#tristan cadence
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im-a-ramblr · 2 years ago
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Fics I would like to see for Arcane Ascension, but don't want to have to write myself because I already feel overwhelmed with ideas or unqualified to write them [Edited/Updated as of 10/25/2023]
The Winter Ball Dance Scene from Jin's POV (maybe extended)
Corin actually taking the position as Professor Erzan's TA
Tristan is still a whisper and still part of the Ascension Faction, but he's also not tower-bound bound so he has to keep all his activities secret from his family. Corin and Sera are pretty sure Tristan is trying to run a cult out of the basement, but they hope if they don't say anything he won't get them involved.
A The Joy of Joe like fic where Jin runs an Art YouTube channel and his fans are super interested in the small bits of his personal life that he drops. In the end, it's revealed that he is Dalen Jin, who is a very big deal for several reasons
AA x Addams Family, where Morticia or Gomez are either Magnus or Laura's estranged sibling who, despite not being close with the parents, are very interested and invested in Corin and Sera
Corin gets his Arbiter Attument by helping a disguised visage do something super basic and has to deal with the consequences
That one CorJin idea I posted about here
Kelridge rebellion and liberation
Corin is immune to love and/or lust potions, and can fight off most love spells (they have to be citrine or stronger for him to give have to work to throw them off) He is completely immune to Lust spells (Ace King 👑) Corin learns this the hard way. So do each of his friends/companions.
Vanniv and Researcher are given Mana regenerative items that let them stay summoned for extended periods of time without draining Sera. Shinagines ensue
Corin is kidnapped by Dawn, Reika and Ishyeal, because of the Selys-Lyann having part of Flowbreaker in it. He makes it clear that he had no idea and convinces them to let him tag along on the quest for a little bit. He forgets that Keras, Derek and the others don't know that he is in danger, and it's quite surprised when they crash the party
Corin eventually realizes Tristan isn't all that great and moves on with his life. Tristan has a hard time accepting that, because Corin idolizing him was kind of an important factor of his plan. He's convinced Corin must have been spelled away, and tires multiple times to break it. Obviously it doesn't work because Corian isn't under a spell.
Hartigan Manor becomes infested with Mimics while Keras and the kids are staying there. Shenanigans ensure.
Time Loop. Ara_Mochi has started to do ones with this, and they're great but I kind of want to see one where Corin just keeps getting different attunements every time. Jin isn't affected because he just mesmers himself out of the effect. Slowly they get the rest of the team too.
Attunement swap
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good--merits-accumulated · 5 months ago
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i fear i am endlessly predictable (writing new dps au which is once again fantasy with Arthurian elements)
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#it's an au of the dark is rising sequence by susan cooper#(which is to say it's based mostly off of over sea under stone and the dark is rising - with hints of the grey king running through)#and also to say that really i just wanted to write an homage to a very specific genre of british children's fantasy fiction#that i grew up reading voraciously + which shaped my proclivities and tastes for literature extensively. the little white horse au also#matched this but unfortunately that one is creeping towards the unfinished wips every day#not to get into an abundance of tags but this au revolves around: todd + charlie + meeks as kids and friends on holiday together#and going on a quest to find the grail. which gets sidetracked by keating (charlie's mysterious magical great-uncle) and also#todd gaining supernatural abilities far beyond those a thirteen-year-old boy can reckon with. rip. you know how it is#i think i was just really interested in the way cooper writes will stanton he has such a brilliant. canniness to him#which i suppose is the point after he becomes an old one. anyway! enough waffling in tags!#tristan writes#dps#dead poets society#dps fandom#dps fanfiction#dead poets society fanfiction#no anderperry because they're all kids so no romantic relationships per se (other than in that teenager way -#and also they have like. the world to save and evil to defeat lol)#but neil is here and supernatural and also fun to write. there's a certain cadence#and i like leaning into a more ominous side of him especially when he's so young in this au it's really funny#strangely ethereal looking thirteen-year-old child tells you in his prepubescent voice that the Dark shall reclaim the Light in a#fierce and savage hunt known to history but the likes of which the huntsman has never seen over rushing water.#and you just kind of have to sit there and deal with that#SORRY THESE TAGS GOT VERY LONG I REALLY LIKE THIS AU
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talonsaga-trash · 8 months ago
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Here me out: Tristan is autistic.
Canonically is not only good at stakeouts, but according to Garret, is one of the few people to actively enjoy them. A bragging point of his is that he can keep track of an enemy for hours at a time without dropping his scope. These are all examples of hyper focus, explained by two people who wouldn't have to vocabulary to call it was it is.
A lot of knowledge about sniper weaponry and reading about it for fun, unfettered excitement over the US military's armor-piercing rifle, that's a special interest.
Being able to act sociable on a surface level but only managing to form a genuine connection with one (1) person is the biggest mood for an autistic person who's good at masking around strangers.
Dry, sardonic attitude is just a flat vocal/facial affect.
He's autistic, guys. Trust me.
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townofcadence · 4 months ago
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It was customary of humans to remain in place to be referenced to their identification card. He'd been trained to know such things, and to call a coworker, his manager, or Mr. Carder the owner, to assist with the visual component. So when this one decided to scurry away, it was....confusing. Did he expect him to wait here, then? With his goods unpaid?
Nature's call much have been truly demanding, for him to leave and serve it before doing so. Caelan sighs, before setting cigarettes and the scratcher in one of the bags, and contacting the night shift manager. At least the other checkouts were manned as well, the store far from understaffed. He likely would not see another customer at this hour, unless fate conspired against him.
His arms were crossed when the customer returned. His expression was still smooth, what little could be seen of it. "Do not have." He answers. "Check electronic store. Or perhaps Roundtable Repair." He tilts his head. "Before you go. ID is still need to be checked. Remain here."
The wallet came out and the ID slid across the counter. " I'll be right back. Sorry. Excuse me " he said suddenly and headed in the direction of the restrooms.
Once in there he made a straight beeline for the sink, stood in front of it and exhaled loudly. Fuck. He needed to calm down and get it together. He paced back and forth for a second, turned the water on and splashed his battered face with water for a second. As he dried his face off, he examined it in the mirror.
" God, " he mumbled. He wiped the sink dry and pulled out a battered cell phone. He opened it to the text messenger, tapped in something and then made a little disappointed noise to see the notification about his minutes being gone.
In a few minutes he was back at the counter in front of the long suffering Caelan. " Do you sell. Uhm. Phone cards here? " he asked, opening his wallet again that was becoming emptier by the minute.
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liketwoswansinbalance · 8 months ago
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SGE Characters as Literary Things
(Not all of these are actual literary or rhetorical devices; some are just writing techniques, forms, genres, mediums, etc.)
This is a bit abstract, so I’m curious about how subjective these might be. Does anyone agree or disagree? And feel free to make additions if you think I left anything out, or request another character that isn’t here.
Hopefully this makes (intuitive?) sense. As always, I'm willing to explain my thought process behind any of the things I've listed.
Also, anyone can treat this like a “Tag Yourself” meme, if you want. Whose list do you most relate to, use, or encounter?
LANCELOT (I know—how odd that I’m starting with a minor character and not Rafal, but wait. There’s a method to my madness. Also, watch out for overlap!):
Metonymy, synecdoche (no, literally, to me, these are him.)
Zeugma
Analogy
Figures of speech
Slang, argot
Colloquialisms
Idioms
TEDROS:
Simile
Metaphor
Rhyming couplets
Rhyme schemes
Sonnets
Commercial fiction
Coming-of-age genre
Line enjambment
Overuse of commas
Cadence, prose speech
Waxing poetic, verse (not prose)
Alliteration
Kinesthetic imagery
Phallic imagery/sword sexual innuendos (sorry)
The chivalric romance genre
AGATHA:
Anaphora, repetition
Semicolon, periods
Line breaks
Terse, dry prose
Semantics (not syntax)
Elegy
Resonance
Consonance, alliteration
Pseudonym
Narrative parallels
Realism
Satire
SOPHIE:
Sophistry (yes, there is a word for it!)
Imagery
Italics, emphasis
Em dash
Aphrodisiac imagery
Unreliable narrator, bias
Rashomon effect
Syntax (not semantics)
Diction
Chiasmus (think: “Fair is foul and foul is fair.”)
Rhetorical purpose
Provocation, calls to action
Voice, writing style
Rhetorical modes: pathos, logos, ethos
Metaphor
Hyperbole, exaggeration
Sensationalism, journalism
Surrealism
Verisimilitude
Egocentrism
Callbacks (but not foreshadowing or call-forwards)
Narrative parallels
Paralepsis, occultatio, apophasis, denial
Hypothetical dialogue
Monologue
JAPETH:
Sibilance
Lacuna
Villanelle (an obsessive, repetitive form of poetry)
Soliloquy
ARIC:
Sentence fragments
RHIAN (TCY):
Unreliable narrator
Setup, payoff
Chekhov’s gun
Epistolary novel
RHIAN (prequels):
Multiple povs
Perspective
Dramatic irony
Situational irony
Chiaroscuro (in imagery)
Endpapers
Frontispiece
Deckled edges
Narrative parallels
Foreshadowing
Call-forwards
Foil
Death of the author
RAFAL:
Omniscient narrator
Perspective
Surrealism
Etymology
Word families or 'linguistic ecosystems'
Latin
Verbal irony
Gallows humor
Narrative parallels
Call-forwards
Circular endings
Parallel sentences or balanced sentence structure
Narrative parallels
Foil
Juxtaposition
Authorial intent (“return of the author”)
HESTER:
Protagonist
Allusions
Gothic imagery
ANADIL:
Defamiliarization
Deuteragonist (second most important character in relation to the protagonist)
Psychic distance
Sterile prose
Forewords, prologues
Works cited pages
DOT:
Tone
Gustatory imagery
Tritagonist (third most important character in relation to the protagonist)
KIKO:
Sidekick
Falling action
Dedications, author's notes, epigraph, acknowledgements
Epitaph (Tristan)
BEATRIX:
Pacing
Rising Action
Climax
HORT:
Unrequited love
Falling resolution
Anticlimax
Malapropism
Innuendo
Asides
Brackets, parentheses
Cliché
EVELYN SADER:
Synesthetic imagery
Villanelle
Foreshadowing
AUGUST SADER:
Stream of consciousness style
Imagery
Foreshadowing
Coming-of-age genre
Elegy
Omniscience
Rhetorical questions
Time skips, non-linear narratives
Epilogues
MARIALENA:
Diabolus ex machina
Malapropism
Malaphors, mixed metaphors
Slant rhyme
Caveat
Parentheses
Footnotes
MERLIN:
Deus ex machina
Iambic pentameter
Filler words
BETTINA:
Screenwriting
Shock value
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crimsonlyinglilly · 7 months ago
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Day 3 “Well, well, well…”
| Hiding | Ambushed | Stalking |
More June of Doom, more Caged Founder.
Elijah learns how they mean to keep him captive as Tristan shows off what the ritual did.
Warning for violence, and Tristan's creepiness(veiled Rape threat)
-----
It takes Elijah six days to wake after the ritual, he’d been left unchained, laid on the floor, they had arranged for him to be washed and his clothes replaced.
Aya hadn’t questioned why Tristan had looked so pleased at the long white tunic along with the plain slacks.
It’s proof of Tristan’s confidence in the magic is the fact he’s the first to enter the cell after they receive a word of movement being heard, Aya following.
It was just the three of them again, Tristan hadn’t wanted anyone else and Aya saw no reason to risk anyone if the spell had failed so she told the witches to remain outside, to seal the room if anything went wrong.
Elijah lunged for Tristan the moment he realised there was nothing to stop him, Tristan made no attempt to move or avoid the attack.
Aya watched as Elijah froze, his hand wrapped around Tristan’s throat but the hand didn’t tighten to choke, to crush his throat or tear his head off, things she knew he could do, things he had done when they captured him.
Elijah’s brows furrowed for a second before he moved again, it was clear he had aimed to take the other man’s heart only to find his hand came stop, resting flat against his chest almost like a lovers caress.
She saw the way Elijah’s eyes widened as he looked at his own hand in shock before he looked away from it to Tristan’s face.
Aya didn't need to see that to know he was smiling.
Elijah stumbled backwards, growing understanding and concern appearing on his face.
“Well, well, well…” Tristan called as he stalked after their retreating Sire. ���Having trouble Elijah?” Tristan asked before catching the other man’s wrist, using his shock to pull it towards him dragging Elijah with it.
Elijah's attempts to free himself were weak if barely there. 
“Tristan.” he hissed. 
“This is working far better than I had thought.” Tristan mused, as Eijah continued to struggle to free his wrist.
“What have you done?” Elijah asked, looking between Tristan and her, she refused to let anything appear on her face even as she noticed a hint of fear in his voice, this was for the best of their people.
Elijah would come to understand and accept that, he didn't have a choice in that now.
“What I told you I would.” Tristan answered “I keep my word after all. Ensured you can no longer be a threat to any of those born into your Sireline.”
He had barely finished speaking before he struck,  Aya almost missed the movement Elijah suddenly stumbled back but not far as Tristan kept the hold on his wrist and used it to pull him back.
Elijah looked back up blood trickling down the side of his face before the split in his eyebrow, caused by one of Tristan's ring healed. 
Elijah narrowed his eyes looking between them before with a quick movement ripped his wrist free the sickening cracks explaining how.
A trapped animal could chew their leg off to escape, Elijah broke his wrist and hand to slip it from Tristan's hold, before vanishing in a burst of speed.
Aya feels a rush of air behind her but as she turns all she sees is the blur as he escapes before she could grab him.
“Running Boy.” Tristan called, dropping his voice and changing his cadence, Aya recognised who was trying to mimic, but Elijah's reaction made it clear as for a second he froze.
Just enough time for Tristan appeared in front of him, both hands wrapping around his throat.
“He got close, did he?” Elijah asked, smirking as if he wasn't the one in danger, before shifting from amusement to an almost disappointed tone, “I thought i told you to run-”
Elijah's words were cut off when his back slammed into the wall hard and Tristan’s hands squeezed, cutting off Elijah from speaking any further.
Aya know it’s instinct that has Elijah suddenly gripping Tristan’s arms as he chokes. Yet he can't do anything, he can't break or bruise or even dig his nails, so Aya watches as Elijah Mikaelson holds Tristan’s wrists uselessly.
After a time Tristan releases him, stepping back and watching as Elijah fell to the floor gagging and coughing as his body tried to take in the air it didn't really need.
The marks around his neck were almost a black collar, and as he tried to speak the only sound to escape a broken weeze, vocal cords still too damaged.
Tristan didn't let him heal as he grabbed him by the hair and dragged him toward, back to the middle of the room.
“It seems you're going to need a lesson to help you accept your new situation.” Tristan said with a false put upon sigh.
Aya watches as Tristan unleashes years-centuries of resentment and hate, taunting their sire as he does, Elijah doesn't let out a sound, other than the sharp grunts of pain he couldn't stop.
Aya suddenly realised why Tristan had been so pleased by the tunic, as even with Elijah’s healing preventing any marks remaining the white showed the blood clearly. 
----
“Of course there is one fall back about this.” Tristan said as he stepped back from the crumpled form of Elijah. “Anyone outside of the Strix could also be of your sire line so really shouldn’t let you leave now, since you can't defend yourself.”
Red eyes surrounded by dark veins became visible as Elijah gathered the strength to push himself into a sitting position. Tristan stepped back toward Elijah, lifting one foot up to place on his chest and push him back down.
"However the Strix, to repay it's heroic founder's choice of undergo the spell to protect them from him, will forever protect and guard their Patriarch." Tristan explained.
"Your story is that I volunteered for this." Elijah asked in disbelief, sounding breathless from the pressure on his chest.
 Tristan's foot trailed from his chest down one of Elijah legs before it stopped over his ankle, he smiled down.
“You’ll play along with this little story.” Tristan said, making it clear it wasn't a question.
Elijah glared back, Tristan grinned and placed his weight down slowly.
All their hearing caught the sound of bones cracking and breaking.
Elijah hissed but make no other noise and pulled his other leg to him.
“I’d like an answer.” Tristan told him as he twisted his foot, grinding the bones beneath it.
“Fine.” Elijah growled but sighed when Tristan stepped back, dark veins fading and eyes return to the human brown.
“I suppose that’s everything sorted then.” Tristan said pleasantly after watching Elijah on the ground for several moments.
“Not quite,” Elijah spoke quietly as he surprised them both as he pulled himself back up, not putting any weight on that leg but straighten up he turned to Aya, ignoring Tristan, "Aya, they were your people, you led them to their deaths. Shouldn’t you avenge them.”
It’s his eyes, looking at her with disappointed like she was the one that failed him, that abandoned her, that killed her people.
She shouldn't.
She didn’t attack those who weren’t a threat.
And Elijah wasn’t anymore, he couldn’t harm any of them and he couldn’t take them with him if he got killed, the Strix wouldn’t let him risk himself.
But the dead were not coming back.
Gavriel was dead, Mary was dead, Akana and Kaze were dead, they followed her for centuries and they were gone.
She let go of her control and let out her anger her grief.
She came back to herself as she caught sight of Tristan watching silently with a raised eyebrow.
Elijah looks up at her, tongue licking the blood from his lip as the split heals. Her hands were covered in blood, his blood, the blood that had made her, a gift once, now it tied them all as one.
Something Elijah would have to accept.
The disappointment was gone from his eyes, replaced with triumph and she almost flinches as she realised she had played into his hands.
Let him used her to punish himself for the hesitation that had led him to this.
He would use this as a reminder every time she would approach him to work with the Strix.
'Fine' she thought taking a breath before she hit him again.
If he wished to be nothing but a prisoner he could be.
Loyalty is a fine trait, noble but like everything else, too much destroys, our friend will destroy himself one day. Gavriel had said in despair, once in the aftermath of Mikael.
Eventually, the boredom, having nothing to focus on would drive him to re-join them.
She turned and walked away, she didn’t want to see the sight of him anymore.
 —--
Elijah watched as Aya stormed away, his blood still on her fists, even as all his injuries healed, a simple beating wasn’t going to leave a mark.
He pushed himself back up, refusing to let it show when his newly healed ankle rolled under his weight.
His healing was slower, likely an aftereffect of healing from the ritual, time without blood and this recent altercation.
Correction he thought If they had kept going they might have left a mark.
And he could do nothing, they hadn't been lying or overconfident, Elijah couldn't harm them in any way.
He couldn't free himself from Tristan's hands, couldn't defend himself, hadn't been able to break Aya’s neck, he had felt his hand freeze up before he could touch her.
It might just be Tristan and Aya, he'd have to find a way to check on that with the rest of Strix, but he doubted it.
“I'll have clean clothes and a washcloth sent, we can't have our honoured founder looking such a state.” his first sired voice dragged him from his thoughts
Elijah couldn't withhold the grimace at the reminder of the mess he must look, blood and other fluids must have stained him during the beating while he was distracted by the pain.
“You're enjoying this too much.” He told Tristan, mostly to ignore his slip.
“Really how so?” Tristan arched a brow at him, as if the glee wasn't glittering in his eyes didn't give him away.
“I can smell your excitement.” he said, his disgust clear, Tristan enjoyed bringing pain to others, along with their past, this had to be one of Tristan's dreams.
“Which means Aya could and yet she left you with me, knowing you couldn't defend yourself.” Tristan chuckled as he made the veiled threat but Elijah met his look unimpressed, even before he added “Fear not, you know I don't force that, it should be your honour for any of my attention.”
Elijah knew Tristan, which meant he knew his limits, unless he had changed much in the last nine hundred years, Tristan’s pride couldn't take needing to force himself on another.
And Tristan could and would only change for Aurora.
“You understand now don’t you? There is no other place for you, what use are you to your siblings when you can’t defend yourself, how many out there will you be helpless against.“
“I will not simply-” he started, stopping suddenly as Tristan closed the space between them to appear right in his face.
“No, you won't will you?” He didn’t flinch as Tristan laid a hand on his cheek gently, he wasn’t going to ever flinch from Tristan de Martel he swore to himself. “but I will enjoy watching you give in.” Tristan leaned closer to his ear to whisper “and helping you learn those lessons.”
Elijah drew himself up to his full height, making the most of the difference between them to look down on Tristan. 
He wasn’t unfamiliar with being physically helpless, Klaus had pushed him past his limits after Katarina had escaped, Mikael’s training on some day could be best described as him attacking until his sons learnt to take his hits and stay upright.
Pain he could take, he had been raised to bear it.
Tristan met his disdainful look with a polite smile but smug eyes.
Unfortunately Tristan knew him far more than he ever wanted an enemy to.
“I've sent word, your siblings know you’ve returned to the fold.” Tristan called back as he stopped at the door.
“They won't-” he started to quickly, cursing him mentally for revealing to much by just that as Tristan cut him off.
“Really?” he asked mockingly, amusement clear in his voice even as he kept his tone mild “from my reports your brother has grown quite paranoid over the centuries. Isn't that why two of your brothers remain in their coffins?”
The door shutting was loud in the silence as Elijah found himself alone, unchained but more trapped than ever before.
The door may be unlocked but surrounded by vampires he couldn't fight back against. He sank to the floor, cracking the flooring with supernatural strength and let out a heavy breath.
That strength meant nothing when he couldn't use it.
He was in trouble.
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sponsoredbydestiny · 6 months ago
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You know a serial has won you over when a single chapter sparks three different effortposts, and you have to gesture at the least important one just to clear headspace.
Tristan and Song, huh!
“You have a way with words, sometimes,” she finally said. “Allocating vice. Is it from something you read?”
“…there are times when evil’s face is bared and people say enough. When they push back, when the crowns of the world are remembered that no number of levees can truly hold the sea. They only hold until a storm makes the waves tall enough.”
Tristan was taught how to talk, even in a literary cadence when need be. But come on, you don’t really believe that horseshit, right?
Song does believe it. Reputation is fake, (loathe as she is to acknowledge that.) Literature, however, is deadly serious. Those lines about the levees and the sea are 100% copped from some old book, but that provenance makes the sentiment harder for Tristan to undermine, much to his horror. ’Oh hell, she has a moral compass.’
Like, Tristan’s already nonplussed that she wants to sleep with Evander. Then he is thrown by the realization that she’s nearly unswervable in a way that actually values him. How much more of a headfuck would it be, to appreciate that an essential element for both impulses is her genuine piety towards musty tomes?
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sama-not-sam · 8 months ago
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Sama "the ambitious" Ali: task 002; the eulogy
It hadn’t occurred to Sama that Mrs. Tristan might expect all of the wards to speak at the funeral. She’d expected to hear something from those who’d been closest to him, Angus, Carmen, Estrella, and probably from Alison, but she certainly hadn’t been planning to speak herself. Sama was here because it was appropriate, because she wanted to honor Richard’s memory and all he’d done for her, and because she’d never felt like she could say no to Mrs. Tristan. She was not here because she had any right to Richard’s life. But, she’d never felt like she could say no to Mrs. Tristan, so Sama would have to come up with something to say.
Sama was a fairly confident public speaker. She wasn’t someone who gave speeches, but she could lead a meeting or present findings when the need arose. The main problem was she didn’t have anything to say about Richard, or at least not anything that couldn’t be said by someone else. It felt a bit like being asked to give a eulogy for a former boss, or one of her college professors. Sama wasn’t qualified for this, and worse, it wasn’t something she would get a second chance at.
All through the service, Sama went back and forth in her mind about her plan, if it was a good one or not, if it would look like she was honoring one of Richard’s passions or like she just couldn’t be bothered to try harder. She refused to acknowledge that she was more concerned about Alison’s judgement than anyone else’s. At least she could find some comfort in the fact that she was closer to the beginning of the speakers than the end. She could get it over with, if nothing else.
Sama waited until Jacob was back in his seat before standing, not wanting to rush anything. She held the book of poetry with both hands as she took to the podium. She tried to look at the other mourners, but couldn’t, instead focusing on some point in the distance.
“Hello.” Her voice sounded too quiet, even with the aid of the microphone, and she had to take a slow breath before continuing, louder and more confident. “For those of you who don’t know me, I’m Sama Ali, one of Richard’s many wards.” Sama paused, losing her train of thought for a moment and unable to remember the transition she’d rehearsed in her head.
“I’m not a sentimental person. It’s not something that’s ever served me. I don’t have anything to share with you about Richard that you don’t already know.” She found herself unable to find a flow of words as she usually did, probably the difference between speaking to a group of coworkers and giving a eulogy.
Sama cleared her throat, and opened the book to the page she’d hastily marked with a bobby pin. She’d been thinking about poems about death since she first received Mrs. Tristan’s letter, and when she found out she was supposed to speak, Sama had slipped into the library in search of one in particular. Under the circumstances, it seemed like the best she could do.
“I thought, maybe, I could share something other than memories, something we all know Richard loved. This is a poem by Maya Angelou, titled When Great Trees Fall.
“When great trees fall, rocks on distant hills shudder, lions hunker down in tall grasses, and even elephants lumber after safety. “When great trees fall in forests, small things recoil into silence, their senses eroded beyond fear.”
Sama began to find her footing as she read the poem, gaining confidence in the familiar cadence of one of her favorite poets. She began to look out over the gathered crowd, meeting the eyes of some of her fellow wards.
“When great souls die, the air around us becomes light, rare, sterile. We breathe, briefly. Our eyes, briefly, see with a hurtful clarity. Our memory, suddenly sharpened, examines, gnaws on kind words unsaid, promised walks never taken. “Great souls die and our reality, bound to them, takes leave of us. Our souls, dependent upon their nurture, now shrink, wizened. Our minds, formed and informed by their radiance, fall away. We are not so much maddened as reduced to the unutterable ignorance of dark, cold caves. “And when great souls die, after a period peace blooms, slowly and always irregularly. Spaces fill with a kind of soothing electric vibration. Our senses, restored, never to be the same, whisper to us. They existed. They existed. We can be. Be and be better. For they existed.”
Sama closed the book and came back to herself, once again uncertain of her choice and unable to make eye contact. For a moment, she wondered if she should say something else, but she couldn’t think of anything, and certainly nothing more eloquent or poignant than Maya Angelou. So she just made her way back to her seat, back straight, shoulders square, eyes trained on the ground.
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lordofthestrix · 21 days ago
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Tristan: "I value all of my Strix in this room equally. Aya, Shen Min, Claire, Arthur, Rowan, Holt, Cadence, Takahashi and..." Subtly looks at smudged writing on hand. "Moe is hidden."
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dustedmagazine · 8 months ago
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E — Living Waters (Silver Rocket)
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E’s fifth full length packs a wallop, thanks to new drummer Ernie Kim, a Boston area veteran of bands including Tristan da Cunha. Not that the trio—the other two members are Thalia Zedek and Jason Sanford—has ever been especially quiet. Still no question that the intensity ratcheted up another notch this time in lurching, lumbering rhythms that shake the floors like a brontosaurus passing.  
It all starts in “(Fully) Remote” with its thrusting, heavy industrial cadence that comes down hard at the beginning of every four beat measure, swings back, then hammers home again. And while superlatively heavy, E’s music has a twitchy, paranoiac empty space embedded between assaults. Sanford mutters ominously about how “the information, it comes from inside,” while Zedek picks up the end of a verse in a feral, vibrating howl. A trebly violence of guitar skreetches over the monstrous beat, like napalm fire catching.
E has never had a full-time bass player. Typically Zedek plays a conventional guitar, while Sanford goes at his home-made instruments, some of which look like cubist reimaginings of a guitar, drawn in thick lines with air where the body usually goes. For this album, however, Zedek, too, experimented with her instrument, adjusting it so that it could produce both guitar and bass-like sounds. The low-end girds the band’s customary antic, always-in-motion onslaught, giving the sound more force and resonance. And yet, it’s the drums, always the drums, that shock and roil these songs, their stick-shattering thwacks turning uneasy fever dreams like “Names Upon a List” into firefights.
A couple of these tracks lean way into this assaultive aesthetic, stripping away the poetry and melodic color to reveal the animal beneath. “Deep Swerve” bounces wavering, dopplering sounds off the hardest beat you can imagine, and “Ash” reprises the woozy foundation, adding flares of guitars and voices to its giant footed procession.
But it’s the epic title track that puts the pieces together, its ritual beat, its slow-chiming guitars, its gut-wrenching vocals all conjoining in triumph. Zedek sings, primarily, holding the long notes over a tumult of percussion and guitar sound, as if withstanding, once again, all the difficulties of the last few years. It’s nine minutes plus of persistence and resilience, playing out in a way that will make the hairs on your wrists stand up. E is full of power, now more than ever.  
Jennifer Kelly
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agilneanrose · 1 year ago
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“I will not.” The three words were spit into the room, disturbing the pretentious clinking of tea cups as it washed over the collection of ladies in a wave of youthful anger and disgust. 
“Rosemarri Sayage, you may be excused. See yourself to the chapel and pray for the return of patience and the grace that you lack today.”  There was a waver in her mother’s voice, her normal docile and cultured tones straining to be strict and sharp. It was an act, of course, put on for the noblewomen that stared at her. Her mother was under the strict rule that no woman should raise her voice but she was embarrassed in front of her guests and while she didn’t yell, she strained to be harsh - the tone had the same cadence as a badly played flute which made the dismissal a blessing.
She couldn’t help one last dig as she pranced through the open doorway and paused to repeat herself. “Momma, I will marry the dead tree in the farthest pasture before I marry William Fogof the fifty-first.”
Someone gasped. There was a clank of a teacup against the saucer and before any more words could be said, she swept from the doorway. The hours kneeling in the chapel would be worth it.
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"How many hours now?" A sigh followed the baritone question and at once she crinkled her nose. She’d lost count. 
“At least four hundred..” She twisted within the puddle of her skirts and robe, one hand finding the cold stone floor so she could peer back towards the entrance of the modest chapel. Tristan, a handful of years her senior, stood with his shoulder braced against the frame of the door. 
“That sounds like a lot or a lie.” 
“It is a lie, I have forgotten how long. But you know what I have not forgotten?”
He pushed forward and she waited, watching him as he made his way through the pews. His dark hair matched hers, only his had no curl and hers resembled a rat’s nest every morning. He was tall, lanky as most boys his age were, and as arrogant as any young lord should be. Only when he collapsed next to her did she settle onto her heels, hands clapping against her knees. “I have not forgotten that I refuse to marry William Fogof the fifty-first! He is old, Tristan, at least thirteen, and is fatter than cook’s winter pig. I would have to fight for my food and ladies do no fight!” 
“Ladies do marry, it is your job. But you do not have to worry, it won’t be for some years - at least ten. It is just a contract --"
“--they do not marry winter pigs, Tris-tan. " She interrupted. "Do you want to marry a winter pig? I know Lady Dionis brought her daughter today in hopes of seeing you. Her dress took up the entire left side of the tea table! And she has a boil right under her eye, titan's it wiggled when she chewed. I named it -- "
“Rosemarri…” He began but must have pictured William or Miss Dionis in his head because he didn’t finish the admonishment. 
Her scowl faded into a faint smile, talasite eyes laughing as if she could read his thoughts.  “Two copper he has a tail..” 
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@swordandsayage
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im-a-ramblr · 2 years ago
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And then please reblog, the more votes the better.
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good--merits-accumulated · 6 months ago
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caught off guard reading a book from 1974
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manyfandomocs · 10 months ago
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So many new ocs and plot bunnies just throwing it out there any thoughts on new crossovers? (Or not-new crossovers that we just really need to talk about about?)
Omg honestly we've both been having so many new ones so, under the cut because this is BIG (I did just romantic because it was even Bigger with platonic or ones that could be both but I still have the platonic saved so, lmk if you want) (I ended up cutting out some Glee ones as well so if you want the ones left out I can have another, but at least I bolded my faves??)
also. there are more fandoms we have but after like two days of going through these lists my brain hurts so. just lmk if there's any fandom you want in particular <3
Descendants
Honestly we just need to talk about any Gabe crossover that isn't Ace x Gabe and Ro & Gabe but especially Topher and Evander
Ace and Wrenley give me vibes for some reason, idk what but vibes
Anissa Radcliffe x Stephen
Atalia of Atlantica x Jackie
Atalia of Atlantica x Wrenley
Blossom x Stephen
Callista x Stephen
Chessy x Stephen
Chessy x Emmeline
Chiara x Cosette
Cian x Cosette idk why
Cian x Evelyn idk why
I literally wanna say Cian x Gabe but idk
Cian x Kirsti
Cian x Wrenley
Cosette x Evelyn
Cosette x Ginevra
Elise x Emmeline
Elise x Estelle
Elise x Stephen
Finley x Ginevra
Finley x Stephen
Fitz x/& Gabe I can't figure out the vibes
Fitz x/& Stephen (only x if he isn't with Finley)
Fitz x Ginevra
Gloria x Ruby
Gloria x Annalise
Hannah x Stephen
Hannah x Kirsti
Harley x Wrenley
Harley x Jackie
Honey x Stephen
Honey x Emmeline
(I said just doing romantic here but I do love the idea of Honey & Gabe just saying)
Princess Isabelle x Charlotte
Princess Isabelle x Stephen
Lawson x Cadence
Lawson x Cosette
Lawson x Wrenley
Lucette x Evelyn
Lucette x Cadence
Maria x Wrenley
Noelle x Stephen
Roslyn x Stephen
Roslyn x Wrenley
Roslyn x Emmeline
Roslyn x Cadence
Taryn x Jackie
Tristan x Stephen
Tristan x Gabe
Tristan x Kirsti
Violet x Stephen
Violet x Jackie
Gilmore Girls
Allie x Theo
Allie x Dahlia? Idk I'm getting vibes
Amanda x Thomas (Thomas is truly the Gavin of my Gilmore Girls ocs with all the girlfriends he gets)
Annabel x Caspian
Annabel x Serafina
Antoinette x Serafina
Avery x Caspian
Avery x Serafina
Brady x Caspian?
Cameron x Theo
Catie x Thomas
Charles x Theo
Charles x Jasmine (with Blythe and Kaito or not either way)
Chelsea x Theo
Chelsea x Thomas
Chelsea x Lydia
Cosette x Thomas
Dani x Caspian
Eleanor x Thomas
Eleanor x Theo
Eliya x Lydia
Elle x Caspian
Evan x Theo
Freya x Caspian
Gabi x Jasmine
I kinda want Harry and Troy and Vicki idk with who
Holland x Dahlia
Jane x Theo
Kaylee x Caspian
Kaylee x Theo
Lexi x Dorian
Lia x Theo
Lili x Theo
Lili x Thomas
Lili x Jasmine
Marley x Theo
Sage x Theo
Sage x Jasmine
Sage x Dahlia
Sienna x Caspian
Sophie x Serafina
Sophie x Caspian
Willow x Thomas
Willow x Theo
Willow x Jasmine
Glee (I might be already about to update my list with another but I kept it simple with who's already there lmao but I will come to you with ideas when I add)
Abbie x Christina
Abbie x Felix
Abbie x Steve
Abbie x Xavier
Barbie x Carrie
Barbie x Jupiter
Barbie x Steve
Betty x Felix
Betty x Jupiter
Betty x Steve
Betty x/& Zeke (x if he isn't with Claude???)
Sav/Bobby/Val can really be platonic or romantic with so many of my people I feel like they'd be a whole list on their own
I don't wanna break Camilo and Jo up so, also own list of who could be platonic and romantic
Cece x Christina
Cece x Giselle
Cece x Sophia
Christie x Carrie
Christie x Felicity
Christie x Giselle
Christie x Jupiter
Claude x Beatrice
Claude x Leonard
Claude x Zeke
Cole x Carrie
Cole x Jasper
Cole x Reagan
Cole x Steve
Cole x Xavier
Colton x Ashton (They have their friend verse but I'm definitely not opposed to romance)
Colton x Felix
Colton x Jasper
Colton x Steve
Colton x Xavier
Daphne x Carrie
Daphne x Jupiter
Daphne x Reagan
Daphne x Steve
Delilah x Carrie
Delilah x Giselle
Delilah x Xavier
Demi x Carrie
Demi x Reagan
Dolly x Carrie (if not with Barbie)
Dolly x Felix
Dolly x Jupiter (if not with Barbie)
Dolly x Reagan
Gil x Ashton
Gil x Felix
Gil x Jasper
Gil x Jupiter
Gil x Leonard
Hadley x Christina
Hadley x Giselle
Hadley x Steve
Hadley x Xavier
Hillary x Steve
Holden x Ashton
Holden x Felix
Holden x Jasper
Holden x Leonard
Jaci x Beatrice
Jaci x CJ
Jason x Ashton
Jason x Carrie
Jason x Jupiter
Jason x Sophia
Jeremy x Beatrice
Jeremy x Leonard
Jeremy x Zeke
Josie x Carrie
Josie x Felix
Josie x Steve
Joy x Carrie
Joy x Felix
Joy x Jupiter
Joy x Xavier
June x Carrie
June x Felix
June x Reagan
June x Steve
Kendall x Beatrice
Kendall x CJ
Lilibeth x Kaipo
Lilibeth x Zeke
Logan x Ashton
Logan x Carrie
Logan x Karina
Mac x Jupiter
Mac x Steve
Mac x/& Zeke (if he isn't with Claude??)
Marilyn x Carrie
Marilyn x Christina
Marilyn x Felicity
Marilyn x Giselle
Marilyn x Jupiter
Marilyn x Karina
Maureen x Carrie
Maureen x Reagan
Maureen x Steve
May x Giselle
May x Karina
May x Xavier
Any of the Natalie ones from the Natalie list I gave
Perrie x Christina
Perrie x Reagan
Perrie x Steve
Roxie x Carrie
Roxie x Felix
Roxie x Giselle
Roxie x Steve
Roxie x Xavier
Sadie x Beatrice
Sadie x CJ
Sadie x Leonard
Satine x Christina
Satine x Felix
Satine x Jupiter
Satine x Reagan
Tegan x Carrie
Tegan x Christina
Tegan x Giselle
Tegan x Steve
Tommy x Beatrice
Tommy x Leonard
And any from the Zoe list I gave
Harry Potter
Just this whole list
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dianessunflower · 2 years ago
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Tristan und Isolde in The Good Fight 6x04
i was not always an opera fan but i am always a fan of art referencing art. so when Tristan und Isolde popped up in season 6 of The Good Fight, you can imagine i was intrigued.
again, i wrote two threads on twitter, and i'm reposting here in lieu of there never being another thursday ep of TGF ever again (crying hours).
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by Spanish artist Rogelio de Egusquiza's Tristan and Isolde (Death). 1910, oil on canvas, Bilbao Fine Arts Museum
anyways, T&I is an opera in 3 acts by Richard Wagner with a German libretto, based on a 12C romance Tristan and Iseult by Gottfried von Strassburg. known for tonal ambiguity, orchestral colour, harmonic suspension & chromaticism (very basically, using tones outside major/minor scales).
i will say from the outset i am not a Wagner fan (google it, but also it's rather ironic given what happens in this ep), but i have been to the villa where he lived in Lucerne (great views). (Walter Benjamin called Wagner an example of "bourgeois false consciousness" lolol)
anyway back to T&I… he wrote it while having an apparent affair with Mathilde Wesendonck 👀🍵 but it was also written after his discovery of Schopenhauer, a German philosopher who also influenced Tolstoy.
his point was to write tragedy, not romance, and his work marks the departure from tonal harmony in 20C EU classical music. the opening is called the Tristan chord—listen to the dissonance, nothing being resolved.
T&I uses harmonic suspension—creating musical tension and expectation in the listener through prolonged unfinished cadences. but he does so throughout the whole work, like introducing a cadence in the prelude and not resolving until Act 3 Finale.
and um, this deferred resolution is frequently interpreted as symbolising both physical sexual release and spiritual release (aka death ahah). there is also a day/night, life/death theme going on—opposites attract.
to return to Schopenhauer and the general storyline of T&I, it's really premised on the idea of unfulfilled longing and unachievable desires. make of that what you will.
[pre-finale addendum] i never really thought T&I was a direct metaphor, but more about how love doesn't always triumph. tragedy.
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the important thing about the T&I plot is that it's a chivalric romance with certain elements, based on ancient Celtic myth, though the opera itself is based on a Medieval German retelling:
the brave hero (you're my hero)
the forbidden/doomed lovers (can your love survive outside the bubble)
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and of course, the love potion, which makes Isolde fall in love with Tristan whom she had previously sworn hatred for after he killed her uncle. it SHOULDN'T make sense, and yet Diane and Kurt fall in love anyway.
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the love potion is magic, but it is also poison (this is where it could become a metaphor* for PT108). and it doesn't just slowly poison them, eventually in the opera it poisons everything and leads to the lovers' downfall.
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****(ftr, i do not think PT108 itself is poison & certainly not in reference to a depression treatment)
there are interesting doubles in T&I, mostly that Tristan's first wound is healed magically by Isolde, but later he's mortally wounded when Isolde doesn't reach him in time.
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(Rogelio de Egusquiza, Tristan and Isolde (Life). 1910, oil on canvas, Bilbao Fine Arts Museum)
i think we see this flipped in TGF. in s1-2, Di has been wounded emotionally by Kurt and eventually they reconcile. but in s6, Di has been depressed and had multiple near death experiences, and yet Kurt doesn't seem to be able to reach her.
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hence the quote: 'Here he lies, the great man, in thrall to the world’s most wonderful delusion—love.' and like the opera, the harmonies won't resolve until the very end.
[post-finale note] i did realise that when the Liebestod is playing while Diane and Kurt are talking on the sofa after the gala dinner that it does resolve. the answer was always there, that they would resolve together.
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storytellersumayyah · 1 year ago
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a permanent state of being
please read the trigger warnings before proceeding, they are more important than ever
tw: cancer, child death (cancer), funerals, intrusive thoughts, suicidal ideation, passively suicidal behaviours, suicidal thoughts, active wishes for death, untreated and minimised grief, weight comments, disordered eating, eating disorder behaviours/thoughts, desire for sickness in order to be loved, sexualisation of teens and invalidating responses towards this, panic attacks, vomit, telling a suicidal person to kill themselves, graphic depictions of child abuse
spoilers: tristan starts to develop eating disorder habits. victoria tells him he isn't capable of this. he realises he wants to die. when he tells his mother, she drives him to the beach and tells him to walk into the ocean- he cannot swim. she also drives dangerously and ignores him crying for her to slow down. there is no happy ending- james does not intervene and tristan continues to suffer from suicidal thoughts, ideation and disordered eating
if you need to skip this one, do not proceed. it is here because victoria is not a good person, and because i need to stop shying away from darker works that are appropriately tagged. i love you. there is also a better solution, and you will be okay.
Tristan learnt what death was at the age of seven. Or rather, he learnt the reality of death. Prior to that insultingly and uncharacteristically sunny day in September, death had been something he was aware of but did not know. Death was what happened to the parents of the children in the films. It was why he the first people he wanted to die were his parents. It was the only way he could become a hero. He told his father this at some point. He had ruffled his hair and said he didn’t actually want that. His mother stared him down and said that was a horrible thing he should never repeat. When he cried, she embraced him and explained it properly. And although he still didn’t understand what death was, he realised she was right, and he stopped wishing for people to die.
He was five when that conversation took place.
At seven, he would wish people dead once more. And this time, he would have slightly more understanding of what he was saying, but it would still be childish and unreal.
It started with whispers in the classroom. He had been invested in his book, but the sounds shook his concentration. He had looked up to shush whoever was talking during his favourite time of the day, but he realised it was actually his teacher talking to someone he’d seen with other students but never said hello to. When they realised he was staring at them, they both softened.
“Hey Tristan,” Miss Lovewell said.
He frowned, unsure if he was going to get into trouble for talking during silent reading. She gestured at him to go to her desk. He dog-eared the page and pushed his chair in before standing before her, hands loose by his side and chin tilted up the way his father always instructed him to. She smiled at him, and he relaxed slightly.
“Mr Cadence is going to take you to a different room for a few minutes, and then your mom and dad will come and pick you up, is that okay? You’ll be back in a few days. You’re not in any trouble because you are a good student who always does what he can, so don’t worry about any of that, okay?”
He didn’t want to leave, but it was clear he had no choice. He wanted Jonathan to pat his shoulder- the way he always did when he didn’t want a hug- but Jonathan wasn’t there, so he had to be brave alone. It wasn’t easy, but he managed to nod. And when Mr Cadence held his hand out, giving him the option to take it but without any force, he stuffed his own inside his pockets and trailed after (he did take them out when they were going down the stairs, because even though Adelaide said he was, he wasn’t stupid).
“Why am I here?” He asked. The room looked like the one Jonathan had described to him. But he wasn’t Jonathan.
“Tristan, you were close to Delilah, weren’t you?”
Delilah was a student in the year above him. She wasn’t in school that often because she constantly had to go to hospital appointments or stay home because she wasn’t well enough to come in, but when she did come in, he spent all the time he could with her. Everyone thought he had a crush, but that wasn’t it. He just didn’t know when he’d next get her, so he needed to make it worth it.
He shrugged. “I guess.” He wanted to be more confident, but he didn’t want Mr Cadence accusing him of having a crush.
“Do you remember how she sometimes had to take time off?”
“She’s not a bad student,” he immediately protested.
“No of course not. She was one of the best, given the circumstances.”
“Was?” Victoria had taught him to raise questions whenever someone changed the way they were talking. It wasn’t normal to use the past tense when talking about a child.
“Oh, Tristan. I’m so sorry. As you know, Delilah was very unwell. And sometimes when people get very ill, they can’t get better.”
“So Delilah’s not coming back to school?”
“I’m very sorry. She can’t. Delilah went to sleep last night, and she won’t wake up now. She’s gone to a place where there’s no hurt, and no pain, and she’s better.”
As a teen, he would appreciate the lack of religious talk. As a child, it would have been the one thing that made it make sense.
But he’d heard of the place with no hurt and no pain. “She’s in heaven?”
Mr Cadence seemed taken aback, but he nodded regardless. “Yes. She is.”
“So she’s dead?”
“She’s passed away, Tristan. I’m very sorry. Do you want to sit down? I’ll stay with you until your parents here, and we can-“
“I hate you,” he shouted. “You’re supposed to help people! Why didn’t you help her?”
Mr Cadence didn’t say anything. He just nodded.
“I wish you were dead instead,” he spat, not quite understanding what dead even meant, but still aware it wasn’t something you were meant to say.
“Tristan! You cannot say that!” Mr Cadence shouted. Tristan narrowed his eyes and decided he really did hate him.
He refused to talk to his parents on the way home. Everyone always said you were meant to go to adults when you needed help. Everyone always said they could fix everything. But they hadn’t helped Delilah. They hadn’t fixed her.
He kept thinking she would come back. The funeral didn’t make sense to him. All the funerals in the books and on the screen were black and sad. Delilah’s was fun. There was a casket, and he got to put a delilah on it for her. But then there were balloons and teddy bears, and it felt like she was really there with them, celebrating her life and smiling.
At nineteen, when he attended the funeral of an adult, he would find Delilah’s parents on social media. He would express his gratitude for how they had celebrated Delilah because of the children, and they would tell him that was all they had wanted to hear.
But then days turned into weeks turned into months and Delilah never came back. And he realised she never would. But his parents didn’t offer any comfort. And his school stopped his appointments with Mr Cadence after he refused to go into the room twice. But it wasn’t that he didn’t want to talk about Delilah. He just didn’t want to talk to Mr Cadence because he hated him. But it was too late, so he just took the cues to be quiet and forget that Delilah had ever been a part of his life.
He did learn why he wasn’t meant to say he wanted people dead, but he was still so angry that he didn’t think he was wrong for saying it.
At fifteen, he grew terrified. He’d left for Eros Academy, and he’d won the crown. Mr Carter loved him. His boyfriend had been as awkward as him, and they hadn’t gone very far. The lights had been off. He hadn’t had to look at his body. But he couldn’t help but spiral about what would happen when things went further with someone. Or when the lights were on.
He didn’t deserve to feel insecure about his body. And he knew there was nothing to be insecure about. But when he looked in the mirror, he could already see it starting to change. If it changed, he wouldn’t be as desirable. He would have to rely on something other than his looks to be charming, and he wasn’t sure he could be anything beyond arm candy. Not outside Eros Academy that is.
It worsened when he went back during the Christmas holidays. As much as he hated the stares his parents colleagues sometimes gave him, they had stopped being sympathetic as he got older. Apparently, he was supposed to appreciate it. His mother had said he was lucky it only started once he turned fourteen. His father had looked uncomfortable but not challenged her.
He was awkwardly sitting at the company Christmas party his mother had taken responsibility for hosting. Nobody had brought their children, but he wouldn’t be able to leave until after dessert when everyone started drinking. He hoped his mother wouldn’t drink enough to actually become drunk. His father hadn’t drunk since that fateful day, so he wasn’t worried about him.
“Are you having a good time at that school of yours?” Someone asked.
Tristan nodded. It always weirded him out, the fact that everyone knew he was just a school kid, but still looked at him the way they did. His mother glared at him and he swallowed. “Yes. It’s lovely there.”
“I can tell. You’ve gained weight,” they commented.
He suddenly felt nauseous. He dropped his fork and pushed his plate away. “I suppose.”
He couldn’t allow his body to change. If his body changed, then he wouldn’t be pretty. Nobody would want him. And then he would have nothing to give anyone. James awkwardly intervened in the conversation, but it was too late.
Maybe, if he stopped eating, he would get sick. And maybe if he got sick, his parents would feel guilty and they would stick up for him again. Maybe they would love him more.
It all came to a head at lunch a few days later.
“Stop picking at your food,” Victoria said.
He put his fork down. “I’m not hungry.” It was a lie, but he needed to test his limits. Needed to see how far he had to go before someone noticed.
“Yes you are. This attempt at developing an eating disorder is pathetic and attention-seeking. People make comments about bodies all the time. You’re going to need to learn to ignore them,” Victoria said.
He swallowed. “I’m not trying to develop an eating disorder. I just don’t want my body to change.”
“Laurie, it’s okay if it does. You won’t be a teenager forever,” James said, much softer.
Victoria seemed to realise what she’d done. “That’s what I meant.”
It wasn’t, and they all knew it, but Tristan ate his lunch, even if it made him nauseous. He ate less at dinner as compensation. But because he cleared his plate, nobody commented, and he realised that he could maintain his beauty without raising suspicions if he was careful enough.
It was an on and off habit. It was easier to maintain at home. At school, Adelaide burst into tears and asked him to eat properly because she didn’t want him to end up in the hospital or develop a heart condition. Tristan had wanted to say she was being dramatic, but he knew the reality wasn’t what anyone aimed for when they started, so he’d promised and done his best. When his eating started to get bad, he would go to her.
That safety net didn’t exist at home. And it scared him, how easy it was to just slowly and passively destroy his body. But it also felt good, to know that he could make himself so sick through nothing more than deprivation.
His dad seemed to notice though, and he wouldn’t leave until he’d eaten enough, even when he didn’t want to do it. So he stopped trying to make himself unwell. The attention he received from it wasn’t worth it, because it was just more lectures and even less sympathy.
When he started eating normally, the way he always had before people made comments, Victoria seemed to relax. Tristan tried to accept that as her love, but it didn’t feel like enough. It never felt like enough, which meant that it must have been a reflection of him and nobody else.
The pressure kept getting worse though. Both in school and at home. It wasn’t enough that he was a Heartbreaker. He had to be the best Heartbreaker, because he was the Nightingale heir. And even when he was the best, he still needed to do more. Still needed to prove himself as a Nightingale. As someone worthy of Mr Carter’s mentoring, officially and unofficially.
Adelaide supported him the best she could, but they both knew allowances would be made for her. They would not be made for him. And Jonathan was too sweet, too fragile, too broken by whatever had happened to him at the start of their first year to offer any advice. And as much as Tristan wanted to ask what had happened, he knew the answer deep down. And he knew that, if nothing else, the Jonathan that emerged from that room would be one that would survive.
That was all that mattered. Surviving.
But then the summer came and went. His second year started, and he was drowning. The first years seemed so young, and he didn’t know how he was meant to break them. The older students were finally unlocked, even if he was still a few months shy of sixteen, but some of the stares made him feel like he was back in the manor, even if they were almost the same age.
He blew out sixteen candles and wanted to throw up. There was nothing stopping anyone anymore.
He went home for Christmas, and the feelings only worsened. He went back to school, and everything felt wrong. He wanted to claw his skin off. He wanted to become so sick that everyone would whisper, and he would be in the hospital. He wanted to be with Delilah.
It was only when he realised that he missed Delilah, and he wanted to be with her, even if he didn’t believe in anything after death, that he found the words to express how he felt. He wanted to die.
And it wasn’t an exaggeration. It wasn’t because he wanted control, or because he wanted things to change and he didn’t have the power to do so. It wasn’t because he just desperately needed a break from everything and everyone. Because breaks were temporary. Change was possible, limited as it may have been.
He wanted something permanent.
He wanted to die.
At sixteen and three months, he realised that he had never wanted someone dead before. He had wanted them to go far away from him and all that he loved, but he had not wanted them dead. And then he wanted to go back in time and take himself away because he was the first person he had ever wanted to kill, and surely that wasn’t fair.
When Mr Carter asked him what was wrong, he said he was tired. He told Jonathan he wasn’t sleeping well. He told Adelaide it was nothing a heartbreak wouldn’t fix. And then he dumped his boyfriend. They were nice enough to act like they hadn’t seen it coming, and Tristan wondered how many of his classmates would attend his funeral. Would the Heartbroken rejoice the way the people of Oz had? Would his parents try and celebrate his life the way Delilah’s had?
Nobody knew he wanted to die. He knew that was what he wanted, but it still hurt. That even though people cared about him so much, they couldn’t see that he didn’t want to be there anymore.
Or maybe they did. Jonathan sent him random quotes, claiming they were so awful he had to share them, and sometimes they made Tristan smile. Not because they were good- Jonathan was right in how bad they were, but because he was making an effort. Adelaide would constantly talk about plans for the future, and he would chime in with his own ideas before remembering he wasn’t supposed to want that. Even Mr Carter would talk about his excitement for Tristan to become a senior.
And in those moments, he would think that perhaps, he didn’t want to die. But then those moments would pass and the desire would come back full force, no matter how aware people may have been.
He didn’t say the words.
Not until his mother was driving them back for spring break. She had turned up without his father, who apparently had a business meeting so important it couldn’t be rescheduled or delayed. Tristan had bit back his response of how James would have known in September when his spring break started, so he could have accounted for that when he set the date and time.
They were a third of the way home, and Tristan was resolutely staring out the window.
“What exactly is wrong with you?” Victoria asked.
Tristan didn’t know what he was supposed to say. But this was his mother. So against every instinct telling him no, he was honest.
“I want to die,” he said. “That’s what’s wrong.”
She didn’t even brake. She turned to look at him for half a second, and then she looked back at the road. It was completely empty, and Tristan’s heart sunk. He had finally told his mother, the one person who was always supposed to side with him, and she couldn’t even face him.
He wanted to throw up. Or jump out of the car. They were moving relatively quickly, it would at least break a bone.
They were moving quickly. But it wasn’t a highway. It was a residential area.
“Mom?” He asked, voice shaky.
Victoria didn’t look at him. But she did clench her jaw. And she pushed harder on the accelerator.
Tristan felt his heart racing, his palms sweating. He had never been so terrified. His mother was a good, safe driver. She knew the speed limits.
“Mom, what are you doing?”
She still didn’t answer. He tried to fling his door open, if only so she would brake and yell at him, if only so something would happen that meant he could prove to himself that she wasn’t going insane, that she wasn’t trying to kill them both because surely not, surely, surely not, but she had locked them. As though he was a difficult child. And maybe he was.
She wasn’t slowing down.
“Mom, if someone or something came into the road, you’d cause an accident,” he said, trying to keep his voice as steady as possible.
It was ridiculous, but he was suddenly grateful he’d forgotten to drink anything that day.
She slowed down slightly, which put her on the speed limit, and he let himself exhale shakily. But then she suddenly turned left, completely ignoring the route back to the manor, and he was once again left reeling.
“Where are you taking us?”
Victoria didn’t speak. Instead, she took a few more turns and pulled into a car park. He was still shaking when she slammed her door shut, the noise only making him jump more. She unlocked his door. Tristan tried to hide his fear, because this was his mother, and he wasn’t supposed to be scared of her, but it was impossible.
“Get out.”
His hands were shaking too much to undo his seatbelt. Victoria leant down and pushed the button, rougher than ever. His legs weren’t cooperating either. She grabbed his arm and pulled him out, not even caring when he stumbled.
“What are we doing?”
He should have known she wouldn’t answer, but it still angered him when she didn’t respond. She didn’t let go of his arm either, just pulled him along like a ragdoll. She never faltered, never slowed down, even as Tristan kept stumbling and almost had to jog to keep up with her.
They were at the beach. The sand was getting in his shoes, and he was almost shocked by empty it was. But then he cursed at himself for being so foolish. It was a Thursday in December. And because he had left early, the other schools wouldn’t have even finished for the day, let alone for the year. So it made sense that there were no witnesses.
Victoria stopped at the edge of the sand.
Tristan watched the waves coming in and out. They were so rough. Too strong. It was almost scary to know that even the strongest swimmers would be overpowered by something that was needed to keep everyone alive.
“Walk into it,” his mother said.
Tristan felt the ground disappear beneath his feet and solidify into something unbreakable. He felt the words process as they fell on deaf ears. He felt real and disconnected from his own body. He felt his heart shatter all over the beach and stitch itself into something that could never be broken, because surely not. Surely he had misheard.
“I can’t swim,” he whispered.
“Exactly.”
He found the courage- or maybe it was fear- to look at his mom. There was no sympathy on her features. There was nothing to suggest she was joking. Nothing to imply that she was just teasing him. She was being deadly serious.
“What?” There was nothing else he could say. No other words. Nothing was sufficient, but he needed to say something, so he said something pathetic.
“If you want to die so badly, drown.”
“I don’t-“ he did want to die. But he didn’t want to drown in the sea.
“Exactly. You don’t want to die. You don’t want to kill yourself. When it comes down to it, you will always choose survival.”
He wanted to explain that he did want to die, he just didn’t want to do it himself. Didn’t want it to happen so violently.  But he couldn’t. Because he was scared. That if he did, his mother would push him herself and only rescue him when it was just a second away from too late.
Instead, he turned on his foot and walked straight to the car. He felt sick getting in. His leg shook the entire journey home, and he refused to look out the window. But Victoria kept drivingly safely. So safely that he almost believed he had hallucinated the entire incident. Until a car suddenly pulled out and she braked, seconds away from a collision and the fear came back full force.
He made it through the door, and then he threw up. James appeared as he tried to stand, legs too weak to support his body as he fell back down, narrowly missing the wet spot.
“Tristan? Are you okay?”
He nodded, even though he clearly wasn’t. “Fine.”
“He felt carsick,” Victoria said.
James frowned. Tristan hadn’t thrown up in years. He also hadn’t felt carsick since he was a child. “That’s strange.”
“Very. James, you’ll clean it up won’t you? I have a meeting in fifteen minutes.”
James nodded, not even looking up as he rubbed circles on Tristan’s back. It was supposed to be comforting. It made Tristan hate him more. He should’ve been there. If James had been there, Victoria would have never risked their lives. If James had been there, she would’ve attempted to comfort him the way parents were supposed to.
“Can you stand up?” James asked.
Tristan stood and went to get the mop.
“Hey, hey, don’t worry. I’ll do it. You just go brush your teeth and lie down okay? I’ll bring you some toast in a moment,” he said.
Tristan couldn’t help it. He started crying.
“Hey, no, it’s okay. I know you feel icky, but it’s okay. Let’s get you out of these clothes yeah?”
He shook his head. “I don’t care about the clothes. I don’t care about the sick. Dad, I’m so tired.”
“I know. I know.”
His dad cradled the back of his head, even though Tristan knew he smelt like vomit, and it just made him cry harder.
“I want to learn how to swim,” he said.
James pulled away. “Laurie. Is there something you want to tell me?”
Everything. He wanted to tell his dad everything. “No.”
His dad didn’t believe him. He also didn’t push. Tristan didn’t know which was worse. But the next day, his dad found a swimming class for him. He went everyday for the whole of Christmas break, never allowing his mom to take him. She clearly thought he was dramatic, but she didn’t say anything. If James realised what had transpired, he never let them know.
And as soon as Tristan could swim, he completed further training to become a lifeguard. Mr Carter had been telling him to get a summer job. His previous summers, he’d interned at one of the businesses and worked in the ice cream shop where the pool was. But they were always short on lifeguards, and if he knew how to save someone else from drowning, then he could do it for himself too.
When it was time for him to go back to school, Victoria was holding the keys.
He froze in the driveway and she rolled her eyes before handing them to James, who just opened her door and then got in the driver’s seat.
He never told anyone what happened.
He just continued to want to die.
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