#trigger warning; discussions of suicide
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So this is about Rubys breakdown in S9 E7: I think what was weird to me was how out of nowhere it came. Like Jaune is grieving his friends, Weiss wants Ruby to say smth comforting, and Ruby just goes into her speech...but it seems so disconnected to the event that just happened. The first few sentences just tripped me up because this whole situation HAD nothing to do with Ruby being the leader. I HATE THIS SPEECH. AAAAH.
I think that you're right that there's a big old disconnect, and it makes the whole thing feel worse.
There are some pretty basic fixes that would still leave it feeling meh, but much better than what we got. Like for instance if while Team RWBY were sitting around the table talking about Jaune and the rest of Ruby's team were dismissing him, if Ruby - trying to be calm and work things out but clearly frustrated and going through it still - had started being like "why can't we let Jaune be the leader? He's the one that comes up with plans anyway, why do I have to greenlight stuff for you guys to do anything? Why don't you guys wanna contribute?" That would seem well placed and a good complaint for Ruby to have (she wants things to be a joint effort with her team,) and could lead to the others being like "But we believe in and follow you, we know you'll figure out what to do," which would cement just how much pressure they've put on Ruby and how alone she feels. And then if we still needed what happened with the Paper Pleasers to go down, Ruby - instead of being callously dismissive of the Paper Pleasers humanity - could be more visibly distraught at their 'deaths' because she's the only one in the group iirc that wasn't like "maybe them killing themselves is a good thing uwu Jaune why are you holding them back?" And then when the girls are all comforting Jaune, they could turn to Ruby to get the inspirational speech they clearly wanted and Ruby could start ranting about how none of them actually know how Ascension works and they don't know the Paper Pleasers are gonna be fine so they may have just let more people die. The others could then be like "whoa calm down, that's not how any of us need to be thinking right now" which could then lead to Ruby's explosion.
"Oh, I'm sorry, am I 'being like Ironwood?' Is admitting that we're in way over our heads being bad? Am I supposed to be better than that and just come up with perfect solutions all the time?! 'Oh guys, don't worry, Ruby will think of something,' 'we don't even have to worry about what we do, because Ruby will save the day, Ruby inspires us and comforts us and makes sure we're all smiling!' I CAN'T DO IT ANYMORE! This isn't okay, what just happened isn't okay, we're not okay, I'M NOT OKAY!"
Then there can be pushback from the girls, a "what are you talking about, I thought you were fine" from Yang, a "I know things are really bad right now, but we have to focus on getting home and we can't do that by wallowing" from Weiss, maybe a "Ruby I know you're upset, but you're the best of us and we trust you" from Blake, which is the exact opposite of what Ruby would want to hear and that could push her into her "what about me" and angrily yelling at the others and her "we're all so happy for you, by the way" moment with Blake and Yang.
And if someone's about to say "Kitkat, hold up, wouldn't that take too long?" The answer is no actually. This is the supposed main central protagonist having her first real breakdown since crying over Penny's death in V3, the show should be willing to spend time on that to make it as good, dramatic, fleshed out, and deep as possible.
Now, what I would REALLY like is some much bigger fixes, like... Redoing the entire series and making it better, or at least re-doing everything after the start of season six, or at the very least like fourteen thirty-minute eps for this season where Jaune actually didn't time travel, everyone actually got proper focus on their growth, the Cat wasn't evil, Ruby didn't 'ascend,' Ascension was never written as way to make Ruby try to off herself without committing to treating it as important, everything was better explained, the Ever After characters weren't so annoying, and part of the season focused on Team RWBYJ waking up in different acres and having to find each other.... Etc., etc. But, I'd settle for just some minor edits to make Ruby's dialogue hit harder and make more sense.
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The AoT universe is like an upsettingly unimaginably easy place to die in.
And yet arguably our top 2 most willing-to-unalive-themself characters survived the ENTIRE time.
Shoutout to Reiner and Historia for surviving despite definitely not wanting to for a majority of the time. (And having a major impact on the plot for doing so).
#attack on titan#shingeki no kyojin#reiner braun#historia reiss#or if you wanna be funky:#krista lenz#tw#trigger warning#discussions of suicide#tw sui ideation
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Did you feel any dysphoria before transition?
Also did you change the way you behave after it or just stayed yourself?
Asking for, well... reasons that uhh.. have absolutely nothing to do with me
Did I feel dysphoria?
Yes, my dysphoria was crippling. I was so constantly depressed and anxious and hated myself and couldn't feel an ounce of self confidence. I hated myself so much that I attempted suicide once because at that time I was so afraid and didn't know how to change. I knew what HRT was but I didn't know how to get it or where to start. I thought I'd be stuck living as I was forever and it didn't feel like a life worth living. So as previously stated I attempted suicide and I was unsuccessful thankfully. I began presenting more femme most days following that. But after a couple years still not knowing how to truly start HRT and come out on top of the fear that held me back, I went deeply back into the closet. This time around though the depression hit so hard that I started killing myself in a different way. I lived so unhealthily that I would've eventually died young from something, probably alcohol poisoning or very young heart attack. Thankfully I hit my breaking point before that where I knew I couldn't live as a false version of myself anymore. I physically just couldn't but I wasn't going to attempt suicide again so I went to therapy. Was diagnosed with dysphoria in my first session and referred to a clinic that prescribed me HRT, came out to everyone I knew and at work. And it was hard. But my life has been so much better, whole, fulfilling and happy since. But yes definitely had dysphoria before but that's just my personal experience.
Did I change my behavior?
Yes and no. I mean in the beginning every trans femme goes through their hyper feminine phase but that's just us speed running experiences we didn't get to have growing up. But no my personality didn't really change I just became more confident and open in expressing the things that I always kept hidden or were afraid to say out loud. My external behaviors probably changed to those who knew me before and witnessed my transition but I know that those behaviors were always in me and in my thoughts I just never expressed them.
Really the two things I can really say is: Don't let fear hold you back from being the person you feel you are inside, the version of yourself that you can give self love. And once you are that version of yourself you will discover all the elements of that person that you kept locked up.
I hope this helps sweet pea. Feel free to dm me with any questions you have or to vent or talk. I will never refuse to help a trans person in need, especially with their growth and understanding. *muah* ššš
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Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā [ Ė Ė Ė ] š«š¶šµšµš°š¬ š¾šØš»š»šŗ & ššØš“š°š³š , a comprehensive study.
This meta will discuss Donnie's relationship with his actual family members and his relationship with family as a concept. Here I'll be exploring how his attitude towards it has shifted and changed throughout his life. I will be touching on some fairly triggering topics in this meta, all of which have been tagged and listed below. For that reason, this meta is under a read more. Please take care when reading, and don't worry if you aren't in the headspace to read this, there's no hard feelings.
Please be aware that the following topics will be discussed, some in greater detail than others: addiction, child neglect/abuse, allusions to csa, religious trauma, homophobia, pregnancy, addiction, drug use, alcoholism, family death, suicide, trauma, and discussions of war.
Donnie, despite all the misconceptions one may have of him, is motivated by family and legacy. It haunts him in a way that nobody talks about. Every man in the Watts family tree, as far back as they can trace being in the States, has served the military in one way or the other. Every man in the Watts family, since the end of the Civil War, has owned and trained horses for one purpose or the other. They may not have been in that profession their entire lives, but they all started there. Donnie did. His father did. His brother did. You get the idea. This is part of the reason why Donnie always felt so conflicted about what he'd do once he'd graduated high school. Would he continue the family legacy and enlist like his father had? Would he follow in his brother's footsteps and look to make a name for himself as a rancher? Or would he follow his heart and become a rockstar?
Ultimately, Donnie decided to follow his heart. He's always had something to prove, his mother made sure of that. He was going to make his family (and to him, at the age of nineteen, his family consisted of his brother, his sister-in-law, his niece, and his nephew) proud. He was going to do something that would, in his eyes, make him worthy of their love. Achieving his dreams would also show them how good of a job they did in taking him in, as he always feels as though he owes them for that (even though they volunteered to do it, and were happy to help out their little brother. Brody especially, as he carries so much guilt for leaving Donnie alone with their mother in the first place.)
I think that, as a child, Donnie based his notion of family off of what his mother told him. His idea of what a family should be was very much in line with the nuclear family, a mother, a father, the white picket fence, and two children. The idea of it was hammered into his head so often-and so brutally-that he felt othered by the fact that he was being raised by a single mother. This othering led to him resenting the very idea of the family home. He hated it whenever his mother would try to engage in things like family dinner at the dining table. Or dragging him to church every Sunday because that's what families were supposed to do.
When he was taken away from his mother at the age of twelve, he was introduced to what an actual, healthy family unit looked like. Brody Watts had gotten away from Texas and made a damn good life for himself. He had two beautiful kids, a wife who adored him, and Dogwood Ranch in his care. Spending his teen years with Brody and Cassidy helped heal a lot of childhood wounds, so much so that by the time his eighteenth birthday rolls around and his mother contacts him for the final guilt trip he'll ever receive from her all he can do is feel hatred for her. Hatred for her and love for the brother who'd taken him in, love for the sister-in-law who had become the older sister he'd always wanted, and love for the kids who called him 'Uncle D!' whenever they saw him. He wanted that. He wanted a home like theirs, warm and welcoming and the total opposite of the crucifix-infested battlefield that his mother had raised him in.
His early twenties were rough. Addled by fame he was not prepared for, and an addiction to anything that takes him skywards for a couple of hours. Heroin was the real killer. He overdosed twice, and was saved twice by a family he didn't share a single drop of blood with. Rancid Creature wasn't just a successful metal band, Rancid Creature was Donnie's entire world, and a love letter to the dear friend he'd lost in Lee Bennett (who had conceptualised the band when they were thirteen and still fumbling their way through learning how to play their instruments. Lee played bass, Donnie was the drummer. The dream rhythm section.) Izzy, Sammy and Clara were, and still are, like siblings to Donnie. He would drop anything to help them... he knew it wasn't the conventional family, but it was his. It was the only one he could have around all the touring and the TV interviews anyway.
Family wasn't just a loving partner and a couple of kids running around to Donnie anymore. But it's the prospect of a family that ultimately pushed him into getting clean. Anita Huerta, a long-term on and off girlfriend, revealed that she was pregnant, and that she wanted to keep the baby. She wanted to get clean for the baby, and so did Donnie. He'd swore years before that he'd never abandon his children, he'd never subject them to his bullshit the same way his mother had. Donnie, wanting nothing more than to cultivate a warm, safe, family environment for his and Anita's child, got clean.
Now that he's in his early thirties, he knows that he doesn't need to have the conventional nuclear family to be happy. A happy family home doesn't look the same for everyone, and despite the fact that he's always stressing over being as good a dad to Emma as possible, he knows this. Family is whoever you feel safe with, family is whoever helps when you're at your worst, family isn't just blood. Donnie took a long time coming to this conclusion, and he still struggles with undoing the mess his mother made of his brain, but he's there. And he doesn't intend on backing away from it anytime soon.
For some quick-fire headcanons about Donnie's family members and his relationships with those family members, look no further!
š
šø: ššøšæš¼ššš“ šš“ššš ( fc : Willa Fitzgerald & Mary Mcdonnell. )
Melissa Rose was the youngest of five daughters. Her father detested the fact that his wife would only ever give him daughters when what he really wanted was sons. This made him angry, abusive, unfaithful, and a drunkard. Her father, Adam, was a Baptist pastor. His sermons were the very definition of 'Brimstone and Hellfire.' He was a stern but charming man, with an agreeable face and the picture-perfect family. He was all about image, and this attitude would stick with Melissa all her life.
She actually wanted to run away from Texas her whole life, she had dreams of becoming a Hollywood star. She was always told that she was pretty enough to be in the movies.
Melissa married Colton Watts on a total whim, their romance was an intense whirlwind of emotions and intimacy. She'd never been treated so kindly by a man before Colton came along. He promised her the world. And then he went to war.
When Colton returned home, he was a totally different man. He was emptier than she remembered him, and she was resentful. He would have weeks, even months, of being the happy-go-lucky sweetheart she'd married. Then he'd retreat into himself and would prefer to speak to the horses he cared for than he would to her.
Eleven years of unsteady marriage later, Brody Watts was born. The euphoria of being a new parent didn't last long, Colton would soon retreat back into the stables. The same would happen ten years later when Donovan was born.
After Colton's death, and after Brody ran away from his mother's venomous tongue, Melissa was left alone to raise her youngest son. She never called him Donnie, she would only ever call him Donovan.
Donnie, as a toddler, would actually prefer the company of his mother. He enjoyed being bounced on her hip while she went about the household chores. He enjoyed listening to her read. He found his father to be something of a ghost. However, he did run and hide under Brody's bed whenever she'd get into one of her bad moods. She was vicious, a caged animal unleashed on her family.
When Colton died, Donnie was seven. And Melissa fell hard into heavy drinking. Her fuse grew shorter, and even the smallest of mistakes made by Donnie would set her off. If he cried? She'd shout. If he spilt or dropped something? She'd shout. Without even realising it, Melissa had become her father.
Donnie grew older, more vocal, and pushed back against Melissa's temper. He was rewarded with violence, with unwarranted sermons. She would punish him by making him copy entire verses from the Bible by hand. She would take scissors to his hair whenever he refused to go and get it cut. Donnie's defensive, and often explosive temper, was born here. As was his desire to solve everything with his fists.
Melissa didn't hide what she thought of her son from him. She thought he was gay, and would tell him so. She would often fling slurs at him. She thought he was a sinful child, a demon given to her as punishment for running away from her family with his father. She would tell him this too.
She would also blame him routinely for his father's death. Something that Donnie still hasn't been able to shake.
Donnie was sent to a "summer camp" that the local church ran by his mother to "fix" his behaviour. The children would learn to camp, would learn to work, and would learn to be "more Christian" in their attitudes. It was essentially a behaviour retreat for delinquent kids. It was here that one of the pastors would assault Donnie.
The second he returned home, Donnie bypassed telling his mother anything and took himself straight to the local sheriff's station. He told them everything about the pastor, and about his mother. The sheriff was an old army friend of Colton's and had suspected that something was amiss for years. He was the one who saw to it that the social services took Donnie away from Melissa.
Donnie hasn't seen his mother since, and he hasn't heard from her since his eighteenth birthday. He doesn't even know if she's still alive or not, he hasn't thought to check. He's glad to have cut her out of his life, even if there has always been a longing in him to try and get through to her. Sometimes he misses her reading to him as a child, sometimes he misses her embrace. Sometimes he just wants his mom.
He only ever refers to her as 'mother' or 'Melissa.' Only in really vulnerable moments does he ever slip up and call her 'mom.'
A lot of Donnie's self-loathing stems from the way his mother treated him. A lot of Donnie's internal homophobia stems from his mother. A lot of Donnie's issues with his own masculinity stem from his mother. All of his issues with religion and the idea of a benevolent god stem from his mother's attitudes and the fact that she sent him away to that "summer camp." He's slowly coming to terms with this and feels so much resentment towards her for it that whenever she's mentioned he tends to get stiff and oddly quiet. It takes him a long time to learn to talk about her without feeling angry, and he does so for Emma's sake.
Donnie looks most like his mother, with her soft features, curly hair, and pretty green eyes. It's why he'd always take great offence to anybody ever calling him a girl when he was a teenager.
š
šø: š¶ššæššš šš“ššš ( fc : Robert Redford. )
Colton was the middle child out of three. His older brother, Tristan, died in France, and his youngest brother, Michael, moved to Europe in the summer of forty-seven. His parents owned Dogwood Ranch, as many Watts had before them. It was the ancestral home of the Watts family.
He was raised Catholic, as many are in Longing.
He moved to Texas with his older brother to pursue a Rodeo career. Colton was a promising young Bronc rider and adored working with horses more than anything else. He also enjoyed playing guitar and singing. Music was always going to be a huge part of Donnie's life.
It was there he met Melissa Rose, who looked as though she'd just wandered off of a movie set. Colton was smitten with her, and she was smitten with him. They were young and reckless and felt invincible, and Colton wanted to give Melissa the world. They were married within six months, and, with Tristain's help, living on a plot of land in Copeville within the year.
Then he enlisted and went to war. Colton took his guitar with him to France and would sing for his fellow soldiers whenever he was able. He kept them entertained and happy despite the horrors they saw. He burned his candle at both ends and returned with bullet holes in his guitar, and holes in his heart.
He tried to fight the numbness with all his might. He tried to be present for his sons, but he'd often find himself feeling the chill of The Bulge even in the height of a Texan summer and would slip into his own mind for hours at a time.
To cope, Colton hid himself away in the shed or the stables, fearing what he might do if he was around his family for any longer than a few hours at a time. He could not trust his own body or mind.
As a result, his sons often saw him as a stranger. He tried to make up for it by teaching them guitar chords, showing them how to handle horses, or singing with them. He felt especially close to Donnie, who seemed to take better to his musical inclinations than Brody did. Brody seemed more interested in horses.
Donnie recalls several key moments with his father. Being taught to play the guitar, how to handle a gun, how to ride, how to be a Bronc rider, and being taken to Dallas when his father was due to meet with old war buddies.
Whenever talking about his father, Donnie often calls him his 'old man.' He seems to talk about him with far more respect than he ever does with his mother, despite feeling like he hardly knew him. Donnie also feels an affinity with his father now that he's an adult, especially since he's been through trauma and had to deal with the aftermath.
Donnie still owns his father's guitar, it's easily his most prized possession. He owned a silver signet ring with a cursive 'W' on it that his dad took with him to France and gave to Donnie for good luck. The ring had been in the Watts family for as long as anybody can remember. Donnie gives it to James Gallowes for good luck and as a symbol of his love for him.
In terms of appearance, Donnie takes after Colton's physical build. Looking at photographs of the two of them where their faces aren't visible, you could be forgiven for thinking it's the same person. Donnie also has his father's toothy smile and, according to Brody, Donnie's voice is freakishly similar to their dad's.
Donnie used to resent the fact that Colton put a bullet in his own mouth. It sent Brody away because it made Melissa worse.
š
šø: šµš
šš·š šš“ššš ( fc : Charlie Hunnam. )
Brody is ten years older than Donnie. Has their mother's softer face shape like Donnie does, but the rest of his face is all Colton. Right down to the scruffy blond beard and pin-straight hair. Brody's whole demeanour is gruff, but kind. He's quick to smile and far more optimistic than his younger brother.
When they were kids, Brody would jokingly refer to Donnie as Yosemite Sam from Looney Tunes whenever Donnie lost his temper. It's why Donnie has a Yosemite Sam tattoo on his arm.
Brody always stepped in and took Donnie away from their mother whenever her temper would flare, and would play with him or read to him to keep him occupied. Sometimes he'd take Donnie up to the stables to look after the horses with him. In that way, Brody was more a parent to Donnie than their actual parents were.
At first, Donnie was confused when Brody took off after Colton's death. Then his mother got worse, and then he got angry at him for abandoning him with their mother. He was so angry that a month into being put into Brody and Cassidy's care, the two had a fight that almost came to blows. It didn't, because Brody outright refused to hurt Donnie anymore than he'd already been hurt. This made Donnie break down and cry. Brody held him and the two spoke about things more calmly.
This blowout didn't diffuse Donnie's resentment entirely, but it helped Donnie understand his brother's reasons for leaving.
The ten-year gap between the two meant that talking as brothers was often difficult for them. But Brody always did his best to be patient with Donnie, to be careful around his trauma and what might set him off. He would also cut through Donnie's moping and ensure that he wasn't self-sabotaging.
Brody also gives full embarrassing dad energy whenever Donnie's got friends over. He endearingly refers to Donnie, Lee and James as 'The Three Stooges.' James would also often find himself staying over at Dogwood Ranch after Donnie discovers that his uncle is mistreating him. Brody allows it because he really wants to encourage Donnie to be more emotionally vulnerable and have more friends.
Donnie and Brody love each other fiercely and will jump to one another's defence without question, even if they find it hard to have deep discussions without the help of a few beers.
Donnie hates disappointing Brody (and by extension, Cassidy), and so doesn't reach out to him for help when he should. He often needs pushing into contacting Brody by his bandmates whenever something's going wrong or he's struggling with Emma on his own.
Donnie's object permeance (yay ADHD!) extends to people. This means, that if things aren't in his immediate everyday life, he tends to neglect them. This makes him terrible at calling Brody and keeping in touch, thankfully, both Brody and Cassidy understand this and will often check in with him of their own volition.
š
šø: š¶š“ššš¼š·š šš“ššš ( fc : Freema Agyeman. )
Cassidy Jonas met Brody Watts and immediately fell in love. They bonded over a love of horses, rock music, and spicy food. They just clicked. Their friendship turned into love and ended with them married at the age of twenty-one. It was the most natural thing in the world.
Cassidy Watts was pregnant with twins when Donnie Watts crossed the threshold of Dogwood for the first time. He reminded her of her grandmother's three-legged cat, Nelson, who used to swipe at newcomers whenever they entered whichever room he happened to be sleeping in. He was jittery and jumped at every little noise. It broke her heart to learn what had happened to him, it made her angry too. Brody had to talk her out of driving to Copeville and giving Melissa Watts a piece of her mind. She couldn't conceive of ever hurting her children.
At first, Cassidy attempted to approach Donnie with kid gloves. That seemed to send him further into his shell. What seemed to appeal to him was being spoken to like an adult. A person in his own right. So she did. Because of the honesty between them, Donnie and Cassidy grew close.
Donnie had the messiest, most unhealthy head of curls when he came to Longing, and not a few months later, Cassidy had them styled and healthier than ever. Being a black woman with tight, coiled hair, she was perfectly qualified to help Donnie treat his curls properly. It was a long, careful routine that Donnie keeps to even now in his early thirties.
After the twins were born, Donnie took to being an uncle like a duck to water. He helped Cassidy with feeding them whenever Brody was out working, and would often keep them entertained when he wasn't out causing mischief with his new friends.
When Donnie's fifteen, Cassidy started to attend classes in hopes of becoming a Doctor or a Nurse, as she'd always dreamed of becoming one as a child.
If asked, Donnie would name Cassidy as the woman who raised him. She was the one who helped him out of panic attacks and soothed him whenever he couldn't sleep, she was the one who talked to him about his romantic feelings for James, she was the one who encouraged him to follow his heart after he graduated. She was also the person who put him in his place whenever he was letting his anger get the better of him.
Donnie almost exclusively calls Cassidy 'Cass', and it's always with the utmost affection. He adores her with his entire being.
Cassidy is also the first person Donnie comes out to, officially. She's the person he turns to whenever he finds himself stuck. He knows she won't judge him or think less of him for messing up. Neither would Brody, but Donnie isn't so confident with that knowledge. He's getting there.
š
šø: šŗš¼šš“ š“šš· š½ššš“š» šš“ššš ( fcs : undecided. )
Georgina and Jonah Watts are fraternal twins and are the only two children of Brody and Cassidy Watts. Donnie views the pair of them as his younger siblings.
The twins refer to Donnie as 'Don' or 'Uncle D' pretty much exclusively.
Gina falls in love with rock music because of her parents and falls deeper in love with metal and alternative music because of Donnie. Donnie often catches her rifling through his tapes when he's not keeping an eye on her. When he leaves Longing, he actually leaves the vast majority of his tapes and vinyl at Dogwood, so that Gina can listen to them. Gina also gifts Donnie with an Iron Maiden poster on his fourteenth birthday, Cassidy informs him that she wanted to give her uncle a present that meant a lot to him. He still has the poster now, it's in a frame on the wall of his office.
Jonah and Donnie bond over horses. Brody held no interest in actually participating in any kind of Rodeo events, and neither did Donnie, but Donnie knew a couple of tricks to help Jonah get started. He showed him how to ride and how to tend to the horses alongside Brody. Jonah also shares Donnie's love of Star Wars and sci-fi. He even starts to copy Donnie when Donnie starts keeping journals and writing things like song lyrics down. Jonah's got a big imagination and an even bigger heart. Donnie encourages him to feel things unapologetically and to talk to his parents when things are bothering him. When he leaves Dogwood, Donnie leaves a good chunk of his books with Jonah, knowing he'll take care of them.
Donnie misses a good chunk of the twins' milestones while he's touring with Rancid Creature, but that doesn't stop them from sending him letters and getting excited whenever he calls. He feels guilty for not being there more for them during this time, and he's always trying to make up for it, even though they hold no hard feelings over it.
Donnie also misses these milestones because he's too high, which he feels deeply ashamed of, despite the understanding he gets from Brody, Cass and the twins.
He might be terrible at calling, but Donnie has an uncanny ability to remember dates, even when he's deep in the throes of addiction and depression. He always sends thoughtful gifts and birthday cards/letters to his niece and nephew. He dedicates more than a couple of songs and awards for his music to them and their parents.
He's their favourite uncle, despite being their only uncle. And they will die defending him. They even show up to one of Rancid Creature's shows in Santa Fe to surprise him one year, and Donnie almost cries with happiness at seeing them. That's his little sister and his little brother! And he will die for them!
#& * a terribly real thing in a terribly false world . [ metas ]#& * a child weaned on poison considers harm a comfort . [ study ]#csa ment //#abuse //#child abuse //#addiction //#discussions of mental health //#religious trauma //#homophobia //#alcoholism //#war ment //#suicide ment //#ask to tag //#long post //#( please please please read the trigger warnings on this one babes! )#( i don't want anybody getting upset or uncomfy )#( pls take care )#( BUT whew this one got long )#( i hope everyone that does read it enjoys learning more about donnie )#( there's stuff i've mentioned here that he himself will never talk about )#( primarily the stuff re: his childhood and his parents and the dreaded 'summer camp' )#( donnie is such a family oriented character... and he both loves the idea of a family and hates it )#( i'll probably touch back on this again when i do the rancid creature & the james & the lee metas )#( because his band / his friends are also his family )#( he learns as he's accepting his queerness that family isn't just blood )#( it's who you choose y'know? )#( i know i've missed emma anita and anita's parents off of this meta but that's because i wanna tackle them in the meta i do about )#( donnie and being a dad )#( which is a seperate thing )
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Why Kuinaās Death Still Unsettles Us?
TW: mention of suicide, references teen/child suicide.
[I read a post about "falling down the stairs" might actually imply death by suicide. Kuina's death always bothered me a bit, and when Shimotsuki Koushiro said to Zoro, humans are fragile, did he really mean our bodies or our hearts? I still wonder. A few months back I had written a fic, a retelling of the events which led to Kuina's fall from the stairs, and I had done a lot of thinking while writing the fic. So all those ideas and thoughts I had then, have been rearranged and put here today.]
I remember watching the Kuina episode like 19 years back. So for an 11-year-old me, that was it. I was sad that she was gone too soon.
But over the years as I grew up, read the manga and then kept rereading it over and over. I did feel her death was surprisingly given the off-stage treatment that was given to Lady Macbeth! Only an announcement was made of her death, and her face is covered in a piece of cloth! That was too sudden, unlike so many other deaths that followed in the story.
I did brainstorm this over the years, it really felt odd, she was a physically strong 12-year-old girl and as far as I know swordswoman/man have to be good at balancing and footwork, because the art of the sword is about full body movement so her falling down is really really really iffy.
Image from chapter 5
And if we look at the Dojo architecture, there were no visible storeys to the building, I am sure she didnāt fall off a library step-stool or carpenterās ladder. Then I found this Tumblr post, by Heeheemugee which said, falling down the stairs is a euphemism for suicide. Which makes sense! Like it totally connects in my head.
Though, sadly, I didnāt find any source to confirm this, as everyone on the internet told me it's untrue. But, you see, āfalling down the stairsā is a euphemism which has been used for domestic violence victims, like in my mother tongue, when it's hard to explain to a child what happened to someone who died, we say the person has gone somewhere far, so may be falling down the stairs is more of an undocumented euphemism or an old reference Odachii picked from somewhereā he is known for this!
Image from chapter 5
Another thing we should remember Kuina was onset of puberty, the stress of future, her fatherās general view of female body being weaker, and changing bodily features might have plagued her more than we thinkā since after 1000 chapters we know Zoroās teacher is likely from Wano, I think internalized and cultural misogyny was at play too.
Teenage and puberty is a vulnerable time, one misstep can lead to drastic actions, so Kuina taking her own life is not farfetched. Because we have young children who are so stressed or vulnerable or suffering that they think ending it is better than enduring it.
Image from chapter 5
What has bothered me the most, is the offstage treatment of her death. I meanāwe have seen most of the ācharacters whose death impacted the main characters' life decisionsā die on stage in backstories so far, or we got a proper explanation of why someone is dead. We know Banchina died after an illness, Bellemere was killed by Arlong, Hililuk was poisoned and blew himself up. Only Kuinaās death we didnāt see, and it immediately happened just after both Zoro and Kuina had a heartfelt conversation about becoming the best swordsman/woman in the world!
I guess Oda chose āfell down the stairsā as the series was like 15 chapters till then. Or it maybe as simple as Odachii wanted to wrap Zoroās backstory fast with typical ādead girl-friend of the grumpy emotionally suppressed lone wolfā to establish Zoroās narrative as the one who carries the will of others!
Image from chapter 5
Otherwise, we know Eiichiro Oda doesnāt shy away from depicting gruesome, terrifying or horrible deaths which parallels real life issues, he sneaked in a little panel of a grandmother praying and a mother holding a knife with an infant in her arms in Wano arc, because they were starving for days!
Image from chapter 918
Or a pirate in human auction house biting his tongue to escape the humiliation of being sold as a slave!
Images from chapter 502
Hence, I think Kuinaās death doesnāt seem like an accident and feel like something sadder and heavier than we were led to believe.
#one piece#roronoa zoro#one piece roronoa zoro#one piece zoro#one piece kuina#kuina#shimotsuki kuina#one piece manga#suicide#trigger warning#suicidal ideation#tw sucidal ideation#mention of suicide#unalive#character suicide#suicide discussed#one piece characters#one piece meta#east blue saga#op zoro#one piece anime
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Suicidal ideation trigger warning for this question. ļæ¼Did any of the WMLP cast consider suicide to get out of their predicaments?
Oh yeah for sure. I mean other than Wally, who didn't really have a chance to. They've all considered it and all have reasons they haven't attempted it. Although Manta believes Kaldur has attempted it in some capacity, if not full suicide then at least self harm.
But yeah. For the most part, they've all had limitations on their abilities to take their lives into their hands like that.
Artemis is the only one who strays from this because she did have that power. The difference is her moment wasn't because of a want to escape, it was brought by survivors guilt after Jade saved her. It's a whole thing. Idk if I'll explore it in the fic. But she had Jade to help her work towards a healthier mindset.
And then there's Dick. He honestly doesn't know how he'd do it, he isn't entirely sure of the extent of his healing factor. He might have to do some ridiculous convoluted thing in order to achieve it, and depression strong enough to lead to suicidal ideation, in my experience and understanding, usually cause you to be less motivated to attempt big projects.
Conner is pretty sure he's been programmed in such a way that if he genuinely attempted it, he would fall into Red Sun mode and just stop. Plus, he'd need some pretty impressive hardware to off himself anyway.
M'Gaan just kinda... can't. She doesn't have access to anything that she'd be able to do it with. And then she finally settled into it all and never thought of it again except in particularly bad moments. But she's so closely supervised she could never hope to achieve it.
#dc comics#fanfiction#young justice#with morality like a polynomial#wmlp#angst#dick grayson#artemis crock#conner kent#m'gann m'orzz#cw suicide#tw suicide#content warning#trigger warning#discussions of suicide
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do you ever watch something so intense that it makes you need to stare at a wall for a while so you can process it
#bambi's rambling#i watched a recording of the play 'Night Mother because my theater appreciation teacher mentioned it in class a couple times#but she wouldn't say how the play ended#so i had to look it up and watch it myself obviously#and. damn. the whole play is quietly fucked up in a way that's hard to put into words#just now realized i could have just googled the ending instead of watching an hour and a half play but where's the fun in that lmao#huge trigger warning for anyone who wants to watch it: the whole play is basically a discussion of suicide#and there's some serious ableism about epilepsy (it does get called out but it's fucked up) that kicks in during the later half
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We pught to protest this bullshit, lioe full on protest, thes efilters are just as eaisly used as a big mean of censorship, BOTH for the sake of ocmpanies wanting to make everything profitable, AND for political figures wanting to control what people think and do, and we should NEVER let that happens
How ridiculous is it a professional in sociology has to avoid saying SUICIDE because they have to worry about xesmonetization?
Or a black person having to avoid saying RACISM in fear of being shadowbanned and have their reach axed.
This is censorship, plain and simple, and we should be VISICOUSLY fighting to change that
you gotta be able to say "die"
you gotta be able to say "suicide"
you gotta be able to talk about "sex"
they're uncomfortable topics, YEAH for SURE
because LIFE is uncomfortable. Death and suicide and sex and pain are straight up going to happen. not having words for the way it discomforts you doesn't make it more comfortable, it just makes you less able to reach out about it.
even more vital, you gotta be able to say words like "rape", "abuse", "queer" or "racist". cause we fought fucking hard to name those experiences. to identify "rape" as distinct from "sex" and "racism" as distinct from "acceptable behaviour" and "queer" as distinct from "invert"
like the function of communication is not to minimise immediate discomfort. we gotta be able to talk about stuff that's hard or sucks or causes difficult conversations.
#tw rape#tw suicide#tw sex#tw trauma#general trigger warning#a lor of upsetting topics tohugh onky named by word and none are discussed on the post but ARE described in MY reblog
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As of 12/13/24, I have created a private community for women to join to discuss their problems and find solutions. Hopefully, it becomes a place where women can find safety in numbers and friends locally.
#bodi check#eating disoder trigger warning#depression#@na motivation#body ch3ck#body chex#self love#self care#tw ed ana#th1n$pĆø#help#suicidal#body goals#support#lonely#sad#hate#need friends#friendless#alone#not happy#discussion#safe space#chats#make friends
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i genuinely have such an issue w how the general internet approaches trigger warnings like on all sides it just fuckin sucks. either theyre completely unnecessary and if u need one ur a baby or u need to tag every possible trigger theres like no in between. and the meaning of what a trigger actually is gets watered in the process like i know this is kind of 2018 to bitch about but i am irritated!!!!!!!!
#gonna blow up genuinely#inspired by a post tht was like a poem of sorts discussing a suicide attempt but like. the way it was set up is that it was split up by#slides ans the title on the first slide was pretty self explanatory so like. you have to swipe to see the rest of it#and people were mad in the comments that there wasnt a trigger warning like. dude#it literally says what its about right there you made the decision to read the rest of it??????#and it didnt even get that graphic imo so like im just confused like do u want the very concept of suicide trigger tagged?????? sorry?????#like sometimes art wants you to feel uncomfortable and upset and thats okay!!! it does not mean you need a trigger tag for it like#im sorry i know discussions of suicide Can be triggering but this wasnt even that it was just like art and the idea of making an artist#trigger tag their work depicting/discussing suicide when it a. isnt even that graphic and b. is set up in a way that you know whats going to#be depicted before even reading it like. that just is so#like its giving tag your self harm scars likeeeeee#just fuckin irks me man#genuinely i think 90% of mental health ādiscourseā is inane bullshit and like projection and shit but#idk. IDK rhis is a hill ill die on like. if talking about suicide is a trigger then you should handle that on your own and not blame ppl for#discussing it when you like knew what you were getting into#but like also: is it actually triggering you or does it just make u upset#likeeeee its okay to be upsetā¦ā¦.healthy evenā¦ā¦
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Warning: spoilers for volume 9, suicide discussion
I'm honestly worried about something on volume 9
I have a friend who's going through suicidal thoughts and depression and volume 9 had the main character committed suicide and her friends were not only not effected by it but also perfectly ok with it and treated like it was an okay thing and that was just her choice essentially treating suicide as a perfectly ok thing to do which is so icky
My friend does watch rwby and I'm really worried that if they watched volume 9 and eventually to episode 8 it would encourage them to off themselves and I really don't want that
This is horrible, I'm so sorry this is even something you have to worry about. If I was to give advice, I'd say that it might be better safe than sorry to just let them know in the most natural way possible that there's themes of suicide in the latest season and it's handled really badly. It's better than sorry just so your friend is aware and can decide if they're in a good head space to watch it.
It really is just a horribly insensitive portrayal of suicide. Not to get too personal on main, but if I was seeing volume 9 as a fifteen year old with the problems I had back then instead of where I am now, it would've fucked me up, and made me feel horrible.
Not only should there have been actual proper trigger warnings used (spoilers be damned,) but the RWBY writers never should've purposefully made Ascension/drinking the tea/going to the tree have suicide vibes if they weren't prepared to actually treat it with any sort of respect or seriousness. It's disrespectful, and damaging. It honestly feels like they just did it for shock value, and then half-assed a horribly done 'recovery' and then just pretended that everything was fine now. The writers should know by now to stay away from serious topics, because they're never willing to actually do any work to portray them in a respectful way or make sure it's not literally insulting and triggering and might send their fans into a bad place.
#rwde#trigger warning; suicide#tw; suicide#trigger warning; discussions of suicide#tw; discussion of suicide
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Watched Fionna And Cake and then remembered Simon and Bettyās story from Adventure Time. Cried. Got a new tragic star-crossed lovers and angst + moving on/coping scenario AU story idea(s) for Silva and Faith/Rachel. Cried harder. Listened to Mitskiās My Love Mine All Mine. Drowned in a river of my own making.
Alright, I must mention, Scenario A is pretty soft compared to Scenario B. You can just read Scenario A and are not obligated to read Scenario B (because I will eventually write out both). I say this because Scenario B has trigger warnings for dark and mature and heavy topics like toxic relationships, unhealthy thought processes like low self-esteem and self-loathing, mental health disorders like depression, and very heavily implied ideation of suicide. Do not read Scenario B if you cannot stomach it. Scenario A is all good though. Just general FC5 + my regular bullshit.
This probably going to be a three parter. So hereās part one, the one I like to call: āThe Backstoryā.
Now, thereās two ways this could go (since Faithās/Rachelās character is interpreted in many different shapes and form).
Now we could go down the softer path (aka Scenario A), and go with the interpretation that Rachel was an impressionable teen caught in a very bad situation with no way out but to keep going forward and being addicted to Bliss. More-or-less like a victim of the cult who has to live up to Josephās (the fact I naturally misspelled that as Hoseph makes me laugh out of the unbelievability of it) standards to survive.
Now with this interpretation, the story goes like this. Silva and Rachel met earlier than they did in the main story. Letās say that Rachel and Tracey entered Hope County and met Silva, and they are looking for a place to stay and actually get better. She gives them a job at Elsaās Floristry. She and Rachel eventually become girlfriends (havenāt specified how yet). Silva also has a hobby of researching strange histories surrounding cryptic gods or whatever (this is important!) which she blubbers to both women about sometimes. Silva did her damndest to help Rachel overcome her addiction. At this point, letās say Silva has lost pretty much everyone (both the community + Persephone this time on the Archipelagos and Elsa in Hope County), and now has fallen in love (again) but with this troubled young woman, and to her, this is her last chance to prove that she can do good and be a loving individual, unlike what Adam had told her. Now she devotes her everything to Rachel, and Rachelās love and safety and happiness is all that truly matters to Silva in this world. Making small sacrifices for Rachel (much like Betty). Then they encounter Edenās Gate (maybe John), and while Silva and Tracey are hesitant to interact with the cult, Rachel manages to win Silva over going to one sermon and gathering which brings Tracey along with them. Eventually Rachel meets the Father himself, Joseph Seed, and he wants her to be his next Faith, so heās convinced her to stay in Edenās Gate. Now details are muddy here, but Tracey warns Silva of the cults true nature and the fates of the Faiths and figure out Rachelās next. When trying to warn Rachel, she manages to downplay the accusations, thinking Joseph can help her (as well as being in the right) and that nothing is wrong. Tracey, of course, thinks it to be a lost cause convincing Rachel, but Silva is conflicted. She doesnāt good vibes about Edenās Gate but her girlfriend is saying everything is fine and that she can find help there. She doesnāt want to be anywhere near the cult or Joseph but she canāt leave her only purpose left in life. So Silva, to Traceyās utter surprise, chooses to stay with Rachel, (and if she has the knowledge that Rachel is going to be Faith, then Silva will still stay, even if the Faith role meant Rachel couldnāt do certain things (like sex or have romantic relationships), Silva would go celibate or even just a friend/priestess/follower, if it meant she could just be with Rachel). Sheās convinced to give her (reminder: dead) sisterās floristry to Edenās Gate to join, and Joseph takes Rachel away for detox. Silva canāt join in and has to be assured by Rachel that everything will be okayā¦
Everything does not go okay. While separated from Rachel and trying to integrate with Edenās Gate, she is abruptly kicked out of the cult by Joseph (a rather shocking order from the Voice that shocked even Joseph, with the only reasoning by the New God being āsheās too earlyā), leaving Silva pretty much blacklisted from all cult properties and Rachel only with Joseph (+ his brothers who donāt care that much about her). Reeling from the fact the cult just stole her girlfriend and her late-sisterās floristry, she has a breakdown, knowing she cannot do anything forward to the cult without assuming Rachel wonāt be hurt in the process, and heads home to stable herself. Months later, she meets Rachel, but as Faith, if not more addicted and out of it to Bliss (which she made and was used against her in this scenario at least), and no familiarity or memory of Silva (like Simon/Ice King). The Bliss also acts as an eldritch entity in this, using Faith/Rachel for its own deeds. Silva, distraught, heads home to come up with a game plan. At first she wants to take Edenās Gate head on, but realises it has too much influence and people are beginning to think Rachel as a villain (+ plus making any kind of move against the cult could lead to Rachel being hurt, either in the process or in retaliation against Silvaās resistance). Feeling so lost, thatās when the Voice decides to chime in (because itās an asshole). Tells her that āthereās an easier and quicker and more subtle and safer way to do this that even Joseph āfraud assā wonāt expect itā and Silva goes āand what would that be God?ā And the Voice replies āGo meet my boss, I mean, the Goddess of Disruption, Jannah (much like GOLB), who had a human from your Tumultite history named after her, who can kill the Bliss and take down Edenās Gate like it was just a normal and definitely unsupernatural eventā. Silva isnāt sure what to believe but goes ahead with it because if it means Faith/Rachel is unharmed then sheāll take it (even if it sounds fake) and also sheās done some study on Jannah so she knows what to minimally expect. The at first terrible but hilarious in hindsight part (which you will find out why itās funny in the next post) of this is the fact the Voice only intends for her to go on a wild goose chase as it prepares Joseph for New Eden (and torment). Also you know how the Voice said this method of saving Faith/Rachel was quick, easy, and safe? Well, thereās the ironic twistā¦ the method is exactly that. Takes three weeks at most. The preparations and time span to get the necessary tools required though? Takes like almost a decade to put together.
What does this plan to meet Jannah require? Well simple, listed below.
- Two devices capable of breaking space-time-reality and teleporting her to Jannahās domain (one acting as a vehicle to enter the domain and the other as an anchor to get Silva back).
- An important space-time-reality event (aka The Collapse).
- A high-potency of the Third Eye (to spiritually/mentally(?) interact with and control Jannah).
- A medically comatosed magician to be used as a mental battery and emotional stabiliser (to share the energy and intent Silva needs to transfer into Jannah to trick the goddess into doing what she wants).
- An amulet whose crystal was made from a magical meteorite (or a shooting star that people make wishes from), which original function was to make wishes (like the Ice Kingās crown) but changed and adapted throughout history and instead acts as a telepathic tool of some kind/canters the Third Eye (to be used to interact and control Jannah).
And some other things. What she needs to do with all of that list of things is break the First Seal of the Collapse (the arrest), skip Seals 2 to 4 (deaths of John, Jacob and Faith) and have a stalemate at Seal 5 and then 6 (death of the family or in this case more Edenās Gate members + Resisting Joseph), and during that, destabilising space-time-reality by teleporting in the vehicle and anchor devices around Hope County seven times to both a) power up the machines to get to Jannah, and b) trick the Multiverse into thinking the Collapse is about to happen after thinking Seals 2-6 have already been opened and āmistakinglyā (since Silva is intentionally doing it) sending Silva to Jannahās domain, and having a few minutes opportunity while the Multiverse is confused to mind control Jannah into retconning the seventh seal from ādrop three bombsā into ādefeat Edenās Gate, kill the Bliss and save Faith/Rachel, happy ever afterā. Not even the Voice would expect it (because it genuinely doesnāt expect it).
Sheāll get help from the unlikeliest of individuals of course, not just alone (likes of which includes canon characters like Tweak, Zip and especially Larry, or OCs like the supernatural Priestess Lillith and the Tarot Card Holder), and Iāll talk more of how Silvaās plot in Scenario A goes in the next part (spoilers, things go right and then wrong).
End Scenario A here (donāt read further below if you cannot stomach Scenario B) and part two of this three parter will be āSilvaās Plotā, taking place in the events of FC5 and how things go so wrong.
Okay thatās soft Scenario A. Here is rough and tough and dark and uncomfortable Scenario B!
You know, the interpretation where Rachel/Faith is perfectly fine to be the drug herald who took the āFaithā title as a badge of honour, entirely loyal to Joseph and willingly joined him (though acknowledgement must be made that he did kind of groom her into the āFaithā role as he is a paternal adult figure that influenced her choicesā¦ doesnāt change the fact she is killing people here and in canon though) and very confident that sheās not in danger of replacement (despite John and Jacob thinking otherwise), immune to her own product, and knows what sheās doing but believing (albeit misguidedly) that she (and Joseph) are in the right while indulging in a bit of sadism and violence and spite like her brothers. Not entirely innocent now, and the question of whether or not she was a true friend to Tracey being up for debate. Though the drug addict and family abuse and ostracisation is still true I will die on this hill.
Alrightā¦ TRIGGER WARNING! From here on out, there will be mentions of: heavily implied suicidal ideation (if this is too much for you, please refresh or stop reading), (fairly certain) either a toxic or just unhealthy heavily one-sided romantic relationship (kind of? Like thereās love but itās not appreciated that much and almost expected but also thought of as disposable so yeah? Itās not great, or good and definitely needs counselling badly so letās go with that), blatant gaslighting and manipulation, minor discussion of depression and self-loathing and other things. Iām thinking of labelling it āDead Dove: Do Not Eatā.
Okay, Scenario B, is different. Silva meeting Rachel and Tracey, getting both a job but also falling in love and getting in a relationship with the former? Still the same. Silva devoting her all into it? Still the same. Silva and Tracey helping Rachel with detoxing. Still the same. Only difference is that Rachel is using the relationship for her own gain. The attention, the adoration, the help, the good times. Feeding off it but not really appreciating it. Then we meet Joseph and Edenās Gate. Joseph takes a shine to Rachel and she likes the detox help and desires and power he offers. Uses her relationship with Silva to get Joseph the floristry and Silvaās involvement in the cult. Rachel becomes Faith, Tracey angrily peaces out, and Silva is willing to stay no matter what. Only for Joseph to kick her out. The big difference here though? Faith also reinforces Josephās word, telling Silva straight to her face that āshe doesnāt need Silva anymoreā, completely shattering Silvaās heart. And Silva does not take it well. You know how I said Silva was invested in the relationship to the point it was her only and final purpose? I was not kidding. Every one sheās ever loved to her knowledge is completely dead from circumstances out of her control (the massacre, Elsaās accident, Persephoneās terminal illness, etc). In her mind, she has failed as a daughter, sister, lover, friend, mother and a functional human being in general. Now, to herself, sheās failed the lover and protector roleā¦ again. This is twice for those two. She is just lost and in despair, wishing for the small things in life, for the important needs, like her community, her neighbours, like her adoptive padreās love, her sisterās companionship, her unconditional and undying love towards her daughter Persephone. Hell, even the romance with Irene and Rachel. She craves and wants all of it, and believes she just canāt do it right (and the fact the second prophet of God sheās met in her life believes her to be unworthy of joining only makes her self-esteem worse). Sheās sick and tired of pain after suffering after failure and just wants to cease. Be in an eternal state of love and happiness in a world that accepts her. Sheās depressed and in a state of self-loathing. And she canāt escape. So what happens?
The Voice (yeah, that dick) comes along and goes āhey, hereās an idea, find Jannah and have your world while vanishing in this oneā. Silva asks āwhy would I do something as insane and nonsensical as that?ā And the Voice says the worse thing ever ābecause it would be better if you just ceased in this world.ā Yeah, he went that low. So Silva decides to go on a literal mission to privately do that, following the instructions in Scenario A, as not to (what she believes sheās doing) negatively interfere in everybody elseās life, especially Rachelās/Faithās. I must remind everyone: This is a very sad tale, with a lot of bitter and bleakness and very minimal sweetness in it at first (unlike Scenario A which is just bittersweet through and through).
Thatās āThe Backstoryā for both done. Iāll be writing out part 2 āSilvaās Plotā in some time.
Bye yo!
#far cry 5#oc: silva omar#far cry the silver chronicles#far cry 5 au#faith seed#rachel#joseph seed#project at eden's gate#the seed family#trigger warnings in this#tw: mentions of dark topics#tw: discussion of a character having heavily implied suicidal ideation#tw: long post#tw: mention of self-loathing#tw: mention of depression#two new au ideas guys#one is softer than the other#the voice
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A WORRYING DISAPPEARANCE - TEXTING THE LOVE AND DEEPSPACE MEN
Warnings : implied worrying about suicide, implied worrying about death, reader is gender-neutral!
Genre : hurt/comfort for the soul
Additional notes : If the topics discussed here are triggering for you, please do not continue reading for your own safety!ā¤ļøI canāt imagine how the men would feel after being put in a situation like this. The videos I see online of people suddenly texting their loved ones that they love them, and seeing their worried reactionsā¦ we really should verbalize our feelings more often so we never have any regretsā¹ļøā¹ļø To anyone else reading this, my requests are still closed!! These are just old requests I had in my inboxš«¶š½
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Press Play Track 2: Untamed Youth now up on Dashingdon!
Chapter 2 (or Track 2, as I've titled it): Untamed Youth is finally ready for you! Mind the content warnings.
Trigger warnings: discussions of self-harm, suicidal ideation, mental illness, implied parental abuse, unhealthy relationships, underage drinking and smoking and substance abuse. [18+.]
Press Play.
61k words added; full demo length now at 118.885 words
psst! reblogs are appreciated (if you like this)!
[teasers/mild spoilers] In this one, you will:
meet Zima, completing the cast!
have an impactful discussion with Kalena and Russell Graham.
learn about the MC's past hospitalization and customize its cause.
learn about and customize the MC's past relationship with Zima.
receive an invitation.
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*This poll was submitted to us and we simply posted it so people could vote and discuss their opinions on the matter. If youād like for us to ask the internet a question for you, feel free to drop the poll of your choice in our inbox and weāll post them anonymously (for more info, please check our pinned post).
#poll#polls#yes or no#anti bullying#mental health#mental health awareness#mental health issues#incognito polls#poll time#random polls#tumblr poll#tumblr polls#yes or no poll#yes or no polls
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Looked to the Sky - Chapter 12
Summary:Ā
Eira Archeron was neither a Valkyrie, nor a Seer, nor the High Lady of the Night Court. She was, however, Azrielās mate with her own mysterious, untrained powers.
Also known as: Azriel tries to court his mate the human way.
Warnings:Ā
THIS IS THE LIGHTNING IN A BOTTLE SEQUEL! SO READ THAT FIRST IF YOU WANNA READ THIS ONE OTHERWISE THIS MAKES NO SENSE!
Elain Bashing, Low Self Esteem, Burns, Discussion of suicidal thoughts (If this triggers you, PLEASE don't read it), Discussion of very "human" ideas of modesty, and without @k-godling this would have never happened.
(super pretty dividers by @tsunami-of-tears)
āI can hear your fucking thoughts, even though I am not a daemati, so talk to me, Az,ā Cassian grumbled.
Azriel turned his head, ceasing to stare at the ceiling as he had been doing for hours.
He couldn't get Eira's words out of his head. He hated the images her words had conjured up in his head ā his sweet mate sitting in her bathing chamber, rocking back and forth, holding herself as tight as she could, trying to block everything out.
His mate, who had wanted toĀ die.
The very thought was enough to make him want to break something, to find something to punch and claw at until his knuckles bled and his skin lay in tattered scraps. Until his rage and agony burned the images out of his mind, until he wasn't so sick to his stomach that he was half-convinced he was going to physically get ill.
"Stop thinking," Cassian said, still watching him with a grim expression that mirrored his own thoughts.
Azriel didn't bother answering him. Right now, he didn't even want to be here in this room. He didn't want to lie on this bed, staring at the ceiling, when he could be with his Eira.
His sweet, sweet mate, who would have hurled herself off a balcony or cut off her ears because it had all just...been too much.
Even the mere thought made his stomach lurch as if he was going to be sick. Gods, she had wanted to die, and he hadn't noticed. He hadn't known.
He had walked around, blissfully oblivious, thinking that she was better, that she was settling into life here as a High Fae, when sheā¦
She hadn't told him, she hadn't said a damn thing, and he should have known from the start, should've known that she wasn't okay.
He should have paid more attention, should've pushed harder when she seemed upset, and instead, he'd just...he had just left her to struggle on her own when he should have...he should have...
She hadn't told him, she hadn't said a damn thing, and he should have known from the start, should've known that she wasn't okay.
āTalk to me, Az. Please."
He closed his eyes, trying to stop himself from thinking, and he could still see her, sitting in her bathing chamber, rocking back and forth, humming so she wouldn't have to listen, and he didn't even know for how long she had been doing that right under his nose, how much pain she had been in and how he had just let her...
"I should have known," he said quietly, the confession almost ripped out of him.
Cassian just listened.
"She's my mate. I should have known how she was feeling."
Cassian didn't say anything this time. He just watched him silently for a moment, the concerned look on his face still there.
"And how were you supposed to know?" he said finally. "If she didn't want you to know? If she didn't want to tell you?" Cassian sighed. "I didn't know how bad Nesta was feeling either. Is this about her sparks show when Eira talked to Elain?" he asked her.
Azriel grimaced.
"No," he said firmly. "I just...I couldn't get Eira's comment about stuffing cotton wool into her ears out of my brain. So I asked her," he admitted quietly. "She was...she was doing really badly for a bit," he admitted weakly. It was anĀ understatement.
She had almost hurt herself, had wanted to kill herself instead of dealing with all of this, and he should have known. He should have-
"How can I have been so blind and stupid?" he grumbled more quietly.
"You're not stupid," Cassian retorted instantly. "And you're certainly not blind."
Azriel let out a scoff.
"Then how did I not notice?" he demanded. "How did I not notice that my own mate was...?"
"You're not stupid," Cassian said.
"Yes I am," Azriel snapped back. "I am stupid and a bastard, for not noticing, for not seeing how she felt," he said angrily.
Cassian let out a sharp huff at his words, watching him with an almost frustrated expression.
"None of us saw," Cassian snapped.
The door opened.
"I can hear you arguing," Rhys grumbled as he made his way across the room and flopped down on the bed.
"What's with Feyre?" Cassian asked with some bemusement.
"Feyre decided she would rather have a sleepover with Nesta and Eira," Rhys said with a long-suffering sigh.
Azriel couldn't help the brief hint of a smile at Rhys's words.
"Are you upset that she deserted you?" he asked dryly.
Rhys shot him a weak glare at his words. "I would like my mate to sleep in my bed, yes," he grumbled.
"You sound like a lovesick whelp," Cassian commented, and Rhys muttered something in response, that sounded strangely likeĀ oh, like you are any better.
Azriel made a low scoffing sound, a faint, but genuine smile touching his lips.
It vanished again a moment later, as the thoughts about Eira came rushing back.
"I don't understand how I didn't see," he muttered under his breath, more to himself than anyone else. "I am such an idiot."
He could feel their gazes turning towards him again, but he didn't bother looking up, still staring at the ceiling, as he clenched his fist around the now-crumpled bedsheets.
"I just...I should have known," he said again. "We are mates. How could I have been so damn blind?"
"How could I have been so blind either?" Cassian asked. "Neither of Feyre, nor Nesta, nor Eira like to burden other people with their problems. Neither of us are mind readers...well other than Rhys."
Rhys let out a low scoff but didn't disagree.
Cassian had a point, but that didn't make Azriel feel any better.
"I still feel like a bastard for not seeing," he muttered.
It was his job to observe. It was literally his entire shtick. How could he not have seen that his own mate was suffering.
"Is it about the cotton wool comment?" Rhys asked quietly.
Azriel let out another huff, this time out of annoyance.
"Yes, it's about the damn cotton wool," he said harshly. "I just can't get the image out of my head. My mate, sitting in her bathing chamber, holding herself like a damn child while she rocks back and forth, listening to herself hum and trying to block everything out."
"She was pulling on her ears at the same time," Rhys said, his voice dark. "I saw a piece of it when I...accidentally went into her mind. She pulled at her ears because they were too long and too pointy and not hers. And then she bit her mouth bloody. It was... bad."
Azriel grimaced at those words, that image conjured up again, in even more detail this time.
He still couldn't quite get a grip on what he was feeling, with each moment that passed. He felt sick to his stomach, enraged, like he wanted to find something to punch, wanted to rip apart with his bare hands. He felt helpless and useless, like he had failed his mate, failed to protect her.
"She said she wanted to throw herself off a goddamn balcony," he said quietly.Ā
Rhys grimaced, and even Cassian's expression darkened.
"She was that bad..." he said quietly. "...How did...how did we not notice?"
"Because she didn't want us to notice," Cassian pointed out.
"I should've still noticed," Azriel snapped back. "I could have...I should have known that she was struggling."
There was a long moment of absolute silence, all of them just staring at the ceiling, probably running through the same thoughts as he did.
Then Rhys let out a sigh, closing his eyes as he spoke.
"How are we so damn incompetent sometimes?"
"Beats the hell out of me," Cassian said. "All three of us are supposed to be at least halfway competent, and you know, not total assholes. We should have known. We should have picked up the goddamn clues."
"And we didn't," Azriel said, his words coming out as a low growl that was almost lost in his chest. "And instead of...of helping her, of being there, she...she dealt with it all on her own, and we just stood around, blundering about like idiots."
His words were met with another moment of silence before Cassian let out a long sigh. "She is alright now, though, right?" he pointed out.
"She's not having thoughts of throwing herself off a damn balcony or cutting her ears off anymore," Azriel said gruffly. "So things have improved at least somewhat. Which I am very,Ā veryĀ thankful for."
"So we know that at least," Rhys grumbled. "She's not having those thoughts anymore, at least not right now...although I certainly donāt like that it took her wanting to cut her ears off or throw herself off a balcony to get to this point."
Azriel let out another huff of annoyance.
"I just..." he began and took a deep breath. "It shouldn't have had to get so bad to begin with. We should have seen her struggling, damn it."
"Which we didn't," Cassian said again.
Another moment of silence, where they just laid around the bed, all of them staring at the ceiling, their thoughts going in the same circles. Azriel didn't know if it was a comfort, knowing that the others were feeling almost the same thing he was feeling, or if it was just making everything even worse, the knowledge that there were three of them ļæ½ļæ½ļæ½ three strong, powerful males ā and they had still all been so damn blind.
"How's your hand?" Rhys asked him suddenly
Azriel blinked.
"My hand?" he repeated dully, "It's fine," he grumbled. "I don't even feel it. Eira feels horrible though."
"Of course she does," Rhys agreed. "First her powers manifested and burnt a couple of Darkbringers to a crisp...and now her powers hurtĀ you. HerĀ mate." Rhys sighed. "I wish she would see the lightning as something beautiful and not something she must be afraid of," he muttered.
"She will," Azriel said firmly. "One day. She just...she just needs time. It's all still so fresh to her."
He had the feeling it was going to be a very long time before his mate would fully accept her own powers. "She needs to get used to them," he said quietly. "She needs to get used to the fact that she has powers to begin with. Just the idea...it's a lot for her."
"Understatement," Cassian grumbled under his breath. "Especially when you spent 3 years being treated like you were utterly useless like we did."
Azriel winced internally at the words.
It was their fault. They had done that.
The silence that fell after that statement was so deafening, that Azriel swore he could hear it.
They had done that. Eira's self-worth...or lack thereof, her feelings of uselessness and weakness...it was all their fault. And knowing that...knowing how damn useless and shittyĀ theyĀ had been, knowing everything his mate had gone through, knowing just how much Eira had struggled, all while they had just blundered about like total idiots, it was a hard pill to swallow.
"How are you feeling about Elain now?" Cassian wondered.
Azriel stiffened slightly at the question.
He...he didn't really know.
Part of him wanted to strangle her, because of everything she had said, everything she had said about hisĀ mate.Ā
"I think the worst part...the worst part is the betrayal of it," Azriel said quietly. "She did it to get revenge. Because I turned her down."
Cassian grumbled under his breath at that, and Rhys let out a low scoff of agreement.
"She basically just hurt your mate as revenge for you turning her down," Cassian said, disgust clear in his voice.
Rhys grimaced. "I am sorry, Az," he apologised and Azriel knew why he apologised. Because without Rhysā order, he wouldn't have stopped....he would have kept pursuing Elain.
Azriel closed his eyes for a moment, forcing a deep breath into his lungs, and trying to push down the anger that rose up at the memory.
"It's not your fault, though," he said quietly. "It's Elain's." That...that was a hard truth.
It was not Rhys's fault. He had no way of knowing this would happen.
All the blame lay with Elain.
"Elain's and her alone," Azriel said, and let out a long, slow breath.
It didn't make him hate Elain any less, though, that was for damn sure.
"I can tell how furious you are," Rhys said dryly, and Azriel let out a low snort.
"That obvious?" he grumbled.
"Oh, you're not exactly subtle," Rhys said dryly. "You're practically grinding your teeth."
"I feel like grinding Elain's face into the floor too," Azriel said lowly and very, very darkly. "And I don't even think that will make me feel any better."
"Let's talk about something nicer," Cassian said quickly. "How's that courting going?"
Azriel blinked at the change in topic, Cassian's question taking a couple of seconds to register.
"Uh...fine," he said after a moment. "Good."
He tried to think about their walks in Velaris, about picnics in the back gardenā¦and not about the image of his mate sitting rocking back and forth in her bathing chamber, pulling at her new, pointed ears and biting her own mouth bloody.
"You sound certain," Cassian teased him and he rolled his eyes.
"I am pretty sure I keep messing it all up because if we actually were human we wouldn't even be allowed in the same room as each other without a chaperone," he said drily. Alone the thought about marrying another person, of spending the rest of his life with them, when he didnāt even have a private conversation with them onceā¦was utterly foreign to him.Ā
But then, maybe it shouldnāt be. Some Illyrian customs were not any better at all. Just more violent.Ā
Rhys let out a low chuckle before he said amused.
āI am sure you made up for that with the sheer amount of birthday presents you gave her,ā Rhys quipped with some amusement.Ā
"That were the shadows," he protested weakly.
She deserved them,Ā the shadows said evenly, not bothering to defend themselves.Ā And the next thing you need to do is find a House and a Ring, Master.
Azriel choked on his own spit.
"What was that, Shadowsinger?" Rhys asked dryly, and Azriel grimaced.
"Nothing," he said quickly and tried to keep his face a neutral as possible. "My shadows are just chatting, that's all."
Cassian and Rhys exchanged a long look before Rhys spoke again. "Your shadows are 'chatting' about what, exactly?" Rhys asked, the corners of his mouth twitching slightly now.
Azriel cursed silently under his breath.
"About nothing important," he lied and tried to sound as relaxed as possible, all the while silently praying to any God listening, that Cassian or Rhys would drop it.
They didnāt.Ā
They just looked expectantly at him.Ā
Azriel cursed silently under his breath.
"A House and a Ring," he grumbled. He could hear some of the shadows laughing.
Another long, dead silence fell, and Azriel squeezed his eyes shut again, knowing all too well that his friends were about to make fun of him ruthlessly.
"A House and a ring," Rhys repeated faintly.
Cassian let out a snort of laughter.
"Oh, shut up," Azriel grumbled, refusing to open his eyes again, knowing he would probably see Rhys and Cassian rolling around on the bed with laughter.
"Oh, no, we will absolutely not shut up," Rhys said, and Azriel could hear the smile in his voice. "Because you're thinking of marriage already, aren't you?"
"The books said that 6 months from courtship to a wedding wasĀ notĀ unusual," Azriel defended himself.
That earned another loud burst of laughter from Cassian, and Rhys took in a deep breath before he replied, his voice still filled with stifled laughter.
"Oh, yes, six months sounds completely reasonable," Rhys promised him earnestly.Ā
There was another long moment of silence, where Azriel could feel the smirk on Rhys's face without even opening his eyes before Rhys spoke again. "But you are aware that you need to actually propose first, right?"
"Apparently I need the house for that," Azriel said drily. "I am supposed to show that I can provide a place where we can live after the wedding."
"Yes, of course," Rhys said, the very picture of false agreement. "How could I ever suggest otherwise?ā
Despite his best efforts, Azriel couldn't hold back a low growl at the amusement in Rhys's voice. Cassian just laughed.
"I need to admit though, humans do it very...interestingly. They apparently don't even have a private conversation for 6 months before, before they ask the female to marry them and then immediately share a bed for the first time." Rhys said with a snort. "Though I guess it's not much different than what Keir wanted to do to Mor."
Another growl tore itself out of Azriel's throat at that reminder.
"Don't," he ground out, "don't even mention that old bastard's name in my presence," he warned, anger bubbling up inside him at the memory of what Keir hadĀ done. Not even to just Mor, but to Eira as well.Ā
"Though there is one thing you need to think about," Cassian said drily. "Everything Eira was taught about relationships and sex was theĀ humanĀ way."
That managed to make Azriel go still all over, an uncomfortable sensation spreading through his entire chest, while a dark, cold feeling settled in his stomach.
And to make things even worse, Rhys continued with the same dry and far, far too gleeful tone, "Meaning that sheĀ willlikely expect you to wait for marriage."
He swallowed. "Then we wait," he said sharply. "I am not going to force her."
"No, of course you won't," Cassian said, suddenly a lot more serious. "We know you would never do that. But Eira probably has some...ideas of how a marriage would work. She seems to be the one of her sisters that stillā¦clings to that the most. She was raised to be a wife, Azriel. Sheāll think that your word is law.ā
Despite still keeping his eyes closed, Azriel winced at those words. He had already thought about that. He had thought of that fact very heavily.
It was reminding him far too much of Illyria for his peace of mind, to be honest. The idea that he has a male was supposed to have any kind of power over his wife, that she was chattel for him to rule overā¦It was making him nauseous.Ā
He...he didn't like it at all. Eira thought that he would demand things from her...order her into things... but the idea made him want to punch something.
"Well, she won't think that," Rhys suddenly said, his voice sounding a lot more serious than before.
Azriel slowly opened his eyes at that and glanced at his friend, only to find Rhys's expression had hardened and was looking more...determined than amused.
"She will quickly learn that you will never order her to do anything," Rhys said firmly, and Cassian nodded in agreement.
Azriel just stared for a moment, his chest feeling a lot looser than before and his heart suddenly beating a lot faster.
Cassian and Rhys...they believed it wholeheartedly.
They didn't even doubt one second that he would never demand anything from his mate, from his sweet, gentle, quiet mate, who had been raised to listen and obey.
"You're our brother," Cassian said then, and Azriel's eyes suddenly shot to him. "We've known you for five centuries, and we know that you would rather cut off your own wings than demand anything of Eira."
Rhys nodded.
"We don't doubt for a second that you would never, ever, order her to do anything,"
A wave of gratefulness and grateful love for his brothers washed over Azriel all at once.
They understood.
They knew him. Knew that he would never order his mate to do a damn thing. Knew that the very idea of ordering her was more than enough to make him feel physically ill.
"So about that house..."
Azriel let out a huff at that question.
"I'm working on it," he said but was cut off by another snigger from Cassian.
***
"Scoot over," Feyre demanded in a whisper as she crawled into the bed next to her.
"I thought you would stay with Rhys?" Eira asked, but did as her youngest sister requested, careful not to bother a sleeping Nesta.
There was still light in the room, courtesy of the faelight, neither of them felt comfortable in a pitch-black room since the cauldron.
Feyre just grumbled something unintelligible under her breath at that as she settled in next to her sister, pressing up against Eira.
Eira smiled a little and shuffled on the bed, gently wrapping her arms around Feyre when the latter snuggled close, burying her face against her neck.
"Nyx seems to think that Ra Ra gives the best cuddles. I need some of those," she said, making Eira giggle.Ā
"Of course he does," Eira said, pulling her sister even closer. "Ra Ra is an excellent cuddler."
Feyre bit back the laughter so as not to wake Nesta and caught Eira's hand in hers. "How are you feeling?"
Eira just hummed, trying to figure out the best way to answer that question and finding it far more complicated than it should be.
"I feel...." she started, letting out a long breath as she thought about it. "I feel...I feel better. Still hurt. I don't think that will go away any time soon...but...better."
Feyre nodded slowly as if she had expected the answer.
"I can understand that," Feyre said, playing with her hand and then froze. "Eira, did you make a bargain?"
Eira blinked at the question, a pit opening in her stomach.
"A...a bargain?" she echoed numbly, and Feyre raised an eyebrow at her.
"Yes. A bargain," Feyre said, and tugged her hand up, so Eira could see Right there wrapped around the ring finger of her left hand, right where a wedding ring would sit, was a thin black band. Just that it wasn't a band. It was a bargain marking.
Eira stared at it numbly, and for a second, she just stared at it, feeling like she couldn't get any air into her lungs.
The bargain marking was wrapped around her finger, and the only person it could have come from was...
Azriel.
Her mate. That...that was her mate's bargain marking wrapped around her finger.
"Eira...?"
Some part of her was suddenly very glad that Feyre was there with her, because her sister's voice was the only thing that was keeping her at all grounded, and it took several long, shaky, breaths before she could force words out of her suddenly very tight throat.
"Y-yes, I...I made a b-bargain," Eira whispered.
"Accidentally, wasn't it?" Nesta said suddenly turning around. "You two can never manage to be quiet," she mumbled with a yawn. "What are the terms?"
"Yes, accidentally," Eira admitted, and Nesta nodded.
"Thought so," she said dryly, her voice only slightly slurred with sleep. "And the terms?"
Eira swallowed again.
"That I would come to him if I...whenever I have a bad day. The same goes for him."
That seemed to get the attention of both of her younger sisters, Feyre tensing against her and even Nesta's eyes grew a little wider.
"That's...a very loose bargain," Feyre said slowly, and Eira nodded.
"It...it was," she said, "It wasn't on purpose. It was just...just a promise."
"What exactly does it meanĀ when you have a bad day?" Nesta asked her evenly.
Eira opened her mouth to answer but suddenly found that she really, really didnāt want to tell her sisters about the complete breakdown she had had earlier.
"Just.." she mumbled after a moment. "Bad."
Nesta's gaze sharpened.
"What does that mean,Ā bad?" she demanded, the tone leaving no room for arguing.
Eira swallowed again, the fear of the consequences if she told her sisters suddenly growing inside of her.
"T-tired. Like everything is too much." she said, her voice breaking just a little bit as the memory of how much she had cried suddenly crashed down on her, "Or-or I...remember things. Like...like the war," she managed. "And I...I don't feel good. I feel...I feel like I did...after the cauldron. Everything is overwhelming. Everything hurts. I just want it all to stop."
Feyre's arms tightened around her, and Nesta's eyes grew very, very sharp.
"Do you...do you ever...try to hurt yourself?" Nesta asked softly, not quite managing to keep the concern out of her voice.
Eira's eyes widened at that, and she swallowed, shaking her head violently.
"Not...Not anymore," she whispered.
The concern in Nesta's eyes only grew, and she let out a small, shaky breath. "But you...you did?" she asked softly.
Eira just nodded silently, her voice having gone too weak to even speak.Ā "Afte the cauldron...I...used to...sometimes I bit my mouth bloody. Not on purpose!" she assured her sisters. "I just...If I didn't, I was going to be too loud. And I pulled on my hair and my ears but it wasn't..."
A long, long moment of heavy, tension-filled silence fell as Eira spoke, and she bit her lip to keep herself from crying again.
Until Feyre suddenly spoke again, her voice very, very low and very angry.
"How often? How often are your bad days?"
"Not...not often," Eira mumbled, closing her eyes again, because she could literally feel the anger emanating off of Feyre, her normally gentle sister holding onto her tight with a grip that bordered on pain. "And it's really not that bad," she tried to assure them both. "Really. I...I..It's gotten better. The shadows keep me company now when I have nightmares and then it's not..."
"How.Ā Often?" Feyre demanded, her tone leaving no room for arguing. Eira had never, ever, heard her sister use that tone of voice.
"I don't know," she whispered, the words falling out of her mouth seemingly on their own. "A couple of times a month? It used to be more. After the war, it was nearly every day."
A sharp, sharp intake of breath came from Feyre, who pressed closer to her as if trying to keep her from disappearing.
"You...You never told us," Feyre breathed out, and it was clear how hard it was for her not to just...break down and cry.Ā "Why...why didn't you come to us?" Feyre questioned gently, and Eira closed her eyes, feeling herself tearing up at the broken tone in Feyre's voice.
And that...that just made it worse. Her sisters...they were her sisters. She was supposed to tell them when things were bad when she had a bad day. She was supposed to tell them.
"I...I didn't want to worry you," she whispered, and Feyre let out a shaky breath.
"It's our job to worry about you, you idiot," Feyre whispered, pulling her closer and wrapping her arms around her tightly. "You're supposed to tell us," Feyre muttered against her shoulder. "You're supposed to come and find us and we're supposed to hug you and comfort you."
A soft huff came from Nesta, and suddenly one of her hands gently stroked over her hair.
"Next time you have a bad day," Nesta said, tone leaving no room for arguing, "You tell us. Do you understand?"
"I am pretty sure I am supposed to tell Azriel," she protested weakly.
"You can tell him along with us," Feyre said firmly, gently tugging on her hair. "No keeping secrets from your family."
"Absolutely no keeping secrets from us," Nesta agreed. "If we find out you've had a bad day and haven't told us, I'll drag you to training with me."
Eira huffed out a weak chuckle at that because that was a very real threat if Nesta said it. There was no doubt in her mind that her sister would actually make her train with her until she dropped.
"You didn't come to us either," she told Nesta weakly.
"It doesn't matter," Nesta simply said, and her lips tugged into a small smile. "We're changing that now."
"We are," Feyre agreed, and her arms tightened around Eira again. "No more shutting us out. We're sisters. We deal with things together."
Eira let out a shaky breath, and a couple of tears fell down her cheeks as both Feyre and Nesta drew their bodies closer, enveloping her in their arms.
For a long, long moment, the three of them just lay there, soaking in each other's presence and Eira felt herself feeling...safe. Safe and loved.
"There better not be any more secrets," Feyre whispered after they had just laid there for a while, and Eira huffed out a small, dry chuckle.
"I don't have any more secrets," she mumbled, and Nesta let out a low scoff.
"Liar," Nesta told her, but there was no heat behind her words.
"I don't," Eira protested and felt Feyre's hands tighten around her.
"Don't worry," Feyre whispered soothingly, "if you don't have any now, you'll probably have more later," she said with a small smirk, and Eira groaned.
"That's not reassuring," she muttered, making Feyre laugh.
"Ah, but I imagine you'll have some secrets with Azriel eventually," Nesta teased her.
Eira's mouth dropped open at that, and her eyes went wide as a blush started up her cheeks. "I-I- you-"
Feyre snickered but was immediately interrupted by Nesta, who continued to speak, her tone as dry as a desert.
"Please, I don't need to a Seer to know that you two will be hiding quite a few things from us eventually," she said, and Eira suddenly wanted to bury her face against a pillow and die.
"Nesta," Eira protested weakly, but her sister just continued, and this time Feyre had clearly lost the fight against not laughing at her.
"Probably quite a few things at night," Nesta mused, and a strangled squeak came from Eira's mouth as Feyre cackled and her blush turned hotter.
"Can we...can we not...talk about this?" Eira protested, shoving her flushed face into a pillow. "Please?" she mumbled against it.
"Oh, come on," Feyre protested, "Donāt be such a prude about it! It's completely normal!"
Between a married couple! Not betweenā¦Not in a courtship!
Notā¦
"And I won't have my sister have anythingĀ butĀ exceptional treatment from a male," Feyre said with a twinkling in her eyes.
āI-I-" Eiran tried to say something at that but found that her tongue had completely failed her.Ā ExceptionalĀ treatment from a male...that was...what even meant that?
She hid her flaming face into the pillow again.
"Is he a good kisser?" Nesta asked, sounding curious. "Have you kissed?"
"I'm not answering that," Eira said firmly, her voice sounding very muffled as she kept her face pressed against the pillow. Feyre let out a soft snort.
"Oh, she'sĀ definitelyĀ kissed him," she said with a snicker as Eira made another protesting sound against the pillow.
"Has it been multiple times?" Nesta inquired, the words sending a jolt ofĀ somethingĀ down Eira's spine, and Feyre let out another snicker.
"At least two," Feyre told her.
Eira made another strangled sound into the pillow because her sisters were not having this conversation. She was not having this conversation. This couldn't be happening.
āAnd have you done anything else?ā Feyre asked her, her voice sounding amused, and Eira's head jerked up from the pillow almost comically fast.
"W-what?! N-no, of course not," she sputtered, her eyes wide and the blush on her cheeks very, very red.
"We aren't in the human lands," Feyre said with a shrug. "If two want more...well, then that's something that's between the two of you."
Maybe that was like it was in Prythian...but it wasn't ...it wasn't what Eira had...what Eira had...She had always been....she had always...Some things belonged in theĀ marriage bed.
Some things were supposed to be between a wife and her husband.Ā
"We-" Eira protested, sputtering for words again and trying to say something, anything, to distract them from the path this conversation was going, but found her brain entirely empty.
She had been taught...
"I...I-" she tried again, but her tongue would not make it past the lump forming in her throat. There were rules. There were rules for this.
"We aren't married," she whispered. They weren't married.
Those words went through her like thunder, making her swallow heavily. If they hadn't been married...well it meant that...it meant that everything that she had been taught growing up was...
That they were...they were allowed to...to do more than...
A shudder went through her at the implications of that realization, and Feyre's eyes were on her carefully, quietly studying her expression.
She had always been taught...she had been taught that everything that could be done with a man belonged in the marriage bed. That it was...impure to...to want to do such things.
"You don'tĀ haveĀ to do anything," Feyre told her quickly. "Azriel would never force you, you know that, right?"
"Yeah," Eira mumbled, and it came out more weakly than she would have liked. Because she did know that. She knew that, logically.
But a small part of her...a small part of her that had grown up being taught these things was...was terrified.
"What are you worried about?" Nesta asked her suddenly, and Eira's head jerked to her.
"W-what?" she stuttered again, and Nesta raised an eyebrow at her. "You clearly have something on your mind," she said evenly. "Something that has you terrified. What are you worried about?"
"I...I..." Eira mumbled, and her face burned red again. There was no way in hell she was telling them that. "It's nothing," she mumbled, but neither of her sisters looked convinced.
"Liar," Nesta said bluntly, and Eira flinched.
"That's not true, I'm-" she protested weakly, but her voice cut out when Nesta frowned at her. Oh, Gods "I'm...I'm just...worried that....I want...I don't-...What if he doesn't want me like that?" she suddenly stuttered and pressed her face again into the pillow.
There was a beat of stunned silence after she spoke, and suddenly Feyre snorted.
"Oh, you have no idea how much that male wants you," she said, a wicked grin on her lips.
"He would kill to have you," Nesta agreed, and Eira could practically hear the smirk in her voice "But only when you're ready, of course"
#acotar fanfiction#azriel x oc#azriel x reader#azriel fanfiction#azriel fanfic#Azriel x Archeron!Reader#the prophecy#Looked to the sky
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