#truly tragic that i’ve been told he used to go out a lot and ‘have fun’ when he was ‘freer’

[thegirlsread]

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[where-does-the-heart-lie]

I love Sabo as a character so much! However something about his introduction into the story has bothered me for a while. Oda is a master story teller but it truly feels a bit like Sabo whole existence was dropped into our laps out of nowhere. What's your opinion on his introduction? And if you could, what would you change?

Thank you so much for all your amazing art! Always sparks joy.

Hello hello! I also love Sabo a lot and as such theres a lot that I’ve had to come to terms with and work out with myself. I’ll let you in on my brain worms and what they’ve concluded with this subject though so hopefully some kind of weight is lifted off your shoulders, cuz right now, i think his introduction was done really well.

So first off, All Of Luffy’s family members’s whole existences were dropped into our laps out of nowhere, to be fair.

Luffy is not one to talk about his family or his past at all. So i dont blame him for not telling us directly about sabo when he barely told us about ace as he stood in front of us in Alabasta. But even if he doesnt talk about his family, for me, it’s very easy to see what Sabo’s influence on and especially what the loss of him taught Luffy before we even officially see him. We see it especially in water 7/enis lobby/sabaody arcs. During the course of the story up to that point, we don’t really see the world government, but even so, we see Luffy’s complete understanding of the cruelty and heartache it creates. We see his utter determination to not let a single other person he loves be taken away by the world government, too.

Also in Arlong Park! We see him understand what someone’s sacrifice on his behalf looks like. He knows how it ended last time. He’s not going to let it happen again and seeing it happen again in arlong park and water 7 and sabaody and Marineford absolutely kills him. Omg not even to mention Shanks losing his arm, too. This man is completely surrounded by people sacrificing themselves for him wtf. But like Shanks’ situation didnt give him that patented World Government Hatred, babeyyyyyy

And with how he was reintroduced officially in dressrosa, i think it was very artistically done. Like having all those themes and parallels to Luffy’s childhood, even going so far as him pointing them out, himself. That, and the Mera Mera No Mi coming back into the story, it gets you thinking back on Luffy’s backstory and what his brotherhood meant to him. So like Sabo’s already in the back of your mind from that and then youre also thinking “well who the hell is gonna get this fruit once Luffy wins it??” So when Sabo comes back i just feel like “of course. Of course it could be no one else but you.”

Also E S P E C I A L L Y with introducing Sabo, famous Amnesia Patient, back into the story during an arc that explores the absolute horrors of being forgotten and being the one forgetting???? Like truly the most opportune moment to get him back in there. I really love the Dressrosa arc, i think it’s all done very well.

I feel like if it was just Ace and Luffy, it would feel incomplete. Like Sabo’s part in their backstories just adds such a delicious spice to the age old dynamic of “older brother who dies for younger brother who he loves a lot.”

Like tell me Ace’s Death would hit the same if Ace didnt already know what it felt like to lose a brother.

His passing is already beyond tragic but like Sabo’s whole part in it just makes it so much more tragic in a way thats just 😚🤌 mwah~❤️ 𝕷𝖎𝖋𝖊 𝕽𝖚𝖎𝖓𝖎𝖓𝖌.

Sabo’s presence also adds a very personal level to Luffy’s understanding of the world he lived in. Like the big picture. I really think that if sabo wasnt occupying that space, Luffy wouldnt try to even know about the WG or class warfare or bother with any of that shit. Sabo is Luffy’s draw to the world around him me thinks. Like of course he would have to face that stuff when he went pirating, but those lessons would not have been taught to him before he got out there without Sabo.

This is the same in present day, like why would Luffy care at all about the Rev Army if Sabo wasnt in it? He’d be very thankful that they took Robin in, but like he wouldnt be actively asking about how the Rev Army was doing if his big bro wasnt a big part of it.

Also on that note of Sabo being in the Rev Army, I think that before Ace’s death and Sabo regaining his memory, Sabo wouldve been sneaky and largely unseen. Like yeah he barges into marine fortresses to take them down, but usually there isnt any survivors to tell the tales of him doing so. So before the timeskip, Sabo is out of the public eye. Out of any eye, really. But in my mind, when he regains his memory, i think he would do his level best to get his name out there. Thats why we see all those people in the colosseum/dressrosa be like “:O!!!! ITS THE CHIEF OF STAFF OF THE REV ARMY NOOOO” its cuz all his inhibitions left him. So like his face would be in news papers but luffy doesnt read news papers to find that Sabo’s alive and doing shit.

I think that Sabo took so long to let luffy know he was alive because he was scared luffy would hate him. I think he was scared of the potential scorn from his little brother he feels he wouldve been justified in getting. I think that if luffy was not put in a position where he wouldnt be able to fight in the colosseum anymore due to Law Getting Shot And Taken Off circumstances, Sabo wouldve let Luff keep going all the way to the end. But in that moment, Sabo knew that the fruit was no longer in his little brother’s capable hands and had to take matters into his own. Like we see him thinking about this in the episode of Sabo. We see him slowly following luffy around, listening, waiting, understanding the complexities of his situation, and ultimately making the decision to swap places with him.

I could literally talk about this forever i love talking about this forever and ever theres so much to discuss.

I’ve heard criticisms that Sabo’s amnesia story feels like fanfiction, but like,,, I just cant stop thinking about the hilarity of it all. Like why do you care that all this is all convenient, when it’s kinda funny. Like image you’re explaining your tragic backstory to someone and like you have to be like “now i know this sounds really. Really. Convenient. And ironic. But it’s My Life and I’ve had to Live Through It so please dont laugh.” Like idk!! ITS KINDA FUNNY!!!!!!!!!

I dont think i would be able to change anything about Sabo’s presence in the story without someone being out of character if im being honest. Like Luffy doesnt bring up his past, Ace doesnt like bringing up things that cause him pain, and we dont meet anyone else who knew he even existed until we see Luff’s backstory.

There’s a panel in the logue town arc though, that kinda looks like Sabo standing in the crowd. I think that maybe in the reanimated show or even the life action, if we could get a closer visual on him, just to see that he exists there, i think that would be neat.

Thanks for the question and kind words! Hope you enjoyed the long rant, i could rant for 2000000 more paragraphs but I’ll cut it there for now.

[boots-with-the-fur-club]

Next part of the hand saga!

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@daboyau

@phoebepheebsphibs

@littlemissartemisia

@that0n3shr00mi3guy

“Answer our other questions first! I don’t trust you after everything you’ve done! After everything you’ve caused! You….you helped kill my brother!” Donnie screeches, hand on his tech bō shaking so badly out of anger he worries he might break it.

“I never meant for you to be harmed this way. You won’t believe me when I say it, but none of this was born from malice. I haven’t spoken until now because there was no need to. As for why I’ve been tormenting you….it’s for a reason you are not going to easily accept.”

“Just say it already!” Leon insists.

“I did it because I was asked to.”

Raph nearly hits the hand with his fist, just barely hitting the ground next to it.

“You think we asked for this!?”

“No. You didn’t. Someone else did.“

“Who!? Who would ask for this to happen to us!? To everyone else!?” Donnie asks.

“To put it simply, the people who made you.”

“W-We don’t even know our original parents….” Mikey comments.

“No, not just you. Your entire world. Everyone in this competition is formed from a collection of ideas from an author or authors. These authors gave you the titles you go by. They sent you here to compete. To meet other characters in their own stories. To promote their own stories. That’s how this started. No Fun in Fungus, they simply sent an “ask” of mushrooms, spores. Then your author wanted more, one for each of you.”

“What possible reason could there be for doing this to us!?” Donnie grits his teeth.

“To give more to your story. To bring you all closer together. I too was created in this way, for this purpose. I have merely been a tool to different beings. It may sound ridiculous, maybe even insensitive, tragic, but you should consider what you have gotten. What you’ve learned. When Karai was brought here, you were even told not to think too hard about such a concept.”

Each of the brothers want to make the argument that it’s crazy, but they do in fact remember what the competition mod said to them.

“Even Misa giving you those flowers was an ask sent by an author. These asks…..they were all in good fun. Hurting you was just to make comfort all the better. You were never supposed to die. You were never even supposed to be seriously injured. I just enjoyed seeing all the stories coming from the spores so much. It’s gone too far. It’s why I want to help now, before someone is killed in a way they can’t come back from. No Fun in Fungus was already over, they were supposed to rest. You all still have a lot of story left to tell, it’s not supposed to end here.”

The four of them take in this crazy amount of information they’ve just been told. Can they really trust the hand after all they’ve been through?

“What can you even do to help?” Leon questions angrily.

“The spores are not the only item I possess, as you know. I am intertwined into your and No Fun in Fungus’ storylines. For that reason, I am able to bring out what is called a plot device.” The hand moves to the side, revealing TNT charges connected to an empty base.

“There’s nothing in there.” Donnies says dryly.

“Sometimes plot devices are there to urge the story forward in different ways. In order for this to work, I need mystic energy from each of you. That may be difficult for Michelangelo in his current state, perhaps I could find another one-“

“Mikey, my brother I love so much, I did not bring you back from the dead for you to kill yourself again. Lay. Down.” Leon threatens.

Mikey lays back down.

“It does not have to be him. Because of your being separated at first, you haven’t had the chance to completely understand ninpo. It seems only Mikey truly has.” The hand explains.

“You mean the sacrificial martyrs? Why would we want to know about them? Mikey’s been doing that way too much already!” Leon complains.

“Hamato have sacrificed themselves numerous times, that is true. You’ve seen it be true. Ninpo isn’t inherently about dying for a cause. It’s just how it’s been used a lot, considered the only way. It also has been used to save. Out of love. You’ve seen that too. Ninpo is about the connection to your family. That’s why Donatello was able to use it. That’s why Mikey woke up and used it. When you’re about to lose who you hold dear, your connection strengthens more than ever.”

DvD glances at Mikey. They stare at each other for a second or two. It’s true that they’ve been through an experience nobody else could, or should, truly replicate.

Maybe DvD sort of understands why the NFIF group are the way they are. Obviously he knows how it feels to want to protect his brothers after almost losing them, but what he’s learning is why they’re so willing to throw away their lives even for people who just look vaguely like family.

It’s so much easier to experience pain than to experience someone you love going through pain.

It’s a sentiment he wouldn’t have even considered before everything they’ve been through. Something Draxum never would have let him ponder.

He loves his family.

It’s messed up, they lost years of being able to know each other, there was so much distrust, and things aren’t even close to perfect right now.

But this is his family.

Even April, who has zero blood relation to them but still went through all this just to help.

Misa, who’s yearned for family and takes the role of an elder sibling because she wants to take care of others despite her young age.

Karai, who is related to them but wasn’t originally even supposed to know them if her mission had succeeded.

Something he’d protect with his life.

The hand brings the container closer. DvD looks back at it and hesitantly puts his hand on it. A purple, glowy, shiny substance pours inside. He takes it back after a moment, feeling like he was drained a little bit, but otherwise fine.

Raph and Leo look down at it in surprise before the latter takes on more of a bitter expression.

“I’m the one who took care of Mikey. I protected him. I did my best every single day for years to feed him, clothe him, give him what he needs. I was there for him longer than any of you. Why don’t I have powers like him and Donnie? Are….are they closer….than we are?” Leon frowns deeply.

“No! Leo, I love you just as much! I promise! That’s not how it is-!” Mikey voice cracks from how raw his throat still is.

Raph gently rubs his shell.

“He’s right. Connection to family doesn’t mean how much you love them, but how you think about yourself in relation to them. Insecurity about your place in it.” The hand stares.

Leo feels all eyes on him and starts messing with the material on his pants to avoid addressing what was just said.

“Welp, no insecurity here. Must be something else.”

“The fate of the multiverse might be in danger at this point, you’re going to avoid talking about what we already practically know? Why you left Mikey before-“

“I don’t want to talk about it!” Leo yells, interrupting.

He holds onto Mikey tighter.

Mikey presses his cheek against Leo’s and nuzzles into it as much as possible.

“I….I haven’t….gotten over anything. When I got spored, it reminded me of everything I’m afraid of. I….I…..still can’t accept that any of you love me! I-It’s hard work to even like me, loving me? I-Impossible! Nobody actually does! I-I made Mikey feel like he has to be loyal to me because I took him in. I forced him to never leave me and then I left him! And then he forgave me because he’s so nice and lovable! He’s a pretty painted picture but I’m just a bunch of shredded pieces that I can’t tape back together! Why can’t someone just finally sweep it all up into the trash!?” Leo sobs.

Raph, Donnie and Mikey’s jaws all drop. They’ve been aware of just how hard it’s been for Leo to understand that he’s wanted, a real, true part of the family. What they didn’t know is just how lowly he really thinks of himself.

Leo sniffles.

“I’m cursed. I always have been. Even if I am a part of this family, I shouldn’t be. Look what happened! To Mikey! To gram-gram! To all of you! Not just now, but before too! And you saw what happened to the NFIF guys! Leo helped feed me and Mikey and then he went missing and I just know whatever is happening in that room to him is awful! NFIF Raph held me and tried to protect me and he’s still back there too! You’re all going to get hurt or die or worse with me around! I-I should be alone, I should at least be punished for everything I’ve-!”

DvD, surprisingly, is the one who pulls Leo into as tight of a hug as he can manage without hurting him.

“Shut up.”

“Wh-What? Is….is this supposed to make me feel better or are you angry?”

“Both! The only person who thinks you’re not worth anything is you! How dare you say that I don’t care about you!? I do! You should care about you too! You want to stop being a burden!? Then don’t make us live without you! If you weren’t here, Mikey would be dead right now. If he hadn’t wanted to be with you and didn’t leave those families, we wouldn’t have this family. We wouldn’t have found each other. Give yourself more credit.”

Leo goes back to hiccuping sobs as he buries his face in DvD’s shoulder.

Mikey starts crying as well, despite how much he’s already been doing.

“I-I’ll rip up my picture a-and we can make one up ourselves! I-I can give you tape! J-Just please, d-don’t go again! I-I love you so much!”

Leo pulls him more into the hug, they wet each other’s faces with their tears.

Raph wraps around them all.

“You told that other me before about how you know he’s not a bad guy. How we’ve all made mistakes. You should give yourself the same benefit of the doubt. You aren’t cursed, bad things……just happen. A lot. What was going to happen to the NFIF guys would have without meeting you. But now because they met us, we can help them. There’s not a day that goes by where I’m not glad you’re in the family, Leo. I love that I know you. I love you.” He rest his chin on top of Leo’s head.

Leo and Mikey keep crying until they’ve finally calmed down.

The hand once again offers the container towards Leo.

“How….do I do it?”

“Think of your family as a something within you, and release it. Raphael, you as well.” The hand urges.

“What? Me? But didn’t have any breakthrough or anything…..”

“Right now is the moment you feel closest to your family. It may also help to remember who is not here, and wanting to get her back.”

Leo and Raph nod, both placing their hands on the container. Red and blue pours in before the hand takes it away.

“Where…..are you going to find a replacement for me?” Mikey brings up.

April suddenly bursts inside the room.

“You guys! He took Misa!”

April had kept walking until they could no long hear Mikey scream. It took everything she had to not go back to help. Misa wanted to go back too, but as grown up as she thinks she is, nobody should be seeing that.

Nobody should be experiencing that.

It’s not like the turtles were adults either. They shouldn’t have to listen to their brother scream and beg for the nightmare to end. It’s something they have to do though because the only good adult they have around has been taken.

It’s painful to not be able to do anything else, but this is incredibly important. Misa needs her right now.

“Is….little big brother….going to be okay?” Misa asks, looking up at her with wide eyes.

“He’s got everyone else with him, they’re going to do whatever he needs them to.” April assures.

Misa looks down.

“I want to help Raphie too.”

April bites them inside of her cheek. Guilt for leaving him is gnawing at her as well. Wasn’t there anything else she could have done? All that guy has being doing this whole competition is trying to protect everyone from the spores.

Who protects him?

“We’re going to, when we have a plan.”

“But….but it’s going to be too late!” Misa whines.

“Hey, we don’t know that. Maybe….maybe the void guys helped out and he’s coming back to us now!” April suggests, vaguely aware it’s probably a huge lie.

Misa pouts until footsteps draw her and April’s attention.

“Raphie!!” Misa shouts excitedly shouts, wriggling out of April’s arms.

“Misa! Wait!” April reaches out too late.

The young girl runs up to NFIF Raph who picks her up. They smile at each other.

“Hey, kid. Glad I found ya. I have something real important I need you to do.”

“How can Misa help?”

“I need to borrow your portal sword.”

Misa gladly hands it to him.

April sees a glowing, blue tear roll down his cheek.

“Misa! Get away from him!”

Misa looks at her in confusion before seeing Raph’s eyes fill with blue. She begins grabbing at her sword but he keeps it out of her reach. He then holds her tight, close to his plastron and tucked under his arm.

Raph’s smile falls. The glowing tears fall freely down his cheeks with no signs of stopping. He looks over at April with a sorrowful expression.

“I’m sorry I couldn’t keep my promise. I really tried. I just….there’s no reason for me to fight anymore. My family is all back there. Even if I did fight, everything I do fails.”

“Raph! That’s not true! Fight it, we can save your brothers together! You don’t have to do this!”

“No, doing this is the only way he won’t hurt Misa. It had to be me. All we need is the sword and to use her as bait. She’ll be okay. I’d promise, but….my promises don’t mean much…..” He opens a portal.

“No! Raph! Misa!” April poofs to get close, but ends up falling on top of nothing after the portal disappears.

“Where did he take her!? Back to that room!? Are they sporing her again!? She can’t survive that! Mikey didn’t!” DvD panics.

“Hold on, what do you mean he didn’t-WHY IS THE HAND HERE!? IS THAT TNT!?” April points.

“Be not afraid-“

“IT TALKS!?”

UIFY Raph explains what happened. April feels like her feet are stuck to the floor. It’s only been 15 minutes and things somehow turned even more disastrous.

“H-How are we going get more ninpo!? That could kill Mikey again!”

“It can come from you-“ The hand starts.

April slams her hand onto the container.

“I want to save them! Please work! Do your magic thingy!”

Shockingly, it does work. Green pours into the container and the colors all being swirling with each other. They glow even brighter.

“This should be enough. I can set up the charge behind the wall that houses the main mushroom.”

“Wait, won’t that hurt the other me?” Leo brings up.

“He’s survived worse.”

“That’s not a good reason!”

“He’ll be alive and the spores will be gone. Is that not what you want?”

“It is, but-!”

The lights suddenly shut off.

DvD quickly turns on the light from his phone.

“Oh what now!?”

“Hello everyone in the competition! It’s your new overlord, Audrey III!” Donnie’s voice calls from a speaker in the room.

Oh no.

DvD quickly searches the room for some medical masks which he puts on and passes out to his brothers and April once they’re found. If he thinks what’s about to happen is really happening, they need protection.

Leo careful puts Mikey’s on for him and then carries him on his back as they all leave the room.

There’s panic and chaos everywhere from the sudden darkness. People are bumping into things and shouting.

The nearby vents start releasing the familiar, sickening spores.

“Don’t resist. Or do, your fear is tastier that way.”

[minus500socialcredit]

Kay to me is an underrated character, she is so over-hated in my eyes and it’s understandable in the sense that Michael is the ‘protagonist’ and Apollonia was the best match for this protagonist that we follow however there are many things to say in Kay’s defence and why she should not be as overlooked as she is.

I’ll start of with the obvious, she fell in love with a sweet, kind-hearted man who fought for his country and wanted nothing to do with his family’s “business”. Instead of judging him on the bases of his family and arguing that she cannot be with him because of what his father does, she judged him by his own character and his own autonomy to choose what he does. That in its self is a very overlooked factor about Kay, she judges Michael on his own self and has the heart to do so, she loves Michael despite what his family is like and not many people do that. She was shocked to say the least when Michael told her about the story of how Johnny Fontaine became famous yet she still listened to Michael’s classic “it’s my family Kay not me”.

Michael decided to avenge his fathers shootings and proceeds to evacuate to Sicily to seek refuge as he had just committed murder. Kay is left in the dark in all of this, she even proceeds to tell Michael that she’s called and written over a hundred times and he never answered, he left and got married to another woman, whom I adore very much and I know that if he stayed with Apollonia the godfather would have been a completely different story and Michael would have not been as tragic of a character, but Kay was not told about any of this. She did not receive any closure and tried to still keep in contact with the man she loves. She then of course gives up because you can only try so much when the person you love does not reply to anything.

Then of course Michael returns to Kay because Apollonia has died and he has to come back to America, it’s so overlooked how manipulated Kay was in that scene. Her kindness was taken advantage of and her emotion too. She was vulnerable and that vulnerability was used. Michael tells her that in five years their family business will be legitimate and that his father is no different from a senator or a lawyer which in fact is not false, however in Kay’s eyes since she was very naive at this point, she did not understand all the evil that goes on with powerful people even politicians and senators. He gets her back together with him because of her kind heart and proceeds to lie to her a lot. Including the classic lie about killing Carlo.

He has taking advantage of her naivety to the point where she had to act on the worst, her kindness was truly taken for weakness and because of that she knew what was at stake for her family. In a deleted scene of ‘the godfather part II’ Anthony runs up to Michaels button men and Kay runs after him to stop him. This shows how corrupt her and Michaels son Anthony is becoming. She knew she had to get Anthony away from this toxic world or he would end up like all the men that surround him. “Look what’s happened to our son” she screams at Michael later on in the film and “Anthony’s friends are your button men” which is what this scene was foreshadowing. Her anger is seen to her son becoming in a corrupt state of mind, he’s an insecure little boy who rarely sees his father yet looks up to him so much, of course there was much for Kay to worry about.

Going back to how Michael told Kay that the family will be legitimate in 5 years “well that was 7 years ago” Kay rightfully states. She can tell at the height of Michaels power he will never change, he has been don for 7 years now and has not backed out. His father was avenged yet he’s still continuing because once you’re up it’s unlikely you will come down and Kay can see that very clear with Michael as he did not keep the promise he made to Kay. She knew that no matter how much longer she would stay Michael would never change his ways even when he says “I swear I’ll change I’ve learnt I have the strength to change” Kay saw right through that because of all the lies she has been subjected to.

Over all this abuse to her lead to Kay leaving Michael in one of the cruellest ways, taking away his unborn child and attempting to take away his children. Was it cruel yes, however it was very much justified in the sense that Michael has abused her psychology for years, she only wanted to escape. She was physically trapped and mentally trapped in a world she hated and did not want to subject her children to and that in itself took a lot of strength. We all clearly know that the abortion hurt Michael but nobody ever thought about the pain Kay went through, physical and psychological, those are only of the abortion. This is her child that she was going to love as well, yet she felt she had no other choice but to get an abortion. There is also the pain of getting to the stage of the abortion, Kay’s emotions in all of the godfather is ver under-appreciated she is also a tragic character.

I will conclude all of this with a thesis of Kay being a misunderstood character who is over-despised and equally as tragic. Michael wanted a western independent woman and when he got that woman he couldn’t handle her, everything that came from Kay was very justified and Michael while he will always be my favourite character it has to be understood that he was a psychopath who was always within the depth of his own loneliness Kay was subjected to Michael’s powerful ‘wrath’ and did what she had to do.

Thank you for reading and have a great day!

[scribble-dribble-writes]

hi!! could i request smthn w miguel o’hara based on vampire by olivia rodrigo?? 🙇‍♀️ it can be gn or fem

Interesting, very interesting

*rubs hands together to make the most tear jerking piece ever*

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Dream crusher

Word count: 1000

Warnings: angst, lot of angst, antihero x assassin reader trope 😏😌🤭

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The argument had gotten to its peak, as he stepped to reach for you, to console you but you took a step back.

The last six months had been tumultuous. Filled every high and every low, stuck in a loop of wanting his affection and trying to convict him for his crimes because that was why you were here. To eradicate him, to end him. And here he was with those dark brown eyes that turned into honey, only for you. And now you were at a crossroads.

But you put out your reasoning, that if you could somehow flip this scenario onto him, if you could get him to break then what you had to do would become easy, to stick the dagger and vanish into the multiverse.

“How’s the castle built off people you pretend to care about?”, you asked him. Gesturing to his lab and the screens that were lit behind him.

“Look at you, cool guy, you got it.”, you huffed to see his emotions flicker across his face even though he did his best to remain placid.

“Six months of torture you sold as some forbidden paradise.”, you let the remark out and it was taking effect. It was breaking him down.

“Why are you doing this? Don’t self sabotage.”, he held himself together. And it cut you deeper because he had caught on to exactly what you were doing.

“I loved you, truly. Todavía te amo.”, his fingers fidgeted for you and it amazed at how much power you held.

“You gotta laugh at the stupidity.”, you huffed as you wrapped your arms around yourself.

“How couldn’t you see why I was here, Miguel?”, you furrowed you brows but the anger with which you had arrived vanished. Now, the love you had for him was holding you back getting you to say words you didn't entirely mean.

“Did you think you could live here with such comfort around you? when I have to mourn my world, the one you destroyed.”, you marched towards him and with every step you took, he began to shrink. Till his shoulders were arched, his face downcast.

“I’ve made some real big mistakes, sure.”, you continued with your rampage.

“But you make the worst one look fine.”, you lashed out and he stood there, taking it.

He was letting you pummel him, and you were going ahead with full force as the anger surged but along with it was a voice begging for him to do something. To fight back, to react, because seeing him like this was breaking you down simultaneously.

But you had to do this. For revenge. For all the people who had lost their home. But as you paused, you heard him speak.

“Everyone I talked to, told me you were bad news.”, he said and it made you freeze.

“You called them crazy, Ah dios, I hate the way I called them crazy too.”, his eyes found yours and all your plans crumbled, cause tears were streaking down his cheek.

“How did you lie without flinching?”, he asked his eyes roaming across all the places he had kissed on your face, as he was hurting from not seeing the signs, for loving you without doubt.

“Qué fascinante, paralyzing tragic little thrill.”, he held his gaze, it softened as he said it and with that he looked away.

“Can’t figure out just how you do it.”, he mumbled as he looked defeated.

You mustered your courage. You had a cause. You were doing this for justice. You wanted to touch his cheek.

Justice.

You wanted to turn his face towards you.

Justice.

You clenched your fist as you resisted.

“I should have known it was strange.”, you said it but your words were beginning to lack their prior punch. Now they seeped with feeling.

“You only come out at night.”, you didn’t have the strength you thought you did.

“I used to think I was smart.”, you zoned out, all your strategies and plans now failed.

“But you made me look so naïve.”, because his love had transformed you. He had shown you his true self and the wounds he harboured from what had happened.

And as you stood there in the silence, your eyes flitting to his lips reminding you of all the nights he had whispered sweet nothings or the soft longing kisses he gave you, especially the one time he was so happy to have you with him that it had caused his fangs to nip the edge of your lips by accident. But it was you who had sunk your fangs of vengeance into him now and he was bleeding all over.

“You said it was true love.”, he turned to you but his eyes now red, filled with hurt and sorrow.

“but wouldn’t that be hard?”, he laughed cynically.

“You can’t love anyone, because that would mean you had a heart.”, he pushed away from the desk, slowly resuming to stand to his full height to look down on you.

But it wasn’t true what he said, you held your head high to face off against him but in truth you were holding back your tears. The damage you wanted to do to him was useless and somehow with every word he said with his broken heart, it wounded you much more deeply. Because you loved him and you couldn't uphold your cause.

“I have made some big mistakes.”, he reached for you slowly and this time you couldn’t move away. So you stayed, to feel his finger trace your cheek.

“But you made the worst one look fine.”, he said with a sad smile. Because the worst thing you had ever done was what you did now. You broke his already shattered heart.

“The way you sold me for parts and bled me dry of all my feeling for you.”, he didn’t let you go and your body craved his warmth. This plan of yours had failed and now you dealt with it’s torturous aftermath. He was never going to let you get close again.

He leaned down, almost as if he was going to kiss you but stopped as his lips hovered over yours.

“I was going to ask you to marry me.”, he whispered and it sent a chill down your spine.

Instead he clicked his tongue as though he had been met with misfortune.

“Dream crusher.”, he said with a weight and it broke your heart. With that he moved away, taking with him all the love you had only ever dreamed of.

[kadi219]

The #TedBecca fandom went nuclear after that ending, and I get it. I’m not going to comment on how people should feel or not, because I’ve been there.

Sweet Lords of Kobol, have I ever been there.

I have seen some shitty finales. It’s why I hate them now. I loathe final seasons, and I’ve gotten to a point where I just don’t watch a lot of television while it’s airing. I have honestly gotten to a point where if my faves made it out alive, it’s a win. Fix-it fic is a very happy place.

#TedLasso and #StarTrekPicard were the exceptions to that rule, and probably the only thing besides football that I’ve watched live in a long time.

I have shipped some ships that went straight to shit. I have shipped some ships that ended tragically (Voyager, House and Major Crimes left their mark on me, okay? And it’s deep, scarred, and I’ll never trust an EP again).

That said, with #TedLasso, I did not feel the same old trauma that I’m used to. I liked that ending. I laughed, I cried, and I thought it was great.

1. Jamie and Roy — We’ve been told since almost episode 1, Season 1, that there is no such thing as perfection and people are a work in progress. They got drunk, and like idiots, their drunken mouths and egos overloaded their good sense. The point was not their regression though. Roy acknowledges at the end of that scene that they are both “fucking idiots”, and Jamie acknowledges that. Then they go eat. I think they’re okay, as far as the friendship we saw grow. And we see Roy working on himself, both as a Diamond Dog, and in therapy. These are not perfect guys, and we were never going to see a perfect resolution to their issues, but I love how far they’ve grown…. Roy in therapy with Dr. Sharon? LOVE IT! BUT – As I said, the point of that scene is not their regression. Keeley chooses NEITHER of them. She chooses herself. I think she and Roy could end up in a place where they could get back together, but he’s got some work to do on his own, and then there’s the point of Keeley’s storyline this season (IMO), she has some work to do with being happy about who she is, in her personal life and her professional. She needs to feel secure in that, and she’s almost there. To me, the series ended with the potential of their reconciliation. There’s hope! Which has been one of the main themes of the show.

2. Beard and Jane — that chick is hella weird, and I don’t get it, but Beard does. I think the wedding part of the montage might have been a dream, because I agree – in no universe is Ted missing that. Either way, I just didn’t care about them. It doesn’t bother me.

3. Rebecca and Boat Guy — I don’t think he’s the lightning. But I think she deserves the opportunity to be with someone else post Rupert, before anything serious develops anywhere else. She hasn’t had many post-Rupert relationships. She deserves to have those, given how long she was with that asshat.

4. Ted and Michelle – Ok, this is probably going to be the controversial, unpopular opinion. Ted was always going to go back to Kansas. The entire show has been leading toward that. The question is whether he ends up staying in Kansas, or not. Ted feels, very strongly, like he needs to be with Henry. This is what he feels will make him happy, and will make Henry happy. Rebecca gave him solutions to that, and they’re great ones. He's not there yet. Here’s why: Now that Ted knows Michelle was with Dr. Asshole, but we’re given the idea she isn’t anymore (I’m going with that), Ted deserves to know how much of their marriage breaking up was truly about THEM growing apart, and how much of it was Dr. Asshole being an unethical shit. And, IMO, Michelle deserves to know that too. How much of her thinking Ted was must “too much” and pushing him away was Dr. Asshole influencing her? How much of that was this absolute Frakweasel being so unethical that, I can’t even find the words. Michelle was vulnerable, and the question is, did he use that vulnerability and her trust in him to break them up? It’s a question that needs to be answered for Ted and Michelle, before either of them can move on, and it needs to be answered for Henry too. What I think, honestly, that they would find is that they really did grow apart. I think that it would make them better co-parents. They are still family, there is no reason they cannot be amicable in their split & their joint custody of Henry. I also feel, very strongly, that neither of them is going to be comfortable with the other moving on, or with themselves moving on, until they know the answers to those very big questions. I also think, ultimately, in my damaged, scarred, very traumatized shipper heart, that this will lead Ted back to Rebecca, and to a place where the two of them, Ted and Michelle, could have that conversation about her and Henry making the move to England.

So really, for TedBecca to happen, Ted had to go home.

I also think, for Ted to truly be happy, he had to go back. Not that being in Kansas is what will make him truly happy – but what will make him feel strong in himself, as a person, and a father, and a friend. There are so many unresolved issues for him in Kansas, that, I agree – in that final scene he doesn’t look totally happy with his choice. He didn’t WANT to leave the people he loves in England behind. He’s going to miss them. He felt like he needed to. But to me he looked content in where his choice could take him. There was hope there.

There was hope there for all our characters to get the futures they deserve. That’s the kind of finale I can live with. That’s why I loved it.

[citrus-cactus]

CITRUS, YOU HAVE MY PERMISSION TO TALK ABOUT YOUR POOR LITTLE MEOW MEOWS

DR. CRINGEFAIL: 2 4 14 21

SAD SCOTTISH MAN: 2 7 20 22

Enjoy!

BLESSINGS BE UPON YE, YOU KIND, HANDSOME, OBSERVANT STRANGER, YOU. MY CROPS ARE WATERED, MY FIELDS ARE THRIVING!!

Ask game here.

Under! The! Cut! Cuz! I’m! Embarrassed!

The one, the only, Noodle-In Chief:

2. When I think I truly started to like them (or dislike them, if you've sent me a character I don't like)

It's not 100% clear to me, but it was definitely around the September timeframe of the novel (the first time I read it, in ‘22). I don't think it was OFFICIALLY too late for me until he met the Harkers at the end of September and Mina was like "Hey Jack. JACK. You keep your diary on all these wax cylinders, and they're not even LABELED?!" And Jack was like "...Um. Yeah, actually... that never even occurred to me." gOD, you IDIOT <3 (I may be paraphrasing). But it was this and several of his earlier blunders paired with his dogged determination to remain genre-blind and skeptical of everything that he was witnessing that ultimately endeared him to me. There Is Most Definitely Something Wrong With Him (derogatory) (affectionate).

He’s truly a problematic fave, but he’s my favorite character in the novel nonetheless!

4. How many people I ship them with

Um, the entire vampire-hunting polycule? THIS MAN DESERVES ALL THE KISSES where canonically he has none, and he deserved to be one of Lucy’s three husbands, fr fr :(

14. Best storyline they had

The incredibly tragic story, told in his own words, of how John “Jack” Seward, MD had to watch the woman he loved waste away and die of a mysterious ailment, interspersed with personal asides regarding how full of vigorous manhood all of his friends are, and how his former professor is so incredibly hot good at everything and spry for his age, but who also may be (in Jack's professional opinion) a touch crazy. Peak sopping wet noodle time, it’s amazing <3

21. When do you think they were at their happiest?

September 30: "I got home at five o'clock, and found that Godalming and Morris had not only arrived, but had already studied the transcript of the various diaries and letters which Harker and his wonderful wife had made and arranged. Harker had not yet returned from his visit to the carriers' men, of whom Dr. Hennessey had written to me. Mrs. Harker gave us a cup of tea, and I can honestly say that, for the first time since I have lived in it, this old house seemed like home."

BUDDY!!!! T^T

"JUST SOME GUY(tm)”:

2. When I think I truly started to like them (or dislike them, if you've sent me a character I don't like)

I mean, I’ve always liked him quite a bit (that voice, that tragic backstory, that Shakespearean flavor). But for whatever reason I didn't become obsessed until my rewatch last summer. CanNOT stop thinking about this man, the former king who has really just been a pawn his entire life; what he thinks, what he feels, how he's been going through the motions while searching for the one who betrayed him, yearning for a death that will not come for as long as he has. HE’S JUST SO SAD, YOU GUYS!!!!!

7. A quote of them that you remember

Every word that comes out of John Rhys-Davies’ mouth is SO GOOD, but the quote that sticks out the most is (of course) "KNOW her? I NAMED her." GODDDDDDD it's infinity good and I never get tired of hearing it, not even once (and since they use it in every relevant "Previously On," you hear it A LOT). It's ok though, because they 5000% knew what they were doing with that one.

Some other choice one-liners:

"I'm just… so... tired" is also top-tier delivery, and does a really great job of summarizing his entire existence since 1057.

"And I know how to read them" is such a sassy retort (and a GREAT callback to “Lighthouse in the Sea of Time”).

“For that matter… WHY ARE WE WORKING TOGETHER?” is sooooo *chef’s kiss.* Enjoy being a walking, talking meat puppet with your worstie for several more months, my guy!

20. A weird headcanon

Ummmmm soooooo I designed a gargoyle form for Mac as my headcanon for what he would've looked like in "The Mirror" (of course I did). My Watsonian explanation for why we didn't get to see him that night is he was way too busy getting drunk off his ass and crying over his long-dead wife (yet again) :C

22. When do you think they were at their lowest?

990-some-odd years is a looooong time to find your lowest point. Even though moments like Gruoch’s marriage to Gillecomgain, his first “death”, the ending of “City of Stone,” and the middle of “Sanctuary” were pretty low moments for him, I’m quite sure his lowest point was never actually seen on the show (centuries-long depression isn’t exactly Disney Afternoon-friendly). The day(s) he found out about Luach and Gruoch’s deaths were obviously waaaaay up there. I imagine he had a really rough time of it during the Black Plague, so I’ll say his lowest point was somewhere in there :C :C :C

I do hope he was able to enjoy the Renaissance a little, tho. I’ll bet he commissioned a lot of art.

If you’ve read this far, THANK YOU FOR PUTTING UP WITH MY RAMBLING ABOUT THESE SAD, SAD FICTIONAL MEN!

[prof-president]

ofc!!

i like the idea of pav still being fucking tits out, whore waist, absolutely snatched and all that kinda shit, and i’d imagine his introduction is like: “you see a…soldier? what the hell? who wears these kinds of things? who wears these kinds of things like that? is there a dress code?” or some shit like that lmao

tanaka i actually kind of like being a complete east asian stereotype? i say this as a walking east asian stereotype myself, but i like the idea of depicting our suffering for what it is. like, man has a double major in business + econ & math, runs several consulting clubs, plays piano, and balances a job on top of that. he chugs nyquil to sleep and chugs monster to wake up. idk, i don’t think mr. haverinen will handle it very well? (he’s not the greatest with niche issues), but i’ve always been interested in the east asian stereotype taken to the extreme but not treated as a complete joke

henryk’s just the local heartthrob womanizer culinary student, but one whose just wearing that mask in order to be accepted or some shit. if you play as abella or osaa, he becomes more genuine over time since they call out his bullshit, and he realizes he wants acceptance over romance or some shit

god SAMARIE. i am not the samarie expert but her route would go nuts. i’d imagine it starts out a lot like d’arce’s route: you get close to marina, then you have to explicitly say that you’re not interested in marina. idk, i can’t think of any more specifics but i just know samarie route would be insane

i don’t care enough abt caligura to say anything. mb he’s some fucked up funder of the “University of Fear & Hunger” or some shit to get his name on a bathroom. that would make sense.

august!! he’s probably some silly professor or researcher there for some shady shit. moonless service dog maybe? i think his route would be trying to expose le’garde, the president of the uni, for smth idk. maybe he’s like the batman or the university

i’d like a reila route! you try to get in touch with her through the computing club, only to run into abella asking if you’re looking for the president of the club (this is where you can go with an abella or a reila route). it’s incredibly hard to get in touch with reila, and to pursue her at all, you need to not only finish all other routes with the best possible ending but also gather clues from each hinting at where reila is during that time. maybe getting reila end has ur computer crash or smth. idk, i’d love to get closer to reila as a character so her logic ending feels more tragic

maybe if you suck ass at the daan ending enough he turns into pocketcat and now you have to romance him instead

i like a stitches/elise route where you get to realize how truly weird and fucked-up she is. to get her at all, you have to lock yourself out of everyone else since she transferred out of the Uni of F & H, and now you’re stuck with her. enjoy tense conversations and movie nights where she curls a little too close to you (“as if she’s trying to get under your skin…literally”) watching human centipede.

i’ve thought a bit about a needles/baron route! he’d probably be the fucked up biology professor who’s rumored to be using his patients as human sacrifices. i think it’d be funny to find out he exists by talking to tanaka, who says that he feels like he’s being…stalked. he then asks “hey, is it a normal English compliment to be told that one’s head is…worthy of sacrifice? a strange professor told me this the other day.”

that’s all i got! this was extremely rambly, but those are my thoughts :]

If you could change/add anything to funger, what would it be?

I would probably make it so that every playable character is capable of achieving ending a with all survivors except the player. It just doesn't feel fair that Abella has to be the one to be sacrificed for everyone else to be saved. (Osaa doesn't really count because you only save August because of a glitch and you have to get it all done within day 1)

in terms of major shit i would add: PREHEVIL DAYS—basically Dungeon Nights but w the termina cast in a university setting.

other than giving me the ability to date abella and karin, this would be a great opportunity to add characters we know less about like reila or—hell—elise or the baron without compromising on what’s in the game.

like, we barely know or are able to connect with reila even though she makes a really big sacrifice, and itd be cool to actually get to know her and feel something when she becomes Logic. like the girl in the first game

i can see why it wouldn’t become a thing though—14 characters is way more complicated and i’d imagine it’s not gonna be great to give each player-character pairing the same route (esp given the greater age gap between characters compared to Funger 1 and also caligura existing).

if it did become a thing ever somehow, i could see Mr. Haverinen implementing unique routes for ever player-character pairing, taking into account the character interactions from the game. maybe certain pairings would guarantee an easier or more difficult ending or something, not sure.

if need be, I Will SingleHandedly Draw Every Fucking Sprite and Write Every Piece Of Dialogue For That Shit. Prehevil Days everyone.

additionally, i think a piano minigame at PRHBL Bop and maybe a fishing minigame would be excellent additions to the game. pointless minigames are always worth it.

[faithfulpuppy]

Serious Thoughts About Jod (Nona spoilers)

Alright fine. I don’t really want Jod discourse to be the focal point of my locked tomb experience but since at least one person cares enough about what I think post-Nona to send me anons, I’ve collected my thoughts here. [Keep in mind that I was raised an atheist so I don’t have either happy religious context or religious trauma context for this series, and I’m aware that because of that I’m missing nuances. We’re all just going to have to live with that.]

Apologies in advance that this is a long one. Nobody’s under any obligation to read any of it. Saying that, I’m not going to be engaging with comments about or by: anyone who clearly didn’t read this post properly; viewpoints that are already set in stone; anyone who thinks that John is incapable of telling the truth in any way or form; the baby finger flower crown. Save your energy.

Alright: have my feelings about John changed since reading Nona? Well, not a huge amount. Bear with me. When I made a controversial shitpost outlining my enjoyment of John as a character, I wasn’t trying to make out that he was blameless or even a good guy. I said "I have to face the fact he might be a bad guy" which apparently did not land as a joke, my bad; however I do see a distinction between ‘bad guy for the sake of evil muahaha’ and ‘bad guy with sympathetic or understandable reasons’. Is John a bad guy? Yes, obviously he’s one of the villains in this story. But it’s not that simple. Casting it as black and white feels like a disservice to Tamsyn Muir’s writing.

My read of Jod’s story during Nona is the tragic fall of a good person to evil. [I’m taking his account to Alecto/Harrow as fact, because I feel that it was very deliberately set in a dream in order to let him speak freely and honestly.] Jod starts out as just some biologist in New Zealand trying to save the planet and as much of humanity as he can ("Nobody knowingly left behind"). That’s one point for Good Guy. Pretty much everything he does from there to the fall is a logical step, at least on some level. Should he have done some things differently? 100%. But I don’t think at any point leading up to the Resurrection he truly made a decision in the spirit of evil. (Later, yep, evil things were done. But I'm looking at the period from cryo project to Resurrection era specifically.)

Let’s take things one at a time. 1) John Gets Granted The Power Of Necromancy. None of this would have happened if he’d walked away from necromancy there and then: the billionaires would have left with no warning, humanity would have burned itself out or not… who’s to say? But could he have walked away? If he had tried to ignore it, would he still have been able to sense death? I’m not sure that was a possibility once the power was in him. He felt that he could use it to fix what was wrong, he was planning to use it for good. He started going a bit mad pretty much immediately, and that makes sense. The huge shock of the project getting shut down and then the utter strangeness of being able to sense the bodies. I think I’d start to go a bit strange too.

2) They Stream The Necromancy. Lots of people came to see John for miracles and he cured everything he could (+1 good guy point). It was the nun/Cristabel who told him he had to limit it or charge for it or whatever. (I wonder how differently would things have turned out if he had continued to spend 20 hours a day curing fibro and cancer?) She said it would bring the heat down if he kept doing it, but it was a bit late by then, wasn't it? The government asked them to come in, as they’d been dreading. Should they have given themselves up? It didn’t seem like anyone else had the means to save the planet. I don’t think it was wrong to resist. They would have arrested his friends and put him in a lab underground to study. I don’t think it’s wrong to try and avoid that. Any genuine hero would.

3) Magical Inside-Out Animal-Shield Man. This one is always going to cause arguments. Do I like that he built a wall out of animals? No. Do I think it was evil? Also no. As he points out, it was quicker and more painless than slaughter for eating, and since a lot of them were destined for eating and I’m not vegetarian I can’t really fault that. I understand that any vegans reading this series are going to be pretty unmovable on this specific point. I respect that. It would definitely be bad guy points if he was nasty about it, but he was ashamed and acknowledged that it sucked. I think "extenuating circumstances" is a fair defence here. [It drives me kind of nuts that people reading this series use ‘cows have best friends’ as serious condemnation. You’re agreeing with the scumbag billionaires, guys!]

4) They Realise The Billionaires Are Running. In all honesty everyone got a little too obsessed with this. It sucked that they were going to take the ships that were supposed to be used for cryo, but aside from that, so? Good riddance, right? I think it was something for them to focus on when they didn’t know what else to do. They all seemed to conflate stopping the ships from leaving with fixing things. Cassiopeia asked if they should be focusing on the ships when they could be focusing on saving the planet instead, but nobody listened to her. It was Pyrrha who told John to ‘be a bad wizard’! Honestly I feel like most of the bad decisions John made were under peer pressure from his friends.

5) John Agrees to Puppet A World Leader. Mostly he did it because they offered so much money, and that sounds like bad guy points but they were out of options for saving the planet without money. When he realised it was – the president of the US or something – he didn’t want to do it but the others pushed him to keep going. And he didn’t want the nuke (+1 good guy points)! That’s very important. Mercy and Augustine pressured him into that too (premeditated).

6) John Kills A Bunch Of People. Okay, this one seems like it should be easy bad guy points, but I hesitate. He finally sees something that might be The Soul when those five people die outside the dome and describes it as crack cocaine, or what he imagines crack cocaine would be like. I’ve never done cocaine, but from what I understand about it I’m not sure I can entirely hold John responsible for what he did next. Yes, killing all those people was Bad and Wrong and Murder and Illegal and any number of other synonyms – but he was high. He was like a shark in a blood frenzy. He was not in control of his senses. That doesn’t make the killing less wrong, but was it something he chose to do? Not… exactly? He admits that it wasn’t an accident but if we’re going to hold him fully responsible for that we have to condemn every coke addict for their actions while high as if they were sober and in their right minds. (I’m sure some of you will. Drugs and addiction are a mental health issue. Those people need rehab, not prison time.) John is very sick by this stage.

7) They Spook The Trillionaires. Talking to the government sends the FTL crew into a rush to get out. John’s team, especially Mercy, desperately want to stop them, I think so they can use the same ships to get everyone out in cryo instead? (Meanwhile the only thing John really cares about is working out the missing link between alive and dead. He’s consumed by needing to understand necromancy. I think I would be too, to be fair. Can you imagine being given awesome and terrible power that nobody else has ever had and being expected to focus on anything else?) Anyway that’s when they decide to use the nuke as a threat (+1 bad guy points, but not entirely his idea). He still doesn’t want to use it, but he arms it without telling the others (+1 bad guy points, though I think it’s a little unfair of the others to be mad when they forced him to have it in the first place). At this point John threatens nuclear war through his Leader Puppet (+1 bad guy points), which the others really are mad about (fair). I don’t know if he still thinks he is saving the world at this point. Cassiopeia doesn’t think so. He’s become an environmental terrorist.

8) Necromancy Cultists Change Their Minds And Take Hostages. Let’s tally up problems. G1deon-with-nuke is sniper bait in Australia while John tries to negotiate. He has his puppet’s finger hovering over the button on the really big nukes. It’s mere hours until the ships launch. The cultists are threatening to gun them all down. What do you do in this situation? The right answer is obviously don’t nuke anyone – but then the ships escape and you probably all die by cultist unless you’re willing to remotely murder them (and John says that he didn’t because he was proving a point, not because it’s morally wrong at this stage (+1 bad guy points?). I’d say let the stupid ships go, once they’re gone you can use the money they left behind to build more, right? But the ships aren’t taking all the politicians who still want to arrest John and co, so it doesn’t really solve his problem. John’s biggest fear at this point was that he’d lost his friends. That’s important, remember that for later. He offers to give himself up to save the hostages (+1 good guy points?) and the others won’t let him so he sends skeletons instead and that’s when the cultists manage to break into the facility. He wants to kill everyone nearby so he has space to think (+1 bad guy points) but doesn’t (+1 good guy points?). Ironically it probably would all have worked out a lot better if he’d just accepted the cost and killed the cultists so he could focus on all the negotiations and maybe find a solution (or at least enough presence of mind to think ‘what the fuck’ and back down from the nukes).

9) Cristabel Kills Herself. John thought she was there to kill him and he was going to let her. Instead she shot herself to try to help him find The Soul and it worked. He found the key to the soul, but he also found Alecto. He couldn’t hear anything over the sound of her screaming. All he had wanted from the beginning was to save the planet and he could suddenly see her soul and how much pain she was in. From this point on (until the end of his account) I don’t think John really made any decisions, per se. This next part is written like a dream within a dream. There was gunfire inside the facility and everyone was dying – he could probably have caught their souls and put them back in, but what would the point have been if they’d just immediately get shot again? I don’t even know if he could have when all he could hear was Alecto. So he set off all the nukes because he couldn’t concentrate on everything anymore (+1 big bad guy points) and everyone else died. He killed as many as he could before the nukes got to them, painlessly like the cows (+1 good guy points?). He was still obsessed with stopping the ships. I don’t even think it was his own obsession at this point. It was the last human thing he had to cling to, the memory of fear and anger that the ships were abandoning everyone.

I don’t think this can be compared to anything real. Nobody has ever faced something like this. I can’t say what I would have done in his position because I have never had to deal with the pain and fear and noise of a whole planet screaming in my ears while staggering with godlike magical power. Neither have you. You can’t say you would have done better.

10) John Eats Alecto. Again, the cocaine hit. Again, the blood frenzy. Once he started eating souls he couldn’t stop. That’s bad guy points, but almost by proxy. He wasn’t in control. He was barely human. He wanted Alecto to take him but she didn’t, so he took her instead. He wanted her to stop being in pain. He went about it badly. He should have left her to scream herself out and then lick her wounds and recover. But I don’t think stopping was an option for him, by that point. I think he’d have had to kill himself to avoid the pain of her screams and I’m sure a lot of people think he definitely should have, but I’m not into encouraging people to commit suicide even if they’re a bad person, so. [Everyone’s obsessed with him making her look like Barbie and how yuck that is, but he also says he tried to make her look like a Renaissance angel. I think he was trying to be respectful to her by conjuring the best image of beauty he could in the midst of madness and panic. Based on the way she ‘kisses’ Harrow later I don’t think there’s anything remotely sexual between them or even romantic, so I don’t think it’s that weird to try to make her beautiful.] Anyway he can’t reach the ships so he also eats the sun and the other planets (+1 bad guy points but Alecto’s just as keen as him so only half blame) and then he does his best to kill everyone on the ships (+1 bad guy points) but mostly fails as they’ve already hit FTL. He should have given up on the billionaires, at least later after he’d had time to calm down and get used to sharing two bodies with Alecto. He should have just let them go. But of course it’s not just his anger, he’s sharing Alecto’s pain and betrayal toward them. He might not be able to stop hating them as long as she’s alive.

11) The Resurrection. It’s good guy points that he brings people back, but bad guy points that he’s choosy about it. He should have resurrected everyone and let them start over since he was wiping memories anyway. I understand why he wiped the memories. In general, how could he try to build a better world if everyone was clinging to the past? It doesn’t make it right, but I see the logic. Regarding his friends specifically, partly it’s that fear from earlier that he’d lose them because of what he did, but partly it’s also pity. Mercy and Augustine in particular, but all of them, share responsibility for what happened. They pushed him to keep going. They developed the obsession with the ships. They got him the nukes. He didn’t want them to carry the same guilt. I’m not saying it was right to wipe their memories. But I understand it. Some people think he doesn’t care about the people around him, but I think John cares too much. He’s willing to do very bad things because he cares too much about his loved ones. It’s bordering on obsession which is toxic, but it was born from real love. (Why did he change their names? Did he even change them? I don’t know. That’s one of the missing pieces. I don’t feel a need to speculate on it at this stage.)

He knew the RBs were coming and didn’t tell his Lyctors initially (+1 bad guy points, buuuut he hasn’t explained why). Or that he couldn’t be killed by them. Why does he run from them? Send his favourite companions to die? I hope we’ll find out.

He let his friends get the Lyctoral process wrong (+1 bad guy points) and kill their other halves – I’ve seen a theory that it’s because he was jealous of Mercy, Augustine, G1deon, Cassiopeia loving anyone else, but he seemed to love Pyrrha so much too. Maybe that’s why she’s the one that kind of survived.

He tried to build a society that was better than the one he left behind – no cars, no nuclear, no homophobia, no internet – and in some ways he probably succeeded (good guy points?). It’s an imperialist society (I think fascist is a stretch – it’s not very different to most conquering nations in earth’s history and to call them all fascist because they wanted to expand just seems kind of pointless) and the Cohort stuff is bad – child soldiers are big bad guy points – but a lot of that was G1deon and Pyrrha (John obviously has final say on everything but I’m saying it wasn’t necessarily his idea). The people living in the Houses seem reasonably happy, at least outside the Eighth and Ninth Houses. [I don’t think ‘he’s the leader of a death cult’ is reasonable grounds to condemn – I don’t think necromancy is inherently evil, in general, compared to a lot of other kinds of magic. That’s a wholeass conversation on its own, though.]

He locked Alecto away (+1 bad guy points) because he was afraid she was a vulnerability (and because the others kept begging him to kill her because she’s a ‘monster’). This is honestly one of his worst moments for me because it’s a definite Bad Choice he made with time to think it through and consider his options. I could argue that he was protecting her because Harrow says "You’re afraid of so many things, but she’s only afraid to die" and maybe it was a kindness to put her to sleep where she was safe – but he didn’t do it to alleviate her fear, he did it to protect himself. No moral high ground there.

He can’t let go of his need to punish the billionaires/BoE (+1 bad guy points, though as I’ve discussed I’m not sure that’s all him) – funnily enough wiping the memories really screws himself over in this case, as he tells Augustine the man he was before the Resurrection would have been disgusted at the idea of letting them go and it’s probably true. Billionaires/BoE are undeniably bad guys too (discussion for another post) but that doesn’t mean it’s good guy points to keep going after them.

There’s a ‘discrepancy’ in the numbers of souls Resurrected which is a puzzle I’m hoping will be solved in AtN – I have no idea what’s going on there so I’m not counting it as good or bad right now.

He thinks about killing everyone and starting over again with another Resurrection (+1 bad guy points). I almost wonder if he’s done it before. Ten thousand years is such a long time. He’s so calm and thoughtful about it and that’s horrifying. John is thoroughly insane. Grief, guilt, sharing Alecto’s soul, and the sheer weight of time have stripped away his humanity. He was barely human when he merged with Alecto and he is something else entirely by now. Once again I don’t think it’s useful to compare to real-life scenarios. There has never been and never will be anyone like him. We cannot comprehend what the inside of his head is like. I think it must be awful to be him. He’s insane and he’s alone and he’s very traumatized and I think the only remotely human emotions he has left are the fear that his friends will leave him and the anger that the billionaires abandoned earth. He completely falls apart after he loses Mercy and Augustine and G1deon – yeah yeah, he deserved it in the end blah blah- but isn’t that sad? Fear and anger and terrible numbness for ten thousand years. I pity him. I pity those he’s hurt too, but those feelings can co-exist.

[I don’t know what’s going on with him and Gideon/Kiriona. I do think he was genuinely pleased and excited to find out he had a child, but the timing bombed. I don’t know why he didn’t Resurrect her properly (can he even still do that with Alecto locked away?). I don’t know why he changed her name. The situation is not a good look. +1 bad guy points.]

John is absolutely a villain as the series stands, but I don’t think he started out with selfish or evil intentions. His story is the perfect example of ‘you either die, or live long enough to become the villain’. It’s a classic trope in fantasy. He knows that he was awful and calls what he did 'a damned thing' - he cries, he rages, he carries so much regret and guilt for it: that says tragic fall to me. Another thing that strikes me: I live with a lot of mental illnesses and to me this is the story of someone who is very unwell. Tamsyn Muir has been reasonably open about her own struggles with mental illness; so much of this series is about mental illness in various forms. I think that’s an important lens to view John’s story through. He’s a wretched character and it doesn’t excuse the sins he’s committed and continues to commit, but I think it certainly explains them. I think he made more mistakes than evil choices. I can condemn some of his actions and the way he lives now, but I feel pity too. He wanted to save the world and nobody listened to him and everyone vilified him and he was living with the burden of necromancy and he was racing against the clock and he snapped and I think that’s realistic. It doesn’t make him right but it makes him human and very very sad.

[silversatoru]

Hi, I just finished burdens and OML 🥺🥺🥺

May I request some sort of megumi x reader continuous where the reader ends up becoming a powerful sorcerer (or a cursed spirit👀 whichever you’d like tbh) megumi and the reader somehow cross paths again a little while after the break up and he witnesses her fighting for the first time? I just know that boy would fall in love all over again but she’s moved on and he feels guilty and just angst? And maybe fluff idk. I’m new to requests so I hope I did this right, thank you so much❤️❤️

burdens pt. 2

a/n: hello, part two of this not-so-lovely story is finally here. every single one of you is allowed one free punch to my face for taking so long to write it,,, i’m so sorry. this is its fourth rewrite and it got a little darker than expected but it’s finally done,, i hope you enjoy <3

fushiguro megumi x f!reader

synopsis: you finally see megumi again at the kyoto sister school goodwill event

tags/warnings: angst, some graphic depictions of violence, character death

word count: 3k

“Do you know how tired I am of watching the people I love die? Things would be so much easier for me if you just stayed the fuck away”.

Megumi’s bitter words were on repeat in your head — the harshness of his voice leaving a hollow feeling carved into your chest. Tear-stained cheeks and shaky breathes had become your new normal these past few days. Tight, sharp pains filled your empty stomach, waves of nausea coursing through your body.

You’ve had no motivation to get out of bed lately, nevermind to shower or cook yourself a proper meal — honestly, for all you cared you could rot away in your blanket filled bed. You checked your phone like a fiend too, thinking that eventually, a miraculous text from Megumi would appear and make everything better. It never did.

He’d completely ghosted you since that dreadful day, and that hurt more than anything. You’d held onto a sliver of hope that maybe, just maybe, he hadn't meant what he said. But as the days continued to pass, your hope quickly dwindled.

To say your current state was shameful was putting it lightly, and you were embarrassed at how poorly this was effecting you. You liked to think that you were strong, motivated, independent — that you didn't need some douchebag just to feel happy. But truth be told, breakups are fucking hard, and it's okay to not be okay for a while — or at least that's what you kept telling yourself.

So when you were trudging miserably down the street to your local convenience store and you saw a familiar pair of jujutsu sorcerers, you wanted desperately to sink into the ground. You made a quick turn to head to a different shop, but it was too late, you were spotted.

“y/n! hey!” Two lighthearted voices sang through the air, filling your ears and making your heart clench in your chest.

You turned around and anxiously approached them, your unkempt hair and baggy eyes sending looks of concern across their faces.

“Hey girl, you good?” Nobara shot you a sideways glance, Maki raising a suspicious eyebrow.

“Yeah, uh, ice cream,” You croaked, speaking for the first time in a couple days, “I’m here for ice cream, that’s all”.

“Yeah, but why do you look like a fucking zombie?” Maki pushed her eyeglasses further up her nose, her sharp eyes looking you up and down.

“Ah, he didn’t say anything to you guys, did he?” You shook your head, heavy eyes falling to ground as you refused to meet theirs.

“Don’t tell me…” Nobara’s face contorted, “Did he break up with you?”

You nodded, a pitiful chuckle falling from your lips, because if you didn’t laugh, you’d start sobbing right now.

Maki threw her arm around your shoulder, pulling you to her side and ushering you into the store, “It’s okay, men suck. Hang out with us today”.

Meanwhile, Nobara trailed quickly behind the two of you, anger seething from her teeth and steam practically billowing out of her ears.

“That fuckhead! I swear I’ll fuck his shit up big time, he won’t even know what fucking hit him. I knew that boy was stupid but shit, this is a whole new low for him! I-,” She continued to ramble and rant as Maki led you through the store, picking out drinks and snacks to help ease your pain.

The three of you ended up in a nearby park, sitting around a small picnic table and gorging on the massive array of snacks. Lighthearted conversation and lots of food make your chest ache a little less, and you even found yourself laughing and chatting as if things were normal. You’d told the two of them all about that day, about Megumi’s irrational words and his tragic breakdown that led to some kind of fucked-up break up sex.

“So, how are we gonna get back at him? Egg his car? Put bleach in his shampoo? Bugs in his food? God - it’s a shame his dad is dead because from the pictures I’ve seen that man was FINE and revenge sex—,”

“Nobara,” Maki shot her idiot girlfriend a dirty look, and the orange-haired girl quickly shut her mouth, “As much as I support any idea that revolves around ruining a man’s day, I don’t think revenge is the healthiest coping strategy here”.

You were tracing your eyes around Maki’s face as she spoke, and you found yourself carefully inspecting her purple glasses that rested softly on the bridge of her nose. And that’s when it clicked, the light bulb ignited in your head and you knew exactly what you wanted to do.

“Maki,” your voice was urgent, “You don’t have cursed energy, you can’t even see them without your glasses!”

Her face twisted and her nose scrunched, a look of distaste in her eyes, “I know?”

“So, you could teach me, right? You could help me learn how to use some cursed weapons?”

“Yeah! You have to Maki, then she can beat his ass with me,” Nobara chimed in.

“That’s not a bad idea actually,” Maki’s mouth formed an evil grin, “Could you imagine his face after watching you exorcise a curse?”

The three of your conversed for a bit longer, speculating and potting about training, weapons, and your very own pair of curse-seeing glasses. By the end of the night you had a plan, and a pretty good one if you say so yourself.

From that day on, teary eyes and achy hearts were a thing of the past, not because it was that easy to get over Megumi, but because Maki didn’t even allow you the time to feel dismal anymore. You met her everyday after classes without fail, and everyday she would train you until you thought your arms would fall off. After months and months of sore muscles, sweat, and the occasional injury, you were convinced that Maki was incapable of feeling pity or remorse for other living things. Every time you speculated about quitting, she’d set a fire under you, unafraid to remind you how weak you still were.

The green-haired sorcerer had ultimately decided that you worked best dual-armed -- a long, lightweight blade in each hand. On your final day of training, she officially gifted the two swords to you, as a “graduation” gift.

Skill-wise, you were by no means as incredible Maki, but you definitely held your own, and the progress you’d made in a mere 8 months was astronomical. They’d introduced you to a strange silver-haired man at some point, Gojo, who had taken not only an interest in you but also your plot against your ex-boyfriend. He cackled to himself when you told him why you were here, going on and on about how priceless Megumi’s face would be when he saw you.

Your appearance was highly anticipated, so why not debut at one of the biggest jujutsu events all year? The Kyoto Sister School Goodwill Event — Gojo thought it was the most perfect idea.

You tried hard to exude confidence as you walked at Nobara and Maki’s sides, but behind your arrogant facade your stomach was twisting itself into knots. Truthfully, you were scared to see Megumi again after so long.

And when your eyes met with his as you walked into the meeting room, you thought you just might pass out. You thought you were ready for this — but the look of complete shock, fear, and anger on his face as he looked you up and down almost made you regret all of it.

“What’s going on?” Megumi’s words were incredibly calculated, an edge on his voice.

His question was pointless, however, because judging by the fact that you were wearing a jujutsu tech uniform and had two swords sheathed at your sides could only mean one thing. Your hair was longer now too, and your frame was wider with an extra layer of muscle from all the training — you almost looked like a different person.

“I’ve been training with Maki, I-,” You spoke up to explain yourself, but you weren’t even granted the opportunity.

“No, no, Maki, what the hell did you do?” His eyes were shaky and laced with concern.

“I only did what she asked me to. I’m not the one who gave her a complex about being weak, you did that,” Maki shrugged, “and she’s not your girlfriend anymore dude, what do you care?”

Absolute confliction flashed through his eyes, uncertainty and madness swirling in his irises, “You’re right, I don’t care. Let me know when the event is starting”.

He took a sharp turn out of the room and let the door slam a little too hard behind him. The sound of his icey voice and the door shutting with unkind force was all too reminiscent of the night you broke up. Burying every emotion you had deep into your stomach you gave Maki a small, reassuring smile and plopped down on one of the couches.

“Alright, so when does this thing start?”

after the start of the event

Fighting the Kyoto students was proving to be much harder than you initially expected, but you were holding your own at Maki’s side. The two of you had easily taken down a small, kind, blue haired girl named Miwa, and now you were watching an emotional battle between Maki and her sister unfold.

Wait here, she’d told you, I want to do this one myself. Take some notes on my form and watch our backs, okay?

Okay, you’d said, a little confused but ultimately finding a nice spot up in a thick tree to carefully observe from. Maki was truly a force of nature, and it seemed like the other girl never actually had a chance of winning. It was honestly only a few minutes before the small black, haired girl was slumped against a tree and Maki was making her way back to you. Things were looking good, two of Kyoto’s student’s were down already and adrenaline was pumping through your veins.

You couldn't quite shake the awful feeling churning in your stomach though, and Megumi’s face was haunting your thoughts. You hadn’t seen him since before the event started, when an odd, pink haired boy jumped out of a box and freaked everyone out. Nobara had later explained who he was and what had happened, and you wondered how many awful surprises Gojo had planned today -- first you, then that.

A small rumble rippled under your feet, and Maki grabbed your arm as you watched a giant brown vine lurch it’s way out of the ground a few hundred yards in the distance.

“That technique doesn’t belong to anyone from Kyoto,” She shot you a look of concern and determination, “let’s go check it out”.

You gave her a firm nod, the two of you making your way towards the horrifying wooden vines. By the time you managed to arrive, Inumaki was already down and so was a dark-haired boy from Kyoto. A muscular, white curse with black markings and wooden branches for eyes was moments away from taking Megumi on all by himself — thank god you got here in time to help.

Megumi, however, was horrified when he saw you jump over the tall roofed building with Maki at your side. He’d just watched two incredible sorcerers get their shit rocked by this curse, there was no way you would stand a chance against this thing. But before he could even try to stop you, you and the green-haired sorcerer were flying through the air and taking shots at the curse. The two of you worked perfectly in sync, the months of daily training finally paying off.

He watched with intent glazed over his eyes, his heart threatening to lurch up his throat. You were a spectacle, and he always thought you were beautiful but seeing you now with dirt and blood stained clothes, cursed weapons gripped firmly in your hands, you truly were ethereal. He hated it though, he hated that he was falling in love with you all over again, especially under these circumstances. Guilt and anxiety was eating away at him — why did you have to get involved? Why couldn’t you have just stayed away like he told you to?

He was quick to join the two of you, sticking close to your side to protect you if need be — but, even with all three of you together the curse still had the upper hand. Maki had been swatted to the side, her back slamming hard against one of the tiled roofs and knocking her unconscious. It was down to just the two of you now, beads of sweat causing your hair to uncomfortably stick to the back of your neck. This was something that Maki’s training could have never prepared you for.

Megumi was getting tired, taking one wrong step and losing his footing momentarily. The curse saw this as a perfect window of opportunity, sending a spiral of vines and branches hurling for Megumi. It was fast, but the adrenaline coursing through you helped you to move faster, launching yourself through the air and intercepting the attack. The barky, wooden vines twisted violently through your stomach, shooting clean through your back and ripping a violent scream from your throat.

It hurt so bad, feeling the plant wriggle through your organs and tear you apart from the inside out. The curse retracted his vine a few moments later, leaving your mangled body to fall helplessly to the roof. Tears rippled from your eyes, your body shaking and seizing as you coughed up a few sprays of blood.

A long, strong pair of arms scooped you up instantaneously, and your head was resting against a firm chest — probably Megumi, but you didn’t quite have the energy to open your eyes to check.

“We’ll take it from here, get her to Ieiri!” You heard a pair of deep voices yelling to Megumi, but it was too foggy and far away for you to understand what they were saying.

Megumi was seething with anger, moving as fast as his feet could carry him and he ran through the school. As you waved in and out of consciousness, you batted open your eyes, stealing quick glances at his twisted features and — were those tears on his face?

“I- I’m sorry Megumi… I think I finally understand what you were so afraid of all this time,” Your voice was barely a croak, “when I saw it coming, I couldn’t stomach the thought of having to watch you die. I suddenly just thought I would do anything to keep you safe”.

Yeah, those were definitely tears, you could see them a little clearer now. His eyes were red and his cheeks were dried with salty streaks.

“You’re so thick-headed,” he mumbled, his grip around you tightening slightly as he picked up his pace, “I wish you would have made that realization before there was a giant hole in your stomach”.

“Me too,” You hummed, but you weren’t really in any pain anymore. The pain had subdued to a sweet warm sensation inside your stomach, and an intoxicating sleepiness was washing over your head, “I was angry for a long time, but I’m not mad at you anymore, Gumi. I hope you can forgive me too”.

You offered him a tiny smile, but the blood leaking from between you keeps made it anything but sweet.

“There’s nothing to forgive you for, you never did anything wrong,” He spoke quickly, his voice quiet and cracking.

“No, but we’re not gonna make it to Ieiri, I know that and so do you,” You fell into a violent fit of coughs again, sputtering red splatters all over the front of his uniform.

“Shut up”.

“It’s not your fault, none of it was ever your fault,” you choked out once the fit of coughs subsided — and you weren’t just talking about yourself, you were talking about all of the unfortunate tragedies he’d witnessed throughout this life.

“And you’re allowed to be selfish sometimes, you know? I hope that when you meet someone, your soulmate even, you can allow yourself to love them with every part of you”.

The words painfully left your lips, but you meant every single one of them. You were starting to realize that you and Megumi were never meant to make it to the end. You weren’t his soulmate, you were here to help him grow, so that when he did finally meet them he’d be ready.

“You deserve to be loved, Megumi,” You looked up at him with big eyes, but his face was starting to get really fuzzy now.

Your fingers were going numb and your mouth felt like it was filled with sand. You were so tired, letting your eyes flutter shut and your head rest softly against Megumi’s chest. You felt him stop running, you could even hear him screaming at you — but it was too far away for you to hear. You drifted closer and closer to eternal sleep, your soul swollen with love for the boy who broke your heart.

Megumi didn’t even feel sad when you stopped breathing in his arms — he just felt hollow. More empty and broken than he’d ever thought possible. You were the most incredible person he’d ever met — someone with extreme motivation, who acted with no fear or hesitation, who always had love to give, even when he didn’t deserve it. He’d never forget you, not for as long as he’d live anyway.

Even when he did meet a new girl a few years later — a compassionate, brave girl, who reminded him a lot of you — he wouldn’t forget. He wouldn’t forget your words and for the first time in his life he’d let his walls down for her. He’d allow himself to truly love, and be loved in return.

And maybe you were right, maybe he did deserve to be loved like this, because god, he finally feels whole again when she’s around. He just wishes you were still here so he could say thank you.

[autisticandroids]

here is that “the world of supernatural is tiny” post i’ve been promising

the thing about supernatural, the thing at the core of a lot of our collective frustrations with supernatural, stuff like side character culls, what-if-there-was-an-even-bigger-gunism, the lack of institutions and governments and interpersonal politics, the nonsense worldbuilding, the fossilization of the brothers’ relationship, all of that, is that the world of supernatural is incredibly small. like it really is just... two brothers against the rest of the world, or eventually team free will against the rest of the world. 

and this is in every aspect of it.  this is why the side characters must be culled, obviously, and not just culled: it’s why the side characters never ever get the focus they should, why an episode told from bobby’s point of view is as weird and unique as the fucking episode told from the car’s point of view, why the side characters almost never become meaningfully part of the narrative. and the culling/squashing of the side characters is why the brothers can never develop: the only meaningful relationship they’re allowed to have long enough for it to grow and change is with each other, and eveeeeentually cas, and eventually eventually jack, but mostly just each other. if they were allowed to have more meaningful relationships with the outside world, they wouldn’t have to turn to each other for everything and ultimately fail, or take out all of their problems on each other.

this is why the solution to the problem of the season is always an even bigger gun: it can’t be building a bigger army, nor can it be diplomacy, because both of those require opening the world slightly to outsiders. it needs to be a weapon wieldable by a single person that they can use to destroy the enemy, or, at best, quid pro quo a deal made with one very powerful ally who can singlehandedly destroy the enemy.

this is why there are no governments or institutions, and no truly ambiguous parties: every powerful force is, in the end, a single person, or an organization with a single all-powerful charismatic leader. there are no organizations with organizational interpersonal politics. like, do we know the names of any of crowley’s underlings’ names? NO! why the fuck don’t we, he’s supposed to be the king of bureaucrats, mr. organizational. but nope! he’s just a despot like everyone else. do we know any of naomi’s underlings’ names before she fakes her death? raphael’s in season six? abaddon’s? fucking...... who else, every other big bad i can think of is just crowley. i digress. anyway in the end it’s always just one big scary guy with a big scary power, and sometimes that power is “an army” but that’s just. a superpower. it’s exactly like having a big raygun.

and like this is one of the reasons why the worldbuilding on spn is so nonsensical like. on top of the normal bad tv scifi reasons. it’s because nothing on spn exists in a society, everything exists in atomized isolation because the world can only include one thing which isn’t the winchesters at a time. there is no such thing as a wider world on spn.

and like here’s the thing. here’s the thing. there are good things about spn’s tiny, closed world. in particular, it allows really a lot of tight character focus on the protagonists and their closest relationship(s). like, if the world of supernatural was bigger from the start, would dean winchester still be the most compelling, most tragic character on television to me? i don’t think so. he wouldn’t have the depth.

but the thing is, you can have both. supernatural could have started in a tiny, closed world which slowly opened and blossomed to include both a larger universe and an ensemble cast. it almost did, but then it lost its way.

like, the first two seasons of spn are an intensely personal story, all about a family and its trauma. and all about the brothers, and their father. then the third season is about the fallout from the conclusion of that story, still personal, still all about the brothers. 

but then season four comes along. the story is no longer quite so personal. now it’s about saving the world. it’s about heaven and hell. and along with that, the cast opens up, too. ruby and cas become main-ish characters. this is exactly the right direction to be going in, a natural progression towards a bigger world and a larger cast. bobby, too, becomes a main-ish character, though he was already headed there in s3, and he doesn’t get the screentime of ruby or cas.

then, season five: we start to wobble. the world continues opening up: we’re still at a global scale, but now the supernatural is having an effect on wider society. in season four, we were preventing the apocalypse, but no one was seeing it but us, and maybe a few small towns. now there are demon omens on the news. but the cast is stuck again. ruby is dead. bobby does have a slightly increasing role, which is good. cas is there, but he’s also less of a character and more of a useful tool. and no one new is added. in fact, two of the people who it would be most natural to add to the cast - ellen and jo - are killed off for shock value. 

but then we really go down hill in six and especially seven. the world continues to open: six is about the fallout of five, a concept which i love! you can’t have an institutional war machine like heaven thwarted in its billion year purpose without a bit of fallout. conceptually, that’s wonderful! that’s why i have a good season six au. but by execution, it’s a mess, because the world of supernatural is actively shrinking again. in order to do the premise of season six well, your world needs to have a society in it, and season six can’t manage that. like, it should have been an exploration of the supernatural world with a sociological bent; a look at how averting the apocalypse, eve, social unrest in heaven, affected the paranormal parasocieties of spn. but it couldn’t manage that.

worse, the cast is also shrinking. cas isn’t around much anymore, lisa is there but she doesn’t really get to be a person, more just the idea of a wife, and side characters are dropping like flies. they killed off rufus for no reason!

then in seven it’s even worse! because the world is still opening! the supernatural world is finally crashing into ordinary society in earnest. godstiel killed homophobic pastors! he etched his own face in stained glass! he actively went around interfering in normal society! and then the leviathans came along and totally broke down the supernatural/normal distinction. they use ordinary societal channels to acquire their power! they’re politicians and corporate executives! they put their poison in the corn syrup! 

but in terms of felt sense it’s closing. the winchesters are not living in the society that’s being attacked, they are totally outside it, alone in the world. isolated. and the leviathans are still defeated by shooting their leader with an even bigger gun!

and here’s the thing: this still could have eventually built towards something, a larger universe for supernatural. with sera gamble and her side character murderboner out, season eight could have dealt with the fallout from seven in a way that kept the universe big and built the cast back up. instead, jeremy carver gave us kevin tran only to kill him a season and a half later, and decided to just completely drop all of sera gamble’s new worldbuilding, which in the case of season six is kind of understandable, since she made a total hash of heaven, but in the case of the leviathans is deeply, deeply frustrating. like, where was the fallout from that! did it change society at all? the answer, it appears, is no.

after this, the world of supernatural is fairly static. it’s neither opening nor closing. heaven and hell are constant forces, occasionally there are other threats, but everything stays basically the same in the carver era, and the dabb era too even though dabb made a few strides towards increasing the size of the cast with mary and jack.

but yeah. basically the universe of supernatural is tiny, and that’s why it’s frustrating. once again we come back to the basic problem of supernatural being that it simply is not star trek.

[buildoblivion]

I've been thinking a lot about mag 81 recently. Specifically, I've been wondering how much we as the audience knowing about "a guest for mr spider" colours our perspective of Jon as a person throughout the rest of tma.

Because I have chronic "must like the protagonist" syndrome, I've always personally had a soft spot for Jon even before we see a more vulnerable side of him in s3. But I can't deny that hearing his tragic backstory was a game-changer in how much I really empathized and understood him for the rest of the show.

There's that post on here somewhere about how hearing about his childhood, finding out he was an orphan, raised by a distant but dutiful at best, neglectful and bitter at worst grandmother, and then went through truly supernatural levels of trauma and guilt on top of that doesn't necessarily excuse his more dickish tendencies in s1 and 2, but it sure does help us understand him. The number of times I relisten to that ep and go "oh that's why you are the way that you are", and then go back further to s1 and s2 with episodes like mag 4 ("Page Turner") and mag 16 ("Arachnophobia") and go like "... ooooohhhhh I am very very sad".

Like we know from s1 that Jon's scepticism is a coping mechanism. We know that he cares about his assistants and does all sorts of human things like stuttering when he's scared and forming attachments to cool goth kids who also hate Leitners. But mag 81 adds a whole new level to that. "A guest for mr spider" really does peel back the tape to see a whole person who has been very very afraid and very very alone for a long time. Add on top of that the fact we meet Georgie and get to hear what a "weird ex-boyfriend who stress cleans and loves cats" Jon sounds like, the episode is perfect.

But we're the only ones who get to hear all that. Jon never brings up "mr spider" to anyone else and the only other character who brings it up is fucking Jonah when he gloats about how the web marked Jon for him as he forces him to end the world.

No one else knows! They don't get to see like us how Jon has been tied up in this before he lost all his baby teeth. They don't get to see how he's been carrying the guilt for the death of a bully more than twice his age and has been so very scared that one day whatever got him might come back and finish the job.

And then I think about s3 and s4, where pretty much all of Jon's allies either start to or double down on hating him, blaming him for the way their lives have all gone to shit and berating him for not making the right choices. When we know that the "choice" that set Jon down this path was opening a children's picture book.

I don't know. I just wonder how different our view of Jon might be if we didn't know how far back this all went. If we'd just heard him talk with Georgie, and skipped straight on to Elias sending the statements and let the story go from there? Sure we'd see the tragic hot mess that Jon was in s3 onwards as he desperately tries to do right by everyone else, but would we really appreciate how little agency Jon really had? What if Jon's backstory hadn't been revealed till late series four, or five even when other characters get a broad sense that the web had "marked" Jon for something but little more than that?

I know half of what makes tma so great is this handling of perspective, and that long "Chekov's gun" about mr spider finally being let off in s5 is what makes the end reveal about hilltop road etc. so impactful. Would the ending be so tragic if we didn't have all this time with the knowledge that Jon's first mark was the spider? But I think about how from pretty much the whole rest of the cast's perspective that's how it goes.  They have no idea how far these webs are actually tied around Jon, let alone how much his life really was tragic even before he stepped foot in the magnus institute.

And yet I can't imagine Jon ever telling any of them (except perhaps Martin maybe? Idk I always imagined Jon told him in the safehouse but that's just me). Why would he reveal it? When?  He’s not an open, sharing person like that, and he doesn't really understand the nature of his upbringing and the true gravity of what happened to him until it's far too late.

And in a story about knowledge, the consequences of seeking it and the tragedy of withholding it, I wonder how different it might have been if perhaps that tape went astray, or maybe one night there was just a little too much wine and it all came spilling out.

I don't think it would have "fixed" anything, but maybe it might have taken longer before Jon was cursed as a "monster", maybe Jon would not be so quick to believe it? Maybe he might have had a few more allies before it all came crashing down. 

[spenciegoob]

A Short Film

A/N: hey hey hey... mid writing this I realized how much I jumped the gun and thought this was a good concept, but now that I’m thinking too hard about it, maybe it’s not. I also wrote too much of it to back down now, so hopefully someone out there enjoys this as much as I did in my head lol.

Summary: Spencer steps way out of his comfort zone to ask his film major girlfriend a question.

Pairing: Spencer Reid x Fem!Reader

Category: Fluff

Content Warnings: nothing really...  Spencer hardcore struggling with technology

Word Count: 3.5k

Masterlist

___

“Hey Garcia, do you think you could help with something?” Spencer asked, rubbing the back of his neck nervously and not looking up from the floor of her office.

“Of course, Boy Wonder? What can I do for you?” Garcia answered while excitedly turning her chair back to her wall of screens.

Spencer grabbed the extra chair in her office and mumbled, “Actually um,” causing Garcia to completely abandon her position and fully face the genius.

“Spencer, are you okay? Is something wrong?” Spencer couldn’t blame her for asking. He was sweating more than usual, his face was bright red and he hadn’t stop fiddling with his hands since he shut the door.

“Oh no, nothing’s wrong. I just, uh, I don’t really know how to ask this,” Spencer stumbled back. It was the truth after all. No life experience had prepared him for such a request, one that in the grand scheme of things was not a lot, but to Spencer.

To Spencer, it was everything.

“That’s okay. Take your time,” Penelope stated back, and coming from anyone else, Spencer would have believed it was sarcastic in nature. But he also knew that Penelope was one of the only people he could never find judgement or maliciousness from.

You were the other.

“So Y/N and I as you’re probably aware have been together for 2 years now, and you also know that she just got her degree in cinematography and design, which is really funny if you think about it because I know nothing about any of that, but she knows everything. You know, sometimes she’ll explain to me what she sees through her eyes and it’s nothing like what I’ve ever been able to. I’m rambling now but I want to do that,” Spencer spurted out, and once he was done, he took a breath so deep Penelope whole-heartedly believed if he spent one more second talking, he may pass out.

“Woah there, slow down. First of all, that’s adorable. I love Y/N so much. Second of all, how exactly am I supposed to help you see things that way? Shouldn’t she be more help?” Penelope questioned, now completely confused about Spencer’s intentions with this very early morning visit.

“She can’t exactly know. It’s kind of a surprise thing,” Spencer answered shyly. He hadn’t even gotten to the punchline and yet, he was contemplating every move.

Was this a good idea?

But when he saw the way Penelope lit up before she yelled, “Tell me everything, and spare no details. None!” He knew he would stop at nothing to make this perfect.

“So here’s what I was thinking.”

That was 1 year ago today, and since then, Spencer has tried to figure out what to say when he revealed his big project. He stood in front of the mirror every day for 365 days trying to find the perfect way to put it. Still when you sat on your shared couch gazing up at him in amusement, confusion and adoration all at once, his mouth was dry and his throat clamped up.

“Spence, you’re starting to scare me. Are you okay?” You asked, watching as your boyfriend stared at you like a deer caught in headlights with a laptop and assorted cords in his hands.

“Uh, yes! Yes I am okay. I just need to um, this needs to go. You know what? I wasn’t told how to do this part, can you help me?” Spencer paced back and forth between you and the TV four times while he was talking before he stopped defeated in front of you. He wouldn’t have asked for help unless he was certain Penelope was smart enough to insert a black screen in the beginning of what caused the laptop to burn a hole in his hand.

“Yes, of course,” you said, slightly chuckling at his confusion. Spencer Reid and technology, whilst tragic, was also very adorable. “What are you trying to do?”

“I need the video on the laptop to play on the TV,” he stated simply. At least he knew what he wanted. That was a new, first step in the right direction.

“Okay easy. Just hand me that cord, and,” you drew out the ‘and’ as you bent around the TV and plugged in the cord. “Perfect. Now just plug this end into the laptop and hit play.” You handed Spencer back his end of the cord, watching as he examined the object and the side of the computer to know where exactly to put it. It almost felt like watching a toddler try and find the rightly shaped hole for the triangle piece, and you’d be lying if you said it wasn’t endearing.

Before he could break anything, you stepped in. “I know you’d be able to figure it out, but it’s that one.”

“Thank you,” he mumbled back sheepishly. 

“Okay so a little back story. A year ago today, I asked Penelope to teach me how to record videos on my new phone. Thank you for that by the way, the camera on it is really cool, and I’m not just saying that because it’s one of the only things I know how to work. Anyways, I started secretly recording videos of you, of us, anything that reminded me of you, and me talking about you. So I sent them over to Garcia and she pushed them all together, and I think what I’m trying to say is I made a short film? Home video? It doesn’t really matter, but I’m showing it to you now.” Spencer didn’t acknowledge the shocked look on your face as he settled next to you and put the laptop on the coffee table.

But as you watched him find the video and set up, your jaw stayed slack. Spencer Reid, the world’s biggest technophobe, figured out how to use an iPhone camera just for you. While to others it may not seem like a lot, to you. 

To you, it was everything.

“Spence, I don’t even know what to say. This is the sweetest thing anyone’s ever done for me.” It didn’t feel like enough. The amount of awe, and love that filled your chest was so comforting, so warm.

It felt like home. It felt like Spencer.

“You don’t have to say anything, just watch,” he stated before hitting the spacebar, something he’s seen you do plenty of times.

The video started out with Spencer crouching down slightly to where the phone was set up against a bookcase in front of the couch.

“Is it recording?” He whispered, and when he realized it was, he took a step back and gave a thumbs up before rushing to sit on the couch. You couldn’t help but let a full smile stretch across your face, an involuntary act when it came to Spencer.

“Hey, love bug. It’s Spencer, but wait you knew that because you can see me.” There was a small pause as Spencer squinted to see if you could actually see him from his position on the couch. When he realized he was in frame, he continued. “This is totally weird that I’m technically talking to myself right now, but I hope future me gave you an explanation. I tried to wait for a good time to start recording this, and in the two weeks I’ve known how to work that thing,” Spencer said as he pointed to the camera. “We’ve been on a case. I came home tonight, and you’re sleeping right now, but if I stay quiet enough I can say what I need to.”

You looked over at Spencer as he was twiddling with his fingers. Something he only did when he was nervous. You reached over and grabbed one of his hands, giving it a reassuring squeeze, but when you tried to pull away so as to not truly disturb his fidgeting, he caught it. So, you intertwined your fingers together, and continued to watch past Spencer.

“I came home today, and all I wanted to do was hold you. Granted, that’s every day, but today was just, it was really hard. When I came home you were asleep on the couch. One time you told me you didn't like to sleep in our bed while I was away, something about it being too big. At first, I was mad because your poor back, but today I changed my mind because the amount of steps to get to you was much less.”

Spencer unlocked the door to the apartment, resting his head against the wood as he inserted the key into the lock. The most recent case had ended with the death of both the latest victim and the unsub, and he couldn’t bear another second of remembering the scene play out in front of him.

All he wanted to do was lay in her arms, but when he opened the door, the apartment was completely silent.

And then he saw a little fuzzy sock clad foot sticking out from underneath the huge, fluffy blanket on the couch. Slowly, he walked towards you, finding you fast asleep with a t-shirt of his tightly snuggled up to your neck and face.

Spencer got down on a knee in front of you, and brushed the hair that had fallen over your eyes. Slowly, they fluttered open at his feather touch, only to widen with realization.

“You’re home!” You squealed, throwing your hands around his neck. Immediately, he reciprocated the hug, tighter than usual. Spencer tucked his head into your neck and inhaled the scent of your shampoo, a grounding technique he would never tell you he developed. The hands he delicately placed at first across the expanse of your back grew heavier, drawing your body closer to his. 

You pulled your head back, him following your movements, and stared deeply into his eyes for a second. The moment you two locked eyes, he knew the jig was up. Spencer knew you could see right through him, and he knew that even if you weren’t there to witness what he had, you saw it replaying over and over in his eyes.

“You must be tired, let’s get you to bed.” Your words shocked him at first. Usually, the people in his life would ask insistent questions on his mental well-being, and while they were greatly appreciated, Spencer was never one to open up when asked to.

You, however, didn’t meddle, you didn’t push. You simply gave him a place to feel safe as you two settled under the duvet together, never letting go of one another even for a second. You held the back of his head, slowly brushing your fingers through his curls as he laid against your chest. Your fingers were medicinal to him, softly taking away the pain and violence of the day, and replacing it with security, comfort, love.

“No one’s ever been that excited to see me before, let alone knew how to take care of me the way you did. I just,” Spencer trailed off and looked towards our bedroom, where you stirred in your sleep looking for him. “You’re about to wake up and wonder where I went. Now you know what I was doing in “the bathroom” for 30 minutes actually meant. Alright, see you next video, love bug.”

The screen cut to Spencer obviously holding the phone close to his chest, the only thing in frame the space where his shoulder and neck met. The soft chords of the start of Vienna by Billy Joel can be heard from outside the room he was in. 

“Okay, I’m gonna have to sneak up on you. I’m sorry in advance.” 

Spencer finally addressed the camera. As the Spencer on the TV quietly left his position in what you could only assume was your bedroom, you looked over at your very real Spencer softly smiling at the TV.

When he caught your stare, he said “Watch, this is my favorite part.” Turning back to the TV, you watched as Spencer carefully tiptoed to the living room, placing the camera to lean against the vase in the middle of the dinner table to face the kitchen.

In the kitchen, you watched yourself very poorly sing along with Billy Joel using a whisk that you just got done washing as a microphone. The blush that crept up your neck and to your cheeks with embarrassment still felt the same as it did that day.

You hadn’t heard Spencer sneak up on you, not until he was right behind you and let out a soft chuckle at a note you missed. Spencer had never seen someone jump out of their skin as much as you did when he made his presence known. 

“Jesus Spencer, you scared me!” You yelled before a smile crept up your face. You couldn’t help it, even in the most embarrassing times, not when Spencer looked at you like that.

“Sorry, love bug. Although, I didn’t mean for you to stop the show.” At that you hit his chest with the whisk/microphone, both of you laughing fully now. “Come here.”

Spencer took your hand, pulling you softly to his chest where you laid your head to his heart. Wrapping his hand around your waist, the two of you started to slowly sway to the music. You both were incredibly offbeat to Vienna, but listening to Spencer’s heart, you realized that the tempo you were dancing at matched up. Unbeknownst to you, due to the adrenaline of being scared, Spencer could feel your heartbeat on his abdomen, and was swaying to that.

You didn’t know how long you stayed like that, dancing to the in sync beat of each other’s hearts.

The clip of you dancing however only lasted 10 more seconds as the next scene of Spencer bundled up for the fall played. You had met Spencer during the fall, and fell in love with the way the red, yellow and orange leaves contrasted against his honey eyes. This clip was no different.

“Hey, love bug. I’m on my way to deliver this coffee to you in between classes, but I had to stop so I can show you my new friends I’ve made along the way.”

The camera panned down to 4 little ducklings surrounding Spencer’s converse, most of them just waddling around, but one was insistently pecking at the rubber toe of his left shoe. Spencer pointed at the little deviant and said ‘that’s you’ before bringing the camera back up to his face.

“I may have made the mistake of feeding them the fruit I was bringing you, which reminds me I should probably go get you more. I don’t think you’ll be mad though. How could you? Look how cute they are! I kind of want to take them home, but I definitely know that’ll make you mad. Anyways, I just wanted to show off that you’re not always the animal person in this relationship. See you soon, love bug.”

“Oh my god, Spencer. That was the cutest thing I’ve ever seen, but to confirm your thoughts, yes, I would’ve been mad,” you stated, the giddy smile never leaving your face, and giggles spreading themselves through your words.

“I know, I know. They belong in the wild,” he said back, holding up his free hand in faux defeat.

A new scene presented itself to you, this one being Spencer setting up the camera on the bathroom sink while brushing his teeth. You knew you were approaching by the music slowly getting louder.

You entered you and Spencer’s shared bathroom, Don’t Go Breaking My Heart by Elton John playing out of your phone. He was brushing his teeth, and you followed suit, not stopping the small dancing as you did.

You looked at Spencer, and started moving side to side, your free hand grabbing the crook of his elbow to join you. Looking in the mirror expectedly, you watched Spencer look up at the ceiling before joining you, a smile on his face.

Slowly, the two of you fell into a rhythm to the beat of Elton John, making funny faces to each other in the mirror as you did so.

You reached out fully to lean your head on Spencer’s shoulder as you watched.

The scene on the TV shifted once again to show a very flustered you standing in front of the TV with Citizen Kane paused. Your hair was in a messy bun, and you were sporting one of Spencer’s old Caltech t-shirts, and fuzzy black pants with little pumpkins printed everywhere.

Spencer was also wearing the same fuzzy pants.

“Spence, I’m gonna sound crazy here,” you sprinting off the couch after pausing the film you were currently trying to study for your film analysis class. 

“You’re not off to a great start here,” Spencer laughed out. Spencer once told you that no matter what he thought about a book or film, he wanted to listen to you ramble about it for hours. The first thing he fell in love with about you was the way you challenged his thinking, expanding his mind to the possibilities of learning about the difference between production design and cinematography. You taught him something that no class, book or person could ever.

Your mouth dropped open, an over exaggerated gasp leaving your lips, your hand meeting your chest softly. 

“Meanie.” Spencer and you chuckled at the antics, and when the laughs died down, you continued. “Here me out, though.”

And from there, you went into a deep dive about the unreliable narrator, and how it affects camera placement in the scene you two just watched. 

“Oh my god. I talk that fast?” You asked Spencer, who just let a breathy laugh out at your realization.

“Don’t worry, I think it’s adorable,” he whispered the last part, the smile on his face turning from one of hilarity to one full of love.

30 seconds into your rant, you realize the phone he was attempting to hide close to his lap. Your eyes flicked between the camera that was pointed at you, and Spencer, who’s face filled with confusion as to why you stopped talking.

“Are you recording me?” You asked, a smile never leaving your face. Oh no, he’d been caught. Spencer has to think of a believable excuse, and quick.

“Uh, yeah, sorry, I just uh... I figured instead of you trying to write it down later, you’d want all your notes now.” Perfect!

“Damn, that was good,” you said, nodding softly at his swiftness. You couldn’t be mad he lied, how could you when the truth was this beautiful?

“I know, right? I came up with it on the spot,” Spencer joked with you. As if TV Spencer knew he was interrupting a moment, a throat clearing came from the video. The Spencer you saw was from 3 days ago, and was sitting in his car in what looked to be the Quantico parking garage.

“Hi, love bug. I’m days away from showing you this, and I still don’t know what to say. I hope the me you’re with now has figured it out. So, uh, yeah. That’s it. Uh, take it away, future Spencer. Actually, you’d be present Spenc-” The video cut off, courtesy of Penelope Garcia.

“Y/N,” Spencer started, turning to face a very emotional you fully. “I still haven’t found the right words. None of them could express my love for you, and perfect doesn’t come close to describing you. I know you have a thing for supporting evidence, and I think I just provided a lot to prove that the best thing to ever happen in my life is you.” You let out a small giggle, the tears welling in your eyes breaking free. “Oh no, if you cry, then I’m going to.”

You let out a full laugh now as Spencer wiped the tears falling down your cheeks before continuing.

“Before you, I was reckless. I didn’t care what happened as long as I did something to help. Now, I have a reason to be careful, a reason to care. I can’t do that to you, and if I’m going to spend the rest of my life with you, I need to live.”

You inhaled softly as Spencer reached into the pocket of his pants, taking your hand in his.

“Which brings me to my question,” he said with a small smile and cocked his head. Slowly, he dropped down to one knee in front of you.

“Y/N Y/L/N, will you marry me?” Spencer opened the velvet box to reveal a simple silver band with a square cut diamond delicately placed on top.

“Spencer Reid, yes. I will marry you.”

With shaky fingers, he slid the ring on your fingers, the fit perfect. You couldn’t wait any longer, and grabbed his face in your hands to pull his lips to yours. Your lips molded together in perfect harmony, lulling you deeper into Spencer’s embrace. 

“I love you,” you whispered against his lips.

“I love you, too,” Spencer answered, only pulling back far enough to mumble before kissing you again.

Note to self: thank Penelope Garcia.

____

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[littlemixnet]

To me, a good ally is someone who is consistent in their efforts – there’s a difference between popping on a pride playlist or sprinkling yourself in rainbow glitter once a year and actually defending LGBT+ people against discrimination. It means showing my LGBT+ fans that I support them wholeheartedly and am making a conscious effort to educate myself, raise awareness and show up whenever they need me to. It would be wrong of me to benefit from the community as a musician without actually standing up and doing what I can to support. As someone in the public eye, it’s important to make sure your efforts are not performative or opportunistic. I’m always working on my allyship and am very much aware that I’ve still got a lot of unlearning and learning to do. There are too many what I call ‘dormant allies’, believing in equality but not really doing more than liking or reposting your LGBT+ mate’s content now and again. Imagine if that friend then saw you at the next march, or signing your name on the next petition fighting for their rights? Being an ally is also about making a conscious effort to use the right language and pronouns, and I recently read a book by Glennon Doyle who spoke of her annoyance and disappointment of those who come out and are met with ‘We love you…no matter what’. I’d never thought of that expression like that before and it really struck a chord with me. ‘No matter what’ suggests you are flawed. Being LGBT+ is not a flaw. Altering your language and being conscious of creating a more comfortable environment for your LGBT+ family and friends is a good start. Nobody is expecting you to suddenly know it all, I don’t think there’s such a thing as a perfect ally. I’m still very much learning. Even recently, after our Confetti music video I was confronted with the fact that although we made sure our video was incredibly inclusive, we hadn’t brought in any actual drag kings. Some were frustrated, and they had every right to be. You can have the right intentions and still fall short. As an open ally I should have thought about that, and I hadn’t, and for that I apologise. Since then I’ve been doing more research on drag king culture, because it’s definitely something I didn’t know enough about, whether that was because it isn’t as mainstream yet mixed with my own ignorance. But the point is we mess up, we apologise, we learn from it and we move forward with that knowledge. Don’t let the fear of f**king up scare you off. And make sure you are speaking alongside the community, not for the community. Growing up in a small Northern working-class town, some views were, and probably still are, quite ‘old fashioned’ and small-minded. I witnessed homophobia at an early age. It was a common thought particularly among men that it was wrong to be anything but heterosexual. I knew very early on I didn’t agree with this, but wasn’t educated or aware enough on how to combat it. I did a lot of performing arts growing up and within that space I had many LGBT+ (mainly gay) friends. I’ve been a beard many a time let me tell you! But it was infuriating to see friends not feel like they could truly be themselves. When I moved to London I felt incredibly lonely and like I didn’t fit in. It was my gay friends (mainly my friend and hairstylist, Aaron Carlo) who took me under their wing and into their world. Walking into those gay bars or events like Sink The Pink, it was probably the first time I felt like I was in a space where everyone in that room was celebrated exactly as they are. It was like walking into a magical wonderland. I got it. I clicked with everyone. My whole life I struggled with identity – being mixed race for me meant not feeling white enough, or black enough, or Arab enough. I was a ‘tomboy’ and very nerdy. I suppose on a personal level that maybe played a part in why I felt such a connection or understanding of why those spaces for the LGBT+ community are so important. One of the most obvious examples of first realising Little Mix was having an effect in the community was that I couldn’t enter a gay bar without hearing a Little Mix song and watching numerous people break out into full choreo from our videos! I spent the first few years of our career seeing this unfold and knowing the LGBT+ fan base were there, but it wasn’t until I got my own Instagram or started properly going through Twitter DMs that I realised a lot of our LGBT+ fans were reaching out to us on a daily basis saying how much our music meant to them. I received a message from a boy in the Middle East who hadn’t come out because in his country homosexuality is illegal. His partner tragically took their own life and he said our music not only helped him get through it, but gave him the courage to start a new life somewhere else where he could be out and proud. There are countless other stories like theirs, which kind of kickstarted me into being a better ally. Another standout moment would be when we performed in Dubai in 2019. We were told numerous times to ‘abide by the rules’, which meant not promoting anything LGBT+ or too female-empowering (cut to us serving a four-part harmony to Salute). In my mind, we either didn’t go or we’d go and make a point. When Secret Love Song came on, we performed it with the LGBT+ flag taking up the whole screen behind us. The crowd went wild, I could see fans crying and singing along in the audience and when we returned it was everywhere in the press. I saw so many positive tweets and messages from the community. It made laying in our hotel rooms s**tting ourselves that we’d get arrested that night more than worth it. It was through our fans and through my friends I realised I need to be doing more in my allyship. One of the first steps in this was meeting with the team at Stonewall to help with my ally education and discussing how I could be using my platform to help them and in turn the community. Right now, and during lockdown, I’d say my ally journey has been a lot of reading on LGBT+ history, donating to the right charities and raising awareness on current issues such as the conversion therapy ban and the fight for equality of trans lives. Stonewall is facing media attacks for its trans-inclusive strategies and there is an alarming amount of seemingly increasing transphobia in the UK today and we need to be doing more to stand with the trans community. Still, there is definitely a pressure I feel as someone in the public eye to constantly be saying and doing the right things, especially with cancel culture becoming more popular. I s**t myself before most interviews now, on edge that the interviewer might be waiting for me to ‘slip up’ or I might say something that can be misconstrued. Sometimes what can be well understood talking to a journalist or a friend doesn’t always translate as well written down, which has definitely happened to me before. There’ve been moments where I’ve (though well intentioned) said the wrong thing and had an army of Twitter warriors come at me. Don’t get me wrong, there are obviously more serious levels of f**king up that are worthy of a cancelling. But it was quite daunting to me to think that all of my previous allyship could be forgotten for not getting something right once. When that’s happened to me before I’ve scared myself into thinking I should STFU and not say anything, but I have to remember that I am human, I’m going to f**k up now and again and as long as I’m continuing to educate myself to do better next time then that’s OK. I’m never going to stop being an ally so I need to accept that there’ll be trickier moments along the way. I think that might be how some people may feel, like they’re scared to speak up as an ally in case they say the wrong thing and face backlash. Just apologise to the people who need to be apologised to, and show that you’re doing what you can to do better and continue the good fight. Don’t burden the community with your guilt. When it comes to the music industry, I’m definitely seeing a lot more LGBT+ artists come through and thrive, which is amazing. Labels, managements, distributors and so forth need to make sure they’re not just benefiting from LGBT+ artists but show they’re doing more to actually stand with them and create environments where those artists and their fans feel safe. A lot of feedback I see from the community when coming to our shows is that they’re in a space where they feel completely free and accepted, which I love. I get offered so many opportunities to do with LGBT+ based shows or deals and while it’s obviously flattering, I turn most of them down and suggest they give the gig to someone more worthy of that role. But really, I shouldn’t have to say that in the first place. The fee for any job I do take that feels right for me but has come in as part of the community goes to LGBT+ charities. That’s not me blowing smoke up my own arse, I just think the more of us and big companies that do that, the better. We need more artists, more visibility, more LGBT+ mainstream shows, more shows on LGBT+ history and more artists standing up as allies. We have huge platforms and such an influence on our fans – show them you’re standing by them. I’ve seen insanely talented LGBT+ artist friends in the industry who are only recently getting the credit they deserve. It’s amazing but it’s telling that it takes so long. It’s almost expected that it will be a tougher ride. We also need more understanding and action on the intersectionality between being LGBT+ and BAME. Racism exists in and out of the community and it would be great to see more and more companies in the industry doing more to combat that. The more we see these shows like Drag Race on our screens, the more we can celebrate difference. Ever since I was a little girl, my family would go to Benidorm and we’d watch these glamorous, hilarious Queens onstage; I was hooked. I grew up listening to and loving the big divas – Diana Ross (my fave), Cher, Shirley Bassey, and all the queens would emulate them. I was amazed at their big wigs, glittery overdrawn make-up and fabulous outfits. They were like big dolls. Most importantly, they were unapologetically whoever the f**k they wanted to be. As a shy girl who didn’t really understand why the world was telling me all the things I should be, I almost envied the queens but more than anything I adored them. Drag truly is an art form, and how incredible that every queen is different; there are so many different styles of drag and to me they symbolise courage and freedom of expression. Everything you envisioned your imaginary best friend to be, but it’s always been you. There’s a reason why the younger generation are loving shows like Drag Race. These kids can watch this show and not only be thoroughly entertained, but be inspired by these incredible people who are unapologetically themselves, sharing their touching stories and who create their own support systems and drag families around them. Now and again I think of when I’d see those Queens in Benidorm, and at the end they’d always sing I Am What I Am as they removed their wigs and smudged their make up off, and all the dads would be up on their feet cheering for them, some emotional, like they were proud. But that love would stop when they’d go back home, back to their conditioned life where toxic heteronormative behaviour is the status quo. Maybe if those same men saw drag culture on their screens they’d be more open to it becoming a part of their everyday life. I’ll never forget marching with Stonewall at Manchester Pride. I joined them as part of their young campaigners programme, and beforehand we sat and talked about allyship and all the young people there asked me questions while sharing some of their stories. We then began the march and I can’t explain the feeling and emotion watching these young people with so much passion, chanting and being cheered by the people they passed. All of these kids had their own personal struggles and stories but in this environment, they felt safe and completely proud to just be them. I knew the history of Pride and why we were marching, but it was something else seeing what Pride really means first hand. My advice for those who want to use their voice but aren’t sure how is, just do it hun. It’s really not a difficult task to stand up for communities that need you. Change can happen quicker with allyship.

Jade Thirlwall on the power, and pressures, of being an LGBT ally: ‘I’m gonna f**k up now and again’

[thefirstknife]

Iron Lord Saladin Forge

Season of the Lost dropped some major lore about Saladin and I love every piece of it so I will make a huge post detailing stuff about and what's important.

The lore is on Iron Banner armour which you can see in-game when you go to the armour section. The lore is the same on each class so it doesn't matter which one you read. It's in the order of how armour is set, so helmet -> arm piece -> chest piece -> leg piece -> class item. There's some extras on Iron banner weapons that I'll add as well.

The rest under the cut due to length and also spoilers!

I'll link to the Hunter gear because I'm a dirty Hunter main and I read it from there and that's what I have open because I couldn't remember the names for other two classes, but the lore is the same on all of them. The set is called Iron Forerunner.

We haven't really had any substantial Saladin lore in D2 besides few lore pieces from Chosen and Splicer. Not nearly enough I think, especially since he wasn't properly introduced in D2 at all and it was kinda assumed that everyone would know about him from the Rise of Iron expansion in D1. He had plenty of voice lines, but with no real context. His voice lines in Season of the Chosen were interesting, but also made a lot of people think he's a bad person and a warmongering coward who sat on his butt during the Red War and was then preaching action for action's sake.

The situation is obviously more complex, but I've always said that it's Bungie fault for not explaining more about him prior to his involvement in the Season of the Chosen. Well, now we got some really interesting information at last!

Anyway, helmet first!

Flavour text:

"Some know the legend. We threw ourselves on the blades of tyranny so others may live free." —Lord Saladin

This is referencing the Iron Lords' fight against the Warlords in the Dark Age. Saladin is heavily influenced by his time in the Dark Age. It seems like some really old Guardians never get over the trauma of living through that (Drifter is another example). Side note: this could also be referencing the battle against SIVA since Rasputin is also known as "The Tyrant." It's not fully relevant tho, as Saladin was equally affected by both periods in his life.

This first entry details something we don't really think about when it comes to Guardians: death. It's a temporary thing with them so it doesn't really matter. But Saladin recounts how he remembers his deaths and how each one felt. Despite the fact that he will be brought back, the pain and struggle of dying are very real. There is also the associated trauma of the realisation that you will go through this over and over and over:

He laughed when his Ghost reassembled him. Then, he cried.

It's not something mentioned often, and definitely wasn't a point raised with Saladin. It gives some context to how seriously he takes combat, training and the lives of his fellow Guardians.

Saladin remembers the day he stopped counting deaths. "Something about you is different," Jolder had said, and put her hand on his.

This explains that his worldview of the role of Lightbearers changed the moment he was invited to become an Iron Lord. It's also important to remember that he loved Lady Jolder very much (in whichever way you want to interpret it) and that watching her make the choice to die a final death has had a heavy impact on him.

Saladin remembers all this and more when he looks at the Crow. He feels rage form a hot pit in his belly when Osiris tells him about the young Lightbearer's suffering at the hands of his fellow Guardians. Osiris asks him if he can keep a secret.

"I don't like secrets," Saladin says, and that's the end of it.

Saladin doesn't really say this during Chosen and his interactions with Crow, but it's evident from this that he cares deeply about the young Light who suffered in ways Saladin only remembers people suffering during the Dark Age. It's also important to note that the Osiris he speaks to here is Savathun. Saladin seems to be uniquely unaffected by Savathun's schemes. This will repeat itself again later.

Second, arms piece.

Flavour text:

"Some know the legend. We were forged in the fires of a burning world." —Lord Saladin

Same thing as before. Referencing the post-Collapse Dark Age. The lore tab details a really tragic story of the Iron Lords burying bodies, including the implication of Saladin burying the body of a child. He recalls that these people were victims of Fallen Raiders.

"It's a vicious circle," Efrideet had said as she tied off a funeral shroud with great care. Saladin remembers the bundle being very small. "One day, I'm going to break it."

Saladin remembers how easily the body fit in his arms, how light it felt as he laid it in the grave. He remembers, with shame, pretending not to hear Efrideet's words so he wouldn't need to respond to them.

He remembers not having anything kind to say.

He obviously regrets not having a stronger stance on this in the past. Where Efrideet seems to have always been keen on ending the cycle of violence, he clearly thought differently and is now ashamed of it. This transitions into more about his relation to Crow:

Saladin remembers all this and more whenever the Crow talks back to him. Sometimes, he bites down on the inside of his cheek. Sometimes, he looks up to find his Ghost focused on him with a knowing look.

He doesn't say anything to his Ghost either.

Because Crow was saying things that reminded him of Efrideet. Breaking the cycles of violence, extending a friendly hand, not treating everyone like an enemy. It's evident that this turmoil is still inside of him as someone who spent most of his time fighting for survival, only to be told by those younger than him that there's a way out of that war. It's a very common struggle of people dealing with trauma and specifically PTSD to not be able to imagine and/or live in a world of peace and to outright reject the possibility of peace ever existing. Saladin is very clearly dealing with that and here, we see it from his own POV: despite sometimes being harsh to Crow, there were times when he chose to say nothing because deep down he knows that Crow is right. Accepting that is a long process though.

Third, chest piece.

Flavour text:

"Some know the legend. We rose from the ashes of a dying world to save humanity from itself." —Lord Saladin

Same again, but this is an interesting way to phrase it. He's talking about humanity being a danger to itself, not about any external threat. Ultimately, the Traveler's gift was the first thing that harmed humanity post-Collapse, despite later being the thing that saved it.

This leads into Saladin's thoughts on the Red War, something we've been sorely missing for a very long time.

Saladin remembers losing his connection to the Light. He remembers thinking that the Traveler must have discovered his most secret doubts; the darkest thoughts he shared with no one—not even his Ghost. He remembers the strange sense of relief that had washed over him until his radio crackled to life just moments later.

His deepest secret? Probably that Light is a burden. When he lost the connection to the Light, he specifically thought it had only happened to him and then felt relief. Freedom from the eternal war he has to keep waging. I'm sure he feels incredible shame for thinking it would be better to just lose the Light and die a final death, but alas, he is bound by duty. Especially a Titan's duty.

He stands there thinking about it for a while before finally deciding to embrace that duty. And now we know what he was doing during the Red War:

"Saladin," his Ghost said again, and Saladin remembers moving. He remembers clutching his radio and rallying survivors—those strong enough to make the journey—to the Iron Temple.

It's been abbreviated as him "sitting out" the Red War because he didn't fight. Of course it was strange that the last remaining active Iron Lord did not show up to the City to fight alongside all the others, both Guardians and ordinary humans. That Lord Saladin, someone who endured so many hardships and fought so many battles since the Dark Age, hasn't come to help humanity in its time of greatest need.

But now this hits different. He didn't fight, yes. He couldn't. Losing the Light wasn't just something that made him scared (like all Lightbearers): it was something that made him scared of how he might actually enjoy dying a glorious final death. To end the trauma and the memories of all the horrors he's been through. So instead of throwing himself into a reckless death, he chose to stay in the Iron Temple and protect survivors.

So yeah, he didn't fight, but he did something equally important. The Iron Temple is an extremely well protected fortress that's very difficult to reach and breach, so any survivor he gathered was perfectly safe there until the Red War ended. Sometimes "sitting out" is more noble than fighting.

Saladin remembers all this and more whenever the Crow challenges him on his cowardice during the Red War. He wants to break the young Guardian's back to teach him a lesson about what it's like to feel helpless, but something stops him.

He remembers hearing stories about the Crow's life on the Shore before he arrived at the Tower, and does not raise a hand against him.

The lore entry ends with telling us that Saladin was clearly very agitated about Crow's teasing. But in the end, he remembered what Crow has been through and realised that Crow already knows what it's like to feel helpless. He did not need a reminder and Saladin decided to take the teasing without a response. It truly frames some of those voice lines in a different light, knowing this background.

Fourth, leg piece!

Flavour text:

"Some know the legend. We crossed a burning world with sword in hand, bringing justice and blood." —Lord Saladin

Once more, we are told that Saladin was mostly forged (eheh) through his experience in the Dark Age.

The lore page details a bittersweet memory Saladin has of him with his fellow Iron Lords and friends enjoying some good time over a meal and song.

He remembers Radegast asking him to sing the song taught to them by the people of the blacksmith's village, but agreeing only when Jolder and Perun promised to join in. Their voices rose like wolves in the night and were so raw by morning that none of them could speak.

This is honestly heartbreaking. Saladin being this happy and free to sing and enjoy himself: compared to how he is now. But even with that, he has retained the need to do it again sometimes, if he ever finds people to be comfortable around.

Saladin remembers all this and more when Zavala tells him Amanda has taken the Crow out to drink in the City's streets. He wonders what song they'll sing, if it's anything like the one he's heard everyone humming lately—even though he hasn't tried it himself.

I love how he projects his past joy onto the two young people and wonders if they'll do the same as he did once. Here we also get another hint about Saladin apparently not being affected by Savathun's viral chant. It might be a point relevant in the future.

Finally, class item!

Flavour text:

"Some know the legend. We crushed the Warlords beneath our heel so that they may never rise again." —Lord Saladin

Nothing new here. Just Saladin recounting how hard they went against the Warlords.

The rest is a very poignant lore page that details the relationship between Saladin and Zavala. Zavala studied under Saladin who was his mentor and it's been repeated often that Saladin has retained a "soft spot" for him.

Saladin remembers the first time he met Zavala. He remembers thinking that the Awoken had regal bearing like the stags he once hunted on the Steppes. His shoulders were broad, and his chin held high. When he moved, he did so with the strength and purposeful deliberation of someone with the power to determine his own place in the world.

"You'll never have a son," his Ghost had said, "but it isn't too late for you to take an apprentice."

I love when non-Awoken describe Awoken, there's always something ethereal about it. But I'm mostly putting this part here because of what Saladin's Ghost says.

First, I am incredibly soft for older Guardians adopting younger ones as kids and teaching them. Easily my favourite dynamic ever. Saladin seeing Zavala as a son makes me cry a thousand tears.

And second, is this finally a full confirmation that Guardians cannot bear children? It's kind of a strange place to put it, but it seems to be the implication. It makes sense they wouldn't be able to, but it's also nice to have some direct lore information about it in case it pops up as a question. I'm sorry if this ruins anyone's fics.

Saladin remembers their sparring matches. He remembers how Zavala always got back on his feet, no matter how many times Saladin put him down. He remembers refusing to offer the younger Lightbearer a hand up. Until the day Zavala finally bested him in combat.

He remembers lying flat on his back, left shoulder dislocated and ribs shattered, a strange pressure on his chest that made it difficult to breathe.

"Finish it," Saladin had commanded because that was the way of things. His Ghost would revive him.

Saying nothing, Zavala hauled him to his feet instead.

I love how this is placed at the end, paralleling the beginning of Saladin remembering his deaths and the pain of dying. But instead of "finishing it," Zavala pulls him back up. It's definitely something Saladin hasn't experienced before, especially not before becoming an Iron Lord, when all of his deaths were just gruesome ends to a struggle. Then seconds after, he'd be back up. He took the revival for granted, until Zavala offered him the alternative. Again, an interesting perspective about something we don't usually think about much. I do wonder how Saladin healed afterwards though.

Saladin remembers all this and more when his former apprentice calls him into his office and tells him about the face behind the Crow's mask. Zavala says he knows that Saladin doesn't like secrets; that it's unfair to ask him to keep one of this magnitude, but there will come a time when the Crow needs someone—the way Zavala needed Saladin.

"You never needed anyone," Saladin insists.

Zavala only smiles.

This page ends with the two bonding again. Despite their differences and disagreements, there's mutual respect between the mentor and the apprentice. The father and the son.

And Saladin thinks Zavala never needed him, but that is obviously not true and Zavala tells him so. He also tells him that Crow, and implied Guardians like him, will need the same guidance.

It gives us a full circle back to Saladin's musings about his purpose as a Guardian and Lightbearer. He may have doubted his place in the world before, but seeing as he's still here with us and actively participating and helping; training us through Iron Banner, helping with the Eliksni, refusing to side against the Vanguard despite the difference in opinion, now serving as Zavala's ambassador for the Cabal and easily bonding with someone he would've considered an enemy not long ago...

I think Saladin knows his place. He's one of the strongest Lightbearers and most principled among them. He is not swayed by lies and deceptions, he does not abide by them and speaks plainly. He has deeply rooted beliefs in justice and he will not compromise himself, even if it means conceding his position to make peace with a former enemy when that enemy proves their worth, honesty and good intentions to him.

He is a Guardian.

He is an Iron Lord.

[runephoenix6769]

Why Netflix aging up the Characters could spell disaster.

Ok, so I’ve tried to find confirmation that this is true and kinda found bubkiss so far.  But.... Zuko being aged up by two years does not bode well his motivation or Azula (or Sokka for that matter), narratively speaking and will massively change how their stories/character arcs hit.  It’s my belief that by aging up the characters they’ll kinda lose some of the soul of the show AND the poignancy of just how much pressure has been laid on the shoulders of Gaang and Azula's trio. The nuance of Children fixing a world broken by adults. (I shall preface by saying that anyone under 18 is a child and therefore even joining the military at 16 is still awful, but this post is being written within the context of the avatar universe, its societal norms and customs.)

Hear me out.  Within the show, all the main cast of children are supposed to be outliers and exceptionally skilled, even surpassing many of the adults in that world in terms of mastery of their elements and ability to execute strategy.   At 16/17 Rangi had her first commission after graduating from the Junior Corps in record time, to eventually become one of the youngest Lieutenants in Fire Nation Army service, during peace time.  400 years later we are in the midst of a global war, meaning the goal posts within the various societies would have shifted considerably. (Apart from the Earth Kingdom, they seriously need to get with the times.) Zuko is the heir to the throne of an imperial expansionist country, where military service is expected of many of the aristocracy. (If not every citizen doing something towards the war effort.) And has been since the reign of Sozin.  Being the heir, he would naturally be expected to take a military commission at 16/17, as precedent has been shown to us via Rangi. This would serve to foster loyalty from his soldiers, train him in ways of command to prepare him for taking over the Nation, etc etc.  Lets say that Netflix keep the rest of his story the same, so he is still ousted at 13 sent on a mission of folly as a cruel punishment. Well that just casts his 4 years at sea and his behaviour towards his men in an awful light. In four years he has not learned regard for the safety of his men? It makes the treatment of his men look callous instead of being a child who doesn't quite grasp how much his crew do for him, that they too have been ousted and separated from their loved ones! Four years of shite treatment would surely land a mutiny on his hands?  If anything, it serves to make him look whiny, and incompetently oblivious to the needs of others.  And what does it mean if they move the timeline of the Agni Kai up by two years, to 15?  It doesn't have quite the same impact. Remember what sits at the core of this show. It is ultimately about children trying the fix the world that the adults broke, violence, cruelty, child soldiers and the effects of war upon them, under intense pressure to succeed.  Zuko is supposed to be a child who hasn’t even begun to figure out what he wants.   His character arc in the show is supposed to be that journey!

Which brings me to Azula!  A child prodigy, who took down Ba Sing Se in a relatively bloodless coup at 14! Its meant to be an awe inspiring Herculean feat! A top notch military strategist, she is meant to be unmatched by any of her peers.  Her age in the OG show certainly explains her behavior, her not being developed enough in many ways. This contributes towards the deterioration of her mental health when she cannot reconcile the heavily cultivated sense of self with the reality culminating in the tragic and heart wrenching mental breakdown at 14! At 16/17, it makes it look like a huge ass hissy fit! OG Azula’s inflection moment begins in The Beach episode. She is begins to ask questions of herself in the form of small experiments. It takes the form of her hiding their identities on Ember Island.  It is as if she is trying to feel out if she is as witty and charming as she believes, but she comes to learn that she is woefully socially inept, people don’t like her for her, beginning the spiral of insecurity and self doubt. We are also told that Azula���s mother thought her a monster and she is massively hurt by that, though she plays it off as nothing.  This insecurity is blown wide open on the Boiling Rock cemented by Ty Lee’s betrayal and culminates in Azula, who is truly terrified that he might burn her in a way similar to Zuko, seeing her being sidelined by Ozai.  She takes as a form of punishment for her ‘failure’, a form of banishment, that she has been discarded like Zuko, when she had imagined being by her father’s side as they burned the world in celebration of their mutual victory rather than for what is truly is which is Ozai being a glory hog and reaping all the benefits from Azula’s hard work.  Which brings me to the suggestion by Azula to burn the world in the first place. A child suggesting that you ‘Burn the World’ smacks a whole lot differently when you think of it as a kid not quite grasping/understanding the ramifications of such a suggestion, but a 16 year old? Such a thing tips her from confused mentally unwell child with a crippling fear of failure raised without a lick of compassion to full blown villainy with nothing remotely sympathetic about her! The way the last Agni Kai is framed you are supposed to feel sympathetic towards her! Which makes me wonder if they are gonna paint Azula as unhinged straight from the get go? Her unravelling at the seams is supposed to be her journey!

Sokka.... at 17!  In the OG show, Hakoda does the right thing by telling Sokka to remain behind to look after the village because at 13 he is too young to go to war.  Why leave him behind at 15? Would that not serve to feed into feelings of inadequacy, that he was deemed too weak to leave and fight with the other men and boys of the tribe?  Now, I would argue that Sokka’s OG arc rivals Zuko’s redemption. He does feel inadequate and overcomes it. He also unlearns a shit load of misogyny! What 17 year old doesn’t take responsibility for his own clothes, in a tribe were adults are few and far between? What 17 year old expects his little sister to be his mother and bear the brunt of the domestic? How obtuse and unfeeling would that make Sokka? It would propel him to the side of boorish, lazy and entitled rather than the sweet teenage boy who grows to realise he has a lot to learn.  OG Sokka is humble as hell and not afraid admit when he is lacking! He will go and openly admit his flaws and learn from others who he had previously written off.  Suki gives him a glass of respect women juice and he keeps on chugging, only adding to the Sokka we know and love.  This is supposed to be his journey! 

OG Sokka is just as much of a genius as Azula!  They are both supposed to be exceptional. Having them sit at 16/17 figuring this all out within a war torn world were it would be totally normal for them to participate in the generational war machine kind of robs them of this. Their more child like behaviours, grappling with concepts and truly understanding their consequences is supposed to remind us that they are children, being asked to do something no child ever should! Aging them up casts these things in a whole other light, skewering the what makes this show so beloved!  If you change the core characters to the point their journey’s don’t make sense within the world they inhabit, or they become unrecognisable to the audience you’re trying to milk then really.....what’s the point?