#ultimately everyone is going to take something different from the ship

[evilminji]

You know, i just had the mental image of a sith in star wars finding a ritual or something to summon a ghost and end up summoning danny, while in space. The sith is struggling to try and convince this otherworldly being to help them do evil and their just staring out the nearest viewport in awe about the amount of new space things to discover.

How does it feel? To have such a big and wrinkly brain? So full of smartness?? :O

That? Is Brilliant~☆

It could be a Krell situation. Stress of the war got to be too much. Or a Dooku situation, discontent fed and fed until it burst. Like a silently festering wound, left unseen and untreated.

Regardless of HOW it happened?

The lil shit steals from Madame Nu. Like a CRAZY PERSON.

Rightfully terrified that she will Kick Their Ass into the stratosphere for touching HER archives, they head straight for the "Sith Stuff". What does it DO? What RESEARCH did they do? HA! You ask too much of them! There is no PLAN here!

Their brain has gone to SOUP with the Dark Side. It's all wild mood swings and impulse decisions! Research and careful precautions takes PATIENCE. Planning. The calm and rationality they just THREW OUT AN AIR LOCK.

They are high on the initial high of the Dark Side that few, if any, Dark Siders ever SURVIVE. That TEST of their character and control, as they stand in the storm they have unleashed upon themselves.

You want POWER?

Okay.

HAVE IT.

Like trying to swallow a waterfall. Drink the ocean, one cup at a time. Endless, yes, but equally so? It is BRINE. Not the life giving waters of the Light. The more you drink... the deeper your thirst. The faster you die. Can you control yourself? Suffer it? For that's all that's left... suffering. Thirst. Endless, Endless Thirst.

Water water everywhere, and it shall grind your bones to DUST when next you drink.

Welcome to the Dark Side! Was it WORTH it?

But, ah, our Fallen's brain is muddled soup. They think so. They are not themselves. May never be again. That's why it's a tragedy. Because it both IS and ISN'T their hands that takes that Sith artifact. Because who they WERE would be appalled.

They don't even know what they are grabbing, do they? No one does. Seized from the ruins of a laboratory. Long dead horrors, painted upon the walls. A Sith's obsession with the afterlife of his people. Ghosts. Beings that were, supposedly, DIFFERENT then Force Ghosts.

The notes speak of "green". A vision or experience in his youth. Brief. The world tearing open. A gate to somewhere "green". The Sith believed it was the afterlife. Felt death inside the gate. Described as "peaceful, joyful, driven, and eternal", he was ultimately unable to full articulate the full scope of what he believed he saw.

Now his last device is in the hands of a fallen jedi.

Who is going to USE it.

P A N I C

Obviously, the Temple gaurds chase the crazy mofo as hard as they can. Without a DOUBT, every master on hand and available, is roped in by Madame Nu to FOLLOW that psychopath, before he unleashs FORCE KNOWS WHAT, directly over CORUSCANT AIRSPACE!!! The SENATE. THE TEMPLE?! HUNDREDS OF MILLIONS OF LIVES!?

Fallen McFuckface? Clearly did not think this through (nooooo, REALLY? Everyone is SHOCKED! Shocked, they tell you!), panics. Which is, unfortunately, the LAST thing they wanted them to do. FUCK™.

Masters and Knights are LITERALLY cutting through the hull, kicking down the door, they can survive limited Space exposure and honestly? We're not THAT high yet! Let's see you jump to hyperspace with HOLES in your ship! (Fucking, DONT GIVE THEM IDEAS! They're insane, remember?!) (Shit. You're right.)

When?

.......Green...~¤~

Hilariously? The Sith can plan all they want. But you can NEVER plan for stupid. Make a plan idiot proof, as they say, and the Universe will just build a better idiot. All that carefully curated misery, hatred, and suffering? That DISPAIR. The webs upon webs of Darkness carefully spread across the Senate district? Choking the Temple?

Mmmmm, tasty kindling. Good fuel! Sith Artifact LIKEY~!

It RIPS and TEARS. A screaming MAW IN THE SKY. A black hole for Dark Side energy that takes and takes and TAKES. Dropping people all across the district below. KILLING the particularly irredeemably monstrous. After all~!

The Force? Is in all things.

You DON'T have to be Force Sensitive, to Fall. Just a BASTARD. Just cruel and selfish, hateful and needlessly petty. All the things that would sour and turn a Jedi? Can sour and turn YOU too. Just slower, quiter, and with less explosions. But! It still wraps the Dark around your bones. Feeds it into your blood.

Kills you, when it all gets ripped away.

One must wonder.... how many Senators die instantly? And how many die in the days to come? Slowly, painfully, bed-bound as they reflect on who they had become? The fall out will be SPECTACULAR.

The Jedi's fault? How? How is their being stretched so thin they could not mount a proper response THEIR fault? How is YOUR corruption, THEIR fault? Please note all the individuals who were FINE! Baffled, but FINE!

But perhaps you are correct.

Perhaps, for the safety of ALL, we should MOVE our main Temple.

We've done it before. We can do it again. Or do you not want to HAVE that conversation? Hmmm? No, no, we wouldn't want to be a THREAT to you FINE people! You HONORABLE senators! Please, continue to yell and make demands! SEE HOW FAR IT GETS YOU!

Would they normally send someone more diplomatic? Yes. But STRANGELY all of THEM had weird SITH Darkness on them that got violently ripped off! They are in the halls of healing. Unconscious. Because getting Sith shit, that was hooked into your brain, violently ripped out? Not GREAT! 0 out of 10 healers recommend!

Fuuuuck you! Yes, I bite! And be warned, my Race is VENOMOUS! *aggravated Jedi Senior Padawan noises, hissing*

Danny? Got pulled out in FULL regalia. Just FULL on Ice and Stars. Full "I am the Cosmos beholding itself, I am the dead child you could not save.", beyond vanta-black armor and cape like a window to ever shifting stars, crown of aurora borealis playing off the eternal ice, all upon a youngling that seems forever floating... frozen in time. By death.

Was it sacrifice? Natural? Is it just a shape the spirit takes? IS he a youngling?

They both can and can not feel him.

Both can and can not SEE him.

He is so young....

A child king, hsmiles with such shared grief, when they look upon that too large crown, upon a head that should never have been forced to wear it. Like a child, forced to wear his father's mantle too soon. Is that what happened? Was it something worse? They can not bring themselves to ask.

Not when he is so... so DELIGHTED?

Playing with the younglings. In AWE of each and everyone of them. The things they learned each day. "Who wants to go flying?" "Try to float me!" "I believe in you." Oh, he BASKS in their Light like a desperate thing. Showers them with praise and attention, gentle corrections and undivided attention.

He is empathic. Alive and dead. Fascinated by the stars.

And of course... King™.

No, no, he's not interested in your Senate. Doesn't like um, Doesn't trust um. The vibes are RANCID. But I mean... if you REALLY need an army so bad? Since it seems you guys are pushing yourself WAY outside of your normal duties? Like, he doesn't know, uhhh farmers burning crops to prevent starvation? Something like that.

Just? Since you hate it? But are worried people will die? Or those Clone guys (Sweet! Clones! Ellie is gonna be HYPED.) Are gonna die? He could, you know... fix that for you?

JUST you.

We're gonna have to get it in writing. And they won't do anything BUT stop the robots and help people. They don't actually answer to you. Soooo.....?

.......are you offering us an army? (Yeah. An endless skeleton army. Lead by the greatest Generals to have ever died.).....(they get bored.)

And SUDDENLY? Oh look! The Galactic suffering levels? Just fucking DROPPED. All those SENTIENT Clone soldiers! Dying in vain, in agony, ALONE? Not happening! Skeletons can get blasted apart, fade, reassemble, and march RIGHT BACK OUT! This is GREAT fun!

And even better? Unlike with Pariah? THIS time they march? King PHANTOM is sending them to HELP people! Woooooo! Destroy metal crunchy things! Help clean up rubble! Build a house! Rescue trapped people from rubble! Tireless effort! Honor and service! Thanks for the FREE METAL! *rips apart your robots*

There are no anti-ecto technologies here! The BEST they have is Force users! Which? Ha ha ha! GOOD LUCK. That's what? One? TWO? Of you?? To HOW MANY of us??? *cackles in bone army*

And! If they happen upon OTHER things they don't like? Whoop! Should'a thought of that! Before being a DICK! King Phantom says slavery is ILLEGAL. And we, the FORMER slave army of King Pariah, have Millennium Long ISSUES with that! (Easy to remove that chip, when you can reach THROUGH a person. Here you Slaver FUCK. YOU have it! In fact! Have ALL of them. From each and every slave.)

Anikin LOVES his new Bone friends. They are WONDERFUL. Him n them? Bonded. He's made them all speech boards. They're plotting the gruesome end of the Hutt cartel together. He's showing them the holo of his wedding. They're making Super Advanced Chip scan-.....

W....Why is his scanner going off? There should be nothing near by for it to recognize. The only thing HERE is him, his Bone Buddies, and Rex for supervision.... *mounting horror as he slowly waves the device around* *beep*

R-Rex?

...

......

The Clones? De-chipped in like... two days. There are too many skeletons to NOT have them be able to just? *reach in, feel for the Non-Clone bit, grab it, pull out* didn't even need surgery! But boy, oh, boy! Is Anikin upset. That sure is a Slave chip! Hey, Kamino! Have a Chosen One and his Bones Bros! Some Clones in orbit with Real Big Guns.

And Palatine? Is? PISSED.

His whole ass Empire is dissolving in his hands. The Sith Master Plan! Going up in smoke! Walls are closing in! All because of ONE(1) glowing BRAT.

Wanna bet he goes after him... with LIGHTNING? In human form, of course. Danny. Who DIED to electricity. Who has, throughout ALL of this? Been chilling in the Jedi temple, finally... FINALLY! Unwinding. Putting down the stress on his shoulders. Healing from his childhood. Cuddling cute babies and laying on the grass to nap, listen to the waterfall. Be at PEACE, surrounded by the Light of the Jedi.

Danny, who has been making friends. Enjoying the archives. For once in his stressful, STRESSFUL life? Letting OTHER PEOPLE deal with it. Playing with alien puppies and weird not-cats. Trying new foods! Seeing about adopting some droids that Tucker might get on with. Sorry "buying" some droids. (As though those Restraining Bolts aren't coming off the SECOND they droids are in his hands.)

It's been cool. Relaxing. Great for his mental health.

They have folks LITERALLY called Mind Healers here! Jazz would love it!

So obviously Sith face ruins it. Hurts his friends and blasts him with LIGHTNING. The kids are crying and terrified. This was supposed to be some sort of "learn about how the Republic works" day trip to the Senate! He was helping chaperone. They are being so, SO brave. Staying together. Trying to get their teacher out of harms ways.

He? Is? PISSED.

How DARE you. How FUCKING DARE YOU?! A fight between adults? Not his Reality, not his business. Clockwork drilled that into his head. He CAN'T keep the Multiverse together. Fight every fight for everyone, save everything. People have free will. Have to decide for THEMSELVES. Choose to do the right thing.

It doesn't mean SHIT if they don't save themselves. Wont last, in the end, because they won't have LEARNED a damn thing. He GETS that! But KIDS?! Ooooh ho ho! He DRAWS THE LINE AT KIDS! At shocking the SHIT out of him with LIGHTNING!

You want to poke the sleeping titan 'til it wakes up?

Well congrats!

YOU HAVE HIS ATTENTION NOW!

*inhale*

*Wail*

Palpatine goes through the HOLE where about fifteen walls USED to be. Half of Coruscant physically hears it and EVERYONE with even a TOUCH of Force sensitivity FEELS it. Across the entire planet and up into orbit.

Dying screams and the crackle of electricity. Regret. Fear. The desperate need to protect, in your final moment. Pain and pressure, the cool slide of Death come to take it all away. You were just fourteen. You were just fourteen! You died screaming, you came back screaming, in the place between... will you ever stop screaming?

You are the Galaxy, the Cosmos, the INFINITE. You are just a child.

How many souls died screaming?

Can't you hear ALL OF THEM?

Pissed or not, kids come first. Fuuuuuck that guy. Danny picks up the teacher, the kids, and back to the Temple they go. Teacher survives. Kids cling. Senate gets itself into a snit over the "unprovoked attack". But the thing is? A whole CLASS of Baby Jedi say the Chancellor is the Sith Lord. Look too spooked to be lying. Their teacher, too WOUNDED for this to be a prank.

The Jedi close rank.

Palpatine tries to use the Clones.

You know... the De-chipped by their Bone Bros Clones.

Commander Fox? Gets to finally, FINALLY(!!!) live out his long time fantasy... of shooting the fucker. Slug thrower. Tragically, fails to kill him. But the attempt WAS enthusiastic! We applaud his attempt. Commander Fox gets to join Danny in the Gardens, under a Crechelings pile, staring at the stain glass ceiling and Not Thinking Or Having Responsibilities.

Huh.... kid's right. This IS nice.

Fox enjoys being a climb-able lump for the Crechelings. Welcome to the club, my dude.

The other Jedi? THEY can figure it out. The Temple is literally unassailable. If needs be, his army can PICK IT UP AND MOVE IT. Danny is Vibin. Have a fruit. You hear about Skywalker? Making pretty good ground on his whole "one man and massive bone army campaign against Slavery" thing. Missed the whole.... his buddy was an asshole reveal. Apparently reception is spotty. *shrugs*

His wife's nice though! *various married Jedi agree, Obi-Wan continues to sulk because: "REALLY?! You didn't even INVITE ME!? My own Padawan! To his WEDDING! Anikin how COULD YO-!?"*

[fallenrocket]

Some Random Galinda/Elphaba/Fiyero Thoughts

Note: This is mostly based on the musical, looking at the movie in particular--while I love the book, Fiyero is so different between the two versions that he needs to be viewed as two separate characters. Also, my shipping thoughts go hand in hand with my neurodivergent headcanons. For the purposes of this post, we have Elphaba (autistic,) Galinda (high-masking autistic/ADHD,) and Fiyero (ADHD.)

For as long as there have been love triangles and shipper wars, there have been fans who've pointed out the obvious solution of "So-and-So has two hands!" I've certainly seen the appeal of various OT3 ships in the past, but after watching Wicked: Part 1, I'm not sure if I've ever seen a love triangle as much in need of an OT3 resolution as Galinda/Elphaba/Fiyero.

Any way you look at it, it's clear that Elphaba is the apex of this triangle/polycule, so let's start there. The Elphaba/Galinda and Elphaba/Fiyero ships are both rock solid. Both have certain similarities, the popular hottie paired with the gorgeous outcast whose beauty can only be seen by them. But the road to how they get there in each case is a little different, so we'll take them one at a time.

Elphaba/Galinda

We have to talk about them first, obviously. That's why we're all here, right? The relationship so iconic, you can build a whole marketing campaign purely off the colors green and pink. These two have a classic love/hate setup, the old I Hate My Roommate, Oh No I Love Them! routine. But with both characters, it goes so deep. Being seen as a good person is crucial to Galinda's sense of self, and from the moment she meets Elphaba, who sees through her self-aggrandizing vow to use her not-yet-developed sorcery skills to "help" her, that sense of self is challenged. The image Galinda presents to the world is so carefully controlled and precise--her popularity is thanks in part to the fact that she's constantly performing "personhood" for those around her. But Elphaba immediately sees through her performance, calling her out in front of everybody.

That, I think, is at the heart of their early conflicts. It's not just that Galinda is pretty and popular and Elphaba is green and weird. It's that Elphaba has no issue pointing out that Galinda isn't what she pretends to be, and that rattles her. At the same time, it probably burns her up that Elphaba refuses to give in to what other people think about her, at least giving the impression that she doesn't care about their opinions. That isn't true, of course, as Galinda rightly recognizes at the Ozdust Ballroom.

When Galinda steps forward to dance with Elphaba, it's a revolutionary moment for her character. It's an unspoken acknowledgment that she had been cruel in giving Elphaba the hat, willingly admitting that she's not as "good" as she likes to think she is. But at the same time, this dance is the first truly kind thing Galinda does in the story. Like Elphaba, she hasn't stopped caring what people think about her, but for the first time, doing something right means more to her than just giving the appearance of it. So she stands with Elphaba among the stares and whispers, following her lead and doing her dance regardless of how it looks.

"Popular" is more than just a recompense, a genuine way to try and help Elphaba after tricking her earlier with the hat. Even as Galinda tries to make Elphaba more like her--ultimately giving up when she realizes how lovely Elphaba already is as herself--this is Galinda at her most unmasked, which actually makes her a little more like Elphaba. She is extra as hell throughout this whole song, delightfully goofy and hyper and excited. It's in stark contrast with Elphaba, who doesn't know what to think here, but this is who Galinda is when she's not performing for everyone around her. Elphaba is always 100% herself and never lets anyone take that away from her, and in "Popular," Galinda lets Elphaba see her.

When the break happens between them in "Defying Gravity," it has nothing to do with how they feel about each other. Their angry/frustrated accusations of "I hope you're happy" give way to their sad/wistful farewells of "I hope you're happy." Their essential breakdown is about, not who they are but how they are. Elphaba doesn't know how to go along to get along, even for the sake of playing a long game, so she immediately blows everything up with the Wizard and Madame Morrible because she knows how wrong this all is. She shows her hand without a second thought and is instantly prepared to throw everything else away for her ideals. Galinda, meanwhile, has spent her life being who other people expect her to be, and she doesn't really know how to give all that up--including her dreams of becoming a sorcerer and her chance for real power and influence--to take what feels like a shortsighted stand. Elphaba has no plan beyond "I won't do this" and "We have to get out," and as much as Galinda loves her, she's not ready or able to take that leap. They're both caught on diverging paths, reaching out for each other even as they're being pulled apart. Gaaaaah!!!

Elphaba/Fiyero

Even though Elphaba/Fiyero plays with similar archetypes and some similar themes as Elphaba/Galinda, their interactions and relationship are different, which is valuable. This isn't just a case where the canon M/F ship gets to "go there" while copying the F/F ship Because Compulsive Heterosexuality. I will say, the movie in particular gives me lots of Fiyero feels that I don't necessarily have with the stage show, so my thoughts on both Elphaba/Fiyero and Galinda/Fiyero rely heavily on Jonathan Bailey's interpretation of the character. In this version of the story, Fiyero does feel important to me, not just a shoehorned-in love interest for the sake of it.

Like Galinda, Fiyero is a character who masks/performs a lot. A key difference between them, I think, is that Fiyero has much more self-awareness about his. He knows what he's doing when he plays the role of the shallow party prince, essentially "giving the people what they want." But as hard as Galinda works to maintain the image she projects, I'm not sure if she entirely realizes that it isn't the real her. Both characters are trapped behind the masks they've made, but Fiyero definitely knows it, and I'm not sure if Galinda does.

At any rate, that's what we're working with when Fiyero meets Elphaba. In this instance, he clocks her before she clocks him--Fiyero easily defies her expectations when she rattles through her standard "no, I'm not seasick" list, and he immediately treats her like a person, something that not many people in her life do.

Elphaba quite can't see that at first, though. I don't know if she initially buys the performance Fiyero sells everyone else, but she's pointedly unimpressed by it. While everybody else is tripping over themselves falling for his charms in "Dancing Through Life," Elphaba huffs and rolls her eyes, even when Fiyero specifically meets her gaze in the middle of the number and gives her a little "hey, I know you!" wave.

So even though we get a bit of a love/hate trajectory again, it's not mutual this time. Fiyero is intrigued by Elphaba from the start, though not particularly because of her greenness--rather, he finds it interesting that she's immune to his charm. He likes that she speaks her mind and causes "commotion," and post-"Popular," he tells her she doesn't need to change herself. The unspoken implication? He likes who she already is. Elphaba is the one who holds back here.

It's not clear exactly where and how the change happens for her. Obviously, the rescue of the Lion cub marks the moment where Elphaba realizes her feelings for Fiyero, voiced in "I'm Not that Girl." But her opinion--and understanding--of him had already shifted. As he points out, some part of her chooses not to knock him out with the poppy spell, recognizing him as a potential ally to help the Lion. And it's in that scene where she acknowledges that he just pretends to be shallow and self-absorbed, adding that he's unhappy within that performance. So she's already made those observations about him. But when did it happen? For me, that's the part I'm not seeing on the screen, and it's an interesting question to wonder what causes Elphaba to reevaluate Fiyero in the first place.

With both Galinda and Fiyero, I think it's important to note that loving Elphaba doesn't change who they fundamentally are. This isn't character growth via The Love of a Good Woman. Both of them already are the people Elphaba comes to know and love, but the parts of them that she values are the parts that they tend to hide. Loving Elphaba makes them want to let themselves be seen, at least by her. By the end of the movie, Fiyero's feelings about how he wants to show himself are already changing, while Galinda is torn, breaking her own heart as she's dragged back into other people's expectations.

Galinda/Fiyero

Mileage on this one varies, I know. Plenty of fans will argue that this "triangle" really only has two sides, that it's Elphaba/Galinda and Elphaba/Fiyero. That Galinda/Fiyero is purely fake performative comphet. If that's your interpretation, that's cool.

For me, though, I do think there are real feelings there, on both sides. Galinda lamenting, "I don't even think he's perfect anymore, and I still want him!" feels major for her character, and I see Fiyero's care in how gently he responds when Galinda is knocked out by the poppies. And it's just more interesting to me if they both care about each other. I'm not saying their feelings for each other are the same as what they feel for Elphaba, or as intense. But in a hypothetical OT3 resolution for this story, I think their relationship would add up to more than just passing each other coming and going from Elphaba's bedroom.

I find Galinda/Fiyero very interesting because, even though they're the only "official" couple within the triangle by the end of the movie, there's far more potential in what their relationship could be than what it actually is at this point. In an OT3 scenario, I feel like their dynamic requires the most speculation or imagination. It's very clear what Elphaba/Galinda or Elphaba/Fiyero would be like romantically. But what would Galinda/Fiyero be to each other?

The way I see it, their canon relationship is hampered by two chief points: masking and outside expectations of monogamy.

Because both of them are performing most of the time, that extends to their relationship. Fiyero and Galinda start dating because each is very much The Sort of Person I'm Supposed to Date. When they flirt with each other, it feels like you're watching a play, two master performers "yes and-ing" their way through a relationship that's far more about the image they want to present than what they themselves really want.

Again, they're both drawn to Elphaba in part because she sees them for who they are and makes them want to be who they are. Fiyero's mask makes him actively unhappy, and at minimum, Galinda's puts her under a lot of pressure to maintain it and forces her into heartwrenching choices. So as they date one another--largely because other people expect it of them, because they're "perfect together"--their relationship is tied up in this thing that brings them misery and stress.

Furthermore, they're not really dating one another, they're dating one another's masks. We know that the real Galinda and the real Fiyero are both great--Elphaba wouldn't like them if they weren't! But in in their relationship, they don't really get to see the parts of each other that Elphaba loves.

That brings me to their other main hindrance. If Galinda and Fiyero are artificially forced into monogamy, then of course it's not gonna happen for them. They're just not it. Neither of them would choose the other over Elphaba, and if only one of them can be with her, than one person's happily-ever-after is the other one's loss.

In that way, I think a real Galinda/Fiyero relationship could only be possible inside an OT3. If both of them were free to date Elphaba, free to love and be loved by her, that could give them space to love each other, in whatever form that would take. Maybe it'd be romantic, maybe not (Lesbian!Galinda truthers, I see you!)--maybe they'd both have a romantic/sexual relationship with Elphaba and be platonic partners for each other. I'm not sure. But I do think they genuinely care about each other, and I think they'd be able to figure out what that looks like for them if they were both comfortable and secure in their relationship with Elphaba. If they didn't 1) feel forced to compete for her or 2) feel that, not being with her, they were one another's "consolation prize." And since I also think being with Elphaba would help them both feel more comfortable in dropping their masks and being their authentic selves, they'd have a much better opportunities to actually get to know one another.

[average-hyperfixator]

This is probably the weirdest way to show that I'm in the Mouthwashing fandom, and like nobody is going to see this BUT

If I see ONE MORE person compare Ted to Jimmy I'm going to LOSE MY FUCKING MIND. Is this another testament to people not understanding Ted's overall role in the story and his character arc? YES, YES IT IS. RE READ THE BOOK. RE LISTEN TO THE RADIO DRAMA. GAME IS IT'S OWN CONVERSATION THAT WILL TAKE TOO LONG FOR ME TO DISECT + IT HAS IT'S OWN STORY AND THUS WILL NOT BE INCLUDED HERE.

Jimmy is a jealous man, who assaults (and unfortunately impregnates) Anya, and then tries to crash the ship so he doesn't have to deal with the consequences, and when everyone lives, they live in misery BECAUSE OF HIM. He is the co-pilot, he has more power and authority over the others, and he ACTIVELY makes things worse, and is at fault for the crash and the subsequent fallout. (this section is shorter, simply because I've been in the IHNMAIMS fandom much longer and have way more thoughts on Ted) Ted, on the other hand, is not at fault for the world ending. He is just as trapped as the other five, he's more prone to mental manipulation and THINKING he's better off, but he really isn't. He doesn't have more power of the others because he's also a victim. He is by no means a great guy, or even a good guy; They key difference is that at the end of his story, the book, he actually fucking HELPS. Rather than make his friends continue to live in misery, he puts them out of it, and rather than end his own suffering, he spends those precious few seconds he could be ramming an icicle into himself, comforting Ellen as she dies. It doesn't make up for what he's thought and said, BUT, it's something at least. It's remorse, it's letting her finally be content, it's trying to give her the empathy she showed him time and time again. And he gets turned into a horrid slug creature after, he actively suffers more than everyone else for the rest of time- he self sacrifices so his friends could be at peace. TLDR: Jimmy is objectively selfish and doesn't change much throughout the game, save for MAYBE the very end (ig putting Curly in the pod is one brownie point for him) however Ted actually shows growth by the end of the story, and makes a point to end the suffering of his friends, while ultimately sacrificing himself in the process. If I catch another person equating these two I'm just gonna start throwing hammers at them I DON'T CARE. I am THE Ted defender, and I WILL stand my ground that, while he is no where near perfect, he DOES become a better person by the end of the story and deserves to have that acknowledged. anyway this has been sick rants with me, feel free to add on in reblogs or perchance spark a FRIENDLY debate. I apologize if I come off rude here, Ted and IHNMAIMS have been a hyperfixation of mine for months and I am very easily riled up about the story and characters. adding new tag ; Jace rants 🗯️ ! For all my ranting escapades from now on.

[coupleoffanfics]

Hey, it’s almost 1am and I’m riding the angst train I wanted to ask ur opinion on something.

How would the fam react to Y/n getting grievously I hired or dying by the hands of a villain or by Jeremiah and getting caught in the crossfire???

❤️❤️❤️

I'm so glad that people like reading my stuff. It's more self-indulgent, but what fanfic isn't self-indulgent?

Anyway, I'm so excited by seeing this ask because it sounds fun to write about. Let's start with the "less" angsty one. y/n getting gravely injured (I'm assuming that's a typo) by a villain.

TW: Mention of suicidal ideation once and gore.

Getting Gravely Injured by a Villain

It'd depend on the Villain. The family is going to act accordingly in their personas. Their punches are probably hitting harder than usual.

Jason might shoot the villain in the head, but ultimately can't. He's in Gotham following the Bat's rules slightly. So he'll just shoot their knee.

y/n isn't Batgirl anymore. So that means the villain must know the publicity they'll get by attacking, kidnapping, or holding a minor celebrity would give them. The fact that it's Bruce Wayne's daughter who's painted out to be a saint by the media would spread like wildfire. They'd have to be doing it to get attention or money.

How severely y/n was harmed doesn't matter too much. Bruised, broken bones, stabbed, etc are going to make the family more protective. Trying to persuade y/n into coming back to the manor, so that they can keep her close and prevent this from happening again.

Now the Valeska twins will differ in how y/n gets hurt and their reaction.

Jerome is like a child on a sugar high when with y/n. Wouldn't deliberately harm her in any way. Kidnaps y/n and go on a joy ride around the city even though she has no choice and isn't finding any joy from this. She'll probably get a scrape on her legs or arms from falling because Jerome is running too fast while he is holding her arm. Maybe have a bruised arm or wrist because of how tightly he holds her.

He doesn't think too much about things and will get into dangerous situations. Pick a fight or mock the wrong person leading to a shootout. He's having too much fun to care about anyone until y/n is hit.

One of the family members finally caught up to Jerome and was ready to— oh, my God y/n is bleeding from her side! Oh, fuck! AHHH! Jerome knows he can leave y/n in the hands of whatever bat family member showed up. She'll be in good hands while he hunts down the one who shot her.

"I know you're one of the 'good guys', but take care of her. If I hear that you did something that upsets her I'll— actually, I'll keep that a surprise." He looks at y/n who is just bleeding on the floor and in pain with a big ol’ smile. "I'll make sure to give you the head of that fucker who got you. Until then see ya later, toots!"

After that y/n is forced to stay in the manor. They made a deal that it would just be a few weeks, but her stay is indefinite.

Bruce

Opens the door one day to find a large box. It wasn't a delivery because it has no shipping information on it. Just an envelope with y/n's name on top of it. Bruce opens the envelope first and reads the letter which has poor handwriting.

Hey, doll!

Hope you're resting up and not in too much pain. I didn't think picking on a mob boss would get so messy. They just couldn't take a joke. I'll pick a more private place for our next date cuz I know how shy you are. Hope seeing them brightens your day. Made sure to get rid of the eyes since I know how you don't like too many eyes on you. Didn't know who shot you, so I just killed everyone who was there.

Love Jerome.

Bruce doesn't need a minute to take things in. He already knows what's in the box and sends it to the authorities. Does not mention a word of this to y/n. She is already going through a lot and best to not tell her.

He does increase the security around the manor. He ends up putting a tracker on y/n because knowing where she is the only way to keep him from worrying.

This further solidifies that she needs to be in their protection to keep this mentally disturbed boy away. The whole thing is twisted but the line "a more private place" bothers him the most. He's not letting his daughter be alone with Jerome longer than she already has.

Dick

It's early in the morning and Dick wanted to check up on how y/n doing. As he walks up to the manor there's a large box sitting in front of the door. A letter sits on top of it with y/n's name on it. Rips up the envelope and begins reading the letter.

Once Dick was done reading, he looked down at the box. Noticing dried blood around the box. This makes him nauseous and immediately goes to Bruce to inform him. They sent it to authorities so they could identify the heads in the box.

He doesn’t tell y/n or the others about this. Everyone is already in a frenzy from the events prior, so it seemed best to keep this between him, Bruce, and Alfred.

"Made sure to get rid of their eyes," Dick isn't sure why that sticks with him. Maybe it's because he wonders if Jerome beheaded them or took out their eyes first. It doesn't matter though because he needs to keep his little sister safe.

Barbara

Doesn't even want to go near it, checks that there isn't a bomb in there waiting to explode. She takes one peek in the box and immediately looks away. Does not read the letter because what was in the box said what needed to be said. Informs the whole family and that sets the mood for the day.

She checks up on y/n after telling everyone. The poor girl is so overwhelmed by everything that she doesn't want to be around anyone. Spends most of the day with y/n, trying to cheer her up. Get sweets since that's y/n weakness and sugar releases dopamine. She has Alfred cook y/n's comfort food.

The day is meant to help release all of the stress. Barb wasn't sure if it was working until y/n said thank you before going to bed. Barb makes a promise to herself that she'll become better at shielding y/n from this type of depravity.

Jason

Can tell who this is from just by the envelope. y/n's name with little hearts around it. Shoves it into his pocket, he'll give it to y/n when he sees her. Opens the box to be hit with a familiar disgusting odor. Looking inside there are 3 heads. Recognizes one of them being a mod boss he has on his list for a while now.

Jason wasn't sure what to expect, but it wasn't this. He pulls out the envelope and tears it open to get some sort of context. Reading the letter left him unsettled and a little…satisfied? Grateful maybe? For taking care of those who harmed y/n even though it was entirely Jerome's fault that this happened in the first place.

Closes the box and informs the whole family of what he found. Everyone is put more on edge. y/n isn't allowed out of the manor for a few days. y/n is upset by the news and she’s more quiet the following days.

Jason almost wants to laugh at, "They just couldn't take a joke." Bets that these" jokes" were just thinly veiled threats and pointing a gun at them. He probably would have snickered if this didn't involve y/n.

Tim

All he wanted to do was check the mail. Now he's reading a sort of love letter written by a psycho and looking down at the heads that could not look back at him. Their empty eye sockets had- ugh, God there was so much blood.

Debates on whether he should tell y/n about this, but ends up telling her. There was no point in hiding it because she'll probably find out one way or another. Sees the guilt and horror flash across her face. Wants to comfort her as much as he can, but all she does is detract from him. Of course, when Barb opens her arms y/n jumps into them. What happened to them always being there for each?

Doesn't like, "our next date", one bit. He doesn't like the insinuation or the thought of it. He starts keeping his eyes peeled for Jerome and ears open if anyone has information on where he is or going. The sooner he's in Arkham the safer y/n is from him and going on that next date.

Damian

Not impressed. The delivery was lazy and the writing was so sloppy that he almost couldn't read it. The heads must have been cut with a butter knife with how unclean and jagged the cut is. Every unprofessional. Nonchalantly brings this up at the table during breakfast. Not even when everyone is finished, just right in the middle of it.

Never really had respect for a villain or any, but the whole "Didn't know who shot you, so I just killed everyone" was almost respectable. Damian having a speck of respect doesn't mean he likes Jerome. Still thinks he's stupid and annoying.

He'd give him a 3/10 for the delivery and would not order again.

Per-Spray Jeremiah isn't going to do anything, but Post-Spray Jeremiah is a different story. Will break one of y/n's arms or legs just so that she can't get away from him too easily. Though that's going to the extreme, he's more likely to guilt trip her. Getting into her head isn't hard and more effective.

"I thought you loved me. You were the one who always said you loved me. y/n, who has been here for you the most and always will? Not your best friend, Norah, she's leaving you behind and you know it. Not your family because they never cared about you in the first place. No one will love you like I do. You need me, y/n."

By the time the family saves y/n and brings her back to the cave for medical attention. She's consumed by guilt and almost believes she deserved any harm done to her. Will cry to Barb about this and only Barb.

Concerned by this revelation Barb will tell the whole family. Bruce is worried as it's clear that y/n's mental state is worsening. He knew that it would be after bad being kidnapped by Jeremiah, he just didn't think it would be this bad. Bruce and Tim have the same idea to get y/n another therapist if she's still not seeing one.

Jason and Damian are mad that y/n would think that she deserves any pain. Jason is kinda, sort of, not really more understanding about the whole thing than Damian. He gets how she could feel that she failed Jeremiah. If she has revealed that they had been dating and she can't or won’t give up on him, everyone is conflicted and concerned.

Dick has had the most romantic relationships and will try to convince y/n that Jeremiah is a lost cause now. Leading her to a spiral into a depressive episode. Oops!

If y/n is on the verge of death the family freaking the fuck out. Slowly recovers at the manor and convinces her that staying with them is the best thing for her. Depending on if her injury is life-threatening or not will determine how cooperative she is.

Getting Killed by a Villain

Doesn't matter who it is Jason is shooting them on the spot. Though with how emotional and choked up he's getting, he'll probably miss. Damian would react the same way if his whole body didn't stop upon seeing y/n's lifeless eyes. He doesn't want to step near her to see if it was true that he lost his sister.

Bruce, Dick, and Tim will force themselves to act professionally. They're still in their hero personas and killing was a strict no. If the whole family is there then whoever killed y/n is getting a beating of their life.

It could also depend on who's at the scene. Bruce and Dick hold on to the moral code that killing is wrong. This will prevent any further killings from happening.

Damian and Jason would probably end up killing the villain after seeing y/n's corpse. They know it's not going to bring back y/n, but what else can they do except making the villain to pay their debt?

Tim teeters between the lines. If Bruce or Dick is there then he's on their side of not killing. If it's just Damian and/or Jason then he won't stop them. He won't participate just stands back to let them do their thing.

Depending how and when she died will weigh heavily on their mind. Quick and painless before they got there? At least she didn't have to suffer too much, but still keeps them up at night.

Tortured for hours before succumbing to her injuries? They already feel guilty that they couldn't save her on time, but her last hours of living was being in pain will only intensify it. Out of the whole family, Jason would probably be the most distraught by this. He reopens old wounds and memories. y/n meeting a similar end is horrifying to him.

Get there on time, but it’s too late to save her from her injuries. Then slowly dies in their arms. If they're all there then y/n is dying in Bruce's arms.

"Please tell Jeremiah, I'm sorry and- and that I love him. Tell Norah that I hope s-she achieves her dreams of becoming a doctor. Are- are you still there? I can't see or feel you." She can slightly hear Bruce's deep voice while what seems to be the others are screaming. It's getting harder to hear and her body is starting to feel heavier.

This is the end and everyone knows it. Jason, Tim, and Dick don't want to accept it and are trying to patch her wound(s). Trying to get help there as soon as possible. Bruce and Damian are quiet trying to listen to her soft voice get quieter.

y/n starts slightly laughing, it's a nervous tick. "I always fantasize about having enough courage to end it all. Bu-but I- fuck. I'm such a fuck up." She starts crying and any words of comfort are either not heard or ignored. Starts coughing blood, but that doesn't deter Bruce in the slightest. Damian squeezes her hand though he doubts she can feel it.

"I don't even feel the pain anymore…At least I…At least I'm not dying alone." It isn't long before she stops breathing.

Alternatively, I thought of y/n saying, "I wished I was surrounded by loved ones." But she wouldn't stay that no matter how angry she is at the family. Might think it though.

In both cases of the Valeska twins, y/n would be caught in the crossfire. Jerome isn't going to kill y/n because she's his one and only. Jeremiah isn't going to kill y/n because why would he kill his wife? He's already planned out most of their whole lives and she already signed the mentally fabricated marriage certificate.

Jerome gets into a frenzy seeing y/n drop dead. No one is spared from his wrath. He can't bring himself to look at her body and will just leave. Inactive for a short time before getting back into the swing of things.

She is buried next to Jason. The family will catch Jerome hanging around her grave "talking to her" or something. Who knows what the hell he's doing. They'll have to chase him off or turn on the sprinklers if they want him to leave.

He didn't kill her himself, but he's still responsible for the events leading up to it. Meaning the family isn't going to pull back any punches.

Post-Spray Jeremiah has a similar reaction to y/n's death. Honestly, y/n could have died by just jumping in front of him to take a bullet. Doesn't matter how much y/n should hate him, she can't bring herself to. Ultimately it doesn't matter how she died, Jeremiah will blame Batman or the others for their inability to save y/n. Deflecting any responsibility.

This reinforces that he has to destroy Gotham and make it into his perfect image. y/n always talked about wanting to make the world a better place and that's exactly what he's doing.

If she dies in his arms he'll make a quick escape with her body. Having Echo hold back everyone to buy him time. Buries y/n in an undisclosed location and the tombstone will stay y/n Valeska instead of l/n or Wayne.

If he knew of the family's identity, he'd make subtle jabs at them. Mocking them for their mishandling of y/n. When or if he takes over Gotham he'll make sure that they all have front-row seats of the destruction before killing them off.

If he's feeling ruthless he might just have one of his followers get plastic surgery to look like y/n. Even change the pitch of their voice to get close enough to y/n's. Then send the follower after them and make various claims about how they lied about caring about her. How they let her die on purpose. That she'll never forgive them.

Traumatizing the whole family. Will make his follower's death gruesome just fuck with them and have them relive that day.

Bruce regrets not having kept y/n closer. He has a lot of 'should haves’ and 'if only’ in his head. He knows that's not going to do anything, but it'll take a while to accept her death. Always visits her grave every week.

Dick wishes that he'd been a better brother to y/n. He'll often wonder if she's looking down at them from above. Any mention of her will upset him for a while. Tim feels the same as Dick but often finds himself reminiscing about those happy moments. When they're smiling and laughing, once the memory is over he's left feeling melancholy.

Barbara is heartbroken by this. y/n always talked about how she wanted a normal domestic lifestyle. How much she loves Jeremiah and believes that he's the one. Now she's in the dirt and never experienced that simple quiet life she wanted. Carries a photo of y/n and her smiling on her all the time. Believes that y/n is in a better place where she can live out her dreams. One day Barb will see her again and give her a bone-crushing hug.

Jason and Damian think of throwing her body into Lazarus Pit if they have access to her body. Jason seriously thinks of it for only a minute before throwing it out. The pit messed him up and he can't handle bringing y/n back only for her mental turmoil to worsen. Damian doesn't think about that. He wants to apologize for all he's said and done. He wants his sister back, but the family is quick to turn down the idea. Explaining how it could only lead to more pain.

Damian would most likely listen to the family since they're technically right. Although there is a small chance that he wouldn't listen and do it anyway. Right out of the pit, y/n's thinking of her only love. Tries to run back to Jeremiah, but Damian is not having any of that. 

When he returns to the manor with y/n tied up the whole family will have a verbal MMA fight. After that, they lock y/n in a nicely furnished room with hidden security cameras. y/n is like a zombie. Only has one thing, rather one person on her mind. She's a shell of who she once was.

At least they have a second chance, right?

y/n can not go ten minutes without talking or asking about Jeremiah. Will speak with herself if there isn't anyone else with her.

I think this turned out horrible, but hope you enjoyed this. Feel free to ask anything else as my inbox in always open. Also sorry for misspells or grammar mistakes, kinda rushed this.

[countdowntotwinpeaks]

First edition in a lighter, smoother fest format! Same wild prompts, less bureaucracy involved!

How does this fest work? It’s a prompt fest. Participants write up to eight prompts that they would like to see realized, and then in turn pick, at their discretion, something that someone else prompted to draw or write. All works are ultimately posted by their authors on February 24th, to celebrate Twin Peaks day. When does it run? Prompting opens: January 9th, 2025 Big fanfare about prompts being published: January 23rd, 2025 Works are posted: February 24th, 2025

How do I take part in this? There is no formal signing up - anyone can join in at any step of the process.

By filling this form, you can add prompts for other people to fill. Honor system: if you submit some prompts, please try, in good faith, to then pick someone else’s prompt and give it a spin. If RL then gets in the way, it happens and that’s okay.

What if anything goes wrong? Please contact me immediately through tumblr and explain the situation! We’ll sort it out.

Can I fill more than one prompt?

Always!

How do I format my requests?

Through the form, you can submit up to eight separate prompts, anonymously (“Laura and the opening credits wren”) or listing your name at the start of each one if you would like to be tagged in any potential fills (“laughingpinecone - Laura and the opening credits wren”). You can also specify fic or art if you want (“laughingpinecone - Laura and the opening credits wren (art)”). If nothing is specified, the prompt is meant for either medium. In each prompt, please write in a loose description of the character(s) you would like to receive and of the situation(s) you would like to see them in. The prompts don’t have to feature completely different characters and situations - you can prompt eight takes on the same relationship if that’s what tickles your fancy. Or you can Crossover prompts are allowed. AU prompts are allowed. As always, you can look at last year’s prompts for inspiration. If you want to avoid something that might come up in filling your prompt (maybe you are prompting a scenario that might lend itself to a shippy reading but you don’t like that ship, or you are prompting something shippy but don’t want explicit porn of it), state it simply and politely in the prompt itself as this time there is no separate field for likes and dislikes (“laughingpinecone - Diane and Albert’s night out. Please no ship (fic)”). If you use / and & to indicate character relationships, use them like you would on AO3: “/” indicates a romantic and/or sexual relationship, while “&” indicates a platonic relationship of any kind (“laughingpinecone - Diane&Albert’s night out. (fic)” conveys the same thing as the ‘please no ship’ wording) .

Fills that you might want to post or crosspost to AO3 can go in this AO3 collection, which will reveal on the event's posting date.

So, in short…

Fill the form to prompt up to eight scenarios for other people to write or draw.

Whether you’ve prompted or not, look at everyone else’s prompts to see if something tickles your fancy. Make that fanwork by February 24th, when we’ll all celebrate Twin Peaks day by posting a bunch of cool stuff!

These new, lighter rules mean that you are free to pick what you like and work with the prompt(s) of your dreams. However, there is no guarantee that one of your own prompts will get picked. All the same, I sincerely hope that among the works posted on Feb 24th we will all find something that’ll make us happy, regardless of whether we prompted it ourselves or whether it came from someone else with similar (or surprising!) tastes.

[apostatehamster]

Oh no! Another person's 2 cents on the OFMD finale situation!

Yes, because unfortunately my mind still hasn't settled and is in a state of disbelief over what happened, and I am trying to unravel all of this to make sense of it. Written from the perspective of a sad Izzy fan, so if you do not care to read about that or are simply tired of reading these mind pieces... well don't. And do not bother interacting.

I want to preface this by saying, I do believe Writers should be writing the story they think is right. It is impossible to please everyone so I prefer Author's sticking to their vision rather than bending to the loudest (in most cases, read: displeased) voices of the audience. However, I also think people are entitled to voice their displeasure over writing decisions in a constructive way. I don't condone hate towards authors, actors or anyone involved in the making of the show and if you feel angry enough to send hate or threats, take a walk and calm down instead of being a jerk. That being said, I watched many shows with decisions I did not agree on and few made me as angry & sad as this one, hence me trying to dismantle why.

False marketing, expectations and broken promises

Frankly I hadn't seen much advertising about the show before, most of it was fandom activity that praised the show as feelgood and comfort, with good queer representation. I got into it pretty late, so I can't tell what the show itself presented itself as, but to me it seemed like they fully embraced that image and encouraged the show to be perceived as such. It's a rom-com after all, many laughters and sappy feelings. A safe space-ship for outcasts, so to speak. We expected drama but also making-up and possibly more shenanigans. What we did not expect, was a rather prominently featured character dying as one got used to happening from other shows.

OFMD promised to be different, or at least that was my and many others' impression, and then it turned that around in the last 10 minutes of the finale. But more about that and tonal shifts later.

What baffled me most were the interviews hailing in at the start of season two. I've read articles about how season 2 was leaning into the Ed/Izzy/Stede triangle with David Jenkins saying these three "are on an arc together that’s pretty inseparable". I mean we had Izzy being called a jilted lover before, and in addition to Ed & Stede's love declaration, we also had Izzy declare he had love for Ed, and Ed as well saying He loved him, best he could. There was a lot of love, but it was complicated, and the article gave hope that this season would sort this out.

But after the finale, we got interviews that declared Izzy was a father/mentor figure to Ed, which is such a weird claim that is absolutely unfounded in the way the characters interacted with each other, as well as the fact that Izzy's death apparently was something planned from the beginning as an ending to his arc. And well, I find that death separates characters quite definitely.

I am not saying that Steddyhands was promised to us, gods no, but we were definitely given a chance at it happening, when in fact, the ending had already been written as the complete opposite.

Reception and cognitive dissonance

Every person is different and thus has different feelings and opinions. I've seen Izzy fans hating the finale obviously, I've seen Izzy fans who said they liked it. I've also seen people who weren't explicitly Izzy fans say, they did not like the finale, so really, opinions can go any way.

However what baffled me is Jenkins feeling he delivered a truly happy end. Personally, I've never watched a character die and thought "This makes me happy." I especially would never describe a character struggling through hardship, just to ultimately die as happy or beautiful. I can only imagine that the focus was on Ed and Stede, when a happy ending was mentioned, but Jenkins kept pointing out in the interviews, how Izzy was his favorite, which gave hope for a happy ending for Izzy as well. As much as I enjoy seeing my favorites go through hardships, I also prefer to keep them around by not dying. I especially do not build my favorite up to be a well fleshed out character with growth, just to reduce them back to a plot device for the main character.

I know this is all based upon the interviews, and less on the show, but when I read "And what's the most interesting thing we can do with Con[...]?" my answer definitely wouldn't have been "kill his character off". Con O'Neill does a great job at playing emotional scenes, but we already had him act his heart out in the first three episodes. A last hurrah wasn't needed.

I am also trying to put myself in David Jenkins' shoes here, because I think he truly expected the last episode to be a happy ending, and a gift, just to be proven differently. I just wonder what went wrong, how one can read the room so completely wrong.

It wasn't malicious, but the fact that it was apparently meant to be a genuine attempt at offering a happy end makes it even worse.

Tonal shifts and established in-Show laws

It's an understatement to say that the tone of season 2 was decidedly more dramatic. To the point where I questioned myself if this was still allowed to be called a comedy show. I would have described season 1 as mostly slice-of-life, little adventures between the crew and the captains. People got hanged, fingers severed, people got stabbed, but you never felt the threat of actual death hanging over anyone's head, because everything was kept humorous. (Speaking of the non-baddies here. Calico Jack got a cannon ball to the head but with plausible deniability of his death & (apparently) an interview saying he could be brought back, if needed)

Enter season 2, which starts off with murder attempts, major wounds and a suicide attempt. Nothing was played off as a joke, and for that I am grateful because that would have been in poor taste, but the tone was noticeably different and darker. But it still wasn't 'realistic' by any standard. With no real doctor on board, Izzy should have died from his wounds and comatose Edward would have wasted away in the hidden cabin. Everyone came out (fucked up but) relatively fine.

The show goes back to the humorous tone with Anne & Mary who enjoy a good backstabbing and poisoning. We had our crew surrounded by death and a curse in the next episode, but there was any fear of them coming to harm, obviously. The crew gets boarded and tortured by Ned and his crew after that, but they are able to take it out and come away unscathed (some wounds aside). Oh no! Stede challenges Zheng Yi to a duel! Which we know means no one is allowed to interfere, until one of the duelants dies. But it's fine, Zheng Yi is just playing with her food. But watch out, a Cannonball flies towards Zheng Yi's head! Ah but she is fine, she escaped. The Swede pulled a Rasputin and got immune to poison without him even noticing! Look, even Auntie survived the explosion, badly wounded but she lives. Oh no! Izzy gets shot! But it's his left side, we established no vital organs are there. Roach and Stede are already on their way to get bandage- Wait they are back with no bandages, and Izzy he-

Oh, wait. He...died?

When watching season 2 I legitimately considered Izzy dying as an end result, because I am used to my favorite characters dying, frankly. But then I dismissed that thought because OFMD has proven again and again, that people do not die. Heck, Lucius was considered dead in the season 1 finale and he came back, albeit traumatized. But he lived to tell the tale.

Season 2 finale made it a point to leave no room for doubt that Izzy did indeed die. They dug him a grave, and they panned to his grave at the end to remind you, he is definitely dead. So, why did Izzy have to die in a world where our favorites can survive about anything? "Pirates die, that's just pirate life", okay but why was he specifically singled out to be the only pirate dying? In comparison to everyone else, it feels unjust, and it feels cruel towards the fans who felt safe in the knowledge that this was the one show where none of their favorites would die. And it feels like such a betrayal of the fans’ trust, who had hoped this show would do better.

I've seen a take along the lines of "Nowadays people expect the stories to be written explicitly for them, and then they get upset when it doesn't happen" and that take pissed me off enough to write this down. This isn't a case of entitled fans asking to change the story to be exactly what they want to be, there is fanfiction for that. No, this is fans upset that their favorite character got singled out by the narrative to be the one exception to the no dying rule. And I use the narrative loosely, because there was no ramification to the death that couldn't also have been established by the character staying alive and giving advice, so the death didn't even feel purposeful. And for a show that always stresses the "Talk it through as a crew" point, they did not care much for choosing talking it through as a solution.

I also heartily disagree that Izzy's arc was over and had no more stories to tell. I mean the guy followed Edward around for decades, I would have loved to hear more about their past.

I would have especially loved to hear more about their future, as two people who learned to let go of Blackbeard and became their own people again. Where exactly did the idea of that even come from, I don't know.

Pacing and Confusing decisions in the Final episode and the build-up into nothing

(Rambling alert!) 

Personally I didn't feel any pacing issues until episode 6. While I generally liked the episode, it felt crammed with both set-up of the baddie, fun-times, then appearance of baddie (and disappearance) and return to fun-times. The episode ended and I was literally perplexed that it was over, like we basically ran through that episode. But episode 8 took the cake.

Now I am well aware they had to cut corners, and the strike didn't make it easier either, and I wish we could have seen the result without these factors. But we got what we got now, and I have to judge based upon that, but I really would know how the final cut decision came to be.

I did like the beginning with Ed chilling as a fisherman, but in hindsight I wished they had cut that part a bit shorter to give more room for the final parts. We get a lot of Ricky dicking around the pirate republic, showing Jackie reluctantly bringing them drinks. Later on she finally decides to poison him. Why she didn't do so earlier, I have no idea, unless the show is trying to tell me The Swede had to build up enough poison tolerance within one episode to withstand the poison attempt, which would be ridiculous. Why the Swede was held as an emotional hostage, I don't know either. I don't want him dead but Jackie has many other husbands, the Swede being singled out was more to hurt the viewers than for Jackie imho.

We have Zheng Yi suffering through Stede's presence. Our queen is suffering through the loss of her whole crew and her aunt, while Stede unsympathetically offers that being a failure gets easier. I expected more compassion from a guy who treasures his own crew and also enjoyed the hospitality of Zheng Yi's ship, but okay. Being a dick for the sake of comedy, I suppose. "Thing's have a way of working out. At least for me" And Zheng Yi proves Stede right by killing the soldiers, and Stede claims that went just as planned. I am not sure what happened to the Stede who successfully avoided being backstabbed in episode 5 and defended his crew in episode 6 and actually seemed competent, just to go back to an ignorant fool, but hm.

Fisherman Ed returns, thinks Stede in danger, and recovers his leathers that somehow are still in the same place, after mindlessly killing everyone in his way. Whatever happened to not wanting to be a monster and not killing and running away from that, it doesn't matter anymore. The flashback of pop-pop tells him he needs to go back to what he is good at, and I guess... this is it??? The Kraken rises from the sea again. Will there be consequences for Ed's emotional state after that? Well, no. Not really. Or not in this season anyway.

Okay Ricky invites Izzy to a drink, he's quite obviously a Izzy fanboy. For what reason he took him out of prison, I don't know. He later says "Sad, I wanted to let you live", implying he had plans for Izzy. What those plans were, we will never know, Ricky never tells us. Izzy talks about what piracy means to him. "It's not about getting what you want" and I don't know if he means pirates generally robbing ships to get treasure, or of himself being perceived as a mastermind or being a captain, because he never inclined he wanted either. So, what a weird thing for him to say. "It's about belonging to something when the world has told you, you're nothing" is a beautiful line that makes me wish we had gotten at least some backstory to Izzy. Then we're shown a picture of the crew from season 1.... with Izzy in the background, quite obviously not belonging (yet). What an odd choice to cut into. You could have used something from season 2 that showed him actually belonging

Ed finds one of Stede's love letters, it's cute, but I am not sure why we needed that to somehow reinforce that Ed loves him. We already saw him worry for Stede and literally revert to his Blackbeard persona to set out and save him. He also didn't leave because he didn't love Stede or doubted Stede's love for Ed, but because he needed to find himself first to make it work. It's not a long scene but it took a bit of the momentum of the Kraken rising from the water from me.

Ed and Stede see each other again and we have a callback to the episode one opener. Which was also the moment where I slowly realized, death was in the cards for Izzy because that dream sequence meant his death. But no, this is OFMD, it'll be fine...

We're back in the cell, and our mates are trying to escape. Auntie is there! Very much alive, despite having been on an exploding ship. Who brought her there?? When was she brought there?? How long has she been there and why did no one bother to check the cloaked figure in the corner? NEVERMIND, Auntie is here and alive I suppose. Bleeding out and we've got no supplies to treat her, but she will walk it off just fine.

Captain trio congratulate themselves on beating a bunch of soldiers. Honestly impressive, outnumbered as they were. Mh, maybe they should get back to the crew tho...?

Auntie realizing she was harsh on Zheng Yi and admitting maybe she needs a different approach. I am seeing a parallel to Izzy later admitting his approach was wrong too. Except (and excuse the bitterness) Auntie gets to continue to "mentor" Zheng Yi.

We get a weird hard cut from "I don't do soft" to the talk between Izzy and Ricky. I really thought the talk had been talked, but some more insults get thrown at Ricky, and the deus ex machina happens as all prisoners are freed from prison, the captain trio arrives and all soldiers die of poisoning. Personally this was the moment where I had to slow blink in disbelief, because everything was happening so fast.

Stede talks about how they need a plan, and how a royal hostage could prove valuable. Another hard cut "SO, that's the plan". We do not hear the plan. We just gather from the following montage that it has to do with dressing up as English soldiers. We get a montage of everyone preparing for battle and dressing up, looking cool in slow motion. And, they did look hella cool, but there was so much buildup for them dressing up for the plan...without knowing what the plan even IS.

And then the plan apparently is.... just Izzy holding Ricky hostage? And the rest waits around and sees how it plays out? And they're just trusting Ricky to go along with their plan and say what they want him to say? Why was Izzy the one who had to hold Ricky hostage? The one person with a visible wooden leg? Not sure if peg-legs are an established pirate thing in this world, but the British seem to think so, because they look down at it. Why did no one check that Ricky had no weapons on him beforehand? And most importantly, where the fuck was Stede during this suicide plan? He is the one who planned it, yet he was nowhere around the group with Ricky, nor did he fight any Soldiers. He only reappears when everyone is running away. What the hell!! Where'd he fuck off to. Again, all this epic plan build up, for the barely existing plan to go up in shambles within 5 seconds, and then they all run. At this point they could have just left Ricky at the Inn and attempted to walk to the ship safely in disguise without ever drawing attention to the soldiers, and they would have had as much chance.

Ed asks Izzy if he is okay and I raise an eyebrow, A) because we as the viewers barely saw him get hit and B) Ed hasn't cared much about Izzy after Stede returns. But okay, we're stumbling back to the ship, surprisingly no one else gets shot.

Izzy is bleeding out on the ship, Stede and Roach run off to get bandages. "Bonnet is in charge, oh great I am fucked" is a true statement, considering Stede was in charge with the plan already and got Izzy to here. Later you hear footsteps approaching offscreen, which I guess were Stede and Roach. They just appear again, with no bandages and no comment. I don't want to get into detail how much I despise Izzy's parting words, and the message they send out, but Izzy throughout this season proved he wanted to live and got ready for living again, just to end up saying he wants to go here, and it's just so utterly wrong. This scene was presented as someone who was healed and now got to die amongst his loved ones, but he was not healed. He practically still believed he deserved what he got, and he died believing Ed did not need him and thus he was unnecessary. If he truly was healed, he would fight to live, if not for himself and his new found family, then for Ed who he still loves, but no. Okay maybe I did want to go into detail, but anyway, many have said it better than me already.

The crew who bonded with Izzy over the whole season stands mutely in the background, leaving the stage to Ed, who has barely cared about Izzy all season. Out of nothing I am supposed to believe Izzy means something to him, after Ed shot him down, discarded of him, happily mentioned to Frenchie that "But most importantly, no more Izzy" like Izzy had been the bane of his existence, the guy he didn't even have the balls to approach first to apologize but instead mocked Izzy when Izzy himself finally broke their silence, I am supposed to believe that Edward suddenly realizes Izzy's worth and that he deserves to be the one grieving, not leaving any space to the crew? I don't think so.

All season I was waiting for them to make up again, patiently, full of hope, but the remaining episodes got less and less. And I held out hope for them to bond over talks and teamwork, remembering how well they worked together before it turned sour, acknowledging that they could do better if they tried, but instead we got this. This is supposed to help Edward move on as Not Blackbeard, but Izzy had already encouraged Ed to not be Blackbeard, yet Ed came back deciding on his own to don his leather outfit again. This is such a back and forth, it's frustrating. They could have accomplished growth without a death, but I've already talked about that.

Also Izzy telling Ed has family now, because the crew loves him. Ed bonded exactly with one person outside of Stede, and that was Fang, who was once Blackbeard's crew anyway. Other than that Ed only hung back and did not give a shit about what the crew was doing, but sure they love him after the non-pology. Where were the scenes to back this claim up, it was utter nonsense.

Okay, we get a burial. No one says a thing, no one's got to say a thing about their unicorn. Everyone leaves, and "That's that then". Stede talks about Izzy, like he hasn't personally bonded with Izzy over the last episodes and like he was simply a guy Ed dragged along (the way season 1 Stede would have felt). Also, no acknowledgement that Stede's plan was what got Izzy killed whatsoever, no remorse.

Aye no time to be sad, we got a wedding now! It lasts less than a minute screen time, and I am still recovering from the emotional impact of a death scene + burial, maybe give me a minute so I can feel happy for LuPete? No? okay.

Stede and Ed decide to build an Inn, nothing either of them has experience in. Also the "family" Izzy promised Ed is sailing away, so that was for nothing as well. What happened to Stede wanting to be a pirate? What happened to Ed returning to being a pirate, because it's what he's good at? What exactly made them change opinions to leave their crew behind and start this? *lame hand gesture at Izzy's grave* This?? I am usually good at looking for clues and details and figuring stuff out in between the lines, but I am left clueless as to what inspired this.

I am 100% sure there were missing scenes that could have helped soften the blow of the death at least, but like this the episode feels jarringly badly patched together. There is no visible impact to the death that would explain the necessity to the narrative (and yes, we are in a story, not real life. Plot points happen because they bring the narrative along, and it didn't here) With everything established beforehand, it felt like the death got shoehorned in, simply because someone said "I want this character to be dead at the end of the season", and then a story was somehow built around this.

And of course people are upset about this, when I watched I thought it was a joke and I was waiting for the little wink telling me it's not what it seems. The theme I gathered from this season was "belonging", and to see the guy accepting that he belonged and deserved to be loved to be left behind and denied a chance to continue with the crew where he BELONGS, because he's dead and gone, is a very stupid choice.

The season had many unexplained and unresolved things that I chose to overlook because the show was still ongoing and I had hoped they would all work out in the end, but they didn't and this sours the whole experience.

Fandom

This has less to do with me unraveling the happenings of the show, but whatever.

I joined very late, a few weeks before season 2 aired. I was however vaguely aware that Izzy was controversial to the fandom and that fans got hate mail for liking the character who "broke the main couple apart". So going into the new season as someone who utterly loved Izzy in season 1, I was skeptical lol

But it was a nice experience. Season 2 showed parts of Izzy that I had already seen but in a way that made it clear to everyone that this guy has Emotional Layers TM and is capable of more than just being the guy throwing a hissy fit. Everyone could sympathize with him, people enjoyed seeing him, and I legit loved going through the tags of the gifsets and reading all the reactions.

Generally I loved seeing the reactions after every new episode, seeing how fandom came together to talk over what happened, and over what they enjoyed. I had expected a very split fandom but it seemed season 2 was somewhat gluing it together. Izzy was finally an "accepted" character and thus it was "okay" now to love him, now that he wasn't trying to break Ed/Stede apart either. The show was feeding fans too, I felt like I feasted every episode up until the finale happened.

And /then/ the finale happened and the illusion went away.

Up to then I thought this was a season for the Izzy fans, with the opener episode showing how ridiculous the take of "Izzy has to die for Ed/Stede to be happy" was in a mocking dream episode, I thought that was David Jenkins acknowledging the hate that has been sent in the direction of Izzy & his fans, and how it's Not That Easy. And then he proved Izzy was more than that.

And then he killed Izzy off, so Ed/Stede could be happy and we've come full circle again.

Of course Izzy fans were upset, because it felt like a final fuck you after a season full of promises that it would be okay, and of course people were voicing their displeasure and sadness over it. Some people were downright grieving the character, and I can tell you I Am People. I went through the 5 stages of grief, through bargaining and anger directly after the finale, sadness the whole day after, crying over it because it felt so unjust to me. And maybe these reactions seem extreme to you, but that does not mean that people aren't feeling awful about the finale, that it truly hurt them. And you do not get to mock people for feeling in pain. What do you gain from that? If you liked the finale, fine, everyone is different, but allow the people who were shaken by it to express their emotions. Processing emotions takes time, and as a part of this I wrote a goddamn essay to make peace. The least you could do is not be a dick.

Parting thoughts are that the final episode was both a product of unfortunate cuts in screen time, and a writer who didn't expect the effect it would have on the audience.

I am not hating on David Jenkins, I loved every other episode of the season and eagerly anticipated the next one, but I am so incredibly sad that one botched finale broke my trust into the show, soured my love for the previous episodes with the knowledge of what it all built up to, and left the fandom back in shambles.

So long, and be kind to each other.

[blamemma]

Emma, I know you are still on the delusional hopium just like I am - so using this as a safe space to say: the one thing that gets me, that stops me from getting any real closure, is when the official announcement graphic was made if mentioned that Daniel had departed RB (I.e. Racing Bulls). There’s been absolutely nothing to say he’s left Red Bull Racing and it has me so 🤔🤔🤔

What’s the plan then? Is he just going to sit on their payroll forever? Of course, they want him to take up an ambassador role but if he hasn’t taken it up by now I really don’t see him doing it ever.

Delusional copium in me: they need these six races to assess Liam and their full 2025 options, Daniel obviously wasn’t happy to take (or officially announce) a reserve role and so they just…haven’t announced anything. Hence, all the smoke and mirrors around Singapore. In the meantime, he is still in the drivers pool for 2025/26 and any official decision will come at the end of this season. Either Checo finds his form (he won’t) or Liam will blow everyone away in these next 5 races (he won’t) and if that doesn’t happen….they have the perfect time to announce Daniel’s return to the team in Australia next year 🤷🏼‍♀️

me at the helm of the sinking ship like woooooo lets go lesbians billy eichner style until we're literally at the bottom of the ocean decomposing at this rate. idk i just. its something i said to the girls from the beginning. f1 was his dream from a child. and he made it. he should be so proud. but his new dream was making it back to red bull, and he still hoped he would win a wdc one day. and that was our dream as well. we shared in that dream. it's hard to just....stop dreaming one day.

but yes. no r word in the statement. no updates or anything on his website (trust me, i check around 5 times a day). no official word or leaked comments or anything from him. we're still processing all this, so it hurts to think how weird this processing thing must be for him, but i switch between thinking, oh there's still hope, to oh he's just taking his time around 20 times an hour. i have my theories about the contracts and how that planned out and i have my feelings regarding red bull and how they've handled this fall out and i have....other things. but how exactly does a rookie prove within 6 races he is ready. and what happens when he ultimately proves he's not....i'm sorry but going up against max is a battle. a hard one. max is the best. i go round and round and round in circles arguing over and over and over again that the best driver for that second seat is a known quantity. someone who has respect and admiration for max, which daniel has proven time and time again. who will fight, and fight hard. has daniel not shown, fight, resilience, respect, over these past few months and years? yes, a million times over in so many different iterations. until i truly see....a final point. a statement or movement from daniel. an actual confirmation from red bull over....things.....i can't let it go, because ultimately, none of this makes sense. the crux to me of sooooo much of this, is singapore did not make any sense. at all. none. whatsoever.

[astrid-gallivan]

Let’s talk about Bro

This is a post that I’ve been working on for a week now. It’s a post I knew I would eventually have to make, but it certainly is coming out sooner than I anticipated. This is to clarify and lay down exactly what my headspace is when I draw Eddys Brother (Bro) since I draw him a lot. It'll be a long post no matter how hard I try to cut it down. I'm sorry! ;.;

For a quick TL;DR- I do NOT ship Bro with any of the EEnE characters. PERIOD. I also do not ship the Kanker sisters with any of them. I do however understand that there is a lot of grey area in humanity and support you if you use these characters as Art Therapy for trauma. This is a hot take I’ve seen around various communities, and not everyone processes trauma in this manner, but I do not support the romanticization of these relationships in real life (especially if you are a child!). There is a distinct difference between fantasy and reality, and I am happy using fantasy to point out the abusive and toxic problems in reality so that others can recognize them. But even still, adults, don’t have kids in your fantasy! 😑 And realize that you dont have to share everything you create and that some things can still trigger others!

Okay, now for the long stuff where I break a few things down. I’m going to be fully honest with you. I hardly watched EEnE when I was a kid. But I saw the movie and Bro has stood out in my brain since then. That’s 16 years. Aside from the Eds always trying to get money for jawbreakers, he was really the only thing I remembered about the show. Finally watching the entire show (not even a year ago now) I found that I related quite a bit to Eddy. And I realized part of that was specifically because of his brother. I looked up to my abuser to the exact same degree that Eddy did with his brother.

I do like true crime and dark romance. I have a fascination with the dark side of humanity. I also love stories where the villain gets the happy ending. However! These are two very separate and distinct things and reading dark romances does not mean that you promote the toxic relations contained within or that you want to marry a serial killer.

I don’t draw Bro to be a villain who gets a happy ending. My Bro art ultimately explores the dark side of humanity and helps me to understand and cope with my own experiences that I had when I was a child. I am actually very selective on what I post with him. There's a reason I've got a lot of just Bro without another character, and the like, two I do have are with Eddy... and he's not happy. Art Therapy is a real thing, and I very much promote that. Creative outlets are a safe way to explore and understand our experiences. I want people to process their own experiences because honestly, doing so has made my life so much better! But I don’t support shipping Bro with any of the characters- aged up or not- just because they find it hot. I have seen some OC ships… that I’m more understanding of since it’s a form of projecting yourself into the story. And I know that young adults will have their own OCs be their age. I admit, I do have my own OC with Bro. But I don’t post this, and never will, because it’s only for me to work through something that happened, to release something that I’ve been too afraid and ashamed of admitting happened to me. So I can finally heal from something I’ve been carrying for 20 years. Nothing else.

I think it was honestly pure genius to make him an attractive and mysterious character on the show. Why? Because he portrays the reality of the dark side of humanity. He’s the light that brings the moths into their death- even his own brother, Eddy. I admit I’m a crazy moth that is always attracted to that light. And I don’t condemn you if you are a crazy moth too. There is nothing wrong with someone liking True Crime, dark romances, or villain characters in general. But my moth friends, as you fly around the light, remember what that light represents. Remember that while bringing things into the light makes them lose their power, don’t fly too close and get burned. Balance things. Give yourself breaks. Introspect. And give yourself some grace if something has happened to you. It wasn’t your fault. You’re not stupid for it having happened. You aren’t at fault. Period.

As for the Kanker sisters, I have never been a fan of the Kankers being shipped with the Eds. I always had a very certain “ick” factor with them, because they harassed the boys all the time. I wasn’t going to include them in my comic originally because of how much I didn’t like them…but I decided to take a different direction with them and have them acknowledge what they did and mature while still teasing everyone. This approach is very rooted in reality too- people can realize what stupid and harmful things they’ve done and can change. It doesn’t mean everything is fixed or that the people they harmed should welcome them into their lives with open arms. The change doesn't erase what happened. But they can be proactive and take actions to prevent future harm. They can educate people on why they were wrong and help make the world a better place.

I don’t know what anyone’s take on this will be, but for everyone calling out problems regarding these characters, seriously good on you. You really are doing a good thing with that and problems need to be pointed out. It’s how we learn and change the world for the better. 

And if something in here doesn't make sense or is confusing, please point it out so I can clarify and update it! This post is just so long... and I still feel like I didn't get to hit everything I wanted to say... 🤦‍♀️

[still-not-over-transformers]

hi! could you do i mirage x fem bot where she's kinda got the build of a mech and is super self conscious about it. and when noah and elena meet her they think she's a mech and she gets upset and they've got no clue whats going on but mirage does and he comforts her? sorry if this doesn't make sense 🫶

Just the Way You Are

ROTB Mirage x Femme Autobot Reader

Warnings: None

Word Count: 1300

You had heard much about the Autobots’ human allies. As you waited patiently inside a warehouse which was the current hideout for Optimus Prime and the Autobots, you couldn’t help but feel excited. You had never directly interacted with humans during your short time on Earth, and you were looking forward to finally meeting them. Shortly after the Transwarp key had sent its beacon into the cosmos, you had followed its signal in your ship to Earth. This is where you would come to join up with the Autobots and make this planet your temporary new home. 

As for your new comrades, you found them to be welcoming but you got along with some better than others. Of course you regarded Optimus with the utmost respect, but he wasn’t much for conversation and you didn’t want to risk embarrassing yourself in front of him. Arcee was informative and kind; Bumblebee was quirky and fun; but Mirage definitely made you feel far more comfortable. Actually, he made you laugh quite a bit, and despite Mirage’s antics often butting heads with Optimus, you couldn’t help but want to spend more time with him. Besides, he was highly in-tune with human culture and close friends with their human companions. 

Your thoughts were interrupted as you heard the familiar rev of Mirage’s engine, causing you to transform from your vehicle mode into your Cybertronian form. In usual Mirage-fashion, the mech peeled into the warehouse in his Porsche vehicle mode before halting to a sudden stop. You couldn’t help but roll your optics slightly, thinking to yourself Always with the dramatic entrance. 

As Mirage parked, both the driver’s side and passenger doors opened, allowing two humans to emerge. Once his cab was empty, Mirage transformed from his vehicle mode and stretched his limbs. As he glanced around, Mirage’s optics focused on you, “Hey, Y/N! Ready to meet my friends?” His tone was upbeat and full of excitement as he beamed with eagerness. You took a few steps forward before focusing your gaze towards the two small human figures standing before you. “I’m glad to meet your acquaintance. I am Y/N,” you lower your frame slightly, trying to decrease the height difference as much as you can. 

Mirage steps in to introduce everyone, “Y/N, this is my boi, Noah, and the badass Elena.” Both Noah and Elena smile up at you, with Noah stepping forward to address you, “Y/N, it’s an honor to meet you. It’s great to have another Autobot on the team. Maybe Mirage, you, and me can head out on the town afterwards. Just the three of us guys hanging out.” Before you can fully process Noah’s words, Elena chimes in, “It’s nice to have you joining us, Y/N. Hopefully Mirage and Noah don’t rub off on you too much. Honestly, we don’t need too many boys misbehaving after all.” 

You pause briefly, taking in what you just heard, Do they think I’m a… mech? You tried to keep your thoughts to yourself, attempting to force your emotions to the back of your mind. As much as you tried, you couldn’t stop the surge of emotions that would ultimately bubble to the surface. You were aware that your frame build wasn’t as feminine as a bot such as Arcee. That you were built thicker and more muscular than the average femme on Cybertron, a fact that had plagued you even before the war, as many a mech would make a jab at your more masculine appearance and voice. It all would become too much, and your body language betrayed your thoughts and feelings. 

Noah and Elena watched you in confusion, unsure of what was bothering you. Noah stepped forward to speak, “Hey, Y/N, are you okay? Was it something we said?” 

Unable to contain your emotions any longer, you turned suddenly and glared down at 

Noah and Elena. “Yes it was something you said! It’s something that everyone, human or Cybertronian, apparently has to point out!” Your words came out in a tone of both anger and agony. You would swiftly turn away and transform into your alt mode, before driving out of the warehouse, your destination: anywhere but here. 

Both Noah and Elena are left speechless and with a sense of guilt, although they had no idea why. Mirage looked down at the two of them and gestured to Noah, “Hey, don’t worry about it. I’ve got this.” He quickly shuffled away from them both, transforming into his vehicle mode then driving off in pursuit of Y/N. After a short drive, Mirage follows your trail to a secluded and abandoned lighthouse on the edge of the bay. Mirage had been here before and knew this was usually where you went to relax or calm down after a hard day. Mirage transformed from his vehicle mode and walked around the exterior of the lighthouse, finding you sitting down, your back leaned against the building. He notices your dour demeanor and softly speaks, “Hey… Y/N, are you feeling alright?”

Although you weren’t expecting Mirage to follow you after your outburst, you weren’t surprised as he was Mirage after all. You kept your gaze averted from Mirage, “...I could be better…”

 Mirage tries to keep a positive attitude and sits beside you, scooching closer to you, “I’m really sorry for Noah and Elena… I promise you they didn’t mean to offend you. Even humans can make mistakes and I’ll let them know what’s up.” His optics are locked onto you, his expression soft but clearly full of concern. 

“I’m sorry if I overreacted, but… it’s not just them, it’s just… everything and it’s hard not to be affected by it.” Your entire life you had to struggle with your appearance and how so many Cybertronians mistook your gender. You always tried to ignore and deny how this made you feel, but there was only so much you could handle. Despite having known him for a short time, Mirage had always tried to make you feel better in his own quirky way. You always laughed at his jokes and you were always down to join him on patrols or occasionally risk a lecture from Prime after breaking curfew. Primus forbid anyone should know you had developed a crush on him, although you never thought you had a chance with someone like him. 

Sensing your distress, Mirage shifts towards you and places a servo on your shoulder. “Y/N, I’m gonna be honest with you. You’re cute as hell and I think you are one of the finest femmes in the universe.” He flashes a brief smirk before his expression changes to be softer and more vulnerable. Mirage begins to go off on details about your personality and how he finds your mannerisms absolutely adorable. But this mech isn’t done yet. “Don’t get me started on how a chick who could bench me is beyond hot as slag. And don’t get me started on what’s ‘feminine.’ Cause what even defines that? Tall, short, skinny, built, thick, all the same to me.” He fires off a shameless wink towards you before clearing his throat and re-focusing, “Look, Y/N, I’m sorry I haven’t told you sooner, but I really like you. As in… ‘like you’ like you. But… I understand if you don’t feel the sam–”

Before Mirage can finish his sentence, you wrap your arms around him and pull him close, planting a soft kiss on his cheek. Catching yourself, you quickly pull away embarrassed, “...I-i’m sorry…! I don’t know what came over me—” You are in-turn surprised as Mirage brings you close once more and kisses you, 

As his lips slowly pull away, Mirage smirks to you, “I one-million percent feel the same.” 

END

[fuckyeahizzyhands]

COLLIDER: I'm so glad that we finally got the chance to touch base about the show.

CON O’NEILL: Yeah. It's been really uncomfortable not being able to talk about it.

COLLIDER: Izzy, as a character, really goes on a beautiful, poignant journey this season. In the beginning, Ed is Blackbeard and back to the old lifestyle of raiding and pillaging ships, but it feels like something's off. Izzy has what he wanted back, but at what cost? What was your take on that — reverting to the way that things used to be, but, obviously, there's been a shift, and things aren't quite the same?

O’NEILL: It goes back to how it used to be, but Ed’s broken, and that's the difference. Before Stede appeared, Izzy and Blackbeard worked as a unit really, really well because they were both on the same page. When Stede breaks Blackbeard's heart, Izzy and Blackbeard aren't on the same page. Basically, Izzy’s looking at a man that he loves falling apart, and all the joy is gone — not just from Blackbeard, but from piracy. He can see Ed's decline, he can see the decline in his crew, which is fundamentally really, really the most important thing to him. He can feel his own heart breaking, because he's seeing the devastating impact of his actions. So, it's a pretty bleak start to a season, but we do have fabulous make-up.

COLLIDER: It does feel bleak, especially for Izzy at times, who goes through the amputation and has to adjust to a new normal of not being able to get around the way that he used to. But it's also an opportunity to see the changing dynamic with the crew. I was really touched by the moment when they built [Izzy] a new leg. It's moving on an emotional level, but it's also proof of how far this group has come. Was it nicer to be able to play those moments of camaraderie instead of being at odds all the time?

O’NEILL: What's interesting, though, is the love for Izzy to his crew and the crew to Izzy, it's always been there. It's just not being presented in this way. The giving of the leg, I believe, is the first time in his life where he's actually had an emotional connection that he wasn't able to control. That act of kindness overwhelms it. But he's still a pirate, and the leg ultimately allows him to be a pirate again. He does change his attitude towards his crew after the new leg and after the unicorn statement, but it's also about how to navigate the new crew as the first mate. And that's the beauty of what David's written. It's not suddenly he's this new guy. He's still a bit of a dick, but he's their dick, as Vico says.

It's a beautiful human version of the story that could have been really sentimental, and I don't think we go there. He doesn't suddenly become everyone's mate. That was never going to happen. That would have been dishonest. But he just has a need for them more because he's not as physically able as he used to be, and with that comes an understanding of them. The way he deals with Lucius is very specific in that he can't give Lucius love and understanding without calling him a twat — because that's who Izzy is, but he does give him love and understanding — and that's down to David and David's choices. Remember, this is a comedy. He's done all this in a comedy. That's really profound that we're going on these routes of human stories in what is essentially a comedy.

COLLIDER: One that really stuck out to me was Izzy singing in the “Calypso's Birthday” episode, especially because it plays as a backdrop to some pretty significant moments. I wanted to ask you about the preparation process behind performing that song. Did you have to record it and also do it live on-set?

O’NEILL: I got an email from David a third of the way through the shoot asking me if I knew “La vie en rose,” which, of course, I knew, but only as I'd heard it. I was actually in Wellington filming a different show because I did a different show for a week, and I just got this message. We were just gonna sing the English version because we didn't have the rights to the French version, and I don't speak any French at all. Nothing. Zilch. And then I got the phone call. Would I be able to learn it in French? So I did. I called a lot of people, and a lot of people who say they speak French don't. But my partner does, and I have a friend who just played Piaf. So, between the two of them, they gave me an understanding of the French.

We recorded both versions, and I lip-synced to the English version first before the scene with Ned. I thought we were just gonna do a little bit of the French version for the end of the episode. I had no understanding that it was gonna play out the episode. I’m thrilled that it does, but it was terrifying. Every minute of that, from the recording of it to the lip-syncing it to the filming it, was terrifying. I haven't sung in public for 20 years. But it felt right, and it felt like the absolute right choice of song. It felt like the absolute right choice of language. I didn't want him to be too French, I just wanted him to be able to because Izzy speaks bits of every language, as most pirates would. I thought it was audacious. I thought it was moving. I thought, again, it shied away from sentimental. And I’m just in awe of how David's brain works. If you would have asked me prior to doing it which song Izzy would sing, I'd never have thought “La vie en rose,” and now I can't think of a song that's more appropriate for Izzy.

COLLIDER: I talked to David, as well, about the scene of Izzy talking about piracy in the finale, and he said it's kind of like Izzy giving his own eulogy, in a way, before what happens next. That scene where Taika is holding you feels significant for the show — not just in terms of the weight and impact, but because so much of the cast is there, and it really feels like a moment of family getting to be together. Even if it's mostly an exchange between Izzy and Ed, everyone's there to send him off. I would love to hear about the experience of filming that on the day.

O’NEILL: David sent me the scene a few weeks prior, and the date was set to film it, which was gonna be in the last week of filming. It was early on in the last week, and then it was in the middle of the last week, and then it was scheduled for the morning of the last day. Then, suddenly, it became the last thing we were gonna ever film in Season 2.

Those things aren't easy. They're quite difficult because no matter how you think about it in your head, it's not gonna play that way. We were on a set, we were on the ship, there were hundreds of crew, there was the whole cast, they were setting up the shot. It was busy. David, bless him, played a playlist to help us all get in the mood, but it's just a cacophony of noise and busyness, and we’re getting towards the end of the day.

Suddenly, it was just me and Taika. Suddenly, all the noise disappeared, and suddenly, all the process of filming a scene disappeared, and it was just me and him. And Taika is a wonderful actor. Everyone talks about his writing and his directing, and this and that. Taika is a beautiful actor to play opposite. And in that moment, we just got to say goodbye to a character that we both loved. You never get a death scene that's going to get all those boxes, but for me, it was never about what Izzy said. It was about Izzy being vulnerable enough and brave enough to say, “Sit with me.” It was about Izzy being allowed to be held in the last moments of his life. That's all I remember about the day. I’m very proud of it.

COLLIDER: I just want to say thank you so much for taking the time to chat with me about the show. It's been great to finally get to reconnect with the cast and to really get to talk about Season 2.

O’NEILL: Oh, it’s my pleasure. It’s my pleasure.

COLLIDER: I’ve enjoyed your performance so much these last two seasons, and who knows? Maybe we'll see Izzy's ghost pop up in Season 3.

O’NEILL: Who knows?

COLLIDER: You can't predict anything with this show.

O’NEILL: No, none of us can, and none of us know. Literally, we are all in the dark, all of us, David included. None of us knows what's gonna happen. David always wanted three seasons, and I think this story should be allowed to run its course. I would say that because I'm involved, but even if Izzy isn't involved in Season 3, I would be heartbroken for the show if it didn’t get to conclude, because it's an important show.

[psychomusic]

so. I've been reading some posts on the jedi order tag AND i won't talk about my opinion on "are jedi good or bad discourse" BUT i wanna point out some lore to everyone who's complaining about the jedi taking kids into their order: (in the EU) it wasn't always like this.

if you take swtor era (more than 3000 years before the prequels) there were many jedi who joined at an older age. like, for example there was a guy who broke his engagement to become one. most jedi remember their families because they were old enough when they decided to go.

THEN in darth bane's book trilogy (circa 1000 yesrs before the prequels) there is a passage where two sith lords are talking about taking bane, already an adult, to study at korriban. one doubted him because he was too old, ans the other told him he sounded like a jedi, and that ONE DAY jedi will have to accept only kids into their ranks if they really want to find "pure" people that can learn their lessons quicker.

one day!! so it wasn't always like that!! the ongoing wars with the sith, who corrupted and killed many of them, had pressured them into taking always younger people into their ranks.

also, consider a thing that this video explains super well: training to become a jedi is not like exercising, because there is a transformative lesson at the end of the training that changes everything. you can't just do as much as you can, but not finish.

the transformative lesson, as the video explains, is that through the force, everything is the same - from rocks and ships to life and death. at the end of the training you have to understand this fundamental truth.

yoda says "you have to unlearn what you have learned". during times where they were constantly killed off or corrupted by the dark side (and if you haven't learned this lesson you are more susceptible to this corrupting), younger people were taken in to actually finish their training (a training that was ultimately about being a good person AND that you could leave at any point if you weren't sold on that, too)

(remember that for the sith failure = death. like. that was the alternative for force sensitive kids. it's not like sith had any moral problem with taking kids away without consent. sith don't have moral problems: they believe that them being stronger in the force means they can do whatever they want as long as their strong enough to go and do it. there are MANY passages in many different star wars stories, even in different mediums, that say this out loud)

AND (this is more of a critical thought than just stating the lore) the fact that they started doing it out of necessity doesn't mean it's 100% good BUT you know. the whole set up of the prequels is that we're starting off the story in a period of crisis and decadence all around. most of the systems of the times were about to fall. OF COURSE they had problems. if they didn't, we wouldn't have the story to begin with.

that doesn't automatically mean jedi = bad and sith are better, tho. you wouldn't take the last, chaotic and decadent period to jugde something, would you? it's like deciding that the athenian democracy sucked because people at the times of Demosthenes failed at recognizing the new schemes in which the world was evolving into, and still believed that their city would be important as it had been in the previous century. They just didn't fucking expect the Macedons would conquer half the world known and more, and have the subsequent political power. Still, their experiences in the 5th century with democracy were very good, even better than ours on many fronts, if you contextualize a little. the jedi had flaws, and most importantly, they didn't fucking know the future and everything that ever happened, ever, so they made mistakes. that doesn't automatically make the system ill, or bad, or not-working. systems can have setbacks when the world changes. (just like athenian democracy had one when they lost the empire that was funding the democracy. they even had a tyranny for a while and then fixed the problems. that doesn't diminish retrospectively their democracy)

[oopsiedaisiesbaby]

If you put your favorite Stranger things ships into the MOTA universe, how would they fare? And how soon do they get together?

Fuuuck this is a tough question 😅 I’m always banging on for someone to do AU’s of my favorite fandoms set within each other but I struggle to conceptualize it myself! Let’s see… prepare for word vomit rambling lol

Harringrove… rival pilots. They have had beef since day one and they make it everyone else��s problem. We’re talking, the room clears if they’re in it together. They’re constantly fighting for the number one spot. They’re always two seconds away from getting court martialed for their bull shit but somehow skim by without ever actually getting into trouble and end up as squadron leaders. They get shot down at the same time and end up parachuting within yards of each other and on the run together. Their differences get set aside as they get chased through the countryside by Germans. Ultimately, they end up in the stalag together and everyone is a little shocked at the way they have become inseparable but there’s a war on and things are strange. They end up together in the stalag as they lean on each other but also fiercely defend and protect each other against anyone and anything like a couple of feral bonded cats. The codependency is unreal but they do end up escaping together and refuse to be separated when they get back from the states. It takes years for them to admit they’re not just roommates despite essentially being married.

Munver+… Jason is a pilot and Eddie is his bombardier. Jason’s got his sweetheart Chrissy back home and the way Eddie flirted with her during basic has made Jason hate his guts. No matter what Jason does or says, Eddie continues to flirt and Chrissy seems to like it??? However, by the time they prepare to leave for England Eddie’s hitting on him??? Jason is very confused, Chrissy’s parting words are to suck Eddie’s dick and Jason has a full on crisis. Until Eddie has Chrissy write Jason a letter explicitly telling him exactly what’s gonna go down between Eddie and Jason and that she’ll be waiting for both of them. Once Jason gives in, it’s like it’s been that way the whole time. They get shot down, but make it back, and somehow convince Hopper to let them keep flying. Jason and Chrissy legally get married when they make it back to the states but they all three are married in their minds. Couldn’t leave out my girl Chrissy and she deserves two doting men, I don’t make the rules!

Jargyle… Jonathan’s Billy’s navigator and Argyle’s his bombardier. Way too much fun is had on that plane, we’re talking corny ass jokes mid getting shot at. They’ve been together since basic, quietly, happily, and unproblematically. Jonathan’s on leave for something to do with his family when Billy and Argyle get shot down and end up in the stalag. He spirals pretty hard because that’s his pseudo brother and husband and he thinks he could’ve saved them if he had been there. They take a lot of time away from everyone when they get back from the states just to heal and be together away from war.

Buckleway… Robin’s dressing up and fooling the entire USAAF into thinking she’s a man so that she can be Steve’s navigator and Heather is the Red Cross girlie that catches her and they start out as friends (Robin’s so grateful someone other than Steve knows about her secret) but really start falling for each other right before Steve and Robin get shot down and end up in the stalag. The reunion when she is liberated from the stalag is one for the pictures it’s so sappy.

Hopper is the long suffering Colonel that has to deal with all their bull shit. Yes, he’s known about Robin since day one. It’s the least of his problems when he’s got Billy and Steve fucking around and frequently failing to find out by the grace of the Devil (there’s no God in whatever’s going on between those two lol)

I gotta stop here because I need to go to bed lol but this was fun to think about ❤️

[necrotic-nephilim]

For the ask game: A Damian who never got the sex talk or a consent talk from Bruce (both bc he assumed that Dick, son-wife extraordinaire, would take care of that and bc he thought that Damian would be ace or celibate or something) and so in his teens after only learning about sex from the internet he just becomes like, wildly inappropriate about his crushes, including unfortunately his older siblings, especially Dick, Tim and Cass

This includes not just the bat-typical stalking online and irl, but also making comments on their bodies, flirting excessively, and one notable time, masturbating in the living room of Dick’s apartment

Everyone is torn on how to address it, if they should be saying anything at all, I mean, he’s just going through puberty, it’s just a phase right?

for the ask game!

i LOVE it when Damian has like. zero concept of how relationships work and no one thinks to talk to him about it, leading to wildly inappropriate behavior. it's my fave flavor for any Damian ship.

obviously, his first crush is Dick. and because Damian has had such little interaction with healthy romantic relationships, he doesn't even *realize* that's what he's feeling. in concept, he understands sex. but he has a very clinical definition of it, viewing it as coupling to produce an heir. (100% influenced by Ra's) so sex as a pleasurable thing, as something driven by romantic interest, that's foreign to him. he refuses to show weakness and he needs to be hyper-independent, so he falls down a google rabbit hole. i love the idea of Damian accidentally stumbling into like, forums and subreddits based on what he googles that are for people with incestual fantasies and it ends up giving him the WILDLY wrong idea about what's normal. he makes his own account and becomes mildly chronically online about it. at first, it's just a safe outlet for him to vent about his feelings. bc deep down Damian *does* know this is a little wrong and weird, he knows Dick doesn't exactly reciprocate and he understands there's a difference between familial and romantic love. but the more Damian is reading other stories online, the bolder he gets. and he starts getting more open about his attraction.

not only does he get more open about it, but his attraction spreads to Cass and Tim. for Cass, it makes sense. they grew up similarly, if anyone understands the guilt of being raised to be an assassin and now trying to atone for it, it's her. Damian respects her raw ability and naturally it turns into a crush. for Tim, it's harder to explain. he hates Tim with his whole being, doesn't see Tim as his brother. it starts as sexual attraction first, with Tim. for Dick and Cass it was romantic first, but not Tim. watching Tim train shirtless, Damian almost hits himself in the face with the workout equipment he's using. since he's never considered Tim a brother, he's never considered Tim seriously when he's thinking about incestual feelings. it startles him to be attracted to Tim too. honestly? fun concept that Damian gets so in his head with an incest kink that he finally accepts Tim as a brother to him because he's attracted to Tim, therefore this must mean that some part of Damian views him as a brother because Damian has just. entangled those feelings internally.

it's when Damian is attracted to them as well, that they all start to notice. Cass notices first, and she asks Tim about it, since she can tell Damian's feelings are toward Tim and Dick as well. they have a conversation about it and ultimately decide they can't change Damian's feelings, and they don't want to embarrass him about it because he's young and going through puberty. Tim had his own childhood crush on Dick, it happens, he really gets it. they loop Dick in, who is absolutely thrown by the concept. for a while Dick doesn't believe them. he's convinced they're reading into things. until Damian starts getting more bold. going from openly staring that could be interpreted a lot fo ways to excess compliments and flirting. Dick's used to comments about his body, they slide off easily. but when Damian very loudly makes a comment about Tim or Cass' body, Dick balks. he tries to. carefully tell Damian that there are boundaries to certain relationships and he needs to be more respectful. Damian doesn't take it seriously because Dick won't address it head-on and is dancing around the topic. Damian either doesn't think Dick is serious, or he thinks Dick doesn't understand the depth of his emotion outside of sexual desire. so he starts trying to be more romantic. flirting, gifts and gestures. it's very sweet and almost childlike, how hard Damian is trying. Cass thinks it's cute and doesn't mind it. Dick is trying carefully to let Damian down gently. and Tim is just baffled, not really sure what to do with the *very* nice new bo staff Damian got him that's reinforced and admittedly, very well balanced.

Damian gets bolder. his touch lingers, his comments get more sexual. and of course, the breaking point: he jerks off in Dick's living room. he does it when Dick is busy in another room, taking a shower. Dick comes in just as Damian reaches completion, gripping one of the throw pillows on Dick's couch. Dick leaves the room, pretends he didn't see anything and gives Damian the chance to clean himself up. but when he comes in the room, they both know that Dick knows. Dick decides he has to be more firm with his boundaries. he sits down and tells Damian it's okay to have a crush, but this is not okay. Dick repeatedly calls it "puberty" and a "phase", and Damian gets more caught up on Dick denying the realness of his feelings than the rejection. he doubles down, because he perceives the issue as Dick just not understanding how real Damian's feelings are. this isn't some silly teenage phase to Damian, he knows his feelings. obviously, the issue must be that Dick, Tim, and Cass don't understand that. so he does his best to act more like an adult. he's far more reasonable on patrol, he doesn't pick fights, he's independent. all the issues Dick has been having with training Damian suddenly vanish and well. Dick knows why, but he has to admit, it is far easier to work with Damian like this. at this point, Tim just finds the whole thing funny. Cass doesn't enjoy the sexualized comments about her body, she's always been hyperaware of how others will oversexualize her, but she still sees Damian as a young kid and doesn't lash out at him over it. she's dealt with far worse, and she doesn't want to make him feel bad about a crush.

if i were writing this, i think it'd be fun if Damian's feels do eventually fade. he stops going online so much and he gets other things to focus on trying to be a good vigilante and soon his efforts aren't about his feelings, he's just genuinely focused on himself. he grows back and Dick, Tim, and Cass breathe a sigh of relief about it really just being some phase. that is, of course, until someone new joins the Batfam and the cycle starts again. maybe it's Duke, maybe it's someone else like Terry. but at the end of the day, Damian's incest kink wins out and maybe this time, he actually succeeds. he gets his new person of affection to reciprocate with all of the attention he gives them and Dick just has to watch from the background, facepalming. bc at the end of the day, Damian will always get what he wants, sooner or later.

[maximwtf]

request for izzy hands x gn or male reader where reader is going through a depressive episode

Izzy Hands x Reader

words: 2550

google docs pages: 5

warnings: Mentions of drinking, abuse, depression yk the usual, a mention of a suicidal thought, start of S2 spoilers

opening: Blackbeard was back, but different. The way he’d been treating the crew had gone on for too long, and it was getting hard to bear. 

AN// Reader can be any gender! A small break from fluff, and back to beloved angst with comfort from a character who does not recognise the word comfort<3 I hope I stayed on topic, since I wrote half of this a little mindlessly :”D Thank you for the request !!

 “Rather share the burden”

Sailing with Blackbeard had turned into all you knew. So many years on the seas together with the same crew, one can’t help but to start getting used to some of the men and their personalities. Even when the Revenge’s crew had joined it, it didn’t take long for you to get used to them too, to get to know them. So it was no wonder you’d started feeling conflicted the second this new Blackbeard had come into the picture. That was not the captain you’d sworn your life to. He was radical, at times seemingly insane. Like a shell of the man who you’d known, controlled by someone else now. He’d made the crew do rather horrendous acts, and at first it’d been okay. But day after day of massacring the men from other ships and looting them after had started to weigh the crew down. Sure, others were handling it better than some but ultimately everyone agreed that some of the attacks were getting a little out of line even for a pirate to do. 

There was so much plunder coming and going that some nights the only work you had to do was to throw some overboard. The attacks themselves were brutal, but wasting whatever loot the crew had gained made it all feel like it was all for nothing. What was the point of any of this, if the items gained meant nothing and were thrown away when something new was coming in?

And by the signs Blackbeard was giving, he didn’t care either. The torture like environment you had to live in ultimately were for nothing and for no reason. You wanted to spend time with the crew and feel some kind of community around you, but something in you didn’t allow that. It felt like you were bringing more weight to their shared table, and doing that felt wrong. They were dealing with enough as it was, so you retreated to being on your own. And that had been easy, considering the others spent most of their time together, only interacting with you when there was work to do. You didn’t dare to step out of line, no matter how tired you were. You’d seen how this new captain reacted to that. Better to just do as you were told. 

Being at the sidelines every free moment given, you didn’t think anyone had noticed any change in you. You would spend time on the main deck, excusing the long times spent there by saying you’d been sweeping it clean. In truth you would either be hanging around the bow of the ship if no one had noticed you slither over there, or in the crowsnest. All the places no one usually thought of checking or went to. Sometimes you’d find tears welling up in your eyes, only half of those times did you allow them to stream down freely. Though, the warmth the tears brought was never unwelcome, using it as an advantage against the rather cold air when the ‘deck sweeping’ took a little longer than expected. At times you’d just find yourself leaning against one of the masts, a bottle of whatever the latest loot had in it in hand. Sometimes more buzzed than others, but you pretended like it helped. And through all this, you thought no one had the time to notice. But someone in the crew distanced himself in the same way rather often, and it didn’t take him long to catch up on what was going on. 

Izzy had been well aware of your new habits, finding you away from the crew and instead alone at the far corners of the ship. He’d known you since the day you’d joined Blackbeard’s crew, and by this point the first mate had grown close to you, sharing a few similar traits and enjoying each other's company. So, as much as he was hurting himself, the soft spot he had for you ached at the sight of your condition. 

He wasn’t sure if you wanted company at those times you drifted away from everyone, so he did not offer it. Instead, he tried to shield you from the reality you’d been living in. He’d keep commanding the crew with the orders given by Blackbeard, but shield you from it and offer to do the jobs meant for you himself. Izzy could see hints of fear and shame in your eyes each time he offered to do the work for you, knowing you didn’t want to be caught not doing as you were told. But he trusted you knew where to hide and get some rest. He trusted that you wouldn’t get yourself caught because he’d take the hits for it. And this worked for some time, even if he wasn’t able to see huge changes in you. You had still gotten more rest than you’d been able to get in a few weeks, but that didn’t change how you felt internally. You’d seen how Izzy lmped, pretending as if he was okay with what was going on. Knowing him for this long, you knew this wasn’t what he’d wanted either. No one could have expected that it would come to this. He’d gotten more of his toes cut off, but of course the man didn’t tell you or anyone else about it. You’d just figured that out on your own. 

But while you’d followed the cycle of abuse Izzy was going through, you witnessed the crew also notice it. The first mate was also starting to break, but this time more visible, and it hurt more to watch. The crew tried helping him, but even then Izzy pretended he was fine, having his mind set on you. And you knew he was pretending because after that, he would join you. You’d find yourself with him beside you, drinking or smoking a cigarette. Sometimes you wouldn’t talk, just pass a bottle back and forth in a comfortable silence. If you were lucky, these moments made you almost forget how horrible each and every day was. You were both suffering, but at least not alone. 

“I’m going to tell him.” The first mate said, breaking the silence that had been surrounding the crowsnest. “Tell him what?” You asked, turning to look at the dishevelled man. “That the atmosphere is poisoned. I can’t keep watching the crew suffer, you.” Izzy said, silencing himself by taking a longer swig from the bottle. Your brows furrowed, worried for Izzy. “He’s not going to take it well…” You sighed, crossing your arms for warmth. “I do not care. Stay somewhere away from him tomorrow.” He said, you sure he’d almost added a ‘please’ at the end, but decided against it at the last second. Your mouth opened but closed soon after, only giving him a nod and a silent hum as a reply. Too exhausted to argue against him. 

And that you did, avoided leaving the sleeping space you’d found for yourself. Avoided getting up until the worry over Izzy had gotten over the heavy feeling of staying still and avoiding seeing anyone. The sound of someone speaking rang from the main deck, getting you to head over there. Though, you didn’t quite make it in time. The sound of a pistol being fired stopped you dead in your tracks, a horrified shiver running down your spine the second a familiar voice groaned in pain. Only the gush of wind from the door being flung open gaining your focus back. Blackbeard marched through the threshold, stopping momentarily as his eyes landed on you, before walking past with his shoulder hitting yours rather harshly. 

Your breath hitched in your throat the second after, the feeling only growing worse when you peeked at what had gone down on deck. Izzy laid near the door, curled around his leg. You could feel tears welling up, a familiar feeling but this time something in your chest burned worse than before. You wanted to go and help him but as if your legs had decided against it, and without much of any feeling you retreated back to your sleeping quarters. A place where you’d be spending multiple days, horrified of leaving. 

You’d only creep around at night, those times when sleeping didn’t feel like an option anymore. When you’d slept for long enough that every time you were able to close your eyes, you would wake up again not even an hour later. And those times during the day when you were awake, you couldn’t hear Izzy’s commands echo in the ship, assuming he must have been hit in a vital spot. He was gone, and you wanted to go with him. You hadn’t even realised how dear he’d become, not that he hadn’t been before. But before now, you hadn’t seen him as a comforting type of persona. More of a closer friend you got along better than anyone else, but you blamed that on the way he usually treated the crew. Not letting them see the person he was under the title of the first mate. 

Time passed like this rather quickly, the sense of time fading away rather fast. You’d eat small amounts of food whenever you felt like it, swallowing it down with some rum. You didn’t know if the crew had noticed your now total absence, and you didn’t care. The thought of Izzy being dead shook every bone and muscle in your body. 

You could vaguely remember a night when the ship had swayed worse than usual. Like a never ending storm was over it, doing everything in its power to sink the wretched thing. But that didn’t make any sense, or it wouldn’t have in the past. The more you thought of it, the more sense it made that Blackbeard would have lost it by now. And a part of you accepted it, the fact that this could have been the night the ship sunk, and there was nothing you could do about it. But by some miracle, it didn’t. Because by the early hours of the morning, the sea was calm once again and the ship was mostly intact.

You wouldn’t have bothered to go check on the crew, and you didn’t, but something else got your attention. A familiar voice that called for you by name a couple of times, though as familiar as the sound was, their voice sounded strained. Oddly enough it sounded like Izzy, which got you to sit up just before a knock came from the door. You wanted to answer but your mouth was dry, nor did you have the energy to speak up much. “You in there?” He sounded a little tipsy, though when did he not. The first mate pushed the door open, revealing the man to you. He was leaning on a crutch, other leg missing, now replaced by a peg made of a table leg. You bit your inner lip, at a loss for words. How was he alive? You’d heard him get shot and been assured that he was gone. Your mind raced, not even noticing the hint of worry through his tired expression. The man looked dishevelled as ever, yet he’d come looking for you. “You shit, I went out on a limb for you and once I came back you were nowhere to be found. I thought you were dead.” He murmured while closing the door and limping to sit next to you. You made space for him on the small bed, exhausted enough that you didn’t feel like standing up.

 You wanted to pretend like you were fine, to tell him ‘you told me to stay away, so I did’, but none of those words could make it out of you before the tears that had welled up earlier started streaming down your cheeks. Due to the blur in your vision that caused, you weren’t able to see his expression. But you did feel the hand placed on your shoulder. “I thought you were dead.” You ended up whispering, lowering your head. His hold got a little tighter after that. “When’s the last time you ate something?” Izzy asked, sliding his hand down your arm as his eyes searched the small room you’d spent your days in. “When did you?” You asked, wiping your eyes before grabbing a half empty bottle from under the covers. To that Izzy only gave you a displeased hum, turning to look at the bottle. “You know, we got it handled. It’s going to be alright from now.” He added after, a hint of sorrow flashing on his face before he hid it for your sake. He’d never seen you in such condition, but now that he was back he wouldn’t leave until those words were true. That everything would be alright. You took a swig from the bottle, gaze turning to Izzy. You were glad that him talking to Edward hadn’t been for nothing, but you had no idea what he meant with ‘handled’. The rum had cleared your throat a little, words slightly more clear this time. “What do you mean ‘handled’.” Izzy looked a little troubled, but knew you deserved to know. “Eddie’s gone. We dealt with him last night.” You gave the man a blank stare, not believing what he’d said. In a way you were glad the torture was over, but on the other hand, that’d been your captain for as long as you could remember. 

Deep in thought, you didn’t even notice the tears still streaming down your face. You lowered the bottle to between your legs, mouth slightly agape. “Are you..okay?” You asked, lost with what you could have even said at that point. “That doen’t fucking matter right now.” He moved to the edge of the bed after saying that, his eyes still on you. “We’ll get you something to eat and go from there.” You turned to look at him, having not seen the crew in some time and a little frightened of having to face them. But it seemed like Izzy sensed something was off. “The crew? They’re all fucked up, we all are.” He hummed, a hand rising up to your cheek, not making contact until you leaned against it yourself. His touch was a little hesitant, awkward even, yet he still wiped the remaining tears away. “Tough, they have each other. And I know you fucker and the ways you would keep isolating yerself.” He spoke, taking the bottle from you and taking a swig from it himself. 

It was rather clear he was hurting alongside you, but at least neither of you seemingly wanted to be alone with the pain. You both knew how it felt to be alone. 

[ll-but-its-random]

EVERYONE BEFORE YOU VOTE ON THE NEXT ROUNDS HEAR ME THE HELL OUT!!!!!

FIVE AND EINAR DESERVE TO WIN I SWEAR IF THEY GET ELIMINATED I'M GON-

*inhale*

I mean, here's every reason there is to vote for them in the ship brackets.

The dynamic on a small scale:

Terrible guy >:( x Worse than him :D

Overdressed x Underdressed

"Murdering the aristocrats in charge together because fuck authority"

The dynamic on a large scale:

What if I keep spiraling to insanity after the world left me alone and you keep pulling me back up?

What if no one has ever stuck around me this long before but here you are?

What if I need a mental support pillar that is you? What if you need a physical support pillar that is me?

What if I sacrificed myself to save you so you can live on only for you to do the same thing for me while neither of us realizes it?

What if, uh?

Next, the parallels. They are similar in ways yet differ in certain others making them fit together SO WELL that, if you think of it, they're really the only people who can understand what the other has been through or how they think.

And there are so many of those I will need to break them down too (more or less chronologically):

Their target to survive:

This was their starting point. The reason they began doing what they did. Five has been doing whatever to stay alive because it was heavily stressed by both Rey and Ethan as well. He was willing to go through with terrible things to save himself.

Einar, similarly, joined the Foundation to have some providing organization. He saw it as his best opportunity to master his Legacies and live a fulfilling and mostly secure life, in exchange for certain services. He, too, was willing to ditch morality for it.

2. Manipulation and deceiving:

This is mostly regarding their personalities, and is more clear when you compare Einar to Five during the main series.

Legacy or not, they turn to lying and manipulation often to achieve what they want. They can be very convincing to people and take full advantage of it (again, related to them ignoring 'good morality')

3. Being titled 'monsters':

I've mentioned this in an old post before. We all know other characters have a very negative view of Einar and Five, and most of them have good reasons to. We also often see the two pretending they're not bothered by it. Still, there were scenes where the antagonization clearly had an impact on them.

And on the same topic...

4. Effectively corrupted:

Goes without saying, the Mogadorians fucked Five over as bad as the Foundation did Einar.

The very same ever-powerful organization they depended on for survival had used them and, in the process, made them become things they weren't before. These so called 'monsters'. As I mentioned, they followed along only to survive.

5. Ranting about each other:

Something very cute I noticed in F6 and RtZ. These two scenes in which Einar and Five explain/defend each other to someone else (Isabela and Ran). The fondness and trust between them. The way that they see each other how no one else can.

Tell me it isn't the best.

6. The guilt-driven urge to be redeemed:

They each have a point in their arc when the reality of everything they did crashes down on them (Five killing Eight/Einar being called out for his actions). These were major turning points for them as they fueled their actions to seek redemption.

We see them doing things they probably wouldn't have before:

-Five helping the Garde, standing up to Setrakus Ra, keeping his distance from them after the series, and ultimately, his final sacrifice that made him see that his Legacies can do good.

-For Einar, it was all the contemplation on what he'd done, handing himself over willingly, killing Lucas as his final contribution to his own rebellion, giving out the names of Foundation members.

For that, they both took a long period of torture after, hoping that it would be the penance they payed for it (being stuck with the Augment/imprisonment with the inhibitor). While it happened in different series, they are both very tragic ends to characters so deserving and undeserving of them at the same time.

Then you have the differences between them that just highlight the parallels even more. Their relationship is perfectly 3D with a lot of sides and parts to it. And I think it could've developed very well if there was more focus on it.

Five and Einar are two of the most complex characters in this series and they go even deeper together.

Now let's talk a little about Rex x Adam.

Barely developed duo in one novella that suddenly disappeared with Adam's POV. If you don't read the forgotten ones, Rex just showed up on a Mog ship once and knew Adam somehow. He seemed to have the backbone of a Jell-O in UaO, like it vaporized after their first meeting. The tiny bit of character he built in the novella was gone.

They don't have much in common outside of being Mogadorian and everything that automatically comes with it.

I'll say it straight up, Adam, you can do way better. You're a fan favorite! Get yourself a guy with some spine! Nine is stupid, but he has the consistant character of an asshole. Or hey, if platonic works for you, there's Six, there's Marina, there's John. You're sexually ambiguous, you can do whatever and whoever the fuck you want!

Anyways, for added bias, here's a collection of all my Finar works.

finar finar finar finar finar - De1nonly_Jain [Archive of Our Own]

Thanks for coming to my ted talk.

@adamussutekh you have unleashed a power I didn't know I had.

[kaddyssammlung]

Im the stc lore anon. Im very aware of the old interviews. In fact thats exactly part of why i get so frustrated with the fan interpretations of lore. Because its one of the things in my view that debunks the romance about sleep theories. Its just very frustrating feeling so strongly about my theory the fan lore is not canon while seemingly most of the fandom assumes the fan lore is absolutely 100 percent canon and just needs some more puzzle pieces to unluck the True Story. I used to believe the fanmade lore, but i no longer can do so especially when ive seen various bits of concerning behavior in the fandom where i think people take it wayyy too far. I think the only "canon" interpretation of the lyrics is the real person behind the masks life story, otherwise theres no "canon" and we are supposed to do whatever we want. But i think things have just gotten wayyy out of control with the its about a romance with sleep theory. What makes me actually hate it is how much people insist the people on stage are "characters" (i regularly see disclaimers saying "dont worry im just talking about the characters not the real people" when i really dont think they are "characters" in the way people think... this is not an anti fanfic/shipping/headcanon about real people stance btw i dont care about that as long as you dont go too far, i just dont like the insistence theyre "characters" because that feels so dehumanizing) and how rude people are if you dont agree with the fanlore (the vitriol aimed at alternate interpretations is really disgusting, especially the "why are sexualizing the lyrics, youre a bad person" crowds vitriol and insistence theyre the Good Fans while if you dont agree you deserve awful things). Otherwise, i just get *personally* annoyed with how often i come across the "its totally canon that its about sleep theories" when i dont want to *personally* hear those theories at all. I hope im making sense, and maybe im being an asshole in how im expressing my views idk. I just really feel like an outsider in this fandom and get so happy when i come across people who actually agree with me because it makes me feel less alone and like im not stupid or whatever. Just have fun, let the music mean something special to you, and remember the band (and their fans for that matter, going back to the vitriol thing) are human beings, thats what ultimately matters. I just think the lore as the fans see it has gotten into concerning territory. Wont leave any more anons about this for now because i dont want to drag this out more, i just saw your replies/post and wanted to respond in hopes what im trying to say will finally come out right (im not always the best with words, im very blunt, im very opinionated, etc)

Good Morning or Guten Morgen or Happy Timezone

I get your point and I don't think that you're an asshole.

I think you are struggling with something that many struggle and the fans that you call out also struggle with that: it's acceptance. Or accepting what is; in that case it's fan's who act a certain way or have different opinions or see things in a different way.

Acceptance is a mastery. It's something that is very hard to achieve.

Your situation reminds me of something that I could not accept for a long time in that fandom. So I'm going to talk about that.

This will probably be a long post so I'm hiding this and also mental health topics will come up.

I always had this assumption that everyone could see what I see when I look at Vessel. I'm talking concerts photos and “peeled Vessel” and the things that get revealed when the paint comes down. To me his scars are one of the few things that I can observe and so can everyone else, right?! There are so many even the ones from a certain attempt on both his right and his left forearm.

Well...right?! They are right in your face....

No! They are right in my face. I got into weird arguments about this topic. Which is a weird thing to argue about because this topic is a very painful one and also a strange one. There is a giant stigma around it. There are even “mental health professionals” on YouTube who refuse to talk about that topic and pretend that it does not exist because YouTube does not like these topics. It's a weird topic.

But it was exactly that what got me into the lyrics so much. I wanted to figure out the story behind what I could see.

All I found was myself and the parts of me that I denied that even existed. I stopped searching for the story and started to face myself instead.

I found a great new spiritual teacher because of that. She teaches acceptance and also sacred neutrality.

It's been almost a year now with her teachings and me finally accepting that not everyone can see what I see when I look at Vessel.

There will always be humans out there who call all of this an assumption. To them he did not self-harm and does not have scars from a certain attempt. To them that's an assumption while for me it's a fact.

Those fans are not worse then me and I'm not better then them. I can accept that they just have a different view on everything.

It's the same with lore interpretations or the way that some treat them in a (your words) dehumanizing way.

I can accept all that I just don't read it or interact with them. I let them have their view on things and I have my weird view on things.

I argued with fans that said things like: I don't even like their music or listen to their music but....

They are a thing, too btw.

When it comes to Sleep btw. To me it's an entity. They are very real btw. I learned how to deal with them, too. But I can totally understand that many humans out there just don't get topics like entities or idk...I mean I saw fairy-like beings right in front of me one day. 99% of humans would probably just say that I just made this up. I can understand that or rather I learned how to accept that.

When I first heard about Sleep I thought about that day and the fairies. I just thought...maybe that guy is a bit weird like me?!

We all had different experiences that shaped us. And also some fans really are just 14.

One of the reasons why I left the big Discord for example was because they allow all ages. I had an argument with a nine year old! That's when my alarm bells came online and I thought to myself: no...not okay! Some fans act a certain way because they are actual kids.

Like I said....I found a place within me to accept all that.

But it took a lot of facing myself to find that acceptance. And it's a process that is on-going.

Maybe this helps you...maybe not....maybe it clarifies something...maybe not.

I'm learning everything from her btw. It's energy work....energy work means you work with your soul, your higher self, higher dimensional beings....all theses things.

One thing that I forgot....accepting something and agreeing with it is not the same thing. I can totally disagree but still accept that something.