#traditional craft methods

[buried-in-stardust]

Making Huizhou inksticks (徽墨), famous for its high quality.

Notes:

The characters OP pressed into the inksticks are 山白, OP's username

The "internal heat" referred to in the video is a term in Traditional Chinese medicine referring to a cause of inflammation, swelling, twitching, etc.

[eng by me]

[cozylittleartblog]

small PSA: if you shop at craft shows or artist alleys, please bring more than apple pay or a virtual card - especially if you're not comfortable entering your card number manually. not all of us have fancy card readers, so please also bring your physical card or cash, even if it's only as backup 👍

[capsulelabs08]

Art and Science of Crafting Effective College Courses

In today’s dynamic educational landscape, the traditional methods of teaching and assessing are undergoing significant transformation. The tectonic shifts in technology and pedagogical research are compelling educators worldwide to rethink course designs, especially in higher education. At the heart of this transformation lies the quest to understand how students genuinely perceive and interact…

[a-queer-little-wombat]

Lovely craftsmanship and the outcome is gorgeous.

The number of sets made like this on an annual basis is likely quite small, tho. Which is just as true of similar items made in any other country.

And so, since I've been seeing a huge influx of these types of very staged, very traditional methods and items, very visually aesthetically pleasing and ASMR-generating, very minimal explanation captioning (and always in English), usually from user discoverchina, videos *all* from China and about traditional Chinese methods/items ... every time I see them, I think "this is propaganda".

Yes, they are beautiful and soothing and the items made are beautiful. But also, what is the goal? What do these videos encourage you to think about China? How much do these videos reflect modern China, their manufacturing, their culture, etc?

holy shit is this gorgeous.

[flutterflowdevs]

Mastering Flutterflow: Tips and Tricks for Aspiring App Developers Why Every App

In today’s fast-paced digital world, app development is more crucial than ever. With millions of apps available, standing out is a challenge for aspiring developers. This is where Flutterflow comes into play. Imagine being able to design and build beautiful applications without the steep learning curve of traditional coding. Whether you’re a seasoned developer or just starting your journey, Flutterflow offers innovative tools that can simplify the entire process. What if you could create mobile apps with minimal effort while maximizing creativity? That’s the magic of using Flutterflow as your go-to platform. It's not just about building an app; it's about mastering an art form that blends functionality with stunning visuals. If you're eager to dive into the world of app development and want to make waves in this vibrant ecosystem, let’s explore how Flutterflow can elevate your skills and help you become a proficient Flutterflow App Developer!

Benefits of Using Flutterflow for App Development

Flutterflow revolutionizes app development with its no-code approach, making it accessible for everyone. You don’t need extensive programming knowledge to create stunning applications. This feature empowers designers and entrepreneurs to bring their ideas to life quickly. The platform’s drag-and-drop interface streamlines the design process. It allows you to visualize your app in real time, reducing the back-and-forth typical of traditional coding methods. You can see changes instantly, enhancing creativity and efficiency. Another key advantage is the built-in integration with Firebase and other services. This means developers can add backend functionality without hassle, saving valuable time during project execution. Collaboration is seamless too. Flutterflow enables team members to work together effortlessly on a single project, ensuring that feedback loops are short and productive. With these benefits combined, it's clear why so many are choosing Flutterflow as their preferred development tool.

Designing Your App with Flutterflow

Designing your app with Flutterflow can be a seamless experience. The platform offers an intuitive drag-and-drop interface that simplifies the design process. You don’t need to be a coding expert to create stunning visuals. Start by exploring pre-built templates tailored for various industries. These templates provide inspiration and save time, allowing you to focus on customization. Utilize the extensive widget library available in Flutterflow. Widgets help you craft unique layouts while ensuring responsiveness across devices. From buttons to complex animations, there’s something for every vision. Pay attention to color schemes and typography; they define your brand's voice within the app. Consistency is key when it comes to user experience—ensure elements align well visually and functionally. Harness real-time collaboration features if you're part of a team. This ensures everyone stays aligned without losing creativity during the design phase.

Adding Functionality with Actions and Interactions

When it comes to enhancing your app’s capabilities, Flutterflow shines with its intuitive approach to adding functionality. The platform allows you to incorporate various actions and interactions seamlessly. Widgets are the building blocks for interactions in Flutterflow. You can easily set up buttons or gestures that trigger specific actions within your app. Whether it's navigating between screens, triggering animations, or launching external links, everything is straightforward. One of the standout features is the ability to add backend functionality without needing extensive coding knowledge. With just a few clicks, you can connect APIs or databases directly through Flutterflow’s interface. This opens up a world of possibilities for data-driven applications. Moreover, integrating third-party services like authentication providers is simple too. Set up user logins or social media sign-ins efficiently and securely using pre-built options available in Flutterflow. Testing these functionalities is equally hassle-free; you can preview changes instantly as you build your app. This iterative process helps refine user experience right from the start. Exploring these actionable elements will undoubtedly elevate your skills as a Flutterflow App Developer while also making your projects more dynamic and engaging for users looking forward to their next favorite application.

For More Information :

Flutterflow Application Development

Develop AI Apps in Flutterflow

Flutterflow Web Development Company

[hayatheauthor]

10 World-Building Aspects You Probably Overlooked

When crafting a fictional world, it's easy to focus on the big picture—epic battles, grand landscapes, and memorable characters. However, it’s also important to flesh out your world-building to create a ‘real’ world. Some aspects to consider when world-building are: 

1. Local Cuisine

Consider the types of food your characters eat and how it reflects their culture, geography, and economy. Unique dishes can reveal societal values and local ingredients.

2. Currency & Trade

Explore the forms of currency used and the trade systems in place. This can include bartering, precious metals, or unique items as currency, influencing economic interactions.

3. Timekeeping Practices

Different cultures may have their own methods for measuring time, whether it's a unique calendar system, seasons, or celestial events, affecting daily life and traditions.

4. Cultural Taboos

Consider the unspoken rules and taboos that govern behavior in your world. These can drive conflict and character motivations, adding depth to societal interactions.

5. Local Flora and Fauna

Unique plants and animals can shape the environment and influence the culture, whether through medicine, food sources, or as part of local mythology.

6. Rituals and Festivals

Incorporate unique rituals or festivals that celebrate historical events, seasonal changes, or important life milestones, providing insight into cultural values and traditions.

7. Language Nuances

Explore dialects, slang, or even the use of sign language that reflects the culture and social dynamics, enriching dialogue and interactions between characters.

8. Architecture and Housing Styles

The design and materials of buildings can reflect climate, resources, and cultural values. Unique architectural features can tell a story about the society that built them.

9. Social Hierarchies and Classes

Examine how social structures affect character relationships and interactions. Class distinctions can influence everything from daily life to political power.

10. Environmental Impact

Consider how the natural environment shapes societal behaviours, resource usage, and conflicts. Climate and geography can drive migration patterns and societal development.

Looking For More Writing Tips And Tricks? 

Looking for writing tips and tricks to better your manuscript? Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[earthyaries]

WAYS U CAN PLEASE SATURN ACCORDING TO UR SATURN PLACEMENT ♄

1H/ARIES SATURN: RESPECT URSELF. DO NOT ALTER UR BOUNDARIES TO BE LIKED. SELF IMPROVEMENT. PUT EFFORT INTO UR BODY/APPEARANCE. WORKOUT / BE ACTIVE. HEALTHY COMPETITION. PRACTICE OFTEN. BE CONFIDENT BUT NOT ABOVE OTHERS. SLOW DOWN. SELF GROWTH. DELIBERATE ACTIONS.

2H/TAURUS SATURN: DEVELOP STRONG VALUES. DO NOT UNDERMINE URSELF. QUALITY OVER QUANTITY. INTENTIONAL SPENDING. HEALTHY RELATIONSHIP WITH FOOD. TRY NOT TO OVERINDULGE ; TRY NOT TO WASTE. STOP SELF SABOTAGING. NO SELF DEPRECATING. APPRECIATE WHAT U HAVE. EXPRESS GRATITUDE. DONATE WHAT U CAN.

3H/GEMINI SATURN: THINK BEFORE U SPEAK ; SPEAK LESS THAN U DESIRE. STOP OVERSHARING. FOCUS ON UR CRAFT ; GET RID OF THE DISTRACTIONS. POWER IN THE TONGUE. PERSONAL MOTTOS. STAND FOR WHAT IS MORAL ; BE WELL INFORMED. HAVE HARD CONVOS WHEN NECESSARY. BE A SUPPORTIVE FRIEND. STOP COMPLAINING. FIND SOLUTIONS. ADAPT & OVERCOME.

4H/CANCER SATURN: CREATE BOUNDARIES & STICK TO THEM. BE OF SERVICE TO OTHERS WITHOUT SELF SACRIFICE. DO NOT BE OVERLY SELFISH. EXPRESS UR NEEDS. TAKE CARE OF UR MENTAL HEALTH. EMOTIONAL REGULATION. SELF CARE. BE SELECTIVE OF UR INNER CIRCLE. POUR INTO UR LOVED ONES. TREAT OTHERS WITH KINDNESS. KEEP UR LIVING SPACE CLEAN.

5H/LEO SATURN: LET GO OF SELF DOUBT. BRING UR VISION TO LIFE. MASTER UR CRAFT. BELIEVE IN URSELF & WORK TOWARDS UR GOALS. GET RID OF UR NEED FOR OUTSIDE APPROVAL. LOOK OUT FOR THE CHILDREN ; BE THE PERSON U NEEDED GROWING UP. WORK HARD, PLAY HARD. DELAYED GRATIFICATION.

6H/VIRGO SATURN: FOLLOW A ROUTINE. HEALTHY HABITS. STRUCTURE. KEEP UR SPACES ORGANIZED ; DE-CLUTTER. BE A FRIEND TO ANIMALS. TAKE GOOD CARE OF UR PET/S. PUT IN THE WORK EVERY DAY. OFFER A HELPING HAND. HONOR UR OWN TIME & ENERGY ; DO NOT ENGAGE IN ONE-SIDED RELATIONS.

7H/LIBRA SATURN: MAKE UR OWN DECISIONS. TAKE ACCOUNTABILITY. CRACK DOWN ON CO-DEPENDENCY ; AVOID SELF ISOLATION. LONGTERM RELATIONS. BE THE BIGGER PERSON. FORGIVE BUT DON’T FORGET. APPLY LESSONS FROM THE PAST. TREAD LIGHTLY. RESPECT THOSE WHO CAME BEFORE YOU. FORM LASTING ALLIANCES.

8H/SCORPIO SATURN: KEEP THINGS TO URSELF. STAY PRIVATE. PRACTICE SELF CONTROL. RESILIENCE IN THE FACE OF HARDSHIP. HOPE FOR THE BEST, PREPARE FOR THE WORST. SAVINGS/RAINY DAY RESOURCES. EMBRACE CHANGE. LEARN TO LET GO. RADICAL ACCEPTANCE. SEXUAL DISCIPLINE. XTRA EMPHASIS ON SAFE SEX!

9H/SAGITTARIUS SATURN: PRACTICE UR BELIEFS. WALK THE TALK. MANTRAS. LEARN FROM OTHERS ; COME TO UR OWN CONCLUSIONS. STUDY. BE AN ETERNAL STUDENT. ALLOW URSELF TO BE OUT OF UR ELEMENT. RESPECT OTHER CULTURES. MAKE UR OWN TRADITIONS. STAY HUMBLE. ACCEPT MULTIPLE TRUTHS. APPLY WHAT WORKS.

10H/CAPRICORN SATURN: KEEP UR EYES ON THE PRIZE. TRUST THAT ALL THINGS COME IN DUE TIME. KEEP URSELF MOTIVATED. WORK FOR WHAT U WANT. STAY CONSISTENT. PERSONAL LEGACY ; THINGS THAT LAST. BECOME UR OWN ROLE MODEL. DO IT URSELF / DO IT RIGHT. LIVE WITH KARMA IN MIND.

11H/AQUARIUS SATURN: LEAD THE WAY ; FURTHER THE CAUSE. BETTER THE COMMUNITY— CREATE UR OWN. BE CONSCIOUS OF WHOM U ASSOCIATE URSELF WITH. BEFRIEND PPL OLDER THAN URSELF. LONGTERM FRIENDSHIPS. LONGTERM RESULTS. ADVANCEMENT. NETWORKING. ONLINE INFLUENCE. SET THE STANDARD.

12/PISCES SATURN: ALL IN MODERATION. HEALTHY COPING METHODS & LIFESTYLE PRACTICES. CONSIDERATION. REFLECTION ; SELF AWARENESS. THERAPY. STANDARDS. LEAVE ONCE DISRESPECTED. NO FAKE FRIENDS. MIND OVER MATTER. MANIFESTATION. BE REAL WITH URSELF. SELF TRUST.

[alyssa-the-witch]

Offerings and their Removal

Disclosure, this may not apply to everyone! Cherry pick it if that works for you, or take none at all. Just no hate or arguments in the comments!

Definition- Offering - Something given to an entity or deity to show appreciation. This can also be something done or said to show appreciation.

~~~~~Types of Offerings~~~~~

Food- In ancient tradition, specifically Greek, the first bites of food were thrown into the fire to be sent through the gods by smoke. However, this isn't an option for many people these days. Alternative methods are favored.

Fire - The old methods are still applicable if available. If one has a bon fire or fire-place/hearth, the first bite of food can still be "smoked" , per-say.

Prayer - A small prayer can be said over food before the first bite is taken. Just a simple "Entity/spirit, please accept this offering, Blessed Be" or something similar can suffice. This, for some deities like Hestia can be done at the end too. This is more convenient for a hidden practice and for those who can't afford to waste food.

Altar- If you have an altar, or ever a small bowl, they can place the first bite of food there for the deity entity too.

Objects and Trinkets- Just like us, deities/entities love little trinkets. Whether it be a few coins you find nice to a statue or an engraved candle. Whatever it my be, it can be given to an entity with a prayer and/or on an altar in their honor.

Removables - There are some things that can be placed on altar and taken off. I like to call them removables. When placed on an altar, one could say "Entity/Deity, bless this object, with your energy and blessings." let it sit for a moment or cleanse with incense. If a clothing item, accessory, or perfume, you can take it off and use/wear it. Just remember to put it back to refresh the energy and discuss before taking it off for the first time.

Actions - There are also things that one can do in offer of a deity or entity. They can be small things, like prayers, to full-on rituals.

Prayer- This is probably the easiest in my opinion. It can be a small "Hey entity/deity, I appreciate you." on the go, or reciting a hymn or a prayer by the altar. It's incredibly diverse and can meld to any practice.

Chores - This can apply more to some deities than others, but just Keeping your room and house tidy can be done in honor of a deity. Altars specifically can be cleaned or re-arranged as an offering

Art-In ancient times, arts of every kind were offered to deities ant spirits. And it can fit most anyone's style.

Music- written specifically or just a song you think reminds you of them. Drawings/Paintings- try thing that reminds you of the deity or how you see them can be drawn or painted. Others- Pottery, Dance, Crocheting or handy crafts, or even more. All can be done in offering to a deity. Specifics - If you have done research into who you're offering to, you can offer specific things. Sleep for Hypnos, Baking bread for Hestia, Rehearsing if in the arts for Dionysus, etc. Self Care- This not a lot of people think applies, however the gas most want you to be kind to your self. whether it be a bath with oils, flower petals, and all the works to just brushing your teeth at night. All would make the gods/entities very proud of you!!

~~~~~Disposal~~~~~

This is something a bit more difficult; You did the thing, you think it's time, now what do you do? A decent chunk of this section was taken from @khaire-traveler. Obviously, actions cannot be "removed" Once the action is complete, the offering is sent.

Food- khaire narrowed it into 4 options that I really like. Just remember, when on an alter, don't let it sit too long for health concerns (rotting, bugs, etc.)

Consume - After praying aver the food like I had mentioned before.

Bum - Also mentioned before, but can be done after sitting at an altar for awhile.

Bury- Food offerings. if safe for local wildlife, can be buried. "My logic in burying them (only if environmentally safe) is returning the offering to the earth in a sense." (khair-3) (Yes its MLA cited, AP capstone has rotted my brain) If that fits Your practice, it is a good option.

Dispose, - This, like everything else here, must be done with respect. Clarify with the entity/deity that you aren't doing so out of disrespect, rather because this is your preferred disposal style or your only option

Objects/Art Pieces- If you have this ability, talk to your entity/deity about it, clarify there is no disrespect in the removal, and give the deity some time to de-attach to it. Slowly, the energy will fade from the object when kept away from the altar. This doesn't need to a ritual, but can be if that's what you prefer

Thank you for reading! This is my first fore into the pagan-sphere, so if this is something a lot of people like, I'll continue! Blessed Be, Alyssa the Witch!

[astra-ravana]

Types Of Witchcraft

Note: These are general/basic explanations of different classes of magick/witchcraft. Practitioners can fall into multiple or none of these categories. Ultimately, only an individual can choose their labels.

Green: Utilizing greenery/plants/herbs/flowers in herbal/nature magick, such as creating blends of different plants or primarily using herbs in spellwork. May keep a garden and take great pride in their workings/connection to the earth and nature.

Hedge/Shamanic: A type of magick that's more oriented towards spirit work, Otherworld and astral travel, dream work, spiritual power and healing. May work with psychedelic/psychotropic/toxic plants and fungi as spiritual tools (ie: flying ointments/teas made from amanita muscaria or datura)

Sea: A type of magick derived from materials/abstract ideas involving the ocean world. Sea magick is worked using various items from as well as one's own connection to the sea and its creatures.

Storm: Magick that is worked by combining one's own energy with the energy of the weather, most commonly storms. Storm witches may have practices such as collecting storm water or snow, "whistling up" or manipulating winds, or performing rituals during severe weather.

Hearth/Kitchen: Magick performed through kitchen craft and/or mundane tasks/crafts around the home or for loved ones. Typically worked daily through food, herbal mixtures, crafting, decorating, and hobbies. May also work with the Fae/elements/nature.

Tea: Those who drink tea, make their own tea mixtures, or enjoy blending herbal remedies and often use reading tea leaves as their form of divination.

Urban: For those who live in or prefer an urban setting/lifestyle. Magick that is worked in densely populated areas and big cities, without some of the seemingly "traditional" aspects of witchcraft.

Tech: Magick that is skillfully worked through technology. A tech witch might cast spells/do divinatory readings on the internet, use magick based apps/programs, or keep a digital grimoire/library.

Elemental: Magick that is worked by honoring/acknowledging all 4/5 elements (Fire, Air, Water, Earth, and/or Spirit). Elementalists may dedicate part of their alter to each element and call upon them during rituals/spells. Conversely, they may choose to focus on only one element changing the designation to either fire, air, water or earth witchcraft.

Fae/Faerie: The magick of those who work and commune with the Fae. Faerie witches may do rituals/spells around the Fae, ask favors of them, have regular communication sessions, and leave them offerings. The Fae are very unpredictable and strong but, with time and respect, they share their magick with special individuals.

Infernal: A system of spirit work/magick that revolves around Infernal spirits/entities, such as demons, djinn, or other spirits of a chaotic alignment. This practice requires a surprising amount of shadow work and dismantling of oppressive religious systems. They may summon demons, perform rituals/spells with them, make deals, or take them up as magickal familiars.

Necromancy: The practice of seeking the assistance of, summoning, communication, and diving through the dead. Practitioners may frequent cemetaries/burial grounds/haunted locations and perform magick and spiritual/divinatory readings there. Often employ the use of pendulums, dowsing rods, talking boards, black mirrors, grave dirt, and bones.

Draconian: Draconian magick is a practice that involves engaging with dragons as powerful forces and allies in spiritual practice. It can include rituals, symbolism, and techniques to connect with dragons, and may be used for empowerment, healing, and spiritual growth.

Chaos: A type of magick utilizing new, non-traditional, and unorthodox methods. It is a highly individualistic practice that draws from many magickal disciplines (eclecticism).

Blood/Sanguine: A very potent class of magick that includes the use of one's own blood or that of another in powerful rituals/spells.

Sigil/Art: The use of sigils, symbols, glyphs, runes, or artwork infused with will and intention. This practice is vast, versatile, and diverse with each practioner producing truly unique results.

Lunar: Lunar magick is the practice of performing rituals during the different phases of the Moon to bring about physical or psychological change. They may honor/worship the Moon, do moonlight rituals, or make moon waters. Conversely, one could work with the Sun in much the same fashion.

Cosmic/Celestial: Magick that incorporates the stars and planets. Astrology is a dominant force in their lives and witchcraft and they consider the placement of celestial bodies before doing a working.

Crystal: Incorporation of crystals/stones in one's magickal practice. May make crystal grids, include them in their spells, use them in energy work, meditation, or for Reiki healing.

Glamour: Glamour magick is an enchantment type that adjusts or changes your outward appearance, or people's perception of your outward appearance and can include the enchanting of jewelry, clothing, and even makeup for magickal purposes.

Shadow: Magick with a focus on the elements of darkness and shadow. May practice umbrakinesis (shadow manipulation), magickal subterfuge and illusion, and feel at peace, and even practice, in pitch black darkness

Are there any you feel I should have included? Please let me know! I'd love to expand this list. :)

[onegirlatelier]

April, 2024 | Shetland lace shawl

Hi there! It’s been a while. I’ve been kept busy by all my university work…and this shawl.

The shawl is knitted to celebrate the wedding of my friend (now friends, I should say). A wedding is really the perfect excuse for all the heritage crafts and heirloom projects that might seem too serious to gift in other occasions. I did ask the recipient beforehand if she would like it, though, and I was so, so honoured that I got an enthusiastic ‘yes’. I’m sure this sentiment is shared by many makers, whatever gift they are making.

Shetland fine openwork, a knitted lace, seems to have emerged with the beginning of the reign of Queen Victoria, who championed and popularised the craft. It was probably spread from the Isle of Unst to other parts of Shetland. What surprised me the most when I first read about it was that Shetland shawls and other lace pieces were largely exported as luxury items and rarely worn by islanders themselves. Women bought yarn from spinners and knitted mostly in their homes. They then took them to local merchants and exchange the finished objects for goods or (commonly after the 1880s) money to supplement the household income. The ‘supplement’ nature of this work probably means it was not compensated as much as a job outside the home would be for the same hours and skills. Besides, it was not always easy to spin an even 1-ply yarn at 1600 metres per 100 grams. For a piece of knitting with a large ‘plain’ area (i.e. only knit stitches), the unevenness was impossible to hide but could only be discovered after the area was worked. Then the maker had to either frog (unravel) the area or continue with the risk of the whole piece not being able to sell.

Whilst it is very reasonable to point out that Shetland ladies did not usually wear this type of lace (I’ve been to the Scottish Highlands once, in summer, and it was not fine lace weather), I imagine that at least for some, it wasn’t just about making money. Some sort of fulfilment must have been from the satisfaction of having a piece ‘properly done’ by continuing and adapting a traditional pattern, technique or material. I think this sort of satisfaction is also why many modern knitters are willing to spend hundreds of hours on lacework.

Intricate handknitted lace items can still be bought today (a quick search on Etsy would show many are form eastern European countries with a long and prominent craft tradition), but many are knitted for friends or family members. It always makes me so happy to see people share the gifts they have made, whether big or small, simple or complex. I joke with my online craft friends that no handmade fibre project can claim to be so unless they have a hair or two woven into it. It is the proof of existence for the maker, who tries to go against the irregular nature of handicrafts and, at the same time, accepts it. It is about wrapping up hours, weeks or months in one’s life, along with the songs they have listened to and the perfume they have worn and the memories they have made, and putting it squarely in someone else’s hands and saying: ‘All this, for you.’

A Wedding Shawl

I have not read anything about there being a standard form of ‘wedding shawl’ in the Shetland tradition. However, there is definitely a category of square shawls with similar sizes and a few construction methods. The samples I’ve seen mostly measure 1.5-2m on one side and have three parts: a central panel, four borders and a strip of edging. It is worked flat in garter lace from centre out.

Neither is there a standardised yarn weight. A widely available yarn is the Shetland Supreme Lace Weight 1-ply by Jamieson and Smith, which weighs at 400m/25g. The Queen Ring Shawl examined by Sharon Miller used a yarn at 700m/25g. From my experience, if you want the shawl to be a true ring shawl (i.e. you want to be able to pull the shawl through a ring) at the size of the Queen Ring Shawl (210cm on the side), go for 700m/25g or finer.

I chose a rectangular shawl because I had very limited time, but I did enlarge it because for me, an abundance of fabric does mean an abundance of cozy happiness.

Pattern

Shell Grid and Spider Webs Puzzle, pattern No.19 in the book Shetland Knitting Lace by Toshiyuki Shimada.

The names of the motifs are confusing. One motif (or two highly similar motifs) might just have two different names if they are produced in two different regions. Names do not mean everything, but I’ve had fun trying to match the motifs with names according to this article by Carol Christiansen at the Shetland Museum.

The double yarnovers (YO's) in the diamonds were called Cat's Eye, but perhaps the 'Spider Web' in the pattern name is referring to the three rows of double YO's in the centre panel. It has a really simple but effective edging.

Yarn

Mermaid Lace, in colourway #naturel, sold by Great British Wool in the Netherlands. This yarn is 75% merino and 25% sea algae silk. ‘Sea algae silk’ seems to be a semi-synthetic plant fibre like viscose, with algae involved as part of the raw material. (At this price point I don’t think it has anything to do with sea silk, which is fibre produced by actual shells.) The brand name for the most popular product of its type is probably Seacell.

I bought the yarn, because I had never worked with this fibre before and was curious. What I like: it was a little cheaper than a wool/silk blend and has blocked very well. The whole skein was continuous so I didn’t have to deal with a single yarn joint. What I do not like: it lacks the sheen and smoothness of real silk and doesn’t feel as strong, although it doesn’t shed. In conclusion, I’d rather use a traditional Shetland 1-ply or another natural fibre yarn.

It's also worth mentioning that whilst I prefer to support small businesses, it was disappointing to have received a 93-gram skein when I had ordered 100 grams. It was one of those days between Christmas and the New Year and I somehow did not contact the customer service, but I really should have.

Needle

2.5mm 80cm circular needles. See modification below.

Modification

This Japanese knitting book follows Japanese sizing for knitting needles. The suggested size was no. 1=2.4mm. I figured that I could use a 2.5mm since I knitted on the tighter side, and in any case it was probably okay to make the lacework a little more open by going up a needle size.

I am not going to give out the pattern, but it is probably necessary to explain the structure of this shawl. The centre is knitted first, and then an edging is knitted onto it by picking up either live stitches or the vertical edge of the centre as you go (see schematic below). The four ‘corners’ of the edging have short-row shaping to help it lay flat. I know that traditionally people can achieve this by other methods, but I haven’t tried any of those yet.

I enlarged the pattern by increasing both the width and the length. I casted on 133 stitches instead of 101 for the centre panel and knitted Part B 8.5 times instead of 5.5. The spider web pattern in Part B requires the stitch count to be (something dividable by four) plus two, so I made one central increase before the spider web to get 134 and a central decrease after it to get it back to 133. Due to the openness of the lace, the change of one stitch is not visible.

The enlargement meant I had to recalculate the edging as well, because the number of stitches available for pick-up changed. Originally, at each corner you do two repeats with four short-row shaping each. I did 1.5 repeats following the original placement of short-row shaping in order to make the total number of repeats fit the number of edge stitches on the centre panel.

The pattern says to Kitchener-stitch the last row of the edging to the provisional cast-on. It just didn’t make sense because that would be two rows too much (the Kitchener stitch row plus the provisional cast-on row). To make the number perfectly fit, I knitted only ten rows of the last repeat (there were usually twelve in each repeat). Then I Kitchener-stitched the end to the provisional cast-on, following the lace pattern. I am quite proud of this solution because it is completely invisible.

Somewhere in the pattern it said to purl (looking from the right side). It seemed strange because the rest of the lace was entirely garter. I knitted those stitches and so far I haven’t sensed a ‘mistake’.

The pattern originally calls for 45 grams of yarn. I estimated (based on the increase of stitches in the centre panel) to need about 80 grams. I ended up using 86 grams. Besides the inaccuracies in my estimation, it was probably also because I knitted much more loosely than expected as it was difficult to tension the yarn tightly at such a weight. Like I've point out in the Yarn section above, I was lucky not to have needed more than 93 grams.

The original finished size is 53*118cm. I ended up with approximately 70*170cm.

Conclusion

This shawl took about three months of my craft time i.e. one full day every week for three months and many mornings before I had to leave for university. Knitting outside my room just didn’t work because I was a) engaged in some other activities that made it difficult to steady my hands, and b) worried about putting a white shawl on any public surface.

The pattern itself is relatively straightforward. The first difficulty was, of course, to understand the instruction written in Japanese. Google translate was horrible so I had to rely on my knitting experience. Fortunately, much of the text description was also found in graphs and charts. Then I had to get my hands used to the tiny yarn. After that, it was only fiddly when I did the edging, because I had to turn about every twelve stitches, and by that time I was handling a giant cloud of stitches on my lap. It did give me a lot of time to go over my favourite documentaries and films, and the last bit of edging was surprisingly quick!

Traditionally, Shetland shawls could be sent back to the maker for maintenance. I think it only fair for me to offer that too because I don’t want a gift to become a trouble (same as how you do not use non-machine-washable yarn for baby knits).

In general, I am very pleased with this shawl. It does pass the ring test, despite not being a traditional wedding shawl size or thickness. I do have a whole lot of actual Shetland 1-ply in my stash, so I am really looking forward to taking my Queen Ring Shawl project out of hibernation in the near future.

Reference list for Introduction

Christiansen, Carol. Shetland fine lace knitting: Recreating patterns from the past. Marlborough: Crowood, 2024.

Mann, Joanna. 'Knitting the Archive: Shetland Lace and Ecologies of Skilled Practice'. Cultural Geographies 25, no. 1 (January 28, 2017): 91–106. https://doi.org/10.1177/1474474016688911.

[buried-in-stardust]

Making a suona (唢呐). Suonas are an important part of the folk music of northern China, and used in operas, weddings, funerals, processions and for military purposes.

[eng by me]

[novaursa]

The Queen's Command (1/2)

Requests are closed!

- Summary: You came to Westeros to offer your services to the crown as a healer. And once the Dance starts and both Queens start to curry for your favor, you are forced to change the already written destiny of this war forever.

- Paring: Alicent Hightower/male!reader/Rhaenyra Targaryen

- Note: @subjectac7 , here is the first part of your request. I have to split it in half to establish a better background of the character you requested. I'll post the next part tomorrow that will include all other information you've provided me. This is more Rhaenyra centric, but the next part will contain Alicent pairing in it as well.

- Rating: Mild 13+ (rating will jump up in the next part)

- Next part: 2/2

- Tag(s): @sachaa-ff @alyssa-dayne @oxymakestheworldgoround @literaturedog

“You cannot be serious,” Grand Maester Mellos huffs, his face flushed beneath his graying beard as he paces before the hearth in King Viserys’ chambers. His robes of faded grey and white brush the floor, almost as if they carry the weight of centuries of tradition along with them. He glares at you from beneath furrowed brows, as though your mere presence is an affront to his authority. “Bloodletting has been practiced for generations in Westeros, and you—an outsider—would dare suggest otherwise?”

You stand, unmoving, across the room, your eyes obscured by the mask you wear. It covers much of your face, leaving only your sharp gaze visible beneath the shadow of the hooded cloak that hangs over your shoulders. The deep reds and blacks of your Asshaii garb seem foreign, almost unnatural, against the dull, familiar tapestries of the Red Keep. You do not flinch under Mellos’ stare.

“The king's ailment is not one that can be treated by such... primitive methods,” you say, your voice low, accented, each word carefully chosen. The hint of the Shadowlands lingers in your speech, an echo of lands far away and shrouded in mystery. “The corruption in his flesh, it festers deep within. Bloodletting will only weaken him further. What he needs is the poultice I have crafted, using ingredients from the Shadowlands, to draw the sickness out.”

Mellos scoffs, waving his hand dismissively. “Ingredients from the Shadowlands,” he repeats with mockery in his tone. “Herbs and roots that no Westerosi has heard of, much less approved of. Do you truly expect the King’s Council to trust a healer who hides behind a mask and speaks of dark magics?”

“I expect you to trust results,” you counter, stepping closer. “Results that I have delivered. How many men have I treated, who would otherwise have been lost to their injuries or sickness? Would you have them believe that my skills are unproven, Maester Mellos? Or are you simply afraid that they threaten your own?”

“You dare—”

Before Mellos can finish his sentence, the doors to the chamber swing open, and Ser Harrold Westerling strides in. The Kingsguard knight, ever stalwart, cuts through the tension with the urgency of his message. “Forgive the interruption, Grand Maester,” he says with a respectful nod, but his gaze quickly moves to you. “Princess Rhaenyra has requested your presence.”

Mellos straightens his posture. “I shall go at once. The princess—”

“Not you,” Ser Harrold interrupts, his tone firm yet respectful. “She has called for him,” he gestures to you. “There was a dragon riding incident. The princess landed awkwardly when she dismounted Syrax. She asks for the healer from Asshai.”

Mellos’ face goes white with indignation. “Impossible! The Princess would not—”

“She did,” Harrold cuts in, his gaze unwavering. “I witnessed it myself.”

You incline your head slightly, acknowledging the order without gloating. “It seems, Grand Maester, that Westerosi traditions do not always hold the favor of your nobles.” With that, you turn toward the door, your robes swaying as you move to follow Ser Harrold out into the corridors of the Red Keep.

As the two of you walk through the hallways, the torches lining the stone walls flicker with your passing. The clanking of Ser Harrold's armor is a steady rhythm next to your nearly silent footfalls. The knight, a man of duty and few words, finally speaks.

“I’ve seen what you can do,” he says, his voice low, so as not to carry. “There are soldiers, men who were once as good as dead, now back on their feet because of you. I’ve heard whispers, even saw one man after the battle with the Crabfeeder... wounds that should have taken weeks to heal, mended in days. Some say it’s dark magic. Others say it’s just skill. I don’t care which it is, as long as it works.”

You keep your pace steady, eyes focused ahead, your voice calm. “The Shadowlands teach many things, Ser Harrold. Some would call it magic, others simply knowledge they do not understand. But I assure you, everything I do is to heal, not harm.”

He glances at you from the corner of his eye. “And what of the King? Can you heal him?”

There’s a brief silence as you consider your response. “The corruption in his body runs deep. I can slow its progress, perhaps ease his pain. But to truly heal him…” Your voice trails off for a moment before you add, “It would take more than even I know. There are forces at work here, beyond any single healer.”

Harrold nods, accepting the answer for what it is. “Rhaenyra trusts you. She’s not easily impressed.”

You glance at him, sensing an unspoken question behind his words. “And you, Ser Harrold? Do you trust me?”

He doesn’t answer immediately, and for a moment, the only sound is the clinking of his armor and the crackle of torches. Finally, he replies, “I trust what I’ve seen with my own eyes. Time will tell the rest.”

The two of you reach Princess Rhaenyra’s chambers. As you enter, the familiar scent of dragon lingers in the air—an unmistakable smell of sulfur and smoke. Rhaenyra lies on a cushioned bed, her face pale but composed. Her leg is propped up awkwardly, and you can tell by the slight grimace on her face that the pain is intense.

She looks up as you approach, her eyes sharp. “You came quickly,” she says, her voice strong despite her discomfort. “Good.”

You kneel by her side, gently examining her injured leg. “You dismounted Syrax too soon,” you say, noting the swelling in her ankle. “A sprain, most likely.”

Rhaenyra winces slightly but allows you to work, watching you closely as you reach into your satchel and pull out the poultices and herbs you’ve prepared. “I trust you’ll have me back on my feet soon,” she says, her tone laced with both humor and challenge.

You meet her gaze through your mask. “Soon enough, Princess. Though I recommend resting this time, even if the pain subsides.”

She smirks. “We’ll see.”

Rhaenyra’s eyes continue to gleam with mischief as she watches you work. The playfulness in her voice carries through the quiet of the room. “You know,” she says, leaning a little closer, “I often find myself wondering what lies beneath that mask of yours. It’s not often I see a healer who hides his face.”

You glance up briefly from your work, smirking beneath the mask though she can’t see it. “Perhaps I wear it to keep a certain air of mystery, Princess,” you jest, not missing a beat. “Or maybe it’s better to leave some things to the imagination. After all, isn’t that more intriguing?”

Rhaenyra chuckles, her lips curving into a smile that matches the playfulness of your tone. “Intriguing indeed,” she muses, her fingers brushing idly against the table beside her. “But I am not a patient woman, Y/N. If there’s a mystery, I’ll uncover it eventually.”

You meet her gaze through the shadowed eyeholes of your mask, enjoying the playful dance of conversation. “Careful, Princess,” you say, the corner of your mouth lifting under the mask. “Sometimes the mystery is better left unsolved. You might find that what lies beneath is simply... underwhelming.”

Rhaenyra raises an eyebrow, clearly enjoying the banter. “Somehow, I doubt that. You wouldn’t hide it otherwise.”

You shake your head, focusing back on the work in front of you. “It’s not hiding, Princess. It’s... discretion.”

The silence that follows is not uncomfortable, but charged with a strange sort of intrigue. Rhaenyra watches you as you finish tending to her ankle, her curiosity about you only growing with each passing moment. “You’re unlike anyone I’ve met at court,” she says quietly, her gaze lingering on your hands as you work with practiced precision. “The others—Maesters, knights, and lords��they follow rules, traditions. You seem... outside of that.”

You glance at her again, briefly pausing in your work. “Asshai is far from Westeros. Its ways are not your ways,” you reply, your tone measured. “But I do what I must to heal. The rules of your court, your Maesters... they do not always align with the needs of the body.”

Rhaenyra seems to ponder your words, her interest piqued. “Perhaps that’s why I find you so... refreshing. Someone who doesn’t follow the same tiresome paths.”

You finish tying off the bandage around her ankle, gently securing it with a practiced touch. “There,” you say, rising to your feet and stepping back slightly. “The injury is not severe, but I advise rest.”

Before Rhaenyra can respond, the door opens, and in steps Queen Alicent, her presence commanding as ever. The light fabric of her green gown sways as she enters the room, her face calm, though you catch the briefest flicker of something unreadable in her eyes when they land on you. It’s subtle, but you notice it—a moment of hesitation.

“Rhaenyra,” she says, her voice softer than you expected. “I heard what happened. Are you all right?”

Rhaenyra smiles, waving off the concern. “I’m fine, Alicent. It was a minor incident, nothing more.”

Alicent’s gaze, however, shifts to you, and for a moment, there’s a tension in the room. She studies you, eyes narrowing ever so slightly. You know what this is. Otto Hightower’s warning about you lingers in her mind. She has heard about you—the healer from Asshai, with methods that defy the Seven’s teachings. Your presence unsettles those who cling to the old ways.

“I see you’ve... called upon Y/N,” Alicent says, her tone polite but guarded. “Father has told me about you.”

You incline your head slightly, acknowledging her without bowing fully. “Your father is a wise man, Your Grace. But wisdom sometimes comes with... caution.”

Alicent’s lips press into a thin line, her eyes never leaving you. “He said your ways are not... natural. That they defy the will of the Seven.”

Rhaenyra glances between the two of you, her gaze flickering with amusement. “Oh, Alicent. Must you always listen to your father? Y/N’s methods may be different, but they work.”

Alicent remains silent for a moment, her brow furrowing. “Different doesn’t always mean better,” she says softly, but the words seem more directed at herself than at you or Rhaenyra. Her gaze lingers on you, wary, as though she’s still trying to make up her mind about what exactly you are.

The silence that follows is heavy with unspoken tension, and you can feel Alicent’s discomfort. Yet, there’s something else there—something that goes beyond mere suspicion.

Rhaenyra, sensing the weight of the moment, breaks the silence with a smile that’s more mischievous than polite.

"Enough of this," Rhaenyra says, her voice light but firm as she rises from her seat, clearly intent on dismissing the uneasy air. “Whatever the Maesters or anyone else may think, Y/N has proven his worth to the crown. And I, for one, am grateful for his service.”

Her smile turns more genuine as she meets your eyes—or rather, the mask that conceals them. "In fact, I think it’s only proper that I express my gratitude personally," she continues, a playful tone lacing her words. "I would like to invite you to a private dinner, Y/N. There are many things I wish to know about you—about your homeland, your methods." She tilts her head slightly, her eyes twinkling with curiosity. “And perhaps we can finally solve the mystery of that mask.”

Alicent shifts uneasily beside her, her discomfort evident as she glances between you and Rhaenyra. Her fingers tighten slightly around the folds of her green gown, but she says nothing.

You incline your head, a soft chuckle escaping your lips. "A dinner with the Princess herself," you say, your voice smooth. "How could I refuse such an honor? Though I cannot promise the mask will come off so easily."

Rhaenyra's eyes narrow with amusement. "We’ll see about that."

Alicent clears her throat, clearly uncomfortable with the turn of the conversation. "Rhaenyra," she begins, her voice soft yet laced with subtle reproach, "perhaps it’s best to be cautious. After all, there’s much we still don’t know about—"

“Oh, Alicent,” Rhaenyra interrupts, her tone slightly dismissive but still playful. “Y/N has done more for the crown in one day than some have in years. I see no need for caution when gratitude is in order.”

Alicent’s lips press into a thin line, her unease apparent. She steals a glance at you from the corner of her eye, her expression betraying a hint of something deeper—curiosity, perhaps? Or is it the uncertainty that comes with the unfamiliar? Otto Hightower’s warnings still weigh on her, but something else lingers as well, something unspoken.

You turn to face Rhaenyra, offering a small, respectful bow. "Then, Princess, I shall look forward to your company."

As you turn to leave the room, you can feel both sets of eyes on your back—Rhaenyra’s filled with intrigue and mischief, and Alicent’s with something more complicated. Her gaze follows you, hesitant, cautious... and yet, there’s a flicker of something else.

For now, though, you leave them behind, the faint echo of their divided loyalties lingering in the air.

The dining hall Rhaenyra had chosen for this private dinner was smaller and more intimate than the grand banquet rooms of the Red Keep. The hearth crackled with warmth, casting flickering shadows on the stone walls, while a table draped in fine velvet sat between the two of you. A small feast had been laid out: roasted fowl, rich sauces, and goblets of deep red wine.

Rhaenyra leaned forward with a smile, one hand resting casually against her goblet. "So, Y/N," she began, her tone playful, "you’ve done well to avoid the subject of that mask of yours. We’re alone now—surely there’s no need to hide.”

You offered a slight chuckle, shaking your head slowly. "I wear it out of habit, Princess. It is part of who I am." You gesture toward the spread of food between you, your hands resting still in front of you. “Besides, a mask does not prevent me from sharing your company.”

Rhaenyra’s eyes sparkled with mischief as she took a sip of wine. "But it does prevent you from sharing a meal," she teased, nudging the plate of food toward you. "Surely you can’t eat through that mask."

You allow a smile to linger in your voice as you respond, “Perhaps, but I’ve grown quite accustomed to not eating in front of others.”

She leaned back, crossing her arms with a huff, clearly not content with your evasiveness. “You’re avoiding the question again,” she said, smirking as if she enjoyed this game of cat and mouse. “You can’t keep your face hidden forever.

You tilt your head, humor lacing your words. “Perhaps I simply enjoy the mystery. After all, didn’t you say it made things more intriguing?”

Rhaenyra’s gaze sharpened as her smile faded into something more deliberate. “Y/N,” she said, her tone still light but more commanding now. “Take off the mask.”

You froze for a moment, eyes narrowing slightly behind the mask as her words shifted from request to command. “That’s hardly fair,” you replied, your voice calm but with a hint of wariness. “Ordering me to do what you’ve been trying to coax from me all evening?”

Rhaenyra’s lips curled into a knowing smile, sensing your hesitation. “Fair or not, you’re in my service now. And I wish to see you—truly see you. So I order you.”

There’s a pause, a long, heavy silence between you. Her words linger in the air, and you can feel the weight of her demand settle over the room.

With a sigh, you slowly reach for the ties of your mask, your fingers loosening the cords that hold it in place. As the mask comes away from your face, you see Rhaenyra’s eyes widen ever so slightly, her playful demeanor faltering for the first time that night.

She stares, taken aback by your appearance, the easy confidence in her gaze replaced by something more like wonder.

You meet her eyes, your features now fully exposed to the flickering firelight. The contours of your face are unlike anything she’s seen before—your skin bearing the deep, rich tones of your distant homeland, marked with faint, intricate scars that seem almost ceremonial. Your eyes, so often obscured by the mask, are piercing, dark as onyx and filled with an intensity that feels more ancient than anything in Westeros. There is a strangeness in your appearance, something foreign, even to someone as exotic as Rhaenyra, whose Valyrian blood sets her apart in this world. You are different—more alien even than she, with her silver hair and violet eyes.

She blinks, clearly taken aback, her breath catching for a moment as she takes you in. “Gods,” she whispers, her voice soft, almost reverent. “You... you look like something from one of the old tales. Like you stepped out of another world.”

You watch her carefully, gauging her reaction. You’re used to this—used to the looks of surprise, fear, even fascination. But this moment feels different. Rhaenyra doesn’t shy away or recoil in discomfort. Instead, her eyes linger on yours, filled with a strange blend of curiosity and something else—something deeper.

“It is not every day a man from Asshai dines with a princess of Westeros,” you say, your voice calm but with an undercurrent of amusement. “I suppose we are both somewhat alien here, are we not?”

She laughs softly, though her eyes still linger on your face, studying every detail as if committing it to memory. “More alien than I thought,” she murmurs, her smile returning, though more thoughtful now. “I knew you were different, but... this.”

You tilt your head slightly, a small smile playing on your lips. “Do you regret ordering me to take off the mask?”

She shakes her head, her silver hair catching the firelight. “No,” she says, her voice soft but firm. “But I didn’t expect you to be... this.”

The two of you fall into a quiet understanding. Whatever assumptions she might have held before are gone now, replaced by something more genuine, more real. You are no longer just a mysterious healer from the far east. You are something she cannot quite place but cannot ignore.

“I wanted to know more about you,” Rhaenyra continues after a moment, her voice softer. “But I think I still don’t know enough.”

You lean back slightly, meeting her gaze with a smile. “Perhaps that is something we can remedy... in time.”

Rhaenyra leaned forward slightly, her gaze still lingering on your features as the moments passed in silence. You could feel her studying you, but now there was something more in her eyes—something contemplative, even vulnerable.

“I have a request of you, Y/N,” she said after a moment, her voice quieter now, losing the playful edge it had carried earlier in the evening. “It concerns my father.”

You knew where this was heading even before she finished speaking. The condition of King Viserys had been a topic of whispered discussions around the court for months now. You had seen it with your own eyes—how the illness had taken hold of him, how the rot had spread. But the Maesters, and most notably Grand Maester Mellos, had kept a tight grip on his care. They had kept you at arm’s length, regarding your methods with disdain and suspicion.

“I would help him if I could,” you replied evenly, placing down your goblet. “But your Grand Maester refuses to allow me much access to the King. He sees my methods as... unnatural.”

Rhaenyra’s jaw tightened slightly, frustration flashing in her violet eyes. “Mellos is stubborn. He insists that his way is the only way, but I’ve seen my father’s condition worsen under his care.” She sighed, brushing a strand of silver hair back behind her ear. “If there’s something you can do, something that could ease his suffering...”

You hold her gaze, understanding the weight of her words. There was no love lost between you and Mellos, but Viserys’ condition was worsening far faster than you had expected. There were treatments you had at your disposal, remedies from the Shadowlands that could slow the spread of the sickness. But those who worshipped the Seven viewed such methods with suspicion.

“I can try,” you say after a moment, your voice measured. “But it won’t be easy. Mellos will block me at every turn.”

Rhaenyra’s expression softened, her fingers tracing the rim of her goblet absently. “Then we’ll find a way,” she murmured. “I won’t stand by and watch him fade, not when there could be another path.”

The quiet in the room felt heavy, filled with unspoken thoughts. You finished your meal, the last bite of roasted fowl disappearing as you placed your fork down gently. Without another word, you reached for your mask, fingers curling around the edges as you prepared to don it once more.

But before you could pull it over your face, Rhaenyra’s hand shot out, stopping you mid-movement. Her fingers were warm against your wrist, firm but gentle. “Wait,” she said softly, her voice more of a whisper now.

You paused, glancing down at where her hand rested against your arm. “Princess?”

She smiled, a hint of mischief returning to her eyes, but there was something deeper now, something more intimate. “I wish to give you a gift for your services to the crown,” she said, her voice low, almost conspiratorial.

You raised an eyebrow, intrigued by her sudden shift in tone. “A gift?”

Rhaenyra leaned in, her fingers still wrapped around your wrist, preventing you from putting the mask back on. “Yes, Y/N,” she said, her voice barely above a whisper now, her lips curving into a smile. “Something personal.”

Before you could respond, she moved closer, closing the distance between the two of you with an almost predatory grace. Her hand slid from your wrist to rest lightly on your shoulder, her breath warm against your skin.

And then, without warning, she pressed her lips to yours.

The kiss was soft, yet filled with an intensity that took you by surprise. Rhaenyra’s lips were warm, her hand still resting against your shoulder as if to keep you anchored in place. You could feel the heat of her body, the closeness of her form, and for a moment, the world outside the room seemed to disappear entirely.

When she finally pulled back, her eyes were bright with something unspoken, her lips parted slightly as if she, too, were surprised by the suddenness of the kiss.

“That,” she said, her voice still soft but with a playful edge, “is your gift, Y/N.”

You stared at her, caught between surprise and amusement, the weight of the moment hanging between the two of you. She gave you a slow, almost teasing smile, watching your reaction carefully.

“Well,” you said after a beat, your voice low and amused, “I’ve received many gifts in my time, but none quite like that.”

Rhaenyra laughed softly, leaning back in her seat with a satisfied expression. “Good,” she replied, her tone once again playful. “Then I trust you’ll keep this one close.”

The Red Keep’s courtyard buzzed with the usual clamor of activity—horses being saddled, guards shouting orders, and the echo of clattering armor. You stood near the stables, your horse nearly ready, its saddle secured as you prepared to leave. The weight of the past few days pressed heavily on you. Your attempts to aid King Viserys had been met with resistance at every turn. Mellos, ever watchful, had made sure of that.

Just this morning, he had summoned you to the council chamber, where Otto Hightower waited with his usual calculating gaze. Mellos had been quick to present his case: how your methods, unnatural and foreign, posed a threat to the King's health, how you undermined the maesters' authority, and how the Seven themselves would frown upon your practices. It hadn’t taken much convincing for Otto to act on Mellos' words. You were relieved of your duties, with a polite but firm warning that your services were no longer required.

And so here you were, tightening the reins of your horse, ready to depart. You had no desire to stay where you weren’t wanted—where your hands were tied, unable to help those who needed it.

But just as you reached for your horse’s bridle, a voice broke through the noise, sharp and unmistakable. “You can’t leave.”

You turned, and there she was—Rhaenyra, standing at the edge of the courtyard, her silver hair catching the late afternoon light. Her expression was fierce, her eyes locked onto yours with a fire you hadn’t seen since the night of the dinner. She strode toward you with purpose, her gown billowing slightly in the wind.

“Princess,” you greeted her, your voice calm, but you could see the urgency in her eyes.

Rhaenyra stopped a few paces away, her chest rising and falling with the remnants of whatever anger or frustration had driven her here. “I heard what happened,” she said, her voice lower now, though no less intense. “Mellos went to Otto. He convinced him to send you away.”

You sighed, not surprised but still weary. “It was only a matter of time, Princess. Mellos has always seen me as a threat. He used Otto’s fear of the unknown to push me out.”

“You can’t leave,” she said again, more forcefully this time. Her violet eyes searched yours, as if trying to find some way to convince you to stay. “My father needs you. I need you.”

You stepped closer, the reins of your horse still in your hand. “You know as well as I do, Rhaenyra, that Mellos won’t allow me near your father. Every time I’ve tried, he’s blocked me. Even now, your father’s care is in his hands.”

Rhaenyra’s jaw clenched, her frustration clear. “You could help him. You could stop what’s happening to him.”

You sighed softly, shaking your head. “There are limits to what I can do when the very people who should be working with me are working against me. If I stay, I’ll be wasting time fighting battles I cannot win.”

Her gaze softened, but there was still a fierceness behind her eyes. “Then stay for me,” she whispered, her voice barely above the wind. “Not for them.”

The sincerity of her words hung between you, heavy and undeniable. For a moment, you considered it—considered staying, if only for her. There was something between you now, something that had grown in the quiet spaces between words and the stolen moments you shared. But even that couldn’t change what had been done.

You stepped forward, closing the space between you and Rhaenyra. “We will see each other again, Rhaenyra. This isn’t the end.”

She looked up at you, her eyes searching yours for any sign of doubt. “How can you be so sure?”

A faint smile tugged at the corner of your lips. “Because some paths are meant to cross again.”

Rhaenyra’s face softened at that, but the fire in her eyes remained. “I don’t like it,” she said, her voice full of that same determined stubbornness you had grown used to. “But I believe you.”

You reached out, gently touching her arm, your voice quiet but firm. “Take care of your father. And take care of yourself. I will find my way back when the time is right.”

With that, you turned toward your horse, mounting it with ease. Rhaenyra stood back, watching as you prepared to ride away, the wind catching her silver hair as it whipped around her face. You met her gaze one last time, a silent promise passing between you.

And then, with a gentle nudge of your heels, your horse moved forward, carrying you out of the Red Keep and into the city beyond.

As you rode through the gates, you couldn’t help but glance back once more, catching a glimpse of Rhaenyra standing in the courtyard, a figure of silver and fire, watching you disappear into the distance.

[lordprettyflackotara]

Chapter Thirteen || Hitchhiker || The Proxies

tw: PLEASE READ: mentions of suicidal thoughts, various torture methods mentioned & described, descriptions of gore, depression, etc. this chapter is one of the darker ones. viewer discretion is advised.

<— previous chapter

Brian Thomas was the first. He had seen everything.

Hoodie was the first proxy. He had done everything.

Being the first can make you feel alone, if Hoodie was being honest with you. He had not only had his own mind corrupted, but he watched The Operator corrupt everyone else's around him too. Brian refused to crack at first, putting up quite a fight. Mentally and physically he fought. He refused to be The Operator's puppet. The static torture was enough to knock him down for a few days, but it didn't shatter his determination like The Operator had hoped. Brian began to try to escape. He begged, cried, and ran. Each time he landed himself in the same basement, the air stale and cold. Each time he would curl himself into a ball, his cheek laying on the raw concrete. The static would make him incapable of moving, unable to even sit up.

Once that failed, Brian tried a different tactic. He tried every method of suicide he could think of. He tried to drown himself in the mansions pond. He attempted to silt his wrist. He even had hung himself. Unfortunately, death was not his friend and feared The Operator just as much as he did. With each attempt The Operator would haul his body to Eyeless Jack, a tall demon with endless medical knowledge. With his expertise and The Operator's supernatural abilities, Brian was never granted his wish. His soul was always yanked back into his body, his wish for death never even having a consideration of being granted.

The Operator did not enjoy Brian's resistance. He had only tried to create a proxy before, Jeff the killer not the pick of the litter he soon learned. But if he could start with someone like Brian, sane but with darker underlying tendencies. He would have a much better chance of successfully crafting a personal proxy. Brian however, was much more tough than he thought. All of these death attempts, mixed in with his orders not getting completed, did not sit well with him. He knew Brian was doing it on purpose, in an attempt to get him to torture him to death. Unfortunately for Brian, The Operator had much larger plans. One that included his dear friend Tim. Brian didn't take that knowledge well, landing himself strapped to a chair in the basement he was imprisoned in.

The Operator hadn't considered traditional human torture methods, but he was growing bored of Brian's antics. Brian's memory gets spotty at this point, remembering endless buckets of water being thrown on him. At one point he swore a hose of that same water was shoved down his throat, but he may have been hallucinating at that point. The Operator attached electric wires to the man, turning the switch on. He watched his newest toys body twitch against the restraints, cries of pain escaping his lips. Seeing The Operator looming over him sopping wet, was Hoodie's first memory. He wasn't sure what he was doing there, but his wrist and ankles had been burned raw from the rope that restrained him. The Operator could see the switch in his newest proxy's eyes, his long white fingers gripping Hoodie's face.

Hoodie stared at him blankly, blinking a few times to ensure what he was seeing was real. The Operator had done it. He had corrupted Brian into what he needed him to be.

The next few years after that went by in a flash. First thing was first after Hoodie's creation: The Operator wanted him to have a partner. Who else better to join him in his new life of misery other than Tim Wright? Hoodie recognized why he wanted Tim right away, something Brian would've never spotted. Tim had anger issues, ones that were uncontrolled. He was also smart, seeking psychological help after seeing The Operator. The pills that were given to him kept The Operator away. Brian wished he had thought of that. But it was too late for that. It was too late for him. Hoodie didn't feel bad stealing the medication. If anything, he was overjoyed. Finally, a companion in this lonesome life of slavery. His joy was selfish, he knew this. He also knew Tim would never forgive him once he found out. But to Hoodie that was the glorious part: he didn't have a choice.

Neither of them did. Tim's approach was much more aggressive than Brian's, his retaliation more homicidal than suicidal. What Tim didn't realize, was that this was exactly what The Operator wanted. Masky's grand appearance was made after a long night of static, Tim's ears bleeding and raw by the time The Operator was done with him. Even when Brian and Tim fronted, Brian knew that a part of Tim would never ever forgive him. But the boys didn't have anyone else beside each other, it was a forced friendship. Toby was next, Hoodie more than unamused when he was recruited. The kid was unstable, constantly ticking and seeing things that weren't there. His story was all over the news, Hoodie didn't need to ask questions. Not like he would've anyways.

It was a different ball game with Toby. He didn't need an alter. The kid so unstable with his list of disorders he hardly needed any mental manipulation at all. Masky nor Hoodie liked this, the kid completely off of his rockers. Hoodie hated to see that he was genuinely happy slaughtering people. He hated the way he walked. The way he talked. The sound of his laughter. Masky and Hoodie tried to shove the kid off, Toby always following them around like a lost puppy. The Operator had a soft spot for the kid, one Hoodie could never pinpoint as to why. Maybe it was because he didn't need to waste his time scrambling his brains. He had lost his sanity a long time ago. The Operator didn't need to force it. With the three of them Hoodie figured he wouldn't need anymore proxies. They got the work done efficiently, the blood and gore becoming a desensitized sight to both Hoodie and Brian.

Kate the Chaser came next. She was a scrawny little thing when The Operator first brought her around, her face covered by a sunken in and stained mask. Empty black eyes and white porcelain stared back at him when he looked at her. She was borderline feral, snarling and growling anytime the three of them tried to talk to her. Hoodie suspected The Operator wanted her to become a member of their band of misfit toys, but the girl was too out of touch with human nature. She behaved like an animal, her snowy white skin constantly covered in coal dust. Hoodie suspected he had sent her down to coal mines for prolonged amounts of time, creating lack of vitamin d and animal like behavior. It was a grand mystery to Hoodie why he recruited her until he saw her run. The girl could've been a track star if her life hadn't steered so far off course. Eventually The Operator took her out of the mines, allowing her to work alone. She gained human like tendencies again, but despised sunlight.

Hoodie thought The Operator was done, until he met Cat Hunter. The Operator typically didn't present a proxy to him until they were completely mentally diminished. Hoodie was surprised that The Operator was so open about his torture of the new proxy, his tentacles wrapped around his throat as he dragged him down the hallway. Cat Hunter was a resistant one come to find out, more resistant than him. It made Hoodie feel spiteful in a way, despising the new proxy for being able to hold out longer than him. Even when Cat Hunter had fully mentally submitted, he didn't form an alter like Brian and Tim did. This only made Hoodie resent him more. The sadistic side of Hoodie relished in his corruption when he was finally instructed to meet them.

Cat Hunter was a new, more shiny toy. One The Operator took great pride in. He didn't attempt to force them to be a group this time, announcing straight away that Cat Hunter would be working alone. His metal claws were eerie, his cat mask concealing his face entirely. He only spoken when spoken to, his reclusive behavior reminding Hoodie of his own. Hoodie couldn't stand this. This life of jealousy, rage, and despair. The mourning of his own loss a constant nagging factor that ate at his brain, while being forced to watch more innocent individuals become homicidal slaves. Hoodie hadn't thought of escape in a long time. But Cat Hunter. Something about Cat Hunter brought it out of him. The desire to escape. The will to escape.

A few weeks after Cat Hunter had officially settled in, The Operator assigned the two of them on a mission together. Hoodie didn't know why, but it wasn't his job to ask why. If anything, this was the perfect opportunity for him to make his grand escape. The two were walking back from their mission, the leafs crunching below them as they trudged through the Slender woods. There was always the chance of getting caught by The Rake, a creature from hell who fed off of human flesh. But Hoodie was never afraid, always sure if The Rake got him that he would finally be granted his wish for death. But with hope carrying him every step, he didn't want to think about The Rake at all.

A rusty pipe sat in his hand, an unusual weapon. He hadn't picked one he was used to yet, all of them feeling uncomfortable in his hand. Hoodie shifted his grip on the pipe, raising it above Cat Hunter's head. He slammed it down on his skull, the newest proxies body falling onto the ground. Hoodie panicked at the sight of a small pool of blood forming around his head. He threw the pipe aside, throwing himself in a random direction. He had come to the conclusion as he ran that if he killed Cat Hunter, it would be for his own good. He weaved in and out of the giant trees, jumping over overgrown vines. His heart was pounding, his head spinning at the thought of Jack possibly hearing him.

Unfortunately for him Jack wouldn’t kill him, he had trained himself to not crave the proxies meat. If Jack were to catch him, he’d haul him back to The Operator. His lungs began to burn as they carried him deeper into the forest, his breath becoming shallow. He cringed as the muscles in his leg began to feel strained, every fiber in him screaming at him to run faster. Maybe if he had trained as much Cat Hunter he would have more stamina, Hoodie falling short as he slowed down to a stand still. He leaned against a tree, a gush of wind ripping past him as he looked up.

Over the horizon was a city. He didn’t know which one. He didn’t need to know which one. The city lights twinkled in the night, multiple shapes and colors blowing Hoodie’s pupils. He grinned as he straightened his back, a sigh of relief escaping his lips. Looking down he noted a very steep hill, one littered with overgrown grass. He knew he’d have to be careful going down, but that didn’t matter right now. What mattered was that he could taste his freedom. He’d have to spend the rest of his life on the run, but none of that mattered. He let out a laugh of relief, his mind wondering to what he’d do first.

He’d have to try to find everyone. His parents. He could buy a phone, listen to all of the music that was getting him through college. Could he do college while traveling? He’d need a career that took him around the world, not just the country. He sighed in relief, that glorious feeling then swiped away from him in an instant. It was hard for him to describe what came next. A sharp pain swiped its way through his ankles, a cry escaping his lips and echoing into the night. Before Hoodie knew it he was falling forward, colliding with the hard ground roughly. Grass and dirty flung around him as he rolled down the hill, unable to stop himself. His body only stopped when he collided with a tree, the air being knocked out of his lungs. Hoodie gasped for oxygen as he tried to see past his blurry vision full of tears.

Blinking profusely he forced himself to look down. Three blades had cleaned swiped through his ankles, the flesh now mangled and hanging loosely in various chunks. His tendons and muscles had been ripped out, his left ankle broken. His breath was shaky as he looked at it, the foot turned completely around. He cringed at the sight, his raw bones exposed through the mutilated flesh and blood. He felt his stomach churn, nausea washing over him like a violent wave. He propped himself up on his elbows, trying to prepare himself for what came next. He was surprised to hear footsteps coming down the hill, his gaze avoiding the attacker. The footsteps stopped beside him, Hoodie able to feel the attackers set of eyes study him.

Forcing himself to look up, he wanted to be surprised he saw Cat Hunter. Despite his mask concealing his expression, he could feel his pitiful look as he watched Hoodie shiver with pain. Hoodie practically bit tongue, refusing to let the strings of pleas or cries of pain out. Cat Hunter tilted his head to the side. The faint sound of static could be heard, Hoodie’s ears ringing from the agony he was under. Cat Hunter crouched down beside him, taking out a small handgun.

“I’m gonna do you a favor. Thank me later.”

It was then he was knocked out cold.

All of these years later Hoodie could remember it like it was yesterday. He rocked slowly back and forth on the back porch’s rocking chair, his hands clasped together. He watched as the snow slowly fell from the sky, coating the ground. The memories circulated his brain as he tried to make sense of Cat Hunter’s mistake. He ignored the back porch door opening, his mind heavy on Cat Hunter. You made your way over to Hoodie, hugging a blanket around your shoulders. “Can I sit?” You asked. You could see your breath in front of you. Hoodie silently gestured for you to have a seat in the rocking chair beside him.

“What’s bothering you?” You asked. You knew about the discovery of the claw. The next morning Toby was cradling you like a baby, afraid that if he didn’t have his eyes directly on you that Cat Hunter would strike. You got given the stale answer upon asking who he was. Hoodie had been avoiding you all morning. Not only was that a red flag, but it was also a red flag to you that Brian hadn’t fronted once since the discovery of the claw. Hoodie didn’t answer for a moment, watching snowflakes fall onto the earth. “You can tell me anything you know. I’m here for you,” You say. Hoodie remained silent, pondering his choices. “Hoodie,” You say, catching his attention. You lifted yourself out of your rocking chair, your hands slipping onto the sides of his hood.

You slipped the hood downwards, before slowly grabbing the hem of his ski mask. You were surprised he didn’t stop you, allowing you to unmask him. You cupped his face with your hands, your small fingers shaking from the cold. “You really should be wearing gloves,” Hoodie scolded softly. You gave him a smile, planting a kiss on his head. “Dont change the subject. Tell me what’s wrong,” You insisted. Hoodie sighed, his gaze finally meeting yours. Yeah, his life had been absolutely miserable. Until he had met you. With your stupid smile and stupid doe eyes. As he looked up into your eyes, he understood why Tim was so determined to let you live.

“Cat Hunter and I have history. If it wasn’t for Jack I wouldn’t be able to walk,” Hoodie admitted. He grabbed your waist, pulling you into his lap. You threw your legs over the arm rest, his large hands pulling you closer to him. He rewrapped the blanket around you, his body radiating warmth like a personalized heater. “I can’t imagine him hurting you like that. It bothers me,” He confessed. You nuzzled yourself into his neck, his stubble poking at your skin. “I’m pretty tough you know, i’m not just an easy target for him to kill off,” You say. Hoodie rocked you both back and forth in the rocking chair slowly, the ancient wood creaking each time the chair went backwards. “It’s not about being tough. He’s spent every waking moment of his free time becoming a better proxy. He’s made it his life’s mission to be the best,” He explained.

Your fingers found their way to his hair, running it through his locs, which had grown quite long since the two of you had met. “I’ll make you a deal,” You say. It was a long shot at making him feel better, but Hoodie appeared to be the type who preferred to handle his issues more physically than not. “I’m listening,” Hoodie mused. You pulled away from his neck, looking up into his eyes. “Let me give you a haircut and you can train me. Fighting, weapons, whatever you want. Whatever you think is best,” You offered. Hoodie gave you a cocky grin, running his fingers through his overgrown hair. “Not digging the mullet huh?” He chuckled. You playfully rolled your eyes. “I’d adore you with whatever haircut you decide to have, but if I have a say so and a pair of scissors i’d say you’re due for a trim,” You replied.

You nuzzled back into his neck, his warmth so enticing you almost forgot entirely that it was snowing. As Hoodie rocked you back and forth he could feel his chest radiating with an unfamiliar warmth, only the kind you could produce. He watched as your eyes fluttered shut, your breathing growing heavy. You were so perfect like this, so peaceful and content. For the first time in Hoodie’s existence he didn’t want to corrupt you. He wanted to keep you pure and intact. It was an odd feeling, wanting to persevere one’s innocence instead of taking it. He felt his heart skip a beat as he realized why that was. How long could this really last? Could they really pull this off? Escaping The Operator once and for all? Hoodie had done horrible, hellish things under The Operators influence. What if in the end he pinned him against you?

The feeling that had embedded itself inside of him was a parasite known as one of pure endearment. Hoodie sighed, continuing to rock you back and forth. He loved you and he’d do everything in his power to protect you. Even if that meant protecting you from himself.

—> next chapter

[whoistartaglia]

can genshin men cook?

after a long day of work, what do you come home to: the aroma of dinner cooking in the oven or the smoke detector blaring and a kitchen on fire…?

diluc is so house husband that you would ideally come home to a warm meal set on the dining room table, except for the occasions when he overcooks the food. it’s not his fault, really. blame the pyro god who gave diluc his vision, that may or may not flare up when he’s trying to slowly roast some chicken and vegetables over an open flame. one second everything is fine, the next the chicken is blackened and some of the vegetables have been reduced to ash.

if childe is cooking you a family recipe or a traditional snezhayan dish, then you know you’re coming home to a delicious smelling kitchen and fresh flowers set on the table. childe considers it an act of appreciation and love, cooking his home favorites for you. he puts care in his cooking, and has practice from from feeding his younger siblings growing up. the dishes always turn out amazing and you’ll get him blushing from head to toe if you ask him to show you how to make it.

kaeya is more of a takeout kind of guy. that’s not to say he won’t cook for you if you ask—there are at least a handful of dishes and recipes he knows how to make, and pretty damn well, too. but if he’s also coming home from a long day at work, he’ll probably order something from a local tavern or restaurant, and bring it home. kaeya always remembers to order your favorite, and the takeout food is always set out on the table when you get home. and of course, he always takes care to order your favorite meal, which he knows like the back of his own hand.

xiao won’t burn down the kitchen, but he might get close. he doesn’t have a whole lot of mortal food he enjoys, and so doesn’t have much experience in cooking human food. xiao does try his best for you, though, because he wants you to come home to a nice dinner and relaxing evening. so if xiao happens to start a kitchen fire or set off the smoke alarms, he makes sure to handle it before you get home. you won’t even smell the remnants of the fire in the air, thanks to xiao’s anemo powers.

itto is also very house husband, but when it comes to other things, like building or renovating or practicing fighting moves in the backyard. while he can cook, it’s always a gamble whether you’re coming home to a kitchen half-burnt or an actual living fire. he swears he has it under control. he reassures you everything is fine, and to his credit, he does manage to put out the fire(s) and get something edible on the table. itto will also be very proud of his work, and you agree with his “raw, sheer talent” even as your fork is covered in ash and the burnt remains of some poor grocery store food.

ayato has personal chefs and the meals you come home to are always perfect. how could they not be, when crafted by the finest cooks in inazuma? if you actually request ayato himself to cook for you, he’ll do so happily. he’s a very meticulous, methodical cook—chopping vegetables precisely, using measuring cups and spoons for amounts people usually eyeball, and waiting until the stove or oven is at the perfect temperature before use. his meals turn out amazing—more than the private chefs, because this one is homecooked from the heart.

zhongli definitely has extensive knowledge of cooking and old recipes from liyue, and makes warm, delicious homecooked meals for you… but you still come home to a messy, smoking kitchen once in a while. you’re kind of relieved at that, since it shows that, for all his godly powers and extensive wisdom, zhongli still has his moments. so you laugh as you extinguish the fire even as zhongli is apologizing profusely. though if you suggest to go to your favorite restaurant, zhongli will refuse—he’s gonna start again from scratch, because a meal is what you requested of him, and a meal is what he will deliever.

wriothesley will set the kitchen on fire and say it’s on purpose—and most of the time, it is. his cool calculations melt away when he’s in the kitchen, as once pristine counters become rather messy, and the organized pantry and fridge, disorganized. wriothesley claims it’s because this is how he works best on the kitchen, and you suppose that’s true given his cooking style, which is picking out ingredients, throwing them together, and hoping for something tasty. it’s unfair, really, how good he is at cooking without trying. the kitchen is an embodiment of a hot mess.

[lilianasgrimoire]

Witches & Witchcraft: Types & Definitions

There is an abundance of types of witches, some being more common than others, for example, death witch or hedge witch. I have provided the different types of witches with a brief description/definition of what they study, believe and tools most commonly used for each.

The types of witchcraft is entirely up to the individual which they prefer to do. One person may only follow on type of magick whereas another may follow several. Listed are a handful of the many kinds, but I'm listing the most common/known types of magick/witchcraft that people fall into.

I have grouped some witches together as they fit together under the same or similar definitions.

Types of Witches

Religious witches;

Christian, Satanic (Theistic), Laveyan Satanic, Hellenic, Celtic and Wiccan, etc. are witches that follow a primary belief system and incorporate their religion into the craft.

Non-Religious witches;

Secular - doesn't work with [a] deity(ies).

Science - (also a craft type), uses metaphysical and scientific fads and theories mixed together.

Other types of witches;

Solitary - works alone and is not part of a coven. Won't typically work with other witches for spell work or any part of their practice.

Eclectic - a practice that includes multiple practises from different areas. A mixture of all practices, may practise one more than another, or all equally.

Hereditary/Generational - a witch who is born into a family whom practice the craft. The term 'Blood witch' is often a hot topic of controversy as to whether it makes one a more powerful witch.

Traditional - a type that is based on honouring the traditional ways of magick, which also ties in nicely with generational/hereditary witches.

Chaotic/Chaos - a witch who utilizes new, non-traditional and unorthodox methods. It's still relatively new and highly individualistic practice while still drawing from common forms of magick.

Types of Witchcraft/Magick

Green Witch; A witch who uses natural magick, such as creating blends of different plants, or primarily using herbs and/or crystals spells in their craft. Tools mostly consist of herbs, crystals, stones, flowers, soil or other greenery.

Hedge Witch; Also know as an astral witch, this type of magick is orientated around spiritual work such as astral projection, lucid dreaming, spirit work, healing and out-of-body magick. Tools mostly consist tarot cards, runes, pendulum, stones, crystal ball, mirrors & candles.

Dream Witch; Mindful and internal magickal practice mainly based from interpreting dreams and/or engaging in lucid dreaming. Practises used to 'de-code' symbols and messages in the dream world can be used similarly to how one would use divination techniques. Tools mostly consist of dream catchers, candles, books of glossaries of symbols.

Sea/Ocean; Derived from materials and abstract ideas involving ocean and the oceanic world. Sea or ocean magick can be worked with by using things found on or relating to a beach/lagoon. A sea witch might draw their energy from such tools. Tools commonly consist of driftwood, pebbles/stones, seashells, ocean water, bones, seaweed, candles.

Storm/Weather; magick used through combining one's energy with the weather; most commonly rain. Weather witches will collect different ingredients provided by the weather, absorb energy from storms, manipulate winnds, or perhaps predict the weather. Tools most commonly consist of rain/snow water, symbols/weather maps, crystals.

Cottage/Hearth; Magick that is weaved and worked or embedded into mundane tasks around the house or for loved ones. Cottage magick is usually worked into cleaning, hobbies or cooking. Tools commonly consist of essential oils, incense, bells, flowers, cleaning utensils, spices and herbs.

Tea Witch; Creating blends of teas for protection, remedies or even to use for tea-leaf divination. Tools commonly consist of tea, herbs, waters, spices.

Tech Witch; Use of technology in the craft, mostly based through phones or computers. Mostly used for storing of information, grimoires, spell books and Book of Shadows/diaries. Tools consist of apps on the phone, digital sigils, online blogs and pages.

Garden/Flora; Mostly (if not all) focused on herbal and botanical measures. Many garden witches have their own garden and plant flowers and herbs to draw in energy for their home and to include in rituals and spells. Tools commonly consist of flowers, soil, seeds, greenery, twigs/tree branches, leaves.

Elemental; Using all 4 (or 5) elements in an honouring or acknowledging form. A witch can choose to work with all, or singular elements. One may have a dedicated area on their alters to a particular elements. Tools consist of anything related to said element.

Faery/Fae; Magick for those who communicate with, and/or work with the Fae. Those whom work with fae may also leave offerings regularly as thanks for the assistance of a faery in their spell work. Tools commonly consist of anything sweet, sigils, offerings.

Spirit; A practice which an individual will perform spell work in conjunction with (or the help of) any manner of spirit, including Ouija, demon spirits, spiritual contact of any kind, working with ancestors. Tools commonly consist of crystals, bells, incense, Ouija boards, tarot cards, pendulums, sigils.

Draconian: The use of dragons and dragon imagery; whether it be trough astral matters or in spells and rituals. May also be connected with dragon spirits on their journey. Tools commonly consist of dragons art, statues, candles.

Seasonal; Utilizing and drawing energy from specific time periods of the year for their magick. One individual may feel more powerful at a particular time of year. It can also be spread out into the 4 seasons. Tools commonly consist of herbs related to certain seasons, stones, ruins and the weather.

Music; Can be through singing, humming, playing an instrument, creating music or having it on during spell work to add energies. Tools consist of speakers, instruments, voice, chimes, lyrics & sheet music.

Art & Craft; Anything from painting to knitting to building something. Tools consist of anything you can craft with.

Sigils; Working majorly with sigils and the intent that can be put into them to activate their power. Tools commonly used are pens, paper, makeup, candles.

Astronomy/Space/Luna; Correlates their belief in conjunction with the planets, stars and/or moon. Versed in moon phases and tend to do spell work at night rather than day time. Tools commonly used are horoscopes, calendars, charts, moonlight, moon water.

Energy; Those who prefer to do magick through energy exercises and manipulation rather than many physical tools or materials. This may also include aura work. The only tools needed for this type is yourself.

Crystal; Magick that is worked commonly with stones and crystals. The practise may include chakra balancing, crystal meditation and even spell work or rituals. Extensive knowledge of stone, including how to identify them. Tools most commonly used are crystals, books, grimoires and stones.

Literacy; Those who practise through books and literature - studying the craft after the 'beginner' phase of learning. Tools are books, poems, written work.

[hayatheauthor]

Hello! 😊 Do you have any advice on word-building? I can imagine multiple scenarios in my head, but I can't seem to put them into words. 🥹

First off hi sorry I took forever to write this blog! I hope it helps you get your ideas onto paper <3

Worldbuilding is the backbone of any compelling story, especially in genres like fantasy, science fiction, and historical fiction. Crafting a believable, immersive world can captivate your readers and provide a solid foundation for your narrative. In this guide, I’ll walk you through the essential steps to create a vivid and engaging world for your story.

Understanding Worldbuilding

Worldbuilding involves creating a complete, fictional universe that serves as the setting for your story. This process includes developing geography, cultures, history, politics, and even the rules of nature and magic (if applicable). The goal is to make your world feel as real and intricate as the characters who inhabit it.

Starting with the Basics

Define the Genre and Tone

Consider the genre of your story. A high-fantasy world will have different requirements than a dystopian future or a historical setting. The tone—whether it's dark and gritty or light and whimsical—will also influence your worldbuilding decisions.

Establish the Setting

Start with the physical world. Sketch out maps, outline the geography, and decide on key locations where your story will unfold. Think about the climate, natural resources, and the flora and fauna that inhabit this world.

Develop a History

Create a backstory for your world. Major events, wars, discoveries, and cultural shifts shape the present-day setting. A rich history can add depth and realism, influencing characters’ beliefs and motivations.

Building Cultures and Societies

Craft Unique Cultures

Think about the various cultures in your world. What are their customs, traditions, and social norms? How do they dress, what languages do they speak, and what religions do they follow? Diverse and well-thought-out cultures can add layers to your narrative.

Political Systems and Power Structures

Define the political landscape. Who holds power, and how is it distributed? Are there monarchies, democracies, or tribal councils? Consider the relationships between different nations or groups and the potential for conflict.

Economics and Resources

Understand the economy of your world. What resources are abundant or scarce? How do people trade, and what currencies do they use? The distribution of resources can drive plot points and character motivations.

Crafting Magic and Technology

Magic Systems

If your world includes magic, establish clear rules and limitations. What are the sources of magic? Who can use it, and how? Consistent magic systems prevent plot holes and maintain suspension of disbelief.

Technology Levels

Consider the technological advancements in your world. Are they using medieval weapons, steampunk machinery, or advanced futuristic gadgets? The level of technology can influence daily life, warfare, and exploration.

Time and Place

Historical Context

Establish the timeline of your world. Is it set in the past, present, or future? Consider historical events that have shaped the current state of the world. How have these events influenced societal development and cultural evolution?

Daily Life and Schedules

Describe the daily routines of your characters. What does a typical day look like for different social classes or cultures? Consider work hours, leisure activities, and societal expectations. The pace of life can vary greatly depending on technological advancements and cultural norms.

Timekeeping and Calendars

Develop a system of timekeeping and calendars. Are there specific seasons, festivals, or holidays that are significant? How do people measure time—by the sun, moon, or a mechanical clock? Unique timekeeping methods can add depth and authenticity to your world.

Clothing and Fashion

Cultural Significance

Explore how clothing reflects cultural identity, status, and occupation. Different regions and social groups might have distinct styles, fabrics, and accessories. What materials are commonly used, and how are garments crafted?

Fashion Trends

Consider the evolution of fashion in your world. What are the current trends, and how do they vary across different societies? Fashion can be influenced by historical events, climate, and interactions with other cultures.

Practicality and Symbolism

Think about the practicality of clothing in your world’s environment. How does the climate affect what people wear? Additionally, consider any symbolic meanings attached to certain garments or accessories. For instance, specific colors or patterns might denote rank or allegiance.

Religion and Beliefs

Pantheon and Deities

Create a pantheon of gods or a single deity, depending on your world’s religious structure. What are their characteristics, domains, and myths? How do they interact with mortals, if at all?

Rituals and Practices

Detail the religious rituals and daily practices of your world’s inhabitants. Consider ceremonies, festivals, and rites of passage. How do these practices influence daily life and societal norms?

Religious Institutions

Define the structure and influence of religious institutions. Are there temples, churches, or shrines? What roles do priests, shamans, or other religious figures play in society? The power dynamics between religious and secular authorities can add layers to your worldbuilding.

Languages and Communication

Linguistic Diversity

Develop the languages spoken in your world. Are there multiple languages or dialects? Consider the history of these languages and how they evolved. Language can be a powerful tool to convey cultural diversity and conflict.

Writing Systems

Design writing systems and scripts used for communication. Are there ancient texts or runes with special significance? How do literacy rates vary among different social classes and regions?

Non-Verbal Communication

Explore other forms of communication, such as body language, sign language, or symbolic gestures. How do people convey messages in situations where spoken language is impractical? These non-verbal methods can add depth and realism to your interactions.

Integrating Worldbuilding into Your Story

Show, Don’t Tell

Instead of dumping information on your readers, reveal your world organically through the narrative. Use dialogue, actions, and descriptions to weave worldbuilding details seamlessly into the story.

Character Perspectives

Different characters will experience and interpret your world in unique ways. Use their perspectives to highlight various aspects of your world, making it richer and more complex.

Consistency and Continuity

Maintain consistency in your world’s rules and details. Keep track of your worldbuilding elements to avoid contradictions and ensure a cohesive narrative.

Worldbuilding Tools and Resources

Maps and Diagrams

Create visual aids like maps, family trees, and diagrams to help you keep track of your world’s layout and relationships. Tools like Inkarnate or Wonderdraft can be helpful for map-making.

Worldbuilding Bibles

Maintain a worldbuilding bible—a document where you compile all your world’s details. This can include notes on geography, history, cultures, and more. It’s a valuable reference as you write and develop your story.

Inspiration from Real World and Fiction

Draw inspiration from real-world cultures, histories, and landscapes. Similarly, reading widely in your genre can provide insights into effective worldbuilding techniques.

Final Thoughts

Worldbuilding is a rewarding yet challenging aspect of storytelling. It requires imagination, attention to detail, and a deep understanding of your narrative’s needs. By following this comprehensive guide, you can create a vibrant, believable world that will captivate your readers and enhance your storytelling.

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!