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heartthrobin · 3 months ago

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all's fair in love and war (2)

oliver wood x female!reader

wc: 7.87k

warnings: enemies to lovers, still so damn much pining, set in poa, timeline is a bit wonky, limited use of y/n, archie being my fav oc, cheese fest

an: literally fell asleep on my laptop last night editing this, i was so exhausted from school so i’m sorry it’s late !!! but i had the most fun in the world writing this and i hope everyone enjoys :)) don't forget to comment and repost your favourite writers

summary: Oliver is still impossibly miserable, maybe more uncooperative than before, except now when you look at him: you can't think of much else beyond how sweet his lips tasted.

part one

You can’t sleep.

You're not sure you'll find sleep ever again.

“I knew it, I knew it—“ Cherry had bounced the whole way to your dormitory, howling into your ear. “I knew it!”

The image of Oliver’s fluttering eyes swum around your brain as you blinked into the darkness of the poster bed. The taste of his tongue and his words still right against your lips.

It was a riddle of a calibre that you can’t seem to detangle. More than anything, you try to remember how strong has he tasted of Firewhisky - was he so drunk to really dismiss it to nothing at all?

You lingered on it all weekend.

Cherry didn’t help at all — he’s been in love with you forever, that’s literally so obvious — and Enzo even less so once he’d been filled in: Oliver doesn’t seem a bloke who let’s alcohol make his decisions for him, something about Scottish genetics I think.

The interaction plagued you: digging a wide hole in the base of your stomach. You mourned the thought that you may never have the opportunity to kiss those soft lips again, more than anything: preparing yourself for the feud between yourselves to worsen.

There’s barely enough time to make sense of your situation before you’re racing down over the grassy hills of the grounds, bag swinging violently over your shoulder and extraordinarily late for your Herbology lesson in the greenhouse.

Your morning alarm had rung right into one ear and out the other, a product of the tossing and turning you’d been doing for the last two nights.

When you swing the greenhouse door open, panting and face flush from the beating sun, the whole room turns to you. Sprout pauses where her hands are flailing in explanation.

“Sorry I’m late professor,” you wheeze, readjusting your strap over your shoulder.

Cherry is smirking at you from her bench, sidled up with Jane Emmet.

It hadn’t escaped you that you’d be sharing the lesson with the Gryffindors, but you’d precious little time to worry about it in the five minutes you had to pull a robe over your head and stick a toothbrush into your mouth.

Your eyes are purposeful in not looking over the room. Scared to catch the wrong eyes.

“Not a problem peach, we’re just repotting some Fire-Seed Bushes.” She brings a stubby hand to her chin, “uhm �� well, Mr Kumar there in the corner doesn’t have a partner. Go join him by his pots.”

Archie has a lopsided smile on his face when you approach, a thick black curl drooping over his left eye.

“Hey.” He nudges gently.

You set your bag down and grab a pair of gloves, chuckling. “Hey Archie.”

The soil is warm when you stick your fingers into the dirt, shifting it gently enough not to mess over the edge of the bucket. There’s a Fire-Seed Bush sitting tentatively at the end of the bench, spitting sparks and emitting smoke.

“So …” Archie speaks first, the back of his hand bumping yours between the black soil. “How was your weekend?”

It’s a veiled question, a poorly veiled one at that. The question draws a laugh from the base of your stomach.

You shrug, adamant on missing the point. “It was alright, I guess. How about yours?”

He shrugs right back. “Wasn’t the greatest. Penelope Clearwater rejected me for Percy Weasley.”

You don't mean to, you really don't, but it draws another bout of laughter out of you - you clap your hand over your mouth. “I’m sorry—“

“No, I get it. Percy bloody Weasley?” His brow is creased, dirt-stained hands rising messily from the soil to swipe at a fallen piece of hair in his face. “Dead sure that bloke's own mother can't say he’s handsome. I’m better looking than him, surely?”

There’s the hanging insinuation that it was rhetorical, but you reply anyways: “you’re definitely more handsome than Percy Weasley, Archie.”

His head cocks down at you, stained paws finding his waist and pressing black fingerprints into the red jumper. “You really think so?”

“Without a doubt.”

Archie smiles, bumping your side against his. You think he might be blushing. “You’re very charming. I understand what Oliver sees in you.”

You jolt involuntarily, spilling some black soil over the edge of the pot.

Swiping at the mess lazily, you play the comment off with another crumbly chuckle: hoping it convinces him more than it does yourself. “Oliver sees in me what a bull sees in a red cape.”

Archie’s reaching timidly for the Fire-Seed Bush, lifting it off the counter and holding the dangerous botanical at arm’s length. “Not true. The boy’s half in love with you.”

This conversation is getting awfully uncomfortable awfully quickly. It picks at your curiosity nonetheless.

“He said that?”

He’s quick to shake off the question, eyes still trained on setting the roots of the bush into the gap in the soil. “Oliver doesn’t have to say anything. He spends practically every fucking mealtime mooning over at your table, and he talks about you way more than necessary—“

“That’s just because I work on his nerves. Oliver doesn’t love me, he barely tolerates me.”

The boy turns on you, confusion set in his brow. “Why is this news? Last I saw you, your tongue was halfway into his stomach.”

Zachariah Smith and his Gryffindor partner look up at that. Your face goes hot all over - Archie doesn’t seem to notice.

“We were drunk.” You say softly, eyes stuck on a loose leaf crackling against the wooden counter.

There’s a special kind of fear that's crawling into your heart where you stand. The fear of putting too much faith into the words of Archie Kumar.

That it’s an elaborate ruse. A set-up, canons of confetti and a banner screaming “you’ve been fooled!” if you were to indulge his words. The danger of allowing your mind to drift too far off into the possibilities of a world wherein Oliver Wood doesn’t hate you - at least not as much as he lets on.

Archie looks at you out the side of his eye, you can feel it, but says nothing. He hands you a miniature yellow-handled spade.

Instead you fill the space. "I heard Isla Flynn has a crush on you."

He perks: "really?"

Across the room, Oliver is bumping elbows with Poppy Davis.

"Ow!"

A loose spark has evidently landed on her exposed arm. The sparks that Oliver was supposed to be watching for, the ones that he is intent on ignoring with the constant glancing back over his shoulder to where you and his best mate are in the corner of the room fucking giggling at each other like toddlers with a box of matches.

“Oliver — can you just focus for five seconds!” Poppy isn’t impressed.

Oliver isn’t either, with the situation as a whole. The pads of his fingers are blistered from the repotting of the bush and Poppy’s careless bumps and his general indifference to the task at hand.

It eats at his brain. What are you guys talking about? Is it about him?

You laugh again and it’s loud enough that it draws his shoulders all the way taut. There’s another snap of a spark and Oliver feels where it lands at his wrist, but he doesn’t react.

“Just pass me the bloody spade.” He grumbles.

The lesson passes more slowly than Oliver could swim shoulder-deep through molasses.

It feels like years later when he tosses his gloves into the box with the rest, when the class shuffles to return tools and begin slinging half-open bags over their shoulders.

Oliver doesn’t think he’s ever packed up faster - Poppy is still scowling at him, he doesn’t care - before he’s knocking through yellow and red tied students to find Archie’s head of curly black hair.

“Hey!” He catches him by the wrist, tugging on it like a dog with a bone. Archie jumps, eyes winding down to find his friend. “What did she say?”

You’re far ahead, Oliver can make out the back of your head: hips bumping with Cherry’s up the hill towards the castle.

Archie grins. “She said Isla Flynn has a crush on me.”

Oliver groans, “Not about that, you prat. About— wait, really?”

"Yeah!" He hikes his bag higher on his shoulder. "Can you believe it? She's got that hot Irish accent and everything."

Oliver nods, "Yeah ... yeah. Good on you, mate."

He's trying desperately not to steal this moment from his best friend, but he's fucking itching to know what else you and Archie had been giggling about.

"Did she ... say anything else?" He presses, more gently than his character usually allows. "Like about me?"

Archie shrugs without looking down. "I asked her, but she seemed tense about the whole thing."

"Tense?"

"Yeah, she said something about a bull and a cape, and went like all quiet when I told her you like her--"

At that, Oliver's stomach leaps up into his throat. He grabs his best friend by the arm, jolting him to a short stop. Some Hufflepuff bumps into their halted figures, grumbling before shuffling around them.

"You told her what?" His eyes flare erratically.

Archie shrugs, an innocuously confused look painting his features. "Well I said Oliver's half in love with you, or something like that and she looked all confused about it--"

Oliver's grip on his friend's wrist tightened to a degree that a ring was sure to form on his dark skin. "You fucking pinhead! You told her I liked her?"

Pulling his arm violently from his grip, Archie has the nerve to look affronted. "You don't?"

The morning sun shining over Oliver's head feels like it's growing hotter by the second, there's a dribble of sweat running down his spine.

"That's -- that's not the point. Even if I do, which I'm not saying is the case, she doesn't need to know that."

"Were you two obliviated in your sleep last night?" Archie's eyebrows are pressed down against his eyes, slouching down to meet his friend's face. "I caught you two making out like the world was ending less than three days ago! Surely she has to figure that you feeling something for her, she's not stupid."

Oliver struggles between his thoughts, worse around his words. "That was ... we'd been drinking. For all I know, she only kissed me back cause she was trollied off Dragon-Barrell--"

"She said that, too."

Eyeing him, Oliver's hands find his hips. "Said what, exactly?"

"That you were drunk, I mentioned the kiss and she said we were drunk."

A sensation he can only identify as closest to guilt seeps up into Oliver's chest from his stomach. "She thinks I kissed her just cause I was drunk?"

Archie's hand finds Oliver's shoulder. "You should probably talk to her, mate."

He sighs, eyes drifting over the silhouette of the castle in the distance. He shakes his head like it'll rattle the plaguing thoughts loose. "We're gonna be late for Transfig."

"I mean, Archie is his best friend." Cherry is trying to rationalise the whole story. "I don't see why he'd lie about it?"

You shake your head, knocking shoulders with a Ravenclaw girl trying to pass through the corridor. "I'm not entertaining it, Cherry."

"Come on," she sighs, practically skipping to keep up with the furious pace you've set. "Would it be so terrible if he likes you?"

"Yes." You don't look at her.

The redhead's eye-roll is practically audible, "Let me rephrase, would it be so terrible if he likes you back?"

You meet her eyes for the first time since you'd entered the corridor.

She sighs, "we're gonna see him in Muggle Studies in five minutes. I think you should say something."

"Forget I said anything, Cherry." Heat flares at your neck again, prompted by the embarrassment of even imagining how such a conversation might go.

The rest of the walk is quiet, but you feel Cherry's gaze warming the side of your face.

Burbage's classroom is over-populated with Gryffindors by the time you drop your bag against the marbled floor beside your desk. In the corner of your eye, your brain has already fixated on Oliver's silhouette leaned against the edge of his own desk. You flush hot all over again, as if your thoughts were transcribing into subtitles and floating above your head for the whole class to read.

The click of Burbage's heels prompt the lingering students to find their seats, "Please take out your copies of Muggle Wars: Cause and Effect. We left off on page eighty-seven--"

You suddenly regret snapping at Cherry. Wishing for the comfort of her presence, your eyes glazing over where she's perched in the first row of desks closest to the chalkboard.

Unusually, the class trickles on without disruption. There's a few glances over at your direction, like everyone is waiting for another outburst from the grade's most volatile duo. They're sure to be let down, you're adamant to not even breathe in the direction of Wood.

Burbage comments on it, too, nearly ten minutes from the bell.

"It's suspiciously quiet in your corner today, captains." she looks down through her fingerprint-smudged frames, brushing over you and then Wood three seats away. "Something the matter?"

You shrug, refusing to acknowledge the boy. He seems to be doing the same: completely unfairly, the thought that he wouldn't look at you made the hair on your arms stand straight. "We can start up if you'd like, professor?"

Her face contorts into that irritated look that you'd grown accustomed to when Professor Burbage addresses you. "You're flirting dangerously with another session of detention, miss."

"She's just answering your question, professor."

Nobody in the class seemed more surprised than Burbage, although that in itself was a feat. The two Gryffindor boys in the row ahead of you swivel all the way around in their seats to look at Oliver, who'd just spoken.

You fight the twitching urge to look at him.

"Detention for two, it seems. I'll be seeing you both Friday afternoon."

A calm air settles again over the class, as if order had been restored. You and Wood had lost the interest of the room and students shift back to the board where WHAT IS A PRIME MINISTER? is sprawled across it in chicken-scratch handwriting.

Sighing, your eyes find the clock against the wall. Eight minutes left.

You pick at the end of your quill irritably: electing to dip it into the ink at the edge of the desk and entertain yourself quietly by drawing a miniature snowman at the corner of your page, trying not to think about another Friday afternoon in too close of a proximity to Oliver Wood. There's a soft whir, barely audible if you weren't so focused on outlining pebble eyes, and a tiny paper-airplane whizzes quietly from under your desk: landing squarely on the nose-less head of your snowman.

Fear prickles at you. You don't look up for the source, lest a suspicious sideways glance earns you another weekend with the party-animal Charity Burbage.

Instead, you carefully undo the intricately folded wings of the plane. It's barely big enough to fit into your palm once open, the top of the little note marked in black ink.

It was the same handwriting that marked the sign-out sheet for equipment in the Quidditch storage rooms down at the pitch.

'Thanks for that one, smart-mouth.'

Your eyes flicker up to Burbage, who's back is turned, before you dip your quill into the ink and scribble out a response. In your peripheral, Oliver is leaned back in his stool: biceps folded over each other. There's an unexplainably airy-fairy, fuzzy feeling warming your rib cavity.

'Believe this one was your fault, dickhead.'

You quietly refold the creased edges, before tapping it lightly with the end of your wand: then watch how it takes off the airstrip of your page and zips quietly under the cover of desks to land back in front of the sender.

There's a long pause - enough for Burbage to draw out a whole flow diagram of something called "parliament" - before the edge of the paper wing grazes at your calf again. It lands quietly again.

'Maybe.

We good?'

There's a gentleness to the sentence. Like you can hear it from Oliver's mouth, like he's avoiding your gaze when he whispers it.

You hunch over the note again.

Oliver's knuckles are turning white, twisting his wand in his hands under the table. He shouldn't have said anything. He's regretting the whole fucking idea of the stupid paper-plane now.

He's trying not to watch you write, not to notice how long you stared at his writing before you picked up your own quill. He does anyways.

When the airplane flutters down into his palm, Burbage is already excusing the class. Stools are scraping against cold tile, the clutter of textbooks being crammed back into bags.

'Never :)'

His eyes run over the word once, twice, three times over. A smile is tugging at the edge of his lip, he forces it taut - but his eyes are still shining unusually brightly when Archie knocks his shoulder to his.

"What you looking so damn happy about?"

Oliver tucks the note into the pocket of his robes. "Don’t know what yer talking about."

"But professor, why can't Hufflepuff take Saturday?"

"Well, Hufflepuff already gave up our practice days for Gryff--!"

Hooch sighed so deeply she almost melted back into her armchair. "The decision is made, Oliver. The pitch is being cleaned out on Wednesday, your team can take Saturday for any extra training."

He could practically hear the smile creeping onto your face, the smug crossed-arm look he'll no doubt find when he turns to you.

Irritation bubbles up in his throat, a familiar companion in your presence, and just as he prophesied: you are grinning.

In the weeks that followed that day in Burbage's class, it seemed that both parties decided that the topic of their shared kiss outside the Ravenclaw common room was best left undiscussed.

The arrangement is working. At least Oliver thinks so.

You still bait him and he still snaps, rising to your taunts. He still finds himself in detention more Fridays than he spends free, and his body ripples with anger when you roll your eyes at him.

But it was in moments, like this now, where your little self-satisfied grin doesn't quite vex him to the degree it once did. It's now harder to find a retort, to snap at you with a sharp-edged comment. Not when amusement crinkles at the corners of your eyes where your black lashes kiss so prettily.

Hooch swivels in her chair to find a document between one of her cluttered drawers, you take the opportunity to stick the tip of your tongue out childishly at him.

Oliver draws a tight breath, he hopes his face is still taut in annoyance, because his heart has slipped like a stone down into his stomach. That's the other issue, the tiny little obstacle in these recent weeks: he can't stop looking at your mouth. It's distracting, disarming - paralysing at the best of times.

He strips his gaze away, before he can be outed by anyone in the room. "Whatever." He mumbles.

You seem disappointed in his lack of a real response, but it passes quickly - like a shadow - over your face.

"Thanks professor." You grab up your roster from her desk and turn to the door, practically skipping out into the corridor.

He huffs.

Somehow, you and Archie have become fast friends. Mornings around Fire-Seed Bushes and Venomous Tentaculas in the heat of Greenhouse Three seems to do wonders for a friendship.

It prickles at Oliver's nerves when you pass in the corridors, when you perk up with a high "hey Arch!" and he grins down from his towering height right back at you: "hey Y/n!"

You don't look at Oliver. He's notably sour the rest of the walk.

Alright, maybe the whole arrangement wasn't really working. You were a distraction to him before, no doubt, but somehow your powers of beguilement had tripled. Especially since you seem to be behaving perfectly normal: like you hadn't given Oliver the best snog of his life outside the Ravenclaw common room that night.

Maybe it was just alcohol, maybe he is the only one plagued by the knowledge of the other's taste.

The castle has turned impossibly colder, the bitter bite of winter stinging at the loose cuffs of his robes on walkthroughs of the corridors. He can't imagine how cold the air above the pitch is going to be on Sunday when Hufflepuff faces off Slytherin for a spot in the finals.

It's all Hooch has been going on about for the last two weeks.

Oliver's had to shift around at least four practices - Roger almost twice as much, he's a pushover - to allow for you and Marcus to have more time on the pitch. His complaints fell on deaf ears, Hooch dismissed him with a wave of her bony hand and a "your time is coming, Wood."

You prance into dinner late most evenings, hair in every direction and face flush with sweat: sticking it out like a bumblebee in those awful yellow quidditch robes.

Oliver only notices because, annoyingly, he's found that he is frequenting the bench at the Gryffindor table that faces over to the Hufflepuff's. His eyes drift over the yellow-tied heads to where you clump up with Enzo and Cherry, watches you talk around mouthfuls of toast lazily, giggle behind your napkin: head rolling back to showcase that smooth neck, how it runs down to the soft slopes of your shoulders: disappearing down into your button-up.

Archie has noticed, he's sure, but hasn't done more but allude to it with teasing glances or suggestive comments.

"The Hufflepuffs up to something particularly interesting over there, Ollie?"

The speed with which Oliver's eyes snap to his peas is almost comical. He shrugs and mumbles like a child. "Don't know."

On Sunday morning, you don't go to breakfast.

There's an uncomfortable gurgling in your midriff, like a snake is slithering between your organs and you're sure even just the smell of eggs on toast would bring up your dinner.

Instead you find yourself at the pitch a whole hour before the game is set to start. Marcus is running laps around the grass, something he's done since you've known him.

He offers a curt wave, face set like cold stone.

It reminds you of Oliver a little bit, the distraction in his eyes.

Oliver is never all the way there, wherever he is, you think. His eyes mist over like he's halfway between this world and another. You know it's Quidditch: he dreams it, eats it, sleeps it.

But lately he's foggier than usual.

You think it's your imagination, brush off the idea as you have all the millions of others you'd had in the preceding weeks about the surly brute that was Oliver Wood. He plagues you.

Just the vibrato of his unimpressed huff when you get your way, when you quip something purposely annoying at him. It's addictive, the feel of his sugar-brown eyes glaring a hole through you.

Lately, his reactions have been closer to underwhelming. Allowing for only a moment of eye contact: gone are the quick-witted retorts, the Scottish-laced "princess" usually attached. The thought makes you wince in embarrassment, knowing that you've been pressing him harder lately: like a seven-year old jabbing at a claw machine, outwardly desperate for that brown plushy on the top of the pile.

Maybe he's over it. So deathly mortified of your shared kiss that he doesn't want to know you anymore, much less take the effort to hate you. Your chest pinches tightly.

You dress into your match robes slowly, taking your time with the loops of your shoelaces and the buttons down the sweater you're wearing underneath everything. Oliver Wood should be at the bottom of your list of priorities, normally, but now more than ever.

The team filters into the change-room, exhibiting varying degrees of nervousness. Cedric is practically green, but Herbert looks like he's about to go down a water-slide he's waited over an hour in line for. Beyond the swinging doors, you can hear the crowd shuffling loudly into their seats.

Before your wits are completely about you, Hooch is rapping on those same doors. "Onto the pitch, Hufflepuffs!"

You muster up your best excuse for a captain's speech for what might be the last match you ever play as one. The team seem satisfied, you figure it's easy to find solace before a game when you know it's not your last. As the only seventh year, comfort doesn't come so easily to you.

The crowd is deafening when yellow robes take to the sky: Marcus looks over, offering another nod, not unlike the one he'd given you earlier. You can tell he's feeling the dread of finality too.

There's a whistle blow and the quaffle flies past your face with a speed that nearly evacuates your nose from your face. Lee is announcing in the distance and the rumble of adrenaline forces your fingers over the handle. It tilts and you dip, disappearing into the sky of players.

The winter air at Hogwarts was biting enough roaming the corridors, but thirty metres off the ground is something wholly unnatural. Your face was burning crisp from the icy wind, the feeling in your cheeks and nose lost to the Scottish cold.

Foggy white clouds puff out with each heavy breath. Cedric zooms past and Jane loops around his moving figure to knock a stray bludger in the opposite direction.

Your eyes flash between them and the fast approaching Malcolm, he tosses the quaffle at you with a grunt and you catch it at the tips of slippery, ice-frozen fingertips.

Shooting forward again, you duck under Marcus who is hurtling through the sky at you: gone is the look of friendly fondness from his eyes, replaced with a hunger for the leather-bound ball in your grasp.

Just missing the grasp of his meaty hand, the ball passes onto Heidi.

"Another ten points to Hufflepuff," Lee's voice echoes as if from heaven. "That brings the score to ninety for Hufflepuff and eighty for Slytherin!"

It's been nearly ninety-five minutes of sitting on your broom growing colder, and you're not alone.

Around you, the team is descending into frost-induced exhaustion: Jane's nose is as bright red as a Christmas ornament and Cedric has been peeping over the top of his thick woollen-scarf for at least the last half - barely enough to catch a glance of the whizzing canary and emerald robes, much less of a tiny golden snitch.

You sigh out another white breath, letting your eyes drift over the stands. It's saturated with moving heads of faces you can't make out and yellow and green swaying banners. Your gaze lingers on the top left, in the corner facing the castle. It's where Cherry and Enzo park themselves during every match, where you know they're screaming in support, clenching their teeth at every quaffle handover. You can feel them, even when their faces blur into the crowd.

Unintentionally, you think about how Oliver's mixed in there too. Somewhere between your peers. If you had been granted another moment, if the quaffle wasn't mid-air between two Slytherins just under your nose and you'd not taken the opportunity to snatch it from them, you would have meandered into the trap of hoping that deep down in his chest - even if it was core of the earth deep - he was rooting for you, too. That he seethed at a missed goal or clenched a tight fist at his side in celebration when a Hufflepuff makes a beautiful play.

Meanwhile in the stands, Oliver has decided that the desire to play his allegiances in secret has since disappeared from his heart.

He'd played it light in the first few minutes. Mumbling under his breath at a fumbled pass or a slimy move from the Slytherins, but by the forty-fifth minute he'd found himself on his feet.

"Diggory!" His hands waved in front of him, "it was right there you fucking git--"

A Hufflepuff third year a row ahead looked at him askew, but he paid her no mind.

Archie had taken the hint early. As soon as Oliver was out of his seat, so was he. Despite being Oliver Wood's best friend, Archie had somewhat limited knowledge of the game himself and eyed Oliver's reactions to find the appropriate moments to whoop and cheer. Oliver didn't say anything, but he appreciated it more than he could verbalise.

His eyes tracked you more than anything, when you were flying between players or just floating in place: eyes like a hawk, watching over the game. His heart swelled and his pride fell to the wayside.

Just short of the two hour mark, there was a rise in the crowd.

"The seekers have caught sight of the snitch!"

Oliver's stomach rose into his throat.

"They're diving for it, Malfoy and Diggory head to head-- and Slytherin grabs the snitch, winning by 140 points!"

It sank back into place, like a stone to the bottom of the river. He watched how you froze, how you twisted over your shoulder to find Diggory's figure lingering at the bottom of the field. You shoulders sagged, hanging in the air as the others dropped to the ground.

"Slytherin have made it into the finals against Gryffindor for the quidditch cup, back here at the pitch next month!"

After a long moment, the last in the sky, you followed them down.

The raucous cheers from the Slytherins were hard to drown out, he wasn't even sure Archie heard him toss a "i'll find you at the castle" before he found himself pushing through the masses of people.

He fought against the wave moving to find the stairs, eager to return to the warmth of their dormitories, but Oliver was markedly more motivated than the majority. He stomped on some toes and nearly tossed a first year off the stands to race down the stairs.

Only once his feet had found the mushy grass of the pitch, did he pause to consider that he wasn't entirely sure what he was going to say. What was the rush for? To comfort you, tease you for your loss?

The latter option was definitely what he could do, what he could say. What was expected of him, if he was being honest. Recently, however, he's found it harder and harder to come up with remarks to hurt your feelings. Found that he quite prefers that little smile that tucks into the corner of your mouth when he says something unexpectedly fond. How your eyes practically gleam.

There's shoving from all sides of him -- get out the way, bloody hell -- and the teams pass ahead of him. Leading the march, despite it being nothing more than a slow trudge, is your figure: squashed between those of who he recognises to be Cherry Stretton and Enzo Musa's.

Their arms wrapped over your shoulders, talking animatedly into your ear on each side. Enzo tips his head to meet yours, a small touch of comfort.

Oliver sighs. He has nothing to say and no comfort to offer, wondering for a moment what he could possibly bare to hear in his own final moments as captain. He thinks that anything from your mouth would work.

So he waits, parks himself beside the stairs and waits for Archie: watching the six-legged figure disappear up over the hill.

You're not at dinner.

He knows because he's been watching the door for the better half of an hour. Archie pushes his plate at him, "Eat something there, Ollie."

Begrudgingly, Oliver brings his drumstick up to his mouth. "She's not eaten a thing since breakfast, it's almost eight."

Archie passes a sympathetic look over him. "Her friends are here, I'm sure she'll be by soon. There's no use you joining her on a hunger-strike."

He's right. Cherry and Enzo and some others that frequent your circle are talking around the table, around the spot that you usually fill. But dinner goes on and students leak steadily out towards bed without your return.

Eventually Oliver huffs, like an irritated bulldog, and grabs for the nearest napkin: unfolding it out in front of him.

"What are you doing?" Archie asks thickly, spitting bits of rice at him.

Oliver reaches for two chicken skewers, placing them neatly on the white square: alongside a dinner roll and a pumpkin pasty.

He wraps them over, double wraps it with another napkin too.

"What does it look like, Arch."

Placing it carefully into the deep pocket of his robe, Oliver goes to stand - lacking the patience it takes for Archie to answer, or for his inevitable teasing. "I'll find you back in our room."

He's halfway out the hall when Archie's voice calls out to him, "You don't even know where she is!"

Oliver shakes his head, brandishing a dismissive hand over his shoulder. "I know where she is." He mumbles for only himself to hear.

You’d watched close to twenty-one quidditch matches from the stands at the pitch on Hogwarts grounds: played in almost half of them.

The seat is still slightly too small, just uncomfortable enough to make a person shuffle. Beyond the rim over the other end of the pitch you can see the orange sun dipping behind the horizon, drawing to darkness over your moment alone.

By now you're sure the party in the common room has long since found momentum. The one you'd been promised by the team, "it's your last game, cap, we need to celebrate!". You're sure someone somewhere is looking for you, bracing a plastic cup of Firewhisky with your name on it, but you can't find it within yourself to face it all just yet.

The silence of the evening is enough, you only wish you'd been fast enough to retrieve your broomstick that's somewhere off with Enzo. Just for one last lap.

The serenity of your loneliness doesn't persevere, however. You can hear shuffling up the steps, you're tempted to look but the sunset is slipping so quickly out of your hands that it's not worth the time wasted.

It's only when the footfalls draw closer, stopping when a body slumps into the seat beside you. The seats are so cramped that his knee brushes yours, the figure long since identified from the corner of your eye.

"Come to gloat?" You ask, eyes never leaving the sky.

He shrugs. "Not today."

You nod. His smell drifts on the breeze under your nose, like peppermint and soap and Oliver.

There's a long silence. Your robes crease against the fist sitting in your lap, you've yet to change out of your quidditch uniform, you know it will be the last time.

"You missed dinner."

"Does it matter?"

Despite your avoidant gaze, Oliver's is warming the side of your face. The evening air cools the same spot.

There's a shuffling that finally draws your eyes. Oliver is still in his robes too, and his hand emerges from a deep pocket with a folded napkin square. "Figured you'd be hungry."

He places it onto your lap with a gentleness you're coming to find more of in him. Something frighteningly warm erupts in your chest and your hands come up to it, pulling apart the napkin to find picky bits inside.

You're fighting between smiling and starting to cry. You do neither.

"You carried this in your pocket the whole way from the hall?"

His eyes flicker between the food and your face before he shrugs. "Yeah."

By now, you were fighting a losing battle and the smile pulled up at the ends of your mouth so tightly that your cheeks started to hurt. "Gross."

You pick up a chicken skewer regardless, biting into it and facing the sky again. You offer him the other one and he looks for a moment like he's going to argue but takes it quietly in the end.

The chicken is tender and only after you'd swallowed the first bit did you realise how hungry you'd actually been. You finish it without a word, going to tear the pasty in half and offering a piece to your companion.

You're picking at the roll now, tearing tiny bits off and feeding it piece by piece to yourself like a bird. "Last game."

He nods. "I know."

"What could someone say to you after your last game, Wood?" You pick at him, eyes flittering between him and the now nearly black sky. "You know, to make you feel better?"

Oliver shakes his head, leaning back and rolling his shoulders: as if the thought itself unsettled him.

"Nothing, probably. I'd probably just walk into the Black Lake and drown myself."

You think he's joking, but with Oliver Wood that was hardly a sure thing.

"You wouldn't."

"What's there left to live for?" He says it with an airy chuckle.

Shrugging, your head falls against your shoulder. "You'd have to figure it out, because I'd go marching in right after you. Carry you out if I had to."

Oliver stills, eyes wide and blinking at you. Your chest goes tight, the ghost of a smile pressing at your face.

"Bridal style and everything ..." You add quietly, stifling your chuckle.

He seems to come back to himself, nodding. "We should get back. Been a long day."

The napkin crumples in your hand, shoved down into the depths of your own pocket. You walk ahead, the pathway to the steps is only narrow enough for one person at a time, and he trails behind.

By the time you've hit the steps, Oliver moving down beside you, you're brewing around an apology. A way to thin the air, to ease where your chest is tight: swirling around well done, now you've made things awkward you git. It's halfway up to your tongue when skin brushes against the back of your hand.

Warm fingers explore your knuckles to find your cool ones, slipping to knot between them.

You work not to look down, because Oliver's skittish like that. From the corner of your eye, you can see he's concentrating his gaze ahead.

His hand tightens against yours, palm callous from years wrapped around the wooden handle of his broomstick. It's a little sweaty and sticky but you're smiling so hard you're about to be sick.

You dare to look at him, Oliver's smiling too.

Oliver hasn't been sleeping.

His last few days of seventh year are slipping like water through his calloused hands and he can feel it. Every hour that passes, shadowy and fleeting.

Classes feel shorter than before, the terrible jokes Archie bombards him with over dinner sound funnier than he ever remembers them being and the glimpses he catches of you in the corridor never feel long enough. The ceiling of his poster bed flashes with moments of the day that's passed, feeling like a dream you'll be jolted out of as soon as it gets good.

Even over all his hours of broody contemplation, none of it makes the final whistle any easier to swallow. It hits him like he's been smacked with a bludger in the chest.

"Gryffindor has won the quidditch cup, two-hundred and thirty points to twenty!"

He can hear the crowd's roar, the whoops of the twins floating somewhere below him. Harry's standing on the grass of the pitch holding up his tiny golden trophy. The pitch is red all over: Oliver won.

He won.

Every moment building up over the last seven years culminated into the final blow of the whistle. The wind is whipping at the hair over his forehead: Oliver thinks this might be the happiest moment of his life, but he's not entirely sure.

He never realised that it would all be so fucking soaked in sadness.

It's over. He's leaving the castle empty handed. His engraving will live on the Quidditch Cup in a dusty cupboard for years to come, yes, and he might have a frame up in his future apartment somewhere, reminiscing on the old days. That's all.

He's struck with the devastating fear that in a few short years, nobody will remember him. More than anything, he can't believe he hadn't come to this overwhelming conclusion before right now. Before Angelina is yelling to him, waving a frantic hand and sporting the biggest grin in all of Scotland, before he was seconds from taking the prize he's held in his mind for so many years into his very hands.

Will you forget him?

It nearly knocks him off his broom. He finds that it scares him the most, more than the thought of the dust-caked trophy or the lonely corner at the back of his cupboard where his Hogwarts robes will no doubt live until eternity.

He won't forget you, he thinks. He knows.

You're just so damn annoying. And beautiful, fucking whip-clever and hilarious sometimes--

The handle of his broom is tilting down to the earth now, the crowd zooming into a blur on either side of him. He hits a shaky landing, broomstick abandoned on the grass behind him as he's pulled into the arms of his team and well-wishers.

A golden trophy passes over the heads of the twins and it's shoved into his sweating hands. It's cool to the touch and so much heavier than he thought it ever could be, but he can't seem to keep his mind on the situation long enough to realise any of that. His mind is racing around the castle wondering where you might be and what's the fastest way to get there.

His eyes are racing over the heads of the roving crowd. "Wood, Wood! Speech!"

Shadowing over everyone is Archie's tall figure standing at the back, grinning down at him. The team watches expectantly.

This is it. The moment for the speech he's been practicing in his bathroom mirror since he was seven.

"I--" he looks down at the cup for the first time, his face reflecting up at him in glimmering gold. He finds he can't remember any of the words. "I need to go find someone."

There's a buzz of confusion, but Oliver doesn't linger: shoving the Quidditch Cup into Harry's arms.

"That's the shortest speech Wood has ever given." He hears Angelina quip, but he can't be arsed to turn. He's already flying, moving through the crowd at such a pace he might just have been on his broom.

The sea of students had long since started moving up to the castle, particularly the non-gryffindors: trying to beat the stampede of scarlet that is no doubt to come. Oliver's legs carry him over the smooth green hill up towards Hogwarts, head craning over students to find your side profile somewhere in the mass.

He catches few oy, watch it!'s and congrats, Wood!'s but he doesn't turn, doesn't stop running. Students bespeckle the grass like ants lining up for crumbs, and he's all the way up into the stone corridor leading to the Great Hall when he spots Cherry's velvet red curls over the crowd, and sure enough, he finds you're knocking her shoulder with your own.

It only takes one shout of your name and you turn to peek curiously back, by which time he's taken both your shoulders into his hands and steered you to the wall of the corridor.

"Wood! What are you do--"

His hands squeeze around the plush at your upper arms. "Oliver. My name is Oliver."

Your eyes are wide in surprise, the window behind you showcases the gardens and the pitch in the distance. Sunlight forms a halo over the crown of your head.

With a head tilted in confusion, you nod slowly. "Alright ... what are you doing, Oliver?"

He can feel the eyes of Cherry and Enzo burning a hole through the side of his head, but doesn't bother with it. You're blinking up at him, gentle and benign in your features. He wonders when it became like this, when you'd lost the tight brow and the frown every time you looked at him.

"I won the Quidditch Cup." He says blankly.

You nod, a small smile tucked into the corner of your lip. "I saw. Congratulations."

Oliver only nods back at you. "I wanted to tell you. I wanted to come shove it in your face."

He's shuffling closer to your figure, and he's more than pleased to discover that you aren't cowering from it.

"Of course you did, because you're a prat." But you're smiling so hard now that it's impossible to take your jab to heart. "Is that all, Oliver?"

A warm sensation is spilling into his rib cavity and his fingertips are buzzing with electricity when they come to find either side of your face.

"No." His forehead is nearly touching yours and your hands have wrapped around his wrists. "I came to ask you out on a date. A sappy, disgustingly romantic date where I bring you flowers and pay for your hot chocolate. You'd hate it."

"That truly sounds horrible." Your smile is so wide he can barely see the whites of your eyes and it pumps more adrenaline through Oliver than any argument you'd ever shared over the last seven years.

"So, is that a yes?"

You're bouncing on your toes a little bit, bumping your nose against Oliver's clumsily. The babble of passing students and gawking onlookers has practically fallen mute to him.

"Depends, are you going to kiss me goodnight after?" You whisper it, like it's a secret between just you and him.

He nods slowly, "pretty desperate to kiss you right now, if I'm being honest princess--"

You don't wait for him to finish, thank Merlin you don't wait for him to finish, and push up onto your toes: crashing against his mouth. You're kiss is as dizzying as he remembers, but softer this time. You kiss like you know he's not running away, hands pressing softly over his neck.

It's nothing like your kiss outside the Ravenclaw common room: where that one was desperate and hot and angry, this time it's born from longing and tenderness and acceptance.

It leaves him just as fucking breathless as the first time.

Somewhere behind him, he hears wolf-whistling (he's sure it's Cherry) and when you pull your lips off his, your face is flush with embarrassment.

"I will go on a date with you, Oliver."

He takes your hand into his, curling his fingers between your own. You lean up to peck him softly and bat your eyelashes at him, grinning innocuously when you whisper: "If you treat me like you did with Delilah, I'm throwing your broomstick into the fireplace."

don't forget to comment and repost if you enjoyed :)

taglist:

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gg-selvish · 2 years ago

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sits on my hands so i dont talk about ao3 stats more

#sorry numbers make autism brain go brrrrrr #i wish other writers talked about their stats more because i think it's really interesting the difference in how each niche performs #dnfers who write those really intense 6k-20k smutty oneshots that blow up the whole timeline when they drop #vs multishippers writing multichaptered angst with a happy ending smut fics that build a cult following for each update #the way two fics can get 1k kudos and have two completely different audience reactions of 'it was a good fic' and 'this was mindmelting'#there are fics that changed my life with 200 kudos and mediocre fluff with 2k #it's just all so different it's impossible to track but my brain loves trying to make sense of it #it's like the only math i've ever enjoyed #txt

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jo-harrington · 2 months ago

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Breadsticks (Eddie Munson x Reader)

Pairings/Relationships: Older!Eddie Munson/Fem!Reader

Summary: Eddie picks you up for a date that'll cheer you up. He promises.

Word Count: 1.5k

Warnings/Themes: Modern Timeline, Established Relationship, Food/Eating, Silliness, Fluff, Reader having a little bit of a bad day, Hurt/Comfort

Note: I don't normally do requests but if @hearsegrrl says she's feeling a little down and needs a little fic pick me up then I need to make her feel better OBVIOUSLY. Especially when she brings so much joy to the fandom with her art. So before you read this--and in fact, YOU MUST DO IT BEFORE YOU READ THIS--go ahead and say THANK YOU RACHEL! For everything she does.

(Hope you enjoy this baby. I know you're vegan...but I went hard with the cheese. Literally. <3)

You can find my masterlist here.

Please do not interact if you are not 18+.

Enjoy!

---

When your relationship with Eddie went from friendship to the talking stages to the moment when he would actually become your boyfriend--

"Aren't we a little too old for that?"

"Call me boyfriend, partner, comrade, soulmate. Whatever you want, sweetheart. Just don't call me late for dinner."

--he made you a list of promises. As though he had to make a deal with you to convince you that he was the right fit for a relationship; as though you'd ever turn him away.

But one of the things on that list of promises was a promise to cheer you up when you were down, and although you insisted that sometimes that promise would be impossible to keep, he insisted that he could try.

"It's the least I could do when you let me see your boobs whenever I want," he joked, earning playful slaps and then a stupidly lovesick kiss.

Tonight, though, was the first opportunity for him to put his money where his mouth was.

It had been a bad day, a bad week, and you were tired. Too tired to entertain questions and conversations with all of your friends, and because of that, you canceled plans to go out with the group on Sunday. I'm just not feeling good. It was simple and everyone understood, told you to feel better; Eddie, though, was immediately texting to see if you needed anything.

Soup, ginger ale, aspirin, a tummy rub; whatever you wanted it was yours. He could be at your place in an hour.

You smiled fondly and stared at the message for a second, then at the blinking cursor in the text box; normally there would be a sense of dread at the barrage of questions that would come if you tried to explain that you weren't that kind of not feeling good.

But Eddie had always been good at not pushing the boundaries.

You typed your reply and he was lightning fast with his own response.

How about dinner? Just the two of us. I know the perfect place.

And wasn't that the damned truth? Eddie always knew the perfect place. Perfect places for dates, parks for picnics, places to park his van and fool around.

How could you say no to him?

Perfect boyfriend was perfect. Fucker.

An hour later he was pulling up outside your building and holding the passenger's side door open for you as you emerged from your pit.

"I'd have gotten you flowers to cheer you up," he started his greeting. "But I know you hate grocery store flowers, so..."

"Yeah I would have turned and gone right back inside, but the thought is appreciated," you sassed.

"I'll just have to get you a bouquet of something else next time you need cheering up." He pressed a kiss to your temple and then gestured for you to hop inside.

There was music playing--conspicuously an artist you liked that he typically shit on you for, and not one of his ultra-specific, niche metal bands--and slurpees in the cup holders--his coke and cherry, yours grape--and the A/C was churning the perfect temperature in the cab.

"You sure you're not just trying to get lucky tonight?" you asked as he got back into the driver's seat to head to dinner. "Because I'm tallying some serious boyfriend points here."

He scoffed and pressed a hand to his chest in mock affront.

"Moi? Looking for sex? Don't be ridiculous; my virtue is intact." He batted his eyelashes coquettishly and then shifted the gear to drive when you snorted a laugh. "No, tonight is all about making you feel better."

"I don't really want to talk about what happened though," you blurted out, brain shifting to defense mode automatically. You closed your eyes and sighed. "Sorry...it was just..."

"Nope! Don't worry!" Eddie cut you off. "I don't need to know unless you wanna tell me. You make the rules here. I'm just the trusty chauffeur tonight. And court jester. And bankroll for all your culinary desires."

You melted into the seat and stared at his profile for a second, illuminated by streetlights. He'd already made you feel better in the last 10 minutes than you had all week.

He glanced at you out of the corner of his eye and then said, "I promise, you're gonna love this place."

"Oh yeah?"

"A Munson family tradition for special occasions. Birthdays. What haves you. Wayne is gonna be jealous we're going without him."

---

It was Olive Garden.

Your perfect idiot boyfriend took you to Olive Garden.

"Not just Olive Garden," Eddie held his hands out defensively at your questioning stare. "Never Ending Pasta Bowl at Olive Garden. The premiere event of the year. I would've worn a suit...but I figured that it would be rude of me to expect you to dress up when you said you weren't feeling great. So..."

He trailed off and his jovial expression fell, and you felt bad as his body language changed from silly to nervous.

It wasn't that you didn't like Olive Garden; it was just unexpected.

Actually, it was one of your favorite stupid places to eat right along with a shopping mall food court and, believe it or not, Chuck E. Cheese. A mid-tier chain restaurant with endless breadsticks? It was heaven. In fact, you're pretty sure that early on in your friendship with Eddie, you went on a weed-induced rant about the pillowy-softness and garlicky goodness that was an Olive Garden breadstick.

Had he remembered that? Squirreled that information away for all this time?

No...it couldn't be...

"So can I order mozzarella sticks too?" you asked tentatively. "Or in true spirit of the Never-ending Pasta Bowl, am I only limited to infinite rigatoni?"

Eddie's nerves melted and his smile bloomed once again.

You liked it when he smiled; it was infectious. You could feel the corners of your lips quirking too, until you were grinning right back at him.

"I think it's called fried mozzarella, actually," he said and wrapped an arm around your waist so he could lead you in. "You can have anything your heart desires tonight."

He wasn't kidding.

Mozzarella sticks, and soup and salad and breadsticks, and an italian margarita.

And then all the pasta you could ever dream of.

Eddie was ultra attentive; overly attentive, even. But he still kept his signature Munson charm and tomfoolery.

He asked the server for parm because he knew you would get self-conscious about the unholy volumes of cheese you'd desire on your food.

He made you laugh with a 10-minute hypothesis about the process of never-ending fettuccini and how there must be a barrel sized spool with one singular fettucino that they unraveled and cut into appropriate portions upon order.

He always made sure to ask for more breadsticks and insisted that you got first pick from the fresh basket.

He did a magic trick with balled up paper napkins that were shoved into his ears and then spat out from his mouth. (One was also extracted from his nose causing the child at a nearby table to start clapping).

And finally, when all was said and done and it was time to pay, you were forced to cover your face bashfully as he extracted not one, not two, but three pictures of you from his wallet before he found his card.

"What?" he asked, lovingly tucking the polaroids and photo booth film strips back into the worn leather bi-fold. "How else am I supposed to spontaneously construct an altar to worship you if I don't have your picture handy."

It healed your soul. One joke and mouthful of carby, tomatoey goodness at a time. It was silly and it was everything you needed in the moment to make the hell that was your week better.

He even got you to talk about everything that made you upset. It just started spewing out your mouth as you aggressively skewered fusilli onto your fork. He gave you all the time and space you needed to say "damn this" and "fuck that" about all the little things that built up to one big, obnoxiously shitty week until you felt the weight lift off your shoulders.

Usually when you got into your moods, it would've been impossible.

But did you expect him to do anything less than impossible?

Towards the end of your visit, Eddie popped to the bathroom, and while he was gone your server stopped by to see if there was anything else you needed.

"Any to-go containers or mints or maybe some more breadsticks?"

"Don't worry," Eddie's voice echoed through the dining room. "I've already got that covered."

You turned in your seat and you weren't sure what you expected, but what you found certainly wasn't it.

Eddie stood there, proudly presenting a bouquet of breadsticks, each one skewered with an uncooked spaghetti noodle and bound prettily with a bow made out of a plastic bag.

He closed the distance and dropped to one knee and then presented it to you with a wink, "I told you I'd have to find some other kind of bouquet to get you besides flowers."

There was some back and forth about Jeff's assistant manager buddy and where you'd fit this in your fridge, before you leant over and kissed his cheek.

"Thank you," you whispered and nuzzled your nose against his skin.

"You feeling better?" he asked.

"Yeah," you nodded. "It was the best date I've ever had."

And it would be.

Until the next one.

#eddie munson x reader #eddie munson #stranger things fic #eddie munson fluff #eddie munson fanfiction #stranger things fanfiction

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helaintoloki · 3 months ago

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can you do a five x reader where in the season finale of s3 you don’t come out of the elevator and five is devastated so he does anything in his power to found you again but when he does you’ve clearly moved on

a/n: so i couldn’t come up with an explanation for why reader would just move on instead of looking for five so i added an extra layer to this request

warnings: angst

summary: after being separated in the new timeline, Five does everything in his power to find you only to realize he’s too late

He couldn’t believe he’d finally done it.

After three years of searching, three years of following false leads and dead ends, three years of tearing himself apart trying to fix the mess his father and Allison had created, he’d found you.

Five could never put into words how much he loved you and how much of an effect you had on his entire being. You were the girl from his childhood, his first and only love that he fought tirelessly to get back to when stranded in the apocalypse, the girl who’s photo from an old magazine article he kept on him at all times.

Little about you had changed when he made his way back to the past to stop the impending apocalypse. You still had the same smile, the same laugh, the same appearance- your powers kept you forever young, a gift that was both a blessing and a curse depending on the day- and the same love for him in your heart that had blossomed when you were thirteen and naive about where the future would lead you. Falling back into your old routine together had been as easy as breathing, and from then on you both were inseparable. Five knew he could always count on you no matter what new challenge was thrown your way or what new problem you had to face. He vowed never to let you go ever again, but fate had other plans.

After arriving in this new timeline, Five had been quick to notice the fact that you were no longer by his side. Despite holding your hand in that elevator, you were nowhere to be seen when he’d stepped out with the rest of his siblings. Not only were his powers gone, but you were as well, and he had no idea where you could possibly be. He could feel the panic in his chest rising as if a fist was gripping his heart and slowly squeezing with each passing second, and the lack of control he felt in that moment was torturous. However, he only let himself spiral for a moment before immediately beginning to devise a search and rescue. Five would not stop until you were found and back safe in his arms.

And now here he was, standing dumbfounded in front of the entrance to a quiet cafe where you were waiting tables and completely oblivious to the pair of eyes watching you through the windows.

Your smile is still as warm as ever as you greet patrons and serve them their meals, asking about their days and laughing at their jokes even if they aren’t all that funny. Despite being on your own for three years, you seem to be doing quite well for yourself. But then Five notices something that makes his heart skip a beat and his palms perspire with nerves.

Your features have changed and in the time that’s passed it looks as though you’ve actually aged, something that was once thought to be impossible. Without your powers in this timeline, it makes sense that you would begin to grow into the looks of an older adult instead of permanently being stuck in a teenage girl’s body. He knows it’s something you’ve always wanted, and it’s a comforting thought to at least know that in this new setting you can have the life you’ve always wanted to have.

The bell above the door jingles loudly as Five bursts into the cafe and meets your gaze. Your eyes connect from across the room, Five’s breath hitching in his throat as you begin to walk towards him with an unwavering smile. He’s finally found you, and now he can rest easily knowing this whole mess is finally over.

“Y/n,” he utters through a trembling breath, fingers twitching at his sides in eager anticipation at being able to hold you once again. “I can’t believe it’s really you.”

“Hi,” you greet with a polite smile, “dining in or ordering to-go?”

“W-What?” Five breathes out as his brows begin to furl in confusion. He takes a hesitant step back when you step forward, unsure of himself and of your behavior.

“Dining in or ordering to-go?” You repeat before glancing over your shoulder in search of an available table. “If you’re dining in it’s going to be about a five minute wait.”

“Y/n, don’t- don’t you recognize me? It’s Five,” He says almost desperately, his chest beginning to tighten in panic at your uncharacteristic behavior. The girl he knew would have been ecstatic to see him; she would have dropped everything to express how grateful she was to see him again before scolding him for getting her into another time travel related mess. Why weren’t you happy to see him?

“I’m sorry, I think you might have me mistaken for someone else,” you correct him with a sheepish smile, completely oblivious to the fact that you’ve just completely crushed his heart in your hands and taken away the one thing in this world he cherishes most. “I’ll go see if there’s a table available for you, okay?”

You leave him there completely heartbroken and disoriented as he’s left to wonder what went wrong. You’re alive in this timeline, able to age and live a normal life, but it comes at the cost of the memories from your past life. You have no idea who he is here, what you’ve been through together, how much he loves you and would do anything for you.

In every life, every timeline, you are everything to Five. But in this life, he’s nothing more to you than a man coming into your cafe for a bite to eat.

And it destroys him.

#request #the umbrella academy #number five #five hargreeves #five hargreeves x reader #five hargreeves imagine #number five x reader #number five imagine #five #five x reader #five imagine #tua #tua x reader #tua imagine

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trashmouth-richie · 3 months ago

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⁂ 𝐜𝐫𝐚𝐬𝐡 + 𝐟𝐚𝐥𝐥 || a mini series || eddie x you

“soul ties” based but with a spin — part 1

part 2: i’m your dream, make you real

chapter summary: back story on reader and the history of the ‘souls’, the girl sadly wonders why she suddenly can't stop thinking of eddie munson; eddie spends the night nursing a migraine and trying to remember what that girls name was… the same girl who he can’t seem to get out of his head. oddly enough, both eddie and the girl feel terribly ill— a symptom of rejecting the soul tie. also WAYNE! Yay!

[series summary: reader and her lover are souls bound to one another for eons and eons, they always find their way back to one another no matter how long it takes or what bodies they might be in, but when reader feels the magnetic pull of her other half and wills the girl’s body she is in to find her lover— the body her lover belongs to is a boy— none other than the meanest boy in hawkins, eddie munson]

trigger warnings: 18+ smut, bisexual! eddie, mean! eddie, shy! girl, smut. etc eddie the girl are both 18 in this story, drug use, talks of addiction, prison etc.

reader (you) are a “soul” in this story, meaning you are only bound to the body you are inhabiting during this lifetime. The girl will have features mentioned— but again— you (the reader) are a soul, which i imagine to be a flame of all colors.

You had no control over how, when or where you would appear in a new body. It was never the same timeline. one minute you were floating in a sea of stars on a blackened canvas, the next you were viewing their world from the way they envisioned it.

The body could be brand new, shiny and soft skinned, no marks of life on its petal-like skin. Sometimes the body was weathered, having seen many moons and decades and you arrived when they needed you most. Years before you had come here, the body you lived in was impaired, seeing nothing but marooned eyelids, navigating the earth with the four other senses.

Shapes and colors could vary from one body to the next, but inside they all remained the same. The only difference were the souls.

Some of the souls you had encountered weren’t pure. They had a darkness rolling through them that made the bodies they live in do unspeakable, horrific things.

The malum, as they were known were tainted with vile evilness. Instead of being made with licks of pretty sparkled flame, the malum were created with sharp edges, a singular dark hole in the center showing their emptiness. Compassion was lost from them, all they knew was destruction and how to use the body to their own advantage.

They could change their appearance, tricking others into loving them. And although it had been awhile since you’d come across one, you were always weary. Hence, the boy with the fast car from last year.

You were even thankful to come to this girl, the sad lonely girl who just wanted to be loved… her heart tie within reach…but then he rejected her!

That stupid boy and his dumb hair was ruining everything! This was wrong— this was all wrong! It never went this badly before. All it took from the others before this girl and this boy was to feel the “special” pull. The tug of that tiny invisible string that was nearly impossible to ignore.

Different species, different sex, it didn’t matter! The pull always worked. You sat and stewed in the girl's brain, running laps around her mind, showing her images of the boy, the one she was destined to be with.

It was deeper than love, stickier than the cotton candies of a carefully woven fate, her heart belonged with his! Plain and simple. You hoped your other half was doing the same with that long haired boy, making his head split and pop like a sunflower seed.

You could bet that he didn’t know how sad she was. He wouldn’t know that she had cut her tutoring lesson short with Max because the concentration for basic algebra just wasn’t there.

You could do this, you could make them both see how they belonged together, that they fit like a puzzle and complemented each other like the stars do the moon, despite their differences, or walks of life.

Time was all you needed, and thankfully they both were guaranteed to be in the same building for almost eight hours a day, five days a week.

“Are you okay?”

Eddie had been staring at his mac n cheese for nearly ten minutes. Each tick of the clock squeezed his head like a vice. He had been fixated on something he couldn’t quite grasp. As if he were in a fuzzy dream where punches didn’t land and he coincidentally had the winning lottery ticket.

A name.

It’s all he was trying to think of, but he couldn’t for the life or death of him remember it.

Beth? Kay? Maybe… Yeah.. Kay sounds right—nope Kay was that smokin’ hot foreign exchange student last semester. Jesus Christ, who the hell is that girl?

Wayne watched with his bushy eyebrows raised into the sparse bits of hair left on his head as his nephew drug his spoon counter-clockwise then clockwise through the cheesy valley of noodles, not saying a single word other than the occasional grunt or mumbling a series of consonants and vowels through the entirety of supper.

His head had spun all day. A loose paper boat down a sewer drain to awaiting clown claws had a better success rate in survival than the absolute collegiate level of nonsense he was trying to get his brian to spark. No matter what he did he couldn’t get that girl out of his head.

Maybe if he could put a name to her face—he had thought that would settle it. Then he could finally fucking move on. But alas, it was as if his brain left on vacation… or maybe those drug scare ads were right and his brain cells were actually fried.

“Something wrong with the food, Ed?” Wayne asked around a mouthful, “thought you loved dogs with mac n cheese.”

Eddie went class by class in his head imagining the seats of every girl who occupied them. In Geography there was Tiffany, Alice, Wheeler, Robin, Barbara, and Chrissy.

This is fucking stupid, he thinks. She could be a year or two below him in school, but goddamnit what was her name?

He could memorize DnD manuals, a whiz at math especially percentages for his.. hobbies. But a simple name to a girl he’s seen a dozen times falls short.

Dropping the metal spoon with a loud clunk, he groans, throwing his head in his hands. “I’m fine, Wayne.”

He wasn’t, along with his head pounding like the hammering tune of a chainsaw, he had felt nauseous all day. Like a hangover that never seemed to end, or that time he had the stomach flu last year and missed a week of school.

But this wasn’t the flu, and it wasn’t a hangover. It was a nagging feeling in his head and a rip to his gut.

“You sure?” Wayne tested cautiously, “Y’ know I don’t have many rules here.. and I don’t care that you smoke in the house, but son if you’re doing something… more than that… I…” Wayne shakes his head, his voice growing earnest, “I just don’t want you to end up like your old man ‘s all.”

“Jesus, Wayne,” Eddie groaned, scrubbing his hands down his face, he hadn’t touched that shit his dad was caught with, and was currently serving a sentence for, ever.

“I’m not doin’ anything like that, okay? I just… GOD—” he ran thick ringed fingers through his hair and cursed again when the rings got tangled, huffing through his nose like a bull, “I feel like shit!”

Wayne relaxed a bit in his chair, a chuckle in his throat at his nephew's theatrics, “eat then, you’ll feel better.”

Eddie shoved his plate away, synchronizing the metallic dragging scuff from the chair’s legs across the cheap linoleum floor with a grumble of ‘m not hungry.

His long legs seemed to tangle under themselves as he stood and he caught his shoulder hard on the wall, the drag of soft cotton down a plywood wall muffling his curses as he headed to bed.

Face first he landed into the worn and spring heavy mattress, the smell of weed and spiced deodorant engulfing him. Leather scuffed boots still on his feet from when he drove to Rick’s for his weekly supply. The pounding against his skull was dull, twisting like a knife and it just wouldn’t quit.

Nose crushed in the misshapen pillow, Eddie throws his hand out hazardly to the nightstand. His fingers skid around the scattered DnD dice, a crusted half eaten sandwich from the night before and the sharp foiled edge of a ripped corner from a Trojan from when—yeah, whew…that was a great night.

Finally, his fingers wrap around the cool steel of his zippo lighter.

Without looking up, he flicks the pad of his thumb against the wheel igniting a flame to be sure there’s enough fluid. Groaning again he slides a hand into his jeans and pulls out the little bag he had gotten from Rick.

Movements that were taken for granted were now causing sweat to pool in the middle of his back, his temples dripped as a tickling bead of sweat wove a path down his chin.

Whatever illness that was currently plaguing him was one like nothing before, and he only hoped his last vice of getting out of his mind with the sweet burn of a joint into his lungs would help.

Slotting it between his lips he flicked the lighter and inhaled as much as his lungs could take.

The girl drove home in silence. A salty drip of steady tears stinging her cheeks from the bite of the breeze that seeped through the cracked open car window. She didn’t understand why on this particular day he had burrowed so far under her skin, and even though he was rude, per usual—she couldn’t let it go.

A horn honked behind her at the stop sign before she realized she had been staring at the steering column, foot pressed on the brake. Tears dripped onto the apples of her cheeks and she wiped at them with the sleeve of her cream colored cardigan, leaving flecks of mascara behind.

Blowing out a blubbery sigh she eased her car forward and drove along the wet pavement of Hawkins, vision blinded by traitorous tears for the boy who didn’t deserve them.

She ate her supper in a sad silence— fork balancing green beans gone cold. The girl sighed with a hand resting into her palm, watching the fall leaves plucking themselves free in the front yard.

Her mind played that scene at Eddie’s trailer over and over. The way he practically bit her head off, how easy it was for him to dismiss her as a nuisance. She could feel the heat blossoming on her cheeks, how it had practically burned like his eyes did when they looked at her.

Eddie was like that with everyone at school, so it really shouldn’t have been a surprise to her. But it was. And tears started again as she thought of why he was so mean.

“…see Mom! She hates green beans so much she’s crying about them!”

The girl shook her head and blinked back the tears, “‘m not crying you little turkey,” she bites back, shoving her younger brother with her elbow, “just.. had a long day, ‘m tired.”

“Well,” her mother protested, pressing a cloth napkin to the corners of her mouth, “why don’t you run a bath and go to bed early?”

Nodding, she excused herself quietly from the table and walked the plush carpeted path to the upstairs bathroom.

More tears began to roll down her cheeks as she climbed each step, a tingling in the nape of her neck made her skin feel boiling hot. The further up she went the worst she started to feel.

I’m probably getting the flu. She thought to herself, Hawkins High had more than fifteen students out with it last week, and it would make sense that she too would fall victim to it. But the flu wouldn’t make her cry for no reason, no— a sickness wouldn’t have her feeling like she was nothing.

But those dark brown eyes could.

Thinking of her encounter today just made it worse, but she couldn’t turn it off. She welcomed the warmth from the water to seep through her bones after the tub was filled and she slipped gingerly into the water.

Hoping the steam would will away the awful empty feeling in her stomach, she let herself fully submerge, her wet brown hair feeling like the bottom of a silky moss covered lake.

She laid under the water for what felt like hours, no sound, just her racing thoughts to keep her company.

Maybe I’m getting my period? She thought after taking a few winded deep breaths and sitting up in the water.

It would explain why she was so irrationally upset about all of this. It was plausible. And maybe the burning flames of hell's butterflies in her stomach was because she had barely eaten anything for supper.

It definitely wasn’t the fact that Eddie seemed to radiate like a neon light in space the second he opened that door, and she was like a moth to his flame. One that was quickly swatted away.

Eddie Munson.

Standing and wrapping a towel around herself she hit the drain and stepped from the tub onto a peach colored bath mat.

His face played like a movie in her head. A montage of him and only him. The cocky gait he strutted down the hallways, hollering at the jocks to get the fuck out of his way. The jingling swish of that chain linked wallet in the back pocket of his jeans, a soft black bandana in the other.

Eddie.

Wiping condensation from the mirror she shakes her head. What the hell? Never. Not once in her entire life had she thought about Eddie Munson. Even thinking his name made her stomach lurch like she might be sick.

Wait. No, she was going to be sick.

She makes it just in time to lift the seat on the toilet before she vomits violently into the bowl, tears leaking from her eyes with every retching heave her body produced.

She hears her name buzzing in her ear. Once, twice, three times and she knows her mother is behind those calls on the other side of the door.

“‘m okay, Mom,” she gasps, “just the flu, it’s been going around—”

And normally where her mother would have come in to rub her back, ask if she needed anything— she doesn’t.

Flushing the toilet she looks over her shoulder, “Mom?”

No answer.

Rising from her knees she walks to the door and opens it, “Mom?”

Nothing.

Maybe she was hearing things, but she swore her name was said loud and clear.

Smoke billowed around Eddie’s room, hanging like dense clouds from an oven fire. Either his tolerance was higher or the bud from Rick was skunked— because after smoking three joints back-to-back-to-back, he still couldn’t feel anything.

Not even a tiny little buzz or the hazy droop of his eyelids forming into slits. That sickening pounding kept its beat along his chest and into every vein in his body, unrelenting in its ravage upon him.

He thought of the times he had seen her. Where was he standing? What section of lockers was she shoving books into?

Sandra? Beth… no he already said that. Fuck.

It’s not until he laid flat on his back a few minutes later, the short remnants of paper flickering from the last bit of the joint burning close to his fingers. Eddie closed his eyes in complete solitude, and that’s when it clicked.

Shuffling on what felt like broken legs to his closet, Eddie wedged the door open on its broken track. Every muscle in his body screamed in agony, he felt as if he had ran a marathon, backwards.

His tongue was out between his lips as he concentrated on his task at hand. Rifling through heaps of clothes, old shoes, playboys with dog eared pages. He was elbows deep in the depths of his closet, searching for what he had tossed in here at the end of last year.

The pads of his fingers feel the textured cover under a halloween mask and he yanks it free stumbling backwards and tripping over his amp, landing hard on the floor.

He doesn’t wait to be in a more comfortable position on his bed or even sitting up straight before he holds the book over his face and flips open the cover of Hawkins High 1985 Go Tigers!, his yearbook.

Pages and pages he skimmed through. Freshman class, Sophomore class, pictures of every sport from Fall to Spring, Band, Choir, The school newspaper… he was about to give up after he saw his own picture staring at him from Junior year.

And he would have missed it if his thumb hadn’t suddenly stung. As if a bee or a strike of lightning went through him and he had to adjust his hold on the book. Where his thumb had been pressed into the page, was the girl.

Just a few down from his own school portrait, she sat smiling shyly at the camera with closed lips, silken voluminous dark hair, a sparkle in each eye.

Eddie’s stomach plummeted, his pulse speeding up as each letter of her name danced behind his irises, and his lips tingle when he finally says her name.

Mickey

thanks for reading💋

taglist: @cinemabean @findmeincorneliastreet @pleuviors @boltonbritreads @nailbatanddungeon

@what-the-jams @aprisher @bbygh0st18 @lemme-slytherin-that-dick @joejoequinnquinn

#eddie x you #eddie munson fanfiction #eddie x reader #eddie x fem!reader #eddie munson x reader #eddie munson fanfic #eddie munson smut #eddie munson fluff #eddie munson angst #eddie munson

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lincolndjarin · 9 months ago

Text

Every Now and Then - ch. one

[ I Dream of Something Wild ]

pairing : joel miller x f!reader, platonicsoulmate!tommy & f!reader

word count : 6.4k

summary : Joel Miller destroyed you. He loved you, then he left, leaving you in the New York City, QZ. But he's a good southern gentleman, so of course he didn't leave you without a reminder of the time you spent together. Four years later you're living in Jackson, in a lovely little ranch house. (With your reminder.) The last person you want to see is Joel Miller, unfortunately you've never been particularly lucky.

tags/warnings : 18+ mdni, angst, canon typical violence, injury, language, manipulation, joel takes advantage of readers situation, eventual smut, no use of y/n, no physical description of reader, she is picked up by joel at one point but i'm a firm believer that he's strong enough to lift any one who may find themselves in the pov of our reader, joel is possessive and controlling, dark!joel miller in a sense?? like he's not really dark now but he's going to be, multiple time lines, not canon compliant, mentions of prostitution, i sorta made up my own timeline, i probs missed tags sorry!!

a/n : i really need to fix my writing schedule so i'm hoping that having a new fic to put my energy into is going to help!! also sorry if this chapter doesn't have much going on i need to set up a lot of stuff but i promise more action in future chapters

ao3 .𖥔 ݁ ˖ series masterlist .𖥔 ݁ ˖ main masterlist .𖥔 ݁ ˖ kofi

He crept up on you like the shadows as the sun sets in the west. An all encompassing darkness that blotted out the sun until all that was left was night. He sunk his claws into you so deep that your eyes adjusted to the dark, and you didn’t even realize how much time had passed until you shrunk away from the inevitable sunrise that made him cower away from the dawn as if he never really was big and scary.

And in the light of day you saw him for what he really was.

He was just a man, who was once a boy, who was scared of the dark.

So he made himself big, and terrifying, and he grew so accustomed to the thing he once feared that the very idea of anything else made him recoil.

You feel something akin to pity when you think of him now. That doesn’t mean you forgive him, but when you can stomach it you try to, for the sake of your peace. You’d probably be happier if you could just forgive him.

But you can’t.

So you don’t.

It’s hard when his own blood doesn’t think he’s a good man. Tommy was afraid of him. Terrified at the very thought of his big brother. You can recall several nights where you had woken up to him screaming in the sleeping bag beside you, absolutely petrified of a memory that had inevitably snuck in through the darkness. You never feared him quite like that, but seeing the effect he has on Tommy makes your stomach churn, a painful reminder of your own suffering.

Most of the time it’s easier to just not think of him at all, despite the reminders he’s branded into you forever. You ignore him when he tries to soak back into your very being, but at the end of the day he’s unavoidable. You see him in the dark brown eyes of others, hear him in Tommy’s southern drawl, taste him when you have the occasional sip of whiskey. He tries and tries relentlessly to worm his way back into you, but you never let him. You put up walls and you focus on other things, anything, that isn’t Joel Miller. And even though you can’t forget him entirely you manage to ignore the memory of the man you once loved for several years.

Until one day it’s impossible to keep the thought of him away.

Until he himself makes it impossible.

Then - NEW YORK CITY, QUARANTINE ZONE : 2019

“Stay off of it or you’re going to lose it.”

That’s what the QZ doctor had told you. A couple weeks of bed rest was the most he could offer when you came to him with your broken ankle.

A couple weeks without working is a death sentence.

If you don’t work you won’t be able to afford food. And you don’t have anybody to fall back on, no family, no friends, not even an acquaintance to borrow funds from.

Lose your leg or starve.

As appealing as it sounds, starvation isn’t an option, too painful.

So you have to work. The only issue with that is you’ve been blacklisted, the stupid doctor had you put on a no-shift list. You beg them to let you work, you’ll do anything, but they never budge.

You only have enough ration cards stocked up to make it to the end of the week so you have to consider your other options. You could sell yourself. It certainly isn’t uncommon and the money’s good but it’s too dangerous, especially if you can’t run on your leg. You’ve seen too many people get hurt in that profession to risk it. You don’t have a trade. You’re terrible at sewing, you can’t cook, there isn’t a need for much of anything else and you own nothing valuable.

So there’s only one other option for you.

You steal.

You dress inconspicuously, in your only pair of jeans and a plain shirt, both of which are getting rather tattered at this point but you have nothing else. With your jacket on you pull up your hood and you do the exact thing you aren’t supposed to do, and you walk.

The conditions in the QZ are poor enough that your limp doesn’t stand out. You walk up and down the streets all day, slow and steady, with your head down and you don’t take risks. You don’t take anything big or obvious, just little things. A single ration card peeking out of a pocket, a pocket knife off a vendor's table, stale bread, set away from the good stuff where no one is looking. And you return home each night with your pockets full and your leg aching.

By the end of your second week you’re still barely scraping by but you’re managing. What little ration cards you manage to snatch you use to buy food, but it’s still nothing compared to what you’re used to making. Your ankle feels worse by the day.

You need more.

You need to find a source of income that will let you rest or you’re going to lose your leg, which will leave you in an even worse position. It isn’t until you hear your neighbor slam his door that you come up with an idea.

Your neighbor probably has more cards than he knows what to do with, and he’s always coming and going so he probably wouldn’t even notice if you skimmed a little off the top. Nothing substantial, just enough to keep you going and give your leg time to heal.

The only problem is your neighbors reputation.

You doubt you’d have much of a chance of surviving him if you got caught. Joel Miller was a bit of an urban legend around the QZ. Of course you only knew him as your stoic neighbor, just a guy who didn’t make a lot of noise and came home at strange hours, and sometimes disappeared for days at a time.

But everyone else acted as if he was some kind of Boogey Man. You didn’t see him much in the streets but when you did children ran and people whispered, and while you had no knowledge of how he earned that reputation you knew it probably wasn’t pretty.

So you’d have to be careful.

He’s gone now, you’d heard him stopping down the hall so you decide it couldn’t hurt to take a peek, just scout out the area.

You climb out onto the fire escape, your leg aching as you do, and you use the dull little knife you’d stolen a few days ago to shimmy open his window lock. It slides open pretty easily, he’s probably rather confident that nobody would ever mess with him so he doesn’t seem to have the usual precautions taken to protect his belongings.

Lucky you.

Stepping into the room you wince as you land on your bad leg, stumbling onto the floor, knocking a board loose in the process.

“Shit.” You groan, sitting up quickly, trying to put everything back in its proper place when you catch a glimmer of something under the floor.

A revolver.

You shouldn’t be here. Joel Miller is a dangerous man, you knew that but you did this anyway, you can’t help but feel incredibly stupid as you stare at the weapon. You feel so stupid that you don’t even hear the click of a lock. You don’t even bother with the ration cards you can see peeking out from under the gun, you just want to leave and forget that you ever thought this was a good idea. It’s a struggle, getting back to your feet, your leg is throbbing, begging for a rest you can’t afford to take right now. With a groan you push the window open, eager for this silly idea to be over you try to figure out the best way to go about this. You’re starting to lose feeling in your leg, should you go bad leg first or try to balance on it while shimmying the rest of your body out the window?

You never get to decide what the best course of action is because your head is slammed against the wall, your knees crumple underneath you as you hit the floor, the room spinning as your leg bends at an angle that makes you shriek. You slap your hand over your mouth but it’s far too late for that. He’s been here the whole time. It’s dark but you can still make out the foreboding shape of his figure. The broad shouldered beast that’s glaring down at you, his boot nudging your chin roughly as you bite back a shriek of fear.

“I could report you to FEDRA for this.” The gruff voice whispers into the darkness.

You’re desperate to avoid lockup, you know you’ll die in there, or worse. Although you’re not entirely sure what’s going to happen to you either way.

“I- I’ll tell them about your contraband.” You point frantically at the loose floor board. “They’ll lock you up too.” His glare is unwavering as he stares down at you. You’re a little worried that he might just kill you himself, there would be no consequences, no one would be looking for you.

No one would look for you.

The thought makes you shudder and even though you try to stop yourself you feel your eyes beginning to water. You hear footsteps, watching his outline move across the room before you’re shrinking away from the light of a dim lamp in the corner.

“You gotta be real dumb to find yourself in this situation.” He mutters, turning back around to stare at you. His gaze makes you want to cover yourself up, it’s like he can see every single part of you within that icy glare. You’ve never taken the time to really, truly look at him before but you do now, after all this might be your last chance to look at anything at all.

He isn’t a terrible last sight.

Sure, he’s ominous enough to make you want to try and run despite the ache in your calf right now, but that doesn’t make him any less handsome. In a rugged, weathered sort of way. He’s older than you thought, gray sprinkled throughout the mess of curls framing his face. What a nice face it is. Soft where it needs to be soft, sharp where it needs to be sharp. He marches back over to you, easily taking the pocket knife from your hand and crouching down in front of you.

“Give me one good reason not to finish you off right now.” He points the blade in the direction of your leg. “Seems like it’d be a mercy at this point.”

Maybe he’s right.

Maybe it would be a mercy to just let him put you out of your misery. Why have you been fighting so hard? You can’t seem to recall a reason other than the fact that that’s what you’re supposed to do. Your mind tells you that you’re supposed to keep fighting but you can’t think of a single driving force. You’re in pain, constantly, you live in a world that wants you dead, and you have no one relying on you.

You don’t have a good reason, other than the fact that surviving is all you know how to do. So you look up at him and you nod. Taking in the sight of the pretty, frightening man one last time before closing your eyes.

It feels good. You feel good, for the first time in a long time, knowing that you won’t hurt anymore. You won’t have to be afraid of someone kicking your door in, you won’t have to worry about where your next meal is going to come from, and you won’t have to worry about turning into a monster. It’s a mercy.

So you close your eyes.

Suddenly grateful for the killer before you, your guardian angel, here to deliver you the peace you didn’t know you needed.

You wait patiently for the sting of a blade or the embrace of his hands around your throat but all you're met with is a sigh. When you finally find the courage to open your eyes he’s sitting on the edge of the bed across from you, fingers pinching the bridge of his nose.

“Just go.” He grumbles, muttering a few other words you don’t catch.

You’re almost disappointed, having accepted this was the end, and now you’re being shoved back into the cold and unforgiving world. You start to get to your feet but your knees buckle under you. You try again, willing your leg to just work but much to your dismay you can’t even straighten out your leg anymore. When you try to move it all you find yourself only able to bend your knee a few inches.

Shit.

You think of the fall you took on the way in and wonder if you finally pushed yourself to the limit. If you go back to the doctor will he remove the entire thing? Maybe you should just ask Joel to finish the job before it comes to that. It would be a kindness, between a quick death here or a slow death starving in your apartment you’ll take the quick way every time. Before you even have a chance to ask he’s on his feet. Maybe his patience has run out and you won’t have to ask at all.

“Let me.” His voice rattles around in your head, so low and commanding that you put up no resistance as he lifts you up under your arms and sets you down on the edge of the bed where he just was. He flips the knife out, going to cut your jeans off of you but you stop him.

“Wait!” He freezes in place, giving you an impatient look. “These are my only jeans, just- just pull them down.” Before you can realize how embarrassing it might be to show your neighbor your faded pink panties, you're already unbuttoning your pants, lifting your hips up so he can pull them down your legs with a roll of his eyes. It’s painful, the feeling of the denim running against your skin but it’s better than not having any pants at all.

Fuck.

It’s been a while since you’ve actually looked at your leg. You’re surprised he was able to get your jeans off with how swollen it is, the flesh bulging around your ankle and now up your calf. The skin is shiny and blotchy with shades of purple and red. The sight of it makes you want to hurl but you manage to swallow the urge, looking away as he pokes at the tender flesh.

“Christ girl, what the hell did you do?” When he grabs your ankle to lift your leg you yelp in pain, making him set your leg back down instinctively.

“I just- it’s just a broken ankle.” You mumble as he gives you an incredulous look.

“Like hell it is.” Something about the sternness of his voice demands your obedience as you nod. “Wanna tell me what really happened?”

“Well I- I fell and-” You struggle to find an excuse to justify how bad you let this get but you come up empty. So you tell the truth. “I fell off a ladder while painting over graffiti during my shift and broke my ankle. The doctor told me to stay off of it and- well, I couldn’t afford not to work so I just… didn’t” You rush through your words, staring anywhere else but into his demanding gaze as you explain yourself.

“So you turned to stealin’.” He says it like the fact it is and you can only bring yourself to nod. “You need antibiotics.” He says just as matter of factly. “You know how much that sort of thing costs?”

A lot.

More than you’d have even if you were working overtime.

He clears his throat and you finally meet his eyes.

His eyes were so dark that day they threatened to swallow you whole. Were they always that dark? Or was it just that day, the first day, when he realized that he had you.

“Look, I don’t do this kinda thing for just anybody. But I can help you.” He had sounded so kind, his hint of a smile had seemed so promising.

“I can’t afford it-”

“You can use alternative methods to pay me back.”

You told him you’d think about it.

And he hadn’t pushed you, he had simply helped you back into your jeans and carried you back to your apartment. He told you he’d check on you tomorrow and see if you had an answer for him.

So when the next day came and you had a fever and your leg was throbbing, demanding your attention you’d been all too eager to accept his help.

And just like that, it was your idea.

It wasn’t his, he was blameless, you asked him to help you. And it didn’t matter who had suggested it first, it mattered who brought it up after.

You had been certain that when he had told you you’d be using alternative methods to pay him back that his intentions were unsavory. And at that point you didn’t really care, you’d made your peace with that. The medicine you needed wasn’t cheap and you could find worse looking men who didn’t take care of themselves the way Joel did.

But he wanted nothing of the sort.

Southern Manners.

All he wanted was for you to take care of his apartment when he was out with his business partner, a woman who didn’t seem to dislike you but certainly didn’t care for you. He told you to take a week to just rest, take the medicine he brought you, eat the food that he fed you, and be good. So you did as he asked. And after a week you could move a bit more, you started spending your days at Joel’s tidying up and organizing while he was gone, it was much easier to stay off your leg for most of the day and he always made sure there was food and books for you while he was gone. And when he returned he would help you hobble back to your place and help you into bed without complaint and with a promise that he’d be back in the morning.

But you still don’t relax around him.

It doesn’t make sense. Even someone who wasn’t known for their cruelty wouldn’t just take a stranger in. You’d like to believe that there’s good in people but you know better than to have that kind of faith. There isn’t enough left of the world to share the remains. Yet Joel does. He doesn’t ask to know you better and he certainly doesn’t tell you about himself yet he shows you more kindness than anyone else in your life has before.

He must like having someone to take care of.

That’s how you explain it to yourself.

You watch him with Tess and it’s clear who’s in charge there, she barely even lets him stitch her up when she returns to the apartment. Joel gets frustrated every time, huffing and pacing around the room before finding some way to tend to you in her place. Icing your leg, or bringing you a new book to read, or feeding you.

It took a few months for your leg to heal, it had been in such bad shape a part of you worried that it might never be the same as it once was.

After the first month of your arrangement Joel told you his knees hurt and he wouldn’t be able to carry you home, you offered to just walk yourself over, your leg didn’t hurt that bad anymore and you were more than capable of walking short distances. But he insisted you stay, told you you could sleep in the bed and he’d take the couch.

But his knees hurt, you couldn’t let him do that.

And you told him you’d take the couch and he told you he wouldn’t feel right making you sleep on the couch with your leg the way it was.

So you told him you’d both just sleep in the bed. It wasn’t a big deal. You trusted him, of course you did, he had an opportunity to exploit you and he didn’t, if he was going to hurt you he would have done it already.

He had acted unsure.

You know now that it was acting.

So you had insisted. You told him it was okay, you told him you felt safe with him.

It was your idea.

Even though it hadn’t been your idea to stay that night.

You had insisted he get in the bed with you.

A fact that he would bring up often in the months to come.

He would still help you to your apartment some nights, but just as often he’d complain about his knees and you’d stay. You got used to his warmth, you got used to waking up in his arms and not talking about it in the morning.

So it made sense when he told you that you should keep your pajamas at his apartment.

It made sense when he got a toothbrush for you to keep in his bathroom cabinet.

It made sense when he told you that he couldn’t find new clothes in your size and you could just wear his.

It made sense when he told you that he and Tess had never been a thing, so you had no reason to feel weird about sleeping in his bed.

And it made sense when he told you that he’d hold onto the keys to your apartment, afterall you wouldn’t want to lose them.

Joel Miller was a glue trap. And you had waded across his sticky surface without a care in the world, never realizing that it was getting harder and harder to move until you were standing still. Until the only way you were going to escape was by biting off your own leg.

You don’t remember when you stopped returning to your own apartment completely, but you know that it happened early on, before you’d even started chewing.

Now - JACKSON, WYOMING : 2023

“Ruth?” You’re gonna be late if you don’t find her soon. The turntable in the corner of the kitchen plays a 3 Doors Down song as you lift the table cloth, searching for the little girl. “We don’t have time to play, we need to get you to school.” You groan, turning to face the boy currently sitting in a highchair he’s just about grown out of. “Do you know where she is?” You cross your arms in front of your chest, glaring at him as he shrugs.

Of course he isn’t going to tell. They look out for each other before anyone else, a fact that normally fills you with joy but not when they’re ganging up against you. Thankfully you catch his eye as he shoots a glance at the pantry. Pulling the door open you’re quickly met with the sight of Ruth, giggling on the floor. You pick her up, putting her in her own highchair before setting a plate of fruits down in front of her.

“Eat. We don’t have time to play this morning, young lady.” You poke your fork in her direction as you sit down across from them.

“Eat.” She repeats in a mocking tone, her brother erupting into a fit of giggles at the impression as you sigh. They need to be at the community center in half an hour. You make the job schedules on Friday and you need as much time as possible if you want to finish them in one day. You’re having a hard time focusing on the mess your son is making as he smashes each blueberry down onto the table before popping them into his mouth as you try to schedule your own weekend.

You need to finish all of your work today while the kids are gone so you don’t have to juggle watching them and working later, it shouldn’t be too much of an issue, scheduling should only take a few hours if you really zero in on it. You have dinner with Tommy and Maria tomorrow and you promised to bring dessert so you’ll have to take the kids to the market tonight, which also means you’re going to have to find supplies to barter with before you go.

You have nothing planned on Sunday.

You’ll have to change that.

You hate having nothing to do.

You’re snapped out of your thoughts as a blueberry hits you in the forehead. Both twins laugh now as you frown at them.

“Behave or I’ll tell your aunt that you’ve been bad.” Both children look at each other nervously before returning to their breakfast. You were never stern enough with them. You loved them too much, you couldn’t ever bring yourself to yell at them, and it wasn’t like they were troublemakers by any means, they were just kids with a lot of energy in the mornings. And when they did misbehave a small threat of telling Maria was enough to make them stop whatever it was they were doing.

You finish up your own plate and start getting ready to leave as the kids start giggling again to themselves. When their plates are empty you use a wet washcloth to clean their hands and faces before lifting each of them out of their respective seats, letting them run off a bit more energy before you head out. You set all three bags down in front of the door. Yours being the beige over the shoulder bag accompanied by two little backpacks. Ruth’s green canvas bag is covered in mud and other remnants of the yard that she’s brought in with her but Arthur’s purple backpack is kept neat and tidy. You slip into your coat before turning just in time to watch your son dive into the couch, quickly followed by his sister.

“Come on little ducks. Time for school.” You take their jackets off the hook, holding them out to them as they rush over to you, tugging their own coats on before grabbing their bags, once you pull the door open they both rush out into the cool autumn morning, talking to each other in hushed tones. Always secrets with those two. It would probably make you a little worried if these were normal circumstances, the way they don’t let anyone in except each other, with you being the only exception. But the world is a terrifying place, it brings you peace to know that they have each other.

A part of you is certain you wouldn’t have been able to handle just one.

One little person relying on you, all while you’re doing your best to hold it all together? It sounds like a nightmare. It’s better that they have each other. Once you’re standing outside the community center, busy with parents dropping off their children, you kneel down.

“Be good, if you behave today you can go to the market tonight.” The promise of the market has both of them grinning, showing off the teeth they’ve both recently had grow in. “I love you, I’ll see you in a bit.” You hold open your arms, each of them taking their respective sides as they wrap themselves around you. You take your daughter's face in your hands before pressing a kiss to her forehead, repeating the motion with your son. After a few “love you mama’s” they both run into the building, once you’re sure they’re safe inside you head off in the direction of town hall.

You have what you would call the best job in town, despite the fact that no one else seems to want to do it.

Maria understood when you arrived that you needed something that let you work from home if needed, you needed something that kept your mind busy but also gave you time with the kids. So you took care of the parts of Jackson most didn’t think about.

You document all of the citizens, you make the shift schedules, and you make sure everyone has the necessities. You take care of housing, when big hauls from scavenging come in you divide them up among the people who need them. You make the meal schedules for the dining hall, and you make the crop schedules.

You keep Jackson moving.

When you arrived all of this was Maria’s job along with her other duties, when you told her you wanted something engaging and demanding she was more than willing to pass off those duties to you. So now you’ve got to make the schedule. Town hall is nothing more than a house with several desks for people doing work similar to yours but thankfully you’ve been lucky enough to reserve your own office in one of the bedrooms.

Most Friday's Maria visits you for lunch but you know she’s on patrol currently, another perk of this job is knowing where everyone is, all the time.

No surprises.

You hate surprises. (With a few exceptions.)

One of the exceptions is waiting for you in your office, Tommy sits with his legs up on your desk, reading over this past week's schedule.

“You put me on crop harvest way more than anyone else.” He grumbles, tossing your notebook down.

“It’s the end of the season, everyones on crop harvest.” You lean down, kissing his cheek before taking your place across from him, immediately getting to work as he groans.

“Maria gets to go on patrol.”

“Council gets first dibs on patrols during harvest season.” The tip of your favorite pen is dry so you quickly bring it to your mouth, wetting it with your tongue before you start writing out jobs for this upcoming week. The second he sees how many farming related jobs you’re listing he leans back in his chair, groaning and running his fingers through his dark curls.

Today’s his day off. You always gave anyone doing more manual labor three days off instead of two.

“I can get you on one patrol shift but they’re going to need your help with the corn.” You write his name in with the Monday and Tuesday patrol squad, filling in the rest of his week with harvest as he grins.

“Thank you, darlin’.” He drawls. You hate that nickname, you hate that he isn’t the first to give it to you but you never complain, you’d let Tommy get away with murder at this point. It’s the least you can do considering everything he’s given you.

“Yeah yeah, whatever. You’re only getting a two-day weekend next week.” You mumble, searching through the list of citizens, trying to pick out the people you know won’t mind the hard work.

“Fine by me.” You have a complicated relationship with that smile of his. You can love it all you want but that doesn’t change the fact that it makes you uneasy, it doesn’t help that you’re starting to see that same smile in your son.

“I was thinking about berry cobbler for tomorrow night.” Molly twisted her ankle last week, make sure she isn’t standing. You put her down for shucking corn, she can sit in the dining hall and work.

“We have a bunch of extra sweet potatoes if you want to make sweet potato pie.” He takes your crop ledger, flipping through it, clearly not reading a thing.

“Ruth hates sweet potatoes.” Marcus insists he’s capable of doing manual labor, his pride won’t let him act his age. You put him down for pushing the wheelbarrows, he won’t have to bend down to pick anything up but hopefully he’ll still feel like he’s doing enough. You’ve told him countless times that at his age he shouldn’t be working so hard but he always insists.

“Shit, forgot about that. Maria might have some apples.”

“I’ll stop by tonight before I take the kids to the market.”

You’re thankful for Tommy.

He keeps your mind busy with conversation while you work, and he’s one of the only people you actually trust. By the time you’re almost done you know you need to go get the kids, with a conflicted glance at the clock you start to gather your things but Tommy beats you to it.

“I’ll go get them, Maria should be home from patrol soon, she’ll want to see them.” He’s already putting his coat on so you stay seated.

“Are you sure?” You already know there’s no reason to argue, he’s stubborn, just like his brother.

“It’s the least I can do to make up for bothering you all day.” He steps around the desk to give you a peck on the cheek before going to leave. “Just come by the house when you’re done, no rush.” And just like that he’s gone.

You make quick work of your remaining duties. Finishing everything within a half an hour before heading out in the direction of the Miller’s farm house on the edge of town. It’s only a few houses away from your ranch house, a fact that you couldn’t be more grateful for, if it weren’t for Tommy and Maria you aren’t sure you’d have been able to handle those first few months of parenthood. Most people in town assumed Tommy must be the father purely based on how much effort he put into taking care of not only them, but you as well. As you make your way up their porch steps and into the living room you’re also reminded of the similarities. You can’t blame people for making assumptions, even Maria thought he was the father. The twins have his eyes, (which by association means that they also have his eyes, but you try not to dwell on that.) Ruth has your nose but Arthur has that Miller curve already starting to show on his little nose. Both little ones are sitting in the big recliner with their uncle as he tries to get them to settle down while he reads to them but the second they see you, both are scrambling out of the chair to hug your legs.

And everything goes exactly how it’s supposed to.

(Of course it does, you plan every day down to the minute.)

You give Tommy the list of things you need along with a few things he can trade them for and he takes the kids down the street to the market as you sit at the kitchen counter, talking to Maria about her patrol. You had all planned to go to the market together but she’d insisted she was tired and you didn’t want her to be here alone so you stayed, helping her cook dinner. And you talked about all the things you knew you would, something cute the kids did, how her patrol went, what things you could put on the dining hall menu in the coming weeks.

It’s all exactly how it should be.

Until she frowns.

“Are you busy Sunday?” You had sensed something was wrong with her but you assumed maybe she was just a little rattled coming off of a three day patrol.

“No, did you need something?” You continue to chop up the sweet potatoes she now planned to use tonight instead of tomorrow.

“We found a couple of strays, I thought maybe we could get them settled in.”

Odd.

Normally finding survivors would be the first thing she mentioned after returning, even stranger is the fact that she’d often waste no time getting them supplies and a home to make their own. But you're not one to question Maria’s judgment.

“Sure, we can do that Sunday morning.” You want to ask questions about it but she’s already changed the subject to doing a clothing drive at the community center so you don’t press. Despite the way the look on her face is bothering you.

It wasn’t fear, or discomfort, or something you could explain away with the excuse of the strays being off putting or violent.

It’s a look of pity.

As if she feels bad for even asking.

It unsettles you enough to leave it be. Making idle chit chat with her until Tommy returns with the twins and you take them home. It unsettles you as you make your own dinner, as you give the twins a bath, and as you help them into their pajamas and read them a story. It never leaves your mind.

“Goodnight Ruthie.” You lean down to kiss her forehead, watching her eyes flutter shut as she continues to fight sleep. Always the stubborn one.

“Night Mama.” You take the stuffed bear from the foot of her bed, tucking it in beside her before quietly standing, walking across the room to your son's bed.

“Goodnight Arthur.” You lean down, kissing both of his rosy cheeks, he doesn’t fight sleep the way his sister does. So similar but so different.

“Goodnight Mama.” His little voice has the same southern drawl you know he’s been picking up from Tommy.

“I love you, little ducks.” You smile at him, turning to see that Ruth is already asleep, you tuck in the blankets around Arthur before leaving, keeping the door cracked open a bit so the light from the kitchen can act as a night light.

God, you're tired.

You’re quick to shower and slip into your own pajamas, crawling into bed with a yawn. You take the book from your nightstand, flipping through until you find where you left off yesterday.

You never really know what’s going on in the books you read, they serve a singular purpose and it isn’t entertainment.

You read until you fall asleep, they’re just a distraction to keep your mind busy with thoughts so he can’t sneak in right before you fall asleep and embed himself in your dreams.

It works.

Your dreams never feature him.

They aren’t good dreams by any means, they’re wild. Often of your journey to Jackson, the fear you felt then. But you’ll take that over Joel any day. Tonight isn’t any different, your sleep is restless as you fight the memories of fighting for survival in those woods, but instead of your usual nightmares of infected hunting you through the trees you’re faced with a sight that somehow makes you even more uneasy than the living dead.

The look on Maria’s face when she told you about the two strays.

support me on kofi!!

a/n : this fic has been bouncing around in my brain for months now and it feels so fucking good to finally start it omfg. sorry if this felt a little slow, i really needed to set a tone and a base for the story, sorry!!

#lincolndjarin #fic : every now and then #joel miller x you #joel miller fanfiction #joel miller fic #joel miller x reader #joel miller smut #tlou joel #joel tlou #joel the last of us #pedro pascal #pedro pascal fic #tlou fic #joel x reader #the last of us fic #tlou fanfiction #the last of us fanfiction

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heybabyricecake · 1 year ago

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I would have to say my favorite character of all time is Andrew Minyard, my favorite *main character* of all time is Neil Josten. There’s an important distinction.

Andrew is one of the best characters I’ve ever seen written. His moral compass is skewed but it also makes perfect sense once you understand him. He’s deeply complex and layered and for someone always portrayed as strong he’s also kind of a mess. His past is so disturbing but it makes his values in different relationships clear and healthy and he communicates that well. He’s violent and dangerous and GOOD to his core, he protects everyone and he had an impossible hand dealt to him in life but somehow he makes it work. He has major trauma and ptsd and touch aversion and he works to better himself, he has one of the best relationships with the team psychiatrist and one of the most interesting sibling/family dynamics out there. Add to that the fact that he’s funny and he’s the best goalkeeper in his sport without even trying and you have one of the most thought provoking and beloved characters of all time.

Neil as the *main character* was absolute perfection. He’s a liar and a fraud and he has little to no remorse for his actions especially at first. He loves one thing so strongly (Exy) but has one of the best character developments ever written as he learns to trust the Foxes and Andrew. Watching him fall in love was comedy gold given his obliviousness and demisexuality. He’s so lovable right from the start and he’s FUNNY as fuck. He’s also brave and he grows so much over the course of three books as he learns to protect others and stand up for himself. He’s such a great narrator and his character is so consistent and simultaneously unhinged. His backstory pulls you in and makes you keep reading long past any plot holes or timeline inconsistencies. He’s so instantly lovable and was the perfect pov to experience these books from.

Rambling but these are my thoughts

Don’t even get me started on Kevin

#all for the game #andrew minyard #andriel #neil josten

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lycandrophile · 11 months ago

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conversations i’ve had with my mom this week about top surgery that will make my brain melt if i try too hard to make sense of them:

i was talking to her about how i might have to extend my medical leave because i probably won’t be ready to work at 4 weeks. she told me she didn’t expect my recovery to take this long. this is the same woman who, before i got top surgery, told me horror stories about someone she knew who had complications for months after having a mastectomy. was she just making shit up? was she lecturing me about things she was actively still in denial about? i can’t even begin to guess.

i mentioned to her that i’ve been posting about my experiences with recovery and she seemed…offended? by the idea that i was talking about it publicly. i shouldn’t be surprised because she’s the one who once told me the online trans community is “cult-like” and that she thought i was only getting top surgery because the trans people in my computer convinced me. the thing is, she’s also constantly asking me how my recovery timeline compares to other people so i…don’t know how she expects me to get that information if she also thinks talking to people about my recovery is bad.

she was asking me about how my incisions are healing and she told me to describe how they look to her…but “not anything that’ll make me cry”. do i know what she meant by that? nope! i can only assume the right move was to not describe anything too in-depth, even if it meant not including important details because they might upset her. priorities, am i right?

she asked me if, having been through the worst of recovery and knowing what it’s like, i would still make the same choice to get top surgery. obviously i said i would. she then proceeded to keep saying things like “really? are you sure? even after all this? you know you don’t have to say that, right?” as if it was completely impossible to believe i don’t regret this. why did she ask if she didn’t really want to hear the answer? god only knows.

we found out how much my insurance paid for the part of my surgery costs that were covered and it turns out they paid way more than any of the estimates i was given. my mom kept saying “that’s a lot of money you know” over and over again, as if i didn’t know that an amount of money high enough to buy a small house is a lot. i think she was trying to make some kind of point. what point? idk man.

0/10 totally incomprehensible interactions. i don’t even know what to make of them. i think now that the surgery is done and she can’t fight it anymore, she’s gone from being overtly ridiculous about it to just bringing the absolute weirdest vibes to every conversation about it.

#i hope y’all are enjoying the random updates on my moms bullshit #bc im sure this is FAR from the end of it #top surgery adventures #transandrophobia #transandromisia #transmisandry #virilmisia #virilphobia #anti transmasculinity #transmascphobia #trans men #transmascs #top surgery

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cy-cyborg · 1 year ago

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Writing disability: The Super-Crip Trope, and how to avoid falling into it's harmful elements

The "Magical disabled person" or as it's often called in disability circles, the "Super-Crip" is the name of a trope in which a disabled character has some kind of magic or special abilities, which is used to mitigate or erase the impact of their disability. While not a mandatory part of the trope, many super-crip characters are also stronger than their peers, specifically because of their disability's impact on their powers. So why is this trope so unpopular among many disabled people? There's a few reasons. The main one is because more often than not, Super-crips who are written by non-disabled people are often treated as an easy way out of actually having to deal with a character's disability, and a shortcut out of having to do the research into how a disabled character would deal with certain situations. When these writers encounter something they think their disabled character can't do, instead of actually talking to people with the same disability as their character and doing research, they just write that its not a problem because "magic powers go!"

In some cases, but not all, their powers all but erase their disability completely, at least from the perspective of it's relevance to the story. While, to my knowledge, this was never in the comics or movies, A good example of this is a "fan-theory" I've seen among non-disabled X-men fans who claim professor X could use his telepathy to walk, functionally bypassing his spinal injury (Or his leg injury, if we're going off some of the comics' timelines). This would functionally erase his disability, making it an example of both the super-crip trope and the miracle-cure trope.

ID: An image of Professor X from X-men, a white bald man wearing a suit, sitting in a silver wheelchair, and another unknown man in a suit standing beside him, framed by a circular doorway, both their faces are partially obscured by shadow. /end ID]

Another reason this trope is disliked is because writer's often have good intentions when using this trope, but they actually end up undermining the points they were trying to make. Often, super-crips are portrayed as badasses in an attempt to show that "you can still be a hero/useful to the plot and be disabled", but the way they portray it usually implies that disabled people, as they exist in real life, aren't useful unless they have something that compensates for their disability or have impossible powers.

So should super-crips be avoided entirely? Some folks in the community think so, but personally, I don't agree. Despite all of what I've said so far, I think there are ways to write characters who technically fit the definition of a super-crip, without it being harmful. There's an argument to be made that "super-crip" specifically refers to harmful version of the trope, so not everyone will consider characters who aren't part of it, but I do, and I think it's important to discuss both the harm this trope can bring, and how this trope can be used in non-harmful ways. Humans (and creatures with human-level intelligence) are adaptable creatures, and in a world where magic exists and especially in worlds where its common, disabled people will find ways to use it to help themselves. but help is the key word there. So let's talk about some ways you can write super-crips, without it crossing the line into becoming harmful. The following are some things for you to consider about your character's disability, how their magic/powers interacts with it, how they interact with the world (and vice versa) and more:

Are your character's powers an aid or a cure?

The first, and one of the most important things to consider, is if your character's powers function like an aid or piece of assistive tech, or a cure? If you boil it down, is the magic helping them or "fixing" them? This can be a cure in the literal sense, as in giving an amputee the ability to shape-shift to get their limb back, or a functional cure, meaning the power essentially by-passes the disability, like the above mentioned professor-X fan-theory. It's not literally curing him, but it might as well be. In a world where this magic or super-powers exist, it's perfectly natural that a character might use the magic to lessen the impact of their disability, but it shouldn't erase it entirely. Give the magic a trade off, make it imperfect. You character can cummon a magic prosthetic, but there's a time limit on how long it lasts for, or their magic needs to recharge it. A wheelchair using mage might be able to engrave magic runes on their chair that allow them to pass over rough terrain, but only to a certain extent. It might allow them to go up-stairs, but it can only be used so many times per day (and make sure you show the times where they need to get up the stairs, but have run out of uses!) Things like that.

Is the power directly tied to their disability?

Is the power you're giving the character directly tied to their disability? There's 2 ways you could read this, and both should be considered. 1. The power is something you, as the author, gave to them specifically because it would help mitigate their disability (e.g. giving a character without arms telepathy so they can still pick things up/hold things because you couldn't figure out how they would be a badass swordsman without it) or 2. Does this character, in universe, have their power specifically because of their disability? e.g. Did our arm amputee develop telepathy through sheer-force of will because they really wanted to be a swordsman, and their determination manifested as telepathy/A god gave them the powers because they felt bad for them/a wizard taught them how to do it because they were inspired by the person's perseverance? If the answer to the first one was yes, perhaps reconsider and do more research. If the answer to the second one is yes, proceed with a lot of caution. Generally, if the powers originate from someone feeling sorry for your character, being inspired by them or anything to do with their determination and perseverance, I'd recommend changing that. However, if the powers came from your character having to adapt something to to their disability, that is really a case-by-case basis thing. Sometimes it works, sometimes it doesn't. your success with it will depend on the character, the setting and the specifics of how.

Is this power common, or is this character the only person in the cast/only person we see with this ability?

Is the power you're giving your disabled character rare, or even unique? It's fine to give your disabled characters powers that are common within the world, but if they're one of the only people who has that ability (or similar abilities), ESPECIALLY if it directly helps mitigate their disability, you might want to reconsider that choice. In a world where everyone can fly, it would be weird if your wheelchair user couldn't without an explanation. But if no one else in the story can fly except your wheelchair user, it starts looking more like you just gave them that power so you don't have to think about accessibility in your world. If you really must give your disabled character the rare/unique power, consider making another character with a similar disability but no/more common powers so you aren't just avoiding the issue, or making the power not related to/impact their disability directly (e.g. giving your leg amputee super-hearing.)

Does this power solve a wider access issue in your world, or does it just make it easier for your character alone?

As a general rule of thumb, if you are writing a story where you don't want accessibility issues to be a thing (e.g. a story set in a utopia), focus on fixing the environment, not the characters. Instead of giving your wheelchair user the ability to fly upstairs, give the buildings ramps and lifts. That way, its a solution for everyone with that disability, no matter their access to things like magic or technology. When talking about super-crips, this is especially important, doubly so if your character's power is rare! I made a (mostly joking) post ages ago about an idea for an earth-bender character in the Avatar universe, who gets fed up with republic city being inaccessible and starts earth-bending all the stairs into ramps. This solves the accessibility issue for them, but also makes their environment more accessible for others without bending to get around. Of course, not every disabled character will want to help/care to help others, but often when non-disabled people write disabled characters with powers, they kind of forget that their character won't be the only disabled person in this world. It often feels like they honestly think fixing things for their character means there's no problem anymore, and that's not the case.

Avoid, "I may have [insert disability here] but I can still do stuff because of my power!"

By this, I mean give your character other ways to address issues relating to their disability than just their powers. One funny example I remember reading in a writing group I was a part of was this author who was bragging about how their paralysed character could still drive a car because they had electrokinisis (the ability to telepathically control electronics). Aside from the fact that wouldn't work on all cars - including the one their character drove, since not all cars have electronic components controlling their acceleration and brakes, the way they described it was extremely complex, and overall not worth the effort when the real-life solution, hand controls, was much, much easier and the setting allowed for easy access to that kind of tech. When I pointed this out to them, they said they had no idea hand controls were a thing, and they had no idea that real disabled people could drive. They thankfully changed it, but there's 2 things to take from this: 1, double check that disabled people can do the things you assume they can't, your magic solution might very well not be needed, and 2. variety is important regardless. No one device, or in this case, magic power, should act as a one-size-fits-all solution. IRL disabled people have lots of tools to help us, I have 2 sets of prosthetics for different tasks, a wheelchair, a grabby claw (for reaching things on high shelves when using my short legs and wheelchair) and hand controls in my car (or at least I used to but we won't get into that lol). My prosthetics won't "fix" all my problems, I need other tools too. keep this in mind when it comes to magic too - it shouldn't be the only thing at your character's disposal.

There's nothing to compensate for.

Remember, don't treat your character's disability as something they need to make up for (especially if they "make up for it" using their powers). Your disabled character is allowed to make mistakes, they're allowed to have flaws both related and unrelated to their disability, they're allowed to not be good at some things, and they don't always have to be the best at whatever their roll in the plot is. In most stories, they should be on par with the other characters, or at least in the same ball-park, but as I mentioned before, a lot of stories don't let disabled characters fail. In order to justify them even being present, they are often made out to be the undeniable best, almost to mary-sue levels of perfection and super-crips especially fall into this issue a lot. They can be good at things, but balance it out, like with any other character.

You don't have to use all of these points, but they are still worth at least considering. For example, Toph fails all of these points except the first three. Despite that, she's still one of my favorite disabled characters in media, even if she's not perfect, and I'm not alone in thinking that. I've seen lots of other disabled people say the same about her. Which of these points you should use will depend on your story, character, setting and tone. As I've mentioned a few times now, the key is striking a balance. At the end of the day though, these are only general pieces of advice and a lot more factors go into making a character like this work. only disabled people will be able to tell you if you've pulled it off, and that's where beta-readers and disabled sensitivity readers come in!

Also, remember, these kinds of tropes don't just apply to the more common/well-known disabilities like amputations and wheelchair users, that's just what I have experience with! Be sure to research any disabilities your character has to ensure you are not falling into these tropes.

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