#uhhh are there cw's I should add
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bulletbilltime · 3 months ago
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Whoever invented biting the inside of your mouth turn on location. I just wanna talk.
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intotheelliwoods · 11 months ago
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Whats that? A DTIYS??? Where I can draw a rat demon in any style I please??? 👉👈🥺
Dont mind if I do~ @sharkfinn
Version without all the fancy glow effects:
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cucumber-icepop · 9 months ago
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Siblings
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aptericia · 7 months ago
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due to my hand injury I haven’t been doing much finished art recently, but here’s a random doodle collection from the past week or so
featuring: chibi Lin, Xiao, Shang, and Dan Fei done with my non-dominant hand; angsty and silly Temenos doodles; the Dark Entity; Tomoe from Moonlit Fantasy; an OC illustration wip; and everyone’s favorite murder housewife Harue Shigima
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fell-is-suffering · 8 months ago
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Wanna have a shooting time -Gun!Dust
"uh...sure? shoot me in the skull, and i'd be good, bud."
"but maybe not right now."
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nyxypoo · 3 months ago
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venom endo
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ineffableigh · 1 year ago
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hooo lord the brain be spicy today my kingdom for a med to turn off the uterus that doesn't make my brain try to immolate itself a few months in, like jesus christ
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void-chara · 2 years ago
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first finished piece of lifesteal fanart yaayyy!! I. I started this during the second round of the mcytblr sexyman contest. Why does art take me so long. I finished most of it a while ago but the scythe just took forever because I couldn’t figure it out and kept redoing it. I think it turned out good though!
#clownpierce#mcyt#lifesteal smp#lifesteal#btw I am Ssoooo normal about lives being represented with red hearts and white stars. <- is not normal and is constantly thinking about#undertale and deltarune. I am the opposite of normal I see my little video games everywhere.#also I actually finished this a day or two ago I just couldn’t figure out what to caption it. Me when the Issues#Oh wait. Uhhh. Should I tag for blood. Probably#cw blood#That’s probably good. I’m sure it’s fine#actually technically I drew this for someone bc they voted clown in the polls. But I said Id draw anyone and they said to just draw whoever#I wanted and so I just picked a sketch id doodled a while ago. And now it’s been a while since the event. And they didn’t really even#request this piece so I’d feel weird tagging them. I’ll still send it to them tho but like I’d feel weird mentioning it in the body of the#post Since while this was technically a request it was really mostly a thing for me that someone else gave me an excuse to draw#also no ID this time I’m having a certified Written Language Learning Disorder-Austin crossover event combo attack#so I am doing these sentences ok but description sentances will Not go well probably. If someone else writes an ID I’ll credit you and add#it to the original post. Honestly even if someone writes like the script for an ID o the start of one I’d be able to elaborate on it I just#can’t start one and do it entirely myself right now#chara makes things
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silvr-skreen · 2 years ago
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the bros :)
under readmore due to severe burn scars
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dandyshucks-moving · 1 year ago
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proship ppl don't always like the shit you mentioned. You meant comship lol.
This is the only thing I'm ever going to answer or say about any of this subject on here. This blog is literally just a very silly and self indulgent space where I'm having fun, and I despise this subject in its entirety. The only reason I am answering this is to have something to point to in case it ever comes up again so I don't have to say anything further.
I could not give less of a hoot about the label somebody uses. If you think fiction has no affect on reality, and/or if you think creating (in any form) jerk-off material about kids is even remotely okay or normal, then I need you to leave and block me. Doesn't matter what label you use - just block me so I do not interact with you. I'm not interested in arguing; at the end of the day, underage and incest fiction make me incredibly uncomfortable, and that's reason enough to avoid it.
The reason I specified any label at all in my pinned post is because I think sometimes people skim through pinned posts to find that word specifically so they know if somebody is safe to follow or not. I included it to be easily visible so people will know I'm safe to follow. I'll probably take it out honestly at this point to avoid ... [gestures at this ask] happening again, and if someone can't be bothered to read through the post and see my clearly laid out stance, then that's on them.
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codecicle · 2 years ago
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I wish I could find a way to truly show the way it looks on stream right now but alas I only have shitty screenshots from my phone and photos of my laptop screen
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saints-helen · 3 days ago
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And he loved him in every way that a person Can be loved,
And he loved him in every way that a thing Can be loved,
And he loved him in every way that love itself can exist, and that was swad's problem.
He loved him too much.
He loved him as you would love a pagoda a temple a god, he loved him as you would love a fountain or a mountain or a cod, he loves him in the way you love tea and coffee and mud.
He loved him the way you love a partner a friend a lover, a sister or a neighbour or maybe something other, he loved him the way you love a mother a father, a son, and brother.
He loved him the way you love a lake and the sky, the view and the sunset, he loved him the way you love love and affection, and the stars and the onset of the numbers you choose to calculate, a birthday, a night with no stars and and a morning with no sun.
He loved him the way you loved a bed, after working, and the way you loved working after bed.
And he loved him the way you love sleep, obsession, and he loved him the way hunger loves the mortal and the fighter loves defeat.
And he loves him in the way you love hatred, and sound, and the way a hawk can love a rabbit its eating; gratefulness. Joy. Warmth.
And he loved him the falcon in the sky and he loved him the bird in its nest, and he loved him the cannibal a body and the body an archeologist;
"You knew that i was here. You know what i used to Be."
And he loved him the way the air loves your lungs and the way your lungs love the air, and the way your eyes loved the light and a child loves the fair.
And he loved him like a book and a story, and a pet, and a gaze upon something faulty;
A mechanic;
"You need me, you need this, let me make you Whole Again."
And he loved him as the hammer loves its maker and the way the maker loves his tool, and he loves him like the tiger loves its cub and its cub loves the fool, and how the fool loved the circus and the circus loved him too.
And he loved swan the way the prince does and the way a king does and the queen, and the evil sorceress and he loved him the way the spell loves the cursed; the molds of their body, the way the tower loved the beautiful princess in her folly a Bargain for defeat: kill the dragon, and you can have Me.
And he loved him the way a rainbow loved to be formed and he loved him like clouds love the sea, drifting on by again and again and again and he loved him like movement loved the air.
And the way dance loved music and music loved composers, and the love between possession possessor and object, and the love between siblings and prey and lovers, and he loved him in loving and hating and murder, and he loved him in killing and eating and further, and a burner burning eating away at a heart that's set aflame and the way the apple Loved him, and the way he loves it too.
Swad loved swan in the way you love a being. And swad loved swan in the way you love a thing. And swad loved swan in the way you eat your dinner. And swad loved swan in the way you love fleeing.
And he loved him like a feather loves to fall, and he loved him like muscle loved to tear, and he loved him like bone loved to break; in such an uncaring, effortless, ease of way.
And he loved him with effort, the way you run. And he loved him in trying, and clawing, and a growl. And he loved him when bleeding, when either of their clothes stained red, and he loved him like a feral dog loves to bark. And he loved him like a kind heart loved so loved to be, and he loved him like skin loved the earth, the worm, the flesh; with a need to tear and Mend and make so Perfect. And he loved him like the selfish loved the selfless and the way selfishness loved the self, and in swan's panicked eyes flickering back and forth drifting he saw his Whole Self. And he loved that too.
And he loved him like swan's scars loved his body. And he loved him like swan's weapons loved to Dig. And he loved him like swan's legs loved to kick. And he loved him like swan's ribs loved to Break.
And he loved him.
Oh he loved him so.
Oh how he loved him So.
And swan had always been the very thing he loved the most, and the apples loved him, too, they loved swan so very much, and they didn't only love swad, they loved swan because he loved him, they loved swan because all swad had ever wanted to do was make him His.
His brother.
His bones.
His wings.
His.
Only his.
And no one else's.
And no one could ever love swan as swad loved him.
Because strings aren't meant to be tangled, and yet they so very Love to.
And rock isn't meant to be broken, melted, and yet it oh so very Loved to.
And animals don't want to be hunted, eaten, and yet oh their bodies so very Wanted to.
Swan just didn't know it yet, that he was a bird for a bird of prey.
And swad, his hunger, loved him so very much.
And swad then loved him in the way you loved wanting, and so then he loved him in the way you loved having, and so then he loved him in the way you loved leaving, and so and So then he loved him, in the way you loved Needing.
And birds are never good with being hungry, no animal is, no object is, no thing is, no person.
No.
No.
They never did well with being hungry, no matter how hunger so very loved the stomach.
And all love is powerful and all love is wanting and all love is melting and all love is good, and all love is consumption and tangling up and up and up until you can no longer tell where love begins and where love ends and where they all stuck together diverge.
All of its different colours blended all together until they all loved the very same ugly beautiful brown of drying blood on a body that swad loved so so very much and it made him Wanting.
Mouth watering heart hammering and More.
And his eyes, dilating, slitting, changing ever so slightly as the breath left his brother his lover his weapon his Friend his beautiful beautiful moon in the sky, eyes growing duller and duller and he loved him the way a leg loved kicking in desperation and claws kept clawing vainly trying to catch some flesh underneath and the panicked, shallow, Wheezing rise and fall of his chest like a chirrup under talon made him endeared and adored and filled with so much Love, and he loved him the way teeth love biting and he loved him the way blood loved veins and he loved him the way it moved and moved and Begged to get out.
And he loved him the way adrenaline loved the hunt, and he loved him the way a system loved to give up, and he loved him like the earth loved the rot and he loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him loved him.
And Oh how he Loved him So Very much.
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pencil-n-pen · 7 days ago
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TONGUES AND TEETH
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₊˚ʚ 🌲₊˚✧ ゚. °🍂 ೃ࿔*
jackson! joel miller x fem! loner! reader
masterlist | ko-fi
summary: Joel refuses to acknowledge the part of him that aches to be a protector. That is, until you come crashing into his life.
cw: canon-typical violence, reader had a rough go of things before Joel, nightmares, medical inaccuracies (oh the horror!) uhhh reader has a broken nose and it gets set, unspecified age gap, daddy issues but we all saw that coming and it’s vague, as an ellie lover and defender until the day i die, it pains me to say no ellie-au IM SORRY I COULDN’T MAKE IT WORK bella ramsey as ellie they could never make me hate you
tags/tropes: hurt/comfort as always, age gap, nightmare comfort, honestly just two messed up people loving each other
a/n: proof that i will find a way to write an eldest daughter fic for any fandom/universe
not officially writing for him !! just had this idea
another long(ish) fic. if you're here from my masterlist, now would be a good time to go pee, get some water, and maybe a snack or two :) same things for those of you scrolling. i see u
title taken from tongues and teeth by the crane wives (GO LISTEN TO THE CRANE WIVES !!)
✧˚ ༘ ⋆。˚🦴⋆。°✩
Jackson living isn’t all Joel thought it would be cracked up to be.
Don’t get him wrong- objectively, it’s great. Running water, electricity, a clinic- three hallmarks Joel was sure he’d never see again. Not since the outbreak.
So by all means, he should be content. He goes out for hunting parties and patrols. Has his own house. Has a permanent place to keep his boots and his knives and guns and a bookshelf to make his way through. He has a bed. He has his brother.
But he’s restless.
Joel spent a long time walking. Searching. Surviving. You don’t quite slip back into easy civilian life just like that, no matter how perfect the conditions are.
At first, he solves this problem but going on more hunting parties, more patrols. He stays up late doing guard rotations and helps out his brother with projects when he can.
It doesn’t solve the itch, though. That sharp little thrumming, just beneath his skin: the need to protect. To have a job. To have something or someone to look after.
He denies this part of himself as much as he can, because he’s not that man anymore. Not after Sarah. He’s not. You don’t stay somebody dying to help and protect when you kill people. Because they’re still people, under the fungus. Under the parasite. Their brain’s still work. They still feel pain and anguish and fear.
He’s heard them cry before. Hunched over a corpse, body acting with somebody else at the reins, faces covered in blood and gore crying “I’m sorry, I’m sorry, I’m sorry.”
So Joel isn’t a protective guy anymore. Had to take out those parts. Replace them with solitary and meanness and a distinct lack of sympathy.
It’s turned him into an angry thing. Like a gaurd dog; snarling, circling an empty pedestal it refuses to acknowledge is there.
He knows Tommy see’s it. Try’s to involve him in things whenever he can, invites him over to dinner. Hangs out at his house. Makes sure Joel isn’t alone-alone.
So Joel really, really should’ve seen it coming when he and the scouting party find you in the woods.
You’re just as surprised to see them as they are to see you. They thought they were tracking a deer— although some of the tracks and patterns of disturbance in the underbrush didn’t add up.
They’d entered a clearing, guns poised, just to see you, handgun leveled at them, perched in a tree. Way higher up than Joel would’ve dared.
“Stay the fuck away from me.” You’d hissed, voice carrying on the wind and rattling just like the leaves on the tree you’re in. How you managed to scale a tree that high in a busted pair of Doc Martens and lugging a backpack clearly full of supplies is beyond him.
But he doesn’t need medical credentials to know you’ve clearly had a rough go of things.
You’re young. Not young-young, but young. Dressed in clothes clearly pilfered, you’re wearing a thick brown jacket that probably would’ve belonged to a construction worker or something like that. It’s a few sizes too big, and the cuffs are frayed and there’s a hastily sewn patch on the elbow he can see. Your face and hair is littered with tree and other plant debris- though if this is a new addition from your tree climbing escapade, he’s not sure. Your nose has dried blood crusted under it, your lip is split, and there’s a cut above your eyebrow. Your knuckles and hands are equally torn and split, old and new scars and scrapes littering your skin.
In short: you look rough. And feral, in that way that cats that live outside a little too long and a little too far away from people end up looking.
“I said stay back!”
He remembers, abruptly, that you’re probably scared out of your mind and the rest of the scouting team is still pointing their weapons at you.
He makes the motion for them to lower their weapons, and he lowers his own, raising both hands in the universal “we come in peace” gesture.
You don’t lower yours, but your grip on it is looser.
“We’re from the Jackson settlement,” He shouts, hoping you don’t hear the gruff anger in his voice that Tommy always complains he needs to work on. “There’s running water and electricity.”
“I’ve heard that one before,” Your hands have begun to shake on the gun, ever so slightly. “So what’s your guys prerogative, huh? Cannablism? Religion? You planning on burning me at the stake? Or did you have something else in mind? I am a woman.”
Joel takes a step forward but stops when a bullet hits the ground right where his foot was about to be.
“If you take one more step you’re gonna find out exactly why I’ve survived alone this long.”
“Look,” He says, dropping his hands to his hips. “You can shoot us, and one of us will shoot you, and it’ll all be fine and dandy—“
There’s a chorus of whispers behind him.
“Or you can stay in that tree and not shoot us, and we won’t shoot you, and that’ll also be fine and dandy.”
He turns, jamming a finger in the direction of the settlement. “Jackson’s that way. Go or don’t go. I don’t really give a shit, but you look like you could use a bandaid.”
He jerks his head, and the rest of the party follows his lead, leaving the clearing —and you— behind.
A few hours after he returns, somewhere in the late evening when twilight is starting to set in and the crickets are chirping, Tommy knocks on his door.
“There’s a girl here for you.”
He raises an eyebrow. “Someone asked for me?”
“Well, not so much as for you. Her words exactly were “that gruff, mean looking asshole,” but I got the picture.”
He sighs, deep in his bones. A small part of him —the part that’s still connected to that dog, still circling— had hoped you would show up. However, it’s hopelessly overshadowed by the sheer exasperation of it all.
He’s silent save for non-committal grunts and hmm’s the way over to the front gates where the evening rotation’s guards have you standing between them.
You’re slightly worse for wear since the last time he saw you in that tree. Your jacket as a new rip in it, and your nose is sluggishly bleeding again. Up close, he notices it’s a bit crooked.
Gonna hurt like a bitch to set, He thinks absentmindedly.
He slows as he approaches you, hands in his pockets and shoulders back.
“See?” He huffs, gesturing with one hand behind him. “Not cannibals. Or whatever else you’re worried about.”
Your face is hard set as you look around. “That remains to be seen.”
“Hello!”
Joel looks back to see a pregnant Maria waddling over, a concerned Tommy at her side.
“I told you I’d handle it—“
“And I told you I’m fine. Now,” She props her hands on her hips. “Who’s this young lady now?”
You (hesitantly) stick out a hand to shake and introduce yourself.
She shakes your hand with a smile. Leave it to Maria to be able to read people with such ease. “I’m Maria Miller. I’m one of the settlement councilors. The golden retriever fussing next to me is my husband, Tommy, and the angry looking bear next to him is his brother, Joel. I understand a scouting party found you?”
You nod, eyes flicking this way and that, cataloguing the area.
“I’ve been on my own for… awhile. I don’t have any supplies to offer, but I’m smart and strong. I’m willing to work in exchange for a place to stay.”
Maria hums, assessing. “I’m sure we can work something out. You’ll need to come with me to speak to the rest of the council, for our safety and yours.”
You tighten your grip on your backpack but follow Maria and Tommy, only sparing one backward glance at Joel.
He spends the rest of the evening trying to forget the look in your eyes.
He fails spectacularly.
This doesn’t mean, however, that he’s anywhere near pleased when his nightly reading-as-a-poor-attempt-at-normalcy routine is interrupted by a knock on the door. One that sounds suspiciously like Tommy’s type of knock.
Only he hears two voices as he walks up to the door, and the other one isn’t Maria.
Joel opens the door with a glare already fixed on his face.
“There have to be other places.”
Tommy rolls his eyes. “It’s only temporary. The council agreed to let her stay so long as she’s watched by a trusted Jackson member, and well. You vouched for her.”
“And when exactly did I do that?”
“In the woods, when you met. You told her where you were from and how to get there. Honestly, Joel, you’re getting off light here. Some of the council members were not happy you told a random loner —no offense— where to find us. Kind of defeats the whole point.”
You huff a quiet “None taken.”
He can’t help the way his body tenses. “So this is a punishment?”
“Yes and no.”
“I don’t—“
“Look,” you interject, clearly fed up with the conversation. “It’s not the end of the world. I’m not going to murder you in your sleep and I don’t leave dirty clothes lying around. It’s only for three weeks. Get over it.”
Another sigh threatens to release itself, but he stamps it down, figuring he’s hit his sigh quota for the day.
“Fine. But take her down to medical first. I don’t want her blood all over my house.”
Tommy shrugs. “No-can-do. Maria needs me back at the house. You know where medical is. I’m sure you’ll manage.”
And with that, Tommy leaves, abandoning Joel and you at the doorstep.
Joel scrubs a hand down his face. “Wait there. I’ll grab a jacket.”
The walk to the clinic is awkward and silent, and just when Joel thinks it can’t get any worse, one of the staff tells him that since he’s your assigned supervisor/watcher/whatever, he has to accompany you. To everything.
To your credit, you don’t look very happy about the arrangement either.
Still, you bear through all the exams, a grimace fixed firmly on your face. Apparently (and not surprisingly) you’re malnourished, dehydrated, running a small fever, deficient in several vitamins, have two cracked ribs (most likely, no x-ray machine) and some run of the mill scraps and bruises.
You’re cagey enough on the details of the cracked ribs and nose that the doctor eventually moves on to the fixing you stage of things.
It takes awhile. There are a lot of injuries to cover.
When it comes to resetting your nose, the second the woman pulls out a needle and syringe, you go rigid.
“No.”
The doctor blinks. “This is just lidocaine, it’ll numb the area so—“
“No.”
“You wanna feel all that?” Joel asks, the first time he’s spoken during your entire exam, “It ain’t gonna feel great. Crooked nose like that won’t set with one go.”
“No needles. No numbing.”
Joel rolls his eyes. “What, you got a pain thing or something?”
Your hands go white-knuckled on the exam table. “Fuck. Off.”
You’re shaking, he notes.
Ah, He says to himself. Not a pain thing.
Fear.
The doctor shrugs. “Not like I won’t take the chance to save what we have. You’ll want something to bite down on. Or squeeze.”
You wrap your fingers around your own hand, a pathetic attempt at self-soothing.
He decides annoyance is the emotion he feels at your small movement. Nothing else.
He rolls his eyes as he grabs your hand, maneuvering it in place of your own.
“Good luck breaking it.”
You don’t respond. He wasn’t really expecting you to.
He knows without looking the exact moment the doctor starts resetting things because your grip on his hand quickly turns from barely there to crushing. You make no sound.
The doctor, to her credit, works fairly quickly, though by the time she’s finished a single tear has carved a path through the blood and grime on your face.
He thinks about how someone learns to cry without sound.
The doctor moves on quickly, cleaning and bandaging the wounds that need it and telling you detailed instructions for how to take care of your nose and cracked ribs and what things you should be eating to avoid staying vitamin deficient. It’s all a lot of words Joel is glad he doesn’t have to memorize.
They stick in his head anyway.
You don’t let go of his hand. You’re no longer squeezing the life out of it, but you’re not holding its gently either. When you do finally let go (after the doctor’s left and you can leave) you practically tear your hand away, as if burned. Like you’d left your hand on a stove as it was heating up only you just now noticed it was hot.
He doesn't say anything about it. He figures you're liable to literally bite his head off, or some other violent action close to that.
Besides. This is all awkward enough.
The walk back to the house is just as silent and strained as the walk to the clinic. Only now your breath is just a little more labored. Steps a little shakier. Your hand's twitch at your sides like they're reaching for something, and you don't quite manage to hide the way you look around every now and then, a restless, nervous action.
He knows what you're doing. He was you, back when he first got to Jackson. Granted, he wasn't as twitchy as you are. He kept his distance, stayed mean and scary (as possible.)
He holds the door open for you when you arrive back to the house, because his mom raised him to be a gentleman no matter the circumstances.
You toss him a look of confusion and annoyance but step into the house, looking around the modest living room with something almost like wonder.
He toes off his shoes, sets them by the door, and takes off his jacket, hanging it on the hook. "Shower before you touch anything. You're filthy. And don't think I'm giving up my bed."
"I wouldn't have taken it even if you had," You sneer. "Where's the--"
"Down the hall on the left. You got clean clothes?"
"...I have less dirty ones."
He pinches the bridge of his nose. "Wait here."
He grumbles all the way upstairs, all the way through picking out clothes that'll fit you well enough until you either wash what you have or find something else.
He silently glowers as he comes down the stairs, thrusting the clothes out to you and turning on his heel when you take them.
"I'm going to bed. Don't wake me up."
When he lies in bed that night, he can't even pretend he's not thinking about you. In his defense, it's less about you and more about the new, strange, stand-offish person he's just supposed to live with for the foreseeable future. All because he had the bad luck of feeling bad for the battered, flighty, loner girl sitting in a tree.
He stares at his ceiling, internal clock (yes, he's old, he has an internal clock. Sue him) letting him know it is decidedly an hour he should be asleep. He refuses to go downstairs, on principle alone. He could get up and go find one of his books, but he knows that if you're anything like him, coming off of however long you spent alone, you're a light sleeper. You're probably awake now, listening to him toss and turn and being unnerved by the unusual silence of Jackson and the particular brand of night-noise it produces. That's what the first two weeks of Joel's life in Jackson consisted of, before he moved in here.
Maria had decided that Joel would stay with the two of them until he integrated in Jackson society. Perks of your brother marrying a council member, he guesses.
So he's not going downstairs. Not going to walk down there just to see a person, an entire person in his house looking like, looking like--
Fuck.
He throws his blankets off and angrily (but not loudly) marches downstairs to get himself a glass of water and the book he knows he left on the table by the couch when he was so rudely interrupted by you. This is his house, dammit, he refuses to be put out by a random girl.
Woman, his brain corrects.
The living room is completely dark when he makes his way down the stairs and he truly, honestly wishes he was surprised when there's a whoosh of air to his right and a knife embeds itself in the wall about a half inch away from the side of his face.
The living room is still and silent.
"I thought they took your weapons when you got here."
"I lied about what I had."
He scrubs a hand down his face, yanks the knife out of the wall, and tosses it back. If you can throw it, you can dodge it.
He doesn't hear any screams, yelps, or grunts of pain, so he assumes you caught it fine. Or at least dodged it.
He makes his way over to the kitchen, grabs the teapot, and takes down two mugs.
"You know they can kick you out for harboring weapons during your probationary stay."
He hears a rustle of blankets behind him. The sound of you stashing your knife, no doubt.
"Are you going to tell them?"
He snorts, filling up the teapot. "No. There's been a knife in my boot since the day I got here."
He hears more rustling, and decides against turning around. He's not quite sure what you've been doing down here all night since it's clear that you weren't sleeping.
He doesn't hear any footsteps, but when does turn around to set the mugs on the table, you're sitting at it, knees pulled up and head resting atop them, your cheek smushed. Now that his eye's have adjusted to the darkness of the living room, he can almost make out your features. They're easier to discern, now that you're not covered in blood and grime. You look... softer. Haloed in the glow of moonlight shining through the gaps in the curtains.
Your face isn't the only thing glowing. The tell-tale glint of a knife --a different, smaller knife than the one you'd thrown at him-- shines from it's spot, resting oh-so innocently on the table.
Joel just huffs.
"No weapons on the table."
He blinks, and it's gone.
He doesn't ask why you're still awake or what you've been doing instead of sleeping. You don't ask why he's down in the kitchen at all.
"What are you making?"
"Tea."
He gently places a teabag in each mug. He isn't really sure why he's doing this for you. You've done nothing but hiss and spit since he's met you.
But tonight, right now, blanketed in the not-quite calm of the night and the apparent unease you both drown in--
It's tolerable. You're tolerable.
So he takes the kettle off the stove and pours the water and places the steaming mug on the table in front of you.
To which you ignore, and snatch the mug out of his hands instead.
"Did you think I put that one," He points to the mug in front of you, "There for giggles?"
You cradle the mug in your hands, seemingly entranced with the warmth and steam. "You might've poisoned mine."
"Maybe I poisoned both."
You take a sip, then grimace when the too-hot liquid hits your tongue.
"You don't look like the kind of person to have built an immunity to poison."
"You also watched me make both beverages."
"So? It's dark. You could've slipped something in. Or maybe it was already in the teabags."
"What use would I even have for you dead?"
You shrug. "I don't know. You tell me."
“You’re a deeply mistrusting person.”
“And you’re not?”
Touché.
Joel remains in the kitchen, leaned against a cabinet sipping your tea, while you stay hunched at the table, sipping yours.
If he removes the irritability and the uncomfortable-ness of everything that involves you living with him, the moment is almost… companionable. Pleasant, even.
It… soothes that nervous part of him. Not the sad nervous. The angry nervous. That built up crack of anger.
There’s another person in his home that is neither attempting to perceive his problems nor actively attempting to kill him. Your belief that he might poison you aside, you still accepted the tea.
He firmly believes that Tommy isn’t right about the loneliness thing though. His brother being right is just a world Joel can’t live in.
Besides. It’s too early to tell anything anyway.
Unfortunately, the following few days do not go… terribly.
That isn’t to say they go well, though. Since he’s looking after you (read: making sure you’re not an axe-murderer or something) he’s not allowed to go out on scouting or hunting trips. Or solo guard rotations he’s come to covet.
It’s boring, and having you around is strange.
It’s interesting, when he gets bored enough, because if he focuses hard enough he can guess what events happened to you based on your reactions to certain things. He’s pretty sure you were drugged at some point based on your reaction to the doctor with the lidocaine. You’re general skittish and flighty nature can be easily attributed to the conditions in which everyone in the world is living in, but your particular brand of distrust and aggression says that humans, not the infected, have been the ones to hurt you the most. Your general unease in open areas or areas with not easily accessible exits leads him to believe that there have been several extremely close calls in several points of your survival.
He knows you’ve been shot before, but that one was an accident. He’d come downstairs, rubbing bleary sleep from his eyes and accidentally stumbled across you changing. Well, finishing changing. He’d quickly closed his eyes and turned around, and thankfully you hadn’t startled, but he had caught a glimpse of the stretch of skin not covered by the long sleeve undershirt you favored. On the left side, just above your hip and a few inches towards your bellybutton, there’s a jagged, raised, circular scar. Still pink.
He knows you have a very slight, very subtle limp. He’s not sure what causes it, but he knows you have one. It tends to act up when you do a lot of strenuous exercise for an extended period of time. Some days you wake up and it’s worse. On those days, you’re a little more mean, and a little more skittish.
He’s yet to see you actually, legitimately sleep.
He’s starting to think you haven’t, since arriving.
Which is insane, because it’s been four days.
The bags under your eyes are horrific, even to him. You’ve gotten clumsier and clumsier, your attention span and memory are terrible, and he thinks you might’ve started hallucinating, if the times he’s seen you staring off into space with concerned, fearful, or twisted expressions on your face and mumbled rambles he can’t make out are anything to go by.
On day five, when Joel comes downstairs in the morning and the knife you throw at him bounces harmlessly off the wall and clatters to the ground and you just stare at it, eyes foggy and unseeing, he decides to talk to Maria.
“I don’t really care,” He says, because he has a reputation to uphold dammit, “But I’m not sure how much longer she’s gonna last, and what she’s gonna do when she wakes up.”
“Mmm,” Maria hums, hands clasped on the table and staring at Joel with her best ‘I don’t believe you don’t care’ look. She’s really perfected it, “Well the truth is, she can’t go forever. It’s fear keeping her up now. Happens a lot with the loners that come in. Especially the women. She’s afraid that no one’s there to watch her back and terrified she won’t be strong enough to fend off any attackers.”
Maria looks at her hands. “The fear is exacerbated by the fact that the council took most of her weapons.”
“You knew—“
“She was lying? Of course I did. So did several of the other members, I’m sure. But she’s not a threat. She’s scared.”
He thumbs the thin scar on his cheek from the knife came just a little too close to hitting the mark when he sneezed in the kitchen. “She’s got a funny way of being scared.”
“Fight or flight, Joel. She knows flight isn’t an option.”
“Why are you lobbying so hard in her defense?”
“I’m not. I’m explaining her actions. Also,” She gives a knowing smile, “You’ve started to care. Otherwise you wouldn’t be coming to me about this.”
“Yeah, yeah,” He grouses. “So what am I supposed to do? Just wait for her to pass out?”
“You could. It’ll happen eventually. She very clearly doesn’t have that many hours left in her. That’s probably freaking her out more. Or, you could subtly show her that she can sleep around you. She needs to know that she’s safe from whatever it is she’s running from.”
Joel keeps his eyes locked on the kitchen table, tracing the grain in the wood with an absent-minded finger.
“I know you pushed for her to stay with me.”
“The council wanted a punishment that fit the crime.”
“Look, I appreciate the thought—“
Maria’s expression flattens. “Joel. Do not sit at my table and lie about how you don’t need anyone and you’re fine on your own. You need this.“
“I don’t need this,” He scoffs, “She’s practically half-feral. No one needs that.”
Maria stands, shrugging. “Then I guess you’ll have to file for a name change, No-One Miller. Until then, make sure she’s not alone when she wakes up.”
He did leave you alone for the duration of his conversation with Maria, because fuck if he was bringing you to that, and he figured you both could use some time away from each other. He knows he can.
He’s not very surprised to hear the familar whoosh of a small, sharp object sailing through the air that tends to accompany his arrival into rooms you’re occupying (he’s pretty sure it stopped being a fear response after the first two times and now you’re just messing with him) but he is suprised to see that this time, the knife doesn’t even make it head height. Or to the wall.
It clatters uselessly to the ground near his feet. He stares at the metal between his boots and then up at you—
“Why are you sitting on the kitchen counter?”
“I don’t remember.”
He leaves the knife on the ground and makes his way over to you, watching with mock disinterest at the several-seconds-delayed flinch you make when he stands in front of you.
You look up at him, eyes glassy and unfocused and you just look so, so tired.
There’s a curl of protectiveness in his chest that keeps trying to spread, keeps trying to grow. Here, in the kitchen, your legs dangling over the edge of the counter, bathed in the glow of the mid-day sun, it takes root. Right in the center.
He looks down at your feet. “What happened to your other shoe?”
You scrunch up your face. “I don’t… I was getting in bed, I think. But it wasn’t my bed. I forgot that things aren’t—“
That things aren’t the same anymore.
He crouches down, untying the laces of your boot and shucking it aside somewhere.
“Alright, come on.”
You slide off the counter, clumsy and uncoordinated. He takes your hand in his, leads you up to the bedroom.
The stairs are difficult for your tired, barely working brain. He has to stop multiple times to physically lift your legs or stop you from falling over and cracking your head open.
You finally make it up there, though, and he realizes that you probably won’t want to sleep in your everyday clothes.
“One last step.”
He can’t help but notice how intimate the moment is. Not intimate-intimate, but. He instructs you softly to lift your arms so he can tug your shirt over your head and replaces it with a soft shirt of his own.
Staring into your eyes is too charged and allowing his eyes to wander is bad for obvious reasons, so he keeps his gaze firmly fixed on the junction of where your neck meets your shoulder.
He keeps his eyes there as he helps you out of your pants and into a pair of flannel pajama pants. The same ones he’d given you the first night you came. You’ve never slept and he’s never seen you go to any of the places he knows have extra clothes, so he’s almost positive you don’t have any pajamas at all.
His fingers work quickly to tie the drawstring on the pants, and even then, they hang low on your hips.
He doesn’t let his eyes linger.
“Come on,” He says taking your arm and tugging you toward the bed. “Time for sleep.”
“It’s the middle of the day,” You mumble, standing in place. “And I can’t, what if they—“
“I’ll be here the whole time. I’ll keep watch.”
You mull his words over in your head for a few moments before stumbling the final few steps into the bed. You practically collapse into it, shuffling for a just few seconds before your breath evens out.
You’re asleep.
He reaches over, adjusting the blankets a bit, before grabbing the book he’d left on the bedside table and settling down in the chair by the bed.
The hours tick by quietly, accompanied only by the quiet rustling of pages turning and your soft snores.
For the first time in awhile, he doesn’t feel restless.
You sleep for a full eighteen hours straight before you stir.
He’s a good portion of the way through his book before he see’s your body tense in the corner of his eye. Your breathes are still even and deep, so if he couldn’t see you, he probably wouldn’t notice you’re awake.
“You’ve been asleep for eighteen hours,” He says, voice rough and scratchy with disuse, “You got in bed voluntarily.”
“You changed my clothes.”
“You didn’t seem all that capable of doing so yourself and I didn’t think you wanted to sleep in jeans. You mind?”
“…No.”
“Good. Go back to sleep.”
“I can’t just—“
“You didn’t sleep for five days. If we’re going by the eight hours a night average needed or whatever, that’s forty hours. You’ve still got twenty-two left to catch up on.”
You roll over to face him with a grumble. “I don’t like how good you are at mental math.”
“Get better, then.”
You shimmy out from under the blankets, tossing him an “I have to pee,” as you make your way out of the room.
It’s early morning now, weak sunlight behind to strain its way through the curtains. He figures it’s a good enough time to make some food (and coffee) if you’re going to be going to back sleep, so he meanders down to the kitchen and throws together a small breakfast.
“Did you make us breakfast?”
He never really gets used to how quietly you move through rooms.
“Jesus— yes. Here.”
He hands you a bowl with oatmeal and a small plate with a slice of toast— toasted in a pan, because electricity aside, he doesn’t own a toaster. Why waste time scavenging for an appliance when something else works just as fine?
He sets a jar of jam on the counter that he’d picked up awhile ago in exchange for fixing the hinge on somebody’s door.
“You got any allergies?”
“None that matter.”
He nods to the table. “Go eat. Then get back in bed.”
“You’re so bossy.”
“And you’re annoying. Eat.”
You eat quickly and quietly, then wordlessly follow him back upstairs, climbing back into bed.
“Joel?” You whisper.
“Hm?”
“Thank you.”
He tucks the blanket up over your shoulder. “Go to sleep.”
You obey easily.
Things between the two of you… soften after that. He slowly sees more pieces of your personality than the wild thing he met that day in the woods.
He learns that you love peanut butter and jelly sandwiches, but miss peanut butter and nutella sandwiches more than anything. He learns that on good days, you like drinking coffee straight black, but on bad days, you like it with milk and sugar.
He learns that your limp is the result of one careless mistake you’d made when you first surviving on your own.
“I thought the house was abandoned. It wasn’t,” You’d rolled up your pant leg to show horrific, deep, jagged scars circling your ankle, “Guy had set out a bear trap to slow down some of the clickers in the area. It was dark. Didn’t notice it until too late.”
He learns that you, despite your snide remarks and sarcastic comments, like having him around. He feels a bit like earning the trust of a stray cat.
You begin to grow more comfortable with life in Jackson, though not by much. He’s sure you weren’t a people person before the outbreak, much less so now that he knows some of the horrors you’ve been through before you got here.
He’s even started getting used to how quietly you move.
It’s easy to fall into a rhythm, from there.
He wakes up, goes downstairs. Sometime’s there’s a knife thrown at him, sometimes there isn’t. You’re usually sprawled on the couch, drool coming out of your mouth and grumbling incoherently about “old men and their stupid early mornings.”
It’s almost endearing.
Since Joel spends a lot of time helping Maria and Tommy get ready for their baby, you, in turn, get to know the both of them by being stuck with Joel. Maria set you on edge at first, Tommy slightly less so, but through continuous interactions your prickly nature smoothed.
One night, you were all seated on their couch after enjoying a dinner together —not the first and definitely not the last— having quiet conversation. You’re totally passed out on Joel’s shoulder, dead-asleep and quite content to use him as a human teddy bear.
Maria smiles over her mug of tea. “She’s grown on you.”
Joel rolls his eyes. “Yeah, yeah. She’s not all bad.”
“High praise coming from Joel Miller.”
You have grown on him. And in turn, your relationship has started to grow into… something else. Sometimes his eyes linger just a little too long, and the looks you share feel just a little too charged.
Tommy sends him a look full of words only true siblings can understand.
“No, Tommy.”
“Oh come on Joel! You both clearly—“
“We are not having this conversation right now.”
“Why not?”
“Because—“
You fling an arm out wildly, smacking him in the side of his face and grasping around until your pointer finger finally finds his lips.
“Shhhh. M’ sleeping.”
He wraps his hand around your wrist, prying your fingers off his face. “You know that’s what bed’s are for. Or couches. Or any number of surfaces I’ve found you sleeping on.”
“You’re a surface I’m sleeping on.”
“I shouldn’t be.”
“Why not?”
“Because I’m not a bed. Come on, up and at em’.”
You whine at the loss of warmth when he stands, scowling as you haul yourself to your feet. As he’s putting on his boots by the door, he hears you thanking Maria and Tommy for their hospitality, and he can’t help the little smile that twitches on his face. Seems like his parents weren’t the only ones who made sure he had manners.
You meet him at the door, hopping in place to put your boots on and getting frustrated when they don’t slide on immediately.
“You know, it would help if you untied the laces—“
“Fuck off.”
He blinks. That seems a little more mean than you usually say nowadays.
So Joel takes a step back. Watch’s your legs and your shoes and your hands—
There.
Your hands shake as you fumble with the laces, unable to get a good grip on the thin cords to untie and re-tie your shoes.
He shoos your hands away from the singular boot you haven’t managed to get on.
“Sit.”
He’s thankful that he built the shoe bench for Maria a few weeks after he got to Jackson. It serves Maria well for not having to stand while she attempts to put her shoes on while heavily pregnant, a feat she bemoaned a few times, and now it’s serving you.
You plop down on the bench with a huff, crossing your arms as Joel crouches, undoing the laces of your boot and sliding it on.
“I can do it.”
“I know you can.”
“Why’re you doing it?”
“Because.”
“That’s not an answer.”
He secures the tie on one boot and moves on to the next. “It is tonight.”
Once both shoes are on, you both bid Tommy and Maria good night, and make your way home.
If your hand find’s Joel’s, then that’s not anyone’s business.
He notices things after that.
You’ve started snapping at him more often. You’re not sleeping as much. You’ve started flat out refusing to go with him on daily chores as tasks, which either leads to an argument or the both of you staying at home all day.
It all comes to a head when you wake up screaming.
He thunders down the stairs, ducking on instinct for a knife that doesn’t come. You’re not on the couch. He whips his head around, the screaming stopped he can’t find you—
A thud. A panicked gasp.
He moves on slow, apprehensive feet towards the kitchen, crouching down to see you huddled under the table, knife clenched in your hand and pointed toward him.
“Hey, hey, what’s going on?”
Your eyes are wide and shining with tears.
“You died.”
“I didn’t. I’m right here.”
You shake your head, breaths coming short and shallow.
He settles on the floor, crossing his legs. “Here, take my hand. Come on.”
He extends his hand into the space between you two. Achingly slowly, you put down the knife, and take his hand in yours.
“See? I’m still here.”
Eventually, your breathing slows, and the fear begins to leave your eyes. You drop his hand.
“I’m sorry.”
“Nothing to be sorry for.”
“No, no it’s just—“ You break off with a strangled noise.
He waits. Lets a few minutes tick by.
“Does this have anything to do with the fact you’ve been avoidin’ me?”
You look down. “You noticed?”
“I do have eyes, sweetheart.”
You grab the knife again, twisting it this way and that in your hands.
“I’m scared.”
“Of what?”
“Of you.”
He tilts his head. “How come?”
You’re silent for a little while again.
“I feel… okay with you.”
“And that’s scary?”
“Yes,” You breathe, “You could leave, or die, and it scares me that I’m already attached to you. That having nightmare’s of you dying affects me so much. That they happen at all.”
He hums. “Seem’s were at an impasse.”
He taps a finger on his knee.
“It’s not all bad. To care.”
“Who are you and what have you done with Joel Miller?”
He huffs, shaking his head. “You know, against my better judgment, I’ve come to tolerate having you around.”
“Tolerate?”
“Mhm.”
“Nothing else?”
“No.”
“So you’ve never thought about kissing me?”
Heat rushes to his face. “Is that really a question you want to be asking right now?”
“Yes.”
“Mm,” He stands, “Well I don’t answer that kind of question at this hour. Come on.”
He reaches under the table and pulls you out.
You clamber to your feet, still a little shaky after your nightmare.
You turn to go back to the couch, but stops when he tugs on your arm.
“Mm-mm. No couch tonight.”
You look up at him, a question in your eyes he doesn’t know how to answer with words.
He steps forward, rough hands coming up to your face, thumb swiping the crest of your cheek.
“Tell me to stop.”
“I won’t.”
He leans down, capturing your lips in a kiss, soft and slow.
He pulls away after a few moments, searching your face for any sign of negativity or displeasure or disgust or, or—
You surge up, kissing him again, all the same fiery passion he saw the day you met.
“I suppose that answers my question.”
He chuckles. “You think?”
“I hope so.”
His hands slide down to your waist. and he can’t resist the little squeeze he gives the skin there.
“Alright. Back to bed, let’s go.”
“I forgot how tired old men get.”
“Please don’t call me an old man right after we kiss.”
He can hear your quiet snorting laughter as you climb the stairs, socked feet silent as always.
You climb into bed first, shoving yourself into the side by the wall and then making grabby motions for Joel.
“Am I just a pillow to you?”
“Yes. Come be a pillow.”
He rolls his eyes but slips into bed next to you and quietly relishes in the pleased hum you let out as you wrap your arms around his waist, practically smashing your face into his chest.
“You comfortable there?”
“Mhm.”
He curls one arm around you, his other hand coming up to cup the back of your neck. This close, he feels the shudder run through your body at the motion, and curious, he gives your nape a little squeeze.
Your reaction is instantaneous. You go limp- completely boneless.
“I got you, I got you. Go to sleep, now.”
It doesn’t take you long. And with you asleep so soundly in his arms, he follows right behind you.
☆⋆。𖦹°‧★
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what-have-i-unleashed · 2 months ago
Note
You hate me? You hate poor little Silly anon? You remove my rq from yyou inbox :( (very much /j of course) Lucky I have the tumblr outbox extension hehehehehehe (i mean i remembered anyways but still :3 ) This was what I sent: "If you're uhhh still taking the MTT flash-fic RQs. May I ask 14 + Cry (or tears)? No pressure of course :3"
i'm so sorry silly anon for deleting your asks waaaaaaaaaaa
please accept this as my apology..........
14. w.d.y.w.f.m? - the neighborhood
Maybe you're right, maybe this is all that I can be But what if it's you, and it wasn't me? What do you want from me? What do you want from me?
aaaaaand i'm gonna add another song, just because this delicious prompt reminds me of its existence too >:3
cry for me (english ver.) - twice
I want you to cry, cry for me The way I cried for you, baby, cry for me Make your rain fall, cry for me But again Somehow you keep me goin' round and round All the walls I built around me come crashin' down Makin' excuses, gotta drown 'em out I want you to, I want you to, I want you to die for me
PROMPT: CRY
⚠️ so just a warning: this thing is heavy, okay? like, i think even heavier than the horrordust one i did before, so mind the tags here ⚠️
(cw: toxic relationship, implied self-harm, verbal abuse, probably ooc - they're all assholes in here)
the door slams open, the sound reverberating through the apartment like a gunshot. murder stumbles in, face flushed purple, a stagger in his walk. he smells of booze and fire. his jacket is torn, some parts charred. and yet, there’s a manic look on his face when he stares into the eyes of horror and killer, who are rushing to the hallway to see what the commotion is about.
“what the-” horror says, his voice sharp, his eyes narrowed. “murder, what the hell did you do now?”
murder lets out a sharp, humorless laugh, throwing his jacket on the floor with more force than necessary. “what the hell did i do?” he echoes, his tone wild and shaky. “i survived, horror. barely. isn’t that what you wanted?” his gaze darts from horror to killer, who leans against the wall all nonchalant. “for me to barely keep living while you both stand there and watch the show?”
killer looks murder up and down, his mouth curved downwards. “you’re drunk,” he says flatly. “and stupid, apparently.”
“yeah? and you’re an unfeeling statue,” murder snaps, his voice rising as he points a finger at killer. “you always sit there on the sidelines, watching, like none of this matters. like i don’t matter.”
horror steps forward, placing himself between them. turning to murder, he says, “ok, you need to calm down. you’re going to hurt yourself.”
“oh, i already tried that.” murder’s words come out bitterly, his lips curling into a manic grin. “almost drove myself off the cliff. you should’ve seen it – it was spectacular.”
horror scowls. “that’s not funny, murder.”
“what? so making jokes about killing others is fine, but you draw the line at my attempt to off myself?” murder spits, his bi-colored eyes blazing and wild. “maybe i should do this more if this is the only way to make you care!”
“we do care!” horror says quickly, the words coming too fast. “i care, okay? you don’t have to throw that in my face every time something goes wrong.”
murder laughs, a sharp and broken sound. “that’s rich coming from you. you’re so good at tearing me apart with your words, but the second i need you to actually be there, you disappear.”
“what?” horror clenches his fists, his soft tone swiftly gone. “why do think that’s the case, huh? i can barely breathe around you without you demanding more, like i’m some kind of bottomless pit.”
“because you never give me anything!” murder screams, leaning into horror’s space, his chest heaving. his eyes brim with tears of frustration. “i am drowning, horror! i am bleeding out for you, and all you give me is venom instead of a cure! what the hell do you even want from me?!”
“i want you to stop acting like you’re the only hurt one here!” horror’s voice booms in the cramp space. for a moment, the apartment feels like it might collapse under the weight of their shouting. “you think it’s easy for me?! to care about someone like you?! someone who’s all or nothing, who’s willing to break your own arm just to make a point?!”
“i wouldn’t have to hurt myself if you’d meet me halfway!” murder shouts back, his voice cracking. “i’d die for you, sans. for both of you. and all i get is this- this emptiness!”
horror flinches, his jaw tightening as his glare softens for just a moment. he looks away from murder’s fiery gaze. “i’ve never asked you to kill yourself for us. but,” he squints at murder’s slightly smaller form, “you don’t know how to do anything else, do you?”
killer sighs, finally stepping forward. “maybe if you both stopped shouting long enough to say what you need, this wouldn’t be a disaster.”
murder whirls on him in an instant, laughing bitterly. “oh, great. killer, the voice of reason. except, you never do a damn thing to help!”
“i’m not the one constantly crashing out and sleeping around just because i can’t handle my emotions,” killer replies coolly, his arms crossed in front of his chest.
“angel, you’re both impossible!” murder screams, his hands holding his skull as if he wants to break it apart. “do you even want this?! do you even care – either of you?!”
horror hesitates, his mouth opening and closing like he wants to say something but unable to. killer, as always, is the first to answer.
“i care enough to stay,” killer says, his tone even and detached. “that’s more than you give me credit for.”
“that’s not enough!” murder screams, tears spilled over. he shrinks into himself, his body trembling with the force of his sobs. “i can’t be the only one who feels this! i can’t be the only one who cries, who loves, who bleeds in this forsaken relationship!”
horror steps forward hesitantly, his hand twitching but not daring to touch the vibrating ball that is murder. “sans…” he starts, his voice softening. “i… i don’t know how to fix this.”
“then why are we even doing this?” murder whispers, his voice full of anguish and desperation. he looks up at both of them with his tear-streaked face. “why do i even love you when it’s killing me?”
neither of them answers. the silence blankets all of them, heavy and suffocating.
after a while, murder wipes at his face, breaking the fragile quiet. “it doesn’t matter, does it…? this is all i deserve. all i’ll ever have, like you said.” he laughs, a manic sound. “stars, i just wish…” he hiccups, as another sob threatens to tear through his vocal cords again. “i just wish you’d cry for me. just once. just like i do for you.”
horror looks away, gritting his teeth, while killer stares down at murder, face unreadable. and murder realizes, with a sinking feeling in his nonexistent stomach, that they never will.
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oceanofsinners · 1 year ago
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Yan mental hospital patient x their sweet, oblivious therapist<3
[mdni, or do, i really couldn’t care less i’m not your parents. uhhh tw/cw for: violence, attempted murder i guess?? one small suggestive comment i had to add lmao, manipulation, general yandere stuff y'know? lmk if i should add anything else. also first post omg??]
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Dakota was tired of the plain white walls, the doors with locks from the outside only, and the constant surveillance and prying eyes of the place he grew to see as his “home” because of his very frequent visits.
He constantly went to the mental institution, leaving for only a few days before coming back.
Younger kids and visitors looked up to him, and he enjoyed their company, despite not understanding why they did. He let them touch his scars and braid his hair. He was an excellent role model, despite it all.
Dakota found the schedule of getting up, getting vitals checked, going to breakfast, doing group therapy and so on annoying, as anyone would.
Some days, he lays in bed — till a security guard comes and drags him out — wondering, “how the hell is this boring, horrible, stuffy place supposed to fix people?”
He never understood. And he doubted that he ever would. Till you came. Then, it seemed, like all his old problems solved themselves and fresh problems arose. [including the one in his pants.]
He's been through multiple therapists, older and younger, brand new and those who've been here for years. None can help him. Instead, he just lies till he's released. And then comes back within days. [always having to be restrained by multiple cops, coming back kicking and screaming that he's going to kill himself and everyone else.]
However, as soon as he saw you, his day brightened immediately. Other staff members were reasonably shocked that the gloomy, mean, depressed, easily upset, violent Dakota seemed...happy for once.
Except, you're not his therapist. He's pissed. Of course he is, you're the first person he's ever liked in this stupid fucking place! [don't mention the fact the two of you haven't even met.]
With a little asking [blackmailing.] around, he learns who's your patient. His name being Quinn, it's around 3 pm, around the time where everyone's free to do whatever, and just before therapy starts. Perfect!
He walks up to the guy who's your patient, swiping a pencil off the kids' table. [none of which protest, knowing by now that it's best they don't.]
Dakota taps Quinn on the shoulder, making the shorter guy turn around, his mouth open to say something, before a sharp scream escapes instead.
Dakota has a crooked grin on his face as he forces the pencil further into the guys eye socket, yanking it out as Quinn drops to the floor, and he stabs the — now broken — pencil into his throat, just a couple inches from his artery.
Quinn chokes on his own blood, while security guards force Dakota off the smaller boy, forcing him to solitary confinement. Dakota laughs as they pull him away, while nurses do their best to keep Quinn alive.
“Stupid fucking homicidal maniac.” One guard growls as they shove Dakota into his cell, while Dakota grins the entire time, uncaring of what the others say.
A couple hours pass, and Dakota once again grows bored and weary of the bleak walls, the uncomfortable bed, and the never-ending silence.
Eventually, the door opens. He's laying on his bed, looking up at the plain white, boring ceiling. He doesn't cast a look at the intruder, and couldn't care less who they are.
“Your name's Dakota, right?” Dakota flinches at the sound of your voice. His head snaps over towards you, where you stand in the doorway, and he can see one of the guards watching carefully.
You step further into the room, accessing the room with a frown. You seem to be just as upset as Dakota with the way the room looks.
“I saw what you did to Quinn — my patient —, and I asked if I could become your therapist instead. They agreed, of course. Which is why I’m here.” Dakota’s distracted by just how sweet you sound, and the kind smile on your face despite it all.
He has a hard time wrapping his head around it. You saw him attempt to kill someone, and yet, you're being kind to him? It doesn't make sense. You don't make sense.
You sit down opposite of him on the bed, and begin asking the normal questions. Instead of lying like he normally would, he actually tells the truth. It shocks both you and him.
“What do you go by?” “He/him.”
“Why are you here currently?” “I tried to kill myself and a friend.”
“Do you feel regret for what you did?” “No.”
The questioning goes on for hours, and the two of you talk for hours, far longer then your supposed to. Therapy ended a long time ago.
No, now it's more like a chat between you two, the way you two connect is like two pieces of a puzzle.
You glance up at the clock, eyes widening when you notice the time. You apologize for having to leave so abruptly, and Dakota frowns in response.
[silly, silly you, thinking you could leave him so easily? as if.]
Dakota grabs your hand, tearing up as you glance down at him. “Ple-Please, don't leave, I—I...I’m afraid of being alone...pl-please...” He closes his eyes, swallowing thickly.
You pause, taking pity on him as you sigh, nodding as you sit down on the creaky bed once again.
He lays his head on your chest, making you tense up as you slowly put your arm around his shoulders.
“Y’know, we really shouldn't be doing this. Isn't this going against some law?” You mumble against his ear, and he shrugs.
“I—I don't know...Y-You don't have to stay.” Dakota’s voice trembles, tears sliding down his cheeks as he squeezes his eyes shut, wrapping his arms around your waist.
You bite your lip, glancing at the door, he was right. You could leave. But your job is to make him better, leaving him would only make it worse...right? You shake your head.
“No, it's fine, I’ll stay. But I have to leave early in the morning, kay, Dakota?” You glance down at him, your eyes meeting bright green ones. He nods, smiling against your skin.
“That’s okay! Just, don't leave yet, please?” You nod once again, and the two of you talk while you slowly nod off. Eventually you lay down, him still laying against your chest.
You fall asleep with the red haired boy laying on your chest, a sick, crooked grin on his face. He moves out of your grip, straddling your hips.
He plays with your hair as he watches you sleep, oh so peacefully, by the side of an attempted murderer. It's almost insane how you fell asleep, knowing he was by your side and you two were alone.
He leans down, his chapped and bloody lips meeting yours, it's delicate, barely even a kiss.
He giggles giddily, pulling out your phone and rolling to your side, head on your chest and phone in hand as he goes through it.
He deletes anyone in your contacts who may threaten your relationship, takes photos of you two, amongst other things.
Slowly, his eyes grow heavy, and he stuffs your phone back into your pocket, closing his eyes as he curls around you possessively.
The two of you sleep like that til someone comes in the morning, and sees you and him curled up, the thin blanket thrown on the floor by Dakota so when it got cold you'd curl around him.
Dakota’s eyes are already open by the time the nurse walks in, giving her the middle finger and that crooked grin on his face while her eyes widen, and she slowly walks out, closing the door.
You're completely unaware of the monster you're supporting, and it's going to stay that way, whether you like it or not.
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earlgreygirlfriend · 2 years ago
Text
sunnflower content BIG POST 🌻
first of all, ao3 !! i really just wanted some good, nontoxic sunflower fanfiction because both sunny & basil deserve to be happy after the shit they've gone through! also, i wanted to feel better because BASIL IS CLEARLY HEAD OVER HEELS FOR SUNNY AND HE DOESNT KNOW IT (video by nerdy arty) hdjvhdjvhdn he JUST LIKE ME FR!!
ive categorized them by AU / canoncompliant with additional tags! completed fics are marked with 🌻, long fics (5k+ words) are marked with 💡
canon compliant:
Culinary Conversations by ShardOfHope💡
A Mug of Sundrops in a Wave of Sadness by karma_kalanchoe💡
The First Day of the Rest of Your Life by smiles2m
Suddenly, Sunny by diagnosed_shitposter
Bloom Later by witheredahlia💡
Catch a Glimmer of Your Star by UdonPuddle 🌻💡
au / mari lives:
Secondhand Sequitir by Soppypup💡🌻
He's Impossible by HowardR💡
to bask in your warmth by im_clo💡🌻
Flower Language by mirror_to_the_past💡
hmestwbf by ME (yes yours truly)
next up is yt animatics because uhhh idk i really like watching homo idiots!! i have 🕹️ that indicates the video depicts some omori plot involving spoilers for the game (the accident, angst, etc) or covers the entire game happening.
OMORI MV - Eine Kleine by Bear🕹️
Try Again by eggsoupery🕹️
OMORI MV - Love Me by white_tulips_
Nonsense Speaker by Nerdy Arty🕹️
in defense of sunflower: (major omori spoilers here cw!!)
why are people antagonizing them this badly? seriously i don't get it. they were children when the accident happened and gameplay shows that both of them got shittons of trauma
"what the hell were you guys thinking when you decided to ship two mentally unstable teenagers that participated in the same manslaughter??"
it was an accident. looking at the incident, i firmly believe it was very seriously fucked up, and they weren't in the right state of mind when it happened. consider the situation, the person you love most in the world is gone forever. in this situation, sunny completely closes in on himself and creates headspace. basil on the other hand sees sunny (his childhood best friend and the one he describes as 'perfect' and puts on a pedestal) completely having a mental breakdown. basil panics, not knowing what to do, because both of the people he idolize are gone - mari is dead, a part of sunny died with her. obviously he has a mental breakdown figuring out what to do, too?
obviously we should also consider basil's mental state at this point - pure speculation here, but basil, due to his feminine gender expression, would have been a victim of bullying, and the gang would have been his first friends. and basil photographs things he cherishes. that would mean he sees himself losing his friends when mari dies because sunny is most likely gonna be legally convicted of manslaughter right? in his disoriented, panicked mind, he wanted to protect sunny, the friend he most likely did have feelings for but was unable to admit them due to already being bullied, (that's just my hc dw) and did something that is super fucked up — he did more harm than good, but i believe he was just trying to fix everything back the way it was. we're absolutely going to talk about why Basil knows how to tie a noose, which adds to my point — basil might already have been mentally unwell (no doubt taking more shit from life than one is supposed to) BEFORE he met his friends, and he was desperately trying to salvage what little happiness he had left.
i cannot deny that sunnflower has full potential of being a very unhealthy and toxic relationship, but i might add that the true + secret ending has both Somethings disappear, implying that both of them are capable of healing. thats why i ship them manyyearsafter-canon or AU, bc therapy can fix shit ive seen it myself
ill end this little rant by a comment from j0kerclash on reddit:
Pairing them together is the implication that they are able to completely heal from their trauma, the actual dynamics of their relationship isn't toxic, it was the circumstances of their interactions combined with the context of the event itself. Sunny and Basil aren't permanently fucked up, I'd say it's quite harmful to imply that people are forever broken and can never truly recover. Considering the choices in the game are about confronting, accepting, and moving on from guilt and trauma, the best scenario for both Sunny and Basil, is if they were truly able to let go and not become triggers for each other, which is illustrated by them being unaffected by the potential toxicity of their past.
sorry for the rant! here are some links also defending the ship
if you enjoyed, i also have another sunflower headcannon post
from diagnosed_shitposter
idfk how to link the original text im sorry
this
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