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lunarcloak · 3 months

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Blue Lock Chapter 266: Visual Storytelling

I did a similar post for Chapter 262 and people seemed to like it, and the poll I put up for a 266 interest check was overwhelmingly positive. So I'm back here!

Let's go.

Kaiser Impact. Magnus-- yes, but at this point it looks like he's taking a shot in the dark. His eyes are completely white, it's in perfect contrast to the last times where his eyes go completely black, with white pupils.

He's truly evolved, in the full sense of the word. The fact that the lines are thicker, darker, usually used for weight of movement-- as you can see in the shot panel-- are also being used for the face. It signifies weighted emotion, like he's really in a do or die moment right now. This means so much to him, and the fact that the face is DARKER than the actual shot itself means it's less about the technicality and more about the evolution it took him to get here.

AND HERE IS THE MAGNUS. This is where it's about the technicality. You cannot see Kaiser's face anymore-- it's not as important in this frame. Here, your eyes are drawn to the impact of his shot. In fact, at first glance, you could quite literally miss the ball speeding past Rin. Why? Because after that impact frame, the ball is no longer in Kaiser's control. He can only control it until the point where he shoots.

Secondly, I draw your attention to the rose petals. We've already established that it is his aura, but not how they are, again, concentrated at the impact point. Not the ball. This is partly to emphasise the speed of movement itself, and partly to reinforce the previous point. And tertiary notes are of course, the expressions on Rin and Charles' face being of pure shock. They cannot react, not with the speed of this particular shot. Only Lorenzo has been able to stop it, anyway.

He did in fact, make the air also his ally, but this is also the beginnings of the vine motif that follows the ball for the rest of this chapter. Notice how the air is curling around the ball, not in a streamline motion, but in the pattern of what will be vines later. It's already telling you that, while the ball spin is no longer in Kaiser's control, he's already done it. He's given it the impact of his shot. It's going to move exactly as he wants it to. (after this is Ness willing the ball to bend, which doesn't have any particular visual significance, but the boy deserves all the love <3)

And here the vines are fully obvious. That ball is bending exactly as Kaiser willed it to. But this is the moment of truth for him-- he's not Michael Kaiser, the NG11 prodigy, as he's watching the ball. He's Michael, the little boy who had a worn out football, and a dream. (I will remind you here that the last chapter's final panel ended with him referring to the ball/himself as a "piece of shit" again-- as he continues to refer as such in this chapter. It's signifying how he's ripping himself back down to the bare, barren life of a small child with a will to get away from the terrible hand dealt to him.)

The petals are still there, of course. No roses without thorns, no vines without roses.

I'm very intrigued by the silhouette behind the ball here. I'm not able to place exactly what it is, but it looks exactly like a woman's silhouette. His mother, perhaps? I will admit I do not fully understand why that is there, it must be linked somehow, but if anyone has any ideas they'd like to add here then please feel free to do so!

That's why the last row of panels transitions into small Kaiser from the back of current Kaiser.

This sequence isn't just to remind you of the beginnings of Michael Kaiser. But it's symbolic in that, look at the actual sequence of events. He kicks the ball at the wall, but it rebounds and hurts him instead. He gets angry, and he kicks it away again. But he takes a moment. And then he runs back to get the ball, and hugs it.

In the end, the ball will always be everything. He will miss, and he will get mad when he misses. But he will always-- ALWAYS-- pause. And think. And then, in the end, he goes back to the ball. Because the ball is his everything.

If you compare this to the sequence of this match's events for Kaiser, you will realise that it is a direct parallel. Albeit on a bigger scale-- the higher you are, the harder you fall. But that's the point. The fact that in the end he's going back to his roots. The beginnings of Michael Kaiser.

The next panel is, of course, his disgusting father. It's not really supposed to signify much by itself, but moreso leads up to the next panel. We already knew his father is abusive, but what we didn't know was the root of his dream and his ambition.

Note how here the moon is full. The moon is used as a symbol for a lot of things in fiction, but here I interpret it as the peak of his ambition, partly because it reminded me of a football the first time I saw it. The heights of his dream. To reach it, would be to reach the moon.

Also note how he once again refers to the ball/himself as "piece of trash" here.

Ugh. UGH. THE THINGS I WANT TO SAY ABOUT THIS PART. But I shall refrain. This is a visual storytelling analysis, not a character analysis.

His eyes are bright. Brightest we've ever seen them, actually. Because he's looking up at the moon, reaching out to it, reaching out to his dream. He's envisioning a world where he can get exactly what he wants and be happy. (Money, food, humanity, and the core of it all, love.)

The text "I want to be loved" is placed in a similarly 'dreamy' dialogue box. The kind that's used in shoujo backgrounds for the sake of "imagination". Very interestingly, it's placed directly on top of the path of the ball towards the goal. Even more interestingly, the vines aren't there at the beginning of this page's trajectory. They only start once we return to present time. Coincidence? I THINK NOT.

The flashbacks starts, and ends with the ball's trajectory. The vines, however, are solely for the present.

Also, remember how he's reaching out upwards in this panel? Yeah. Keep that in mind. You'll know why in two pages.

The goal page itself is not particularly filled with visual storytelling. Points which are mentioned there are already spread throughout this chapter: vines coating the ball as it finally lands in the goal. But I want to ask you to note that, the side of the page is dedicated to people who are watching Kaiser. Rooting for Kaiser. I doubt that is the kind of "love" he needs, but it's telling that part of the celebration of the goal comes from the numerous fans watching him around the world, waiting for him to show them Michael Kaiser the prodigal striker.

Ah yes, the Kaisagi panel (I'm kidding). No, while this feels like total Kaisagi bait, it's also just... symbolic of their rivalry in general. Isagi has always looked up to Kaiser's football prowess. He's always known that Kaiser is incredible at what he does. He's marvelling at the fact that after everything, after all those failures, he pulled himself back up and scored an absolutely stunning goal. Note the colour of his eyes vs the dialogue. When they're entirely white-- evolution dependent- it's the fact that Kaiser scored a goal Isagi didn't. It's the incredible technicality of it (As someone who understands the physics behind it, yes, it is magnificient. Magnus-ificient? Heh.)

On the super star dialogue, however, it's just Isagi and his black hole gaze. The football player who has never shit on those above him, only ever looked up to them. Admired them, used them as role models for his own growth. He's calling Kaiser a superstar, because he is, but it's inspiring. He's frustrated, but he's also in awe. Those are the eyes of when he's just found someone new to understand and integrate into himself to become better. Of someone who's just found a new ideal to look up to.

Mmm. The vines and rose petals wrapping around Isagi, though? That is EXTREMELY Interesting. there's a lot of ways to interpret it. The fact that at that moment everyone was watching Kaiser's shot, under his control. Or maybe the fact that Kiyora passed to Kaiser and not to Isagi. Or maybe the fact that, in the end, the Emperor is always the emperor, and sliding the throne out from underneath him is simply not possible. It's the one shot Isagi can never actually copy, because Kaiser Impact has always been, well, Kaiser's. And so is the Magnus version. It's the one thing that Isagi will always, always stay below Kaiser on.

Kaiser's screaming, his eyes are still white. But they still have the pupil outline. It's his moment of pure evolution. He's achieved something he hadn't achieved previously. He's done something incredible. He's taken back his dignity and his power, reclaimed his identity as a star striker.

And, finally, of course. We have to talk about this panel. NO vines. ONLY petals. He's not restricted by the thorns clasping onto him anymore, there's only the blue rose petals of the impossible feat. As @/bachibachis had pointed out on one of the chapter reblogs after it dropped. He's pulling his shirt down. To showcase his tattoo, yes. But it's the meaning BEHIND the tattoo. A blue rose. Impossible. But it's exactly what he's always aimed for, to achieve the impossible. This panel also showcases the crown on his hand, for similarly significant reasons.

His eyes are blank. Entirely. Now it's not about the evolution, but the emotion. The last time we saw them was when he was in a fit of anger at Isagi's goal. Now it's catharsis. At his achievement, at the goal, at the fact that he's living upto the tattoo on his neck, the name, everything he's built up for himself.

His hand is reaching upwards, to the sky. For the far away dream of money, food, humanity and love. He's achieved two of the three already. But now he's reclaiming his humanity. Maybe some day down the line, he'll reclaim his love too. Any of you yelling about Ness-- I get it, I do, but you have to understand that Kaiser doesn't see it that way. He's never seen it that way. It's complicated. We will simply have to wait and see.

As for the rest of this panel, well, it's framed as though there's quite literally light shining down from the heavens for this man. Kaiser has always had a lot of religious symbolism, and I'm not particularly qualified to talk about them just yet. But this ties in to all of that, and more. It's about the fact that stars really did align for all of this to happen here, now. The fact that this happened in the NEL, and not the World Cup. The fact that Kiyora passed to him, and not Isagi. The fact that he finally had Luck on his side, and it worked out. The fact that Rin and Charles weren't able to stop it, despite being star players themselves.

The stars aligned, the light shone down from the heavens, as the fallen Emperor rises up once again, reclaiming the throne that was always his. He screams up at the very heavens that had forsaken him, years ago, as they finally let him have the moment of increduilty he's wished to impose on the world. To achieve the impossible, is to be Michael Kaiser.

What a stunning, stunning chapter. Thank you, Yusuke Nomura. Thank you, Muneyuki Kaneshiro.

And thank you, for reading my take on this.

#blue lock #lune thinks #bllk #michael kaiser #blue lock chapter 266 #blue lock ch266 #bllk ch266 #isagi yoichi #yoichi isagi #uhh. yeah.#this chapter was such an absolutely gorgeous one #ive never screamed at a chapter but i came damn close with this one

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