#tos films

[calliethetrekkie]

Triumvirate Prompts: Day 3

(Prompts Link)

#3. Favorite Star Trek Headcanon

Hopefully this one counts. It's been brought up in the novels before, but IDT the actual canon ever confirmed it, so...

One of my favorite headcanons is that, after the fal-tor-pan in The Search For Spock, Spock and McCoy became bonded. You can view it as romantic or as friends or whatever way you see fit. Either way, they've become linked, and it actually doesn't really bother them when they found out. It does however mean that they can read each other incredibly well and know each other on a level that most couldn't achieve. Even after Spock becomes an Ambassador and McCoy remains in Starfleet as a doctor and thus are frequently apart, they are always there for one another for the rest of their lives. For these two, I think that means a lot.

And yes, maybe Jim got added later on (again under whatever lens you choose) so he's also there XD

[electronickingdomfox]

So I went to visit my parents last weekend, and since they were broadcasting all the TOS movies on Saturday (they’ve been doing that recently in Paramount channel over here), I thought I could watch them with them. They had never seen anything Star Trek-related, though some characters like Spock were familiar for them (as they are for most people). This is how it went: The Motion Picture

It was right after lunch, so they both fell asleep as usual. My father still had time to comment ironically on Kirk’s “cute” shirt after meeting Spock:

My mother woke up at the very end, and asked what happened. Me: “The whole film happened”.

The Wrath of Khan

My father was far more interested in this film. A special highlight for him was how Khan’s crew looked like Guns N’ Roses:

He was also particularly outraged by David wearing a jacket around his shoulders for no apparent reason (and noticed this for no apparent reason, because who even looks at that!?). And I mean very, VERY outraged.

The Search for Spock

After recovering from David’s jacket, my dad had to focus on Kirk wearing a pink shirt, of course.

Also, he found incredibly funny that Kirk wouldn’t care so much for his son’s death, but was willing to sacrifice the Enterprise, his career, and basically EVERYTHING for Spock.

Me at the end of the movie, when they’re transferring Spock’s katra: “If this goes wrong, Kirk’s gonna lose both his friend McCoy and his boyfriend Spock”.

My mother (who hasn’t paid much attention to the films), and completely casual about it: “Ah! So they’re boyfriends”.

Me, explaining how there were many hints from the producers/actors, but these are old films, so of course nothing is explicit.

My mom: “Well, their relationship seems indeed too intense to be just friends.”

The Voyage Home

My dad is still focusing on Kirk’s pink shirt.

--------------------------------------------------------------------

We didn’t watch the other two movies because it had become waaay too late. So, to recapitulate, as result for this first contact with Star Trek, my father noticed “shirts”. And that it goes: “Spock>>>>>>>>>>>Enterprise>David” for Kirk’s priorities. I think my mother didn’t pay much attention to the plots, but somehow was left under the impression that Kirk and Spock were boyfriends.

I don’t know if this was a failed watch-together, or a success...

[sapsuckers-and-stardust]

Watching Star Trek IV

Whale biologist: why do you hang around with that weird guy who calls you admiral and why are you so close?

Kirk: *hesitates*

Whale biologist, who lives in San Francisco in the 80s and is rapidly drawing many correct conclusions: that’s okay we don’t have to talk about it.

[offline-nobody]

if i had a penny for everytime star trek wrote an incredibly autistic coded character, who happened to also be gay for the most bisexual character imaginable, id have 5 pennies, which isn’t a lot but it’s weird that its happened 5 times, right?

[garneneva]

Ghibli spirk pt2

[a-trek-trough-the-stars]

Barry Trivers and Gerd Oswald dropping “The Conscience of the King” on December 8th of 1966, only to never elaborate on Tarsus IV and Kirk’s past there

[spirk-trek]

Star Trek Set Tour 6/?: The Bridge

[daftmooncretin]

imagine being scotty in tos. every day your friend group goes on dangerous yet exciting adventures to new planets but you can never go because they always make you babysit the ship. also you have to stay on facetime with them the whole time in case they need a lift. you are the eternal designated driver. the seventh wheel. you dont mind as much as you should though because you sort of want to fuck the ship

[spocks-kaathyra]

Spock looking for whales at the Cetacean Institute!

[favvn]

You know how Bread and Circuses did the suggestive pan to the lamp to imply Kirk had sex, complete with a pan down to show Kirk sleeping alone and fully clothed in the bed long after the lamp has burned out?

And then The Cloud Minders does a pan from Kirk sleeping fully clothed on the bed to Spock sitting in the chair across from him?

Surely can't be implying anything here, nope.

[constanzel]

Legit film slides from the show

[subterraneanna]

I've been scanning and restoring some pieces of original Star Trek: TOS film and wanted to share this before and after from a deleted scene in the episode "Elaan of Troyius":

At nearly 60 years old, the film is in bad shape, exhibiting substantial scratches and color shifting. The magenta/red tint is a good example of dye fading, a sign of deterioration likely due to the film stock it was shot on.

Prior to 1950, color motion picture film was shot in Technicolor, which required a large, cumbersome camera to simultaneously expose 3 separate strips of negative film that then underwent a proprietary dye imbibition process to create a full color image. Though visually stunning and remarkably color-stable, it was a complicated, expensive process reserved only for high budget productions. In 1950, Eastman Kodak introduced Eastmancolor, the first 35 mm “single-strip” color motion picture negative -- in short, a film that was easy to shoot and process, and compared to Technicolor, only used a 1/3 of the film stock. Suddenly color film was an affordable option for studios and its popularity took off. Eastmancolor was composed of a single strip of negative film surfaced with 3 layers of light-sensitive gelatin emulsion. During development, a chemical reaction produced magenta, yellow, and cyan dyes on their corresponding layers, which were superimposed to create a full color image. Unfortunately, these dyes were unstable, something that wasn't apparent until aging films began to lose their color in the following years.

The Star Trek image above is pink because its yellow and cyan dyes have faded away, leaving just the magenta layer. The information may be lost, but digital restoration can improve what's left. But because the yellow and cyan greatly contributed to the overall density of the image, basic color balancing still produces a lower contrast version compared to what the original must have looked like. The missing richness and depth seems most apparent in the skin tones, but hand painting some of the color can bring a little life back to it, as I've done here. It's a challenge because, as far as I can tell, the only remaining footage or still shots of this scene show some level of dye fading. Fortunately, now that the film is digitized, restoration can be an ongoing project. If you own any color motion picture film negatives or prints, the sooner you get them scanned the better. In the meantime, helpful storage information can be found here.

It's been a while since I've shot any film (film major), so it's nice to see it again, even if it's chopped up into single frames. I have a small collection of them so I'll post more restored images as they're completed. BTW @cheer-deforest-kelley has a great post on how this film went from the editing room floor to the hands of fans.

[trek-tracks]

Okay, hear me out. TOS 4 is the time travel movie. So AOS 4 is the time travel movie, but it's not about whales.

It's about a conversation AOS Spock had with TOS Spock before the latter died, when TOS Spock mentioned that things didn't really go irrevocably wrong in his universe until Admiral Kirk disappeared with the Enterprise-B. AOS Spock wonders what repercussions this has had on his own, somewhat more distressing universe, and when the AOS Enterprise bridge crew finds itself assigned to protect Earth by examining an unstable temporal ribbon that seems to be crossing through the galaxy--well. Spock wonders. Is this the Nexus? They find out soon enough that it is. And since Spock's the first one in, technically, the Nexus gives him what he wants, which is what the Nexus has--the ability to cross universes as well.

Now everyone, out in two groups on separate missions has to resist succumbing to the temptations of the world of the Nexus while they try to rescue Admiral Kirk, making sure his mission is still completed (so as not to destroy anything for the TNG folks' reality) but that he survives, so that they can figure out how to get through the Nexus and pop him back in his universe right as he's supposed to leave on the Enterprise-B. AOS Spock is sure he can figure out those calculations somehow. Some of the temptations are funny, some are sad, but we find out where Uhura and Sulu and Scotty are in their lives, and where they want to be.

Like Spock got to meet TOS Spock, TOS Kirk gets to meet Kirk (and Spock, and McCoy, and eventually the rest of the bridge crew). AOS Kirk learns that the life he's been envious of all this time didn't turn out well in the end because TOS Kirk ran toward duty alone despite what he had, and TOS Kirk learns that a) he could have suffered so much more loss, b) he's just one of a set of infinite possibilities, just like AOS Kirk is, and c) he's been wasting eternity exploring those other possibilities of happiness in the Nexus when he could have been content with what he already had.

He finds out what happened to TOS Spock, and it's agonizing. He sees this weird young Spock and Bones, both of whom could bench-press him, and he misses his Spock and Bones so much that the Nexus starts trying to change the fantasy world, to their detriment. It's only when the crew sticks as close as possible together and all concentrates on wanting the same thing that they're all able to shift the Nexus to their goal. Then Picard shows up. Things get complicated.

We hear, from Generations: And in the end, what did it get me? An empty house...Not this time.

and from Star Trek V: I knew I wouldn't die because the two of you were with me.

I thought you said men like us don't have families.

I was wrong.

TOS Kirk decides that, yes, he wants to leave, and he wants to go back. But they're not entirely sure how to line up Picard's plan and TOS Kirk's plan and the AOS plan and have it all work. It's a lot to figure out.

To simplify things, AOS Kirk decides he's going to volunteer to go die in TOS Kirk's place so that they can return TOS Kirk and at least one of them will have a decent ending, because his own life still feels so uncertain. This seems like it's going to work until his Spock and Bones both read him the riot act. But it's Bones who really goes off.

Karl Urban gets a great speech as Bones about how both Spock and Kirk met their counterparts, a chance which he will likely never be afforded and neither of them learned anything from it. Spock went off and punctured the walls of a universe even though TOS Spock indirectly destroyed AOS Vulcan through it. Kirk is trying to run away and die again because he doesn't know what to do with himself, even though TOS Kirk had an unhappy ending to a good life because at the end he ran away and tried to die again. Bones just tries to pick up the pieces. You don't fix things by tearing them apart, and you don't fix them by tearing yourself apart. You fix them by healing the rift. AOS Kirk's eyes light up. They're going to fix the rift.

They're going to give this random meaningless villain what he wants, throw him into the Nexus, he can have infinite joy, then they're going to seal it and heal it.

After all, AOS Bones says. He had a drink with TOS Kirk at the man's insistence, even though the Saurian Brandy didn't taste like anything, and Kirk told him he could cure anything from a rock to a rainy day. The tasteless brandy? Apparently Bones is the person who can actually perceive that nothing here is real, so he doesn't want anything except for everyone to remain safe.

From Beyond: Better to die saving lives than to live with taking them. 

Bones says: Better that no one dies at all. This time, no one dies.

So TOS Kirk and the Bridge crew go with Picard to subdue Soran and honestly, it's not that tough with all of them. Nobody had to die. And as they fix the rift, with TOS Kirk and Picard's Enterprise about to be thrown back into their universe on one side and the AOS Enterprise into theirs on the other, Picard suddenly realizes that he never clarified how they were getting Kirk back to his own time. And how will they explain his status?

TOS Kirk grins. Good thing I know how to slingshot around the sun, he says. And when they report me missing, I'll just say I didn't go in the first place. Clerical error. Who are they to argue with an alive man?

AOS Kirk has so many questions, but the two of them merely salute each other, and then they're thrown back.

Back in his own time, TOS Kirk walks into a Starfleet Academy apartment, and hear him say:

Bones, I heard you got laid up with Andorian flu and Spock was taking care of you, and this I just had to see! How many hypos? Don't let him talk you out of any, Spock. They're all important, every single one, even ones he hasn't heard of.

A pause.

Yes, I know I said Starfleet needed me. I just thought maybe you two needed me more this time.

Back in the AOS universe and Spock's calculations are totally off in getting home, because he didn't account for the gravitational pull of--

Vulcan. The planet that apparently still exists.

TOS Spock still came into their universe--he was always going to live longer than his ties to his Enterprise family. But his actions had been tempered, less destructive, which had clearly resulted in the Enterprise being able to save the planet. They were going to have to find out how.

Not everything had changed, of course. Nero had still been Nero, they had still come together. But Jim only vaguely remembers dying, now, as though it had happened to somebody else. He feels more settled than he ever has before. Some of that's the time travel revision, and some of that's the meeting with his alternate self, and some of that's Bones' yelling. Spock feels a sense of closure. Bones is just relieved that nobody died this time.

Uhura suddenly and quietly alerts them to the chronometer. It's a week before they left, which means there are now two Enterprise bridge crews on Earth, and that they need to lie low for a week to avoid running into themselves.

What should we do, Captain? she asks.

Jim smiles.

Let's go to Yosemite.

[thebreaddemon]

I have been thinking about this for months because it’s literally them guys they’re literally doing the pose GUYSSSSSSSS

[garneneva]

Ghibli spirk

Films: Ponyo, kiki’s delivery service

[beanie-spirk]

Deathwatch (1966) a.k.a that time Leonard Nimoy was in a gay prison movie