#triangular pose

[raven-at-the-writing-desk]

🎃nightmare suit groovies~🎃

***Spoilers below the cut!! Please note: The R cards (Azul, Epel, Vil, Malleus) do not have new illustrations.***

OH MY GOD STOOOOP 😭 NIGHTMARE BEFORE CHRISTMAS CHARACTER CAMEOS IN THE GROOVIES??? ?? ?????? ??!???!? ?? ??? YOU MIGHT AS GFWELL WALK RIGHT UP TO ME AND IRiP MY FRIGIGN HEART OT RIGHT NOW

wWAHASL,ADFJHHDUPGFFI42T69O38QGPEGBIP;DGN;GDN;J J WORD SQUASHED U P IN THE AMYOR'S LITTLE CAR.. . . ....... . . . ... . . .. . ...... . . . OTL With the hair pushed back like that, teeth out, and eyes lidded, Jade almost looks like Floyd here. I THPOGU TI WOULDN'T BE sURIRPISED BY HIS SMIELS ANYMORE BUT I GUESS SI AWAS WRONG... This smile's very different than his unhinged/suspicious/evil ones and his pure ones, it's charming but more on the relaxed side. I also noticed the teeth are wider than usual (again, very Floyd-like), Jade's are narrower/smaller.

I like Trey's Groovy a ton! A lot more than I thought I would, actually. The blueish lighting and him looming over Sally's pot reminds me of his Club Wear card. ahdbasdlai There's also a slight sheen to his eyes, so Trey comes off like he's fascinated by her cooking and wants to learn more about Sally's techniques. He looks slightly shady too though, like some drug dealer inspecting the goods...

FHLBOQYW8QYFAFWI LRIDDLE'S RIDING IN THE CURSED CHILDREN'S BATHTUB... It's a little terrifying how hyperdetailed Lock, Shock, and Barrel's faces are and how they're all staring right at the camera. Riddle seems so calm, glancing at you over his shoulder with a little smirk. I usually don't use this adjective for him, but it makes Riddle feel cool! And since the image is shot from a slight worm's eye view angle, it gives him the illusion of being taller than he actually is--

Go figure, you slap the mad scientist character with the mad scientist of Halloween Town. Perfect pairing, honestly. I get very similar vibes between Idia and Dr. Finkelstein as I did with Trey and Sally; Idia is showing a real interest in the good (?) doctor's work and they appear to be deep in a discussion about it. The way Idia is bending over the table adgvkadsdval it kinda gives his body a more... triangular shape... that I just KNOW bro doesn't actually have. His face here seems more elegant than usual, almost Vil-like.

Thanks for the uncalled for viewing of the underside of your boot, Sebek 💀asjldboaysvyfevfeq I CAN'T DEAL WITH THIS, he's trying so hard to come off as intimidating but I cannot see him as "the boss", even if he is posed like one. Give that jack 'o lantern some credit though, it sure is doing a fine job of supporting Sebek's big ol' beefy arm. Jack Skellington in the back is also sending me... Is he supposed to be intimidating??? That positioning just makes me think of someone leaning against a doorframe and trying to flirt by calling you their babygirl. GHBLIABFYIABFIAF ANYWAY I DON'T THINK THIS GROOVY WAS FOR ME

... wHAT THEFUCK. That was NOT what I expected of Jamil's Groovy. First was the weird pumpkin stroking, now bro's dancing with skeletons?????? IS THIS JUST WHAT HAPPENS WHEN YOU'REEMOTIONALLY REPREssED YOUR ENTIRE LIFE... YOU POP OFF AND DO THE MOST OUT OF PocKET THINGS FOR FUNSIES?????? Jamil looks so smug as he's doing it too, it feels like he's shittalking you like a Mean Girl while he's busting a sick dance move. (Cameo: his toof) Jack in the background also looks the most sinister of all the SSRs. That combination of laughter and showing off his teeth... Unsettling.

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waht the hell. What HTBbr heLL. WHAT THE ACUTLA EHLLMIS THIIISISISISISSJISISISSSZ>/>?????w?f>fwlwkwfkfwjfwjkqljirtfyqnNOEGWOQG.,P57KIRJEI0RW08J:????>f>>fw>f>fw<wf<q>:q?q>v?v?v?v??gogibopobfuiibadh wnethuhw

WHYT THEUFKC FDUCC DOES THIS SLAP SO HARFZD OTL

ADSHJFIAGVTFVUOQEFVUBKQDWLGYQERGYOQF evyEROYNTHING AB OITU T THIS IS JSUT.... AKJBFLIUHADFIADFLF RIGHT UP MY lallEY... The extreme bird's eye view angle????? Jack with his arms crossed and that skeletal smirk??? Zero's little duck beak-shaped mouth?? The eerie green glow emanating from the fountain water below them? NLBVHDSKIUEGFABOGVSAEFYIPodp D nad HE WHOS HALL NOT BE NAMED V,NJ DBIOADFVIYOADFOTVFE8AYPFIEGWOBPFQEBOVGWIPEGBSNMVPOADVBN;DDBK;RWHOUGWBIQEPGNJQEG TH wE WHAYT THE FUCKCING ANGLR FRAMES HIS TITS AND MAKES HIS LEGS LOOKN EXTRA LONG, THE GRIBGKDJULBADFLBAFD CAPE WSWISHinG EVEYRWHERE, THe LIGHTONIGF FON HIS AHDNNEOMS E DAFACE, THE FUIDFSLBDFBKHAEFLBHQEFALBFEAL FA HADN TTHE FEGRIIGGING HAND HE'S OVFFERINGF TO YOU7? ? ???????? ? ?b?@??gb ? ? ? ? ? ?b>b>KNBNRIOBIGEBOYVDOGY8EANOapnjbgywt80pboqegwp,m iS THIS FUCKING BITCH ASKING FOR OUR HAND??? ? ?? ?? ?DOOahaaHAHhhghghghhghhgHHHHHhhhHHHHARRHRHGHGHGHGHHHHGHGHGHGHHHHHH HH H HHHH H H H H H I WANNNA bE SANDED TO BE PUT ouT OF MY MiSERY, I'M TAKING SO JCMUCH PSYCHICHDAMAG E I CAN'T TAKE IT I';N M GOINC CGATRAZXY. .. . . .BVL;,DFIPTOTO OT LTLTKT FLFL BHIVUASFOVUAFSA

gGUSY I THINK TI',M GDON E FOR, IT'S LEoVER FOR ME I SPENT SO LONG DENYRINH IT I DIDN'T WANNA ADMITR IT FOR MY OWN PRIDE BUT I'M DONE fRO I'M A GONRER BYE IT'S JFDAUBIADGOVUAFODUTVEFTI7EFWOIAVD;LIVOYGPGWEFQOIGYEQPgkjd TIUFQETO3R1QEFOTFQEG.5OIMH903GW9UPBAfpjFOVHDN;./'[;,KP[K,[LN,,L>:c<<l:LBHIDABIOUFPAOYGVEQBFPGWBPGHLGWBPQEFPGIAE whnEN YOU YSEE ME DNEXT I'M OGNNA BE LAid OUT IN A PIUMPKING PATCH DECATINGF CUZ THSI GROOVFY KILELD ME

[trulyumai]

planting chaos

pairing: Stanford Pines / Reader (+Infatuated Bill Cipher)

synopsis: Bill cypher and Ford are buddies, right? And what kind of buddy wouldn’t enter inside their pals mind and kind, of maybe, well… fall in love with their special buddies significant other!? Ha!

warnings: none!

a/n: This was a request, thank you anonymous!

Chapter One: Oh Great Eye o’ Mine!

Gravity Falls was eerily quiet, save for the rustling of leaves and the distant sound of water flowing in the stream. In the shadows, a figure stood out—an odd triangular shape with a single eye, casually perched on a branch. Bill Cipher had found himself unusually fascinated with the mind of one Stanford Pines, the brilliant but guarded scientist. As he dug deeper into Ford’s psyche, he stumbled upon a hidden gem—a thought, a feeling, a name: you.

He had seen you around the Pines’ household, quiet and often retreating into the safety of your own thoughts. You were the type to fade into the background, unnoticed yet undeniably present. Bill couldn't resist the thrill of a challenge. With a grin, he dove into Ford's mind, the connection growing stronger as he navigated through memories and emotions.

—————————————

Your first real encounter with Bill came on a chilly evening. You were sitting alone on the porch, reading a book, when the air shimmered and twisted. Suddenly, Bill appeared before you, his form vibrant and unsettling.

"Well, well, what do we have here?" he said, tilting his head with a mischievous smile. "A shy little butterfly trapped in a web of words. How quaint!"

You jumped, nearly dropping your book. “What do you want?” Your voice was barely a whisper, laced with fear.

“Want? Oh, darling, I just wanted to meet the intriguing mind that’s been wandering around Ford’s thoughts!” His tone was playful, but there was an edge of something deeper—curiosity.

Days turned into weeks, and Bill began visiting you more often. At first, he was a chaotic force in your life, bringing an unpredictable energy that both frightened and fascinated you. He would often joke about your timid nature, but there was a softness in his gaze when he looked at you.

“Why do you hide in the shadows?” he asked one evening, floating beside you as you sat on the porch. “You’ve got such potential! So much to offer!”

You sighed, feeling exposed under his intense gaze. “It’s just… easier to blend in. No stresses, no expectations. People don’t see me and that’s okay.”

“But I see you,” he insisted, a genuine sincerity lacing his playful demeanor. “And I like what I see. You’ve got real spark, Kiddo!” He twirled a shadowed hand before continuing.

“So much untapped talent waiting to be broken into!”

You couldn’t help but blush at his words, a mixture of flattery and confusion swirling within you. As the days passed, you found yourself looking forward to his visits, despite the chaos he embodied.

——————————————————

As Bill became a constant presence in your life, you opened up to him in ways you hadn’t anticipated. You shared your dreams, your fears, and even your thoughts on Ford’s experiments. Bill, in return, revealed fragments of his own existence—his chaotic nature, his longing for connection, and, surprisingly, his loneliness.

“Even a demon needs a friend,” he said one night, his tone shifting from teasing to sincere. “And you, my dear, are the most fascinating being I’ve encountered.”

You could feel your heart race. “I’m just… me. Why would you want to be friends with someone like me?”

“Because you’re different. You see the world through a lens that’s uniquely your own. That’s rare and delightful,” he replied, floating closer, his eyes glinting with mischief yet softened by warmth.

As your connection deepened, Ford’s paranoia began to grow. He sensed something amiss with Bill’s presence around you and his mind. Late one night, Ford confronted Bill, accusing him of manipulating you.

“Stay away from her, Bill! She doesn’t understand the danger you pose!” Ford’s voice was sharp, filled with protective anger.

Bill simply laughed, unfazed. “Oh, Ford, you worry too much! She’s not just a pawn in my game. She’s special.” His eyes flickered toward you, who stood off to the side, uncertain.

Feeling cornered, Ford’s protective instincts kicked in, and he attempted to sever the connection Bill had forged with you. “You need to leave. Now.”

The tension reached a breaking point. Ford attempted to trap Bill, hoping to contain him once and for all. But in the chaos, Bill turned on Ford with a predatory grin.

“Did you really think you could control me?” he taunted, the air crackling with his energy. “You’re the one who’s been playing with fire!”

You watched in horror as Ford’s plan unraveled, but in the midst of the chaos, Bill’s gaze met yours. There was an intensity there, a desperation that tugged at your heart.

“Join me, won’t you?” he said, a wild glint in his eye. “Let’s make our own destiny! You could be my right-hand gal, and we’d be unstoppable!”

The words echoed in your mind as the battle raged on. Part of you was terrified by the implications, yet another part—one that had slowly grown fond of the chaos Bill represented—was intrigued.

“Bill, wait!” you shouted, stepping forward. “This isn’t what I wanted! You can’t just hurt him!”

Bill’s expression softened slightly, the chaos around him fading for a moment. “I don’t want to hurt you, my dear. I want to show you a world beyond the ordinary—a place where you can truly shine.”

But you were torn. Ford had been a protector, a lover… he had trusted you. “I… I can’t just abandon him,” you murmured, glancing back at Ford.

“Then you’ll always be stuck in the shadows,” Bill replied, frustration mingling with a hint of pleading in his voice. “You could be so much more with me! I can help you break free from your fears.”

In that moment, everything shifted. You took a deep breath, feeling the weight of your decision pressing down on you. “I won’t choose chaos over what’s right. I won’t let fear dictate my life anymore.”

Bill’s expression darkened, frustration boiling over. “You’re making a mistake! You could have everything!” His voice was laced with desperation, but you stood firm.

“I don’t want everything if it means hurting someone I care about,” you said, your heart pounding. “You may think chaos is freedom, but it’s not worth losing my humanity over.”

With that, you turned away from Bill, stepping closer to Ford. The atmosphere shifted, and you could sense the tension between the two powerful beings. Bill’s laughter echoed, but there was an edge of sorrow in it.

——-—————

The battle reached a climax, and Ford managed to contain Bill, pushing him back into the dimensional rift he had come from. As the rift closed, you felt a pang of regret. You had chosen loyalty over chaos, but the glimpse of what could have been lingered in your heart.

In the days that followed, you struggled with the aftermath. Ford recognized the toll it had taken on you. “You did well, standing up for what you believed in,” he said, his voice softened by understanding. “But it’s okay to feel conflicted about Bill.”

“I just wish he could have seen things differently,” you replied, looking up at the stars that twinkled above. “There was something in him that… wanted connection.”

Ford nodded, a thoughtful expression crossing his face. “He’s a complex being. But you chose wisely, and that’s what matters, sweetheart.

Though Bill was gone, you felt a lingering sense of connection, an echo of his chaotic spirit within you. You resolved to embrace your own uniqueness, finding strength in your individuality.

Days turned into weeks, and as the summer began to wane, you found a new purpose. Ford encouraged you to explore your own talents, and you began to step out of the shadows, slowly finding your voice.

But at night, as you lay in bed, you couldn’t shake the feeling that Bill was still watching. Perhaps he would always be a part of your story, a reminder of the chaos you had chosen to resist.

And somewhere in the depths of the multiverse, Bill Cipher smirked, knowing that even in defeat, he had planted a seed of chaos in your heart—one that would never truly fade away.

[crows-in-the-house]

matching Bill's freak brainrot

guys guys just listen, ok, like, Bill giving somebody dead stuff?? Best thing ever.

Idk about you but I really like to draw dead animals, like birds, fish or bugs. If he would get me a bag of dead rats and arrenge them in my name I would swoon over this man in no time. Like, they are still fresh?? And he possesed all of them just so they spell my name? In one night? It took time and effort guys, u just don't get it. Now scooch, I need to draw (maybe he would pose for me too?)

Ooooh and deer teeth?? Like girl pls, we can make matching bracelets or necklaces out of this!! No shop sells that! Isn't that an unique gift? No? Well then what about your mortal enemys head? Who would ever be so creative and romantic to give you something like that? Well, obviously, Bill.

And what if he makes me a bowl of worms instead of cereal? Well, at least he tried! How is he supposed to know humans don't eat those, he isn't one! And all that bug eating advertisments on earth don't make it easier!

Talking abt not being a human - I just need him to describe the colors my brain can't see! What do you mean you can see ultraviolet!! You just have to explain how it looks in nature and where can i find it. Hyperbeige? Ok now i hate my human body too. Fuck it, lets make a deal, he gets to posses me and I get to float unnoticed and stalk ppl around. Will I regret it? Maybe. But look how cutey my boy is laughing!

I bet he would be full of ideas of what to draw. Obviously, such a muse would inspire to make great art on every topic and in every medium! Like drawing him in all angles, paintng skies with stars and planets out of our world, making poems of how triangular piramids and mountains are, writting, well, weird equations of something looking like a portal, but hey, it looks pretty! Oh and sculpting organs, photographing the unknown! A great help to those with artblock!

I just wanna bite him, i cant

[peridots-pixiwolf]

[Start ID. A redraw of the official icons of the ten named slugcats from Rain World, arranged in two rows: Survivor, Monk, Hunter, Nightcat, and Gourmand in the first, Artificer, Rivulet, Spearmaster, Saint and Enot/Inv in the second. Each is drawn in roughly the same pose as in the original art and fitted with speculative interpretations of their biology, and the second image is a “dead” version of this. For example, all ten have slug-like rhinophores in place of ears, cuttlefish-like colorful eyes with strangely-shaped pupils, cephalopod-like beak "teeth", expressive barbels or oral tentacles at the corners of mouths, spiny radulas, and the frilly mantle fringes of sea slugs, though otherwise their faces are squishy, simple and mammalian-shaped.

Cream-colored Survivor and yellow Monk both share triangular, bicolored spots matching their eyes (which are tan and brown, and two shades of blue, respectively), small, bumpy fringes, and relatively neutral looks on their faces. Defensive-looking Hunter is mostly a dull orange-pink, though their blobby fringe is a more violent red and their back is purple and marred with lumps. Nightcat is navy blue and flecked with dots of yellow and teal, their rolled rhinophores are a lighter blue, and their shading fractures into stars in some places. Gourmand is almost uniformly tan, their wide, very ruffly white mantle fringe bordered by a spray of white spots, and their beak sticks out from either corner of their smile. Primarily red Artificer, snarling, has yellow markings of multiple sorts, a prominent yellow dewlap and their characteristic dark scar taking out a chunk of its face. Rivulet is a darker blue than usual, with long barbels, red gills and rings, countershading, and a cheerful expression, sticking out their radula. Spearmaster is purple with orange accents, eyes and spots, a large fringe and spines down their back. Saint’s green caryophyllidia are marked by small, yellow diamonds, and their long, thin radula extends far below them. Enot is decorated with mottled red stripes, blue patches, yellow stars, and an uneven and almost cartoonish imitation of blush, though generally the same deep blue as Nightcat, a passive or almost slightly smug look on their face and their rolled rhinophores out to either side.

In the second image, nine of the slugcats’ eyes are crossed out, indicating that these are death icons. They look fairly the same, with mostly expression differences. Survivor is caught in the beginning of a threat display, a karma flower sprouts from Monk’s side, Hunter is burdened with overgrowing, purple and blue rot, Nightcat’s rhinophores are pinned back, and Gourmand looks mildly disheartened. For the final row, Artificer bites its radula between small plumes of smoke, Rivulet drops their expression, Spearmaster looks very startled, Saint looks almost entirely the same besides half-open eyes and their markings greater in number, and Enot grins confusedly. End ID]

If you'll excuse the unusually lengthy ID: the arena meme introduced by @pansear-doodles at long last after a nearly year-long wip status (or, rather, finished a month ago today to honor my own first time playing it!)

Design notes and shout-outs under cut! :]

The following people are some of those who’ve inspired my designs most since I started this eight months ago (or just inspired me to get a little weirder with slugcat biology), among many others for sure, and I thank them for it–but this is simply to bring attention to artists I find cool, and in no way an obligation to interact or anything :]

> @saturncoyote , @carpsoup , @charseraph , @gallusgalluss , @bitsbug , @dopscratch , and @0hmanit (and a special mention to dddeerbo and hunterlonglegs, who’ve since deactivated)!

Survivor: Surprisingly the hardest to pin down the colors for, since nothing with its sibling's palette seemed to match up right (I did have to add in a little blue somewhere for Monk, the beginning of making it clear how much I’m simply going based off of vibes for the colors of scug innards). I consider them, Monk and Gourmand to be part of the same gene pool of slugcats, and even possibly the same colony even if the latter isn't really related, so took a bit of Gourmand's coloring and fit them in with their inspiration: Goniobranchus verrieri. They serve as a bit of an introduction to my ideas of scug traits (i find it really fun how many people have thought to add so many silly sluglike fixtures of biology completely independent of me, buuut here I’m mostly talking about species variation), and like in-game they’re pretty average! They, Monk and Hunter have a couple scars sourced from a piece of Joar's concept art that I'm failing to find, those across the bridge of the nose, under the eyes, and across the rhinophores, respectively, and my Survivor interpretation features many on the back of the neck, as a result of survived lizard bites.

Monk: Their coloring is primarily based off the fact that I associate them with blue fruits, honestly, a bit because I was compelled to establish a familiarity with Rivulet, and lastly inspired by the spots of Goniobranchus kuniei (and geminus, less important to me as one of my characters is a kuniei instead, but more fitting). Between the yellow + blue and the circular marking in the center of their face, they’re meant to bear a little resemblance to an iterator that shares similarities with the characterization I’ve given them, and similar coding of her sibling can be seen on Survivor’s markings around the eyes. As both a “default” slugcat and one whose campaign I haven’t played, though, I can’t say I have much more to point out about em.

Hunter: The whole rot thing made for a really fun time drawing them, and while the color change on their back is a result of this, it’s also an excuse to relate them to Babakina festiva, arguably my favorite sea slug (mostly for sentimental purposes). And to Spearmaster, a fellow messenger slugcat, and it serves as a gradient between Hunter’s pink and the “traditional” color of Rot seen in the DLLs. Aside from their affliction, they’d actually be the plainest in terms of design, as they don’t have any patterns or quirks of body type, just the red + purple and strange lumps + possible malnutrition. I can’t remember if NSH had created them in particular or just...caught + released or something, but it probably wouldn’t be strange for a lab-grown slugcat to be simple like that.

Gourmand: Like the two above, they’re rather plain in terms of coloring and adaptation, and like the two above, I find that fun. I decided it would be nice to avert the “all slugcats being of the same body type, and Gourmand’s out of place as the exception” thing by just...adding more fat to all of them, really. I did want to emphasize their sheer bulk even so, both fat and muscular (not like I couldn’t have still gone further with it, of course, but slugcat anatomy can be a little obfuscating sometimes, and they were intended to look rather plush considering personal size headcanons and therefore the lack of proper gravity), and the thick and flounced mantle looked like a good addition, as per their sea slug Glossodoris hikuerensis. Unlike Survivor and Monk, I didn’t attempt to hold their resemblance to any particular other character (which means a little less to balance out the “default gene pool” thing), so those are all the design notes I have for em.

Artificer: The second slugcat I’ve ever played, or finished the campaign of, my favorite for at least a long time, and the first thing I did was give them yellow accents, the shape of which have troubled me slightly (not quite like the spots or stripes of the others). They’re both a little more appealing and more explosive-looking to me, and considering how early on I played Arti, actually present in some of my older art. It does give them a little resemblance to Saint (completely intentional, two slugcats with strange relations to karma), as well as the fact that its radula is green for familiarity with one of its children (at some point it was going to have all-green markings, even!). I’m generous with their scars, partly because it was fun to overemphasize the one on their face and partly because it does seem like a reckless slugcat, on top of the dangers of its explosive abilities–I’ll probably just keep adding more forever. Mostly-red sea slugs aren’t too common, but Hexabranchus sanguineus works for sure. The ridged, yellow dewlap can expand for combustion purposes, or something along those lines. Arti’s where I began experimenting with a lot of the mildly-offkilter features seen in my interpretation of slugcats, as they’ve once again been a favorite from the start.

Rivulet: I've obviously given other slugcats spots, deeply enjoy the bubbly-soda markings of other peoples' slugcats, and thought seal riv would be cute. Despite not too closely resembling it, they've been government-assigned Hypselodoris bennetti, for color reasons and for a couple sentimental ones. Originally, the colors of every scug were meant to match up with the custom colors I gave them at the beginning of their campaigns, (though Arti, Gourm and Spearmy are the only three who actually apply here, since I've only played through half the slugcats: I gave arti the yellow as mentioned above, gourm brown eyes and spearmy light pink spears, furthered by the outskirts pearl accompanying me and that palette all the way to moon. Tolerance training for eternity in hell cause I already knew about the maroon pearl quest). I initially gave them the colors of the bi flag for fun... but with the limited palette of this image, I was left without pink for a while and decided to see how they'd look in red. I then realized how they now wonderfully matched Moon, and besides, red's a sort of camouflage in deep water! As a side-note, the difference between their eyes and those of others always bothered me a little for anatomical purposes, and the cephalopod eyes were probably influenced by this!

Spearmaster: Inspired as much as possible by @notyourfunnyman ’s wonderful spearmy: designed in a way that helps it fit in with scavengers, at least between the long sensory tentacles, big ruff, back spines and slightly thin/distended anatomy, a form of defensive mimicry. I always had annulate rhinophores in mind, for a little diversity sure, but mostly because the shape reminds me of radio antennae and communication towers (seems fitting for the comms array and being a messenger slugcat)! I started searching for a real-life slug to give them just by looking up their rhinophore shape...and was met immediately and coincidentally with annulate-topped nudibranchs that fit them more perfectly than I could've imagined: Flabellina and surrounding clades, I think Paraflabellina ischitana works very nicely. The orange was completely unplanned, but there wasn’t a place for light pink among the other slugcats’ palettes, and importantly it likens them to both Hunter and Seven Red Suns a little more.

Saint: I am very much a non-furred slugcat enjoyer, with respect to those who aren’t, so figuring out the only visibly furred slugcat was an interesting challenge. I’ve decided that they likely have other, milder adaptations for help in the cold, mainly just more efficient fat storage, and what looks vaguely like fur is instead a bunch of tubercles (called caryophillia, for the second reminder out of three). Their inspiration doesn’t have these, however, Miamira sinuata’s numerous yellow and blue spots (not to mention...whatever’s going on with that shape) and general effect of being the only really green nudibranch I could find were probably perfect for a strange green echo. Not pictured, but their beak-teeth are tiny and flat to make a surface for grinding soft food against with the lack of a functioning radula, which is tipped with a specialized spiny “grapple-hook” for better traction/grip (not to mention the numerous little teeth running down the whole thing).

(Best part of hiding this under a readmore means edits will be seen by all reblogs, I'm mostly sure, because I completely forgot to mention! The spots on their forehead are simple eyes. Their camera eyes appear closed in-game, I like to believe their complex eyesight is rather poor anyways or otherwise reason that they aren't seeing out of those, and while this was far from her REASON for attunement with the world, it does help compensate for mainly viewing it through a canvas of simple light and dark. This, and the fact that their swapped-out "fur" is not only to commit to a lack of hairs but contributes to sensory input!)

Nightcat/Enot: I guess you could say I found the “these two are technically the same person” compelling. (E.g. similar colors, both very strange and enigmatic, and Enot/Inv/Sofanthiel’s remark during the dating sim about getting removed from Arena Mode.) I doubt they’re the only two slugcats in their body, considering humans with DID tend to have more than a few (and I find it very funny that a slugcat bearing resemblance to Nightcat appears in Gourmand’s ending. They’re allowed in the colony and Enot isn’t </3), and I have to credit @faelingdraws ’s art for being what convinced me on it! Their design inspirations come down to trying to balance a few different ideas: making the patterns and palettes of both look oddly similar (special mention to the stars, since those are fun to draw), basing them off of Felimare sechurana and juliae respectively, using blocks of color with the same placement as in Enot’s official art, and specifically making Enot look...biologically reasonable and imperfect, whilst also clearly trying to imitate human displays of emotion (what with...the eyes and blush on that one piece of official art).

Lastly, here’s just a lineup with notes on body shape and size. Most of the nicknames (existing to give a little more space, that’s all) are obvious, and while I can’t remember why I shortened Nightcat to Nox, it is in honor of my friend by the same nickname :]

[horseimagebarn]

horse standing in between two red barns the horse is covered completely except its legs mouth and eyes in a bright green dinosaur costume that bears bright yellow extremely triangular spikes all along the back the horse seems unfazed and its striking a pose in its delightful costume

[bookofthegear]

Aha! That statue is from the Vinča culture of Eastern Europe—you’d know it anywhere! Protruding almond-shaped eyes, the nose elongated until it almost forms a muzzle, posed with short, stylized arms held stiffly out to the sides…yep, classic Vinča. (Assuming 7000 years old is “classic.” Might be “vintage.” Or “heirloom,” you can’t remember.)

You can’t tell off hand if the statue is a genuine Neolithic artifact or just a good reproduction. It’s pretty well intact though, made of terracotta and stands about eight inches high. Appears to be female, with two small holes punched in each arm. Like much Vinča art, it manages to be both alien and expressive.

Nobody’s ever worked out the Vinča writing system, so nobody knows if the figures are gods, goddesses, rulers, ancestors, or the local equivalent of Barbie dolls. “Possible Ritual Significance” is archaeologist slang for “dunno, looks important.”

Apparently this one is considered of possible ritual significance in the labyrinth, because small offerings have been left in the niche at its nonexistent feet. You see withered flowers, a small dried fish, and a dozen coins, only some of which you recognize.

One of the coins you don’t recognize is triangular and very thin. You suspect that you could use a corner to wind up the clockwork bee.

Of course, that would involve taking an offering from what might be a goddess…

[ckret2]

QUESTIONS BECAUSE IM TRYING TO DRAW YOUR BILL!!!

A, would you consider bill to have sharp or soft features (talking about facial features mostly I know he's chubby)

B, what is your fav thing about Bill fanart/what would you like to see

C, what is something you would like to see people emphasise most when drawing your bill?

🌹🌹

A. Soft features overall, although I also tend to give him a pointy chin and very straight pointy nose. ("Why?" Triangular.) But if it's too difficult to mix & match those traits without looking too weird (idk what style you're working in), then err on the side of softer.

B. idk, I'm happy to get anything. I'll come back to this one.

C. I feel like recently folks are doing a better job of drawing him fat, but one thing I still don't see much of is people drawing his ridiculous proportions. Probably because his proportions are ridiculous. He's got a really goofily exaggerated pear shape—wide hips and really narrow shoulders—and unexpectedly noodly limbs, because... that's how he looked before he was a human: a torso shaped like an equilateral triangle, with thin noodle limbs. irl his body shape would probably look a little uncanny, so idk if it's possible to draw his body shape in any style more realistic than the cartoony GF style without it looking TOO uncanny; but if it is possible, that'd be neat to see.

But again, just like the first question: if that weird mix of thin bits and fat bits is too tricky to pull off, then err on the side of fat.

B, the sequel: okay I thought of some things I'd like to see.

When my Bill's drawn with other characters, it's usually Mabel or Ford. I'm ALWAYS delighted to see him with Mabel & Ford (I keep writing him with Mabel & Ford) but it'd be cool to see him interacting with some other characters too

I always love it when people put him in new Bill-ish outfits

it's heartwarming seeing people, like, imagine a future for him or imagine where he's going

it turns out it's really fun to find pulp romance novel covers and stick him in one of the poses. Try it out. It's great. The more dramatic the pose the more fun it is

[machveil]

Beautiful, cute, dulzura, A quick question, do you have any advice for drawing? I see your drawings and I just fell in love with them, I just started drawing again but it's difficult...

I don't know, sorry, English is not my first language, using translator jiji 🤎🍁

(note: this post is long, grab a snack lol) ah! no problem, don’t worry about the translator haha (pinterest link - this is my masterboard for human references! I’ll talk about it more below)

I think my best advice for anyone wanting to draw is to break down your piece into shapes! (also, depending on your style, using different line weights)

from my experience, while looking at the whole reference is good, it’s easier to break down individual parts! while some parts can look complicated, a lot of things can be broken down into triangles, squares, and circles (or half circles)

I focus on character art, so I’ll be speaking about that - but it can applied to scenery and objects too. a lot of characters clothes are broken up into colored articles already - in the top reference, Ghost has a red bandanna on his arm! that bandanna helps break up his arm: the top near his shoulder is triangular, the bandanna itself is overall rectangular, and the bottom of his sleeve is a square

of course, depending on how you’re posing the character it can change the angle of what we’re seeing - there’s also an accommodation that your art probably won’t be a 1-to-1 copy with your reference. Ghost’s right arm (bandanna) has a white rolled up sleeve - while the model’s sleeve is square, I prefer to draw rolled sleeves more triangular

I think line weight is also important depending on your style! I prefer thicker lines around the entire character, and defining qualities also get thicker lines

I like thinner lines inside the character to help define dimensional shape and form. I use thicker lines on the inside of the body if there’s a shape/area that’s more in the foreground - example: König’s chest and midsection have thick line art to help differentiate from his left arm (behind his body)

I know a common piece of advice is to use real life references, and I agree… but, I never hear people talk about how to use references in a way that actually helps (“just draw from real life”, or “drawing with a reference is good practice”). I experienced that and wasn’t able to take anything away for years!

within the past year or so I seriously took a look at how using references can help me, so I want to try and talk about that - if I had trouble learning from references I’d wager someone else has

here’s my best example of using a reference because I actually remembered to! I labeled the figure to make it a little easier to follow

(1) my first tip is using a reference to figure out how the body ‘flows’. the human body has a lot of soft, rounded lines when you look at a picture - very few things are legitimately straight and sharp. I used the reference specifically to figure out how men’s pecs are shaped (of course, this is just one reference… because this is my headcanon for König’s body type haha)

(1) looking at references can help you understand how muscles move. in the reference with the woman, you notice how her right arm (down) muscles are layered - the shape portrayed by the reference lets you see how an arm’s muscles might be laid out in that position

(2) my second tip from the König reference is to look at negative space! the highlighted red portion between the arm and midsection is roughly the same negative space as the reference. if you’re using a reference and something feels off with the placement of what you’ve drawn I’d recommend looking at the space your reference takes up

(2) the negative space trick helps me line up where proportions should meet up - the distance between her arms lets me gauge how the rest of her body should be proportioned

(2) while it doesn’t match up 1-to-1 with the reference when layered overtop, it doesn’t have to! the negative space between the arms was enough for the sketch to mimic what the reference looks like. art doesn’t have to be a 1-to-1, but negative space can help you figure out ‘why does that arm look funny?’, “that arm looks funny because, compared to the negative space of your reference, it’s too (far away/close) to the body.”

(3) my last tip is the simplest, so I’ll just be referring to the König figure! when using references I look to gauge the distance between different body parts - it helps me get more realistic proportions. the bit I specifically compared to was the man’s stomach placement compared to his waist. I didn’t copy it 1-to-1 because I like the idea König has more of a tummy, but the reference allowed me to figure out an anatomical placement for where König’s stomach would be compared to his waist

I hope my advice wasn’t terrible haha everyone’s art journey is different, but these are tips I would have liked to know a few years ago (specifically the reference material ones lol). I wanted to focus more on the reference material because when people say ‘just use a reference, it’ll help’ it didn’t do it for me

I personally needed a more in depth explanation on why I would use a reference, what should I be looking at - because just drawing a person doesn’t necessarily help, and how should I be learning from it - I accidentally taught myself negative space before I knew what it was

but uhm… yeah, I hope this wasn’t awful! good luck on everyone’s art journeys, just remember that you’re allowed to take your time and try different things

if you guys have any other questions about my art feel free to jump into my inbox; process wise, inspiration, etc - I’ll answer anything I can<3

[pileofpawns]

DISABLED PRIDE MONTH BABEYYYY‼️

[Image description: A digital drawing of Sonic the Hedgehog standing and posing with a large disabled pride flag on a flagpole, smiling at the viewer, making a piece sign with his free hand, and wagging his tail. He has on a ring shaped chewlery necklace, knee braces, and wrist braces peeking out from under his gloves. There is a rainbow behind him and some hearts, stars, and little triangular shapes to show his happiness. Sonic is a blue anthropomorphic hedgehog with six long pointed quills extending from the back of his head, smaller quills on his back, a beige belly, muzzle, and arms, conjoined eyes with green irises, and a bean shaped black nose. He wears white gloves and red shoes with white straps and golden buckles. Here, is also depicted with top surgery scars, claws, eyelashes and pointy canine teeth. The disabled pride flag is a grey field with diagonal green, blue, white, yellow, and red stripes going through the center. The drawing is lined, colored, and shaded with solid cell shading and some highlights. End ID.]

[adobe-outdesign]

top 5 pets that got DESTROYED by the conversion, and top 5 that got BETTER from the conversion.

Destroyed:

Wocky: The eyes going from triangular to rectangular and the addition of giant eyebrows (plus the different mouth shape) makes this pet look absolutely terrible for literally no reason. There's not even an excuse for why this one looks bad; they just changed it Because.

Kyrii: While there are some improvements here (the mane), the entire head shape of the Kyrii went from narrow at the bottom to wide, making them look strange and loosing most of the trickster vibe. The underbelly going up higher also screws with the ability to read the mouth.

Kiko: The pre-conversion Kiko was very dated and badly needed new art, but this ain't it. Things like the eye spacing, muzzle, and very wide mouth ruined any of the cute aspects of this pet.

Poogle: A more subtle one, but the change in shading and removal of most of the lines on the face/chin really screwed it up, going from a cute fat creature to something really off-putting. Also, unlike the above examples, the converted version is also just straight-up worse with no improvements.

Lutari: Outside of losing the fun, dynamic pose, the Lutari's anatomy and details got really messed up conversion—foot size changed, markings changed, eye shape changed, etc. The converted isn't the worst-looking pet or anything like that, but like the Poogle, nothing was improved.

Improved:

Chia: I don't know if it's just me, but I always really disliked the weird lower lip of Chias and was very glad to see it go. The artwork was also in bad need of an update, with most of the janky linework being fixed (look at that foot on the pre-conversion one).

Peophin: The old Peophin art had some weird stuff going on around the tail and was very under-detailed, so the new version just cleaned it up and improved the anatomy and shading without altering the design much.

Tonus: Another one with dated, poorly-shaded art. However, the big improvement here to me is the expression, with the pre-conversion face looking weirdly detailed in all the wrong places. Once again, just a nice clean-up that doesn't alter the pet too much.

Elephante: Similar to the Tonu, this is once again a pet with badly dated artwork that just cleaned things up and greatly improved the weird expression. The anatomy has been fixed (look at that wing on the pre-conversion art and you'll see what I mean) and the design is also much easier to read. The head piece is also now removable, which is a nice option to have available.

Aisha: The pre-conversion Aisha wasn't terrible or anything, but it had very dated, hard-to-read art that needed an update anyway. The converted version is just the same thing but overall better, and as a bonus, the collar can now be removed if desired.

[robynostornwyn]

Then vs Now

tagged by @oneiroy (thank you! <3)

tagging @eidingate @turpalauri @the-worrier-of-light @amons-hat-enthusiast and you!

July 2021 (i don't even think i knew gpose existed back then)

December 2024

its crazy how all the little things can add up

honestly her base is still pretty much the same, but crimes have helped make her feel more her

biggest thing that makes such a difference ~to me~ is changing all the idles and sitting poses to male ones

boobs are smaller, but most everything else is bigger (arms and shoulders specifically)

tattoos, scars and body hair - I've definitely spent more time on her skin than probably anything else

hair and earrings

i'm also not entirely sure when her face became much more triangular, but i'm here for it

really just a bunch of tiny adjustments that have made her ~her~

and of course her story being completely written since then - the entire MSQ, PLD to GNB (with a side of SMN), her family, shtola ;)

really she has become so much more than just a MMO avatar, and now she means the world to me

[jackobbit]

RAAAAAAAA

It’s!!! It’s something!!! Certainly not my best work but I haven’t drawn in like a week so I’ll TAKE IT

Have some Solar Flare being a goober :]

Maybe I’ll do something similar with my Bloodmoon soon enough, but for now, we’ve got this!

[ID: A filled, digitally drawn doodle page that depicts Solar Flare from the working for E.V.I.L. Au in various poses, all are placed against a white background. Solar Flare is a boxy orange and yellow robot with several bent Sun-like rays, large triangular shoulder pads and large limbs. They have dark eyes with lighter pupils, and an air vent for a mouth. From left to right, they are first depicted from the chest and up with a bashful expression as they press the tips of their index fingers together. Next, they are seen looking over their shoulder. To the right of that is a small doodle of the character as a melted ice cream bar on a stick, complete with one eye dropping further down than the other. To the far right is a picture of Solar Flare with an angry expression, smoke bellowing from their air vent mouth. To the far left is a drawing of Solar Flare winking as they hold a large bouquet of purple flowers behind their back, followed by a doodle of them stimming happily by waving their arms up and down. This is followed by a doodle of Solar Flare as an autism creature, and then one full body image of Solar Flare extending one hand out towards the viewer. The bottom right hand corner is comprised of three doodles, the first being Solar Flare smiling at a bird that has perched on their hand, Solar Flare standing with their arms behind their back, and finally a doodle of them holding up one arm to present a floating Star. /End ID]

[athena-gunpla]

HGUC 1/144 E.F.S.F Mass-Production Locality Specialization Type Mobile Suit RGM-79D "GM Cold Districts Type"

More GMs!!! I had a lot of fun with the old 2001 GM, the new 2023 'The Origin' GM Missile Pod, and the GM Sniper II, so of course I had to continue the collection.

The GM Cold Districts Type is a suit that briefly appears in the opening scene of the OVA "0080: War in the Pocket". It's a pretty basic redesign of the classic GM, with the large star removed from the shield, and extra vents added to the face (resembling the GM Sniper II from the same series) and shoulders, and an antenna added to the back of the head.

This kit in particular is from 2003 and reuses a lot of the moulds from the 2001 GM kit. However, this kit seems to have a lot of drawbacks as well. While the shoulders have been competent redesigned in a manner that resembles more contemporary kits (and makes them much more secure), the actual shoulder joint is a peg directly moulded into the torso rather than being a ball joint or hinged peg like most other kits. This gives the shoulders very limited range of movement.

The kit also has the disappointing old solid plastic beam saber, with the hand itself moulded into the saber hilt as well! This is a really bizzare choice even for 2003, so I discarded the beam sabers that came with the kit and re-used a spare from my Origin RX-78-2 alongside a beam effect, which looks a lot better.

I spent a lot of time detailing this kit. I used the old waterslide decal sheet for the 2001 GM rather than the limited foil stickers that came with the kit. I also tried a weathering method @radiofreemagica told me about where i sponged on black onto the sharp angles and high points, then drybrushed over the top with gunmetal. I also sponged on Vallejo pale brown and light rust in key areas to accentuate the weathered effect.

This was my second time using the Tamiya weathering set D on gunpla as well. I used the orange and blue on the gun to give a heat blueing effect, and the "oil stain" pigment worked great over rust areas to even out the light grey plastic.

I think the overall effect worked especially nicely on the darker torso and shield. I also had to paint the face vents, rear camera, back of the shield, and shoulder vents, as well as the yellow waist V logo and the grey border on the bottom two chest vents, so be aware if you're not a fan of colour correcting kits. Also, as always for UC kits, I did the inside of the booster jets in red.

This kit comes with limited hand options, with a single left open hand, left open fist, and right pistol grip, which was a little disappointing as I'm used to at least one open fist for each hand.

It also comes with a really neat machine gun with a large side magazine, triangular stock, and open bolt detail like a Sten MK II, but with an additional underslung grenade launcher.

Unfortunately the stock placement and large square forearms make posing the gun rather difficult, and there's only really one pose that works.

Overall I had a lot of fun building and weathering this kit, and I think I've really improved in making it look less plasticky. I think it's a great kit to round out anyone's collection, although I can't recommend it to gunpla beginners.

Thanks again to @radiofreemagica for the weathering tips!

[emytellsrandomstories]

What happened when you wish on a star?

In the kingdom of Roses, everyone knows wishes do come true, thanks to their beloved King Magnifico, granting all their wishes overnight while they sleep. Everyone trusts in that, except Asha, an artistic and quick-witted young girl, for she knows in her heart that her deceased grandfather never got his wish granted. On her 18th birthday, when it was time to give her wish, Asha discovers a terrible secret, the king and queen are not what they seemed. With no one else to turn to, she makes a wish upon a star... And the star answered.

*⁠.⁠✧

This is the cover I made for my friend @annymation fanfic "The Kingdom of Wishes", which you can read both on Ao3 and right here on Tumblr!

All necessary links for readings will be attached to this post.

*⁠.⁠✧

Now let's talk about the cover itself.

At the bottom we have Asha on top of a tree, with Valentino. She's catching up to Aster, right above her. These 3 elements the tree, Asha and Valentino are illuminated by the light that comes from Aster, a yellow light and are shaded by purplish blue shadows precisely because yellow and blue/purple are complementary colors divided on the color wheel and this is a characteristic of my art I like to make colored shadows and not black ones.

Aster has a thick outline and no shadows because he is in 2d, while the rest of the universe is in 3d.

This pose was inspired by one of the promotional posters for the Wish film.

I followed the same colors as the sky and wanted to place the wish balls and star sparkles making a circle around Asha.

I tried to leave Asha and Aster more to the left because the protagonists, in film posters, should always be more to the left.

Magnificent and Amaya are appearing in the sky, in the background, precisely to represent this subtle threat, but always existing throughout Anny's story. Magnificent and Amaya may not always be present in the same place as Aster, Asha and Valentino, but they are always watching, aiming and wishing for the star.

Unlike the film, Anny makes it clear that these two are the villains of the story and to rescue this I wanted to bring triangular shapes to their faces precisely because a triangle represents a warning of danger, sharp pointy things that can kill you and do you a lot of harm — this is even the case. a form often used in classic Disney villains. I also rescued the use of the color green for the villains, well seen in all Disney films; That's why both the light that illuminates them and the shadows are green, one lighter and the other darker.

*⁠.⁠✧

Making this cover was a lot of fun, it was a great experience that taught me a lot of things!

If you think it's beautiful, I invite you to follow me because I'm preparing several other illustrations for this same fanfic and they will all be posted here, with the same explanation of what they mean and my creative process.

I'm loving being part of this project and thank you so much for reading this far!

Kisses full of light and stars!

~Emy ✨

*⁠.⁠✧

@annymation @uva124 @oh-shtars @signed-sapphire @mythartist21 @kstarsarts @spectator-zee @tumblingdownthefoxden @chillwildwave @gracebethartacc @gracebeth3604

[venerablemonk27]

Now that spring is here, we're starting to see some changes in the local bird population. New faces are starting show up, and even the year-round species are out singing and generally being visible. There's territory to claim and potential mates to attract, after all. But while many species are just arriving or passing through, one that's dear to me is just about ready to depart.

[ID: A male Dark-eyed Junco stands in the newly-revealed grass and dead leaves. Juncos are small birds, about the size of a sparrow. This one is the slate-colored variety, with a dark grey head and upper body, contrasting with bright white underparts. He's facing the camera and looking slightly to the left. His eye is dark brown, nearly black, and his triangular bill is pale pink. End ID]

The Dark-eyed Juncos are strictly winter residents of southern Wisconsin, preferring to nest in Canada, the Northeast US, and parts of Appalachia. This past weekend, I could tell they had migration on their minds.

[ID: Another male Dark-eyed Junco, standing among dead twigs and sunflower seed shells. This one is darker grey in the head and breast, with lighter grey on the wings and a bit of rust color on the back. End ID]

For most of winter it's fairly common to see a solitary Junco or pairs or small groups picking through the snow under the birdfeeders in our backyard. But now they're forming a flock of at least 30 birds, foraging together and singing their loose trilling song. It's as if they know they have a long flight ahead, and every moment of daylight must be spent filling the tank and gathering their compatriots.

[ID: A male Dark-eyed Junco forages in the twigs and leaves for scattered birdseed. Juncos scrape at the ground with both feet simultaneously in a little hop, then inspect the freshly-exposed ground for tasty morsels. This one is mid-scrape, with debris flying around it. End ID]

So I decided to sit on the deck with my camera for a while to bid the Juncos farewell until next winter. I've been scattering seed back there every so often, and the other birds aren't exactly neat or careful when digging through the feeder above. As such, the Juncos have lots to choose from while poking around between the squirrels and the Mourning Doves. Once I sat down, they didn't seem to mind me at all.

[ID: A female Dark-eyed Junco inspects the ground for bits of seed. The females are distinguished from the males by their paler grey upper parts, sometimes with more brown and tan shades mixed with the grey. End ID]

Though, the birds did seem to mind when my kid joined me on the deck, brandishing his bright green snow shovel. They scattered to the trees or the fence and stayed there until I convinced him to put the shovel away in favor of coating the deck boards in a thick layer of sidewalk chalk.

[ID: A female Dark-eyed Junco sits on a wooden fence, waiting patiently for the danger posed by a nearby four-year-old to pass. The wind is catching the white feathers on her left hip and flipping them up like the flounce of a skirt. End ID]

As the sun sank lower in the sky, I figured I better get dinner started. I spent another minute or two listening to the evening birdsong before capping my lens and helping to knock the chalk dust off my kid's coat and pants. This sudden activity caused the Juncos to scatter once again. Have a safe trip little ones. I'll see you when the snow flies.

[ID: A female Dark-eyed Junco stands in the dirt, looking at the camera with head cocked to one side, as though she's wondering what this person finds so interesting about her. End ID]

[burningcheese-merchant]

God... I never thought I would be thinking about Burningcheese Vampire AU. I even remembered our fella Vampire Cookie exists and that he is unaffected by the sun and can turn into a bat. That makes me wonder, can Golden Cheese turn into a complete bird in the AU? Just to have the buff man caging her with just his hands. What about if Burning Spice is the vampire? He would go bat, another flying animal or just another animal? Or are we just sticking with bats?

I hate being caught with my pants down like this, so to speak, but I actually haven't thought about it 😅 The most I've delved into their powers is me wanting to deviate from vampire norm and have these particular vampires empowered by the sun and weakened by the moon. Not too much beyond that haha

But since I don't want to leave you hanging, and I do like exploring weird little AUs like this one...

It would be logical (and funny) if Golden Cheese did turn into a bird, yeah lol. But I think it might make more sense if she was... different? From the other ones. Bigger, more unique plumage (maybe colored or styled in a way that resembles her attire, maybe even a triangular pattern on her forehead), sharper beak and talons. But... still fitting within Burning Spice's arms without issue, of course. Easy enough for him to catch and play with, and squeeze when she's misbehaving...

For Burning Spice, I actually didn't want him to become a traditional animal necessarily. I confess that his appetite and behavior are less like a vampire's and more like a rakshasa's (demonic entity from Indian mythology, they are malevolent and extremely dangerous and many are man-eaters). He's "normal", he looks the same; but slowly, over time, the more he indulges his cannibalistic urges, the more monstrous he appears. He was cursed by a dying shaman as retribution for BS destroying his village, so I thought of having the curse become more "permanent" with time and refusal to change (ironic lol)

Additional point to above, Spice starts looking and acting more like a rakshasa the hungrier he gets. Deny him sustenance long enough and he starts losing control of himself. His body and mind start to change; he adopts more devil-like features, he becomes less rational/coherent, he gains physical strength but loses focus and coordination. He is EXTREMELY difficult to deal with if and when he deteriorates far enough, and Golden Cheese does absolutely everything in her power to prevent it (while also still trying to hide him. She keeps him with her so she can monitor him and mitigate any threat he poses to others. No one is supposed to know)