#united we fight | Explore Tumblr posts and blogs

akirathedramaqueen · 5 months ago

Text

Is the knowledge of magic gatekept by Hell's elite?

Time for another shitpost speculative analysis. And, suddenly, no conclusions—just some facts I’ve gathered about the topic from the show and a bunch of questions for you. Because this time, as much as I would’ve liked to deliver some hot details, there isn’t enough information yet, and I prefer not to claim anything without having at least some degree of certainty in it.

So let's just talk and make some fun, semi-educated guesses, shall we?

Yesterday, @tealvenetianmask released a wonderful post about Blitzø and his insecurity regarding his intelligence. Give it a read—it's a topic that isn’t discussed enough. One of the points raised was his limited access to education, which made me think.

Grimoire.

An infinitely powerful artifact possessed by Stolas Goetia is central to the series, at least before The Full Moon episode, as it is the only way for Blitzø to access the mortal realm. While it serves its own purposes for bringing together—and ultimately breaking apart—Stolas and Blitzø, it also has many interesting properties and details that allow us to speculate on magic as a whole.

It made me think: Who theoretically can use this grimoire or other spell artifacts? Why is it that no one but Stolas is permitted to use it? Are there genetic and/or biological reasons for this, or is the restriction societally driven?

Namely, would all hell beings be able to use magic if given the chance to learn it?

Let’s examine the evidence we have and try to answer at least some of these questions.

Clue one: Using the grimoire by anyone other than Stolas is illegal

It is clearly stated by Stolas himself in these two episodes.

You know, I have been... permitting you to access the mortal realm less than... legally for quite some time now? S1EP1, Murder Family, 8:31

You will be able to go anywhere you want in the human realm without fear of consequence. Without breaking demon law. You no longer need my grimoire. S2EP8, The Full Moon, 19:05

The question is, why? We know it’s not crucial to have Goetia blood to channel magic from the grimoire—Loona has read spells from it, as we'll discuss later.

Could the reason be that the Goetia family wants to keep their powerful artifacts a secret and maintain their hold on power?

Clue two: Magic books are written in runes

The grimoire and Stolas's book about Asmodean crystals are written in runes, suggesting the potential existence of a language barrier when sharing magic-related knowledge.

Left - S1EP6, Truth Seekers, 17:44 Right - S2EP1, The Circus, 19:45

It is oddly convenient if you want fewer people to understand the sacred information you wish to keep to yourself.

Clue three: Stolas does not need his grimoire to cast spells from it

It is briefly discussed in the Seeing Stars episode.

[Blitzo]: No chance you can conjure us a couple of those, can ya? [Stolas]: Sadly, no. I'm afraid without my grimoire, my powers are just a tad limited in the human world. [Blitzo]: What, you can't memorize your fucking spells? [Stolas]: Oh, your memory's so great? S2EP2, Seeing Stars, 6:33

See, Stolas does not deny Blitzø's assumption and gets annoyed when his memory is belittled. Therefore, I believe we can safely deduce that it is indeed a matter of only remembering the necessary chants to cast a spell. It is still possible that the artifact holds power on its own and Stolas needs it to access magic in the mortal realm, but it doesn't seem like the absence of the book prevented him from making two poor little human beings soil their little fancy trousers.

S1EP6, Truth Seekers, 19:11

And he does not need the book to summon the portals, it is seen multiple times throughout the series.

S1EP6, Truth Seekers, 20:10

Not mentioning him performing small magic tricks quite regularly:

Left - S2EP6, Oops, 7:42 Right - S2EP8, The Full Moon, 2:00

So, can we make a conclusion the grimoire is not so unique after all, if to memorize all the spells? Not sure, because... okay, I promise, we will get back to it later.

Clue four: Loona can use the grimoire, even though she is a lower-class demon

And she can shapeshift without any artifacts, which might suggest she has more magical abilities than other members of I.M.P. Her ability to read runes is also noteworthy.

Shhhit! I can't... I can't read the spell in this light! I can't see dick! S1EP6, Truth Seekers, 17:43

Do you think she could become a skilled magician with proper education? It's quite impressive that she knows the rune language to begin with, given her origin!

Clue five: Blitzø, Millie, and Moxxie are never seen using the book

Is this accidental, or are they simply unable to use the book? If the latter, is it because they are physically incapable of channeling magic (e.g., due to being imps), or is it because they don’t understand the language of the spells?

I noticed them bantering about replacing Loona because of her horrible attitude once or twice (such as at the beginning of the Seeing Stars episode). Does this mean they could take on her responsibility of opening the portal, or is it just bluff? There’s no way to know for sure.

If I'm so terrible, how about you just grow a pair and replace me? S2EP2, Seeing Stars, 3:03

Clue six: The I.M.P. crew is never shown trying any spells from the book other than those for portals

I.M.P. never tries any spells other than opening the portal, which seems strange, especially since they could have used disguise spells, as mentioned earlier in clue three.

Is it because they physically can’t use other spells, or is it an unspoken rule not to meddle with a powerful artifact whose true implications they might not fully understand?

Clue seven: Without the grimoire, the I.M.P. crew is not able to access the mortal realm

And it is posed as a big deal—the whole Season 2 setup revolves around Stolas freeing Blitzø by calling off the transactional agreement and providing a grimoire replacement, the Asmodean crystal.

Official Music Video, Just Look My Way, 0:11

This seems to contradict clue three. Perhaps there are specifics we have yet to learn or understand.

Why? If simply remembering the spell is enough, they would only need the book once. If Loona can read runes, she could write the spells down when Blitzø stole it, making the entire ordeal unnecessary.

Maybe, just knowing the spell isn’t enough to use it without the book. Maybe, special education or training is needed to prepare the body for it. Or, maybe, being born into royalty is a prerequisite for channeling magic without artifacts.

Maybe, if not conclusions, let's at least make a guess?

So, here’s everything I’ve gathered on the matter.

Without additional information, it seems a bit contradictory, and I admit, I sometimes get the feeling these might be plot holes left because this isn’t the focus of the story. This would be surprising though, as the show is usually very detailed and well-built in terms of worldbuilding.

I’m going to try to fill in these gaps with my speculations, just for fun. Please don’t consider this as making any claims; it’s more about me engaging in some mental gymnastics because I’m a lore geek and love figuring out how the fictional world works in media.

So, my take on whether the knowledge is gatekept or not: in short, it is.

If not so short:

I speculate (like highly speculate, because I have no proof), that any hellbeing could theoretically learn and use magic. It might require certain genetic preconditions, natural talent, and extensive training, but success is possible to varying degrees;

Artifacts assist in channeling magic for those who are untrained—like the grimoire helps the I.M.P. crew open portals;

Magic knowledge is encoded in runes to complicate the learning process for those not taught in it;

This knowledge is kept secret and shared only within royal circles, with different branches having their own secret techniques and specialties;

There are also laws prohibiting the sharing of this knowledge with lower-class demons.

Why? It’s simple—power wouldn’t be power if it could be used by just anyone. Withholding resources and granting access to it only to the wealthy is a characteristic of non-democratic regimes, and, mind you, Hell is an absolute monarchy at best.

But what do you think? Share your opinion via poll, reblogs, and comments!

Instead of my usual funny giggles at the end, I’ll reiterate from my reblog yesterday:

FREE AND ACCESSIBLE EDUCATION FOR ALL

Because only by sharing knowledge and making it public can the community truly prosper.

65 notes · View notes

medinaquirin · 2 months ago

Text

The utter blind hypocrisy of people criticizing Dems for trying to court too far Right while gleefully upholding the Right's obsession with moral purity and making the "right" people suffer.

#where's that 'I don't know how to tell you that you should care about other people' pic #and not just when it's convenient for your agenda #like all the time #care about people all the time #start there #and no I'm not saying that holding up dick cheney like 'look we convinced evil papaw to vote dem!' did not make me uncomfortable #but my god you have got to stop acting like the moral high ground is the most important thing to maintain #like my god I want the slaughter in gaza to stop too #but how exactly did you expect to effect that in any way under fucking trump???#It's a hell of a lot easier to help other people when you're not trying to get the boot off your own neck #and yes I know the primary problem is the people that still voted for that orange shitgibbon #even after everything #I am not denying that #but we can't even properly form a united front against them bc a buncha chucklefucks want to maintain their moral superiority #you're picking an opponent to fight not a goddamn savior #stop looking for a fucking savior #us politics #for y'all's blocklists #man i'm so fucking tired

21 notes · View notes

reality-detective · 7 months ago

Text

Pay Attention to the Words 👇

youtube

Patriot's Rising 🤔

52 notes · View notes

demigod-of-the-agni · 9 months ago

Text

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it.

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer.

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this.

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

#long post + more tags that kinda spiral away BUT expand on the points above AND kinda puts everything together concisely #BROS THIS IS AN HONEST TO GOD ESSAY #THAT HAS BEEN COOKING IN MY HEART FOR A WHILE NOW. SIMMERING FOR MONTHS BEFORE FINALLY BOILING OVER IN THE LAST WEEK #genuinely hope you read MOST of it because yes it has Quite A Lot Of Exposition but it all matters nonetheless #put in a lot of thought into this so i expect you to do your part and challenge your thoughts as well #you see how i'm not asking for you to listen to me. but to actually Think. i want you to cook your thoughts and add some spice and flavour #and give it a good mix so you can come out of this a little more wiser than before #because!!! yeah!!!! spider man india is just that!! he's indian!!!!! we don't need to collectively agree on where he comes from #bc it gets rid of that relatability factor of spider man. at the most basic level #think of it as a schrodinger's. he is every single culture and none of them at the same time. therefore none of us are wrong!! sick!!!!#pavitr's first priority is making sure HIS PEOPLE are safe. that's probably as far as we can go that relates him back to peter parker spide #he loves his people and working in the name of justice to FIGHT for HIS PEOPLE is just the duty/responsibility he takes up #it makes sense that he loves everyone and every culture he engages with bc that's the nature of spider man i suppose #if peter parker spidey acts as the guardian for the regular folk.. then in my mind pavitr spidey stands as the bridge uniting the people #because society as its core is very fragmented. and having pavitr act as a connection to other folks.... mmmmm beautiful #that's what i'm talking abouttttt !!!#anyways guys this is literally 3001 words on my document EXCLUDING THE TITLE. THAT'S 7 PAGES AT 11pt FONT. i'm literally cryingggg wtf #pavitr prabhakar #spider man #spider man india #desi #desiblr #atsv #across the spiderverse #atsv pavitr #indian culture #india #desi tumblr #what the fuck do i tag this as #agnirambles

64 notes · View notes

moliathh · 7 months ago

Text

This had been irking me so i have to say it. I know Hellsing is a horror media with a LOT of flashy action scene, however, it is unjust to see it as solely gore and fights. I've seen complaints about how adding a "romance" in will reduce the quality of the story as an "action horror". (specifically speaking is between Alucard and Integra because of course in the end of the day this is just ship war, not a serious discussion whatsoever) I would argue that Hellsing is never ONLY about the actions. Yall might have already noticed how Alucard is too OP, and it was not even because he got any tricks up his sleeves. He is simply invincible, his mechanism is just that hes a "deus ex machina". He did NAWT need to start out with zero and levelling up like your common action anime protagonist. It's not a first time a central character is overpowered in an unreasonable way. A way you could interpret this trope is that it was not about battles, not the physcial one, but the development in their characteristic, their thoughts and emotions and ideology all that stuffs. A classic example is Sir Gawain and The Green Knight (TGK), where all of their (physical) battles are nonsense and did not mean anything in terms of combat, they dont even fight each other, even the climax (the decapitation of TGK) was dismissed into a looney tunes moment. BECAUSE OF COURSE IT WAS NEVER ABOUT THE BATTLE NOR PHYSICAL DEVELOPMENT, it was the internal struggle and maturing in character. THAT is what's happening in Hellsing IF yall look pass the very flashy facade of gore scenes Hirano put up. READ BETWEEN THE LINES, because he's not gonna hand it out to you on a plate. If you want to see how each character developed you have to look closely at their reactions and dialogues, not how they fight.

SO, imo, it's reducing the quality and message of Hellsing to interpret it solely as an action horror media, not the other way around. AND MIND YOU, romance subplot and action horror can coexist. For what does the character fight? A higher ideal? Power? Fun? Love? All that is noteworthy to think about when you engage in a media display many fight scenes. DONT YOU WANNA KNOW WHY THEY FIGHT THAT HARD ???? and in this case it is VERY obvious that Alucard is motivated by Integra. LIKE it cant be more obvious

And I'm so tired of seeing "Alucard only listen to Integra because of the seal and shes a Hellsing". Bestie, he literally ripped Richard's hand off, we dont even know the extent of the seal, like how far? or can it REALLY control Alucard? Besides, if you have read The Dawn you would see what a damn lazy ass Alucard was, Arthur sent him on a mission and he didn't even bother to walk on his own and just sleep safe and sound in his coffin until he felt like waking up??? Compare that to his enthusiasm to beg Integra on four just for her order and even purposefully tick her off by asking about her enthusiasm for war, oh and did we collectively forget this

(This is the Dark Horse eng scan if i remember correctly? i might be mistaken idk)

Sure it could just be a mere parallel, "The woman he personally desired" might only means Mina Harker and not directly Integra herself, I see. But, why bother choosing this parallel, and RIGHT after this panel he went STRAIGHT to Integra to ask for her order.

You know how enthusiastic he is with a fight and everything was already laid before him, worthy enemies and all. Yet he would not act without her words? I did not see him needing permission before ripping Richard's hand off... Also the seal did NAWT ask him to do all this

There are more of his sickening and excessive display of obedience but i don't have time to pull the panels out yet, but we all know its there since Alucard's submissive attitude and Integra's bossy demeanour is one of their most appealing traits, I know, because it is literally one of the BIGGEST selling points and running joke of the fandom, funnyyyy how people always love to call Alucard a sub and use words such as "freaky" and "slutty" to call him as if he didn't reserved this treatment for ONLY Integra. Sure Integra is a demanding boss to even her enemies, and it works like wonder everytime, because she's Integra, she mastered Alucard, others are just piece of cake to her. But that's not the same case with Alucard. Major literally said "She is the only authority Alucard recognizes". And have Alucard extended the phrase "My master" and all the begging and insinuating jokes to anyone else? It's so convenient isnt it, to just take one specific trait of Alucard's personality and make it his entire character without considering to WHO he directed those innuendos to.

Oh and I haven't walk us to the final chapter yet, like the seal did NAWWWWWTTT asked him to call her "Countess" (or Count, depending on the translators) and literally he could accept his death becoming a paradox? Wasn't Alucard had been craving an end for a long while now? Why the need to return just because Integra asked him to??? Be serious for a moment here

Also a personal interpretation of mine that could be a stretch or just pure delulu is that, in the manga AND the anime adaptation, the last word Alucard said after goodbye is "Integra" (In both Japanese and English dub, the word order is exactly the same), not "Master" or "Integra HELLSING". The same goes when he addressed how he can kill without remorse but the decision is in her hand, he also said "I am a monster, now regarding you, Integra". To me that is an indicator for how he CARED for her not just because she's a Hellsing or his master but she's Integra, from the first of their meeting it was very clear, that Alucard wounded A HELLSING to protect Integra.

So... even non-romantically, you cannot deny that Alucard voluntarily worked for Integra. They DO care about each other a lot, even platonically, their bond is almost like soulmates with how well they trust and understand each other. I just don't like it when people keep side-stepping the depth of their relationship just because you don't like to ship them romantically. These are the canon informations you can't just seriously unironically say that there was nothing there.

And oh don't even get me started on the "But he is a vampire, the enemy of her family and he hates Hellsing because of Abraham something something stockholm syndrome something she's ace coded she's lesbian coded she swore to be a virgin until death she wouldnt throw it away for the enemy of her family etcera etcera" you're saying it as if ace people aren't allowed to date or have sex and you're saying it as if Alucard isn't canonically genderfluid. Why always view the ship as solely heteronormative while they were never conventional to begin with. And MIND YOU, i thought everyone love the enemies to lovers trope?? they were BARELY stockholm syndrome at all did we forget about the Bird of Hermes analogy as a metaphor for loyalty voluntarily given.

If you care so much about "monsters and humans are forbidden" and "they are not canon" maybe treat every ship with the same attitude since MOST of hellsing most popular ships fit into that exact two sentences above, maybe except Pip x Seras is canon, but they're also human x monster, so what now???? Just hate on a ship all you like, I hate ships too and I hate them because I don't like them, that's all, no need to do extra mental gymnastic to prove the ship is "wrong" or their shippers are "wrong".

#rant #talking mostly about alucard x integra #so im gonna tag the ship name in case there are people who dgaf or doesnt want to read about alutegra #alucard x integra #alutegra #giggle a bit whenever ander/card and ser/tegra shippers drag alu/tegra for the reasons that their ships also have #like brostie we should be uniting in delusional not fighting #i dont hate the ship but i dont bother dragging them #are you really sure you wanna come for the ship that contain two of the protagonist trio and had MUCH more interactions than your ship #im not saying more screentime means higher possibility of romance implication #however i would not come for a ship with more official material than mine because it is a losing game #are you really sure you wanna go there #i got so pissed so i wrote this down so fast i didnt even misspelled insinuating and innuendo

40 notes · View notes