#diane keaton

[melis-writes]

THE GODFATHER (1972) dir. Francis Ford Coppola.

[scarliefrancis]

— THE FIRST WIVES CLUB (1996) dir. Hugh Wilson

[latristereina]

The Godfather (1972), dir Francis Ford Coppola

Michael and Kay in the hotel bed (deleted scene)

@blackvalyrians, @jasonvanhalen, @godfat-her

[cryingsaltbaby]

I had fun making these

[draigviller]

[corpseflwr]

[godfat-her]

[rileykeouhg]

FATHER OF THE BRIDE (1991) dir. Charles Shyer

[everyframeapainting20]

The final closing shots of “The Godfather” encapsulate the thematic and narrative core of Michael Corleone's transformation. As Kay watches from afar, the door to Michael's office closes, symbolizing her exclusion from his true world—the ruthless, patriarchal realm of power and violence. The framing underscores this divide: Michael stands resolute among his capos, embracing the role of "Don Corleone." At the same time, Kay remains in the domestic sphere, seeking a semblance of truth and reassurance. Her fleeting relief, based on Michael’s denial, contrasts sharply with the weighty finality of the door shutting her out, emphasizing the duplicity and isolation inherent in Michael’s rise to power.

[simply-ivanka]

[melis-writes]

THE GODFATHER (1972) dir. Francis Ford Coppola.

[likeafantasy]

25 DAYS OF CHRISTMAS (05/25) ↳ the family stone (2005)

[latristereina]

You dread me? Jesus Christ,

I loved you more than anything in

this world. I would have died

for you, and you dread me?

The Godfather part III, Third Draft

for @cml-17

[nfrtrack7]

shelley duvall as pam in annie hall (1977)

[corleonies]

michael holding kay by her waist.

[riverswaltz]

Al Pacino and Diane Keaton's on and off again relationship throughout the years.

Then Again by Diane Keaton