#understanding the self through relation to the other

[sylus-doll]

Synopsis: It's normal to feel insecure every once in a while. But what would Sylus think of it? You wonder if he'll think that you're too much but you still ask to look through his phone anyway. And he willingly lets you.

Warnings: Low self-esteem and self-doubt, insecurity, jealousy issues (thinking he has other girls), bad relationships (not with Sylus), mentions of stalking (done by Sylus to you), mentions of threat messages.

Author's note: Is this controversial. Idk. I think I'm overbearing, so this is self-indulgent but I hope that it helps if you can relate to it as well. This is based on one of his Destiny Café and affinity level up lines. Comments and reblogs are appreciated! <3

You had always been a little insecure of yourself. Comparing yourself to others, envying the life they have, wishing to be a different person entirely. All of this had been ingrained into you like heated iron scorching skin, branding itself onto the fragile fabric of your soul. It would be alright, if it didn't consume your being and take the reigns of your mind at the worst of times.

Previous partners always brushed you off when you wanted to speak to them about your troubles. Telling you that it was fine— that they could handle it. Lies. Maybe they would indulge you once or twice, but they would always end up angry at you for being... difficult. Your jealousy is out of control, your clinginess is overbearing, your need for reassurance is exhausting. Always too much, too high maintenance. It all ends sour.

But you can't help it. The need to satiate this overwhelming emotion withers you away. Your desperate want for someone to claim you as their number one— the only one—overrides rationality. Yet you have learned to bite your tongue. Force your words to die in your throat because you never want to be too much. Especially not for someone like Sylus. Sylus who has always been so understanding and patient and you are terrified that this might tip him over the edge.

Sylus, however, notices that you seem rather lost in thought. Although he has been on his phone for quite some time, nothing gets past him. Not your jittery behaviour or the sighs that escape past your lips as if they were the words you wished to convey but held back on. He sees you fiddling with a trinket, some gemstone he left lying around the base that Mephisto probably went for. Switching off his phone, he sets it aside in favour of staring intently at you, two fingers resting on his temple as he leans on his elbow.

“You seem quite fascinated with that pretty gem, sweetie. Has Mephisto influenced you with a crow's instinct?” Sylus teases you, an opening line for conversation.

You jerk, scowling at the man, “Don't compare me to that bird!”

He only chuckles, shaking his head.

“What's on your mind, sweetie?” The tone of his voice shifts, now noticeably softer. So are his eyes.

Sylus is worried about you, it seems. You glance at him, taking in the way he keeps his eyes only on you. Then briefly direct your gaze towards that damn phone of his before looking into his eyes. Vicious scarlet turned lovesick velvet; it engulfs you in safety. Your lip quivers, and you bite down to stop it from doing so. What would Sylus say if you asked to look through his phone? How irritated or annoyed would he be? But his eyes are so warm, and you crave the gentle adoration it drowns you in.

“Can I... look through your phone?” You ask hesitantly, breaking eye contact first.

Well. That was the last thing he expected you'd ask him. He stares at you a little dumbfounded, only briefly, before regaining his composure. He expected a favor, something grand or perhaps requested the impossible from him. Of all things Sylus owns, and you ask for his mobile device. With a quirk of his brow and small tug at his lips, he gestures for you to come closer. When you do, he sits you across his lap, pulling his phone from the coffee table with his evol and drops it off in your hands.

“Go ahead, sweetie. I have nothing to hide from you, only the authorities.”

Sylus is patient when you begin your... search. Throughout all the apps he has; social media, websites, albums, contacts. You find that most of it contains you and N109 business. Pictures of you that you don't recall him taking, candid ones looking away from the camera. Auction sites where he's betting on antique weapons and vintage wine. Messages to Luke and Kieran regarding missions, and sometimes about keeping an eye on you. Ominous ones from others that come in the form of—

“What do the codes mean?” The question tumbles out of you before you fully think it through. Damn you.

His hand envelops yours, scrolling through the messages with his thumb.

“This one, is a location. Some sort of trap, most likely. The one you looked at earlier was a threat. And as for this...” Sylus explains every single one, not even hesitating.

Once you're satisfied, you give him back his phone. There was nothing. No other girl, no secret lover, not a single piece of incriminating evidence. Shame and guilt immediately take root within you. Sylus is not that kind of person, you should have known that. Should have trusted him more and let it be. Why were you like this? Apologize. It's what you need to do now because maybe he thought you were doubting him.

“I'm sorry—” he cuts you off.

“No. You have nothing to apologize for. Didn't I tell you that you have access to all my resources? Including, but not limited to, my phone. You can take a mile if I give you an inch.”

He brings your hand to his lips, kissing each knuckle. Even the tips of your fingers, and a final one on the inside of your palm.

“Next time, you don't need to ask. Just snatch it away from me if you think I'm giving it too much attention. I'll drop anything to show you how much I adore you.” He looks at you, gaze unwavering.

You will never be too much for Sylus. Everything that you have to offer, he will devour like a dog starved. He has been deprived of the intensity of your affections for far too long to be picky. If your love is tender, he will soften himself from metal to clay and be molded by your hands as best he can. And if your love is untamed ferocity he will embrace you with open arms, ready to be ripped apart. It will be alright— Sylus will stitch himself back together if that was what you needed him to do. That is what he will do to love you.

[bubbipond]

Thame has become my favorite bl character in such a short time. So let's talk about why I love him and ThamePo's use of showing vs telling. This might be long so sorry in advance! Part 2 Part 3 (coming soon & will be linked once they are posted, enjoy!...)

First time we get to see Thame he is arguing with the CEO. With no further knowledge about him, except for what Po hears, we are to believe he is a menacing character. In the romance world, bad boy x innocent/sweet boy/girl isn't shocking. So we are first introduced to Thame as a character in a high position, with an ego, and a bad attitude. Not only that but, the show makes sure the conversation with the CEO makes Thame look like a jerk by denying going to a charity event. Then in the same scene, we see him turn his anger on Po.

He doesn't give Po time to explain and from the looks of it, it would seem he was upset by seeing someone with a DSLR filming him, concluding he was a sasaeng (Korean word for psycho/stalker fans). Even if Thame was a jerk, that is an understandable reaction as an idol. After that we have Thame enter the dressing room, speak to no one, and the whole glam team leave the other MARS members and rushes to him; irritating his members, and something Po picks up on very fast.

After that were given information about why there seems to be turmoil amongst the members. Thame got offered a chance to debut in SK and is leaving the group behind. But, we also see the beginning of Thame's facade crack when the members are walking off the stage. So maybe everything is not what we are being told and the scenes we have seen of Thame.

So we know now that the direction of the first episode is to give us the same idea that Po has, that Thame is not that great of a person, which Po believes wholeheartedly.

But like I said, the show will tell us one thing, but show us something totally different. So while the show gives us big fallouts, arguments, and peeks into Thame, we are only seeing it through the eyes of others. So now, it's time to show us the truth, and how is looks through Thame's eyes. In actuality, he hates the position he has been put in and is hurt to have to leave his members behind.

Then we get perhaps my favorite scene in EP 1. and that is Thame's first time speaking gently to Po. He's dropped the angry tone, the yelling, and the threatening. Instead, he's opted for actually hearing Po out because up to this point, Po really hadn't done anything sasaeng-related. He also filmed the members in a way Thame hadn't seen in a very long time.

Moving on, we have to say thank you, Joong(idk his character name lol) for giving us the answer we knew to be true. Thame lets people think he's awful, self-centered, and hard to work with because he thinks it's easier that way.

When in fact, he is very agreeable and does as he's told, typically without any lip. He even knows when to turn on an off the anger and who to turn it on and off for.

A major factor of Thame and Po that I love is that the telling is almost always done by Thame or in relation to Thame. Then through Po's eyes, we are shown the truth behind the lies built around MARS. No one is happy about the situation, least of all Thame. But they all put on a pretty believable facade that they are cool with this.

But even that isn't entirely true because what we are told from Thame's perspective is that the members are tired of being in MARS as it doesn't align with their individual images. But what we see thanks to Po is that this was more than likely not true and instead a ruse to manipulate Thame. As Po reveals someone is living at the MARS house and keeping up with cleaning and watering their wish tree.

Gonna end this here and pick up for part two later today. But I just think this scene is probably the most important scene that tells us about Thame's character in general. His paper on their tree, as the leader, is that he will make everyone's dreams come true. The undercurrent of that is that he will do it at any cost, even at the cost of his own happiness. But we know that the members are not happy and instead are confused by Thame's 180 personality switch. So, even though Thame is doing everything in his power to make them happy, we've seen that what he's actually doing is pushing them away.

a/n: okay so that was way longer than expected but we are given so much info in eps 1&2....this is it for now! Hope you enjoyed! I'll post part 2 later!

[leftalpacavoid]

🎭 His Dear Witch ~ 🎭

It's unknown why do you even eixst. The SCP Foundation doesn't know what to do with you. You're a confusing paradox that they do not understand and most frustratingly—uncontainable in a conventional sense.

#TAGS: Nothing time twins related, SCP Fandom is slowly drawing me back, It includes SCP! Reader, The Herta! Reader, Honkai Star Rail x SCP Crossover, Potentially OOC, Reader x Canon, Witch Reader, Short Writing, The Herta! Reader x SCP character, More stuff like this would be included if interested, SCP FANS ARISE. 🔥🔥🔥

— TW?: Possesive Themes, Be Warned, 035 Being 035 As Usual, Potential Yandere Themes, He Calls You His 'Wife'.

A/N: After hitting maxed pity on herta's banner along with her LC, I decided to make an interesting crossover because I thought it would be interesting to see how this goes for The Herta! Reader Insert. (Huge bonus that I'm blessed with good stats while I'm building her. 🙏)

You’re the definition of an enigma. A literal spacefaring, unknown anomaly wrapped up in an elegantly appearance, self-aware, and untouchable persona. The Foundation doesn’t know what to do with you, and SCP-035? He’s utterly entranced.

And Who Exactly Are You in the SCP Foundation?

You are Anomaly [REDACTED], a Level 6: CTS entity classified under Euclid. They don’t fully understand what you are—just that you exist, that you have an unsettling level of influence, and that you are playing the longest of long games.

You don’t act out. You don’t cause destruction. You don’t try to escape. Instead, you watch. You let them wonder why you haven’t done anything drastic, knowing full well that the moment you choose to tip the scales, everything changes.

They don’t imprison you because they can’t. They simply keep you in containment because you allow them to.

And then there’s SCP-035.

SCP-035 has never met someone like you before.

He’s charming, cunning, and manipulative—but none of it works on you. Not because you’re immune to him, but because you let him think he’s in control before flipping the script entirely.

You’re his perfect counterpart. The ultimate tease, the unattainable yet tangible anomaly that keeps him guessing.

At first, he tries to toy with you, flirt with you, unnerve you. And then, he realizes.

Oh.

You’re not like the others.

You understand him. You see through every little act, every trick, every calculated play. But instead of rejecting him or trying to outmaneuver him, you do something infinitely worse.

You indulge him.

You let him speak his flowery words, you humor his charm—but it’s clear who the real player is in this game. He’s used to being in control, but you? You make it so easy for him to fall under your spell instead.

And it drives him insane.

The Foundation is uneasy. Not because you’re violent, but because they cannot predict what you’re doing.

Why do you allow SCP-035 to get so close?

Why does SCP-035, a master manipulator, seem to worship you?

What is your endgame?

They want to separate you two, but the problem? 035 actually behaves when you’re around.

If anything, he’s less volatile, less inclined to escape, more… cooperative. But only because he knows that if he behaves, he gets you.

035: (mocking, but with an underlying threat) “Oh? You want to take my darling away? My wife?” (chuckles darkly) “Now, now, let’s not be hasty. You wouldn’t want to see me upset, would you?”

The researchers watching? Having war flashbacks.

The Real Question is...Why You Haven’t Given Him a Permanent Host (Yet)?

Because you’re playing the long game.

You could give him a permanent body. A perfect, indestructible vessel crafted specifically for him. A host that would never rot, never decay, never fail him.

And he knows you can.

That’s why he adores you. That’s why he’s obsessed.

But you? You wait.

You let him yearn. Let him crave it. Let him wonder if today is the day you’ll finally grant him that final gift.

035: (grinning, tilting his host’s head at you) “Tell me, dearest… when will you finally stop teasing me?”

You: (smirking, brushing a hand over his mask, whispering) “Would you love me the same if I gave you everything at once?”

035: … (soft chuckle) “Ah. I see. You do know me too well, don’t you?”

And the Foundation? Losing their minds. Because whatever the hell this is? It’s not normal.

They don’t know if it’s love, obsession, or something far worse.

But they do know one thing:

SCP-035 is yours.

[beneathsilverstars]

hello for the ask game 9: any theories on stuff unexplained by the game?

I always love theories and thoughts and worldbuilding hcs etc so anything in that vein works :3

I think my favorite little worldbuilding headcanon is that Ka Bue is super chill about aromanticism and asexuality! Not in the same way as irl activism, but it's something that is understood and respected in their ideology, like transgenderism in Vaugarde. So if we combine the powers of everyone in the crew we'll get an entire queer-friendly worldview going lmao!

Maybe... Something about an overarching philosophy of understanding the self? In Vaugard they see the self as something you refine through making, creating and destroying and rebuilding, but in Ka Bue you're supposed to be uncovering and polishing what's already there. And part of that is understanding your position in relation to others, so they have a lot of little descriptive words for flavors of relationships and dynamics, and being the sort of person who seeks those dynamics. Like "oh i'm usually the comedic straight man of the friend group and i seek out jokesters who play well off of that". And that means that nonsexual romance, nonromantic sex partners, QPRs, etc, are all understood dynamics, and various kinds of friend and family and colleague relationships are seen as distinctly important, and being alone is seen as a valid dynamic!

Now that I've typed this out I love it more and more... I was originally just thinking about the metaphor of cutting and polishing a gemstone, but having a lot of little Dynamics that various people may find more or less relevant to themselves is a similar approach to having thousands of Expressions! And it meshes with the transphobia as well - you can describe yourself as having dysphoria but you're not supposed to go and try to change that.

And there's that Odile + Isabeau conversation where she gets really specific about their relationship: "We're not friends, we're associates. Colleagues. Allies at best." And she's obviously joking, but this hc puts some extra weight behind her making that particular sort of joke! Plus she's the one who's like, "I wouldn't call you all friends, that would be weird, we're more like family," and she gets mad about being called the mom. I love the idea that she has Very specific dynamic classifications in mind for her relationship with each member of the crew, and gets pissy that Vaugardian doesn't have the same nuance/connotations!

And this philosophy being the total opposite of the Change belief is so interesting for Odile in particular! It would definitely flavor people's perception of her in Ka Bue - oh, she's one of those fickle Vaugardians who change masks every day and will never truly understand themselves. No wonder she wanted to get actual Vaugardian perspective on their belief. Oh, how lovely it will be for her to synthesize the two extremes, and both discover and create who she is!!

[nonokoko13]

Rollo Flamme is autistic. I had suspicions about it but after reading his vignette I heard a voice in my head confirming it. God has told me the truth and I must spread the word

He would also be ok with Batman, if he's not his most favoured hero. Oh and he also probably has PTSD and depression. Thanks for coming to my ted talk

[miss-morland]

dennis in dtamhd is so bpd recovery coded i feel so much about it <333333

[hollow-vok]

Ohh im obssesed

[the-monkey-ruler]

Goodness, jttw will never run out of different ways the story can be expanded. I don’t know if there are any other books like this. I think something that helps is that there’s no ip law and religious people are more relaxed (I mean when Chinese take creative liberties, it gets iffy when it’s non-Chinese).

Xiyouji has been going on strong for nearly 100 years of media! It truly is a work of art that embodies the human spirit and can be adapted and relatable to any generation to any person. Not matter where you are from or how old you are there is always going to be something so human and so touching in Xiyouji that just captures people for years to come.

Here's to another 100 years of Xiyouji media!!

The closest thing I can think of to another book or franchise that is this widely known could be like Shakespeare but that sadly has been teetering in the past few years. I kinda miss the modern adaptions of Shakespearian plays. And they don't even have games so another disadvantage.

It helps that Xiyouji mostly cameos Daoist and Buddhist figures in its story, hence while it does have a lot of religious messages and is a religious pilgrimage leads to a lot of fantastical worldbuilding and a great way for both patheons to be included. The only other story I can think of that has that kind of storytelling in like Dante's Inferno which while it is well-known certainly doesn't have that much of a media presence.

[jackass-jones]

My ass was trying so hard not to jump up and down with glee playing yttd with my sister and getting to the shin reveal I was like MY GUY MY FUNNY LAD MY SILLY RABBIT

[britneyshakespeare]

He won't leave my fucking friends alone.

[chemicalarospec]

It is absolutely mythologizing reality which is NOT something I approve of (I think it's important to see reality as accurately as possible), but one does reach some cool-sounding conclusions when interpreting bands themselves as stories.

[arolesbianism]

I have obtained a new oc and in the process I've already signed myself up for needing to make at least 3 new ocs for his story which he now has despite me initially Intending for him to be a side character for a different side character to hang out with. My townhouse has over 200 characters on it.

[jadenvargen]

free online james baldwin stories, essays, videos, and other resources

**edit

James baldwin online archive with his articles and photo archives.

---NOVELS---

Giovanni's room"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. This book introduces love's fascinating possibilities and extremities."

Go Tell It On The Mountain"(...)Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves."

+bonus: film adaptation on youtube. (if you’re a giancarlo esposito fan, you’ll be delighted to see him in an early preacher role)

Another Country and Going to Meet the Man Another country: "James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit." Going to meet the Man: " collection of eight short stories by American writer James Baldwin. The book, dedicated "for Beauford Delaney", covers many topics related to anti-Black racism in American society, as well as African-American–Jewish relations, childhood, the creative process, criminal justice, drug addiction, family relationships, jazz, lynching, sexuality, and white supremacy."

Just Above My Head"Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land."

If Beale Street Could Talk"Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche."

also has a film adaptation by moonlight's barry jenkins

Tell Me How Long the Train's been gone At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. 

---ESSAYS---

Baldwin essay collection. Including most famously: notes of a native son, nobody knows my name, the fire next time, no name in the street, the devil finds work- baldwin on film

--DOCUMENTARIES--

Take this hammer, a tour of san Francisco.

Meeting the man

--DEBATES:--

Debate with Malcolm x, 1963 ( on integration, the nation of islam, and other topics. )

Debate with William Buckley, 1965. ( historic debate in america. )

Heavily moderated debate with Malcolm x, Charles Eric Lincoln, and Samuel Schyle 1961. (Primarily Malcolm X's debate on behalf of the nation of islam, with Baldwin giving occassional inputs.)

----

apart from themes obvious in the book's descriptions, a general heads up for themes of incest and sexual assault throughout his works.

[sensualnoiree]

1st House: The Helm This is where your spiritual energy and identity take the spotlight. The 1st House governs your appearance, personality, and vitality—the essence of how you project yourself to the world. It’s your steez, your approach to life, and the first impression you make on others. The 1st House is all about beginnings, the mask you may unknowingly wear, and how you come to know yourself on a deep authentic level. The captain of this ship is the ruling planet of the zodiac sign residing there.

2nd House: Gate of Hades Your values, self-esteem, and ability to attract wealth are all tied to the 2nd House. This is where your personal resources, possessions, and financial matters come into play. The foods you eat, your saving and spending habits, and your sense of self-worth are all part of this house. It’s where your style and material wealth are rooted, reflecting how you value yourself and what you own. This house represents how you sustain for yourself, how you support all that the first house needs of you to be who you are.

3rd House: Goddess The 3rd House is the domain of communication, early education, and the mind. It governs how you gather and process information, your intellect, and your interactions within your community. This house also encompasses your relationships with siblings, short travels, and technical skills. It’s the space where your to-do list and daily mental activities take shape.

4th House: Subterranean Deeply connected to your roots, the 4th House represents your home, heritage, and ancestry. It’s where your inner life and sense of security are nurtured, influenced by your upbringing and relationship with your parents—especially the mother. This house also relates to land, generational gifts, and knowledge passed down through the family. It’s a space of femininity and the feminine energies in your life. This is the lowest point of the birth chart and can be fairly private and personal-as opposed to the 10th house. It holds up the rest of the chart and is incredibly important in terms of learning about our sense of security/stability emotionally, spiritually, and physically.

5th House: Good Fortune Joy, creativity, and self-expression flourish in the 5th House. This is where you experience the pleasures of life—love affairs, children, art, and entertainment. It’s the house of flirtation, play, and drama, where your passions come to life. The 5th House also governs leisure activities, fertility, and the pursuit of happiness through creative endeavors. A sense of nostalgia lives here too.

6th House: Bad Fortune The 6th House deals with work, health, and daily routines. It’s the space of labor, servitude, and the duties that never seem to end. This house also governs how you care for your body, deal with illness and injury, and interact with employees or pets. It’s where the unexpected challenges in life arise, requiring your attention and resilience. Look here for understanding on what great works you may find yourself committing to.

7th House: Setting Place Relationships take center stage in the 7th House. This is where you finally begin to truly engage with others, forming long-term commitments, whether in marriage, partnerships, or friendships. It’s the house of open enemies, where you face the other in life. The 7th House also governs relaxation, romance, and the deep bonds that define your connections with others.

8th House: The Idle Place Death, transformation, and shared resources are key themes in the 8th House. It’s where you confront karma, contracts, and generational lessons. This house also deals with loans, debts, and the deep psyche—the mysteries and fears that lie beneath the surface. The 8th House is a place of soul material, where you explore the unseen and the unknown. Here, you face all consequences-positive & negative- of the 7th house and the relationships, contracts, and potential enemies made there. This is the house of others esteem of you, opposite of the 2nd.

9th House: House of God The 9th House is your portal to higher knowledge, philosophy, and spiritual exploration. It governs your worldview, ethics, and the pursuit of truth through study, travel, and discovery. This house is where you connect with religion, spirituality, and the higher mind, expanding your understanding of the world and your place in it.

10th House: House of Praxis Your public life, reputation, and career are shaped by the 10th House. It’s where you strive for honor, recognition, and achievements that define your legacy. This house also relates to your relationships with authority figures, particularly the father, and how you navigate the public sphere. The 10th House is where your goals, fame, and business acumen are realized. Sitting at the very top of the chart, like the sun at noon high in the sky, all can see you here.

11th House: Good Spirits In the 11th House, your hopes, dreams, and social networks come to life. This house governs your friendships, group affiliations, and the communities you belong to. It’s where you connect with humanity, receive sudden blessings, and find support in your aspirations. The 11th House is also associated with gifts, riches, and the imagination needed to dream big.

12th House: Bad Spirits The 12th House is a place of retreat, isolation, and self-undoing. It’s where you confront your inner shadows, secrets, and hidden enemies. This house governs institutions, mental health, and the need for solitude or seclusion. It’s also a space of psychological development, where you deal with endings, sickness, and the unseen forces that shape your life journey. This house is in a blind spot to the first house of Self and that is why we can be blind to the very things that reside here. Its not so much that these things seek out to destroy you but any area of your life your are deeply unaware of can come back and disorientate you from who you believe yourself to be.

follow for more astro insights like this and head on over to @quenysefields or my etsy --> sensualnoiree to grab my new astrology guidebook on reading your own natal chart :)

[pleasefindoutaname]

- Write a post asking for multiplicity # who don't carry endo / anti endo shit

- Delete the post thinking I'll just block the endo related #

- Browse a bit just to see what i'll miss

- Almost every multiplicity content is tagged as pro or anti endo

Is the choice "don't get the multiplicity content you came to find or get angry with every blogger you want to interact 'cause you don't know which box they would put you in" ?

[emberwhite]

For five years, I've been trying to tell this story. It's a tale about coming out—to the reader themselves and for a general audience so that more people might better understand it. Not many mainstream readers are willing to pick up a book about a transfem character because of how unrelatable they think it is. For this reason, it's extremely difficult to get a publishing deal for something like this. I take that as a challenge.

I wanted to make something artistic about it. They say the simplest definition of art is transference of feeling from author to reader, and I really wanted to capture what this whole experience has been like for the past 20 years. It's not easy, and it's not supposed to be either. That's what makes it all worth writing. So, how can it be done?

I like Russian literature. I like Dostoevsky. He will give you a character and tell you this person is bad, bad, and bad. Then, as you get into the mind of their character throughout his novel, you slowly start to find similarities between you and them. You might even begin to agree with them. And at one single moment, there you will be saying to yourself, "Oh my god. I AM this person." It's truly great. He understood human psychology, like no other.

I hope to do the same but backwards. I will tell you everything about this character without telling you who this character is. I used no pronouns to describe my character. Instead, I tried to produce this mysterious, unsettling mood around The Drunk. If I can get the reader to relate and identify with this person through workaholism, alcoholism, loneliness, isolation, and addiction, maybe then transfer of feeling can happen. It's a book about not being seen and understood, and I do think that is something universal, especially in this age of tech. It's devastating and the beginning of self-destruction.

The Drunk, The Gambler, and The Lover is now available on Amazon and for order at your local library and bookstore.

(Or you could just leave a comment asking for a free copy.)