cregan reacts just as swiftly and clambers for you when you turn on your heel and rush over to where the two men glower at one another. From the corner of your eye, you see Jacaerys lunge forward but you cut off his movement as you swing Ice over your head. 

Metal crashes against metal, filling the hall with a shrill clang, before the great sword slams against the stone floor with a cacophonous din. Everything comes to a sudden halt as the loud noise sends a shock through the hall. 

“Enough!” The word leaves your lips as a snarl while you stare between the two men, nose twitching in annoyance, “How dare you sully our home with such feckless, asinine bickering!” 

Each of the princes sheaths his dagger in silence, though you hold the sword between them still, the tip of it digging into the stone as you keep hold of the pommel. “I’ve no doubt that were those creatures outside to engage like this that they could easily rip Winterfell to pieces, stone by stone, and yet they remain peaceful! Tell me, do you have baser morals than that of a beast?” Your voice is low as you speak, every ounce of patience you had for this idiotic farce wrung from you, “Is this the kind of man House Targaryen sets upon the realm?” 

“Apologies, my lady… my lord,” Jacaerys murmurs, glancing between you and Cregan before quickly staring down at the floor, his jaw set. 

You give him a curt nod before training your eyes on the silver-haired prince and narrowing them expectantly; he holds your gaze for only a second before looking off into the fire with a sigh, “Apologies.” 

Cregan reaches for the sword again and this time you relinquish it without a fight, turning your attention back to the two scrolls abandoned on the longtable – one carrying a gold seal, the other a black one, both bearing the three-headed dragon emblem.

Your brother sighs behind you and you can practically feel him throwing an icy glance at the two men before he joins you at the table, leaning back against the edge of it and crossing his arms over his broad chest. 

“We will hear your terms,” he starts, ignoring the way your head whips around to face him, “As is our sworn duty, but there will be no violence in these halls.”

“No.”

“Sister –”

“Not tonight,” you shake your head firmly, glancing over your shoulder at the princes before leaning closer to Cregan, voice low enough that it doesn’t carry in through the hall, “‘Tis late and they are on edge as is. Any negotiations will not go peacefully tonight.”

He turns his head toward you with a soft sigh; you tilt your head just slightly when your eyes meet, communicating silently, with only a look, as you have since the two of you were small. 

“Please,” you think, your gaze flicking between his blue eyes, lips set in a firm line, “Listen to me, just this once.”

Finally, after a long moment, he simply nods and looks back at the two men still standing in the hall, looking pointedly away from each other now. 

“We will hear your terms in the morning,” you announce, turning to face them, your expression set and neutral, “The hour is late and I imagine the two of you are tired from your travels, the –”

“Lady Stark,” Aemond starts, stepping forward, jaw clenched with barely contained annoyance, “W–”

“We will hear your terms in the morning and that is final, my prince,” you repeat, enunciating each word firmly, leaving no room for whatever argument he was intending to make. You glance between the two men again, watching as he gives a polite, stiff nod. 

Sighing tiredly, you give Cregan one last withering look before turning on your heel. “The servants will show you to your quarters,” you call over your shoulder, grabbing the gold sealed scroll from the longtable on your way to the doors without sparing the men another look. 

By the grace of the Gods, you manage to have a few peaceful hours to yourself. The castle remains quiet, save for the usual bustling of various servants and guards. The crackling of the small hearth in your chambers is the only sound that accompanies you while you read over the terms Prince Aemond brought with him, which were fairly generous, all things considered. 

Only one point gave you pause, perhaps King Aegon’s greatest gift – the offer of his brother’s hand. You wrinkle your nose in disgust when you read over that bit, although you had expected it. It’s no secret that you, Winterfell’s greatest prize as you’d been told time and time again since you were old enough to even somewhat comprehend the idea of marriage, are unclaimed. Of course the Greens would exploit that, the Blacks probably did as well.

Of course any other weaker Lady would take the offer. 

Unconsciously, you clench your jaw as you gaze into the fire, watching the flames dance while you think over the terms set before you, etched cleanly on the parchment. You get up from your place at the desk to go see if Cregan has finished reading over Rhaenyra’s terms, quite curious to see what it is she’s offering up. 

“Gods!” You exclaim when a sudden knock at your chamber door cuts through the peaceful silence of the night, startles you enough that you grab at the edge of your desk to keep the bottle of ink there from spilling. Corking it, you let out an annoyed little grumble as you stand.

“Enter!” You call out, smoothing out the silken, fur lined fabric of your evening robes, the soft blue color sparkling like seafoam in the light from the fire. Your brows pinch together in equal parts annoyance and intrigue as a certain white-haired prince saunters through the door, his lips set together in a firm line, as if deep in thought. 

“Prince Aemond,” you huff, bristling when he closes the door behind him, “The hour is quite late, surely whatever you’ve come for can wait until the morning.”

He pauses at that, not moving from his place in the entryway. Confusion wells up within you when he doesn’t meet your gaze, his lilac eye blinking as his lips open just slightly – something clearly weighs quite heavily on his mind. 

“I apologize for the late hour, my Lady,” he murmurs, finally looking up as he takes a few steps into your chambers, arms clasped behind his back, “But I do not think the matter can wait until morning, no. I don’t believe that would be wise.”

“Speak, then,” you nod with a sigh, resting against the arm of a small sofa by the fire. You try your best to hide your annoyance, feeling certain that whatever the Prince had come to you with is not nearly as serious as he seems to believe.

Aemond remains quiet for a few seconds more and you can practically see the wheels turning in his brain, something brewing just below the surface. “I… Did you intend to make a fool of me, Lady Stark?”

“What?”

“I’m aware that my coming, and that of my nephew, were… sudden,” he continues, leaving you utterly perplexed, which only makes you clench your jaw, already exasperated at this entire exchange, “But, had you and Lord Cregan made it clear that you had already come to an agreement, I could’ve left — been on my way to the Stormlands and saved us all the trouble.” 

“Seven Hells, why must he speak in riddles,” you think, squeezing your eyes shut and pinching your brow tiredly. 

“Prince Aemond, perhaps I could be of some help if you spoke your concerns more plainly,” you sigh, crossing your arms over your chest and peering at him once more, “However, I can assure you that Cregan and I have decided nothing. He and I have planned to take the evening to read over yours and Prince Jacaerys’s terms, which we will discuss in the morning.” 

“Mm, then am I to believe that your lord brother plots without your knowledge, my Lady? I find that hard to believe.” 

“Excuse me?” 

Aemond paces, smirking as he traipses back and forth before you, acting like he can see clearly through some false plot you’ve set… if only you’d set one at all. 

“I overheard them, Cregan and Jace, in the library — I cannot seem to find sleep and thus was wandering the halls,” he murmurs, quickly explaining his actions before you have time to ask, “Surely you’re aware that your brother intends to support my traitorous sister.” 

His words should come as a shock, that Cregan would do something like this behind your back, and yet you can’t find it within yourself to be truly surprised. Ever since he’d become Warden of the North, he’d become… hardened, even to you. Before, he would’ve never dared do this, would’ve considered your thoughts as carefully as his own, but not anymore. 

“My brother may be decided,” you start, voice clipped, “But I have yet to come to a decision.” 

The prince hums yet again, something he seems to do often much to your great displeasure. He studies you for a moment, lilac eye never wavering from yours, before looking away with a tsk. “And yet, from what I overheard, he seems quite convinced that you have.” 

You scoff at that and push yourself off the arm of the sofa, placing your hands on your hips as you blink at him for a moment while the corners of your lips twitch with the threat of a smirk, “I must confess, my Prince, but I do not know how to proceed. We seem to be at an impasse – I assure you of one thing and yet you cling to your belief in another.”

“So it would seem.”

His calm reply does nothing to lessen your irritation and your chest heaves with a sigh, jaw clenching. “Well, then,” you huff, no longer patient enough to keep the frustration out of your tone, “What would you have me do, hm?”

“Perhaps,” your eyes narrow at the indifference with which he speaks – an act, you’re sure of it, “It would bring me some comfort if we could come to some… agreement of our own. As your brother and my nephew seem so eager to do.”

“As I’ve said, I do not wish to discuss the matter further. ‘Tis late, my Prince, and I see no point in staying up half the night to do something that can be accomplished just as well tomorrow.”

“Mm,” he hums, pacing around you and further into your chambers, to your great annoyance. You turn, watching him as he saunters through the space, acting as if it’s his own, only to come to a stop beside your desk. 

An exasperated sigh leaves your lips just as he feigns surprise at seeing the scroll he’d brought with him unfurled over the wooden surface, “But, you have read the king’s terms, no? Surely discussing them would not take long.”

“Discussing them, no,” you acquiesce, gritting your teeth, “My thoughts of accepting them, on the other hand…”

You can tell he’s only half-listening as you speak, focused on reading over the notes you’d scrawled in the margins of the document – questions of various assurances and the like… aside from one particular line which you’d hastily crossed through. A shiver goes down your spine when his eye trails up from the parchment to once again meet yours, darkened with some new sense of resolve.

“You are aware that the crown has the ability to strip you and Lord Cregan of your titles, yes? Especially if I were to inform my council of your plot against me…”

Your heart quickens at his warning, thumping meanly in your chest while you try to process his words. “All this over a simple marriage offer?” You think as your brows pinch together in a scowl; you do not take kindly to such threats.

“Over my brother’s right to the throne…,” Aemond murmurs and it’s only then you realize you must’ve spoken aloud, not hearing your own words due to the turmoil in your head, the rush of blood in your ears, “Over my family’s safety, yes. I would be willing to dole out harsher reminders as well, if need be.” 

“You must understand, this is not a slight against you, nor your council,” fire rages within you as the winds outside pick up, howling throughout the castle, “I have no want to be bound to anyone –”

“Think of the station you’d have,” he cuts you off, determination seeming to well up within him the same way it does you; each of you is ready for a fight, “The power you could wield in King’s Landing, everything you could do to benefit –”

“You could not drag me from the North kicking and screaming, I have no desire to go –”

“My Lady, you are intelligent, ‘tis plain to see,” he murmurs lowly, indignation finally managing to bleed through his placid exterior while he paces about, circling you just as he did Prince Jacaerys, “Surely you realize that your talents will be wasted here, squandered to the cold, frozen waste –”

“Do you think insulting my home is the way to win me over, my Prince?”

“Mm,” his dismissive hum alights a spark within you and your hands curl to fists at your side, “No, though I suspect flattery would do no good either.”

His words are sharp, spoken with the sole purpose of cutting into you, yet all they draw is an angry huff. You can see his eye narrow in your periphery, can feel him studying you, no doubt trying to find a way to make you crack. 

A part of you hopes he’ll succeed. 

“So, you see, I’ve no other choice than to resort to threats,” he hums, long silken hair swaying over his shoulders as he finally comes to a stop before you, close enough that you’re forced to raise your chin to maintain eye contact. 

“Should you be fool enough to try, you will not succeed in taking the North, my Prince,” you say softly, a quiet calm blanketing your fury just as snow blankets the fields outside, “Even Aegon the Conqueror could not, surely you know that.” 

Something dangerous flashes in his eye at that and your eyes narrow with the knowledge that you’ve crossed some invisible boundary, gone a step too far. 

He stays quiet for a moment, just long enough for the eye of the storm within you to pass, for the maelstrom to be ignited once more. 

“Surely you’ve heard tale of the wrath the Conqueror brought upon Harrenhal, Lady Stark,” his voice is low when he finally speaks, though there is no softness to it; only a harshness, a finality, that would surely make anyone else grovel for forgiveness at his feet, “Reduced to a pile of ash and molten stone… even now, more than a century later, it stands as a ruin – a cursed place…”

Your jaw clenches tightly at his words, eyes narrowing as you stare into his own as if challenging him to say it, to finish his threat.

“It would be quite a shame if that same doom was brought to Winterf–”

Aemond lets out a grunt when his back thuds against the stone wall behind him, gasping and caught off guard by your sudden advance. 

“Have you no shame?” Your words are biting as you snap at him; fury pours off of you in waves, your entire being concentrated down into rows of gnashing teeth, “You come into my home, unbidden. You threaten to spill blood in my hall, you feel entitled to my time and my space and my thoughts and my hand, all unbidden.”

For the first time all evening, the prince seems to have no response, not even a condescending hum. He stands frozen on the spot, held against the wall by your forearm pinned across his chest. The air feels like it evaporates from the room, leaving the two of you in some sort of bubble where the only sound is Aemond’s harsh pants. You see his angular nose twitch and his lips press firmly together as a sneer forms on his pale face. 

There’s a cruel, almost savage, gleam in his eye that should scare you, that maybe actually would, were it not for the soft pink flush spilling across his cheeks and an undercurrent of something resembling shame in his gaze – the expression of a child being scolded by a parent, caught doing something they shouldn’t. 

The strangeness of it brings you to heel for a second, only for the anger within you to flare up once more when he starts to open his mouth, starts to push himself off of the cool stone at his back. 

“Don’t,” you huff, narrowing your eyes and pressing back against his chest. A bitter laugh bubbles up from your throat as you stare at him, surprised once more when he quickly gives in and lets you push him back, “I bet you’re quite used to getting your way, hm? You’re a prince of the realm, of course you are.”

With each passing second, your ire for him seems to be slowly replaced by a growing curiosity — Why isn’t he fighting back? What kind of game is he playing at? 

“Entitled prince,” your heart quickens when his breaths start coming more harshly and his chest heaves against beneath your arm, “You hold no power here.” 

Aemond’s nostrils flare and his lilac eye narrows, just as fiery and intimidating as before. Your lips part when his hands come to rest on your waist, far too delicately for the situation. 

“Might I remind you,” he mutters, a rumble to his voice that hadn’t been there before, “That the crown—“

“The crown, the crown, the crown,” you lean in, nearly on your tiptoes, just a hair’s breadth away from touching your nose to his. Without considering the movement, your free hand wraps itself around his pale neck, not squeezing but merely resting there, pressing against his Adam’s apple — a reminder for him to remain silent, “Why is it that you lean so heavily on something you do not even have, my Prince?” 

You can feel him swallow against the palm of your hand, once again not fighting back. Though, it’s only when you meet his half-lidded eye and see that heady, shameful spark hiding there does the truth finally hit you. 

“Gods, he likes this,” your eyes widen ever so slightly at the realization, such a mighty, fearsome prince and yet he’s all but melting under your touch. The feeling is rather intoxicating and you feel a rush of power flow through you, making the hair at the nape of your neck stand on end. 

“I don’t see a crown on your pretty head,” you continue leaning into the feeling, intending on leveraging his submission to whatever extent you can, “Doesn’t that bother you, Aemond? Hm? Being reduced to the second son when you could’ve been so much more…”

“V-Vhagar could—“

“Vhagar could do nothing,” your fist tightens around the column of his throat as you press yourself more tightly against him, the thin fabric of your evening robe the only thing separating you from the warm black leather of his tunic, “Not if I take my brother’s sword and go slit her great belly myself.” 

He balks at that, brows furrowing as he stares at you — half in fury, half in wonder. He opens his mouth to say something but you cut him off again, not interested in hearing another half-baked threat. 

“Does it bother you that I don’t find you the least bit intimidating?” You question, narrowing your eyes at him. 

A grin blooms on your lips when he just barely shakes his head, the movement so subtle and so quick that you hardly catch it — though it sends lightning down your spine all the same.

“No? It doesn’t bother you, does it?” Again, he shakes his head, more firmly this time; his throat bobs beneath your grip, “Do you like it? That you can’t scare me?” 

He nods — not good enough. 

“Say it,” you command, tightening your grip on his neck once more. 

“I… I like it…,” he answers after a long moment, his voice hardly a whisper.

“Good boy.” 

He whimpers, the small sound vibrates against your hand. A shock goes through you and before you can fully register what you’re doing, you release his chest and neck and haul him toward your bed — that barely there whine enough to ignite a fire in your belly. 

You can see the confusion written plainly on his face when you sit on the edge of your mattress and gaze up at him expectantly, you try not to focus on the little flip your heart does at the fact that he’d followed you so willingly, like a little puppy. 

“Kneel,” you command, nearly giddy when he actually does, actually sinks to his knees before you. You lean forward and quickly tug off his eyepatch, eager to see the sapphire once more, and again, you’re shocked when he doesn’t put up a fight. 

Tossing the small scrap of leather to the side, you stop for a moment and admire the glimmering gemstone, even admiring the long, thin scar that adorns his otherwise flawless face. 

“You’ve been a thorn in my side all evening,” your fingers card through his hair while you speak, your voice low, hardly louder than the crackle of the logs in the fire, “Starting fights, coming to my chambers in the middle of the night for matters I said I would not be discussing, talking back… and I can think of much better uses for this mouth.”

Aemond’s breath hitches when you cup his jaw and skim a thumb over his bottom lip, grinning when he just barely follows your touch. With your free hand, you tug your robe open at the slit going up your leg, just enough to show him you’re bare beneath it.

“If… if I do this, you’ll back Aegon?” He rasps, staring up at you from his place on the floor as his hands come to rest gingerly on your thighs, “You’ll agree to his terms?”

“Of course…”

“… All of his terms?”

“All of them,” you echo breathily, sighing softly when he leans in and kisses the top of one knee, a smug grin on his lips despite the situation. 

If only he didn’t make this so easy. 

“Enough talking,” you grab at his pale hair and shamelessly pull him to where you need him, smirking at the little gasp that leaves his lips once he’s face to face with your center, “Show me what it is I’ve agreed to.”

For all his faults, Aemond doesn’t make you wait and quickly dives in — licking a solid line up the middle of your folds, groaning as he goes. His hands tighten around your thighs and he eagerly spreads them wider, shifting on the floor until he’s pressed closer to you. 

“Oh, f-fuck!” You gasp, leaning back on an elbow, though you keep a grip on his hair and use it to drag him directly to your aching pearl, arching your back when he hungrily suckles at it. His eagerness makes the fire in your belly burn bright right away and you swallow thickly, battling against the dryness at the back of your throat. 

Aemond growls against you and dutifully licks over your bud, flicks his tongue against it again and again until your head spins. Your thighs tighten around his head but he’s quick to press against them once more and hold you open, fingers digging into your supple flesh. 

“Good boy,” you pant, relishing the way his eye rolls back. Biting at your bottom lip, you yank his hair once more — guiding him to your entrance. He catches on quickly and another almighty gasp is wrenched from your throat when he pushes his tongue inside you, making you shiver. 

“Seven Hells!” Your hips buck against his face of their own accord when his angular nose brushes against your pearl, sending a jolt of pleasure down your spine. Your walls clench down around his tongue, pulling twin whines from the both of you. 

Knowing you won’t be able to hang on for much longer, you press his face against your core and rock your hips more earnestly against his face; your eyes nearly go cross when he groans deeply against you, squeezing at your thighs hard enough to surely leave behind bruises. 

“T-That’s it, that’s it,” you chant, chest heaving. It feels as if lava flows through your veins each time he presses his tongue against you, the fire inside you burning brighter by the moment. 

Suddenly, he moves on his own accord and nips softly at your pearl before suckling at it once more. The sudden turn of events causes you to snap and finally slip over the edge, making fireworks explode behind your eyelids. 

“A-Aemond, Gods!” You cry, harshly tugging at his hair, nearly ripping it from its roots as pleasure beats against you in waves. You’re so lost within yourself that you hardly hear him growl against you, low and heady. 

You shove him away after a moment when his touches begin to border on overstimulation and lie panting on the bed, dropping to your back against the warm blankets and staring, half-lidded, at the ceiling. 

You can hear the shuffle of his clothes as he pushes himself up off the floor but you don’t bother sitting up, limp still from your peak. It’s not until he speaks that you finally look up. 

“I take it I’ve fully persuaded you, then?” He hums, sounding entirely too pleased with himself. Leaning up on your elbows once more, you look him over — taking in the flush on his cheeks, the way his chest thrums under the dark leather of his tunic, the evidence of his arousal pressing tightly against the ties of his trousers. 

Gods, what a desperate thing — wanting so badly for validation.

“Well, I’ll still need to read over Rhaenyra’s terms…”

“But —“

“But nothing,” you snap, sitting up once more on the edge of the bed, “I must at least operate under the pretense of being fair, no? Cregan will know if I don’t come to collect the papers your nephew brought.” 

Aemond nods stiffly, lips set in a thin line as he looks you over. Your heart speeds up just slightly when his lilac eye pauses at your chest, darkening at the way your robe has loosened, showcasing your cleavage. 

“True,” he acquiesces, brushing a lock of hair from your shoulder, “It would be smartest for us to be careful now…” 

He leans down, intending to kiss your cheek, perhaps even your lips or neck, but you put a hand up to stop him — shaking your head with a small smirk and a raised brow. 

“That’ll be all.” 

His brows furrow at your words, eye searching your face, “I thought —“

“I need to rest,” you cut him off, nodding to the door, “Goodnight, my Prince. I hope sleep finally finds you.” 

“I…” he starts, staring at you for a second, absolutely crestfallen, before simply nodding. “Lady Stark,” he mumbles, finally turning and seeing himself out, hands clasped behind his back. 

“Poor thing,” you think with a sigh as soon as your door shuts behind him, “He has no business here.” 

You’re hit with a wave of deja vu as you take your place next to Cregan, each of you standing before the long table at the head of the Great Hall. Once again, the place is as silent as a crypt, the only sound being the steady crackle of the fireplace. 

You stare straight ahead, focusing intently on the opposite wall while your brother addresses the two princes — exchanging morning pleasantries and worried smiles. Throughout his small speech, you can practically feel Aemond’s gaze on you, like he’s determined to sear a hole straight through you. 

“I have read your terms carefully, both of them,” Cregan states, each of the scrolls laid out on the table behind you, “And I propose that House Stark honor will keep faith with its alliance to Lady Rhaenys, in memory of the oath we once swore to King Viserys.” 

“Very well,” Prince Jacaerys nods, giving your brother a small, polite smile and grateful nod. 

“And what say you, my Lady?” Aemond cuts in, determined to force your hand, for you to make good on your assurances from last night. 

The desperation in his eye almost makes you feel bad.

With a sigh, you finally look up at him for the first time all morning, immediately noting the dark circles beneath his eye. Breaking from his intense, nearly pleading gaze, you look toward Prince Jacaerys with a small smile.

“I’m afraid I must agree with my dear brother,” your voice is cold, emotionless as it rings throughout the stony room, “House Stark will not be breaking its oath today.” 

Aemond lets out a sharp, stuttering breath, as if he’d been punched in the gut and his shoulders sag in defeat. 

And you almost feel bad, only for a moment. 

Almost.

thank you for taking the time to read! hope you enjoyed! :)

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[shorthaltsjester]

endlessly thinking thoughts about cr characters, morality, and selfishness (likely place for me to be, given that my day job includes endlessly researching ethics and meaning of life) but in light of bell’s hells most recent illustration of their insularity and individualism, I’ve been really like. Trying to unpack why I find it particularly egregious in this party when obviously mighty nein were notoriously self-interested, especially at the beginning, and when vox machina had quite a few moments where their horses were far higher than they had any reason to be. And again, I really want to make it clear her that I don’t hold self-interest or selfishness to be some abhorrent and unforgivable thing, in fact I think its incredibly normal especially given the context of main characters in a story told through game mechanics that flourish on the interest of the individuals making the choices. I’ve written before about how one of the throughlines that I’ve seen in laura’s pcs (since I’m someone who particularly enjoys looking at the moral outlooks characters develop) is a common thread of morality that’s highly dependent on their own interests. And like, this is a positive throughline to me! Without getting into my own views on morality, it is particularly compelling to me for characters with isolated upbringing (which applies to vex, jester, and imogen, each in different ways) to develop a moral code informed by that isolation, and in vex we see her moral code is ‘anything goes if it protects those I hold dear’, in jester we see a moral code that doesn’t care about morality as much as it cares about the chance to care and be cared for, and in imogen we see a moral code developed in response to her very unique experience of hearing the darkest parts of people and judging them on those (which to be clear, i am not judging her for that fact, I think it makes extreme sense for someone who hears the thoughts the people have to be horrified by those things, but it does mean her moral system is almost completely backwards, where intention holds more weight than action, which perhaps makes sense of the popularity of defending all of her ideas and choices and the Right Ones by certain parts of the fandom that insist leftism is hidden in the dnd real play). And that’s all to say that, out of the cr parties we’ve seen, I don’t think any single member of bell’s hells is uniquely more or less selfish or more or less of an asshole than previous characters. And in fact, I tend to be quite fond of selfish characters, I have a well documented history of cherishing them well beyond the cr fandom. But the point is that my calling something or someone self-interested is not a value judgement in this context, it's a descriptive claim about the traits a character exhibited.

Imogen, who has insisted time and time again re: the values of the accord that she would not be swayed by the temptation of predathos because she recognizes the importance of this fight, only to turn around and pretty immediately open herself up to predathos to fulfil the most threatening part of ludinus’ plan is self-interested. I cannot conceive of any other way to describe her choices. And her being self-interested doesn’t mean she can’t also be altruistic at times, but I will be clear that I don’t think her risking killing herself as she attempts to bring down the god-eater that she released is particularly selfless. In my best faith interpretation I’d say she’s pretty middle of the road in that choice. But I bring all this up because a comparison I’ve been seeing is that bell’s hells aren’t as mean as the mighty nein or even vox machina in certain moments and that it doesn’t make sense for the fandom to view bell’s hells as likely to be villains when the same wasn’t true of the previous two campaigns, and I think I have to pretty emphatically disagree, and not because I don’t think there aren’t moments in both campaigns that feature extremely high levels of assholery and villainry from pcs – I mean, some of my favourite cr characters are percy and jester, both of whom i’d say are ‘good guys’ due to the pure luck of the found familys they fell in with and both of whom often suggested plans that were. Not okay. To say the least. But ignoring the difference between suggesting fucked up plans and walking your god-eater infused bestie back towards the troops sent to support you in keeping that entity contained, the other big difference I’ve noticed in my own introspection on how I react to bh vs mn and vm, as well as which things i cherish about previous campaigns that were really missing from c3 to what I think is the story and the character’s detriment (staying away from the shape of the narrative, just because others have made posts that put words together better about that than I can) is that while members of vm and mn remained self-interest to the end of their campaigns and have reasserted those habits in appearances since, the parties as entities working in exandria had both, to echo ashton’s apt suggestion to ludinus, grown up.

Like one moment I think of is beau and fjord’s convo in the nein hells episode, because beau is being her asshole self and fjord is being his ‘I care about My People and I’ll think about the rest later’ self (i say affectionately but certain parts of the fandom I recognize would view derogatorily) – clearly they’re not the kindest people as they discuss bell’s hells, but two notable things are (a) they still treat the hells with the respect and use their means to help them prepare for the battle coming, even when they hear the horrifying thought that the hells aren’t certain they’ll choose to save the gods, all the nein request is that they choose the kind option (b) they say none of their doubts to the hells themselves – likely because they have the empathy to realizes that its a high stress situation that won’t be made better by a reminding the hells how small and likely ineffectual in the universe they are – and their comments about cannon fodder are ones made in jest to each other. Even taking that in the worst faith interpretation, the jokes that beau and fjord make in a private conversation has absolutely zero influence on bh. This is quite different than bells hells, after like. as clearly betraying the accord they promised to assist (even if their intentions are ‘good’) as is possible, belittling the religious armies sent to support their endeavor to keep predathos sealed as they all feel the weight of an irrevocable change occurring in exandria, one bells hells has first account knowledge now that it IS incredibly willing to eat mortals, and laudna and ashton, the members of bells hells most often cited by certain fandom spaces as characters who have gone through so much and it only made them kind and strong, look into the faces of people facing literally existential threat and laugh and mock them. That is, mighty nein as individuals is comprised of some of the, perhaps, most asshole pcs, but The Mighty Nein as a party is committed to treating others the best they can, to leaving things better than they found them (a quote that I think is particularly exemplary of the dynamics of self-interest at play in the mighty nein, since it originated as a blatant illustration of molly’s notion of self-importance but developed to become a kind of commandment that the nein became committed to fulfilling). The opposite is true of bell’s hells, where orym and dorian at least both seem to have motivation beyond themselves, imogen’s changes but has shown she is capable of letting go of her ‘intention reigns’ requisitely individualistic perspective, and chetney plays up his selfishness but has shown himself to care quite a bit for people beyond their party but bell’s hells as an entity is uh, pretty self-interested.

To clarify some of my thoughts here in the spirit of the wicked renaissance happening rn, I’ve always felt that for good was an incredibly apt song for the mighty nein, because it really nails that feeling that perhaps they didn’t change each other as individuals to become better people on the grand scale, maybe they’ve just changed each other permanently, but they (and I would agree with this) view each other as having changed each other for the better (e.g., I don’t know if I could say whether jester is a morally better Individual at the end of the campaign, but I can say with certainty that she fulfils and makes moral choices in her work as a member of the mighty nein). And I don’t know if this can be said about bell’s hells – I think they have certainly influenced each other and changed how alone many of those characters felt, and that is not a slight on the story, it can be a great centre for a story to focus on how a relinquishment of the feeling that one is alone in the world can change them. But for the most part, that hasn’t been bh’s story, their story instead has been about validating their refusal to become anything beyond what they insist was out of their control. And not to get to annoying philosophy student about it but bell’s hells are maybe some of the most explicit examples of sartrian bad faith I’ve seen in fiction in a hot minute, because their insistence that they treat their wounds as incurable and entirely out of their hands has led to them limiting their own potential because many of them ignore their responsibility as people to make choices in their own lives. In contrast, at the end of the campaign, mighty nein are still assholes as we all like to refer to them as, but in the context of an apocalypse, I think I’d prefer the assholes like fjord – who is certainly being truthful when he says he doesn’t care about what harm comes to 200 people when jester is at risk but who also, as they traverse into aeor, is insistent that their group won’t be running away from whatever apocalyptic threat awaits them, even if that means dying in the fight – than I would an asshole like ashton – who promises to fight for the little guys but who then turns around and acts upon a philosophy that says the strongest will survive. When you look at the mighty nein, it is incredibly easy to see the fingerprints of change they’ve left upon one another, and even to see the boundaries they place on one another’s asocial behaviours through their presence in one another’s lives (more recently the group chastising jester’s fond words about ludinus is a good example, but others are yasha’s pressuring caleb and essek to move on from their wizard talks as they collect paper in aeor instead of venturing further toward the battle they have to fight, or fjord and jester’s frustrated conversation in the ukotoa reunion about how fjord made a stupid decision and he doesn’t regret but he feels dejected and jester checking him on the fact that they still need to figure out a solution). It takes some extrapolation to see how bells hells have changed each other in more than aesthetic ways, if they have at all. Because the catalyst for change is pressure to do so, and aside from moments where it was truly change or be left behind, bh doesn’t challenge each other unless forced to by morri’s trials or delilah’s interruption and on the very odd occasion an interesting game of rollies-spin-the-bottle. 

And it’s interesting because the asshole behaviour of the mighty nein, like bell’s hells, stems from being left on the outskirts of society and the mistreatment that comes with that, so seemingly the change from being alone to being with others is one that actually insists upon being challenged to grow and change. I mean, just looking at the starting points of the characters, there’s an intriguing amount of stark similarities between their pasts; jester and fearne were both people loved dearly by the family they grew up with but who were loved within the confines of a gilded cage, ashton and beau both have an glaring self awareness that their anger at the world has a very particular source (their parents) but use that as justification rather than a means of self reflection, yasha and orym are trying to navigate a world in the wake of an incomprehensible loss and a sense of duty, fjord and imogen are both seeking out knowledge of their own powers and unknowingly retreading the paths of their missing and presumed dead parental figures. The idea that bell’s hells are uniquely mistreated by society in the history of cr player characters is, politely, laughable. Absolutely they’re mistreated, and I think it could be fair to say these characters are more defined by their isolation than others but I think that has more to do with the lack of downtime rp than it has to do with the context of their suffering.

What I have loved about the mighty nein is that in their realization that the bonds they forge with each other are undermining the truths most of them had taken to be true – that they were alone and without a place in the world – they are also forced to realize that no longer being alone and isolated comes with the weight of social responsibility. And this was born out of a willingness the mighty nein had to call each other out and that the players had to allow their characters to be wrong and get called on it. Because that’s the friction of living with other people on the small party scale and the large world scale – in the mighty nein’s ability to survive as a people who cared for each other even when they didn’t agree or when they made decisions that they couldn’t understand, they were constantly developing their ability to care for the very same world that left them alone. Because in campaign two, the world as a whole had the role that the gods have in campaign 3 – why should a party of nobodies, treated like shit by the world and the people in it go through the effort of saving it?

And the mighty nein answered, in their own imperfection and assholery, that nothing is ever just one thing – one of the things I cherish most about campaign 2 is its commitment to ambiguity, allowing the complexity of the world to go unsolved because there is no solution to the fact that life is immense and sometimes incoherent. I don’t think its a coincidence that I’ve seen some of the people lamenting the idiocy of fandom members like me who think that it actually isnt a leftist win to destroy the world in the hopes of spontaneous justice arising in c3 are the same people who criticised c2’s conclusion with the cerberus assembly for not being leftist (a word which for them means . the aesthetic image of a rebellion sparked and not the unending commitment to doing what you practically can to make life more just for those around you – whether they’re particularly kind to you or not) enough. The conclusion of c2 emphasizes that the choice to make the world a better place isn’t something that can be achieved in one single sweeping action that will wipe the boards clean – there is no murder of all the members of the cerberus assembly that would’ve solved the problems that caused the assembly’s power. There is no forcing of the god’s out of exandria that will deal with the actual issue undergirding both bh and their blorbo-moralized fans' criticism of the gods, which is that mortals are cursed with the burden of free will, and being mistreated by other mortals means constantly having to try and make sense of the fact that someone chose to do something cruel to you (and, sometimes, that you made a choice that allowed that cruelty to occur) – a burden made much heavier when the person who hurt you is your cult-indoctrinated mother, or your cult leader father, or the person in the mirror. The mighty nein take up this fight, and the complexities of their individual identities begin to heal in the light of a commitment in their relationship as friends and as a team to improve the world, even on the small scale. Bell’s hells remain gridlocked and stagnant and unwilling to change in an unspoken turf war of self-interest because they’ve insisted (influenced in part by the context of the campaign 3 narrative but, as others have aptly pointed out, that narrative was much more influenced by bh’s lack of curiosity regarding anything except their own minds) upon finding a solution to a problem they’ve decided is earth-shatteringly (quite literally, to the people of ruidus) unjust based on, aside from encounters where fellow mortals were the primary oppressors, their own testimony of the god’s not listening to them and the obvious villain’s parallel testimony. Something I’ve really been chewing on lately is caduceus words to fjord about his role as a paladin of the wildmother – that maybe it just means that someday, someone will pray for a miracle, and there fjord’ll be and the weight that has given that fjord’s bond to ukotoa came from his desperation not to die and his willingness to accept whatever help would be offered, that fjord could now be the person that reaches out to someone in need, and that the hand he offers won’t come with a curse.  And I think that’s really the poignant difference between bh and mn for me, that for bh, their experiences of injustice, though did make them personally bitter, did not make them morally misanthropic.

Comparatively, Bell’s Hells chose to ensure that, because the gods never answered their prayers, they shouldn’t be permitted to answer anyone else’s. Is this an understandable position? Sure, for the walls of a preschool, not really for a group of characters that I will ever be in any way inclined to view as something close to heroes. While it’s true that there are parts of life that are beyond our control – somethings happen to us that we have no say in, and they cause injuries both physical and mental that we are left to heal without any rhyme or reason, it is still our responsibility to heal them. And if you choose not to, well, then you’ve chosen not to, and are responsible for the consequences and judgements that choice might amount to.

Anyway, sorry this is all over the place but TLDR: calling bell’s hells as a party self-interested is actually just descriptively correct – they can save members of the party made up of their close friends and still be self-interested – and while the individual members of bell’s hells actually aren’t all that uniquely self-interested in the history of cr pcs, the party is uniquely self-interested in how they’ve chosen to navigate the world an their responsibility to the people in it.

[bruciemilf]

I know this is a DC blog but I NEED dad Logan. Get that murder teddy bear some kids ASAP.

Fancast + non canon Headcanons ahead.

BOBBY MY BELOVED / 16

“Sure everything in my life is terrible. But at LEAST I’m gay”

Makes pop culture references Logan doesn’t understand. “Logan threw the first brick at stonewall” “what are you SAYING” “he’s an ally”

Can, will, and has gaslight Logan into thinking he’s homophobic just for not letting Bobby do what he wants

Stole a beer from Logan once and they found him drunk crying at 3 am. He calls Logan to apologize about it. “I’m sO sorryyy. You know I love you??” “Go to bed” “noOoo” Logan is next to him.

Has a secret YouTube channel and everyone watches for Logan interactions specifically

Mabel Pines coded

KITTY… that’s his half pint your honor. / 17

Logan is terrified. Why are you such an easy kid. Why aren’t you rebelling? Why isn’t defiance bleeding on your fists?

Why aren’t you clawing and biting and snarling for your freedom? Why aren’t you being a kid? Who do I have to skin-

Daughters are not supposed to exist quietly.

I hc that Kitty’s family is extremely unsupportive of her being a mutant, — but they’re just traditional in general. Specifically she’s petrified of being around/existing along men.

Certified babysitter when Logan’s not around. She’s so big sister.

“guys!1!11!!!! mr. Logan said not to do that!1!1!1”

Logan BEGS her to be a shitty teenager for like 10 minutes. Be bratty!!! Tell him to fuck off! Throw a tantrum!!!! “But I’m not a kid.” “You’re MY kid.”

JUBILEEE daddy’s girl / 15

Problem Child TM

Plays Rock n Roll by Avril Lavigne at 4 am to piss Logan and her siblings off when they annoy her

Grounded all the time but if she fake cries Logan will shamefully relent.

Always puts Logan’s patience to the test because she anticipates him leaving/giving up on her

Foster child with issues. She spent half her life looking for people and the other half being abandoned by them. This won’t be any different.

Except Logan is very good at fighting destiny.

Your honor I don’t CARE Logan is made to be a girl dad!!!!

“On the spectrum. Not saying which one”

STRONG she/they energy

Most affectionate with Logan out of all the kiddos. Her love language is terrible pancake making (Logan eats them anyway) and cat cuddling.

ADHD icon

LAURA (murder baby) / 7

Brings dead birds/mice to her family members (affectionate)

Charles has the bright idea to enroll her in school with the kids. “It’s important for children to socialize with peers their own ages.” “Can’t socialize if they’re all DEAD.”

That meme of the little boy and his father with an arrow in his shoulder

Youngest child privilege

Steals Bobby’s phone and shoot’s hilariously off angle family vlogs. One of them includes her stealing Logan’s motorcycle while he runs after her

[nataliescatorccioapologist]

My takeaways from attending the Yellowjackets Vulture Fest panel

If you saw me and my friend trying and failing to carry 7 alcoholic beverages into the room, no you didn’t

•There will be a Season 3 announcement this upcoming Tuesday that fans have been “waiting for” and “expecting” for a while.

•I’m just going to come out and say it: Ella Purnell is definitely returning for Season 3. The interviewer asked if there is a chance of Jackie returning in flashbacks or hallucinations this season, and the writers all shared a knowing look, giggled, wiggled their eyebrows, and said “Maybe” with a smile. She’s coming back for sure guys.

•The writers were asked to rate the level of gore in Season 3 on a scale of 1-10, and they said, at certain points in the season, it will be a 9.5

•Van was originally supposed to die in the wilderness but the writers loved Liv Hewson’s performance so much that they decided to keep Van alive.

•Laura Lee was also supposed to die earlier (in episode 2) but the writers loved her character so much that they decided to keep her around until episode 8 instead (and they took great joy in writing her trying to fly that plane).

•The writers emphasized that the two sides of Taissa are not meant to be “good” and “evil” but rather “pragmatic” and “primal.” The “bad one” is really just more uninhibited, more open to the spiritual, ethereal side of things while the side of Tai we know and love is the more practical and logical side that is skeptical of the wilderness.

•Shauna is said to be the “core” and “impetus” of the events of the show. They also said that she best represents the duality of the primal nature of the wilderness and the pragmatism of civilization.

•Shauna eating Jackie was said to be both an act of “hatred” and “love.” Shauna consumed her both to as an act of worship and wanting Jackie to always be a part of her, as well as an act of “domination.”

•It was also emphasized that Shauna drawing the queen card in the adult timeline is not a coincidence and definitely holds significant meaning. The writers seemed hesitant to expand on that meaning, so I have a feeling it has something to do with adult Shauna’s storyline in Season 3 and beyond. In my opinion, Shauna drawing the queen card was symbolic of her assuming a leadership role in the adult timeline that will play out in Season 3.

•It was also said that Natalie’s death in the adult timeline is very much connected to her drawing the queen card in the teen timeline. They implied that her drawing the queen, in a way, lead to her eventual death. I’m wondering what this means for Shauna drawing the queen card in the adult timeline?

•Some of the actors wanted to know how their stories are going to play out, and some of them did not. Samantha Hanratty was named as one of the actors that does not want to know her character’s future and doesn’t read the adult timeline scripts to avoid the influence of them on her portrayal of the character.

•Natalie was specified as the “moral code” of the group, which is why the writers say she is so impacted by Javi’s death, as it goes against her moral code. This is part of the reason why she is so “broken” in the adult timeline.

•Natalie’s death was planned from the beginning. The writers confirmed that Natalie hallucinating Misty at the bonfire in the pilot episode was intentional foreshadowing and a “prophetic moment” for Natalie. This moment was said to foreshadow both that Misty would become an important figure in Natalie’s life one day and that she would be the “mechanism of Natalie’s death.” The writers said that Nat was always meant to die at some point, but they weren’t sure initially when it was going to happen. They said they decided on the end of Season 2 because things were just starting to go well for Natalie, she was just starting to heal, and therefore she had to die.

•The writers pointed out the impact of seeing Misty, a character who does not usually express genuine emotion (when she does it’s usually in a manipulative manner), fully sob and express genuine horror and grief during Nat’s death scene.

•Jeff was originally just meant to be an “accessory” to Shauna, but he gained more meaning and importance to the show as the writers loved Warren Kole and his portrayal of Jeff.

•For season 3, the writers were pretty tight-lipped, but they did say that they are very proud of the season and excited for people to see it. They said that there will be an interesting dynamic in that the winter will be over in the teen timeline, so the characters will have to grapple with what they’ve done now that they’re out of the dire situation they were in in the winter. They said this will have a great effect on their psyches and group dynamics.

•Joel McHale was cast after Ashley Lyle met him at a party of some sort (and Lyle admitted she was drunk during the encounter) and, after he said he was a fan of the show, Lyle basically said “Oh well I have a part in Season 3 for you” and he was cast.

•They were asked directly about the Eden lawsuit, and they had a little giggle about it and admitted that they’ve never seen that movie, and they’ve been very upfront about their influences (Lost, Alive, etc.) They obviously couldn’t say much more about it, but it was funny seeing them react.

•The writers emphasized the distinction between “fan appreciation” and “fan service,” and they said that, while they occasional look at fan feedback on Reddit and Twitter, they keep that feedback out of the writers room. This is actually very comforting to me, I was worried about Season 3 falling into the fan service trap. I am glad the writers are sticking with their intuitions and original intentions for the show.

So excited for Season 3 and so grateful these amazingly talented writers and showrunners are at the helm of it!

[genshingorlsrevengeance]

Could you do honkai girls with an s/o who can transform like a Power Ranger or Kamen Rider?

(H:SR/ToCS) Firefly, Herta, Seele, Rappa, Laura, Emma, and Duvalie's S/O having a Power Rangers Transformation

"IT'S MAKING ME CRINGE, DUTCH!-" *VIOLENT COUGHING* - 99% of the characters in this post

Firefly at first was taken aback by S/O's wrist suddenly glowing a bright red color.

...Which were then quickly followed up by flashy and dramatic poses.

(S/O) "IT'S MORPHN' TIME!"

(Firefly) "Morphing what-?"

In an instant, S/O's body was overtaken by electricity, before their clothes were replaced with a red spandex jumpsuit, posing and an explosion appearing behind them.

Firefly couldn't react too outwardly, considering that she was still acting as SAM.

And...truthfully, yeah if she criticized them about it, it'd be the pot calling the kettle black.

She knew her transformations were sometimes dramatic, but that was a fear factor. S/O's on the other hand?

Well, even their explosion was color coded to their suit, so this was going a little overboard.

(Firefly) "...I wonder if the armor would form like that flawlessly if I posed like that too."

Herta was honestly fascinated by S/O's Power Suit, moreso than she was annoyed.

It was kind of funny too, if not cringeworthy.

(S/O) "GO, GALACTIC!-"

S/O pointed their sword heroically in the air, scaring the subjects Herta had them fighting against.

Which was impressive, considering they were all automatons.

(Herta) snrrk! "Is the catchphrase necessary?"

(S/O) "Absolutely it is!"

(Herta) "I see...Note to self, make prototype not require vocal confirmation-"

Once she got around to making her own for science, she would not be shouting that literally every single time she needed someone beat up.

As for the residual energy buildup, Herta would also make sure that a transformation would not cause a catastrophic explosion too.

Seele just groaned everytime a fight broke out near her and S/O.

Normally, she would have been concerned that the love of her life had the risk of getting hurt.

S/O's method of fighting was anything but normal.

(Grunt) "Tch, what is a Galaxy Ranger going to do, bring us to 'justice'?! Hah, get real!-"

(S/O) "I'm not just any ranger. Not by a long shot...!"

S/O stuck their hand out, reaching for the weird red lizard-themed wrist device on them.

(S/O) "I need more quantum power!"

Seele crossed her arms and waited impatiently, foot tapping on the ground waiting as the suit suddenly morphed around them, shocking everyone but her.

(Seele) "Can you get this over with already? I'm not gonna wait for you to summon your giant robot this time."

After seeing it for the 50th time this month, Seele is more than just a little over this flashy and stupid ass way of fighting.

Who the hell would even find this cool?!

(Rappa) "THAT IS SO FRIGGIN' COOL, NINJA KOIBITO!"

Rappa is basically frothing at the mouth the moment S/O transforms into their suit.

Even their lines mirrored hers, and which meant that it was over the top, obnoxiously loud, and flashier than the signs around Penacony.

It was to the point that Rappa copied S/O: lines, movement, and all.

(Rappa & S/O) "NINJA STORM, RANGER FORM!-"

Landing in front of the robbers they were bringing to justice, they struck a pose inflicting fear into their hearts!

...Or at the very least, left them confused as to what they were witnessing.

(S/O) "WITH THE SPEED OF THE WIND!"

(Rappa) "AND STRENGTH LIKE THUNDER!-"

Rappa has zero issues with their transformation, and is enjoying it perhaps a little too much.

(Rappa) "Ninja Koibito, you will get me a suit like yours, won't you?!"

Laura knew that S/O was part of a very eccentric Bracer group, but she truly had no idea how weird they were until seeing them in action.

She drew her greatsword, prepared to fight the monsters threatening the village before S/O ran past her, reaching for their wrist.

(Laura) "S/O! Hang on, we need to-"

(S/O) "LIGHTSPEED, RESCUE!-"

S/O apparently thought it was more important to pose in front of the monster than dodge it, something that gave nearly gave her a heart attack.

With a blinding light, S/O transformed into a red jumpsuit that effortlessly punched past the monsters, causing them to burst into a fiery explosion, one that nearly scorched her, as they effortlessly saved the townspeople behind them.

They landed from the explosion with a rather impressive flip, but she was still absolutely floored by their theatrics.

And the townspeople were just as weirded out as her.

(S/O) "Don't worry, we're here to save you! Now go!"

(Man) "T-Thanks...I think?"

(Laura) "S/O, are the poses required?-"

(S/O) "Hm? What poses?"

(Laura) "...Nevermind."

Now, Emma has dealt with and seen some strange magic in her time.

But never has she seen anything like the way S/O uses theirs.

Emma is half convinced it isn't really magic, since they were using a device that wasn't too dissimilar from an Arcus to activate it.

And she certainly hopes it wasn't, because just watching S/O transform gave her second-hand embarassment.

(S/O) "MAGICAL SOURCE, MYSTIC FORCE!"

As they dramatically posed and pointed their phone into the sky, Emma's hand slid down her face, slightly knocking her glasses out of position.

(Emma) "Dear Goddess...-"

She couldn't imagine having to do that everytime she used her staff, let alone keeping a straight face and not think it was the dumbest thing.

Emma would find the suit and cape kind of cool, if it weren't for the flamboyant poses they struck, and the explosions that happened everytime S/O finished fighting something.

Now that had to be magic.

She politely chooses not to say anything about it, for better and worse.

Duvalie's jaw dropped the first time she saw S/O in action.

She was in awe alright, awe of their stupidity.

S/O had brought an ancient lizard-like archaism to their control, colored it bright red, and even managed to make it pose with them.

On top of that, they changed into their combat gear with a dramatic flash of colors, complete with pose and catchphrase.

Duvalie's eye twitched as she watched them effortlessly bulldoze through scores of monsters.

Which someone in spandex, no armor, and a sword that borderline looked like a toy shouldn't be able to do.

Meanwhile, her two subordinates simply watched, turning to their head knight.

(Ines) "...Did they just shout, 'Dino-'"

Duvalie spun around to Ines, finger on her chest as her voice bordered full on yelling.

(Duvalie) "NOT. ANOTHER. WORD. Oh, they are SO DEAD THE MOMENT THEY COME BACK!"

(Ennea) "If anything, they're doing a good job. We were supposed to be here clearing them out. Perhaps we need to don their jumpsuits and-"

(Duvalie) "SHUT UP! JUST SHUT UP! I WOULD NEVER PUT ON SOMETHING SO STUPID LIKE THAT!"

(Ines) "And you let S/O do that?-"

(Duvalie) "IF THE TWO OF YOU SAY ANOTHER WORD, I'LL MAKE THEIR GIANT MACHINE EAT YOU!"