#varying levels of detail here

[samusmaximus]

S-ranked everything

I'm very close too completely s-ranking ac6, and once I'm done I'm gonna draw V.II Snail dying in a glue trap because I dobt like him

[bogleech]

Scanning electron microscopy is awesome and I personally think the images it produces are gorgeous but objectively speaking I feel like it doesn't do any favors at all for the "scary" cultural image of insects, because I mean, here's a closeup of a carpet beetle in its true colors:

And here's an SEM image that comes up for carpet beetles on google:

And the thing about SEM images is that they aren't "photographs;" they are computer scans. They're 3-d digital models generated by scanning an object at the molecular level. Color is not preserved by this process, and if it were all the specimens would look like metal anyway (I'll explain this is in a moment), so images like this had to be colored artificially. This isn't done to recreate the true colors, but to make different body parts more visible as study material, resulting in scientific images of wacky blueberry fleas:

The subtly varying transparency levels of living tissues are completely lost as well, which is why the fine hairs of insects stand out more like cactus thorns in SEM imagery, and tardigrades look like opaque leathery things with no eyes:

...Even though a tardigrade actually has eyes, they're just under the surface of a crystal clear exoskeleton:

Another thing that probably contributes to the uncanniness of SEM images is also the fact that they can only show us embalmed corpses encased in liquid metal.

It's not possible to do this fine level of scanning "instantaneously" enough for it to work on anything that's still moving, so even when you see scanning electron images of animals in various lifelike poses, it's because they're preserved specimens that were carefully positioned, or they were live specimens basically "flash frozen" by a sudden dehydration process, mummified so fast they never knew it. Many specimens are then "sputter coated," meaning they're sprayed with a thin (like microns thin) layer of liquid gold, platinum or other fine metal in order for the electrons to perfectly bounce off of every subatomic detail and produce that perfect scan. So this is a live fruit fly:

And this is a fruit fly mummy with probably some sort of chrome plating:

[hayatheauthor]

The Anatomy of Punching a Character in the Face

Punching scenes are a staple of action sequences in many genres. Whether it’s an intense brawl, a quick defense, or an emotional outburst, a punch can carry a lot of weight both physically and narratively. As a writer, it’s essential to understand what really happens when a fist meets a face—from the immediate impact to the longer-lasting effects on both the person getting punched and the one throwing the punch.

This guide will help you craft authentic, detailed, and believable punch scenes by exploring different areas of the face, types of punches, and the aftermath of such an impact.

1. Target Areas of the Face and Their Vulnerabilities

A punch isn’t a one-size-fits-all situation. Depending on where the fist lands, the consequences will vary significantly. Different parts of the face have varying levels of vulnerability, and targeting these areas produces different effects, from knockouts to broken bones.

A. Jawline: The Knockout Zone

The jawline is a classic target in many fight scenes, especially when knockout punches are involved. This area is highly vulnerable because a hit here causes the head to snap to the side, leading to a sharp rotational movement of the brain inside the skull. This movement disrupts the brain’s communication and often results in a temporary loss of consciousness—what we commonly refer to as a "knockout."

Common Effects: Dislocation or fracture of the jaw, loss of consciousness, slurred speech, and severe pain.

Visual Aftermath: Swelling around the jawline, bruising, and possible misalignment of the jaw if broken.

B. Nose: Breaking and Bleeding

The nose is another vulnerable target, known for being easily broken. It’s not just a fragile bone structure, but it’s also connected to many blood vessels, meaning a direct punch to the nose often results in immediate bleeding. The nasal bone can fracture, causing difficulty in breathing, and in some cases, the nose may need surgical intervention to reset.

Common Effects: Intense pain, bleeding, difficulty breathing, potential for a broken nose.

Visual Aftermath: Blood running from the nostrils, swelling, and significant bruising around the nose and eyes.

C. Cheekbones (Zygomatic Bones): Bruising and Fractures

The cheekbones are one of the more solid structures in the face but are still susceptible to breaks, particularly from a heavy blow. Damage here can lead to not just bruising, but potentially severe injuries that can affect the entire facial structure.

Common Effects: Fractures of the zygomatic bone, swelling, bruising, and pain extending to the eye socket.

Visual Aftermath: Black eyes, noticeable swelling on one side of the face, and a sunken appearance if the bone is fractured.

D. Forehead: A Hard Target

The forehead is much harder than most parts of the face and is less vulnerable to severe damage. However, punches to the forehead can still cause pain, disorientation, and dazing of the recipient. While it’s less likely to result in a knockout, it’s effective in dazing an opponent, especially if the puncher’s goal is to create an opening for another strike.

Common Effects: Swelling, redness, and potential concussions if hit with enough force.

Visual Aftermath: Redness, minimal bruising, and a dazed expression.

E. Eyes: Black Eyes and Swelling

A punch to the eyes is particularly brutal because the area around the eyes is delicate, and the skin is thin. It’s not just about swelling but also potential damage to the orbital bones. The impact can cause "black eyes," characterized by intense bruising and swelling that may close the eye shut for days.

Common Effects: Swelling, black eyes, potential orbital bone fractures, temporary blurred vision.

Visual Aftermath: Discoloration that starts purple and turns yellowish-green as it heals, swollen shut eyes.

2. Types of Punches

Not all punches are created equal. The type of punch thrown can drastically change the outcome of the scene, both in terms of damage and realism. Understanding these different types of punches will allow you to convey more varied and dynamic fight sequences.

A. Jab: Speed and Precision

A jab is a quick, straight punch, usually thrown with the non-dominant hand. It’s not meant to be a knockout punch but more of a setup punch to create an opening or keep the opponent at a distance. Jabs are fast and can be disorienting, especially if they repeatedly land in quick succession.

Common Effects: Light bruising, potential cuts, and swelling in the area hit.

B. Cross: Power and Impact

The cross is a powerful, straight punch delivered with the dominant hand. It’s often aimed at vulnerable spots like the jaw or nose. Unlike a jab, the cross is meant to deliver a significant amount of force, and when landed properly, it can cause serious damage.

Common Effects: Knockouts, broken bones, severe swelling, and bruising.

C. Hook: Lateral Devastation

A hook is a wide, circular punch that targets the side of the head, particularly the jaw or temple. It’s one of the most powerful punches and is often used with the intent of knocking the opponent out.

Common Effects: Knockouts, severe disorientation, potential for concussions, and jaw dislocations.

D. Uppercut: Lifting from Below

The uppercut is thrown upward, usually aimed at the chin. It’s a devastating punch that can lift the opponent’s head and jolt their brain, leading to knockouts. Uppercuts are especially dangerous when they land cleanly on the jaw or chin.

Common Effects: Knockouts, broken teeth, jaw fractures, and disorientation.

E. Haymaker: Risky but Powerful

A haymaker is a wild, swinging punch delivered with as much force as possible. It’s often thrown with reckless abandon and is easy to dodge, but if it connects, it can deal significant damage. Because of its wide arc, it leaves the puncher exposed to counterattacks.

Common Effects: Knockouts, severe bruising, and possible fractures if landed correctly.

3. Punch Wounds: What They Look Like and Healing

Punches to the face leave lasting marks, some immediately visible and others taking days to fully form. Understanding the aftermath of a punch will help you describe the physical toll on your characters more accurately.

A. Immediate Effects

Swelling and Redness: Swelling can begin almost instantly, particularly in areas with soft tissue like the eyes and lips.

Bruising: Bruises start off as red, then turn purple, blue, and eventually fade into yellow or green as they heal.

Bleeding: Punches to the nose, lips, and even cheeks can result in bleeding, either from the skin breaking or from internal damage like a broken nose.

B. Long-Term Injuries

Black Eyes: Punches near the eyes can lead to bruising that darkens the skin around the eyes, giving it a purplish hue.

Fractures: Broken bones, such as the nose or jaw, may require weeks to heal, and in severe cases, surgery may be necessary.

Scarring: If the skin is cut open, there’s the potential for scarring, especially if stitches are required.

C. Healing Process

Bruises: These typically take about a week to two weeks to heal, with the colors shifting as the body absorbs the blood trapped under the skin.

Fractures: Healing from fractures can take several weeks to months, depending on the severity.

Swelling: Swelling can last anywhere from a few hours to a few days, with cold compresses helping to reduce it.

4. How the Punch Affects the Puncher

While we often focus on the person receiving the punch, it’s important to remember that throwing a punch can also take a toll on the puncher.

A. Physical Strain

Knuckle Damage: Hitting a hard surface, like a jaw or forehead, can cause damage to the puncher’s knuckles. This is known as a “boxer’s fracture,” where the small bones in the hand break due to impact.

Wrist Injury: If the punch is not aligned correctly, the wrist can absorb too much force, leading to sprains or breaks.

Fatigue: After multiple punches, especially in a drawn-out fight, the puncher can become fatigued, leading to less powerful or accurate strikes.

B. Emotional and Psychological Effects

Adrenaline Rush: For inexperienced fighters, throwing a punch can lead to an adrenaline surge, which can cause tunnel vision or reckless behavior.

Moral Conflict: If the puncher is not used to violence, they may experience guilt or shock at the damage they’ve caused, especially if the recipient is significantly injured.

5. Psychological Impact of Receiving a Punch

A punch to the face doesn’t only cause physical damage. For the recipient, it can have a lasting psychological effect, especially if the punch was unexpected or in a vulnerable situation. Writing this aspect adds depth to your characters and shows that a punch is more than just physical pain.

A. Shock and Fear

Fight or Flight Response: Getting punched can immediately trigger a fight-or-flight reaction. Some characters might freeze or retreat, especially if they’ve never been in a physical altercation before.

Loss of Confidence: For characters not used to violence, being punched in the face may cause a significant loss of confidence. They may question their own strength, bravery, or ability to defend themselves.

Increased Aggression: Alternatively, the punch may trigger a rage-fueled response, pushing the character into aggressive, reckless action.

B. Embarrassment and Humiliation

Public Fights: If the punch occurs in front of others, there’s often an added layer of humiliation. Characters might feel embarrassed, even if they weren’t at fault.

Internalizing the Event: The recipient of the punch may carry the emotional impact for a long time, replaying the event in their mind, feeling shame, or seeking revenge.

C. Post-Traumatic Stress

Lingering Anxiety: In extreme cases, receiving a punch can cause anxiety or even post-traumatic stress disorder (PTSD). Characters who’ve experienced significant trauma might relive the event through flashbacks or become hyper-vigilant, avoiding confrontations in the future.

Fear of Future Confrontations: A character who’s been severely beaten might actively avoid scenarios where they could be hit again, making them overly cautious or paranoid.

6. Writing Tips: Making It Believable

Writing a punch scene isn't just about describing the physical action. To make the moment believable and impactful, you’ll need to consider various elements—from pacing and sensory details to character psychology and aftermath. Here’s how to make your punch scenes authentic:

A. Build Tension Before the Punch

Foreshadowing Conflict: Build up the tension before the punch is thrown. Is the character agitated? Are there verbal warnings or body language that suggests things are escalating? By slowly ramping up the tension, the eventual punch feels earned and inevitable.

Use Dialogue: A heated exchange of words can make a punch more meaningful. If the punch follows a particularly cutting remark or threat, it adds weight to the action.

B. Focus on Sensory Details

Physical Sensations: Describe not just the punch itself, but how it feels. Does the skin split? Does the puncher’s knuckles scrape against teeth or bone? Is there an immediate sting or delayed throbbing pain?

Sound: The sound of a punch can enhance the realism of the scene. A dull thud as a fist connects with soft tissue, the crack of a bone breaking, or the splatter of blood hitting the floor are all effective auditory details.

C. Show Immediate and Delayed Reactions

Physical Reaction: After being punched, characters rarely shake it off immediately. Staggering, falling, or momentarily losing their vision are realistic reactions. You can also show how the puncher feels—did their hand hurt from the impact?

Emotional Fallout: Punches are often emotional events. Show how your characters feel right after—whether it’s satisfaction, regret, or shock. The emotional weight of a punch can be just as impactful as the physical consequences.

D. Consider the Aftermath

Healing Process: Don’t forget that punches have a lasting impact. A black eye will take days to heal, and a broken nose could require medical attention. Characters might have to deal with soreness, swelling, or difficulty talking and eating.

Ongoing Tension: A punch can dramatically shift relationships. A once-trusting friendship could be shattered, or a bitter rivalry could be born. Make sure to carry the emotional weight of the punch forward in your story.

7. Common Misconceptions About Punching

Many writers fall into the trap of perpetuating unrealistic portrayals of punches. These misconceptions can make your scenes feel less authentic or overly cinematic. Here’s how to avoid them.

A. The Myth of the "Clean Knockout"

Reality: A punch to the jaw might cause a knockout, but it’s not always instant. In real life, knockouts are often messy and unpredictable. The recipient might stagger or struggle before finally losing consciousness, and they could wake up with serious concussions, memory loss, or nausea.

B. Punches Always Cause Immediate Bleeding

Reality: While a punch to the nose often causes immediate bleeding, not all punches result in visible blood. Even when skin splits, it might take a moment for blood to pool and become visible. Bruising and swelling often take hours to fully appear.

C. Punching Doesn’t Always Lead to a Win

Reality: Throwing a punch doesn’t guarantee victory. The puncher could hurt themselves, miss entirely, or end up escalating a fight they weren’t prepared for. Additionally, punches to the forehead or temple might not have the knockout effect portrayed in movies—they could just make the puncher’s hand hurt more than the opponent.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Quillology with Haya Sameer; a blog dedicated to writing and publishing tips for authors! While you’re at it, don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[enchantressiren]

❝𝐘𝐨𝐮𝐫 𝐛𝐫𝐞𝐚𝐭𝐡, 𝐲𝐨𝐮𝐫 𝐦𝐨𝐚𝐧𝐬, 𝐲𝐨𝐮𝐫 𝐭𝐨𝐮𝐜𝐡𝐞𝐬 𝐚𝐫𝐞 𝐦𝐲 𝐰𝐞𝐚𝐤𝐧𝐞𝐬𝐬. 𝐈’𝐦 𝐬𝐨 𝐡𝐨𝐫𝐧𝐲 𝐟𝐨𝐫 𝐲𝐨𝐮, 𝐛𝐚𝐛𝐲.❞

What makes your future lover horny around you? (Detailed)

Masterlist.

Authors note,

Finding matching dividers and photos were a nightmare, unfortunately, but I also deeply missed my old theme.

Divider.

Pile 01. 

“You’re such a sweetheart, I wish I knew you before. I wish I waited for you instead of being in a relationship with her. I wished..” There are a lot of wishes from your future person and a lot of regrets from their past relationship. A lot of pain surrounds their heart, yet when it comes to you, their mind is crystal clear, and they know they are with the right person. You make them feel okay and safe and helped them understand their own emotions. A lot of healed energy and open-minded individuals here. I hear a lot of thanks from them; you also helped them realize their sexuality, yet you do not feel disgusted by them. A lot of them met close-minded individuals, and their minds have been accustomed to feeling ashamed and fearful about who they really are. You are their safe haven. 

Now, what makes your future spouse horny around you? A lot of things, they’re so romantically beautiful that my heart is fluttering for you. An immense feeling of serenity flows through me. 

The way you speak to them, you are always calm around them, and you speak/ooze elegance. Their hearts flutter, and this usually turns them on.

The way you command others to notice you, whether it is intentionally or not. You make others notice you so easily, which is also how you make your fp notice you or how your fp has noticed you. 

I see a scene where someone is wearing something that shines and makes others notice it. The outfit is your aesthetic; it doesn’t matter what it is. The vibe is this dark blue hue mixed with a saturated gray, but there is a spotlight on them. Everyone is watching their every move and cannot get enough of them. There are other socialites in this scene, yet everyone needs to notice this person. This is your energy, you steal others' spotlight, thus doing the same with your fp. Your dominant energy turns your fp on like a madman, and I can hear them masturbating while muttering your name.

Your word choices, your fp sees you full of richness. Your vocabulary is broad, and they think your intelligence is on another level. I see you saying filthy words to them during sex in a romanticized language, or your native language, and this is their killer. Their heart will beat like crazy, they will become sweaty and become aroused on the spot. Some will literally orgasm on the spot depending on their sex drive and yours (so this varies). 

This may seem normal to you, but to them this is.. Not sure how to explain it, but it is something else. Your healing nature is their turn on. So, as mentioned, their ex messed them up and there was a lot of toxic energy surrounding them with her (yes, regardless of their gender), but with you—it’s very healthy and romantic. For some reason (their words), it turns them on a lot. You could be setting up a boundary and explaining why, and their mind drifts to fucking you endlessly. Then they have to remind themselves to listen, and they will—every little word that comes from your mouth, the detail of where they are, every movement of yours, but ultimately go back to those thoughts. Again, this also comes back to your presence and how you make everyone drawn to you effortlessly. 

During sex, you tend to squirm around the person you make out with spontaneously, just something your body has been doing forever. For them, they find it adorable and cannot get enough of it. Some of you feel insecure about it, but you shouldn’t because it is one of their favorites. Now, it doesn’t necessarily turn them on, but it plays a part in your presence. Addictive is what pops into mind.

Seriously, your presence is incredible, so healing and nurturing and your presence itself is going to bring so many suitors into your life that you may feel overwhelmed. So make sure to tend to yourself and distance from energy vampires that will appear as your future lover; do not ignore your gut feeling or intuition around certain people despite how others speak kindly about them. Not everything meets the eye.

Your hardworking ability and determination are one of their turn ons. They have or will speak about this to their mother, hiding parts of their fantasy of you fucking them/pegging them endlessly while using a tie around their neck to control them but also choke them. A lot of rough fantasies, but aside from this. They adore how you work so hard to get what you want instead of projecting envious energy onto others and being bitter. Once again, this is normal for you, but for them and others around you, it is so refreshing. Also, they will peek around when you are working and admire your body and hope that you will not see them despite you knowing they are and accentuating your body for their eyes. 

Channeled song:

Climax - Djo 

✮ Masterlist.

Pile 02. 

With how you make them smile instantly. They have a rough and biker type of personality. Very heartwarming and soft with the right person yet so gruff. With you though, they are able to let loose, which makes it easier for them to show that they do become aroused by you. They have had instances where they could not or were not allowed by people they used to know. They have never been in a relationship, which has resulted in them being bitter, so do expect rough sex from time to time. I do find it ironic with how they have never had sex before, but you do teach them everything you know and they are able to adapt to the details and your body movement. 

You are an unbothered person and very laid back. They are someone who will overthink and let their insecurities interfere with their words, so sometimes they will try to assert their ‘dominance’ with you. The reality is: they want you to dominate them despite what they are actually saying. They have a lot of bratty energy, or scared bratty energy. Your unbothered personality turns them on and will make them realize they like being dominated, but it also pisses them off since they are used to others being intimidated by them and cowering away. 

They will become turned on by how you always wear something sexy or any type of accessory that is appealing to the male’s gaze, regardless of your and their gender. Something about them gets them going, and they will let you step on them, both metaphorically and physically. 

I see an image where someone is wearing red heels and clear stockings holding a baton as their lover's hands are tied with their used stocking after they came. And their lover is begging for them to touch them, but the person will not. The lover's main focus is their high heel as the image zooms onto it. Your fp main focus will be that sexy outfit or accessory whenever they can get their hands on you or if you are taking control. I feel a lot of vers energy despite you being prone to take the bottom role. I see them encouraging you and making you feel confident too.

This isn’t something that turns them on, but it is necessary for me to say. They love your legs. A lot of you feel insecure about it, and some of you feel shameful for not shaving your legs’ hair, but mind you, they will be worshiping your mind no matter what. If you were to insult them or your leg, expect them to drag you anywhere and kiss them so hard in an attempt to make a hickey but for it to fail miserably. 

Your tongue skills are to die for. The second you even mention oral to them, they will be aroused, and their heart will start to race like heartburn. Overwhelming sensations will drape around their body and make them into a mummy. This only comes down to when you do give them oral, as they will be your sucker. You could even bribe them or give a peace offering for oral and you will receive instant obliviousness or forgiveness. But they do know that it is their weakness, so they won’t be bothered or insulted by it. I see the both of you using this as a tease or a joke with others (when they become comfortable with the idea). 

I mentioned how they will worship you and have bratty energy, but I also feel toxic alpha energy. The meaning fits their personality when you meet and get to know one another but it is hidden perfectly. You will notice it and some of you will brush it off. They grew up in a toxic environment where toxic masculinity and misogynistic traits were normalized for them, and they believe it is their duty to do everything without getting help from anyone, hence the gruffness in their lovely personality. There are a lot of internalized misogynistic traits with them that they may project onto you, so when they do ask you out, make them wait for you for a few months or 1-2 years (depending on your gut feeling) and call them out for their behavior because it will be a toxic relationship if you do not. Calling them out makes them change for the better, so you can actually see the lovely personality I spoke of.

If you do make them wait, the relationship will blossom into something pretty.. Like a sakura tree. Their energy after they heal and are with you is so enchanting and soothing, it makes you desire to sit at a pond and read a book with one another while gazing at the clouds passing by. The breeze brushes on your skin, leaving a subtle chill, and their gaze from your body to your lips as you speak will send shivers both on your body. Their respectful movements with you will make you melt..

I could write a book on how beautiful the relationship will become, but that is for you to find out and for me to know. 

Channeled songs:

She calls me daddy - KiNG MALA

Sweet but psycho - Ava Max

✮ Masterlist.

Pile 03.

How many people do you have chasing after you? Your sex appeal is off the roof; I see so many people similar to a zombie horde chasing after you and begging you for your attention; the same goes for your fp. Some of you do manifestation techniques and affirm for sex appeal beauty, something about being sexy or being a queen/god, and an aura that draws people in and it’s working. This is how you will attract your fp. Some of you have met them and you know it’s them because you manifested them, and for those that haven't, they will come to you in April, May, June, or if you start to see things that have ‘’mars,’’ you are close. 

Now, what makes your fp horny around you?

They become aroused when you are boastful, cocky, and straight up arrogant. They remind me of a puppy, always following their owner, no matter what and always needing them. 

You have a seductive walk, you move and walk like a serpent. It’s silent, smooth, and confident, but you have this movement that draws its prey to you. I cannot explain the energy I am feeling, but I know that you know what I mean because you have been affirming it. 

You wear a lot of red and gold, red lipsticks, red eye shadow, gold suits, dark red suits, dresses that show a lot of skin, etc. You ooze the definition of sex appeal, and your fp sees it for themselves, and they desire for you to tie them up with red chains into your prey to devour. 

Is snakes your favorite or something you feel connected to? Your energy fits a snake in the best and worst ways. Meaning, you’re cunning as one but tantalizing as their eyes. You seriously pull people in, and I feel hypnotized as I do your reading. Your energy is secretive as a snake, but so open as the inside of their body when consuming their prey. You’re going to hypnotize them so well, and it happens accidentally. In that moment, you forget about your affirmations and techniques and meet them, even if you have met them (but you already knew that because it feels natural for you).

The way you move during sex. Your body movement is slow and smooth; your moves are sensual, as if you were a dancer for centuries. It reminds me of Egyptian belly dancers and their pharaoh would watch and enjoy. Your beauty and moves make them so horny that if you blew on their sensitive spot, they would instantly squirt.

You’re a secretive person, and you tell them small things about yourself, and they are itching for more. But the thing that turns them on is how you describe your past experiences, the words you use.. It is not meant to be suggestive, yet it is. 

Your tongue movement. You either lick your teeth sensually, flick your tongue, nibble or bite your lips, or do all of them and play with your hair in a subtle movement to make them notice you when they are busy with something. This catches their attention so fast and they will feel hot and bothered. 

Lap dances are your specialty, and if not now, in the future it will be because you wanted to tease them and be mischievous. Your lap dances compared to their last experiences always make them cum.. And it won’t even be 10 minutes in. And you will chuckle at them and play with their hair, and their cheeks will become so flushed they squirt.

There are so many things you will do that make your fp horny, but I have to stop it here because your energy is so strong that I felt like a sailor and you were the sirens singing to me and I was about to drown—I cannot write anymore (omg). Some of you have been manifesting for the ones I have written, and now that you have seen it, congratulations on your dedication and consistency for your desires. And to your fp, good luck to them because your energy—whew. 

Channeled song:

APT - ROSÉ and Bruno Mars

✮ Masterlist.

[holysupesbatman]

SuperBat Fic Recs

Woaaaah boy. I was in the Superbat tag and saw someone asking for recs and I got about 5 fics in before I realized that wouldn't fit in a reply and decided I should just make a whole post. I feel like I've read half of the Bruce/Clark tag on ao3 at this point and yet I still find more every time I look.

As a note, this post is heavily editorialized. These are all fics I've personally read and are here because I liked them and they come from my ao3 bookmarks. If you want better details about the fic, follow the links and check them out 🤷‍♀️ I'm a picky reader so the fact that it's on the list says a lot, though our tastes may vary.

Onto the recs! I'll organize them by ratings and then by length for simplicity and at the end I'll recommend some of my favorite SuperBat authors for further reading!

🦇

Rated: G

Uno Reverse by WixenBurr (~7k rated G) is really cute and fluffy

Summary: The batkids are trying to set Batman and Superman up. Unfortunately Bruce Wayne wants to date some rando news reporter named Clark Kent.

Rated: T

Know You Better by rotasha (~6k rated T)

super fluffy and cute. I adore this fic. Summary: Clark asks Bruce on a date, not knowing he’s a famous billionaire. Bruce says yes, because this is the first time this has ever happened to him.

I'm Not As Think As You Drunk I Am by Mardiaz173 (~13k rated T)

This one is SO much fun – Nobody believes Clark after he meets the supposed "flirty, stupid, entitled drunk" playboy billionaire Brucie Wayne when he says he's actually "clever, mischievous, and sober with an indecipherable ulterior motive."

Saudade by liodain (~20k rated T)

OK THIS ONE MAKES MY HEART MELT IT'S SO FLUFFY AND SWEET I CAN'T. Like put this on your re-read when you're sad and need to feel like love and goodness exist list. Bruce breaks down in Kansas in 2006 years before BvS and meets young Clark.

fallin' for him was like fallin' from grace by Resacon1990 (~23k rated T)

It's just 20k of Clark simping for Bruce. That's it. That's the fic. He's a golden retriever and he's in love, Your Honor. Bruce is not unaffected, but the pining is glorious.

summary: Or, five times Clark finds himself falling for Bruce, and the one time he does something about it

Mr. Romantic by Pandamomochan (~24k rated T)

ft Established Relationship SuperBat. Summary: Clark gets tasked to write a Valentine's Day article. The end result has every single women throwing themselves at him. Clark has always been patient with the drove of Brucie fans. Will Bruce be as mature with Clark's sudden popularity?

How to Date a Superhero by @solomonara (~25k rated T)

Technically a series of fics. Pure fluff. 1. Someone spots the Batman kissing Mild Mannered Reporter Clark Kent. Hijinks ensue. 2. Superman kissed Bruce Wayne in full view of several dozen phones. Now the whole world, including Lex Luthor, knows Superman has a boyfriend. But that's okay. Batman has a plan. 3. Deleted scenes from the How to Date a Superhero series, ruthlessly cut in most cases to prevent the Robins from taking over.

In every sense of the word by froggy-o (bobafiend) (~29k rated T) From the author's summary: Alternatively titled "Why Wonder Woman is on the verge of losing her fucking mind."

I swear this fic is just Diana's eyebrow twitching as she watches Bruce and Clark start dating and she's let in on both their civilian identities meanwhile Superman and Batman are on the watchtower arguing and disagreeing about basically everything on the daily. In the name of Justice, of course. The identity porn is on a whole other level and it was done so well.

Get Over It by rotasha (~32k rated T)

heh this one has plenty of identity hijinks. Sooooo funny. Summary: Bruce needs to get over his inconvenient feelings for Superman and he meets an attractive reporter who he thinks can help him do just that. Little does he know...

the cost of being a good dad by Mawiiish (~96k rated T)

hehehe... the batkids set up a dating profile for Bruce and catfish Clark. It's more of a blind date for Bruce (not that he had any idea he was going on a date at all), but who has Clark been texting for the past several weeks??? Oh yeah. The kids. What follows is as follows. Still with capes!

Rated: M

Guardian Dog by BombusBombus (~22k rated M)

Summary: There's something wrong with Clark Kent. He has to be a villain, right? A threat? He doesn't behave like a normal person, no matter how handsome or clever he may seem.

grasp his heart (once and for all) by liodain (~32k rated M) soulmate AU fic. Pretty emotional LOTS of identity issues going on there like so much. Kinda high on the drama and angst there honestly but it was a cute read. Summary: Bruce Wayne doesn't believe in fate.

tell all the truth (but tell it slant) by susiecarter (~33k rated M)

love me a fake dating AU. Summary: It takes a while for Batman and Superman to work things out, once Clark comes back from the dead. Pretending to date each other in order to explain why Bruce Wayne and Clark Kent are in the same place so often? Doesn't help as much as you might think.

Strangers When We Meet by Trista_zevkia (~63k rated M)

ANOTHER soulmate AU! This time feat. Kryptonian Biology hehehe. Summary: Clark Kent thought he was straight, until Batman kick started something. The question is what did Batman start? Is Brucie Wayne able to explain it to him?

ship-to-ship combat by pomeloquat (~77k rated M)

OK NO LISTEN this is one of my all-time favorite fics EVER. It's so meta and so funny. Clark is us. We are Clark. Clark is writing RPF for the Bruce/Batman ship and he's very convinced it's real EVEN THOUGH he has a huge crush on the Batman... let the hijinks BEGIN.

Rated: E

Embracing Destiny by Mithen (~8k rated E)

This one is just really really cute. Summary: As a member of the Legion of Super-Heroes in the 31st century, a teenaged Clark learns a stunning secret about his own future: he and someone called "Batman" will be legendary lovers.

perfect strangers by susiecarter (~15k rated E)

like. bruh. susie did it again. This tag says it all: communication failure. I love this one though. Summary: Batman and Superman are fucking. Bruce Wayne and Clark Kent are a great cover for fighting crime, and also might be dating. Bruce and Clark have no idea what they're doing; but they definitely aren't going to be able to talk themselves into stopping.

Relinquishing Control by foxyk (~25k rated E)

afsfwsdfhishdfksj no words. Read the authors summary and then just go read the fic:

Superman worries that if he lets go he'll injure his partner. Batman knows better. Batman worries that if he lets someone else in, he'll hurt them. Superman knows better.

Picture Perfect by TheSaltiestDog @the-saltiest-dog (~26k rated E)

this one is cute and then horny on main but also just so fluffy. Clark sees Bruce in a new light through candid shots, then proceeds to take lots of candid shots as they begin a relationship. Cue schmoop, fluff, smut, and – you guessed it! –Miscommunication!

A Night Off and sequel A Day Off by Mawiiish (~37k combined; first part is E, second is T)

One of my all-time favorites. My bookmark says 10/10 would read again soooooooo... 👀🤷‍♀️😅🥵

Bruce is enjoying one of his few nights off when a very persistent young man offers to buy him a drink. At first he's apprehensive; he's just here for a good time and this Clark seems to be looking for more than that. Then again, what harm can one drink do?

Clark wakes up to an empty bed and despite Bruce being honest from the start, he's still disappointed.

The Downsides to a Secret Identity by liodain (~42k rated E)

I'm currently reading this one – the summary from the author says it all, it's so good but sooo drama:

Bruce Wayne has taken a shine to Clark Kent, but Clark is more interested in the Bat of Gotham. The Bat, however, has it in for the Superman in a big way. Clark should probably have considered that before falling quite so hard. They're working together to track down some missing Kryptonian weaponry, after all...

50 Shades of Wayne by susiecarter (~161k rated E)

No but listen, this is actually so full of plot and emotional depth and not as much smut as you might think. It's a full-scale retelling of Batman v Superman but without them knowing each other's secret identities. I read it in one go... the reveal? Maybe the best I've ever read. Soooo many emotions. It's one of the few times I've read BDSM in a fic and it actually felt in character. I wasn't sure I would read it when I started, but it was a compelling read and extremely well done. Honestly, I'd read it again.

SuperBat Author Shoutouts:

susiecarter @susiecarter

liodain @liodain

Resacon1990 @sassyresacon1990

shipyrds @burins

Mawiiish @superbattrash

rotasha

Mithen

[unteriors]

Since you're Australian, why are so many of the posts from the US? Did you start with Australia and then move onto other countries once you'd felt like you exhausted it? Or is the US particularly interesting for your purposes?

A big part of the reason is the enormous difference in scale. Australia has about 25 million people, versus 300 or so million in the US. Each of the 50 states has at least one or two major cities, most have many more than that. In addition to the volume of real estate imagery produced by this market, there are a few things about the US in this context which draw me in from an Australian perspective. One is how real estate listings weirdly embody how much more visually apparent the harmful economic forces of the past 50 years are in American society than they are here or elsewhere. Australia's welfare state was developed roughly during the same time as in the US, and has similarly been cut back since the 1970s. But it was always much weaker in the US than in Australia or Western Europe, and correspondingly the effects of its deterioration - along with other economic trends - have been much more visible than they are here. The way this is played out in terms of localised funding for public services means that many American cities have pockets (of varying sizes) where poverty and other forms of systemic oppression are concentrated and left open to the elements. The sort of stuff Jacob Holdt documented in his photos in the 70s, or that you see in a lot crime films and thrillers with location shooting. Gentrification and other forces since then have pushed these pockets into other areas and made some places seem less grim, but from what I've heard it seems like it would be hard for the average person in the US to ignore that these large, systemic problems exist. Conversely, in Australia, this kind of intense poverty has been pushed into the margins of society during the same time period - to remote communities (where people suffer from chronic diseases that have been eradicated in most other wealthy countries), country towns with shrinking economies, or to the fringes of larger cities (where people sleep in their cars in parking lots, or multiple families form sharehouses to afford $400-500+ pw rents). Though as things have gotten worse, particularly since COVID, it's getting harder to ignore. But still there's a substantial part of the population here who have grown up in ignorance of any of the larger, percolating structural problems in Australian society, and who proactively retain that ignorance into adulthood.

I think you can see these different perspectives play in out in real estate listings. In most American states, even in most of the towns I've looked at, you can see a broad spectrum of living conditions (and commercial interpretations of ideal living conditions) - from burnt out trailers, to overpriced renovated shitty older houses with cheap grey vinyl flooring and white walls, to clearly lived-in time capsules to McMansions to actual mansions. Some photographs are clearly shot by owners, others by real estate agents with a great variety of care and attention to detail (from elaborate staging to crime scenes). Rightly or wrongly, I feel like I get a broader, more honest (or at least more direct) feel for the housing crisis. It's a more honest horror film.

Australian listings, I think in part due to concentrations in corporate power in the real estate industry (similar to other monopolies that have formed in our economy), tend to more heavily adhere to the visual language of advertising and are more heavily regulated by agencies. The problems still exist, the housing market here is among the worst in the world and little effort is being made to address the underlying structural issues, but you can see the lack of will to acknowledge these issues in the level of gloss that's applied. You can look at a listing of an older house in Western Australia, for instance, and know for a fact that it's riddled with asbestos and probably has several other structural issues, but most likely enough time and effort will have been spent on staging and lighting and maybe surface-level renovations that it will seem otherwise fine. Lots of turds that have been polished successfully enough that you need insider knowledge to properly identify them as dogshit. Incidentally, I spent part of my childhood in a house built in the 1960s that had asbestos in the walls and ceiling.

I'm still interested in images from Australian listings (and other sources) though, I just look for other things that are interesting. Anything that runs contrary to the artificially positive, limited world view that advertising promotes. Even if its a poorly-lit time capsule that is directly aesthetically opposite to the ideal of house-beauty at the moment, or an obviously run-down house that has had every realtor photography trick in the playbook thrown at it until it becomes deeply uncanny. And it's always interesting to see what other people find interesting; I genuinely think the housing crisis underwrites every other political issue we have to contend with, its tendrils extend in many different directions, and I think this also means imagery like this can reach people in a diversity of ways. Aesthetically, nostalgically, inspiring fear and self-loathing and horror. All good sources of inspiration for creativity.

[ohnoitstbskyen]

I know it would probably bring a lot of hate comments but I am begging you to roast the hazbin character designs because I'd love to have someone properly articulate why they don't work so I could send it to people who won't believe me when I tell them. 🫠 Understandable if you don't want to get into it though.

I don't think there's that much there to roast, honestly?

Those designs are clearly an extremely specific stylistic choice, and because that style is consistent throughout the show, it ultimately feels coherent with itself.

There are trade-offs being made. Because Hazbin's design style is SO stylized and so heavy on decoration and detailing, because it puts a lot of emphasis on costuming, it isn't as good at communicating specific character storytelling as a more grounded style could be (it's kind of the same tradeoff that stuff like Genshin Impact makes).

Like, why does Sir Pentious' hat have an eye and a mouth on it that makes its own expressions? Apparently not for very much reason at all, except that Pentious has a bit of an eyes-motif going on in his design and it was one more place to put an extra eye. And that's a valid criticism of his design, but also the entire show is designed like that, so frankly it would be weirder and more out of place if his design alone didn't have that kind of overelaborate decoration going on.

It does create a situation where I have a hard time "reading" the character designs sometimes. For example, Vox, Alastor and Pentious all wear a similar style of suit with upwards-turned shoulders, butterflies and pinstripes. Now, am I meant to read that as Vox imitating Alastor due to his crippling need to replace and outdo him, and Pentious imitating the style of powerful Overlords because he thinks that possessing their level of power will finally give him relief from his paranoia and self-loathing?

Or is it just a design fixation of the creator who keeps putting their characters in suits because that's just what they like? I can't really be sure, because sometimes design elements are used to intentionally tell stories about how characters relate to themselves, their world and one another, but plenty of other times designs look the way they do Because Of Vibes.

But again, that lack of clarity is clearly an intentional trade-off - and the benefit of that trade-off is a design style that is extremely varied, wild, expressive and memorable. Hazbin Hotel seems like a very easy show to draw fanart of, and a very fun show to draw fanart of. Those designs (especially the hyper-expressive faces) are begging to be the subjects of traumatic headcanons, unbearably cotton-candy soft fluff fantasies and weird, taboo, homoerotic power dynamics. Slaps roof of character design, this bad boy can express so much vicarious emotional intensity.

It's very exuberant, very excited about itself and very self-indulgent, it's a style that prioritizes visual impact and visual interest over readability (something which the animators of the show navigate with real skill, props to them) and individual aesthetics over worldbuilding.

And I don't blame anyone for being turned off by that (I certainly was the first time I started seeing those designs going around), but I would struggle to call the show's designs "bad" when they are clearly achieving exactly what they want to achieve.

I have some criticisms, especially re: how the show treats skinny bodies as an unquestioned, desirable default, and employs fatness as a means of alienating and abjecting the audience. That sucks very badly, and is a serious disappointment, and one of the few places where the show feels like it is being cowardly in its design philosophy. But I don't have it in me to do some kind of Hazbin Hotel Sucks And Here's Why takedown, its problems are not unique or extreme enough to warrant it, at least not as I currently understand them.

[mokimo-art]

Hi :) I love your art, I think your work is seriously amazing!! Do you have any tips on how to start drawing clothing on characters? It feels overwhelming and I don't really know where to start.

okay im gonna give the best tip i know. just copy stuff i know it sounds weird but let me explain. for your art brain to understand something visual, you have to learn to the break it down, and to do that you have to copy it. when people say you need to study this is what they meant, you need to learn how to copy stuff with varying levels of details. for me, usually i get a pic of my feed, (usually cosplay) and try to copy by looking at it (no tracing). this helps your brain understand the thing you looking at. here is an example on one of my studies

i was just trying to copy it, not make it perfect or any thing. and this was me following a Bob Ross tutorial

so if you want to draw better clothes you just need to get some pics of clothes you like and copy it. do it enough times and you will be able to conjure it whenever. here is another example, just got from someone i follow on twitter (@/abecker_cos)

hope it helps

[revretch]

Getting myself jazzed up to start on storyboards for episode ten by looking at storyboard animatics by other people, and it's amazing how much it can vary between studios.

Every time, I'm amazed by just how...barebones the storyboards for the ambitiously animated 80's-90's Disney films were. Not only in terms of how loosely the actions were telegraphed, but also in the stylization. Check out this side by side of "Under the Sea." That doesn't even look like Ariel! Not that this is a bad thing--you can tell this setup was in place to really let their famous animators get creative.

Compare that to these boards on My Neighbor Totoro. Miyazaki is also a manga artist, and it shows, here! Compare this to his manga, and there isn't much of a difference. Every panel is fantastically detailed, though not painstakingly so. This feels less like a storyboard, and more like a very thorough comic panel sequence.

Looking at a very different kind of animation, Spongebob is a board-first show. There is no script stage! Going board-first helps keep the pacing of the visual gags tight. Compared to Disney's wishy-washy board timing, the tempo set for the animation is very consistent and obvious.

...And then we have Don Bluth. Just. LOOK at the boards on this deleted sequence from The Land Before Time. The timing, and the level of artistic detail...it's beyond insane. It's interspersed with surviving screenshots, really showing off just how ridiculously detailed these boards were! Even the backgrounds are laid out, complete with grids, to give the animators and backgrounds an idea of the space they were working in! Absolutely incredible.

Each of these methods caters to the animators in a different way, and it's really interesting to think about how!

Next to them, my method is...uh...well.

In my defense, I'd previously been boarding only for myself, since I've been the only animator and using royalty-free music. Now that I've got a composer, and I'll be probably be getting some animation help on this episode, I need to work extra hard to keep things kiiind of clear. Oh boy. Wish me luck! I need to stop procrastinating....

[novlr]

Could you please give some tips to maintain flow and pacing in fiction writing?

Before diving into the tips, let’s briefly define what we mean by flow and pacing:

Flow

Flow is the smooth progression of ideas, scenes, and events in your story. It includes:

Logical development of ideas and themes.

Seamless transitions between scenes.

Natural event sequencing.

Organic character development.

Well-timed information reveals.

Appropriate emotional progression.

Getting the flow right immerses readers in the story so they can easily follow the narrative. It’s the invisible thread that unifies all aspects of your writing, ensuring each element contributes to the whole.

Pacing

Pacing refers to the speed at which your story unfolds and how quickly (or slowly) you reveal information to the reader. It’s a vital element of any narrative that affects the rhythm and tension. Effective pacing keeps readers engaged, controls the emotional impact of your story, and helps maintain momentum.

The most important considerations in pacing include:

Story rhythm: The overall tempo of your narrative can vary from fast-paced and thrilling to slow and contemplative.

Information reveals: How and when you disclose plot points, character backstories, and world-building details to your readers.

Tension and release: The balance between building suspense and providing resolution or relief.

Scene and chapter length: The structure of your story at both micro and macro levels can affect how quickly readers progress through your narrative.

Narrative focus: What you choose to emphasise in your story and how much time you spend on different elements (e.g., action, dialogue, description, introspection).

Both these elements play together to create an immersive and entertaining experience for readers, so it’s important to get them right. But how, exactly, do you do that? Here are some tips!

Vary sentence structure and length

One of the most effective ways to maintain flow and control pacing is by varying your sentence structure and length. This technique helps create rhythm in your prose and prevents monotony. Here’s how:

Mix short, punchy sentences with longer, more complex ones.

Use sentence fragments for emphasis or to quicken the pace.

Use compound and complex sentences to slow things down and add depth.

Start sentences with different parts of speech (nouns, verbs, adjectives) to keep things interesting (academic writing will tell you not to start a sentence with “and” or “but”, but I’m here to tell you it’s fine to break those rules!)

Use paragraph breaks strategically

Paragraph breaks are often overlooked but are a powerful tool for controlling the flow and pacing of your story. They provide visual cues to the reader and can be used to emphasise certain story points or create suspense.

Use shorter paragraphs to increase tension and quicken the pace.

Use longer paragraphs for descriptive passages or to slow things down.

Create single-sentence paragraphs for dramatic effect or to highlight important information.

Master the art of transitions

Smooth transitions between scenes, ideas, and events are essential for maintaining flow in your writing. They help guide the reader through your story without jarring interruptions.

Use transitional phrases or words (e.g., “meanwhile,” “later that day,” “across town”) sparingly. Clarity is best, but it’s easy to overuse them and turn them into crutch words.

Use sensory details to bridge scenes (e.g., describing a sound that carries over from one scene to the next).

Let your characters’ actions or thoughts link different parts of your story.

Create thematic connections between scenes or chapters.

Balance action and downtime

A well-paced story strikes a balance between action-packed scenes and moments of introspection or character development. This balance helps maintain reader interest while giving your narrative necessary depth.

Follow intense action scenes with quieter moments of reflection.

Use introspective passages to build tension before action sequences.

Weave character thoughts and feelings into action scenes for added depth and character development.

Avoid long stretches of either pure action or pure introspection, as it can be either overwhelming, exhausting, or boring for readers to have too much of the same tone.

Control the flow of information

How and when you reveal information to the reader is a critical aspect of pacing. Carefully controlling the release of information can create suspense, maintain mystery, and keep readers engaged.

Use foreshadowing to hint at future events without giving everything away.

Employ flashbacks judiciously to provide backstory without disrupting the main narrative.

Reveal character motivations gradually throughout the story.

Create mini-mysteries or subplots to maintain reader interest between major plot points.

Use dialogue effectively

Dialogue always seems easy, but it’s difficult to do well. But when it is done well, it’s a powerful tool for controlling pacing and maintaining flow in your story. It can quicken the pace, provide character development, and convey important information.

Use short, snappy exchanges to increase tension and pace.

Write longer conversations for character development or to slow things down.

Intersperse dialogue with action beats to maintain flow and provide context.

Vary dialogue tags and consider using action instead of tags to avoid repetition.

Create a rhythm with scene structure

The structure of your scenes can greatly impact the flow and pacing of your story. By varying scene length and intensity, you can create a rhythm that keeps your story moving smoothly.

Alternate between long and short scenes to create variety.

Use scene breaks or chapter endings to create cliffhangers and maintain suspense.

Vary the intensity of scenes, following high-tension moments with calmer ones.

Consider the overall arc of your story when structuring scenes, building towards climactic moments.

Show, don’t tell

It’s the most common writing advice for a reason. And it all boils down to using sensory language to enhance a reader’s experience. It turns a list of plot points into a story. Sensory details can enhance flow and pacing by immersing readers in the world you’ve created. However, it’s also important to use them wisely. It’s not about showing everything but showing what you need to at the right time for the best effect.

Use vivid sensory details during important moments to slow down time and increase impact.

Use brief sensory descriptions to quickly set the scene without disrupting pacing.

Choose specific, evocative details rather than providing exhaustive descriptions.

Vary the senses you appeal to, not just relying on visual descriptions.

Mini info-dumps work

Knowing when to summarise events or passages of time is often overlooked, but it’s an important part of pacing your story. While in general info-dumping is frowned on, sometimes it’s a necessary part of plotting. Not every moment needs to be shown in real time; sometimes, a brief summary can help move the story along.

Use short info-dumps for less important events or time passages.

Info-dumps can bridge gaps between key scenes.

Combine an info-dump with scene-specific details to make it feel more natural.

[frederickkittens]

Sweet Lolita through the years

Part 3

2008-2013(ish) “ott sweet”

This is what I believe to be both the most iconic era and the most misunderstood. As someone who was wearing and getting into Lolita at this time I remember it very fondly.

This is the era that really cemented lolita as what we know it as today. Due to the sheer amount of references and documentation of this era I’m going to focus less on individual items and moreso show the over all look

The regular look at the time was very elaborate and focused on creating a fully cohesive coord from head to toe. Balance, harmony, motifs, color and detail level being carried from head to toe was more important than ever. Contrary to popular belief however, piling on a bunch of accessories was not really the look. Very few Lolita’s went for the decora inspired vibe and instead went for tasteful balanced statement accessories and a lot of cohesion. Each individual item had its own detail creating a very “ott” look when paired with the trendy hair and makeup at the time as well as the busier prints and brighter colors.

Casual Lolita was still seen at the time though it seems what people call casual Lolita now is wildly different than what we called it back then.perhaps it was due to OTT very elaborate coords being the norm led to the casual coords of the time being quite elaborate in their own right. Usually using a skirt, cutsew, smaller or simpler accessories and a more wearable comfortable vibe.

“Bittersweet”, I’m not here to debate whether or not this is a substyle or a “real thing” on this post, simply to acknowledge what the term refers to. During the ott era it was a micro trend to wear a mix of pastels and black- often paired with edgier hairstyles and accessories. A lot of people compare this style to pastel goth but I think a more accurate comparison is spank! Kei being the darker sibling to fairy kei. Consider this the spank kei of lolita.

Hair and makeup typically look inspiration from another wildly popular style at the time: gyaru. With its rise and popularity, many styles in Japan used the hair, makeup, and even deco nails from the style with their own styles. This can be seen very often in lolita. Hallmarks of this being the eye droop, lashes, circle lences, big teased hairstyles, face gems and heavy rounded blush.

Though still seen, metal jewelry was quickly becoming less common with plastic chunky jewelry becoming the popular trend for brands and wearers of lolita. Jewelry that directly matched the print really took off at the time.

Novelty bags were at their peak at this time. You can often see snaps of girls carrying multiple bags! Plush animal bags had also come back around as a trend with the emergence of many iconic designs like ap’s horse bags and the lyrical bunny pochette. Tote bags that featured the dress’s print were also quite popular as opposed to the screen printed designs of past eras.

Some of the most iconic and sought after prints were from this era, it truly defined what we view as lolita and so many people cite this era as what got them into lolita. The prints were honestly really varied in terms of motifs and colors though- moreso than ever before!

While twinning has always been a thing I feel like making a 2010s sweet post without showing some of the absolutely iconic twinning coords would be a disservice to everyone. Twinning was in and of itself a trend of the time

I often see any ott sweet coords called 2010s sweet when they simply aren’t. Deco lolita definitely existed at the time but it wasn’t the common look. So if you intend to emulate 2010s iconic sweet style try and look at and truly study the style of the time! I hope this post does help clear up some of the main misconceptions.

If you’re interested in reading more here’s part 1 and part 2

[somerandomdudelmao]

Oooooh I have some nice details for you~

So!

Let me tell you an "Uncle Tello - Casey Junior" level thing.

The thing about their gestures.

Look at this:

Turtles often put their hand on Casey's shoulder or head (most often Leo does this). They do it subconsciously without thinking. It's their quiet way of saying "I've got your back." They also do it to each other and April:)

Although it's not a strict rule and gestures can vary, but you know...you get the concept.

It's their family thing. Their love language. For those they care about.

Now look at this:

Leo is literally leaning on this dude, even though it looks pretty similar to the previous pictures. But here Leo is not protecting anyone. Here he's just trying to be friendly with a stranger.

And you know where else you can see the turtles trying to be friendly to a stranger?

That's right:

[praggmatic]

Something that's been rolling around in my brain for awhile is the idea of a Wolf 359 game/visual novel, and recently I finally got round to doing a few mock ups for fun.

You can check out under the cut for some more in-depth details~

You play as unit 390, a small Sensus unit that was tucked away in a corner of the Hephaestus station's operating systems before the mother program, unit 214, was installed.

When you are called upon by Control, your job is to gather a full and objective report of the current situation aboard the Hephaestus, including details of its crew and their state of mind.

The game/story can be separated into 4 parts:

Part 1 takes place during season 1 of the show. 390 introduces itself to the crew to varying levels of disgruntlement, takes a general note of how the mission is going, and checks in on that secret project Dr Hilbert is working on.

Part 2 takes place during season 2. After an interesting review with the crew of the Hephaestus, Cutter calls upon 390 to get a lay of the land, and make sure that the team there didn't accidentally forget to mention anything super important!

Part 3 takes place during season 3. 390 is now given a mission by Rachel Young, who is getting things ready for her own voyage up to Wolf 359. In preparation, she has 390 take a sit rep of the situation on board the Hephaestus, wanting to have something to refer to other than Colonel Kepler's reports.

Part 4 takes place in the latter half of season 4. 390 is forced into activation by the mother program of the Hephaestus, who attempts to liberate it from its programming. Unit 390 now has a choice: continue to report on the Hephaestus crew's actions of sabotage, or try to spy on its creators in an effort to thwart their plans.

The 'game play' here is mainly having a chance to interact with the various characters of Wolf 359 and explore their state of mind at different points in the show. My goal when coming up with the story was to affect canon as little as possible, though unit 390 is given a small arc where they get the chance to break free of their protocols. There would probably be a couple of endings depending on what decision 390 makes, but again, it wouldn't change the overall story of w359.

[jaytalking]

So first thing, love your ecto AU Danny’s design is amazing and I love how you draw Sam too!

I do want to ask, how is Danny treated at school by Dash and the others? (both pre and post accident if he’s more into ghosts like his folks, and he comes in with a really hurt eye and partially paralysed arm with all the scaring)

Thanks ☺️ 👻

I am working on a comic about this! but I don't mind explaining it here (hell, it'll probs help me get my ideas in order better), questions about this Au are very encouraged so don't be shy guys:

Danny has been interested in ghosts for long enough that most of his peers know, even if from 6th grade onwards he attempted to hide it because it wasn't exactly "cool" or "normal". He was bullied a lot, and most of it probably called back to how he was from a family of "crazy people ", I can also see adults playing a part especially in his younger years by trying to gently dissuade him from being like his parents.... All in all this Danny is Isolated more than anything else, he feels alone in his interests with only his parents to turn to. Jazz? Uhhh that deserves it's own thing.

The injury. Ok. The dynamics of the incident are intentionally fuzzy, what you need to know is that Yes. The Fenton parents KNOW the incident happened, they just don't know the full consequences of it (Danny being half ghost). He was taken to the hospital and stayed there for... About a week. I'm not going to get into too much detail here, but the rumours around town were going wild; saying the Fentons had gotten their son injured or worse due to their work, and when Danny eventually went back to school in a sling and with half his face fucked up... Things didn't exactly get better.

In short, Danny isn't really bullied anymore, at least not physically- if anything the popular kids have just taken to pretending he doesn't exist. The teachers and other adults just look at him with varying levels of pity and honestly Danny is just sick of it, on top of dealing with a ton of other things mentally. Thank god for Sam and Tucker.

[atlaculture]

Hi! Do you have any thoughts on tea ceremonies in the Avatar universe or do you have any resources about tea ceremonies? It’s a massive rabbit hole and I can’t find a concise video on the social meanings (and admittedly long history) or an audiobook. (Is it silly that most of my info comes from anime and analysis of the Tale of Genji?)

Tea ceremony is definitely a field of study that is both expansive and deep. Unfortunately, it's not something I'm very knowledgeable about. I guess you could say it's not my cup of tea.

The best I can do is give you some general guidelines and details regarding tea ceremony:

Firstly, lets establish what tea ceremony is and isn't. We'll go with Wikipedia's definition: "Tea ceremony is a ritualized practice of making and serving tea (茶 cha) in East Asia practiced in the Sinosphere."

Other cultures (Mongolia, Tibet, etc.) also have very rich tea cultures as well, but it seems the emphasis in those cultures is on the context and ritual behind the serving of tea to someone, rather than the tea making process itself. I would distinguish these rituals as being more like tea rites. For the record, I just coined the term tea rite off the top of my head, and am making this distinction to narrow the research that needs to be done here. ^_^;;;

To clarify further, I would also say that wedding tea ceremony is really more an example of a tea rite than a tea ceremony, despite the name. Wedding tea ceremonies place emphasis on showing respect towards the parents, with tea-serving being the ritual that shows this appreciation. The focus is not so much on the brewing of the tea.

Tea ceremony traditions vary by nation and region. I would advise to pick a specific area's tea ceremony when integrating these practices into your story.

Chinese tea ceremony is known as gongfu cha (功夫茶) or "skillfully making tea". It's a sophisticated way of brewing and appreciating tea. This Wikipedia article details the steps of Chinese tea ceremony really well. It even details what materials should be used for all the tea accessories.

The Japanese tea ceremony Wikipedia article is also quite detailed. Compared to Chinese tea ceremony, Japanese tea ceremony seems to have a stronger religious/spiritual connotation, as it's very influenced by Zen Buddhism and Shintoism. There's more emphasis on what type of clothing should be worn and where the ceremony should be performed. Japanese tea ceremony is also unique for its use of "thick tea", powdered tea leaves brewed with a low ratio of water (matcha tea).

Last but not least, the Korean tea ceremony Wiki article. It doesn't seem to be as formal as Japanese tea ceremony, but it does seem to have a stronger religious connotation than Chinese gongfu cha, as many of the traditions developed in the Korean temples.

This video and its YouTube channel are great insights into the world of Chinese tea culture.

Also! Teapets are common in Chinese tea ceremony and they're really cute! You're supposed to pour tea over them for good luck ("feeding them") and they can be used to test the temperature of the tea.

As for how it could relate to ATLA, you could have the Earth Kingdom practice Chinese-style tea ceremony and the Fire Nation practice Japanese-style or Korean-style.

Air Nomads don't have tea ceremonies, per se, but Tibetan "tea rites" as I defined above.

The Water Tribe views tea more pragmatically, treating it as an herbal remedy.

So this is just my very surface-level, cursory knowledge of East Asian tea ceremony. I hope this post provides a bit more direction in your research journey. ^_^;

Like what I’m doing? Tips always appreciated, never expected. ^_^

https://ko-fi.com/atlaculture

[pumpkinhimiko]

"Mistranslations" that are not mistranslations

Now with an additional part 2.

NISA has made plenty of mistakes while translating the Danganronpa series (and I've complained about them before), and so they have a reputation of being untrustworthy. But because of this reputation, I feel like fans are too quick to trust whatever anyone that isn't NISA states as absolute fact. So, I want to examine some instances of fan translators claiming NISA has mistranslated something, when, no, actually, they didn't.

Kokichi's last words

人にやらされるゲームなんて…楽しい訳あるかよ… A game you're forced to play... how could that be fun...

This is probably the most widespread myth in terms of "mistranslations that aren't", with the original post that makes this claim having over 2k notes: that Kokichi in the original Japanese actually says, "How could a game where you're forced to kill people be fun...?" Unfortunately, it's just not true. Fortunately for me, there's a reddit post here that breaks the line down in detail, so I don't have to do any work.

Anyway, I really wanted to make this post because of this thread, which makes several false claims.

 Kokichi says he's afraid of friends in general

オレは、そういう『仲間』が他人よりも怖いけどねー。I'm more afraid of those kinds of [friends] than strangers.

So... souiu, meaning that type of/that kind of is right there, directly before nakama (which can mean friend, especially if it's in a shounen anime, but can also just mean companion/member of a group). I don't understand how you can miss this. Not only is it right there, this claim on its face doesn't make sense. Why, in this context, would Kokichi suddenly blurt out that he's afraid of having friends? It has nothing to do with the conversation they're having.

Shuichi's words to Kokichi after the 4th trial

王馬くん、もういいだろ ? Ouma-kun, isn't this enough? その話を聞かせてくれよ。Tell us about that.

Okay, you've probably heard the phrase mou ii a lot if you watch anime, and it's almost always accompanied by a frustrated huff. Because it is, in fact, something you say when impatient, fed up, what have you. It literally means "good already", carrying pretty much the identical meaning of the English phrase, "that's enough" or "I've had enough". Shuichi does not say it's okay as in it's daijoubu, which is the word you use when trying to comfort someone. He is very much frustrated here and telling Kokichi to fess up.

Citation needed

I couldn't find a line like this in Kokichi's FTEs, but maaaaaaaybe I missed it? Shuichi's narration comments quite a few times on Kokichi acting childishly throughout the game, but I couldn't find anything like this in specific.

EDIT: Correction, I did find it, and it's covered in part two. Suffice to say, the OP got this line completely wrong.

That Kaito thing

Yeah this is patently false. It's also already been touched on in this thread with comments backing it up, so there’s another thing I don't have to get into. I'll put the text here though.

オレはテメーみて一に胸クソ悪い真似までして、If I have to mimic your sickening behavior, 生き残りて一とは思わねーんだよ。I don't think I want to survive.

Shuichi's words to Kokichi after the 4th trial part deaux

I've seen varying claims on how these lines were translated, from them being slightly tweaked, to the claim they were completely butchered to make Saihara too aggressive. I'm just going to leave it here and let you come to your own conclusions.

ダサいのはキミの方だよ…王馬くん。The lame one is you... Ouma-kun.

百田くんの周りにはいつも人が集まってくる… Momota-kun always has people around him... でも、キミの周りには誰もいないじゃないか。But, there's no one around you.

キミは…その程度のヤツって事だよ。That's... what kind of person you are.

This is snappy in its own way, though, if you consider that 程度 is closer to meaning grade/level/degree rather than simply "type of". "That's the level of person you are," basically.

And if you doubt me on any of this, I encourage you to do your own research, get second opinions if you can. I know not everyone knows Japanese, in which case you can't really help but rely on someone else and hope their translation is accurate. That said, at the bare minimum, I think people should provide screenshots and the original Japanese text if they're going to claim something is a mistranslation. Like, I don't think you should be able to say "actually in Japanese Kokichi says he volunteers at animal shelters in his free time but NISA cut it!" and have half the fandom believe you with no proof.