#trust me. it will do wonders.

[daddy-ul]

Self esteem improvement exercises:

Every time you complete a task imagine Lars Ulrich jumping up behind you, snapping his fingers and chanting "that's right, THAT'S RIGHT."

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[blackbatcass]

the first thing every dick grayson writer has to keep in mind is that he is defined by his kindness. second thing is that he’s an asshole. third thing is that he’s so, so angry. fourth thing is that he loves donna hinckley stacy troy more than life itself.

[raebonnz]

final girl syndrome

no fx + closeup

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[carpe-mamilia]

Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name

Photo: Monumental,Guido Mandozzi

It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.

“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”

In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.

The ordinariness of those two names, says Rickard, is the point.

“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”

Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”

“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.

Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.

In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.

Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.

“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.

“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.

The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.

“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”

Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”

Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”

The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”

“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”

From Den of Geek

[kori-senpai]

Fanart for @honeydots Fire Emblem fanfic. I've been using it as a reason to fluke out of social interactions for the last two weeks and boy oh boy I will continue to do so >:)

[ruler-of-turtle-kind]

Hey, do any of my followers have experience with absconding from their parents' house to a safe place as soon as they're able? Do you have any advice on how to do that? Do you have any advice on what the person they're going to live with should do?

[carbonateds-oda]

“do I look like the type of person who’s visiting a grave”

the reason why it surprised dazai that atsushi stated this despite it being so obvious is because he probably expected atsushi to assume something bad of him or suspect him of having more malicious intentions because that’s what he’s used to, he’s used to ppl assuming the worst of him even when he’s just existing so whenever he’s met with someone like atsushi, who even while knowing he isn’t exactly a good person still chooses to see genuineness behind his actions it leaves him shocked. like yeah i am just visiting a grave, not just any grave either this is the grave of the only other person who I thought would ever see me in such a light but that’s been proven wrong just by atsushi acknowledging the obvious. It’s like proof that he is capable of just being a person and having human emotions, he’s allowed to sit in a grave and visit his friend without ppl misinterpreting this innocent action as something insincere

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart���….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……

[tiredcowboyy]

Merlin connecting to arthur through his dreams: arthur morgana has a secret plan to attack you, heres how to stop her!!

Arthur who wakes up and doesnt even question how merlin told him or weather he should even follow what he says since it was a dream: leon!!!! Ive got a new plan!!!!

Also merlin a few hours later: arthur I have magic

Arthur, who followed what dream merlin said and it turned out to be right: WHAT??????

——

I genuinely cant get over it like??? I mean I guess he could have forgot bc he was in shock of being stabbed and merlin actually saying it but still cmon arthur bffr. Like does he just listen to everything dream merlin says in hopes that its true?? Or does he think he managed to figure it out himself and that his brain simply chose to project the information through merlin? And the implications there speak for themselves really.

[yuwuta]

Nanami ver of bsf upstaging bf?? ❤️

listen… i meant what i said when nanami is just as bad, if not worse when it comes to driving your boyfriend away/upstaging him... maybe his tact makes him a better man than satoru, but you could also argue that it doesn’t; you could argue that kento is is only as respectful as necessary and consciously pushes boundaries, whereas satoru just does!! he just IS!! satoru IS overbearing and knows no consequence, but kento is not and he is very aware that evert action has a consequence, but he weighs it, determines it’s worth it, or—arguably worse—determines that the threat of your boyfriend getting mad or figuring him out isn’t high enough. kento is premeditated murder, he is going to drive your boyfriend so insane, to a place where he fully believes he cannot compete where he cannot compares, and kento will not feel bad about it. so, i rest my case, vice president of the not shit club, and their children are NO better!! 

also, having been friends with kento sets a bar that your past and/or current boyfriend must quickly learn to meet, and more often than not, they don’t even come close. why go on random dating-app dates when kento sends food to your house just because he had an inkling you were sad (you texted him in a certain way that tipped him off). dates meeting you halfway at a restaurant/bar isn’t nearly as flattering when kento drives an hour in heavy rain and traffic after work to pick you up, just to make good on seeing a movie you told him you were excited about. expensive dinner dates and bar hopping becomes mundane when that’s the normal for you and kento, when he regularly takes you out to dinner, if not weekly, then at least bi-weekly, because he’s intentional about your friendship and having time to spend and catch-up with each other in between busy work days. it’s hard to be impressed with a boyfriend when your best-friend takes you on his twice-yearly vacations and pays for everything, citing that even though getting a proper vacation is hard, he loves the time spent with you, so it’s all worth it. kento doesn’t even have to wait for some guy to become your boyfriend, he puts any potential partners out of the running by the standards he’s already set for you. 

[jicklet]

1.15 || 4.03

Was it after you drank Karen's fake poison for me? Earlier.

[cantgetworsethanthistbh]

dumping more of my stancest feels here because i cannot NOT think of them. i read journal 3 for the first time this week and its great because Ford acts like stanley's biggest hater which is pretty fking funny (if not absolutely infuriating at times because omfg stfu you smug prick)

but the moments like this get to me

Ford being blinded by his quest of grandeur, accolades and praise for world changing discoveries, so obsessed with greatness, being the first name people remember, and all the other things his npd-isms tells him he wants.

And then there's "reminds me of camping with my brother. i wonder what he's up to..."

i mentioned in my previous post that stan acts quite a lot like the anchor to ford's boat, keeping him grounded and most importantly, safe from both the bitter and the sweet kinds of evils. but he also represents something so much simpler to ford too: the simple desires he represses so much because its not "good enough" for someone special like him.

he resents stan so much because he represents a "block" against that percieved good enough success he wants, the obstacle that made it impossible to get in a fancy college, become the world renowed researcher, the one who wanted to destroy his journal's and lifes work (even though it was the better, safer option if Bill really WAS that dangerous, which he was) that could still make him famous. because if ford's not "praised and weird" then he's just "weird" and being "weird" was nothing but a pain his whole life that kept him rejected and isolated from the masses. and stan prevented him from that.

(btw "maybe he can prove himself to me" is nasty work my god ford is a douche lmao)

a lot of his projections of something greater comes through with how he treated dipper in the show (his whole spiel in damvtf) and fiddleford in journal 3 where he looks down on the happy life that fiddleford had with his wife and child and saying he was "wasting his talents" making computers. and like, we all know by the way he takes them on high stakes adventures they're not as prepared for compared to him (and end up causing more trouble than not by doing so), he's trying to fill a gaping hole left by someone else. we all know this obviously, we all know what we ship here, but what i came to appreciate the most about it is how much that gaping hole exists in the low stakes

everytime ford is thinking during the "down time" moments, his thoughts always drift back to his childhood, and one person who represents it.

childhood memories, making fun of stans favorite snack, scribbling out a design of the stan o war, whenever Ford lets his mind wander it expresses such an intense yearning for the past before he became obsessed with wanting something more. these are his most utmost and most unfiltered thoughts, which is why he scribles them away or and writes in code. and the fact that he directly says they are about NOT getting married, followed with "wondering what he's doing right now", painting the picture of what his most ideal idylic life is. wanting a return of something lost. wanting Stan back more than anything.

he finally accepts that his dream never really changed, just the same as stan's and so they saild off together for the rest of their days, in ford's own words (which ironically sounds like a marriage to me either way so tough shit ford)

[iridiss]

Aaron’s such an underrated character on Aphblr tbh. He’s become one of my favorite characters in the cast as I rewatch more and more of Mystreet. Aaron will tease you, but he’s also one of the best characters in the cast to go to for emotional support. He’ll tell you as it is, smack you upside the head when you’re being crazy and shake you back to rational normalcy, but then he’ll sigh and tell you you’re gonna be just fine and everything’s gonna be okay. He is the number one (and on occasion only) holder of brain cells in the whole neighborhood. He’s the most sensible, and often the word of wisdom/rationale, much more so than Katelyn or Lucinda or Zane or Laurance are. This can often make him come off as a serious character, but he’s still down to clown! He just does it in a different way!

He’s supposed to contrast Aphmau’s louder, more extroverted, playful, ditzy, eccentric personality, by being quieter, more rational, more responsible, more cautious and careful, more reserved, a word of wisdom to contrast her crazier, chaotic energy and pranking and punning and ponies and general whimsical tomfoolery. But that does not, by any means, mean that he is not participating in the antics. Just because he’s the only one who thought to bring a first aid kit and a safety harness doesn’t mean he’s not jumping off that cliff with everyone else in this crazy cast. You tell him to dig, he’ll bring shovels. He may sigh or say “oh god not again” when shit goes awry or the gang decides they are Dead Set on doing something insane for the 10,000th time, but by god he will commit. Aphmau kidnaps a baby and goes on a mad chase for a comedic bit, and he never complains about how “stupid” and “reckless” and “obnoxious” his girlfriend is, he just says in a completely calm tone, “Now if you’ll excuse me, I need to go save my girlfriend.�� And he chases after her immediately lmao.

Aaron enables the antics and participates in them, and if you rile him up or challenge him damn well enough, he will throw himself into the group antics with an unbeatable, fiery fervor. If the boys decide they’re all gonna pretend to be Santa and his elves in order to cause prankster-variety chaos one day, Aaron would join in and go right alongside them. He’s here to make sure it all goes to plan. He’s here to make sure you don’t break any bones when you jump off that roof like a madman. He’s here to help you run away from the cops, help you break into the building. He may chide you for doing it in the first place (“do you even know what you’re doing?!”), and if needed he may drag you back home if you’re barking up the wrong tree and it’s nothing but detrimental to you, but if it’s viable for the bit, he absolutely will show you how to break a window correctly.

And he can be a little shit if he wants to, too!! He can snicker at you and tease you and make quips, and I bet if Aaron himself dedicated his energy to it, he would make the best of pranks. He’s not an asshole that’s full of himself and too serious and stoic and cool for being silly, he’s not a whiny bitch, he’s actually very incredibly supportive. At times, much more so than Garroth, Laurance, Zane, Katelyn, etc. He’s reliable, he trusts Aphmau a lot, he knows how shittily Aphmau cooks and still does his damndest to support her, and he will force himself to eat her biohazardous cooking just to make her happy. He is the chef of the household. He’s good with animals, animals love him. He’s a kind guy!!! He’s just got his own unique energy and vibe to him, that no one else in the cast really has, and I really appreciate that core trait of him. He’s a grounding character. He’s probably got his own ways that he’s weird and eccentric that are a lot more hidden than Aphmau’s. If we didn’t have Aaron, the entire neighborhood would have burned down ages ago, ten times over.

I genuinely do believe he’d make a fantastic dad, being a combination of a soft and gentle and tenderly loving man, and responsible enough to always bring safety helmets and bandaids and snacks, very supportive of his kids development, emotionally available as a great source of genuine advice and wisdom while still getting plenty of encouragement. He would probably want to make an effort to be a very different parent than his father was, and since he was emotionally neglected as a child, he would refuse to do anything similar to his own kids. He’d be a good influence (and Aphmau would be the bad influence LOL)

He’s kind of a teddy bear of a man <3 If he weren’t so heavily wolf-themed, I’d say a bear would be the best animal that’d fit his personality and energy. He’d protect you like a bear, he can be really fucking terrifying if he wants to, but he’d only use that power to make sure Aphmau gets what she wants and needs to make her happy. He’d never use that terrifying intimidation factor of his on his friends and loved ones, never as anything more than a single look that has a derailing Garroth/Laurance/Travis/Dante/Gene/etc. get right the fuck back on track and start backpedaling, like if they started saying or doing something careless or stupid that made Aphmau feel worse. He’s quiet and reserved with that tired, grounded, solid energy of a bear. He’s a big guy. But he can also be really soft and supportive and sweet. He takes more time to come out of his shell and let down his walls, but when he does, he really dedicates his life to the few people he manages to trust. And it’s that thick outer shell that makes Aphmau a good match for him, because she’s kinda the only character in the cast who’s able to bring him out of his shell so easily.

She’s kind and extremely friendly, unstoppably and unendingly so. She’s sweet and naive and selfless in the way that proves to Aaron that she’s not trying to get anything out of him, she’s not lying to him, and she would never neglect him or just…abandon him like a discarded toy once she’s through with him. She’s not scared of him. She sees the best in everybody, and sees that there’s something more underneath that scary, prickly outer shell of defenses that’s managed to push everyone else away and keep the likes of Laurance and Garroth and Katelyn on their toes. She sees what no one else does, she sees the true beauty and the kind heart he has underneath. Even in MCD, when he’s literally held a sword to her throat and threatened her life multiple times, she can still sense that he’s full of shit and there’s a kind heart underneath, and if she does a little cultivating, extends a hand of gentle kindness and genuine affection, a kind of love and affection he’s never really seen before and been starved of all his life… it works wonders, and he steps out to meet her. He changes, drastically, because she sees the best in him, and that makes him want to become the best version of himself that he can be, for her. Where he might hate himself and grapple with feeling unloveable, Aphmau is there to remind him none of its true. And so he tries to keep her nightmares away in return, sticking by her side, taking care of her, cooking for her, encouraging her to keep doing everything she does best, defends her against the bullies that make her feel like she’s not good enough, and takes her by the shoulders to remind her that she is good enough, and all the voices out there and in her head that tell her she’s not are full of shit. Because he knows first-hand, better than most, the good things she brings to those around her and the wonderful presence she is in others lives, and how wonderful she is as a person. He trusts her. He’s here to guide her along in her path to becoming her fullest self, to give her that last big nudge to boost her along the way. Likely on a cosmic level, mainly, with her becoming Irene.

He’s very sweet, he’s sweet to Aphmau, Aphmau’s even sweeter to him, and genuinely I’ve learned to love the big, fluffy guy and I really appreciate him and his impact on the other characters the more and more I see of him. I don’t really know how I would enjoy Mystreet or MCD or the Aphverse without him. If he were real, I would love to give him one big hug, I bet his hugs would be amazing (topped only by Garroth’s rib-crushing bear hugs)

[turtleblogatlast]

Fun little silly thought I had about the Lair Games and specifically Leo deliberately losing is all the reasons he could have for doing so.

My favorite headcanon for his main motivation is that Splinter wasn’t proud of him anymore.

I imagine that, in the beginning, winning the Lair Games was Leo’s opportunity to shine. He wasn’t artistic or the baby of the family like Mikey, wasn’t a tech genius who created amazing inventions like Donnie, wasn’t the eldest who was insanely strong and dependable like Raph. So he had to shine somewhere else- anywhere else- and what better way to get attention than to be a winner? A champion?

And then he won too much. And it wasn’t special anymore. He got too big headed, too cocky, he knew this was his element and he ran with it.

Splinter’s words of congratulations slowly petered out. Suddenly, there was no real reason to win.

Winning feels empty when the only one cheering you on is yourself.

So- Leo schemed. And he’s a great schemer, fooling his whole family (and Donnie did deserve a win- people were way happier when he won.)

He even gave up his prized possession! His room!

Though he knows his brothers probably think it’s a bad prize. A terrible one, even.

Leo doesn’t sleep much as is, though. So Dad’s snores were more comforting than anything. It was reassuring to hear him so clearly alive and close by.

Even if the distance between them was larger than Leo’d like.

He’d just have to find something else, something more to show his dad that Leo was someone to trust, to be proud of, to love.

He gets his chance soon after, when he needs to pull off a plan against Big Mama at his dad’s side. Leo can only hope this victory is one that has a lasting effect when his father looks at him with pride once more.

Victory, for Leo, is a pretty loaded term.