#truly one of my favorite things ever
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caffeinatedopossum · 2 years ago
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I'm so glad I live in a world where it smells nice when it rains
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hothammies · 4 months ago
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the usage of the lyrics “i don't know what you mean to me, but i wanna turn you on, turn you up, figure it out - i wanna take you on” right after carmy's apology to sydney is so serious to me and i wish we talked about it more. i think it's one of the only times where we get an explicit idea of what carmy thinks of syd in a romantic context and i fucking LIVE for it the lighting, the acting, the attempted phone call, the ambiguity of that entire scene to confuse us on whether or not he's thinking about sydney or if he's thinking about claire in the lyrics - all of it is so so so fucking scrumptious AHHH i love that shit i love this show so much
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singlethread · 2 years ago
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“It's like the universe is screaming at you and you refuse to listen”
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crybaby-bkg · 1 year ago
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cw: Bakugou dies but comes back to life, “comes back wrong” trope, implied fighting, angst
When Bakugou died, you’re not sure how you went on living. Grief had taken over your life, sat you in the passenger side while it cruised off the highway into icy waters. And even then, you couldn’t find the energy to drown.
It’s why there’s a sudden uptick of energy when you’re promised to have him back. Some top scientists contact you months after his death, tell you to hurry down to the headquarters labs, come and rejoice for what you’re about to witness. And you’re horrified, to say the least.
“This isn’t my husband.” Are your first words when you walk in, watch the figure on the other side of the glass examine its own hands. It looks like your husband but—but his hair isn’t the right shade of blond all over. His nose bridge had a slight bump after a scuffle with a villain. He had a scar on his hand but—but it never looked like it was to sew a pinky beside the other fingers.
“Is that really my husband?” You ask next in disbelief, slowly entering the room. Bakugou’s head snaps up, his eyes a little brighter than you remember but—they hold so much emotion. So much memory, so much panic, so much guilt.
“I left you.” He mutters, his voice raspy and ragged, and you wonder if it’ll always be like this now. It makes you cry a little harder than it should, but you only embrace each other. He’s cold and his shoulders don’t hold the same mass and his back doesn’t carry the same scars. There’s one, jagged and rough, running down his back, and you think, you think that’s where they slipped a new spine in.
“Welcome back home.” You tell him, weeks after meeting him again, new and not totally—Katsuki. He’s stiff and he doesn’t immediately take off his boots when he enters, and it worries you. Makes you think if you’ve just let a stranger into your home, one that has stolen your dead husbands face. Makes you wonder if he’ll be as loving as Katsuki once was, or if he’ll become your monster looming over you with the guilt of not being able to rest anymore.
“I’ve missed you so much.” You whisper against his mouth one night, a little while after he’s moved back. You don’t know why you lay under him, why you let him nestle himself inside of you, why you let him hold you against his chest. Katsuki always ran his hands over your cheeks and neck whenever he held you like this, but this…man, only holds himself up with his hands resting beside your head. It’s alien, how he looks at you, how his hips are methodically measured with every thrust, how he kisses you every 8 seconds. You wonder if he’s more robot than Frankenstein monster.
“Why did you come back to me like this?” You ask him one night, barricaded in the bathroom away from him. You can hear his sobs on the other side, his pleading to be let in. He tells you he never wanted to come back if he had to be like this, that he’s sorry, please let him in, he misses the warmth of your skin, he’s never been so cold before, he’s never liked the cold.
“Is this considered cheating?” You ask yourself aloud one night, when Bakugou is forced back to the lab when he becomes too…un-Bakugou. To sleep with a man that is your husband in every way but? Your husband has been dead for a year now, and yet you stroke the chin of the man that tries so hard to be him everyday, but fails so miserably at it every time.
“I’ll come back to you right this time.” Bakugou promises to you when he’s strapped down to leave for the lab and before he’s sedated. But you don’t believe him—you never did. Your husband is dead, and this animated corpse has been nothing but a cheap mockery of everything you’ve lost and something you will never truly get back.
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hana-bobo-finch · 12 days ago
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My magnum opus. Step aside Steven Spielberg, the real filmmakers are here. I call it, “Zasp dies in the snow and gets revived by his mothiva doll (but unfortunately he falls apart by the end)”
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that-old-psychic-lady-fan · 7 months ago
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How the Blue Shell RUINED Everything.
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quazikam · 15 days ago
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I really want to draw smth for drv3's 8th year anniversary but tired
drawing motivation where are you
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wexhappyxfew · 28 days ago
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Shannon please put this on a backburner if you're busy (and I mentioned this in the tags of my last reblog) but in your last Benny/Margie fic you said, "she tumbled in, clinging to Major Cleven's jacket" and a protective Buck being the first one Margie sees is a *need* if you've got the inspiration. -- @softspeirs
KATIE!!!!! @softspeirs it has been a minute since you sent this in (much longer than i intended), BUT, i have since written up my interpretation of this little moment. not only do we get a hint at the friendship between margie and buck (!!!!), but we also get some hints of margie x benny in there, too. enough where benny has his freak-out moment (and equally valid moment). this was honestly so much fun to write - from beginning to end. exploring connections i haven't been able to previously, so thank you so much for that!!! i sincerely hope you enjoy my interpretation of buck cleven!! <3333
heard you the first time
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(a/n): the 'before piece' of this margie harlowe piece, featuring the friendship of margie and buck, a smidge of margie x benny, and the rest of the crew in the stalag, complete with annie bradshaw and bucky egan as rising stars. by far one of my favorite pieces to write and develop and dig into. a bit of a warning for some heavier topics, as margie is clearly going through a difficult mental battle, along with trauma that she has since experienced and gone through. thank you all for reading! please enjoy! :)
The deceptive nature of a war was something one could easily have as hard of a time getting used to; nearly as much as a simple card trick or removal of a mask.
Dealing with the aftermath of such was something no one was inherently ready for.
The fragile form that was Marjorie Harlowe, stumbling in the main gates of the Stalag was something far from the reality Buck Cleven had hoped to see upon Lieutenant Harlowe turning up - better yet, her turning up alive.
From Buck's position behind the barbed wire fence, the farthest he'd ever felt from a member of the 100th, despite her being just 50 feet away, at the entrance of the gates, had his blood pumping and his worry spiking off the charts.
There was something about that distant look in her eye as she looked around warily, trying to keep herself up on her own two legs, her clothing in the poorest condition he'd seen any of the women come in with, and a look on her face that evidently displayed whatever horror she had been through and had to both see and witness.
Buck had always kept an eye out for Margie Harlowe ever since they crossed paths before heading out for Greenland - a run in near the bar where groups had gathered and news had spread that an all-female B-17 crew was being immersed into the 100th. She was almost like a younger sibling to him and if anything, allowed him to bring out a looser side of himself than normal.
The group that was coming in now looked worse off than the last groups had been - at least they'd been able to confidently stand on two feet and move their limbs. This group looked beat to a pulp, half-stumbling, half-falling just to keep themselves from looking weak in front of the unfamiliar and unknown. The yelling of names around him was nearly going to send him over the edge as he pushed to the front of the group and braced as the barbed wire came in contact with his form. Pressing forward, the crusher cap on his head tilting side ways, he cupped his hands around his mouth.
"Harlowe!" he yelled, his voice sounding more hoarse than it had in recent days, "Harlowe!" Buck was able to watch, through a strained gaze, as Margie managed to pull her head upwards from the ground and get a glimpse in a general direction of the voice. Just at the sight of him it seemed, she collapsed and Buck's heart leapt into his throat.
"Margie!" Buck yelled, his voice causing others around him to snap shut quietly, his eyes turning to the second set of entrance gates.
Immediately, he was pushing through the layers of people pressing themselves earnestly against the wire and wood, desperate for a look to see if a friend had survived, a comrade that had since fallen from the sky just like the rest of them.
Hurriedly looking over his shoulder as he pushed through the crowd of pilots and American men, he could make out one of the German soldiers standing over her, yelling and spitting, harsh German spilling down upon her - he wanted her to get up. The German kept poking her with the muzzle of the rifle as she lie there.
"Get up." Buck whispered to himself as he pushed through towards the second entrance gate, which slowly opened, allowing the new wave of arrivals to flood inwards, "Get up, Margie, please."
Buck rounded around half of the swinging gate and watched as Margie rolled herself on her side and tried to push upward. She looked exhausted, entirely depleted of herself and who she was; nothing more than the shell of a human with the instinct to survive. It broke Buck's heart to even have to see someone, a human being, like that in this very moment.
"Harlowe!" Buck called as he pushed through the new arrivals, moving past swinging arms and shoulders, side-stepping and keeping his eyes on Margie there on the ground.
"Up! Up!" the German yelled over her as Buck moved closer, "Get up!" In an instant, the German kicked and a blood-curdling scream ripped out of Margie's mouth.
Buck felt himself freeze for a split-second, his entire body growing cold as he watched the German do it again, a weak whimper from Margie to follow as tears trailed down her dirtied and bloodied face, her gaunt cheeks matching the bloodshot tint of her eyes, her hair, once bright and blonde and lush, now short, hap-hazardously cut and filled with scraps of dirt and mud. Buck watched as the German went to kick again, but Buck couldn't take it.
He stepped forward.
"Harlowe!" he yelled, quickly falling to his knees, watching as the German froze there, watching him with wide, stone-cold eyes as Buck's hands made contact with Margie. He noticed her flinch at his touch, her entire body reflecting the pain and the past all at once. Buck lowered his head and watched as Margie's eyes cracked open in fear, her breathing erratic, her body trembling.
"Margie, it's me. It's Buck Cleven." he said quietly, reaching forward to gently move his hand under her head to get her up, "You gotta stand for me."
"B-Buck." she managed out quickly, her hands frantically scrambling for his arms as she let him help her to get herself situated, before clinging to him like a frightened child, weak cries coming from her lips as Buck held her as tight as he possibly could, looking towards the German.
"Move." the German spat, taking a step closer, "Out!" Buck stared back at the German coldly, watching with a steadiness he hadn't been able to scrounge before and bit his tongue, holding back any words that could make the situation worse than it already was.
Buck's mind seemed to feel a million miles away as he began to take on the reality of the situation.
Margie.
Margie Harlowe was barely alive in his arms and he needed to get away from this German before they were both dead and more importantly, get her to a bed, to a quiet room, filled with people who'd fight the end of the war just to keep her alive.
Benny DeMarco.
Buck's heart clenched at the thought, knowing Benny was already mulling things over with others making conclusions about it all. How Margie had been thought to be as good as dead just 24 hours ago, when it had been over two weeks since a new Silver Bullets arrival. He couldn't imagine the horror on the rest of the mens' faces, nor Bradshaw, Farley or Carlisle. He could imagine Annie Bradshaw - hot on his heels, going through hell and high water, causing a storm to blow up - he knew she'd have someone's head if it weren't for the fact they were prisoners in a camp made specifically for them.
Annie Bradshaw was going to lose it - and the fact Buck was even struggling to maintain composure was a sure sign.
"Margie, we gotta move, you gotta keep yourself awake." Buck whispered quietly, moving his eyes in the direction of the second gate, "Keep moving."
"Buck." whimpered Margie, her tiny fists balled in his jacket as her legs flopped about, her limbs depleted, any energy she had once had gone. God, it scared him beyond compare seeing one of the Silver Bullets women like this - so far from the person they once were.
"I'm here Margie, I'm here." Buck said as they passed the second gate and he started for the bunkhouse, "You gotta keep your eyes open."
"Buck." Margie managed again - his name, she kept repeating it over and over - like convincing herself this was real, that he was real. He placed his hand on her side of her head, pushing it against his inner shoulder to stabilize.
"Buck," Margie managed, her voice pained, "t-they hit me, Buck. They h-hit me all over." Buck's blood ran cold at her words, legs nearly stuttering to a stop as she said those words.
One could take a few guesses as to what had transpired before Margie Harlowe had arrived, but with her current state, Buck's heart fell. And it fell right to his feet, causing his grip to loosen and his mind to twist. He stopped with Margie there curled into his side and looked down at her, grimacing and whimpering into his side, trying to stay on two shaky legs.
Anger hit him first - anger for her, with the Germans, with this war, with how the Germans had left her, her current state and condition.
Guilt coursed next - he would never be able to protect them all - all the 100th, all the Silver Bullets crew, the very people in this group of people here now. 1943 and a stalemate for the war and nothing would ever seem to change.
"It hurts. So much." Margie whispered, her voice cracking, "Everywhere." Buck couldn't take it.
"Margie." muttered Buck, getting a better grasp on Margie, "We gotta keep moving, Margie, get you in the bunkhouse. Where it's safe. Safe, alright?" A weak whimper seemed to escape her lips as she curled against him, as if to hide away in whatever comfort him and his heavy overcoat could provide.
Oh Annie Bradshaw was going to lose her mind.
Coming upon the bunkhouse, Buck felt Margie's grip on his coat and arms tighten as she looked upwards at the building.
"No," she whispered, shaking her head frantically, shoving at his arms, as if to try and break free, "no, no, no, NO." Pulling herself out of his grasp, she flopped onto the ground weakly, before moving to curl into a ball.
"Margie-" Buck started, scrambling to crouch beside her on the ground, where dirt now had smeared upon the clothes hanging off her body and her dirtied, bloodied face, "Margie, you'll be safe."
"No, I can't." whimpered Margie, writhing like a wounded animal, "I can't, please don't make me." She looked up at him with barely opened eyes, peering at him through glossy tears and bruised cheeks, her lip quivering, hands grasping at the Earth to grab hold.
"No one in there will hurt you, alright, Margie?" Buck said, placing a hand on the side of her face gently, bracing as she flinched at the touch, "Annie's there, Farley and Carlisle, too. We got a whole crew of our guys in there." Margie continued to shake but grew quiet instead.
"I promise you, nothing in there will hurt you." Buck repeated, watching as recognition attempted to flicker in her gaze. Buck's mind began to race a little.
"Let me help you up, okay?" he asked her quietly. She stared at him, flush to the ground like dead weight.
"I can't let them know what they did to me." Margie whispered softly, her voice trembling, "I can't let them know."
"Who's they?" Buck asked her quietly back, ignoring the looks of others passing by, their lingering gazes catching on them here on the ground.
"Them." Margie whispered, "Those people that held me captive until the Germans came for me. Caught me like a wild animal, tied me up to a wall and left me with nothing but darkness and the cold." Margie's eyes welled with tears. "You can't let them know."
"Who know?"
"Them." Margie whispered. She either wasn't making sense or Buck's mind was going, but all he knew was that she needed to get inside and he needed to keep her talking.
"Let me help you stand." Buck said again and Margie, this time nodded. Buck reached out, grabbing her frail arms, and slowly pulled her to her feet, placing her promptly upwards, before wrapping an arm around her form and nodding to the bunkhouse.
"I promise you'll be safe in here," he repeated to her quietly, "I swear to you." Margie looked up at him, with such a profound fear and sadness in her eyes that he felt his heart rate begin to pick up.
"C'mon." Buck said quietly, slowly nudging her forward. As they moved up the steps, Margie began to cry from beside him, each painful little breakage of emotion that slipped out of her, causing his insides to twist in a sickening way.
What had happened to her?
Moving down the hall to their room, Margie began to slip from his grasp, her legs giving out from under her as she clung to his coat and his form, her shaky body nearly bumping into every bit of wall as they moved.
As they came to their door, Margie holding onto him like life or death, Annie Bradshaw came over the threshold. And her eyes immediately went to the sobbing Margie Harlowe hanging off of him. Buck saw a glint of anger flash through Annie's gaze, something he had grown accustomed to after a few officer outings and conversations at the flying club. But then there was grief and sadness and something else he was sure he'd never fully be able to grasp.
Before Annie came to them, she leaned back over her shoulder and yelled back into the room.
"Someone get some warm water and a towel! Get some soup going, open up a bed!" Annie called, before looking forward again, her face growing with horror by the second.
"Wait, what's going on?" Brady's voice called from inside, as other sets of eyes began to appear, looking their way or moving to look through the doorway.
"It's Margie-" Buck began to hear people say, bodies bustling and beginning to move, the glimpse of a frozen Kennedy somewhere by the stove as she stared, numb and with tears in her eyes.
"What happened?" Annie asked as she stepped forward and slowly looked to peer at Margie's eyes.
"I don't know." Buck managed out, swallowing as Margie's grip tightened.
"Margie? It's me, Annie." Annie said, reaching forward to place a hand on her flight engineer's back only to be met with Margie flinching and beginning to cry again.
"You can't make me." Margie cried out, causing heads from inside to turn and look towards the door, "You can't make me go in there!" Annie met Buck's gaze; he felt helpless in all the ways there could be. He was half keeping Margie standing and trying to usher her in the room. She was in near hysterics, with no one having a clue what had happened and simply being in need of the ones who cared for her most. And she didn't want it.
"You'll be safe in here, Margie, it's Annie. Annie Bradshaw." Annie said quietly and desperately, keeping her voice low.
"They're in there," whimpered Margie, shoving her face into Buck's coat as he kept a firm grip on her tattered A2, "they're in there, I know it." Annie looked to Buck again who clenched his jaw before keeping a steady hand on Margie's back.
"Margie, you have to go in the room," Buck said, "you'll be safe."
"No, please, don't make me do it!"
"Who is they?" Annie asked quietly and Margie froze. Her body shuttered, as if preparing to scream, but instead she looked over at Annie with wide, bloodshot eyes.
"They tried to kill me, they were trying to kill me-"
"Hey, hey, hey, what's going on over here?" a voice called from down the hall. Buck looked away from Annie and found Bucky and Benny coming down the hall, some potatoes in hand, confused looks on their faces.
"If anyone tried to kill anyone here, I'll-" Bucky stopped mid-sentence, just as Benny came up beside him with a content look on his face only to freeze, "Margie."
For a moment, it was completely silent as they all stood there. Buck watched Benny the most - the way his face dropped completely, his eyes immediately all over Margie - her clothes, her scrunched face, the tears on her cheeks, the mud plastered upon her clothing, the blood. Buck saw it building on Benny's face - the anger. His blood boiling.
"Benny-" Buck started, only to watch Benny grit his teeth, eyes flaring wide, the potatoes in his hands slamming to the ground.
"What the fuck is going-"
"DeMarco." Annie snapped, stepping forward, placing a hand on Buck's arm, "You need to calm down." Annie dropped her voice. "She's terrified." Benny stared at Annie, his eyes darting over Annie's shoulder again only to refocus again.
"What the hell happened to her." he said, more of a statement, rather than a question, his eyes blazing to Buck, who stared at him. Benny was going to start losing it. Margie's grip was tightening.
"We don't know," Annie said, glancing up at Bucky who was now looking into the bunkroom, meeting the eyes of Kennedy, "but raising our voices and arguing is not going to help in any way, shape or form, so I highly suggest every one of you shuts your mouth." Annie met each of their eyes before looking back to Margie again.
"We can settle her in my bunk." Annie said quietly, before looking towards Margie again, "Hey, Margie, you ready to get some warm soup?" Margie was quiet standing there curled into his jacket, quivering, he could feel her trembling.
Buck took a slow glance at Benny, watching as the Captain's shoulders rose up and down in a pounding fashion, evidently upset and angered all at once, his emotions in a multitude of directions.
Captain Benny DeMarco wasn't one to lose his temper like this it seemed. But, in this moment, Buck could take two guesses as to the fact it was about to happen.
"I can't." Margie managed out, her voice hoarse, throat sounding raw with emotion and tears to follow, "Please, I can't, they're in there." The group went quiet around her, as Buck glanced upwards to Bessie who had come forward with a hot towel, Hambone behind her with a spoon, Brady appearing with a blanket. What had to hurt the most was that these were all people standing around her now that had cared for Margie for months before this. Some for years. Yet, they were almost unrecognizable.
"That's it-" Benny started, before starting to turn, unclenching his jaw and pointing towards the door, his footsteps becoming quick.
"Benny-" Bucky started, but was quickly cut off.
"What the fuck did you do to her!" Benny yelled, his footsteps beginning to move down the hall, his voice echoing off the sodden wood, Buck's eardrums ringing with a clammer.
"Benny, lower your goddamn voice!" Bucky called to him, moving from the group, forcefully grabbing Benny's shoulder and pushing it back, "You're gonna freak her out more!"
"They did something to her, Bucky, they did something to her and scared the shit out of her and-"
"Listen, you gotta calm the fuck down-" Bucky started in. Buck turned his head slowly away from the rumbling scene and looked to Margie, landlocked onto his jacket still. The hour was desperate.
"Don't tell me to calm down-"
"You get any louder and you're going to freak her out even more, ya hear?!"
"You two have to shut up." Annie yelled, raising her voice the loudest he'd ever heard her do so, "If you need to be yelling so much, go find a different wall to bark up, okay? We don't have time to listen to you two right now." Both Bucky and Benny stopped, staring each other down.
"Don't go making more problems." Bucky said calmly as Benny stared coldly.
"Then they gotta stop doing stuff that make me want to." Benny answered, narrowing his gaze. Buck slowly turned his gaze back to Margie and watched as Annie slowly placed a hand against her cheek, gazing into her eyes in the most calming and present way. To let her know she wasn't alone and that these were people that cared for her. Right here.
"It'll be okay, you can stay in my bunk," Annie said quietly, before glancing at Buck, "I can take it from here." Buck nodded, watching as Annie took hold of Margie's hands, taking them into her own before Margie was latching onto Annie, trembling and shaking, eyes unfocused, as Annie led the two of them into the room.
He watched, like a stagnant figure, as Brady came forward, wrapping a blanket around Margie's shoulders before guiding her over towards where Annie bunked out, disappearing from his line of sight.
Buck set his eyes on Benny, now looking towards the doorway where Margie had disappeared into, his eyes a mixture of contempt, torment and sadness. Bucky was still there, standing in front of Benny, hands on the Captain's shoulders, as if letting go would unleash the chaos Benny was still holding back.
"Benny…." Buck said closing the space between him and the two of them, coming up on Bucky's side to look at the Captain's face, "calm yourself down before you go walking in there, okay?" Benny watched Buck, his gaze narrowed, jaw clenched, shoulders and neck filled with a tight tension.
People that had been peering out of other bunkrooms to see the commotion, were now turning away, moving to leave out the door, or going back to minding their business. It was relatively quiet and calm. And for once, silent. Buck continued watching Benny.
"She's freaked out enough as it is," Bucky started, "did you hear what she was saying-"
"I heard every goddamn word she was saying, what happened to her?" Benny said quickly, leaning forward towards Bucky, "I'm gonna kill whoever did that to her-"
"Benny." Buck said, reaching forward to place a hand on the man's shoulder, "We'll figure that all out. But for now. What you gotta focus on? Calming down. You gotta keep it in your mind - Margie is here and she's alive. Albeit, we wish in a better situation. But she's here, with us, safe for the moment and alive." Buck watched him. "You freaking out won't help us out anymore. And scaring her further isn't going to do us any good." Benny looked helplessly towards the door again before looking back at Buck.
"She'll be okay," Bucky said quietly, patting Benny's shoulder, "you got Annie Bradshaw in there ready to tear the eye sockets outta someone it seems. Margie's in good hands."
"Yeah," Buck agreed, a small smile on his face, "she looked ready to go out there and let someone have it." Benny managed a slight smile on his face, the worry and concern that had been hidden by anger, beginning to emerge on his features. Buck could tell Benny was at a bit of a loss for words other than expletives, along with feelings he couldn't quite reel in.
"I shouldn't have lost my temper-"
"Benny," Buck said quietly, offering a slight smile, "just go in there, do what you can to help. We'll all make sure she feels safe and comfortable, okay? She's here now." Benny nodded at his words before letting out a deep breath.
"I'm real sorry again-"
"Benny." Bucky said leaning forward a smile on his face, voice low, "Pick up your goddamn potatoes, shut your mouth and get in there." Benny couldn't seem to help but manage a small smile at those words, dropping is head before glancing upwards at Bucky with a smile.
"Yes, sir, alright?" Benny said, before turning, gathering up his potatoes and pausing by the door. Buck watched as he took a deep breath, before stepping inside. Buck grew quiet beside Bucky, eyes still trained on where Benny had been standing before entering, before Bucky nudged his shoulder.
"What the hell do you think they did to her?" Bucky asked him, his gaze narrowed, eyes set on the doorway and his face like a stone. Buck glanced his way and set his jaw firmly.
"We'll let her rest, get herself back in order. Give her time." Buck said, "But I don't know…..whatever happened, clearly it was enough to convince her that it's still happening." Bucky let out a low whistle and righted his feet before crossing his arms and leaning up against the opposite wall of Buck.
"You think they did something to her?" Bucky asked, tilting his head, anger pooling in his eyes, "I think Benny was onto something, I could shove their heads right down into the dirt-"
"Bucky." Buck said, shifting his weight as he watched him, "Now, you're sounding just as bad as Benny."
"You see the look on her face?" Bucky asked him, "They touch any one of those women, and they're dead." Buck knew there was no use arguing, especially when truer words had never been spoken and rightfully shut his mouth.
"C'mon," Buck said, nodding his head towards the door, "she needs us." Bucky slowly pushed up from the wall before following towards the bunkhouse doorway.
"I swear to God, Buck." Bucky said pausing to look at him, jaw clenched.
"If one of those officers comes in and messes with any one of us, you'll have their head," Buck said, a slight upturn of a grin on his face. Bucky watched him. Buck gave him a pat on the shoulder and a smirk.
"I heard you the first time."
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sunnibits · 3 months ago
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GOT TO DO MORE FIGURE DRAWING YESTERDAY WOOOOOO <3333
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deathsbestgirl · 4 months ago
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after reading this post by @randomfoggytiger and a whole mess of @carefulfears words forever rattling around my brain — i just need to talk about unruhe.
i tweeted a simple thought, that isn't really so simple at all. unruhe, to me, is about scully learning a lesson mulder intrinsically knows.
i think scully lays it out in her final voiceover as she writes her report after being kidnapped and nearly lobotomized. she spent her time with gerry trying to keep him talking. she has to take the time to understand this man to have a chance of escaping with all her faculties. scully asks him about his sister and his father, who mulder had questioned him about earlier. as mulder was putting together a profile, he said the man was either really tall or wanted to be — and this little piece of information let scully connect the dots that she was speaking to their suspect. gerry, on stilts. (in the interrogation, scully is angry & forceful — as a doctor and as a woman. mulder is more curious.)
so in her report, she's recording her musings about her experience. and it's something she dismissed earlier:
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(unrelated to this post, but this scene always reminds me of their final scene in leonard betts. the disconnect between them, mulder's confusion but acquiescence.)
scully's voiceover:
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in the end, scully knows that understanding gerry saved her life. it gave her the time so mulder could get there and intervene. and not just understand, but empathize. something mulder is able to do with just about everyone. even the worst criminals. in beyond the sea, it makes him stubbornly disbelieve boggs. here, mulder ends up shooting & killing gerry. he understood gerry believed he was helping these women, because he couldn't accept what happened to his sister. mulder doesn't over-identify this time. but i think scully's intimate insight into mulder allowed her to look into gerry. (edit: and i don't really mean samantha, though it's part of it. mainly mean the way his mind works. she hates gerry but she tucked away everything mulder said about him & his analysis.)
one of my favorite things about scully is the way she values mulder's mind & empathy. something i think she believes she isn't capable of. she tends to talk about relying on his strength, but she also depends on his empathy so much. when she was in this situation, that's what she drew on. scully rarely has empathy for men committing violent crimes against women. she knows the world is full of predators, as she once told karen kosseff in irresistible. it's a comfort to her to have a hand in bringing these men to justice.
after mulder kills gerry & releases her, scully takes one moment to look back at him before leaving. after this near death incident, scully takes the time to read gerry's diary. like she wants to understand him more. "for truly to pursue monsters, we must understand them. we must venture into their minds." lesson learned, and new fear unlocked: "only in doing so, do we risk letting them venture into ours?"
i actually think this was a silent fear lurking in irresistible. scully's horror at the case was layered. yes, it was the violence against women & the haunting of her own abduction, but also that donnie pfaster would kill women to "scavenge from the dead." she's a pathologist, she understands the curiosity. but she does it to bring victims' justice, to put away predators, to try to make the world a safer place.
over time, i think scully adopts mulder's desire to believe in people. a lot of the series is about scully being radicalized, more and more. to the point of paranoia and immediate distrust of anyone who isn't mulder. but she still goes off with csm in en ami, needing to take the chance he's telling the truth despite knowing he is a liar and responsible for the most reprehensible crimes. she still leans on skinner, doggett, reyes, the lone gunmen. she tries desperately to save cassandra spender. she goes to diana fowley when there's no other option, hoping there's a shred of decency in her, believing the woman really does love mulder. so many moments. the ways mulder changes her, helps her, gives her strength & courage to face her fears. (something about scully killing donnie pfaster feels like a culmination of this — and in the reverse, mulder doesn't kill donnie pfaster. the flip side of scully's lessons?)
kae pointed out to me the reverse here is true too. mulder learns a lesson scully already knew intrinsically. but a post for another night maybe.
all of this, in my mind, deeply intertwined with this post (aka required reading <3)
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tulsa24 · 6 months ago
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happy birthday brody!! 🥳💜
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charlieconwayy · 1 year ago
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fryleela meme ♥ [2/8 episodes] → season three, episode two "parasites lost"
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blackbatofel · 6 months ago
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SuperBat but they're 2 complete strangers stuck sitting next to each other on a 16-hour long flight ✈️
This is a really fun idea! I imagine it would go similarly to what we see in Superman/Batman annual 1, which is, of course, the precious annual that gave us the wonderful "there's only one bed" situation.
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But back to why I think it would be similar. The thing is, if they're forced to share space for so long while they're still strangers, I'm sure they wouldn't stand each other in the beginning. In this annual they only share a room (and a bed he he) for a few hours because of a booking mistake, but that's enough to have Brucie Wayne and Clark Kent throwing pointed comments at each other and bantering like they're the worst of rivals (and they don't even know they're Batman and Superman yet!!)
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So yeah, those first hours of the flight would be... interesting, to say the least. But of course, they would eventually come to (reluctantly) enjoy each other's company. I believe that in the course of those 16 hours they would end up showing more of who they truly are and, well, things would go from there. By the end of the flight Bruce would for sure find himself infatuated with the smart and stronger than it seems reporter from Kansas who refuses to take any of Brucie's shit, and Clark would realize that this rich boy from Gotham isn't as bad as he tries to appear.
After all, the annual ends like this, so I don't see a 16-hour long flight ending any different:
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boxwinebaddie · 13 days ago
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this selena cover is the cd song ever of all time jysk :*
#bro i just KNOW this was the first song they played at that cd concert and it went HARD AS FUCK oh my GOD BRO HELL YA#rs bein nostalgic and doin 90s punkrock covers of all the songs in spanish tht sharon used to play around the house while she cooked#LIKE TODAVIA???? AYYYYYYYOOooo PERDEDOR??? MIS OJOS LLORAN POR TI???? BIIIITCH AZUCAR AMARGO??? AAaaAaA#incredible n iconic and i do think this was her favorite one </3#awwww askldhsk AAAAA screaming crying throwing up#anything for selenas mothafuccccccccccka anything for YOU mama! blowin a kiss up to heaven bitch OOOOOoooUCh#if i put rs in the emo grungy rockstar boy version of the iconic purple selena jumpsuit during the sp winter formal performance#at sp high? WHAAAAT THEEEEEEEEEN!!!! ATE DOOOWN#truly hot boy shit i am obsessed with him i love him so bad#also not the jerseykyle ravesey golddigging alleygations smh#like okay way to purport a jewish stereotype you dumb ass tmz paparazzi mothefuckers like i know my man was like#looking at those glasses like this is the nicest and most beautiful thing i have ever recieved and also go fuck yourself#i will not be bought you punk ass(less) bitch ( but also make his pockets hurt also fuck ur weird satantic rich boy money )#like i will pay you back...at some point...i hate them i hate you goodbye you have terrible taste...clearly...i just need to see#and i am a broke college student...so...whatever go fuck urself#like they're not the coolest thing hes ever seen and a staple part of his everyday y/n main character costume design#v annoying also that you can see a lot clearer ergo annoying cute boy is now prolly now cuter n that much more annoying#ANYWAAAAAAAAAAAAYS RAVENSTAN SELENA NATION WE ARE SOOOO UP I FUCKING LOVE THIS COVER BRO#god i loved that cd concert people DIED that day ( or almost did rip jk ) ft the toxic cover of ever following it and mayb new perspective#the como la flor preformance later on? tru...ly...incredible. he really is the captain of hot boy shit he is the moment the movement#LOVE WINS BIIIIIIITCH ECO EMO LGBT RIGHTS BITCH#please know that an acoustic cd punk rock cover of ts' long live is the rm mtv show outro like when ur watching anime#and the episode is super trauamtic and horrifying and the outro song with the credits is nice n soft and ur like i am in pain#BUT LEEEEEEEEEETS GOOOOOOOO I KNOW CD BODIED THIS I KNOW RAVENSTAN TRANSBOY BODY ODY ODIED#not cart making him do really oversexualized preformances against his will...i will k*ll you when i catch u BITCH#i am sorry i will post writing soon can you tell i want to write chapter two like goddamnit chapter one u are taking so LOng#Spotify
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unriding · 17 days ago
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(early) zevie day sketchy !!!!! for u !!!!!!! ohhh how i love zevie (and moevie) !!!!! i hope you have the best best best ever day full of love bc you deserve it - truly and honestly!! you're one of the sweetest souls i've had the pleasure of knowing ... thank you for being you <3 mwah mwah xoxo
venus ?!?! i will respond to your art in my tags ( i am sorry for the length of them in advance ) but oh i love you !! i think i will queue this like 30 minutes before midnight because i am losing my mind ahsndjdjd !!! ??? venus every time i see you, i feel so .. safe ?! and so comfortable ? and happy ? i truly love this special air you have .. i love you !! i have been so happy to be your mootie … thank you for making me feel so loved 🥺 and thank you for being in my life! and thank you for being so cute and so sweet and so lovely and so — JANSNJDKD thank you!!! 🥺🥺🤍✨✨
#彡 evie’s 21st!#彡 queue!#彡 inbox.#彡 venus!#the happy zevie day being in one of my favorite colors ever i will sob venus !!! ): AND ))): THE SWIRLY BLUSHIES ?!?!?!?! !! ITS ON MOZE TO#we are so close … his face is so close …… venus we are kiss distance i will explode into pieces — but before i do !! we absolutely must tal#about your lovely art style !!! i remember my first comm from you — i had been so nervous talking to you ( for why ?? when you are so kind#!! ) and then when you sent the final … I HAD TO GO FOR A RUN TO EASE MY MIND SJSNDNJDJD oh my goodness your art does things to me !!!!! i#remember when i first followed you — you were fulfilling some art requests and i was like . is it weird if i scream in her tags . is it ?!?#BUT YOUR ART IS SO PRETTY AND I 🥺🥺🥺 and you are also such a skilled writer … there is so much to love you and admire about you venus !!!!!#VENUS I LOOK SO HAPPY !!!!! i don’t quite remember the pictures i sent you for my first comm — but i do have a picture of myself in a pose#very similar to this !!!! I LOVE YOU . i love …. is it bad of me to say that i love how you draw me ??? hmmm … i love how you draw in#general then !!!! AND YOU ADDED THE HEADBAND THING FROM MY COMMS I ))): the little details … i see the bow !!! i will cry into my hands OMG#and moze …. I AM SQUISHING HIS CHEEKS . THE DREAM HAS COME TRUE !!!!! AFTER ADMIRING HIS SQUISHABLE CHEEKS FOR FAR TOO LONG …….. deep down#I AM SCREAMING INSIDE BECAUSE ?? i am touching his !!! face !!!!!!! his pretty face !!!! HIS SQUISHY FACE WILL FOREVER BE MY FAVORITE BIT#OF HIM SOB ))): THANK YOU VENUS !!!!! he looks like the cutest grump here !!!!!! alas i will call him sunshine crow again :]#omg … you added his insanely long lower lashes 🥺🥺🥺 i love you venus … this means so much to me sob …. THANK YOU FROM THE BOTTOM OF MY HEART#he is so lovely in your style !!!!!!!!! I WILL SPRINT AT UNGODLY SPEEDS TO WRAP YOU IN A GINORMOUS BEAR HUG!!!!!!!!!!!!!!#you are truly too kind !!! ( also — i am typing tags and then staring … and then typing tags … and then staring !!! )#( it seems i cannot take my eyes off of it for very long lol !!!! ) AGH ))): I MUST FRAME THIS . ON MY DESK . VENUS’S MOEVIE GIFT )): I LOV#YOU THANK YOU SO MUCH … WISHING YOU THE LOVELIEST DAY EVER ))))))): SNIFFLE SOB
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animangalover-writes · 9 months ago
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I need more skip x norman content asap and I'm not talented enough to make my own. Somebody please heed my call.
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